Click on any release to be taken to the corresponding release on the Releases page.
Key to symbols:
Index | Matrix No. | Title | Releases | New DESOR | |
---|---|---|---|---|---|
ALBERTA PRIME | New York City, NY | November 1924 | |||
Blu-Disc recording session | |||||
Duke Ellington(p); Alberta Prime(v) | |||||
24-11-01-001 | T2001-1 | It’s Gonna Be A Cold, Cold Winter - vAPr | BD T1007, HnS FDC-5104, MoJ MJCD-8 | DE2401a | |
ALBERTA PRIME - SONNY GREER | New York City, NY | Same session | |||
Duke Ellington(p); Alberta Prime (v); Sonny Greer(v, d, wooden train whistle) | |||||
24-11-01-002 | T2002-2 | Parlor Social De Luxe - vAPr, SG | BD T1007, HnS FDC-5104, MoJ MJCD-8 | DE2401b | |
THE WASHINGTONIANS | New York City, NY | November 1924 | |||
Blu-Disc Recording session, possibly at Emerson Recording Laboratories | |||||
Bubber Miley(t); Charlie Irvis(tb); Otto Hardwick(as); Duke Ellington(p);Fred Guy(bj); Sonny Greer(d, wooden train whistle) | |||||
24-11-02-001 | T2005-2 | Choo Choo | BD T1002, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2402a | |
24-11-02-002 | T2006-1 | Rainy Nights | BD T1002, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2402b | |
The banjo player was reported as George Francis in the NDESOR. | |||||
JO. TRENT AND THE D C'NS | New York City, NY | Same session | |||
Otto Hardwick(bar, cms); Duke Ellington(p);Fred Guy(bj); Sonny Greer(d); Jo. Trent(v) | |||||
24-11-02-003 | T2007-1 | Deacon Jazz - vJTr | BD T1003, HnS FDC-5104, MoJ MJCD-8 | DE2402c | |
The banjo player was reported as George Francis in the NDESOR. | |||||
SUNNY AND THE D C'NS | New York City, NY | Same session | |||
Otto Hardwick(bar, cms); Duke Ellington(p); Fred Guy(bj); Sonny Greer(v) | |||||
24-11-02-004 | T2008-1 | Oh, How I Love My Darling - vSG | BD T1003, HnS FDC-5104, MoJ MJCD-8 | DE2402d | |
The banjo player was reported as George Francis in the NDESOR. | |||||
FLORENCE BRISTOL | New York City, NY | January 1925 | |||
Up-to-Date Recording session | |||||
Otto Hardwick(as); Duke Ellington(p);Florence Bristol(v) | |||||
25-01-13-001 | T2018-2 | How Come You Do Me Like You Do - vFB | HnS FDC-5104, MoJ MJCD-8, UtD 2019(D) | DE2403a | |
BERT LEWIS THE SOUTHERN SYNCOPATOR | New York City, NY | April-May 1925 | |||
Everybodys Recording Session | |||||
Bert Lewis(v); possibly Duke Ellington(p) | |||||
25-04-01-001 | SAH 1 | Don’t Bring Lulu | Ev 1047-A | ||
25-04-01-002 | SAH 2 | It’s Time To Keep Away From You | Ev 1047-B | ||
See “The Duke, the ‘Southern Syncopator’ and a Mysterious Record Label from 1925” by Steven Lasker, http://vjm.biz/unknown-1925-duke-ellington.html. | |||||
DUKE ELLINGTON'S WASHINGTONIANS | New York City, NY | 11 September 1925 | |||
Pathé recording session | |||||
Pike Davis(t); Charlie Irvis(tb); Prince Robinson(cl,ts); Otto Hardwick(as); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb) | |||||
25-09-11-001 | 106250 | I’m Gonna Hang Around My Sugar | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 36333 | DE2501a | |
25-09-11-002 | 106251 | Trombone Blues | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 36333 | DE2501b | |
Previously reported as just “September 1925”. TDWAW suggests 11 September most likely. | |||||
DUKE ELLINGTON'S WASHINGTONIANS | New York City, NY | Circa 18 March 1926 | |||
Pathé recording session | |||||
Harry Cooper, Leroy Rutledge(t); Charlie Irvis(tb); Don Redman(cl,as); Prince Robinson(cl,ts); Otto Hardwick(as,bar); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb) | |||||
26-03-18-001 | 106729 | Georgia Grind | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 7504 | DE2601a | |
26-03-18-002 | 106730 | Parlor Social Stomp | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 7504 | DE2601b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 March 1926 | |||
Gennett recording session | |||||
Harry Cooper, Leroy Rutledge(t); Charlie Irvis(tb); Don Redman(cl,as); Prince Robinson(cl,ts); Otto Hardwick(bar,as); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb); Sonny Greer(d,v) | |||||
26-03-30-001 | X57-A | “Wanna Go Back Again” Blues - vSG | Cl(F) 539, Ge 3291, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2602a | |
26-03-30-002 | X58-A | If You Can’t Hold The Man You Love - vSG | Cl(F) 539, Ge 3291, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2602b | |
DUKE ELLINGTON AND HIS WASHINGTONIANS | New York City, NY | 21 June 1926 | |||
Gennett recording session | |||||
Bubber Miley, Charlie Johnson(t);Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(as,bar), n/k(as); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d,v) | |||||
26-06-21-001 | X190- | Animal Crackers | Cl(F) 539, Ge 3342, Hi 20.4140-302, HnS FDC-5104, JCt JEL-16, MoJ MJCD-8 | DE2603a | |
26-06-21-002 | X191- | Li’l Farina | Cl(F) 539, Ge 3342, Hi 20.4140-302, HnS FDC-5104, JCt JEL-16, MoJ MJCD-8 | DE2603b | |
ALBERTA JONES WITH THE ELLINGTON TWINS | New York City, NY | 14 October 1926 | |||
Gennett recording session | |||||
Otto Hardwick(as); Duke Ellington(p); Alberta Jones(v) | |||||
26-10-14-001 | X323- | Lucky Number Blues - vAJ | Ge 3403, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2604a | |
26-10-14-002 | X324-A | I’m Gonna Put You Right In Jail - vAJ | Ge 3403, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2604b | |
DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 29 November 1926 | |||
Vocalion recording session | |||||
Bubber Miley, Louis Metcalf(t);Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(ss,as,bsax); n/k(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
26-11-29-001 | E4108/9W | A Night In Harlem | DE2605a | ||
26-11-29-002 | E4110W | East St. Louis Toodle-O | CBS 67264, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Vo 1064 | DE2605b | |
26-11-29-003 | E4112/3W | Who Is She? | DE2605c | ||
26-11-29-004 | E4114W | Birmingham Breakdown | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Vo 1064 | DE2605d | |
According to NDESOR the alto sax is Edgar Sampson; Steven Lasker strongly disagrees. All the n/k players in this session through to 30 April are heard in section only, and are thus hard to identify (Steven Lasker). | |||||
Gussie Alexander | New York City, NY | 01 December 1926 | |||
OKeh recording session | |||||
Otto Hardwick(as,bar); Duke Ellington(p); Gussie Alexander(v) | |||||
26-12-01-001 | They Say I Do It - vGA | ||||
26-12-01-002 | Drifting From You Blues - vGA | ||||
26-12-01-003 | Drifting From You Blues - vGA | ||||
Duke Ellington(p); Gussie Alexander(v) | |||||
26-12-01-004 | Drifting From You Blues - vGA | ||||
All takes rejected | |||||
DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 29 December 1926 | |||
Vocalion recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(as); n/k(as); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
26-12-29-001 | E4321W | Immigration Blues | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5104, MoJ MJCD-9, Vo 1077 | DE2606a | |
26-12-29-002 | E4323W | The Creeper | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196v, HnS FDC-5104, MoJ MJCD-9, Vo 1077 | DE2606b | |
26-12-29-003 | E4324W | The Creeper | COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5104, MoJ MJCD-9, Nw RP2009, Vo 1077 | DE2606c | |
Unknown alto sax: as per note on 29 November 1926. | |||||
EVELYN PREER | New York City, NY | 10 January 1927 | |||
Victor recording session | |||||
Bubber Miley(t); Prince Robinson(cl,ts); Otto Hardwick(as); Edgar Sampson(vn);Duke Ellington(p); Sonny Greer(d); Evelyn Preer(v) | |||||
27-01-10-001 | BVE37527- | Make Me love You - vEPr | DE2701a | ||
27-01-10-002 | BVE37528-1 | If You Can’t Hold The Man You Love - vEPr | (F)RCA 731043, Cl(F) 24, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Tx LP-9 | DE2701b | |
Gussie Alexander | New York City, NY | 21 January 1927 | |||
OKeh recording session | |||||
Duke Ellington(p); Gussie Alexander(v) | |||||
27-01-21-001 | They Say I Do It - vGA | ||||
27-01-21-002 | Drifting From You Blues - vGA | ||||
All takes rejected | |||||
DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 03 February 1927 | |||
Vocalion recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(as,bsax); n/k(as); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-02-03-001 | E4510W | New Orleans Lowdown | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 1086 | DE2702a | |
27-02-03-002 | E4511W | Song Of The Cotton Field | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 1086 | DE2702b | |
DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 28 February 1927 | |||
Brunswick recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(cl,as); n/k(cl,bar); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-02-28-001 | E21636/8 | East St. Louis Toodle-O | DE2703a | ||
27-02-28-002 | E21641 | Birmingham Breakdown | Br 3480, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2703b | |
DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 14 March 1927 | |||
Brunswick recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(ss,bsax); n/k(cl,bar); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-03-14-001 | E21872 | East St. Louis Toodle-O | Br 3480, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2704a | |
DUKE ELLINGTON AND HIS WASHINGTONIANS | New York City, NY | 22 March 1927 | |||
Columbia recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Prince Robinson(cl,ts); Otto Hardwick(ss,as,bar,bsax); n/k(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-03-22-001 | W143705-3 | East St. Louis Toodle-O | CBS 67264, Cl(F) 539, Co 953D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705a | |
27-03-22-002 | W143706-2 | Hop Head | CBS 67264, Cl(F) 539, Co 953D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705b | |
27-03-22-003 | W143707-2 | Down In Our Alley Blues | CBS 67264, Cl(F) 539, Co 1076D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705c | |
THE WASHINGTONIANS | New York City, NY | 07 April 1927 | |||
Brunswick recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Otto Hardwick(as); n/k(as); n/k(ts); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-04-07-001 | E22299 | Black And Tan Fantasy | Br 3526, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2706a | |
THE WASHINGTONIANS | New York City, NY | 30 April 1927 | |||
Brunswick recording session | |||||
June Clark, Louis Metcalf(t); Joe Nanton(tb); Otto Hardwick(cl,as); n/k(cl,as); n/k(cl,ts); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
27-04-30-001 | E22809 | Soliloquy | Br 3526, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 15555 | DE2707a | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 October 1927 | |||
Victor recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick(as,bar); Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
27-10-06-001 | BVE40155-1 | Black And Tan Fantasy | DE2708a | ||
27-10-06-002 | BVE40155-2 | Black And Tan Fantasy | |||
Both takes above rejected | |||||
27-10-06-003 | BVE40156-1 | Washington Wabble | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D) | DE2708b | |
27-10-06-004 | BVE40156-2 | Washington Wabble | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, Nw RP2009, RCA 09026-63386-2(D) | DE2708c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 26 October 1927 | |||
Victor recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick (cl,as); Harry Carney(cl, as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v) | |||||
27-10-26-001 | BVE40155-4 | Black And Tan Fantasy | (F)RCA 731043, Bb 82876-60091-2-1, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21137 | DE2709a | |
27-10-26-002 | BVE40156-5 | Washington Wabble | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21284 | DE2709b | |
27-10-26-003 | BVE39370-1 | Creole Love Call - vAHa | (F)RCA 731043, BMG 88697298542, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21137 | DE2709c | |
27-10-26-004 | BVE39371-1 | Blues I Love To Sing - vAHa | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-1313, MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21490 | DE2709d | |
27-10-26-005 | BVE39371-2 | Blues I Love To Sing - vAHa | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, Nw RP2009, RCA 09026-63386-2(D) | DE2709e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 November 1927 | |||
Okeh recording session | |||||
Jabbo Smith, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v) | |||||
27-11-03-001 | W81775-A | What Can A Poor Fellow Do? | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 40955 | DE2710a | |
27-11-03-002 | W81776-B | Black And Tan Fantasy | CBS 67264, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, Ok 40955 | DE2710b | |
27-11-03-003 | W81776-C | Black And Tan Fantasy | CBS 67264, Cl(F) 542, HnS FDC-5111, MoJ MJCD-25, Ok 40955 | DE2710c | |
27-11-03-004 | W81777-C | Chicago Stomp Down - vAHa | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 8675 | DE2710d | |
MARGUERITE LEE WITH THE ELLINGTON TRIO | New York City, NY | 08 November 1927 | |||
Vocalion recording session | |||||
n/k(vl); Duke Ellington(p); n/k(ce); Marguerite Lee(v) | |||||
27-11-08-001 | E6783/4W | You Will Always Live On In Our Memory - vML | DE2711a | ||
WALTER RICHARDSON WITH THE ELLINGTON TRIO | Same session | ||||
n/k(vl); Duke Ellington(p); n/k(ce); Walter Richardson(v) | |||||
27-11-08-002 | E6785/6W | Gone But Not Forgotten - vWRi | DE2711b | ||
MARGUERITE LEE WITH THE ELLINGTON TRIO | Same session | ||||
n/k(vl); Duke Ellington(p); n/k(ce); Marguerite Lee(v) | |||||
27-11-08-003 | E6787/8W | She’s Gone To Join The Songbirds In Heaven - vML | DE2711c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 December 1927 | |||
Victor recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick(as,bar); Harry Carney(as,ss,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
27-12-19-001 | BVE41244-1 | Harlem River Quiver | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21284 | DE2712a | |
27-12-19-002 | BVE41244-2 | Harlem River Quiver | (F)RCA 731043, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, RCA 09026-63386-2(D) | DE2712b | |
27-12-19-003 | BVE41244-3 | Harlem River Quiver | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-1308, MoJ MJCD-25, Nw RP2009, RCA 09026-63386-2(D) | DE2712c | |
27-12-19-004 | BVE41245-2 | East St. Louis Toodle-O | (F)RCA 731043, Bb 82876-60091-2-1, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21703 | DE2712d | |
27-12-19-005 | BVE41246-1 | Blue Bubbles | (F)RCA 731043, Cl(F) 542, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21490 | DE2712e | |
27-12-19-006 | BVE41246-2 | Blue Bubbles | (F)RCA 731043, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, Pi MPC-510, RCA 09026-63386-2(D) | DE2712f | |
Blue Bubbles Take 2 is the only recording of Carney on soprano sax. | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 29 December 1927 | |||
Vocalion recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick(as,bsax); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
27-12-29-001 | E6824W | Red Hot Band | Cl(F) 542, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-25, Vo 1153 | DE2713a | |
27-12-29-002 | E6826W | Doin’ The Frog | Cl(F) 542, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-25, Vo 1153 | DE2713b | |
THE WASHINGTONIANS | New York City, NY | 09 January 1928 | |||
Harmony recording session, Columbia Studios | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson (cl,ts); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-01-09-001 | 145488-3 | Sweet Mama, Papa’s Getting Mad | CBS 67264, Cl(F) 542, Co C2K-46177(D), FMRS FM-4001/02†, Har 577-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801a | |
28-01-09-002 | 145489-3 | Stack O’Lee Blues | CBS 67264, Cl(F) 542, Co C2K-46177(D), Har 601-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801b | |
28-01-09-003 | 145490-3 | Bugle Call Rag | CBS 67264, Cl(F) 542, Co C2K-46177(D), Har 577-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 January 1928 | |||
Okeh recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-01-19-001 | W400030-B | Take It Easy | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 41013 | DE2802a | |
28-01-19-002 | W400031-A | Jubilee Stomp | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 41013 | DE2802b | |
28-01-19-003 | W400032-A | East St. Louis Toodle-O (Harlem Twist) | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 8638 | DE2802c | |
THE WHOOPEE MAKERS / THE WASHINGTONIANS | New York City, NY | c.07 March 1928 | |||
Pathé and Cameo recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-03-07-001 | 2944-A | East St. Louis Toodle-O | Ca 8182, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25, Nw RP2009 | DE2803a | |
28-03-07-002 | 108079-1 | East St. Louis Toodle-O | CBS 67264, HnS FDC-5112, MoJ MJCD-25, Pt 36781 | DE2803b | |
28-03-07-003 | 108080-1 | Jubilee Stomp | CBS 67264, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25, Pt 36781 | DE2803c | |
28-03-07-004 | 2945-B | Jubilee Stomp | Ca 8182, CBS 67264, HnS FDC-5112, MoJ MJCD-25, Nw RP2009 | DE2803d | |
28-03-07-005 | 108081- | Take It Easy | CBS 67264, HnS FDC-5112, MoJ MJCD-25, Nw RP2009, Pt 36787 | DE2803e | |
28-03-07-006 | 2946-B | Take It Easy | Ca 8188, CBS 67264, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25 | DE2803f | |
THE WASHINGTONIANS | New York City, NY | 21 March 1928 | |||
Brunswick recording session | |||||
Arthur Whetsel, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-03-21-001 | E27090 | Take It Easy | Br 4009, Cl(F) 542, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2804a | |
28-03-21-002 | E27091 | Jubilee Stomp | Cl(F) 542, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30, Vo 15710 | DE2804b | |
28-03-21-003 | E27093 | Black Beauty | Br 4044, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30, Nw RP2009 | DE2804c | |
28-03-21-004 | E27094 | Black Beauty | Br 4009, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2804d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 26 March 1928 | |||
Victor recording session | |||||
Arthur Whetsel, Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-03-26-001 | BVE43502-2 | Black Beauty | (F)RCA 731043, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-1310, MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21580 | DE2805a | |
28-03-26-002 | BVE43503-2 | Jubilee Stomp | (F)RCA 731043, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21580 | DE2805b | |
28-03-26-003 | BVE43504-2 | Got Everything But You | (F)RCA 741028, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21703 | DE2805c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 June 1928 | |||
Brunswick recording session | |||||
Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-06-25-001 | E27770- | What A Life | DE2806a | ||
28-06-25-002 | E27771-A | Yellow Dog Blues | Br 3987, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-1302, MoJ MJCD-30 | DE2806b | |
28-06-25-003 | E27772-A | Tishomingo Blues | Br 3987, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2806c | |
28-06-25-004 | E27772-B | Tishomingo Blues | Br 3987(Canada), JO BDW-8047 | DE2806d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 July 1928 | |||
Okeh recording session | |||||
Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills(v) | |||||
28-07-10-001 | W400859-B | Diga Diga Doo - vIM | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8602 | DE2807a | |
28-07-10-002 | W400860-C | Doin’ The New Low Down - vIM | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8602 | DE2807b | |
DUKE ELLINGTON | New York City, NY | 01 October 1928 | |||
Okeh recording session | |||||
Duke Ellington(p) | |||||
28-10-01-001 | W401172-B | Black Beauty | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-1309, MoJ MJCD-30, Ok 8636 | DE2808a | |
28-10-01-002 | W401173-B | Swampy River | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-1309, MoJ MJCD-30, Ok 8636 | DE2808b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Lonnie Johnson(12s-g); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Baby Cox(v) | |||||
28-10-01-003 | W401175-A | The Mooch - vBCx | CBS 67264, Cl(F) 550, Co C2K-46177(D), DeM MCAD-42325, LR X-EIO-1(S)(T), MoJ MJCD-1306, MoJ MJCD-30, Ok 8623 | DE2808c | |
28-10-01-004 | W401176-B | Move Over | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8638 | DE2808d | |
28-10-01-005 | W401177-A | Hot And Bothered - vBCx | CBS 67264, Cl(F) 550, Co C2K-46177(D), MoJ MJCD-1305, MoJ MJCD-30, Ok 8623 | DE2808e | |
Note: Move Over was released as LONNIE JOHNSON'S HARLEM FOOTWARMERS | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 02 October 1928 | |||
Brunswick recording session | |||||
Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-10-02-001 | E28441-A or -B | Awful Sad | Br 4110, Cl(F) 550, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-52 | DE2809a | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 17 October 1928 | |||
Brunswick recording session | |||||
Arthur Whetsel, Bubber Miley, n/k(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-10-17-001 | E28359-A | The Mooch | Br 4122, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-30 | DE2810a | |
28-10-17-002 | E28360-A | Louisiana | Br 4110, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-30 | DE2810b | |
28-10-17-003 | E28361-A | Memphis Wail | DE2810c | ||
28-10-17-004 | E28361-B | Memphis Wail | |||
THE WHOOPEE MAKERS | New York City, NY | October 1928 | |||
Pathé recording session | |||||
Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(ssph); Sonny Greer(d) | |||||
28-10-20-001 | 108446-1 | The Mooch | CBS 68275, Cl(F) 550, MoJ MJCD-30, Pt 36899 | DE2811a | |
28-10-20-002 | 108446-2 | The Mooch | CBS 67264, MoJ MJCD-30, Nw RP2009, Pt 36899 | DE2811b | |
Wellman Braud out | |||||
28-10-20-003 | 108447-2 | Hot And Bothered | CBS 67264, Cl(F) 550, MoJ MJCD-30, Pt 36915 | DE2811c | |
28-10-20-004 | 108448-1 | Move Over | CBS 68275, Cl(F) 550, MoJ MJCD-30, Pt 36899 | DE2811d | |
OZIE WARE WITH "HOT FIVE" | New York City, NY | 30 October 1928 | |||
Victor recording session | |||||
Freddie Jenkins(t); Barney Bigard(cl); Duke Ellington(p); Wellman Braud(tu); Sonny Greer(d); Ozie Ware(v) | |||||
28-10-30-001 | BVE48100-1 | Santa Claus, Bring My Man Back To Me - vOW | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 21777 | DE2812a | |
28-10-30-002 | BVE48101-2 | I Done Caught You Blues - vOW | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 21777 | DE2812b | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Same session | ||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(tu); Sonny Greer(d); Irving Mills (as "Goodie Goodwin"), Baby Cox,Ozie Ware(v) | |||||
28-10-30-003 | BVE47799-2 | The Mooch | (F)RCA 741028, Bb 82876-60091-2-1, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38034 | DE2812c | |
28-10-30-004 | BVE48102-1 | I Can’t Give You Anything But Love - vIM,BC | Bb 2499-2-RB, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812d | |
28-10-30-005 | BVE48103-1 | No Papa No | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 26310 | DE2812e | |
28-10-30-006 | BVE48103-2 | No Papa No - vOW | (F)RCA 741028, Cl(F) 559, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812f | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 November 1928 | |||
Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills (as "Goodie Goodwin"), Baby Cox(v) | |||||
28-11-10-001 | BVE48102-4 | I Can’t Give You Anything But Love - vIM,BC | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38008 | DE2813a | |
28-11-10-002 | BVE401-1 | Since You Went Away | DE2813b | ||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 15 November 1928 | |||
Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills (as "Goodie Goodwin"), Ozie Ware(v) | |||||
28-11-15-001 | BVE48166-2 | Bandana Babies - vOW | (F)RCA 741028, Bb 2499-2-RB, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38007 | DE2814a | |
28-11-15-002 | BVE48167-2 | Diga Diga Doo - vIM,OW | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38008 | DE2814b | |
28-11-15-003 | BVE48168-1 | I Must Have That Man | (F)RCA 741028, Bb 2499-2-RB, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38007 | DE2814c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 November 1928 | |||
Okeh recording session | |||||
Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-11-20-001 | W401350- | The Blues With A Feeling | DE2815a | ||
28-11-20-002 | W401351- | Goin’ To Town | DE2815b | ||
28-11-20-003 | W401352- | Misty Mornin' | DE2815c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 November 1928 | |||
Okeh recording session | |||||
Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
28-11-22-001 | W401350-D | The Blues With A Feeling | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-1302, MoJ MJCD-52, Ok 8662 | DE2816a | |
28-11-22-002 | W401351-E | Goin’ To Town | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-52, Ok 8675 | DE2816b | |
Add Lonnie Johnson(g) | |||||
28-11-22-003 | W401352-D | Misty Mornin' | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-52, Ok 8662 | DE2816c | |
THE WHOOPEE MAKERS | New York City, NY | November/December 1928 | |||
Pathé recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(tu); Sonny Greer(d) | |||||
28-12-05-001 | 108532-3 | Hottentot (T)(YT) | CBS 68275, Cl(F) 559, MoJ MJCD-52, Pt 36923 | DE2817a | |
28-12-05-002 | 108533-3 | Misty Mornin' | CBS 68275, Cl(F) 559, MoJ MJCD-52, Pt 36923 | DE2817b | |
OZIE WARE | New York City, NY | December 1928 | |||
Cameo recording session | |||||
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d); Ozie Ware(v) | |||||
28-12-12-001 | 3532-B | Hit Me In The Nose Blues - vOW (YT) | Ca 9039, CBS 68275, Cl(F) 559, MoJ MJCD-52 | DE2818a | |
Duke Ellington(p); Ozie Ware(v) | |||||
28-12-12-002 | 3533-B | It’s All Coming Home To You - vOW (YT) | Ca 9039, CBS 68275, Cl(F) 559, MoJ MJCD-52 | DE2818b | |
WARREN MILLS AND HIS BLUE SERENADERS | New York City, NY | 20 December 1928 | |||
Victor recording session | |||||
Matt Malneck, dir; white instrumentalists(5v,t,tb,2as,ts,p,g,bb,d); Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v); n/k, Hall Johnson Choir(v) | |||||
28-12-20-001 | CVE49007-1 | St. Louis Blues - v n/k, Hall Johnson Choir | JA 21, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2819a | |
28-12-20-002 | CVE49007-2 | St. Louis Blues - v n/k, Hall Johnson Choir | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 35962 | DE2819b | |
28-12-20-003 | CVE49007-3 | St. Louis Blues - v n/k, Hall Johnson Choir | LR X-EIO-2(S)(T), RCA 09026-63386-2(D) | DE2819c | |
CVE49008-1 | Gems From “Blackbirds of 1928” - vSG | DE2819d | |||
28-12-20-004 |
| ||||
28-12-20-005 |
| ||||
28-12-20-006 |
| ||||
CVE49008-2 | Gems From “Blackbirds of 1928” - vSG | DE2819d | |||
28-12-20-007 |
| ||||
28-12-20-008 |
| ||||
28-12-20-009 |
| ||||
CVE49008-3 | Gems From “Blackbirds of 1928” | DE2819d | |||
28-12-20-010 |
| ||||
28-12-20-011 |
| ||||
28-12-20-012 |
| ||||
Take 3 instrumental only | |||||
BILL ROBINSON ACCOMPANIED BY IRVING MILLS AND HIS HOTSY TOTSY GANG | New York City, NY | 18 December 1928 | |||
Brunswick recording session | |||||
Bill Robinson(td) acc. by Duke Ellington(p) and unidentified members of his Orchestra. | |||||
E31728 | Sweet Mama | ||||
E31729 | Black Beauty | ||||
Both rejected and masters destroyed | |||||
THE JUNGLE BAND | New York City, NY | 08 January 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-01-08-001 | E28939-A or -B | Doin’ The Voom Voom | Br 4345, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2901a | |
29-01-08-002 | E28940-A | Tiger Rag - Part 1 | Br/ARC 4238, Cl(F) 559, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-69 | DE2901b | |
29-01-08-003 | E28940-B | Tiger Rag - Part 1 | Br 4238, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69, Nw RP2009 | DE2901c | |
29-01-08-004 | E28941-A | Tiger Rag - Part 2 | Br 4238, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-69 | DE2901d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 16 January 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-01-16-001 | BVE49652-1 | Flaming Youth | LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2033, RCA 09026-63386-2(D), UtD 2006 | DE2902a | |
29-01-16-002 | BVE49652-2 | Flaming Youth | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38035 | DE2902b | |
29-01-16-003 | BVE49653-2 | Saturday Night Function | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38036 | DE2902c | |
29-01-16-004 | BVE49654-1 | High Life | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38036 | DE2902d | |
29-01-16-005 | BVE49655-1 | Doin’ The Voom Voom | LR X-EIO-2(S)(T), RCA 09026-63386-2(D) | DE2902e | |
29-01-16-006 | BVE49655-2 | Doin’ The Voom Voom | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1311, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38035 | DE2902f | |
DUKE ELLINGTON'S ORCHESTRA | New York City, NY | 18 February 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-02-18-001 | BVE48373-2 | Japanese Dream | (F)RCA 741029, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38045 | DE2903a | |
29-02-18-002 | BVE48374-1 | Harlemania | (F)RCA 741029, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1308, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38045 | DE2903b | |
THE JUNGLE BAND | New York City, NY | 01 March 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-03-01-001 | E29381-A or -B | Rent Party Blues | Br 4345, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2904a | |
29-03-01-002 | E29382-A | Paducah | Br 4309, Cl(F) 569, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2904b | |
29-03-01-003 | E29383-B | Harlem Flat Blues | Br 4309, Cl(F) 569, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-1308, MoJ MJCD-69 | DE2904c | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 07 March 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(ts,cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v) | |||||
29-03-07-001 | BVE49767-1 | Dicty Glide | (F)RCA 741029, LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2009, RCA 09026-63386-2(D), Vi V-38053 | DE2905a | |
29-03-07-002 | BVE49767-2 | Dicty Glide | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38053 | DE2905b | |
29-03-07-003 | BVE49768-2 | Hot Feet - vCW | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38065 | DE2905c | |
The tenor sax solo at the start is the only Carney recording on that instrument. | |||||
29-03-07-004 | BVE49769-1 | Sloppy Joe - vSG | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-1313, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38065 | DE2905d | |
29-03-07-005 | BVE49769-2 | Sloppy Joe - vSG | (F)RCA 741029, LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2009, RCA 09026-63386-2(D), Vi V-38065 | DE2905e | |
29-03-07-006 | BVE49770-2 | Stevedore Stomp | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38053 | DE2905f | |
THE WASHINGTONIANS | New York City, NY | Circa 4 March 1929 | |||
Cameo recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb) | |||||
29-03-04-001 | 3713-C | Saratoga Swing | Ca 9175, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906a | |
29-03-04-002 | 3714-A | Who Said It’s “Tight Like That” - vCW | Ca 9195, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906b | |
OZIE WARE | Same session | ||||
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb); Ozie Ware(v) | |||||
29-03-04-003 | 3715-B | He Just Don’t Appeal To Me | Ca 9240, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906c | |
JOE TURNER AND HIS MEMPHIS MEN | New York City, NY | 04 April 1929 | |||
Columbia recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-04-04-001 | W148170-3 | I Must Have That Man | CBS 68275, Cl(F) 569, Co 5486, Co C2K-46177(D), MoJ MJCD-88 | DE2907a | |
29-04-04-002 | W148171-1 | Freeze And Melt | CBS 68275, Cl(F) 569, Co 1813-D, Co C2K-46177(D), MoJ MJCD-88 | DE2907b | |
29-04-04-003 | W148172-3 | Mississippi Moan | CBS 68275, Cl(F) 569, Co 1813-D, Co C2K-46177(D), MoJ MJCD-1306, MoJ MJCD-88 | DE2907c | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 12 April 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills, unidentified choir (v) | |||||
29-04-12-001 | BVE51158-1 | A Nite At The Cotton Club - Part 1 | (F)RCA 741029, BFR BCD-16340, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, Pi MPC-524, RCA 09026-63386-2(D) | DE2908a | |
- 1. Cotton Club Stomp | |||||
- 2. Misty Mornin' | |||||
29-04-12-002 | BVE51159-1 | A Nite At The Cotton Club - Part 2 | (F)RCA 741029, BFR BCD-16340, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, Pi MPC-524, RCA 09026-63386-2(D) | DE2908b | |
- 1. Goin’ To Town | |||||
- 2. Freeze And Melt - vIM,Cho | |||||
Irving Mills introduced each selection; Harmonica Charlie played a short passage on his harmonica after Goin’ To Town. | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 03 May 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-05-03-001 | BVE51971-2 | Cotton Club Stomp | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38079 | DE2909a | |
29-05-03-002 | BVE51972-2 | Misty Mornin' | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38058 | DE2909b | |
29-05-03-003 | BVE51973-2 | Arabian Lover | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38079 | DE2909c | |
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb); Sonny Greer(d) | |||||
29-05-03-004 | BVE51974-2 | Saratoga Swing | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-1302, MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38058 | DE2909d | |
DUKE ELLINGTON AND HIS MEMPHIS MEN | New York City, NY | 28 May 1929 | |||
Columbia recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-05-28-001 | W148640-1 | That Rhythm Man | CBS 68275, Cl(F) 569, Co 36157, Co C2K-46177(D), MoJ MJCD-88 | DE2910a | |
SONNY GREER AND HIS MEMPHIS MEN | New York City, NY | Same session | |||
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard,Harry Carney(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-05-28-002 | W148641-3 | Beggars Blues | CBS 68275, Cl(F) 569, Co 1868-D, Co C2K-46177(D), MoJ MJCD-1302, MoJ MJCD-88 | DE2910b | |
Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-05-28-003 | W148642-1 | Saturday Night Function | CBS 68275, Cl(F) 569, Co 1868-D, Co C2K-46177(D), MoJ MJCD-88 | DE2910c | |
THE JUNGLE BAND | New York City, NY | 29 July 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
29-07-29-001 | E30585-B | Black And Blue | Br 4492, Cl(F) 569, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-88 | DE2911a | |
29-07-29-002 | E30586-A or -B | Jungle Jamboree | Br 4492, Cl(F) 569, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-88 | DE2911b | |
THE HARLEM FOOTWARMERS | New York City, NY | 02 August 1929 | |||
Okeh recording session | |||||
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl,ts); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
29-08-02-001 | W402551-C | Jungle Jamboree | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-1306, MoJ MJCD-88, Ok 8720 | DE2912a | |
29-08-02-002 | W402552-A | Six Or Seven Times | DE2912b | ||
29-08-02-003 | W402552-B | Six Or Seven Times | |||
29-08-02-004 | W402553-B | Snake Hip Dance | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-1304, MoJ MJCD-88, Ok 8720 | DE2912c | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | Circa 12-17 August 1929 | |||
RKO film recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Hall Johnson Choir(v) | |||||
29-08-12-001 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913a | ||
29-08-12-002 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913b | ||
29-08-12-003 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913c | ||
29-08-12-004 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913d | ||
29-08-12-005 | The Duke Steps Out | MoJ MJCD-88, Sv SLP-702 | DE2913e | ||
29-08-12-006 | Black Beauty | MoJ MJCD-88, Sv SLP-702 | DE2913f | ||
29-08-12-007 | The Duke Steps Out | MoJ MJCD-88, Sv SLP-702 | DE2913g | ||
29-08-12-008 | Black Beauty | MoJ MJCD-88, Sv SLP-702 | DE2913h | ||
29-08-12-009 | Cotton Club Stomp | MoJ MJCD-88, Sv SLP-702 | DE2913i | ||
29-08-12-010 | Flaming Youth | MoJ MJCD-88, Sv SLP-702 | DE2913j | ||
29-08-12-011 | Same Train - vHJC | MoJ MJCD-88, Sv SLP-702 | |||
29-08-12-012 | Black And Tan Fantasy - vHJC | MoJ MJCD-88, Sv SLP-702 | DE2913k | ||
Same Train is by HJC only | |||||
THE WASHINGTONIANS | New York City, NY | 10 September 1929 | |||
Cameo recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
29-09-10-001 | 4062-A | Doin’ The Voom Voom | Ca 9306, CBS 68275, Cl(F) 577, MoJ MJCD-101 | DE2914a | |
29-09-10-002 | 4063-B | Flaming Youth | CBS 68275, Cl(F) 577, MoJ MJCD-101, Pt 37059 | DE2914b | |
29-09-10-003 | 4064-B | Saturday Night Function | Ca 9306, CBS 68275, Cl(F) 577, MoJ MJCD-101 | DE2914c | |
BILL ROBINSON ACCOMPANIED BY IRVING MILLS AND HIS HOTSY TOTSY GANG | New York City, NY | 13 September 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Bill "Bojangles" Robinson(v,td). | |||||
29-09-13-001 | E30526-A or -B | Ain’t Misbehavin’ - vBRo | Br 4535, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | ||
29-09-13-002 | E30527-A | Doin’ The New Low Down - vBRo | Br 4535, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | ||
THE JUNGLE BAND | New York City, NY | 13 September 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
29-09-13-003 | E30937-A | Jolly Wog | Br 4705, Cl(F) 577, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | DE2915a | |
29-09-13-004 | E30938-A | Jazz Convulsions | Br 4705, Cl(F) 577, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | DE2915b | |
29-09-13-005 | E30939-A | Slow Motion | DE2915c | ||
29-09-13-006 | E30939-B | Slow Motion | |||
NOTE: The two takes of Slow Motion (subsequently titled “Jungle Rhythm”) were never issued and are presumed lost. | |||||
DUKE ELLINGTON'S ORCHESTRA | New York City, NY | 16 September 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Teddy Bunn(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
29-09-16-001 | BVE55845-2 | Mississippi Dry | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38089 | DE2916a | |
29-09-16-002 | BVE55846-2 | The Duke Steps Out | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38092 | DE2916b | |
29-09-16-003 | BVE55847-2 | Haunted Nights | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi V-38092 | DE2916c | |
29-09-16-004 | BVE55848-2 | Swanee Shuffles | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38089 | DE2916d | |
THE SIX JOLLY JESTERS | New York City, NY | 25 October 1929 | |||
Vocalion recording session. Brunswick studio. | |||||
Cootie Williams(t,v); Joe Nanton(tb); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v) | |||||
29-10-25-001 | E31301-A or -B | Six Or Seven Times - vSG,CW | Cl(F) 577, COPS 7395-D1, Crl 15, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 15843 | DE2917a | |
29-10-25-002 | E31301-B or -A | Six Or Seven Times - vSG,CW | Br 4723(Canada), De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Nw RP2009, Vo 15843 | DE2917b | |
THE SIX JOLLY JESTERS | New York City, NY | 29 October 1929 | |||
Vocalion recording session. Brunswick Studio. | |||||
Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Howard "Blinky" Randolph(kaz); Duke Ellington(p); Fred Guy(bj); Teddy Bunn(bjg); Sonny Greer(d); Bruce Johnson (wh); Putney Dandridge(v) | |||||
29-10-29-001 | E31371-A | Goin’ Nuts - vPD | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 15843 | DE2918a | |
Harold Randolph, Putney Dandridge out. Add Johnny Hodges(as), Wellman Braud(sb). | |||||
29-10-29-002 | E31372-A | Oklahoma Stomp | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 1449 | DE2918b | |
29-10-29-003 | E31372-B | Oklahoma Stomp | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-101, Nw RP2009 | DE2918c | |
29-10-29-004 | E31372- | Oklahoma Stomp | DE2918d | ||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 14 November 1929 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
29-11-14-001 | BVE57542-1 | The Breakfast Dance | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, MoJ MJCD-1304, RCA 09026-63386-2(D), Vi V-38115 | DE2919a | |
Remove Joe Nanton(tb) and replace Barney Bigard(cl) with Barney Bigard(cl,ts) | |||||
29-11-14-002 | BVE57543-2 | Jazz Lips | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38129 | DE2919b | |
29-11-14-003 | BVE57544-1 | March Of The Hoodlums | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38115 | DE2919c | |
THE HARLEM FOOTWARMERS | New York City, NY | 20 November 1929 | |||
Okeh recording session | |||||
Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard,Harry Carney(cl); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d) | |||||
29-11-20-001 | W403286-B | The Lazy Duke | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8760 | DE2920a | |
Freddie Jenkins(t); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d) | |||||
29-11-20-002 | W403287-B | Blues Of The Vagabond | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8746 | DE2920b | |
29-11-20-003 | W403288-B | Syncopated Shuffle | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8746 | DE2920c | |
THE JUNGLE BAND | New York City, NY | 10 December 1929 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb) | |||||
29-12-10-001 | E31508-A | Sweet Mama | Br 4760, Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE2921a | |
29-12-10-002 | E31509-A | Wall Street Wail | Br 4887, Cl(F) 24, Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1308 | DE2921b | |
29-12-10-003 | E31509-B | Wall Street Wail | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2009 | DE2921c | |
29-12-10-004 | E31510-A | Cincinnati Daddy | AoH AH-47◊, Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, FDC 1003, MoJ MJCD-123, UtD 2008(D) | DE2921d | |
THE TEN BLACK BERRIES | New York City, NY | 29 January 1930 | |||
Plaza recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills (as "Sunny Smith")(v) | |||||
30-01-29-001 | 9319-1 | St. James Infirmary - vIM | CBS 68275, Cl(F) 577, MoJ MJCD-123, Pe 15272 | DE3001a | |
30-01-29-002 | 9319-2 | St. James Infirmary - vIM | Ba 0594, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001b | |
30-01-29-003 | 9319-3 | St. James Infirmary - vIM | Ca 0194, MoJ MJCD-123, Nw RP2018 | DE3001c | |
An apostrophe is added to the title (“James’”) on the record labels of the 78s. | |||||
30-01-29-004 | 9320-1 | When You’re Smiling - vIM | Ba 0607, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001d | |
30-01-29-005 | 9320-3 | When You’re Smiling - vIM | CBS 68275, Cl(F) 586, MoJ MJCD-123, Pe 15272 | DE3001e | |
30-01-29-006 | 9321-1 | Rent Party Blues | Ba 0594, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001f | |
30-01-29-007 | 9321-2 | Rent Party Blues | Ca 0194, MoJ MJCD-123, Nw RP2018 | DE3001g | |
30-01-29-008 | 9321-3 | Rent Party Blues | Ba 0594, CBS 68275, Cl(F) 586, MoJ MJCD-123 | DE3001h | |
30-01-29-009 | 9322-1 | Jungle Blues | Ba 0598, CBS 88000, MoJ MJCD-123, Nw RP2018 | DE3001i | |
30-01-29-010 | 9322-2 | Jungle Blues | CBS 88000, Cl(F) 586, MoJ MJCD-123, MoJ MJCD-1306, Or 1854 | DE3001j | |
THE JUNGLE BAND | New York City, NY | 21 February 1930 | |||
Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills (probably) (v) | |||||
30-02-21-001 | E32209- | Admiration | DE3002a | ||
30-02-21-002 | E32210-A or -B | Maori (A Samoan Dance) | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1304 | DE3002b | |
30-02-21-003 | E32211-B or -A | Maori (A Samoan Dance) | DE3002c | ||
30-02-21-004 | E32212- | When You’re Smiling - vIM | DE3002d | ||
HARLEM HOT CHOCOLATES | New York City, NY | March 1930 | |||
Durium recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-03-00-001 | 1045-C | Sing Your Sinners - vIM | Cl(F) 586, HoW 1045, MoJ MJCD-123 | DE3003a | |
30-03-00-002 | 1046-D | St. James Infirmary - vIM | Cl(F) 586, HoW 1046, MoJ MJCD-123 | DE3003b | |
Again an apostrophe is used on the 78 label. | |||||
THE JUNGLE BAND | New York City, NY | 20 March 1930 | |||
Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-03-20-001 | E32447-A | When You’re Smiling - vIM | Br 4760, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE3004a | |
30-03-20-002 | E32447-B | When You’re Smiling - vIM | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2018, UtD 2007 | DE3004b | |
30-03-20-003 | E32448-A | Maori (A Samoan Dance) | Br A-500158, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-123, Nw RP2018 | DE3004c | |
30-03-20-004 | E32448-B | Maori (A Samoan Dance) | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-123, Nw RP2018 | DE3004d | |
30-03-20-005 | E32449-A or -B | Admiration | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1304 | DE3004e | |
MILLS TEN BLACK BERRIES | New York City, NY | 03 April 1930 | |||
Diva / Velvet Tone recording session. Columbia Records studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-04-03-001 | 1050165-2 | The Mooch | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6046-G, MoJ MJCD-145, Ve 7072-V | DE3005a | |
30-04-03-002 | 105015-3 | The Mooch | CBS 88000, Di 6046-G, MoJ MJCD-145, Nw RP2018 | DE3005b | |
30-04-03-003 | 105016-1 | Ragamuffin Romeo | CBS 88000, Cl(F) 586, Co C2K-46177(D), FDC 1003, MoJ MJCD-145 | DE3005c | |
30-04-03-004 | 105017-2 | East St. Louis Toodle-O | BD T-1001, Di 6046-G, MoJ MJCD-145, Nw RP2018, Ve 7072-V | DE3005d | |
30-04-03-005 | 105017-3 | East St. Louis Toodle-O | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6046-G, MoJ MJCD-145, Ve 7072-V | DE3005e | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 11 April 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Frank Marvin(v) | |||||
30-04-11-001 | BVE59692-2 | Double Check Stomp | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1312, MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38129 | DE3006a | |
30-04-11-002 | BVE59693-2 | My Gal Is Good For Nothing But Love - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006b | |
30-04-11-003 | BVE59694-1 | I Was Made To Love You - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006c | |
THE JUNGLE BAND | New York City, NY | 22 April 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Cornell Smelser (as "Joe Cornell")(acc); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v) | |||||
30-04-22-001 | E32612-A | Double Check Stomp | Br 4783, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007a | |
30-04-22-002 | E32613-A | Accordion Joe - vDR | Br 4783, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-1305, MoJ MJCD-145 | DE3007b | |
30-04-22-003 | E32613-B | Accordion Joe - vDR | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374◊, MoJ MJCD-145, Nw RP2018, UtD 2007 | DE3007c | |
30-04-22-004 | E32614-A | Cotton Club Stomp* | Br 4887, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007d | |
30-04-22-005 | E32614-B | Cotton Club Stomp* | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145, Nw RP2018, UtD 2007 | DE3007e | |
NB:- Cotton Club Stomp on these recordings is not the same as any other recording of the same title. | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 04 June 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-06-04-001 | BVE62192-1 | Sweet Dreams Of Love | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008a | |
30-06-04-002 | BVE62192-2 | Sweet Dreams Of Love | Bb 2499-2-RB◊, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D) | DE3008b | |
30-06-04-003 | BVE62193-2 | Jungle Nights In Harlem | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23022 | DE3008c | |
30-06-04-004 | BVE62194-1 | Sweet Jazz O’ Mine | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008d | |
30-06-04-005 | BVE62194-2 | Sweet Jazz O’ Mine | (F)RCA 741039, LR X-EIO-2(S)(T), MoJ MJCD-145, Nw RP2018, RCA 09026-63386-2(D), Vi V-38143 | DE3008e | |
30-06-04-006 | BVE62195-2 | Shout ‘Em Aunt Tillie | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23041 | DE3008f | |
MILLS TEN BLACKBERRIES | New York City, NY | 12 June 1930 | |||
Diva / Velvet Tone recording session. Columbia Records studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-06-12-001 | 150584-1 | Sweet Mama | BD T-1001, MoJ MJCD-145, Nw RP2018, Ve 7088-V | DE3009a | |
30-06-12-002 | 150584-2 | Sweet Mama | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062-G, FMRS FM-4001/02†, MoJ MJCD-145, Ve 7088-V | DE3009b | |
30-06-12-003 | 150585-1 | Hot And Bothered | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6056-G, LR X-EIO-1(S)(T), MoJ MJCD-145, Ve 7082-V | DE3009c | |
30-06-12-004 | 150586-1 | Double Check Stomp | Ve 7088-V | DE3009d | |
30-06-12-005 | 150586-2 | Double Check Stomp | BD T-1001, CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062-G, MoJ MJCD-145, Ve 7088-V | DE3009e | |
30-06-12-006 | 150590-1 | Black And Tan Fantasy | CBS 88000, Cl(F) 596, Co C2K-46177(D), Di 6056-G, MoJ MJCD-145, Ve 7082-V | DE3009f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | Early August 1930 | |||
RKO film recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
30-00-08-001 | When I’m Blue | MoJ MJCD-173, Pv PRV-102 | DE3010a | ||
30-00-08-002 | The Mystery song | MoJ MJCD-173 | DE3010b | ||
30-00-08-003 | When I’m Blue | MoJ MJCD-173 | DE3010c | ||
30-00-08-004 | East St. Louis Toodle-O (theme) | MoJ MJCD-173, Pv PRV-102 | DE3010d | ||
30-00-08-005 | Old Man Blues | MoJ MJCD-173, Pv PRV-102 | DE3010f | ||
30-00-08-006 | Three Little Words | Roan AED-2027 | DE3010g | ||
Film sound track from RKO Radio Pictures "Check And Double Check". NB. 30-00-08-006, while recorded for this film was used in the RKO Radio Pictures "The Lady Refuses" The version in "Check And Double Check" and appearing on Pv PRV-102 and MoJ MJCD 173 was recorded by The Rhythm Boys and a studio orchestra | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 August 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Emmanuel Hall Quartet, Jimmy Miller(v) | |||||
30-08-20-001 | PBVE61011-1 | Ring Dem Bells - vCW | |||
30-08-20-002 | PBVE61011-2 | Ring Dem Bells - vCW | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D) | DE3011a | |
30-08-20-003 | PBVE61011-3 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1312, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 20-1532 | DE3011b | |
30-08-20-004 | PBVE61012-1 | Old Man Blues | MoJ MJCD-173, Nw RP2033, RCA 09026-63386-2(D), UtD 2008(D) | DE3011c | |
30-08-20-005 | PBVE61012-2 | Old Man Blues | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D), UtD 2008(D) | DE3011d | |
30-08-20-006 | PBVE61012-3 | Old Man Blues | FMRS 021(D), MoJ MJCD-173, RCA 09026-63386-2(D), UtD 2008(D) | DE3011e | |
30-08-20-007 | PBVE61013-1 | Three Little Words - vEHQ | MoJ MJCD-173, RCA 09026-63386-2(D) | DE3011f | |
30-08-20-008 | PBVE61013-3 | Three Little Words - vJMi | DE3011g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 August 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
30-08-26-001 | PBVE61011-6 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012a | |
30-08-26-002 | PBVE61012-4 | Old Man Blues | JA 21, MoJ MJCD-173, RCA 09026-63386-2(D) | DE3012b | |
30-08-26-003 | PBVE61012-6 | Old Man Blues | (F)RCA 741048, Bb 82876-60091-2-1, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23022 | DE3012c | |
30-08-26-004 | PBVE61013-5 | Three Little Words - vTRB | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1305, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 02 October 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams(t) Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Dick Robertson(v) | |||||
30-10-02-001 | BVE63360-1 | Hittin’ The Bottle - vDR | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, RCA 09026-63386-2(D), Vi 23016 | DE3013a | |
30-10-02-002 | BVE63360-2 | Hittin’ The Bottle - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013b | |
30-10-02-003 | BVE63361-3 | That Lindy Hop - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1304, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013c | |
30-10-02-004 | BVE63362-2 | You’re Lucky To Me - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013d | |
Sonny Greet plays vibrophone. This is the first use of the instrument in Ellington’s recorded discography. | |||||
30-10-02-005 | BVE63363-1 | Memories Of You - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013e | |
THE HARLEM FOOTWARMERS | New York City, NY | 14 October 1930 | |||
Okeh recording session | |||||
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-10-14-001 | W404481-A | Mood Indigo | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8840 | DE3014a | |
30-10-14-002 | W404482-C | Big House Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8836 | DE3014b | |
30-10-14-003 | W404483-B | Rocky Mountain Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8836 | DE3014c | |
THE JUNGLE BAND | New York City, NY | 17 October 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
30-10-17-001 | E34927-A | Runnin’ Wild - vDR | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015a | |
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-10-17-002 | E34928-A | Mood Indigo (Dreamy Blues) | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015b | |
NOTE: Mood Indigo was first titled Dreamy Blues when first released, and was subsequently changed to Mood Indigo on the second print run. | |||||
THE JUNGLE BAND | New York City, NY | 27 October 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
30-10-27-001 | E35035-B | Home Again Blues - vDR | Br 6003, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016a | |
30-10-27-002 | E35036-A | Wang Wang Blues - vDR,BP | Br 6003, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016b | |
THE HARLEM MUSIC MASTERS | New York City, NY | 30 October 1930 | |||
Okeh recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-10-30-001 | W404519-A | Ring Dem Bells - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Od 36166◊ | DE3017a | |
30-10-30-002 | W404520-A | Three Little Words - vIM | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Od 36166◊ | DE3017b | |
Ring Dem Bells was also contemporaneously released on Parlophone PNY 34154 (as Frank Brown and his Tooters). Three Little Words was also contemporaneously released on Parlophone PNY 34156 (as Frank Brown and his Tooters). | |||||
THE HARLEM FOOTWARMERS | Same session | ||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-10-30-003 | W404521-B | Old Man Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8869 | DE3017c | |
30-10-30-004 | W404522-B | Sweet Chariot - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-1302, MoJ MJCD-174, Ok 8840 | DE3017d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 21 November 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Smith Ballew (as "Billy Smith")(v) | |||||
30-11-21-001 | BVE64811-1 | Mood Indigo | DE3019a | ||
30-11-21-002 | BVE64811-2 | Mood Indigo | |||
30-11-21-003 | BVE64812-1 | Nine Little Miles From Ten-Ten-Tennessee - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3019b | |
30-11-21-004 | BVE64812-2 | Nine Little Miles From Ten-Ten-Tennessee - vSB | (F)RCA 741048, MoJ MJCD-174, Nw RP2018, RCA 09026-63386-2(D), Vi 22586 | DE3019c | |
30-11-21-005 | BVE64813-1 | I’m So In Love With You - vSB | MoJ MJCD-174, RCA 09026-63386-2(D) | DE3019d | |
30-11-21-006 | BVE64813-2 | I’m So In Love With You - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 23041 | DE3019e | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 26 November 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Sid Garry(v) | |||||
30-11-26-001 | BVE64378-1 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Tx (Sd)LP-9◊ | DE3020a | |
30-11-26-002 | BVE64379-1 | Blue Again - vSGa | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22603 | DE3020b | |
30-11-26-003 | BVE64380-2 | When A Black Man’s Blue - vSGa | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Tx (Sd)LP-9◊ | DE3020c | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 December 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
30-12-10-001 | BVE64811-4 | Mood Indigo | (F)RCA 741068, Bb 82876-60091-2-1, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021a | |
30-12-10-002 | BVE64378-4 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3021b | |
30-12-10-003 | BVE64380-4 | When A Black Man’s Blue - vSG | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021c | |
THE NEW YORK SYNCOPATORS | New York City, NY | 08 January 1931 | |||
OKeh recording session. OKeh studio, probably 1819 Broadway. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Sid Garry(v) | |||||
31-01-08-001 | W404802-A | I Can’t Realise You Love Me - vSGa | CBS 88000, Cl(F) 596, Co C2K-46177(D), FMRS FM-4001/02†, MoJ MJCD-174, Od ONY-36190, Pa PNY-34183 | DE3018a | |
31-01-08-002 | W404803-B | I’m So In Love With You - vSGa | CBS 88000, Cl(F) 605, Co C2K-46177(D), MoJ MJCD-174, Od ONY-36189, Pa PNY-34183 | DE3018b | |
Od ONY-36189, Od ONY-36190 (as The New York Syncopators) and Pa PNY 34183 (as The Harlem Foot Warmers) were issued contemporaneously. | |||||
THE HARLEM FOOTWARMERS | Same session | ||||
Same personnel, minus Sid Garry | |||||
31-01-08-003 | W404804-A | Rockin’ In Rhythm | CBS 88000, Cl(F) 605, Co C2K-46177(D), Co CK-48654, Co CL-2046, MoJ MJCD-174, Ok 8869 | DE3018c | |
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
31-01-08-004 | W404481-D | Mood Indigo | DE3018d | ||
31-01-08-005 | W404481-E | Mood Indigo | |||
Mood Indigo takes are rejected/lost | |||||
THE WHOOPEE MAKERS | New York City, NY | 10 January 1931 | |||
ARC recording session. ARC studio, prob. 114 East 32nd Street. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Chick Bullock(v) | |||||
31-01-10-001 | 10356-1 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Or 2191 | DE3101a | |
31-01-10-002 | 10356-2 | Them There Eyes - vCBu | Ba 32070, CBS 88000, Cl(F) 605, MoJ MJCD-174 | DE3101b | |
31-01-10-003 | 10356-3 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Pe 15418 | DE3101c | |
31-01-10-004 | 10357-1 | Rockin’ Chair - vCBu | Cl(F) 605, MoJ MJCD-174, Or 2191 | DE3101d | |
31-01-10-005 | 10357-2 | Rockin’ Chair - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Pe 15418 | DE3101e | |
31-01-10-006 | 10357-3 | Rockin’ Chair - vCBu | Re 10244 | DE3101f | |
31-01-10-007 | 10357-4 | Rockin’ Chair - vCBu | Ba 32070, CBS 88000, MoJ MJCD-174, Nw RP2018 | DE3101g | |
GEORGIA SYNCOPATORS | Same session | ||||
31-01-10-008 | 10359-3 | I’m So In Love With You - vCBu | CBS 88000, Cl(F) 605, Ml M-12444 | DE3101h | |
THE JUNGLE BAND | New York City, NY | 14 January 1931 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Bennie Payne(v,p) | |||||
31-01-14-001 | E35800-A | Rockin’ Chair - vBP | Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, Ml M-12093 | DE3102a | |
31-01-14-002 | E35801-A | Rockin’ In Rhythm | Br 6038, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196 | DE3102b | |
31-01-14-003 | E35802-A | Twelfth Street Rag | Br 6038, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196 | DE3102c | |
(From NDESOR) Rockin’ Chair as EARL JACKSON AND HIS MUSICAL CHAMPIONS | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 16 January 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Chick Bullock(v) | |||||
31-01-16-001 | BVE67798-2 | The River And Me - vCBu | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 22614 | DE3103a | |
31-01-16-002 | BVE67799-1 | Keep A Song In Your Soul - vCBu | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 22614 | DE3103b | |
31-01-16-003 | BVE67800-1 | Sam And Delilah - vCB | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 23036 | DE3103c | |
31-01-16-004 | BVE67401-1 | Rockin’ In Rhythm | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 26310 | DE3103d | |
31-01-16-005 | BVE67401-2 | Rockin’ In Rhythm | (F)RCA 741068, Bb 82876-60091-2-1, Nw RP2018, RCA 09026-63386-2(D) | DE3103e | |
THE JUNGLE BAND | New York City, NY | 20 January 1931 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
31-01-20-001 | E35938-A | The Peanut Vendor | Cl(F) 605, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, Ml M-12080 | DE3104a | |
31-01-20-002 | E35939-A | Creole Rhapsody - Part 1 | Br 6093, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, UA NUA-7(D) | DE3104b | |
31-01-20-003 | E35940-A | Creole Rhapsody - Part 2 | Br 6093, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, UA NUA-7(D) | DE3104c | |
31-01-20-004 | E35940-AA | Creole Rhapsody - Part 2 | Br 80047, De GRD-3-640(D)(S)(T), Df DRCD-11196, Nw RP2023 | DE3104d | |
31-01-20-005 | E35941-A | Is That Religion - vDR | Cl(F) 616, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, Ml M-12080 | DE3104e | |
The Peanut Vendor / Is That Religion as Earl Jackson & His Musical Champions. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 11 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-11-001 | CRC68231-2 | Creole Rhapsody - Part 1 | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1303, RCA 09026-63386-2(D), UA NUA-7(D), Vi 36049 | DE3105a | |
31-06-11-002 | BRC68232-1 | Creole Rhapsody - Part 1 | DE3105b | ||
31-06-11-003 | BRC68232-2 | Creole Rhapsody - Part 1 | |||
31-06-11-004 | CRC68233-2 | Creole Rhapsody - Part 2 | RCA 09026-63386-2(D) | DE3105c | |
31-06-11-005 | CRC68234-3 | Creole Rhapsody - Part 2 | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1303, RCA 09026-63386-2(D), UA NUA-7(D), Vi 36049 | DE3105d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Camden, NJ | 16 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-16-001 | BRC68237-1 | Limehouse Blues | (F)RCA 741068, Cl(F) 616, RCA 09026-63386-2(D), Vi 22743 | DE3106a | |
31-06-16-002 | BRC68238-1 | Echoes Of The Jungle | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi 22743 | DE3106b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 17 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-17-001 | BRC68239-1 | It’s Glory | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22791 | DE3107a | |
31-06-17-002 | BRC68240-1 | The Mystery Song | (F)RCA 741085, BFR BCD-16340, Nw RP2023, RCA 09026-63386-2(D), Vi 22800 | DE3107b | |
31-06-17-003 | BRC68240-2 | The Mystery Song | (F)RCA 741085, Bb 2499-2-RB, Cl(F) 616, RCA 09026-63386-2(D) | DE3107c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 August 1931 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Wellman Braud(sb); Sonny Greer(d,ch); n/k(v) | |||||
31-08-11-001 | C7938- | Tootsie Hill (From Louisville) - vn/k | DE9047a | ||
31-08-11-002 | C7939- | It Don’t Mean A Thing - vn/k | DE9047b | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch,v); Ivie Anderson(v) | |||||
32-02-02-001 | B11200-A | Moon Over Dixie - vSG | Br 6317, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201a | |
32-02-02-002 | B11204-A | It Don’t Mean A Thing - vIA | BMG 88697298542, BMG 88697302362, Br 6265, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201b | |
32-02-02-003 | B11205-A | Lazy Rhapsody - vCW | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201c | |
32-02-02-004 | B11205-B | Lazy Rhapsody - vCW | CBS 88000, Co 53834, Ms MD11-248, Nw RP2023 | DE3201d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 February 1932 | |||
RCA-Victor recording session. RCA Studio 1 | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-02-03-001 | / | Mood Indigo | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202a | |
32-02-03-002 | – 71812-2 | Hot And Bothered | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202b | |
32-02-03-003 | \ | Creole Love Call | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202c | |
32-02-03-004 | / | Mood Indigo | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202d | |
32-02-03-005 | – 71812-3 | Hot And Bothered | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202e | |
32-02-03-006 | \ | Creole Love Call | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202f | |
NB. The above titles are reproduced in true stereo on the RCA and Natasha Imports CDs | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib) | |||||
32-02-04-001 | B11223-A | Blue Tune | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3203a | |
32-02-04-002 | B11223-B | Blue Tune | CBS 88000, Co CL-2046, Ms MD11-248, Nw RP2023 | DE3203b | |
32-02-04-003 | B11224-A | Baby, When You Ain’t There - vCW | BMG 88697302362, Br 6317, CBS 88035, Cl(F) 616, MoJ MJCD-1306, Ms MD11-248 | DE3203c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 February 1932 | |||
RCA-Victor recording session. RCA Studio 1 | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch,v) | |||||
32-02-09-001 | ¬ | ¬ East St. Louis Toodle-O | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204a | |
32-02-09-002 | | 71836-2 | - | Lot O’ Fingers | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204b | |
32-02-09-003 | _| | _| Black And Tan Fantasy | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204c | |
32-02-09-004 | 71838-1 | Dinah - vCE,SG | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22398 | DE3204d | |
32-02-09-005 | 71839-1 | Bugle Call Rag | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22398 | DE3204e | |
BING CROSBY WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Bing Crosby(v) | |||||
32-02-11-001 | BX11263-A | St. Louis Blues - vBCr | Br 20105, CBS 88035, Cl(F) 616, Co CK-66372, Ms MD11-248 | DE3205a | |
32-02-11-002 | BX11263-B | St. Louis Blues - vBCr | BMG 88697302362, Br 20105, CBS 88035, MoJ MJCD-1305, Ms MD11-248, Nw RP2023 | DE3205b | |
Bing Crosby out | |||||
32-02-11-003 | BX11264-A | Creole Love Call | Br 20105, CBS 88035, Cl(F) 616, Ms MD11-248 | DE3205c | |
32-02-11-004 | BX11264-B | Creole Love Call | BMG 88697302362, Ms MD11-248, Re 79053 | DE3205xa | |
32-02-11-005 | B11265-A | Rose Room | Br 6265, CBS 88035, Cl(F) 616, Ms MD11-248 | DE3205d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Hartford, CT | 11 April 1932 | |||
Broadcast, Publix Allyn Theatre | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch, v) | |||||
32-04-11-001 | East St. Louis Toodle-O (theme) | DE9004a | |||
32-04-11-002 | When It’s Sleepy Time Down South - vSG | DE9004b | |||
32-04-11-003 | Double Check Stomp | DE9004c | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-16-001 | B11839-A | Blue Harlem | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, MoJ MJCD-1308, Ms MD11-248 | DE3206a | |
32-05-16-002 | B11840-A | The Sheik Of Araby | BMG 88697302362, Br 6336, CBS 88035, Ms MD11-248 | DE3206b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-17-001 | B11850-A | Swampy River | Br 6355, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3207a | |
32-05-17-002 | B11851-A | Lot O’ Fingers (Fast And Furious) | Br 6355, CBS 88035, Cl(F) 626, MoJ MJCD-1309, Ms MD11-248 | DE3207b | |
32-05-17-003 | B11852-A | Best Wishes | CBS 88035, Co 35836, Ms MD11-248, Nw RP2023 | DE3207c | |
32-05-17-004 | B11852-B | Best Wishes | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3207d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 18 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-18-001 | B11865-A | Slippery Horn | BD B-T1001, CBS 88035, Cl(F) 626, Co 37299, Gp 040, Ms MD11-248 | DE3208a | |
32-05-18-002 | B11866-A | Blue Ramble | BMG 88697302362, Br 6336, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3208b | |
32-05-18-003 | B11866-B | Blue Ramble | CBS 88035, Co 35834, Gp 040, Ms MD11-248, Nw RP2023 | DE3208c | |
32-05-18-004 | B11867-A | Clouds In My Heart | Ms MD11-248 | DE3206xa | |
32-05-18-005 | B11867-B | Clouds In My Heart | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37299, Gp 040, Ms MD11-248 | DE3208d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
32-09-19-001 | B12332-A | Blue Mood | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37298, Ms MD11-248 | DE3209a | |
32-09-19-002 | B12332-B | Blue Mood | CBS 88035, Ms MD11-248, Nw RP2023, Ra RTE-23001 | DE3209b | |
32-09-19-003 | B12332-C | Blue Mood | CBS 88035, FMRS FM-4001/02†, Gp 040, Ms MD11-248, Nw RP2023 | DE3209c | |
32-09-19-004 | B12333-A | Ducky Wucky | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3209d | |
32-09-19-005 | B12333-B | Ducky Wucky | CBS 88035, Co 35683, Ms MD11-248, Nw RP2023 | DE3209e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
RCA-Victor recording session. RCA Studio 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-09-21-001 | BS73557-1 | Maori | (F)RCA 741114, Cl(F) 626, FDC 1022, RCA 09026-63386-2(D) | DE3210a | |
32-09-21-002 | BS73558- | Jive Stomp | DE3210b | ||
32-09-21-003 | BS73559- | Sophisticated Lady | DE3210c | ||
32-09-21-004 | BS73560- | Margie - vSG | DE3210d | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
32-09-21-005 | B12343-A | Jazz Cocktail | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3211a | |
32-09-21-006 | B12343-B | Jazz Cocktail | CBS 88035, Gp 040, Ms MD11-248, Nw RP2023 | DE3211b | |
32-09-21-007 | B12344-A | Lightnin' | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, MoJ MJCD-1312, Ms MD11-248 | DE3211c | |
32-09-21-008 | B12344-B | Lightnin' | CBS 88035, Co 35835, Gp 040, Ms MD11-248, Nw RP2023 | DE3211d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(as,ss); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ray Mitchell(v). | |||||
32-09-22-001 | B12345-A | Stars -vRM | Br 9331, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3212a | |
32-09-22-002 | B12345-B | Stars -vRM | CBS 88035, Ms MD11-248, Nw RP2023 | DE3212b | |
32-09-22-003 | B12346-A | Swing Low | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, Ms MD11-248, Ra RTE-23001 | DE3212c | |
32-09-22-004 | B12346-B | Swing Low | CBS 88035, Co 35683, Ms MD11-248, Nw RP2023 | DE3212d | |
ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 December 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v).. | |||||
32-12-21-001 | B12773-A | I Must Have That Man - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213a | |
32-12-21-002 | B12773-B | I Must Have That Man - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213b | |
32-12-21-003 | B12774-A | Baby - vAHa | CBS 88035, Cl(F) 626, Co OL-6770, Ms MD11-248 | DE3213c | |
32-12-21-004 | B12774-B | Baby - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Adelaide Hall(v) out. Add Ivie Anderson(v). | |||||
32-12-21-005 | B12775-A | Any Time, Any Day, Anywhere | Br 6467, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3213e | |
32-12-21-006 | B12775-B | Any Time, Any Day, Anywhere | CBS 88082, Gp 040, Lu 5036, Ms MD11-248, Nw RP2023 | DE3213f | |
32-12-21-007 | B12776-A | Delta Bound - vIA | CBS 88082, Cl(F) 626, Co 37298, Ms MD11-248 | DE3213g | |
32-12-21-008 | B12776-B | Delta Bound - vIA | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213h | |
THE MILLS BROTHERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 December 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); The Mills Brothers: Herbert, Harry, Donald (v), John jr(v,g). | |||||
32-12-22-001 | B12781-A | Diga Diga Doo - vTMB | Br 6519, CBS 88082, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3214a | |
32-12-22-002 | B12781-B | Diga Diga Doo - vTMB | Co CK-66372, Ms MD11-248 | DE3214b | |
ETHEL WATERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ethel Waters(v) | |||||
32-12-22-003 | B12783-A | I Can’t Give You Anything But Love - vEW | Br 6517, CBS 88082, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3214c | |
32-12-22-004 | B12783-B | I Can’t Give You Anything But Love - vEW | Co CK-66372, Ms MD11-248 | DE3214d | |
Fred Guy out. | |||||
32-12-22-005 | B12784-A | Porgy - vEW | Br 6521, CBS 88082, Cl(F) 626, Ms MD11-248 | DE3214e | |
32-12-22-006 | B12784-B | Porgy - vEW | Ms MD11-248 | DE3214f | |
32-12-22-007 | B12784-C | Porgy - vEW | Ms MD11-248 | DE3214g | |
ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 07 January 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v). | |||||
33-01-07-001 | B12773-C | I Must Have That Man - vAHa | Br 6518, CBS 88082, Cl(F) 626, Co OL-6770, Ms MD11-248 | DE3301a | |
33-01-07-002 | B12773-D | I Must Have That Man - vAHa | CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2023 | DE3301b | |
33-01-07-003 | B12774-C | Baby! - vAHa | Br 6518, CBS 88082, Cl(F) 626, Ms MD11-248, Ra RTE-23001 | DE3301c | |
33-01-07-004 | B12774-D | Baby! - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3301d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
33-01-07-005 | B12855-A | Eerie Moan | Br 6467, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3301e | |
33-01-07-006 | B12855-B | Eerie Moan | CBS 88082, Gp 040, Lu 5036, Ms MD11-248, Nw RP2023 | DE3301f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 February 1933 | |||
English Columbia recording session. Columbia studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ivie Anderson(v) | |||||
33-02-15-001 | W265049-2 | Merry Go Round | CBS 88082, Co J1681, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3302a | |
33-02-15-002 | W265049-3 | Merry Go Round | Cl(F) 637, Co CB-591, Ms MD11-248 | DE3302b | |
33-02-15-003 | W265050-1 | Sophisticated Lady | CBS 88082, Co J1681, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3302c | |
33-02-15-004 | W265050-2 | Sophisticated Lady | CBS 88082, Cl(F) 637, Co CB-591, Ms MD11-248 | DE3302d | |
33-02-15-005 | W265051-2 | I’ve Got The World On A String - vIA | CBS 88082, Cl(F) 637, Co CB-625, Ms MD11-248 | DE3302e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 February 1933 | |||
English Columbia recording session. Columbia studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib) | |||||
33-02-16-001 | W265052-3 | Down A Carolina Lane | CBS 88082, Cl(F) 637, Co CB-625, Ms MD11-248 | DE3303a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 February 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-02-17-001 | B13078-A | Slippery Horn | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, MoJ MJCD-1303, Ms MD11-248 | DE3304a | |
33-02-17-002 | B13078-B | Slippery Horn | BD T-1003, FMRS FM-4001/02†, Ms MD11-248, Nw RP2033 | DE3304b | |
33-02-17-003 | B13079-A | Blackbirds Medley - Part 1 | DE3304c | ||
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| Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | ||||
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33-02-17-004 | B13079-B | Blackbirds Medley - Part 1 | DE3304d | ||
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| CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2033 | ||||
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33-02-17-005 | B13080-A | Blackbirds Medley - Part 2 | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3304e | |
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33-02-17-006 | B13080-B | Blackbirds Medley - Part 2 | CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2033 | DE3304f | |
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33-02-17-007 | B13080-C | Blackbirds Medley - Part 2 | DE3304g | ||
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| Ms MD11-248, Nw RP2033, UtD 2009 | ||||
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33-02-17-008 | B13081-A | Drop Me Off In Harlem | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, MoJ MJCD-1308, Ms MD11-248 | DE3304h | |
33-02-17-009 | B13081-B | Drop Me Off In Harlem | CBS 88082, Co 35837, Gp 040, Ms MD11-248, Nw RP2033 | DE3304i | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | 04 March 1933 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-03-04-001 | Sophisticated Lady | DE3305a | |||
33-03-04-002 | Creole Rhapsody | DE3305b | |||
Film sound track from "Paramount Pictorial P3-1." | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 May 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Joe Garland(ts); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
33-05-09-001 | B13306-A | Happy As The Day Is Long - vIA | BMG 88697302362, Br 6571, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306a | |
33-05-09-002 | B13307-A | Raisin’ The Rent - vIA | Br 6571, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306b | |
33-05-09-003 | B13308-A | Get Yourself A New Broom - vIA | BMG 88697302362, Br 6607, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
33-05-16-001 | B13337-A | Bundle Of Blues | BMG 88697302362, Br 6607, CBS 88082, Cl(F) 637, MoJ MJCD-1302, Ms MD11-248 | DE3307a | |
33-05-16-002 | B13337-B | Bundle Of Blues | CBS 88082, Co 35836, Gp 040, Ms MD11-248, Nw RP2033 | DE3307b | |
33-05-16-003 | B13338-A | Sophisticated Lady | BMG 88697298542, BMG 88697302362, Br 6600, CBS 88082, Cl(F) 637, Gp 040, Ms MD11-248 | DE3307c | |
33-05-16-004 | B13339-A | Stormy Weather | Br 6600, CBS 88082, Cl(F) 637, Gp 040, Ms MD11-248 | DE3307d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | 23 May 1933 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Benny James(g); Wellman Braud(sb); Sonny Greer(d,ch), Ivie Anderson(v) | |||||
33-05-23-001 | Lightnin' | Mx MLP-1001, Pr PRV-102 | DE3308a | ||
33-05-23-002 | Rockin’ In Rhythm | Mx MLP-1001, Pr PRV-102 | DE3308b | ||
33-05-23-003 | Stormy Weather - vIA | Mx MLP-1001, Pr PRV-102 | DE3308c | ||
33-05-23-004 | Bugle Call Rag | Mx MLP-1001 | DE3308d | ||
33-05-23-005 | Lightnin' | Mx MLP-1001 | DE3308e | ||
Film sound track from Paramount's "A Bundle Of Blues" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | London, GB | 13 July 1933 | |||
English Decca recording session. Chenil Galleries. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch), Ivie Anderson(v) | |||||
33-07-13-001 | GB6038-3 | Hyde Park | Cl(F) 637, De M-439, JU JUCD-2069(D) | DE3309a | |
33-07-13-002 | GB6039-1 | Harlem Speaks | De 800, JU JUCD-2069(D), Nw RP2033, Ra RTE-23001 | DE3309b | |
33-07-13-003 | GB6039-2 | Harlem Speaks | Cl(F) 637, De M-438, JU JUCD-2069(D), MoJ MJCD-1308 | DE3309c | |
33-07-13-004 | GB6040-1 | Ain’t Misbehavin' | Cl(F) 637, De M-439, JU JUCD-2069(D) | DE3309d | |
33-07-13-005 | GB6041-1 | Chicago | De 800, JU JUCD-2069(D), Nw RP2033, Ra RTE-23001 | DE3309e | |
33-07-13-006 | GB6041-2 | Chicago | Cl(F) 637, De M-438, JU JUCD-2069(D) | DE3309f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | London, GB | 14 July 1933 | |||
English Oriole recording session. Levy's Sound Studios. | |||||
Duke Ellington(p,tk);Percy Mathison Brooks(tk) | |||||
33-07-14-001 | 538 | Souvenir of Duke Ellington’s First Visit To England 1933 | BD T-1003, Nw RP2033 | DE3310a | |
33-07-14-002 | 539 | Souvenir of Duke Ellington’s First Visit To England 1933 | BJ LP-3004, Cl(F) 637, Or un-numbered† | DE3310b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 15 August 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d), Ivie Anderson(v) | |||||
33-08-15-001 | B13800-A | I’m Satisfied - vIA | Br 6638, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3311a | |
33-08-15-002 | B13801-A | Jive Stomp | BMG 88697302362, Br 6638, CBS 88082, Cl(F) 637, MoJ MJCD-1312, Ms MD11-248 | DE3311b | |
33-08-15-003 | B13801-B | Jive Stomp | Ms MD11-248 | DE3311xa | |
33-08-15-004 | B13802-A | Harlem Speaks | BMG 88697302362, Br 6646, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3311c | |
33-08-15-005 | B13803-A | In The Shade Of The Old Apple Tree | Br 6646, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3311d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 September 1933 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-09-26-001 | BS77025-1 | Rude Interlude - vLBa | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24431 | DE3312a | |
33-09-26-002 | BS77025-2 | Rude Interlude - vLBa | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3312b | |
33-09-26-003 | BS77026-1 | Dallas Doin’s | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3312c | |
33-09-26-004 | BS77026-2 | Dallas Doin’s | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24431 | DE3312d | |
This session happened either in the early hours of the 26th (as listed here) or the 27th (see TDWAW) | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 05 December 1933 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
33-12-05-001 | BS77199-1 | Dear Old Southland - vLBa | (F)RCA 741114, Cl(F) 646, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi 24501 | DE3313a | |
33-12-05-002 | BS77199-2 | Dear Old Southland - vLBa | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D), RCA 741114 | DE3313b | |
33-12-05-003 | BS77200- | Awful Sad | DE3313c | ||
33-12-05-004 | BS77201-1 | Daybreak Express | (F)RCA 741114, BMG 88697302362, Cl(F) 646, MoJ MJCD-1303, RCA 09026-63386-2(D), Vi 24501 | DE3313d | |
33-12-05-005 | BS77201-2 | Daybreak Express | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D), RCA 741114 | DE3313e | |
The recording session took place in the early hours of the 5th (it has sometimes been reported as the 4th but actually started after midnight). | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1934 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,mc). | |||||
34-01-09-001 | BS80144-1 | Delta Serenade | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3401a | |
34-01-09-002 | BS80144-2 | Delta Serenade | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24755 | DE3401b | |
34-01-09-003 | BS80145-1 | Stompy Jones | (F)RCA 741114, Bb 82876-60091-2-1, Cl(F) 646, MoJ MJCD-1312, RCA 09026-63386-2(D), Vi 24521 | DE3401c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 January 1934 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-01-10-001 | BS80149-1 | Solitude | (F)RCA 741114, Bb 82876-60091-2-1, Cl(F) 646, RCA 09026-63386-2(D), Vi 24755 | DE3402a | |
34-01-10-002 | BS80150-1 | Blue Feeling | (F)RCA 741114, Cl(F) 646, MoJ MJCD-1302, RCA 09026-63386-2(D), Vi 24521 | DE3402b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 February 1934 | |||
Paramount soundtrack recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Barbara Van Brunt(v). | |||||
34-02-26-001 | PBS79093-1 PBS79094-1 | Ebony Rhapsody | BMG 88697302362 | DE3403a | |
34-02-26-002 | PBS79095-1 PBS79096-1 | Ebony Rhapsody | BMG 88697302362 | DE3403b | |
34-02-26-003 | PCS79194-1 | Ebony Rhapsody | DE3403c | ||
34-02-26-004 | PCS79193-1 | Ebony Rhapsody - vBVB | Uni 61106092 | DE3403d | |
Film sound track from Paramount's "Murder At The Vanities" NB. Vocal on 34-02-26-004 overdubbed on 16 Apr 1934. | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-15-001 | When A St. Louis Woman - vMW | Ar ARLP-12031 | DE3404a | ||
34-03-15-002 | When A St. Louis Woman - vMW | DE3404b | |||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 16 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-16-001 | Memphis Blues - vMW | Ar ARLP-12031, ER 1004 | DE3405a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
LARRY ADLER WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 13. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Larry Adler(hca); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
34-03-21-001 | Sophisticated Lady | UtD 2009 | DE3406a | ||
Film sound track from Paramount's "Many Happy Returns" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 24 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-24-001 | My Old Flame - vMW | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Ar ARLP-12031, Cl(F) 646, Cs 7504, MoJ MJCD-1305 | DE3407a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-26-001 | Hesitation Blues | Ar ARLP-12031 | DE3408a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 12 April 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
34-04-12-001 | BS79155-2 | Ebony Rhapsody - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24622 | DE3409a | |
34-04-12-002 | BS79156-1 | Cocktails For Two | (F)RCA FPM-1-7002-IIe, Nw RP2033, RCA 09026-63386-2(D) | DE3409b | |
34-04-12-003 | BS79156-2 | Cocktails For Two | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24617 | DE3409c | |
34-04-12-004 | BS79156-17-2 | Live And Love Tonight | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24617 | DE3409d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 April 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-04-17-001 | BS79169-2 | I Met My Waterloo | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24622 | DE3410a | |
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 07 May 1934 | |||
Paramount film recording session. Paramount Sound Stage 8. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-05-07-001 | Troubled Waters - vMW | Ar ARLP-12031 | DE3411a | ||
34-05-07-002 | Troubled Waters | DE3411b | |||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 08 May 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-05-08-001 | My Old Flame | Ar ARLP-12031* | DE3412a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 May 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
34-05-09-001 | BS79211-1 | Troubled Waters - vIA | RCA 09026-63386-2(D) | DE3413a | |
34-05-09-002 | BS79211-2 | Troubled Waters - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, MoJ MJCD-1313, RCA 09026-63386-2(D), Vi 24651 | DE3413b | |
34-05-09-003 | BS79212-2 | My Old Flame - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24651 | DE3413c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 September 1934 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(acl,bar,as); Duke Ellington(p,v); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
34-09-13-001 | B15910-A | Solitude | BMG 88697302362, Br 6987, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414a | |
34-09-13-002 | B15911-A | Saddest Tale -vDE | BMG 88697302362, Br 7310, CBS 88137, Cl(F) 646, MoJ MJCD-1303, Ms MD11-248 | DE3414b | |
34-09-13-003 | B15912-A | Moonglow | Br 6987, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414c | |
34-09-13-004 | B15913-A | Sump’n’ Bout Rhythm | Br 7310, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early October 1934 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Billie Holiday(v) | |||||
SYMPHONY IN BLACK | |||||
34-10-00-001 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415a | ||
34-10-00-002 |
| MoJ MJCD-1305, Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415b | ||
34-10-00-003 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415c | ||
34-10-00-004 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1935 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as,bsax); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Billy Taylor(bb); Sonny Greer(d); Ivie Anderson(v) | |||||
35-01-09-001 | C883-2 | Admiration | CBS 88137, Cl(F) 646, FDC 1003, Ms MD11-248 | DE3501a | |
35-01-09-002 | C884-2 | Farewell Blues | CBS 88137, Cl(F) 646, FDC 1003, Ms MD11-248 | DE3501b | |
35-01-09-003 | C885-3 | Let’s Have A Jubilee - vIA | CBS 88137, Cl(F) 659, FDC 1003, Ms MD11-248 | DE3501c | |
Cootie Williams, Rex Stewart(t); Juan Tizol(tb); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); n/k(mc). | |||||
35-01-09-004 | C886-2 | Moonlight Fiesta (Porto Rican Chaos) | Ms MD11-248 | DE3501d | |
“Admiration” is not the same composition recorded on 20 March 1930. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 March 1935 | |||
ARC recording session. ARC studios. | |||||
Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(ss); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d). | |||||
35-03-05-001 | B16973-1 | Margie | Br 7526, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3502a | |
Cootie Williams, Rex Stewart(t); Juan Tizol(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d); n/k(mc); n/k(clv). | |||||
35-03-05-002 | B16974-1 | Moonlight Fiesta (Porto Rican Chaos) | BMG 88697302362, CBS 88137, Cl(F) 659, MoJ MJCD-1304, Ms MD11-248, SE 5007-S | DE3502b | |
35-03-05-003 | B16974-2 | Moonlight Fiesta (Porto Rican Chaos) | CBS 88137, Cl(F) 659, FMRS FM-4001/02†, Ms MD11-248 | DE3502c | |
DUKE ELLINGTON'S SEXTET | Same session | ||||
Rex Stewart(t); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb). | |||||
35-03-05-004 | B16975-1 | Tough Truckin' | CBS 88137, Ms MD7-235, Nw RP2033, Ra RTE-23001 | DE3502d | |
35-03-05-005 | B16975-2 | Tough Truckin' | CBS 88137, Cl(F) 659, Co 37297, Co C2K-46995, MJ MJCD-1140, Ms MD7-235 | DE3502e | |
35-03-05-006 | B16976-1 | Indigo Echoes | BD T-1003, Ms MD7-235, Nw RP2033 | DE3502f | |
35-03-05-007 | B16976-2 | Indigo Echoes | CBS 88137, Cl(F) 659, Co 37297, Co C2K-46995, Ms MD7-235 | DE3502g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 April 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
35-04-30-001 | B17406-1 | In A Sentimental Mood | BMG 88697298542, BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503a | |
35-04-30-002 | B17407-1 | Showboat Shuffle | BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503b | |
35-04-30-003 | B17408-1 | Merry Go Round | BMG 88697302362, Br 7440, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503c | |
35-04-30-004 | B17409-1 | Admiration | Br 7440, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 August 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
35-08-19-001 | B17974-1 | Cotton - vIA | Br 7526, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3504a | |
35-08-19-002 | B17975-1 | Truckin’ - vIA | Br 7514, CBS 88137, Cl(F) 659, MoJ MJCD-1304, Ms MD11-248 | DE3504b | |
35-08-19-003 | B17976-1 | Accent On Youth | Br 7514, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3504c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 September 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(cl,ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
35-09-12-001 | B18072-1 | REMINISCING IN TEMPO - Part 1 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505a | |
35-09-12-002 | B18073-1 | REMINISCING IN TEMPO - Part 2 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505b | |
35-09-12-003 | B18074-2 | REMINISCING IN TEMPO - Part 3 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505c | |
35-09-12-004 | B18075-1 | REMINISCING IN TEMPO - Part 4 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 January 1936 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
36-01-03-001 | C1195- | Echoes Of Harlem | DE3601a | ||
36-01-03-002 | C1196- | Chatterbox | DE3601b | ||
36-01-03-003 | C1197- | Clarinet Lament | DE3601c | ||
36-01-03-004 | C1198- | Farewell Blues | DE3601d | ||
This entire session remains unissued and the masters no longer exist. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 January 1936 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick (as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
36-01-20-001 | C1199-1 | I Don’t Know Why I Love You So | BMG 88697302362, CBS 88137, Cl(F) 659, Co 37296, Ms MD11-248 | DE3602a | |
36-01-20-002 | C1199-2 | I Don’t Know Why I Love You So | CBS 88137, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3602b | |
36-01-20-003 | C1200-1 | Dinah Lou - vIA | CBS 88137, Cl(F) 659, FDC 1003, MoJ MJCD-1307, Ms MD11-248 | DE3602c | |
36-01-20-004 | C1200-3 | Dinah Lou - vIA | CBS 88137, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3602d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 February 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
36-02-27-001 | B18734-1 | Isn’t Love The Strangest Thing - vIA | BMG 88697302362, Br 7625, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604a | |
36-02-27-002 | B18735-1 | No Greater Love | Br 7625, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604b | |
36-02-27-003 | B18736-1 | Clarinet Lament | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604c | |
36-02-27-004 | B18737-1 | Echoes Of Harlem | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, MJ MJCD-1101, Ms MD11-248 | DE3604d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 February 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Pete Clark(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
36-02-28-001 | B18738-1 | Love Is Like A Cigarette - vIA | Br 7627, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3605a | |
Add Billy Taylor(sb). | |||||
36-02-28-002 | B18739-2 | Kissin’ My Baby Goodnight - vIA | Br 7627, CBS 88140, Cl(F) 666, MJ MJCD-1140, Ms MD11-248 | DE3605b | |
Billy Taylor out. | |||||
36-02-28-003 | B18740-1 | Oh Babe, Maybe Someday - vIA | Br 7667, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3605c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 May 1936 | |||
WMAQ broadcast. Congress Hotel. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
36-05-09-001 | Stompy Jones | DE3606a | |||
36-05-09-002 | In A Sentimental Mood | DE3606b | |||
36-05-09-003 | My Old Flame - vIA | DE3606c | |||
36-05-09-004 | Cotton - vIA | DE3606d | |||
36-05-09-005 | Harlem Speaks | DE3606e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 May 1936 | |||
WMAQ broadcast. Congress Hotel. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
36-05-26-001 | East St. Louis Toodle-O (theme) | DE3607a | |||
36-05-26-002 | Stompy Jones | DE3607b | |||
36-05-26-003 | Clarinet Lament | DE3607c | |||
36-05-26-004 | Showboat Shuffle | DE3607d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 July 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(bb,sb); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
36-07-17-001 | B19562-2 | Shoe Shine Boy - vIA | Br 7710, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608a | |
36-07-17-002 | B19563-1 | It Was A Sad Night In Harlem - vIA | Br 7710, CBS 88140, Cl(F) 666, MoJ MJCD-1308, Ms MD11-248 | DE3608b | |
36-07-17-003 | B19564-1 | Trumpet In Spades | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608c | |
36-07-17-004 | B19565-2 | Yearning For Love | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 July 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
36-07-29-001 | B19626-1 | In A Jam | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3609a | |
Add Hayes Alvis(sb). | |||||
36-07-29-002 | B19627-1 | Exposition Swing | BMG 88697302362, CBS 88140, Cl(F) 666, Ms MD11-248, Vo S-50 | DE3609b | |
36-07-29-003 | B19627-2 | Exposition Swing | CBS 88140, Ms MD11-248 | DE3609c | |
Billy Taylor out. | |||||
36-07-29-004 | B19628-1 | Uptown Downbeat | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, Ms MD11-248, Nw RP2033 | DE3609d | |
REX STEWART AND HIS FIFTY SECOND STREET STOMPERS | Los Angeles, CA | 16 December 1936 | |||
Master recording session. Recordings Incorporated, Hollywood. | |||||
Rex Stewart(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(cl,bar); Ceele Burke(g,stg); Billy Taylor(sb); Sonny Greer(d). | |||||
36-12-16-001 | B4369-A | Rexatious | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 517 | DE3610a | |
36-12-16-002 | B4369-B | Rexatious | Ms MD7-235, R/V 1001-CD(D) | DE3610b | |
36-12-16-003 | B4370-A | Lazy Man’s Shuffle | CBS 88140, Ms MD7-235, Nw RP2039 | DE3610c | |
36-12-16-004 | B4370-B | Lazy Man’s Shuffle | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 517 | DE3610d | |
BARNEY BIGARD AND HIS JAZZOPATORS | Los Angeles, CA | 19 December 1936 | |||
Master recording session. Associated Cinema studios, Hollywood. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
36-12-19-001 | L0371-1 | Clouds In My Heart | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611a | |
36-12-19-002 | L0371-2 | Clouds In My Heart | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 525 | DE3611b | |
36-12-19-003 | L0372-1 | Frolic Sam | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611c | |
36-12-19-004 | L0372-2 | Frolic Sam | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 525 | DE3611d | |
36-12-19-005 | L0373-1 | Caravan | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 515 | DE3611e | |
36-12-19-006 | L0373-2 | Caravan | CBS 88140, Ms MD7-235, Nw RP2039, Va 515 | DE3611f | |
36-12-19-007 | L0374-1 | Stompy Jones | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 515 | DE3611g | |
36-12-19-008 | L0374-2 | Stompy Jones | CBS 88140, Ms MD7-235, Nw RP2039, Va 515 | DE3611h | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 December 1936 | |||
Master recording session. Associated Cinema studios, Hollywood. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
36-12-21-001 | L0375-1 | Scattin’ At The Kit Kat (Scattin’ At The Cotton Club) | BMG 88697302362, CBS 88140, Cl(F) 666, FDC 1022, FMRS FM-4001/02†, Ms MD11-248 | DE3612a | |
36-12-21-002 | L0376-1 | Black Butterfly | BMG 88697302362, Br 8044, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3612b | |
36-12-21-003 | L0376-2 | Black Butterfly | Ms MD11-248 | DE3612xa | |
DUKE ELLINGTON | Los Angeles, CA | Same session | |||
Duke Ellington(p) | |||||
36-12-21-004 | ¯| | ¯| Mood Indigo | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612c | |
36-12-21-005 | | L0377-1 | - | Solitude | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612d | |
36-12-21-006 | _| | _| Mood Indigo | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612e | |
36-12-21-007 | ¯| L0378-1 | ¯| In A Sentimental Mood | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612f | |
36-12-21-008 | _| | _| Sophisticated Lady | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early 1937 | |||
MGM film recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson, The Chrinoline Choir(v). | |||||
37-01-10-001 | All God’s Chillun Got Rhythm - vIA,TCC | BJ LP-3004, TCM R2-79805 | DE9012a | ||
Film sound track from MGM Pictures' "A Day At The Races" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 22-25 February 1937 | |||
Republic film recording session. Republic studios. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb,v); Sonny Greer(d,ch); Sammy White(v). | |||||
37-02-22-001 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | TOM 10 | DE3701a | ||
37-02-22-002 | It Don’t Mean A Thing - vIA | DE3701b | |||
37-02-22-003 | Along Came Pete - vSWh | DE3701c | |||
37-02-22-004 | Sophisticated Lady | DE3701d | |||
37-02-22-005 | Love Is Good For Anything That Ails You | DE3701e | |||
Film sound track from Republic Pictures' "The Hit Parade" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 05 March 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(as,bsax); Harry Carney(cl,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch). | |||||
37-03-05-001 | M177-1 | Birmingham Breakdown | BMG 88697302362, CBS 88140, Cl(F) 666, Ma 123, Ms MD11-248 | DE3702a | |
37-03-05-002 | M177-2 | Birmingham Breakdown | CBS 88140, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702b | |
37-03-05-003 | M178-1 | Scattin’ At The Kit Kat | CBS 88140, Cl(F) 666, Ma 123, MoJ MJCD-1308, Ms MD11-248 | DE3702c | |
37-03-05-004 | M178-2 | Scattin’ At The Kit Kat | CBS 88140, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702d | |
37-03-05-005 | M179-1 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, Cl(F) 666, Ma 101, MoJ MJCD-1313, Ms MD11-248 | DE3702e | |
37-03-05-006 | M179-2 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702f | |
37-03-05-007 | M180-1 | East St. Louis Toodle-O | BMG 88697302362, CBS 88185, Cl(F) 666, Ma 101, MoJ MJCD-1306, Ms MD11-248 | DE3702g | |
37-03-05-008 | M180-2 | East St. Louis Toodle-O | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702h | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 08 March 1937 | |||
Master recording session. Master Records studio. | |||||
Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Hayes Alvis(sb); Sonny Greer(d) | |||||
37-03-08-001 | M185-1 | I Can’t Believe That You’re In Love With Me | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3703a | |
37-03-08-002 | M185-2 | I Can’t Believe That You’re In Love With Me | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703b | |
37-03-08-003 | M186-1 | Downtown Uproar | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Tx M-8011, Va 527 | DE3703c | |
37-03-08-004 | M186-2 | Downtown Uproar | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703d | |
37-03-08-005 | M187-1 | Diga Diga Doo | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3703e | |
37-03-08-006 | M187-2 | Diga Diga Doo | CBS 88185, Ms MD7-235, Nw RP2039 | DE3703f | |
37-03-08-007 | M188-1 | Blue Reverie | CBS 88185, Ms MD7-235, Nw RP2039 | DE3703g | |
37-03-08-008 | M188-2 | Blue Reverie | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 527 | DE3703h | |
37-03-08-009 | M189-1 | Tiger Rag | CBS 88185, Co C2K-46995, Ms MD7-235, Nw RP2039, Tx M-8011 | DE3703i | |
37-03-08-010 | M189-2 | Tiger Rag | CBS 88185, Cl(F) 675, Ms MD7-235 | DE3703j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 March 1937 | |||
MBS broadcast from the Cotton Club. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-03-18-001 | East St. Louis Toodle-O (theme) | DE3704a | |||
37-03-18-002 | Harlem Speaks | CC 16(D) | DE3704b | ||
37-03-18-003 | Caravan | CC 16(D) | DE3704c | ||
37-03-18-004 | One, Two Button Your Shoe - vIA | CC 16(D) | DE3704d | ||
37-03-18-005 | Pennies From Heaven - vIA | BJ LP-3004 | DE3704e | ||
37-03-18-006 | Mexicali Rose - vIA | BJ LP-3004 | DE3704f | ||
37-03-18-007 | Sophisticated Lady | CC 16(D) | DE3704g | ||
37-03-18-008 | Rockin’ In Rhythm | CC 16(D) | DE3704h | ||
37-03-18-009 | East St. Louis Toodle-O (theme) | CC 16(D) | DE3704i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Spring 1937 | |||
MBS broadcast from the Cotton Club. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-03-31-001 | Swing Low | ||||
37-03-31-002 | I’ve Got To Be A Rug Cutter -vIA,RS,HC,HA | ||||
37-03-31-003 | Azure | ||||
37-03-31-004 | Ducky Wucky | ||||
These four selections are preserved in a collector’s item, an aluminium aircheck disc, containing only a part of the first and fourth titles. | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 April 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
37-04-09-001 | M379-1 | There’s A Lull In My Life - vIA | CBS 88185, Cl(F) 675, Ma 117, Ms MD11-248, Ra RTE-23002 | DE3705a | |
37-04-09-002 | M379-2 | There’s A Lull In My Life - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705b | |
37-04-09-003 | M380-1 | It’s Swell Of You - vIA | CBS 88185, Cl(F) 675, Ma 117, Ms MD11-248, Ra RTE-23002 | DE3705c | |
37-04-09-004 | M380-2 | It’s Swell Of You - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705d | |
37-04-09-005 | M381-1 | You Can’t Run Away From Love Tonight | CBS 88185, Cl(F) 675, Ma 124, Ms MD11-248, Ra RTE-23002 | DE3705e | |
37-04-09-006 | M381-2 | You Can’t Run Away From Love Tonight | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 April 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
37-04-22-001 | M416-1 | Azure | CBS 88185, Cl(F) 675, Ms MD11-248, TOM 10 | DE3706a | |
37-04-22-002 | M416-2 | Azure | CBS 88185, Ms MD11-248, Nw RP2039 | DE3706b | |
37-04-22-003 | M417-1 | The Lady Who Couldn’t Be Kissed | CBS 88185, Cl(F) 675, Ma 124, Ms MD11-248, Ra RTE-23002 | DE3706c | |
37-04-22-004 | M418-1 | Old Plantation - vIA | CBS 88185, Cl(F) 675, Ms MD11-248, Ra RTE-23002, Va 519 | DE3706d | |
37-04-22-005 | M418-2 | Old Plantation - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3706e | |
“Old Plantation” issued as Ivie Anderson and her Boys From Dixie. | |||||
BARNEY BIGARD AND HIS JAZZOPATORS | New York City, NY | 29 April 1937 | |||
Master recording session. Master Records studio. | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
37-04-29-001 | M433-1 | Lament For Lost Love (Solace) | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707a | |
37-04-29-002 | M433-2 | Lament For Lost Love (Solace) | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 564 | DE3707b | |
37-04-29-003 | M434-1 | Four And A Half Street | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 564 | DE3707c | |
37-04-29-004 | M434-2 | Four And A Half Street | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707d | |
37-04-29-005 | M435-1 | Demi-Tasse | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3707e | |
37-04-29-006 | M435-2 | Demi-Tasse | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707f | |
37-04-29-007 | M436-1 | Jazz A La Carte | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707g | |
37-04-29-008 | M436-2 | Jazz A La Carte | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3707h | |
DUKE ELLINGTON | New York City, NY | 08 May 1937 | |||
CBS broadcast "Saturday Night Swing Club" from Club Playhouse. | |||||
Duke Ellington(p). | |||||
37-05-08-001 | Soda Fountain Rag | Ff LP-17117, JA 40, Sv 103-8415 | DE3708a | ||
37-05-08-002 | ¬ Solitude | Ff LP-17117, Sv 103-8415 | DE3708b | ||
37-05-08-003 | _| In A Sentimental Mood | Ff LP-17117, Sv 103-8415 | DE3708c | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 14 May 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
37-05-14-001 | M470-2 | Caravan | BMG 88697298542, BMG 88697302362, CBS 88185, Cl(F) 675, Ma 131, Ms MD11-248 | DE3709a | |
37-05-14-002 | M471-1 | Azure | BMG 88697302362, CBS 88185, Cl(F) 675, Ma 131, Ms MD11-248 | DE3709b | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 May 1937 | |||
Recording session for ARC's dime store labels (later transferred to Variety). ARC studios. | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Buddy Clark(v) | |||||
37-05-20-001 | 21186-1 | Foolin’ Myself - vBCk | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 576 | DE3710a | |
37-05-20-002 | 21186-2 | Foolin’ Myself - vBCk | CBS 88185, Ms MD7-235, Nw RP2039, Ra RTE-23005 | DE3710b | |
37-05-20-003 | 21187-1 | A Sailboat In The Moonlight - vBCk | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 586 | DE3710c | |
37-05-20-004 | 21187-2 | A Sailboat In The Moonlight - vBCk | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), Ra RTE-23005 | DE3710d | |
37-05-20-005 | 21188-1 | You’ll Never Go To Heaven - vBCk | Ms MD7-235 | DE3710xa | |
37-05-20-006 | 21188-2 | You’ll Never Go To Heaven - vBCk | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 576 | DE3710e | |
37-05-20-007 | 21189-1 | Peckin’ - vCW | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, TOM 10 | DE3710f | |
37-05-20-008 | 21189-2 | Peckin’ - vCW | CBS 88210, Ms MD7-235, Nw RP2042, Ra RTE-23005 | DE3710g | |
37-05-20-009 | 21189-3 | Peckin’ - vCW | CBS 88210, Ms MD7-235, Nw RP2042, Ra RTE-23005 | DE3710h | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 08 June 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d); Ivie Anderson(v). | |||||
37-06-08-001 | M519-1 | All God’s Chillun Got Rhythm | CBS 88210, Ma 137, Ms MD11-248 | DE3711a | |
37-06-08-002 | M519-2 | All God’s Chillun Got Rhythm | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3711b | |
37-06-08-003 | M520-1 | All God’s Chillun Got Rhythm - vIA,RS,HC,HA | CBS 88210, Cl(F) 687, Ms MD11-248, Ra RTE-23002, Va 591 | DE3711c | |
37-06-08-004 | M520-2 | All God’s Chillun Got Rhythm - vIA,RS,HC,HA | CBS 88210, Ms MD11-248 | DE3711d | |
37-06-08-005 | M521-1 | Alabamy Home - vIA | CBS 88210, Cl(F) 687, Ma 137, Ms MD11-248 | DE3711e | |
37-06-08-006 | M521-2 | Alabamy Home - vIA | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3711f | |
DUKE ELLINGTON'S JAM ENSEMBLE | New York City, NY | 12 June 1937 | |||
CBS broadcast "Saturday Night Swing Club" from Club Playhouse. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Hayes Alvis(sb); John Williams(d). | |||||
37-06-12-001 | Frolic Sam | JU JUCD-2056/57, So LP-1013 | DE3712a | ||
BARNEY BIGARD AND HIS JAZZOPATORS | New York City, NY | 16 June 1937 | |||
Master recording session. Master Records studio. | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Sue Mitchell(v) | |||||
37-06-16-001 | M525-1 | Get It Southern Style - vSMi | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 596 | DE3713a | |
37-06-16-002 | M525-2 | Get It Southern Style - vSMi | BD T-1003, Nw RP2042, R/V 1001-CD(D) | DE3713b | |
Add Charlie Barnet(mc). | |||||
37-06-16-003 | M526-1 | Moonlight Fiesta | CBS 88137, CBS 88210, Ms MD7-235, Nw RP2033, Nw RP2042 | DE3713c | |
37-06-16-004 | M526-2 | Moonlight Fiesta | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 626 | DE3713d | |
Charlie Barnet out. | |||||
37-06-16-005 | M527-1 | Sponge Cake And Spinach | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 626 | DE3713e | |
37-06-16-006 | M527-2 | Sponge Cake And Spinach | BD T-1003, Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713f | |
37-06-16-007 | M528-1 | If You’re Ever In My Arms Again - vSMi | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 596 | DE3713g | |
37-06-16-008 | M528-2 | If You’re Ever In My Arms Again - vSMi | BD T-1003, Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Late June 1937 | |||
Paramount film recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-06-30-001 | Oh Babe Maybe Someday | DE3714a | |||
37-06-30-002 | Daybreak Express | DE3714b | |||
37-06-30-003 | Daybreak Express | DE3714c | |||
37-06-30-004 | Daybreak Express | DE3714d | |||
37-06-30-005 | Oh Babe Maybe Someday | DE3714e | |||
37-06-30-006 | Oh Babe Maybe Someday - vIA | DE3714f | |||
Film sound track from Paramount’s “Paramount Pictorial P7-2.” The whole film was issued on Bluebird DVD 82876-60091-2-2. | |||||
REX STEWART AND HIS FIFTY SECOND STREET STOMPERS | New York City, NY | 07 July 1937 | |||
Variety recording session at Master Records studios. | |||||
Rex Stewart, Freddie Jenkins(t); Johnny Hodges(cl,as); Harry Carney(bar); Duke Ellington(p); Brick Fleagle(g); Hayes Alvis(sb); Jack Maisel(d) | |||||
37-07-07-001 | M549-1 | Back Room Romp | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 618◊ | DE3715a | |
37-07-07-002 | M549-2 | Back Room Romp | CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715b | |
37-07-07-003 | M550-1 | Swing, Baby, Swing (Love In My Heart) | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, MoJ MJCD-1309, Ms MD7-235, Va 664◊ | DE3715c | |
37-07-07-004 | M550-2 | Swing, Baby, Swing (Love In My Heart) | CBS 88210◊, Ms MD7-235, Nw RP2042 | DE3715d | |
37-07-07-005 | M551-1 | Sugar Hill Shim-Sham | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, MoJ MJCD-1308, Ms MD7-235, Va 664◊ | DE3715e | |
37-07-07-006 | M551-2 | Sugar Hill Shim-Sham | CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715f | |
37-07-07-007 | M552-1 | Tea And Trumpets | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 618◊ | DE3715g | |
37-07-07-008 | M552-2 | Tea And Trumpets | Ms MD7-235, R/V 1001-CD◊(D) | DE3715h | |
37-07-07-009 | M552-3 | Tea And Trumpets | BD T-1003, CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715i | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 20 September 1937 | |||
ARC-Brunswick recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
37-09-20-001 | M646-1 | Chatterbox | BMG 88697302362, Br 8029, CBS 88210, Cl(F) 687, MoJ MJCD-1312, Ms MD11-248 | DE3716a | |
37-09-20-002 | M647-2 | Jubilesta | CBS 88210, Cl(F) 687, Ms MD11-248, Ra RTE-23002 | DE3716b | |
37-09-20-003 | M648-1 | Diminuendo In Blue | BMG 88697298542, BMG 88697302362, Br 8004, CBS 88210, Cl(F) 687, Ms MD11-248, UA NUA-7(D) | DE3716c | |
37-09-20-004 | M648-2 | Diminuendo In Blue | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716d | |
37-09-20-005 | M649-1 | Crescendo In Blue | BMG 88697298542, BMG 88697302362, Br 8004, CBS 88210, Cl(F) 687, Ms MD11-248, UA NUA-7(D) | DE3716e | |
37-09-20-006 | M649-2 | Crescendo In Blue | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716f | |
37-09-20-007 | M650- | Harmony In Harlem | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716g | |
37-09-20-008 | M650-1 | Harmony In Harlem | Ms MD11-248 | DE3716xa | |
37-09-20-009 | M650-2 | Harmony In Harlem | BMG 88697302362, Br 8044, CBS 88210, Cl(F) 687, MoJ MJCD-1308, Ms MD11-248 | DE3716h | |
37-09-20-010 | M651-1 | Dusk On The Desert | Ms MD11-248 | DE3716xb | |
37-09-20-011 | M651-2 | Dusk On The Desert | BMG 88697302362, Br 8029, CBS 88210, Cl(F) 687, Ms MD11-248 | DE3716i | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 26 October 1937 | |||
ARC-Brunswick recording session. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl,ts); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jerry Kruger(v). | |||||
37-10-26-001 | M699-2 | Jubilesta | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Tx M-8011, Vo 3922 | DE3717a | |
37-10-26-002 | M670-1 | Watchin’ - vJK | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Vo 3990 | DE3717b | |
37-10-26-003 | M671-1 | Pigeons And Peppers | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Vo 3922 | DE3717c | |
37-10-26-004 | M672-1 | I Can’t Give You Anything But Love | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Tx M-8011, Vo 3990 | DE3717d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 13 January 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
38-01-13-001 | M713-1 | Steppin’ Into Swing Society | BMG 88697302362, Br 8063, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801a | |
38-01-13-002 | M714-1 | Black And Tan Fantasy - Part 1 | BMG 88697302362, Br 8256, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801b | |
38-01-13-003 | M715-1 | Black And Tan Fantasy - Part 2 | BMG 88697302362, Br 8063, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801c | |
Black And Tan Fantasy was originally issued as Prologue To Black And Tan Fantasy (Part 1) and The New Black And Tan Fantasy (Part 2) | |||||
BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 19 January 1938 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-001 | M724-1 | Drummer’s Delight | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3985 | DE3802a | |
38-01-19-002 | M725-1 | If I Thought You Cared | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3985 | DE3802b | |
38-01-19-003 | M725-2 | If I Thought You Cared | BD T-1003, Ms MD7-235, R/V 1001-CD(D) | DE3802c | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-004 | M726-1 | Lost In Meditation (Have A Heart) | CBS 88220, Cl(F) 700, Ms MD7-235 | DE3802d | |
38-01-19-005 | M726-2 | Lost In Meditation (Have A Heart) | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3960 | DE3802e | |
JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v) | |||||
38-01-19-006 | M727-2 | My Day - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3948 | DE3802f | |
38-01-19-007 | M728-1 | Silvery Moon And Golden Sands - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3948 | DE3802g | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-008 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xa | |
38-01-19-009 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xb | |
38-01-19-010 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xc | |
38-01-19-011 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xd | |
38-01-19-012 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xe | |
38-01-19-013 | M729-1 | Echoes Of Harlem | CBS 88220, Ms MD7-235 | DE3802h | |
38-01-19-014 | M729-2 | Echoes Of Harlem | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3960 | DE3802i | |
NB. 38011908 is a partial rehearsal complete with studio chatter | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
38-02-02-001 | M751-1 | Ridin’ On A Blue Note | BMG 88697302362, Br 8083, CBS 88220, Cl(F) 700, MoJ MJCD-1101, Ms MD11-248 | DE3803a | |
38-02-02-002 | M751-2 | Ridin’ On A Blue Note | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3803b | |
38-02-02-003 | M752-1 | Lost In Meditation | BMG 88697302362, Br 8083, CBS 88220, Cl(F) 700, JP LP-14, Ms MD11-248, Ra RTE-23003 | DE3803c | |
38-02-02-004 | M753-1 | Gal From Joe’s | BMG 88697302362, Br 8108, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3803d | |
38-02-02-005 | M753-2 | Gal From Joe’s | CBS 88220, Ms MD11-248, Nw RP2042 | DE3803e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 February 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-02-24-001 | M770-1 | If You Were In My Place - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3804a | |
38-02-24-002 | M770-2 | If You Were In My Place - vIA | Br 80093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804b | |
38-02-24-003 | M771-1 | Skrontch - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3804c | |
38-02-24-004 | M771-2 | Skrontch - vIA | BMG 88697302362, Br 80093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804d | |
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p,v) | |||||
38-02-24-005 | I’ve Got To Be A Rug Cutter - vDE | JP LP-14 | DE3804e | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Wallace Jones, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol, Cootie Williams(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-02-24-006 | Blues In B Flat | DE3804f | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 03 March 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-03-03-001 | M772-1 | I Let A Song Go Out Of My Heart | BMG 88697298542, CBS 88220, Co DO-2137, Ms MD11-248, Nw RP2042 | DE3805a | |
38-03-03-002 | M772-2 | I Let A Song Go Out Of My Heart | BMG 88697302362, Br 8108, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805b | |
38-03-03-003 | M773-1 | Braggin’ In Brass | BMG 88697302362, Br 8099, CBS 88220, Cl(F) 700, MJ MJCD-1140, Ms MD11-248 | DE3805c | |
38-03-03-004 | M773-2 | Braggin’ In Brass | CBS 88220, Ms MD11-248, Nw RP2042, Pa 266, Ra RTE-23003 | DE3805d | |
38-03-03-005 | M774-1 | Carnival In Caroline | BMG 88697302362, Br 8099, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 March 1938 | |||
CBS broadcast, Cotton Club | |||||
Arthur Whetsel, Rex Stewart, Freddie Jenkins(t); Cootie Williams(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-03-24-001 | Harmony In Harlem | BFR BCD-16340, JA 13, Sv 103-8415 | DE3806a | ||
38-03-24-002 | If You Were In My Place | BFR BCD-16340, JA 12, Sv 103-8415 | DE3806b | ||
38-03-24-003 | Mood Indigo | BFR BCD-16340, Sv 103-8415 | DE3806c | ||
38-03-24-004 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103-8415 | DE3806d | ||
38-03-24-005 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103-8415 | DE3806e | ||
38-03-24-006 | Oh Babe, Maybe Someday - vIA | BFR BCD-16340, JA 12, Sv 103-8415 | DE3806f | ||
38-03-24-007 | ¬ Dinah’s In A Jam - vCW,HC, HA | JA 12, Sv 103-8415 | DE3806g | ||
38-03-24-008 | _| If Dreams Come True - vIA | JA 13, Sv 103-8415 | DE3806h | ||
38-03-24-009 | Skrontch - vIA | Sv 103-8415 | DE3806i | ||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 28 March 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Mary McHugh(v) | |||||
38-03-28-001 | M793-1 | Jeep’s Blues | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4115 | DE3807a | |
38-03-28-002 | M794-1 | If You Were in My Place - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4046 | DE3807b | |
38-03-28-003 | M795-1 | I Let A Song Go Out Of My Heart - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4046 | DE3807c | |
38-03-28-004 | M796-2 | Rendezvous with Rhythm | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4115 | DE3807d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 04 April 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges,Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d);Jerry Kruger(v) | |||||
38-04-04-001 | M801-1 | A Lesson In C - vJK | CBS 88242, Cl(F) 700, Ms MD7-235, Tx M-8011, Vo 4086 | DE3808a | |
38-04-04-002 | M802-1 | Swingtime In Honolulu- vJK | CBS 88242, Cl(F) 700, Ms MD7-235, Vo 4061 | DE3808b | |
38-04-04-003 | M803-1 | Carnival In Caroline - vJK | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4061 | DE3808c | |
38-04-04-004 | M804-1 | Ol’ Man River - vJK | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4086 | DE3808d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 April 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-11-001 | M809-1 | Swingtime In Honolulu - vIA | Br 8131, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809a | |
38-04-11-002 | M810-1 | I’m Slappin’ Seventh Avenue | BMG 88697302362, Br 8131, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809b | |
38-04-11-003 | M811-1 | Dinah’s In A Jam | BMG 88697302362, Br 8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 April 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-17-001 | You Went To My Head - vIA | JA 12, Sv 103-8415 | DE3810a | ||
38-04-17-002 | Three Blind Mice | BFR BCD-16340, JA 13, Sv 103-8415 | DE3810b | ||
38-04-17-003 | Solitude - vIA | Sv 103-8415 | DE3810c | ||
Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-04-17-004 | Downtown Uproar | JA 12, Sv 103-8415 | DE3810d | ||
DUKE ELLINGTON GROUP | New York City, NY | 24 April 1938 | |||
CBS broadcast, Cotton Club | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-04-24-001 | Demi-Tasse | JP LP-14, Sv 103-8415 | DE3811a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-24-002 | Dinah’s In A Jam | BFR BCD-16340, JA 13, JP LP-14, Sv 103-8415 | DE3811d | ||
38-04-24-003 | On The Sunny Side Of The Street | BFR BCD-16340, JA 13, Sv 103-8415 | DE3811e | ||
38-04-24-004 | Azure | JP LP-14, Sv 103-8415 | DE3811b | ||
38-04-24-005 | Carnival In Caroline - vIA | JP LP-14, Sv 103-8415 | DE3811c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 April 1938 | |||
CBS broadcast for BBC, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-04-29-001 | Chatterbox | JU JUCD-2069(D) | DE3812a | ||
38-04-29-002 | Diminuendo In Blue | DE3812b | |||
38-04-29-003 | Caravan | DE3812c | |||
38-04-29-004 | Black And Tan Fantasy | DE3812d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-01-001 | Harmony In Harlem | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813a | ||
38-05-01-002 | At Your Beck And Call - vIA | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813b | ||
38-05-01-003 | Solitude | BFR BCD-16340, Sv 103-8415 | DE3813c | ||
38-05-01-004 | ¬ Gal From Joe’s | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813d | ||
38-05-01-005 | _| Ridin’ On A Blue Note | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813e | ||
38-05-01-006 | If Dreams Come True | BFR BCD-16340, JA 13, Sv 103-8415 | DE3813f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-08-001 | Oh Babe, Maybe Someday - vIA | JP LP-14, Mx MLP-1002, Sv 103-8415 | DE3815a | ||
38-05-08-002 | I Let A Song Go Out Of My Heart | Mx MLP-1002, Sv 103-8415 | DE3815b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-15-001 | Birmingham Breakdown | JA 12, Sv 103-8415 | DE3816b | ||
38-05-15-002 | Rose Room | JA 12, Sv 103-8415 | DE3816c | ||
38-05-15-003 | Echoes Of Harlem | JA 13, Sv 103-8415 | DE3816a | ||
38-05-15-004 | It’s The Dreamer In Me - vIA | BFR BCD-16340, JA 13, Sv 103-8415 | DE3816e | ||
38-05-15-005 | Lost In Meditation - vIA | JA 13 | DE3816f | ||
DUKE ELLINGTON GROUP | Same session | ||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-05-15-006 | Demi-Tasse | JA 13, Sv 103-8415 | DE3816g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
38-05-15-007 | Echoes Of Harlem | JA 13, Sv 103-8415 | DE3816d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-22-001 | East St. Louis Toodle-O (theme0 | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817a | ||
38-05-22-002 | Jig Walk | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817b | ||
38-05-22-003 | In A Sentimental Mood | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817c | ||
38-05-22-004 | I’m Slappin’ Seventh Avenue | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817d | ||
38-05-22-005 | Lost In Meditation - vIA | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817e | ||
38-05-22-006 | Alabamy Home - vIA | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817f | ||
38-05-22-007 | If You Were In My Place | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-05-29-001 | Prelude In C Sharp Minor | BFR BCD-16340, JA 13, Sv 103-8415 | DE3818a | ||
38-05-29-002 | Rockin’ In Rhythm | BFR BCD-16340, JA 13, Sv 103-8415 | DE3818b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 June 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-06-07-001 | M832-1 | You Gave Me The Gate - vIA | Br 8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819a | |
38-06-07-002 | M833-1 | Rose Of The Rio Grande - vIA | BMG 88697302362, Br 8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819b | |
38-06-07-003 | M833-2 | Rose Of The Rio Grande - vIA | CBS 88242, Ms MD11-248, Nw RP2042, Sw 327 | DE3819c | |
Duke Ellington plays (tt) | |||||
38-06-07-004 | M834-1 | Pyramid | BMG 88697302362, Br 8168, CBS 88242, Cl(F) 717, Co CL-2365, Co CL-663, Ms MD11-248 | DE3819d | |
38-06-07-005 | M834-2 | Pyramid | CBS 88242, Co 36105, Ms MD11-248, Nw RP2048 | DE3819e | |
Duke Ellington goes back to (p) | |||||
38-06-07-006 | M835-1 | When My Sugar Walks Down The Street - vIA | Br 8168, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 June 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-06-20-001 | M844-1 | Watermelon Man - vIA | Br 8200, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820a | |
38-06-20-002 | M845-1 | Gypsy Without A Song | BMG 88697302362, Br 8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820b | |
38-06-20-003 | M846-1 | Stevedore’s Serenade | BMG 88697302362, Br 8174, CBS 88242, Cl(F) 717, Ms MD11-248, TOM 10 | DE3820c | |
38-06-20-004 | M847-2 | La De Doody Do - vIA | Br 8174, CBS 88242, Cl(F) 717, Ms MD11-248, Ra RTE-23003, TOM 10 | DE3820d | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 22 June 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as,ss); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v) | |||||
38-06-22-001 | M852-1 | You Walked Out Of The Picture - vMMH | BD T-1003, Ms MD7-235, R/V 1001-CD(D) | DE3821a | |
38-06-22-002 | M852-2 | You Walked Out Of The Picture - vMMH | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4213 | DE3821b | |
38-06-22-003 | M853-1 | Pyramid | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4242 | DE3821c | |
38-06-22-004 | M854-1 | Empty Ballroom Blues | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4213 | DE3821d | |
38-06-22-005 | M855-1 | Lost In Meditation - vMMH | CBS 88242, Ms MD7-235, R/V 1001-CD(D), Ra RTE-23005 | DE3821e | |
38-06-22-006 | M855-2 | Lost In Meditation - vMMH | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4242 | DE3821f | |
DUKE ELLINGTON ENSEMBLE | Los Angeles, CA | 25 June 1938 | |||
CBS Broadcast | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cs); Harry Carney(bar); David Bowman(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-06-25-001 | Frolic Sam | JP LP-14 | DE3822a | ||
Ellington was in hospital for a minor operation and David Bowman took his place for this broadcast | |||||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Leon La Fell(v) | |||||
38-08-01-001 | M872-2 | A Blues Serenade - vLLF | CBS 88242, Cl(F) 717, Ms MD7-235, Ra RTE-23005, Vo 4309 | DE3823a | |
38-08-01-002 | M873-1 | Love In Swingtime - vLLF | CBS 88242, Cl(F) 717, Ms MD7-235, Ra RTE-23005, Vo 4335 | DE3823b | |
38-08-01-003 | M874-1 | Swinging In The Dell | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4335 | DE3823c | |
38-08-01-004 | M875-1 | Jitterbug’s Lullaby | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4309 | DE3823d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 02 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Scat Powell(v) | |||||
38-08-02-001 | M876-1 | Chasin’ Chippies | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4425 | DE3824a | |
38-08-02-002 | M877-1 | Blue Is The Evening - vSP | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4324 | DE3824b | |
38-08-02-003 | M978-2 | Sharpie - vSP | CBS 88242, Cl(F) 726, Ms MD7-235, Vo 4324 | DE3824c | |
38-08-02-004 | M879-1 | Swing Pan Alley | CBS 88242, Cl(F) 726, Ms MD7-235, Vo 4425 | DE3824d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 August 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Scat Powell(v) | |||||
38-08-04-001 | M880-1 | A Blues Serenade | Br 8221, CBS 88242, Cl(F) 726, Ms MD11-248 | DE3825a | |
38-08-04-002 | M881-1 | Love In Swingtime - vSP | Br 8200, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3825b | |
38-08-04-003 | M882-2 | Please Forgive Me | Br 8256, CBS 88451, Cl(F) 726, Ms MD11-248, TOM 10 | DE3825c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 August 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-08-09-001 | M883-1 | Lambeth Walk | Br 8204, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3826a | |
38-08-09-002 | M884-1 | Prelude to A Kiss | BMG 88697302362, Br 8204, CBS 88451, Cl(F) 726, Ms MD11-248, Ra RTE-23003 | DE3826b | |
38-08-09-003 | M884-2 | Prelude to A Kiss | CBS 88451, Co 36279, Ms MD11-248, Nw RP2048 | DE3826c | |
38-08-09-004 | M885-1 | Hip Chic | BMG 88697302362, Br 8221, CBS 88451, Cl(F) 726, Ms MD11-248, Ra RTE-23003 | DE3826d | |
38-08-09-005 | M886-1 | The Buffet Flat | BMG 88697302362, Br 8221, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3826e | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 24 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Mary McHugh(v) | |||||
38-08-24-001 | M887-1 | Prelude To A Kiss - vMMH | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4386 | DE3827a | |
38-08-24-002 | M888-1 | There’s Something About An Old Love - vMMH | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4351 | DE3827b | |
38-08-24-003 | M889-1 | Jeep Is Jumpin' | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4386 | DE3827c | |
38-08-24-004 | M890-1 | Krum Elbow Blues | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4351 | DE3827d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 September 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-09-02-001 | M898-1 | Boy Meets Horn (Stew Burp) | Ms MD11-248, R/V 1001-CD(D) | DE3828a | |
38-09-02-002 | M898-2 | Boy Meets Horn (Stew Burp) | CBS 88451, Cl(F) 726, FDC 1003, Ms MD11-248 | DE3828b | |
38-09-02-003 | M899-1 | Mighty Like The Blues | CBS 88451, Ms MD11-248, Nw RP2048, Ra RTE-23003 | DE3828c | |
38-09-02-004 | M899-2 | Mighty Like The Blues | Br 8231, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3828d | |
DUKE ELLINGTON GROUP | New York City, NY | 06 October 1938 | |||
CBS broadcast for BBC from Apollo Theatre | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-10-06-001 | Demi-Tasse | JU JUCD-2069(D) | DE3829a | ||
DUKE ELLINGTON AND HIS ORCHESTRA Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-10-06-002 | I Let A Song Go Out Of My Heart | JU JUCD-2069(D) | DE3829b | ||
38-10-06-003 | Prelude In C Sharp Minor | DE3829c | |||
38-10-06-004 | Prelude To A Kiss | DE3829d | |||
38-10-06-005 | Lambeth Walk | DE3829e | |||
38-10-06-006 | You Gave Me The Gate - vIA | DE3829f | |||
38-10-06-007 | Merry Go Round | DE3829g | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 December 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-19-001 | M947-1 | Jazz Potpourri | BMG 88697302362, Br 8293, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3830a | |
38-12-19-002 | M948-1 | T.T. On Toast | BMG 88697302362, CBS 88451, Cl(F) 726, Co 37296, Ms MD11-248 | DE3830b | |
38-12-19-003 | M048-2 | T.T. On Toast | CBS 88451, Co 37296, Ms MD11-248, Nw RP2048 | DE3830c | |
38-12-19-004 | M949-1 | Battle Of Swing | CBS 88451, Cl(F) 726, Ms MD11-248, Nw RP2048 | DE3830d | |
38-12-19-005 | M949-2 | Battle Of Swing | BMG 88697302362, Br 8293, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3830e | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 December 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-12-20-001 | M950-2 | I’m In Another World | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4622 | DE3831a | |
38-12-20-002 | M951-1 | Hodge Podge | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4573 | DE3831b | |
38-12-20-003 | M952-1 | Dancing On The Stars | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4622 | DE3831c | |
38-12-20-004 | M953-1 | Wanderlust | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4573 | DE3831d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 December 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(cl,as); Otto Hardwick(cl,bsax); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-12-21-001 | M594-1 | Delta Mood | CBS 88451, Cl(F) 747, FDC 1003, Ms MD7-235, Vo 4574 | DE3832a | |
38-12-21-002 | M595-1 | Boys From Harlem | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4574 | DE3832b | |
38-12-21-003 | M596-1 | Mobile Blues | CBS 88451, MoJ MJCD-1101, Ms MD7-235 | DE3832c | |
38-12-21-004 | M596-2 | Mobile Blues | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4636 | DE3832d | |
38-12-21-005 | M597-1 | Gal-Avantin' | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4636 | DE3832e | |
DUKE ELLINGTON GROUP | New York City, NY | 21 December 1938 | |||
WNEW broadcast | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-21-006 | Tiger Rag | DE3833a | |||
38-12-21-007 | On The Sunny Side Of The Street | DE3833b | |||
38-12-21-008 | Jeep Is Jumpin' | DE3833c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 December 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones(t); Lawrence Brown(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-22-001 | M958-1 | Blue Light | CBS 88451, Co 1265, FDC 1003, Ms MD7-235, Nw RP2048 | DE3834a | |
38-12-22-002 | M958-2 | Blue Light | BMG 88697302362, Br 8297, CBS 88451, Cl(F) 747, Ms MD7-235, Ra RTE-23003 | DE3834b | |
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-22-003 | M959-1 | Old King Dooji | BMG 88697302362, Br 8306, CBS 88451, Cl(F) 747, Ms MD11-248 | DE3834c | |
38-12-22-004 | M960-1 | Boy Meets Horn | BMG 88697302362, Br 8306, CBS 88451, Cl(F) 747, Ms MD11-248 | DE3834d | |
38-12-22-005 | M961-1 | Slap Happy | BMG 88697302362, Br 8297, CBS 88518, Cl(F) 747, Ms MD11-248, Ra RTE-23003 | DE3834e | |
38-12-22-006 | M961-2 | Slap Happy | CBS 88518, Ms MD11-248, Nw RP2048, Pa 11304 | DE3834f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | February 1939 | |||
Concert at New York City, NY College | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ruth Fredricson(v) | |||||
38-02-10-001 | Beer Barrel Polka - vRF | DE3901a | |||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 27 February 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jean Eldridge(v) | |||||
39-02-27-001 | M974-1 | Like A Ship In The Night - vJE | CBS 88518, Cl(F) 747, Ms MD7-235, Ra RTE-23005, Vo 4710 | DE3902a | |
39-02-27-002 | M975-1 | Mississippi Dreamboat - vJE | CBS 88518, Cl(F) 747, Ms MD7-235, Ra RTE-23005, Vo 4849 | DE3902b | |
39-02-27-003 | M976-1 | Swingin’ On The Campus | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 4710 | DE3902c | |
39-02-27-004 | M977-1 | Dooji Wooji | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 4849 | DE3902d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 28 February 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-02-28-001 | M982-1 | Beautiful Romance | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5411 | DE3903a | |
39-02-28-002 | M983-1 | Boudoir Benny | CBS 88518, Cl(F) 747, Ms MD7-235, Tx M-8011, Vo 4726 | DE3903b | |
39-02-28-003 | M984-1 | Ain’t The Gravy Good? - vCW | CBS 88518, Cl(F) 747, Ms MD7-235, Tx M-8011, Vo 4726 | DE3903c | |
39-02-28-004 | M984-2 | Ain’t The Gravy Good? - vCW | BD T-1003, CBS 88518, Ms MD7-235 | DE3903d | |
39-02-28-005 | M985-1 | She’s Gone - vCW | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5411 | DE3903e | |
DUKE ELLINGTON | New York City, NY | 08 March 1939 | |||
ARC-Brunswick recording session | |||||
Duke Ellington(p) | |||||
39-03-08-001 | M990-1 | Just Good Fun | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235 | DE3904a | |
39-03-08-002 | M991-1 | Informal Blues | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235 | DE3904b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 March 1939 | |||
CBS broadcast for BBC | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-15-001 | Jazz Potpourri | JU JUCD-2069(D) | DE3905a | ||
39-03-15-002 | T.T.On Toast | JU JUCD-2069(D) | DE3905b | ||
DUKE ELLINGTON GROUP | Same session | ||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-03-15-003 | Demi-Tasse | JU JUCD-2069(D) | DE3905c | ||
39-03-15-004 | Jeep’s Blues | JU JUCD-2069(D) | DE3905d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-15-005 | Old King Dooji | JU JUCD-2069(D) | DE3905e | ||
39-03-15-006 | Boy Meets horn | DE3905f | |||
39-03-15-007 | Hold Tight - vIA | DE3905xa | |||
39-03-15-008 | Azure | JU JUCD-2069(D) | DE3905g | ||
39-03-15-009 | Harmony In Harlem | JU JUCD-2069(D) | DE3905h | ||
REX STEWART AND HIS ORCHESTRA | New York City, NY | 20 March 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Louis Bacon(t,v); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-03-20-001 | WM994-1 | San Juan Hill | CBS 88518, Cl(F) 747, FDC 1003, MJ MJCD-1140, Ms MD7-235, Vo 5510 | DE3906a | |
39-03-20-002 | WM995-1 | I’ll Come Back For More - vLBa | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5448 | DE3906b | |
39-03-20-003 | WM996-1 | “Fat Stuff” Serenade | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5448 | DE3906c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-20-004 | WM997-1 | Pussy Willow | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, Ms MD11-248 | DE3906d | |
39-03-20-005 | WM998-1 | Subtle Lament | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, Ms MD11-248 | DE3906e | |
39-03-20-006 | WM998-2 | Subtle Lament | Ms MD11-248, R/V 1001-CD(D), TSC P-14274 | DE3906f | |
39-03-20-007 | WM999-1 | Lady In Blue | CBS 88518, Cl(F) 765, Co 35291, Ms MD11-248, Ra RTE-23003 | DE3906g | |
39-03-20-008 | WM999-2 | Lady In Blue | Ms MD11-248, Nw RP2048, R/V 1001-CD(D), UtD 2002 | DE3906h | |
39-03-20-009 | WM1000-1 | Smorgasbord And Schnapps | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3906i | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 21 March 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-21-001 | WM1001-1 | Savoy Strut | CBS 88518, Ms MD7-235, Vo 5170 | DE3907a | |
39-03-21-002 | WM1001-2 | Savoy Strut | CBS 88518, Ms MD7-235 | DE3907b | |
39-03-21-003 | WM1002-1 | Rent Party Blues | CBS 88518, Ms MD7-235, Vo 5100 | DE3907c | |
39-03-21-004 | WM1003-1 | Dance Of The Goon | CBS 88518, Ms MD7-235, Ra RTE-23005, Vo 4979 | DE3907d | |
39-03-21-005 | WM1004-1 | Good Gal Blues | CBS 88518, Ms MD7-235, Vo 5170 | DE3907e | |
DUKE ELLINGTON Trio | Same session | ||||
Johnny Hodges(as); Duke Ellington(p); Billy Taylor(sb) | |||||
39-03-21-006 | WM1005-1 | Finesse | CBS 88518, Cl(F) 765, Co CL-663, Ms MD7-235, TSC P-14274 | DE3907f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-03-21-007 | WM1006-1 | Portrait Of The Lion | Br 8365, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3907g | |
39-03-21-008 | WM1006-2 | Portrait Of The Lion | BMG 88697302362, CBS 88518, Ms MD11-248, Nw RP2048, Sw 307 | DE3907h | |
Duke Ellington out. Add Billy Strayhorn(p); Jean Eldridge(v) | |||||
39-03-21-009 | WM1007-1 | Something To Live For - vJE | BMG 88697302362, Br 8365, CBS 88518, Cl(F) 765, Ms MD11-248 | DE3907i | |
Billy Strayhorn, Jean Eldridge out. Add Duke Ellington(p) | |||||
39-03-21-010 | WM1008-1 | Solid Old Man | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3907j | |
DUKE ELLINGTON | Stockholm, Sweden | 29 April 1939 | |||
Swedish Radio Broadcast | |||||
Duke Ellington, Manne Berggren(tk) | |||||
39-04-29-001 | Interview by Berggren | CaR CAP-21452, Mx MLP-1001 | DE3908a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, Sweden | 29 April 1939 | |||
Concert at Stockholms Konserthus | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-04-29-002 | Serenade To Sweden | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909a | ||
39-04-29-003 | Rockin’ In Rhythm | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909b | ||
39-04-29-004 | In A Red Little Cottage - vIA | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 May 1939 | |||
NBC broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-05-28-001 | Pussy Willow | BR BS-7128 | DE3910a | ||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 02 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-06-02-001 | WM1026-A | Kitchen Mechanic’s Day | CBS 88158, Ms MD7-235, Vo 4917 | DE3911a | |
39-06-02-002 | WM1027-A | My Heart Jumped Over The Moon | CBS 88518, Ms MD7-235, Ra RTE-23005, Vo 5330 | DE3911b | |
39-06-02-003 | WM1028-A | You Can Count On Me | CBS 88521, Ms MD7-235, Vo 4917 | DE3911c | |
39-06-02-004 | WM1029-A | Home Town Blues | CBS 88521, Ms MD7-235, Vo 4941 | DE3911d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 06 June 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-06-06-001 | WM1030-A | Cotton Club Stomp | Br 8405, CBS 88521, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3912a | |
39-06-06-002 | WM1031-A | Doin’ The Voom Voom | CBS 88521, Cl(F) 765, Co 35208, Ms MD11-248, Ra RTE-23004, TSC P-14274 | DE3912b | |
39-06-06-003 | WM1032-A | Way Low | BMG 88697302362, Br 8411, CBS 88521, Cl(F) 765, Ms MD11-248, TOM 10, TSC P-14274 | DE3912c | |
39-06-06-004 | WM1033-A | Serenade to Sweden | BMG 88697302362, CBS 88521, Cl(F) 765, Co 35214, Ms MD11-248, TSC P-14274 | DE3912d | |
THE QUINTONES WITH BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 08 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); The Quintones(v) | |||||
39-06-08-001 | WM1034-A | Utt-Day-Zay - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Vo 4928 | DE3913a | |
39-06-08-002 | WM1035-A | Chew Chew Chew - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Ra RTE-23004, Vo 4928 | DE3913b | |
BARNEY BIGARD AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-08-003 | WM1036-A | I’m Checking Out - Goom Bye (Barney Goin’ Easy) | CBS 88521,TSC-P-14274, Cl(F) 765, Ms MD7-235, Vo 5378 | DE3913c | |
39-06-08-004 | WM1037-A | Just Another Dream | CBS 88521, Cl(F) 765, Ms MD7-235, Ok 5663 | DE3913d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 12 June 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-06-12-001 | WM1038-A | In A Mizz - vIA | Br 8405, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE-23004 | DE3914a | |
39-06-12-002 | WM1039-A | I’m Checking Out - Goom Bye - vIA | CBS 88521, Cl(F) 780, Co 35208, Ms MD11-248, Ra RTE-23004 | DE3914b | |
39-06-12-003 | WM1040-A | Lonely Co-Ed - vIA | CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE-23004 | DE3914c | |
39-06-12-004 | WM1041-A | You Can Count On Me - vIA | Br 8411, CBS 88521, Cl(F) 780, Ms MD11-248 | DE3914d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-21-001 | WM1042-A | Night Song | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915a | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 22 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-22-001 | WM1043-A | Blues A Poppin' | Cl(F) 780, Ms MD7-235, Tx M-8011CBS-88521, Vo 5618 | DE3915b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-06-22-002 | WM1044-A | Top And Bottom | CBS 88521, Cl(F) 780, Ms MD7-235, Ok 6336, Tx M-1011 | DE3915c | |
39-06-22-003 | WM1044-A | Black Beauty | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 26 July 1939 | |||
NBC broadcast from Ritz Carlton Hotel | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-07-26-001 | East St. Louis Toodle-O (theme) | JU JUCD-2022(D), Mx MLP-1002 | DE3916a | ||
39-07-26-002 | Jazz Potpourri | JU JUCD-2022(D), Mx MLP-1002 | DE3916b | ||
39-07-26-003 | Something To Live For | JU JUCD-2022(D), Mx MLP-1002 | DE3916c | ||
39-07-26-004 | Old King Dooji | JU JUCD-2022(D), Mx MLP-1002 | DE3916d | ||
39-07-26-005 | In A Mizz - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916e | ||
39-07-26-006 | Rose Of The Rio Grande - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916f | ||
39-07-26-007 | Pussy Willow | JU JUCD-2022(D), Mx MLP-1002 | DE3916g | ||
39-07-26-008 | You Can Count On Me - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916h | ||
39-07-26-009 | Way Low | JU JUCD-2022(D), Mx MLP-1002 | DE3916i | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Boston, MA | 28 August 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-08-28-001 | WM1062-A | Bouncing Bouyancy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE-23004 | DE3917a | |
39-08-28-002 | WM1063-A | The Sergeant Was Shy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35214, Ms MD11-248, Ra RTE-23004 | DE3917b | |
39-08-28-003 | WM1064-A | Grievin' | BMG 88697302362, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE-23004 | DE3917c | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 September 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-09-01-001 | WM1072-A | The Rabbit’s Jump | CBS 88521, Ms MD7-235, Vo 5100 | DE3918a | |
39-09-01-002 | WM1073-A | Moon Romance | CBS 88521, Ms MD7-235, Ok 5940, Ra RTE-23005 | DE3918b | |
39-09-01-003 | WM1074-A | Truly Wonderful | CBS 88521, Ms MD7-235, Ra RTE-23005 | DE3918c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-09-01-004 | WM1075-A | Dream Blues | CBS 88521, Ms MD7-235, Vo 5353 | DE3918d | |
DUKE ELLINGTON WITH ORCHESTRA | New York City, NY | 20 September 1939 | |||
NBC broadcast | |||||
Duke Ellington(p) plus studio orchestra | |||||
39-09-20-001 | Medley:- | DE3919a | |||
| |||||
| |||||
| |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 14 October 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-10-14-001 | WM1091-A | Little Posey | CBS 88521, Cl(F) 780, Co 35291, Ms MD11-248 | DE3920a | |
39-10-14-002 | WM1092-A | I Never Felt This Way Before | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35353, Ms MD11-248, Ra RTE-23004 | DE3920b | |
39-10-14-003 | WM1092-B | I Never Felt This Way Before | CBS 88521, Ms MD11-248, Nw RP2048, Ra RTE-23004 | DE3920c | |
39-10-14-004 | WM1093-A | Grievin' | CBS 88521, Cl(F) 780, Co 35310, Ms MD11-248 | DE3920d | |
39-10-14-005 | WM1094-A | Tootin’ Through The Roof | BMG 88697302362, CBS 88521, Co 35310, MJ MJCD-1140, Ms MD11-248 | DE3920e | |
39-10-14-006 | WM1094-B | Tootin’ Through The Roof | CBS 88521, Cl(F) 780, Ms MD11-248, Nw RP2048, Ra RTE-23004 | DE3920f | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
39-10-14-007 | WM1095-A | Weely | CBS 88522, Co 35353, Ms MD11-248, Ra RTE-23004 | DE3920g | |
JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-10-14-008 | WM1096-A | Skunk Hollow Blues | CBS 88522, Ms MD7-235, Vo 5533 | DE3920h | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-10-14-009 | WM1097-A | I Know What You Do | CBS 88522, Ms MD7-235, Ra RTE-23005, Vo 5353 | DE3920i | |
39-10-14-010 | WM1098-A | Your Love Has Faded | CBS 88522, Ms MD7-235, Ok 5940, Ra RTE-23005 | DE3920j | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
39-10-14-011 | WM1099-A | Tired Socks | CBS 88522, Ms MD7-235, Ra RTE-23005, Vo 5533 | DE3920k | |
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
39-10-14-012 | WM1100-A | Blues | CBS 55822, Cl(F) 790, Ms MD7-235, Ra RTE-23004 | DE3920l | |
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 16 October 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-10-16-001 | WM1105-A | Early Mornin' | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3921a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Billy Strayhorn(p,v); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-10-16-002 | WM1106-A | Killin’ Myself - vIA,BS | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921b | |
39-10-16-003 | WM1107-A | Your Love Has Faded - vIA | CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-10-16-004 | WM1108-A | Country Gal | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35776, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921d | |
DUKE ELLINGTON AND HIS ORCHESTRA | St. Louis, MO | 02 November 1939 | |||
CBS broadcast from Coronado Hotel | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Billy Strayhorn(p,V); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-11-02-001 | Pyramid | JM DE-003† | DE3922a | ||
39-11-02-002 | Pussy Willow | JM DE-003† | DE3922b | ||
39-11-02-003 | I’m Checking Out - Goom Bye - vIA | JM DE-003† | DE3922c | ||
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 22 November 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
39-11-22-001 | WM1117-A | Minuet In Blues | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5378 | DE3923a | |
39-11-22-002 | WM1118-A | Lost In Two Flats | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3923b | |
39-11-22-003 | WM1119-A | Honey Hush | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 5663 | DE3923c | |
DUKE ELLINGTON AND Jimmie Blanton | Same session | ||||
Duke Ellington(p); Jimmie Blanton(sb) | |||||
39-11-22-004 | WM1120-A | The Blues # | CBS 88522, Cl(F) 790, Co 35322, Ms MD7-235, Ra RTE-23004 | DE3923d | |
39-11-22-005 | WM1121-A | Plucked Again | CBS 88522, Cl(F) 790, Co 35322, Ms MD7-235, Ra RTE-23004 | DE3923e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 November 1939 | |||
CBS broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-11-24-001 | Cavalcade of Hits :- | DE3924a | |||
- 1. Mood Indigo | |||||
- 2. Liza | |||||
- 3. Black And Tan Fantasy | |||||
- 4. Ring Dem Bells | |||||
- 5. It Don’t Mean A Thing - vIA | |||||
- 6. Sophisticated Lady | |||||
- 7. Solitude | |||||
- 8. In A Sentimental Mood | |||||
- 9. Caravan | |||||
| |||||
39-11-24-002 | I’m Checking Out - Goom Bye - vIA | Cl(F) 867, FDC 1023, Ra RTE-23004, VD 723 | DE3924b | ||
39-11-24-003 | Tootin’ Through The Roof | Cl(F) 867, FDC 1023, VD 723 | DE3924c | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | Probably late 1939 | |||
Broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
39-11-30-001 | Boy Meets Horn | DE3925a | |||
39-11-30-002 | Solid Old Man | DE3925b | |||
39-11-30-003 | The Sergeant Was Shy | Ra RTE-23004 | DE3925c | ||
NB. These titles are from various unknown sessions in 1939 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 09 January 1940 | |||
NBC broadcast from Southlands Theatre Restaurant | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-01-09-001 | East St. Louis Toodle-O (theme) | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002a | ||
40-01-09-002 | Me And You - vHJ | JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002b | ||
40-01-09-003 | Grievin' | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002c | ||
40-01-09-004 | Little Posey | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002d | ||
40-01-09-005 | My Last Goodbye | JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002e | ||
40-01-09-006 | Gal From Joe’s | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002f | ||
40-01-09-007 | Tootin’ Through The Roof | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002g | ||
40-01-09-008 | Day In, Day Out | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002h | ||
40-01-09-009 | Merry Go Round | CC 16(D), JU JUCD-2022(D), Mx MLP-1003(D), Pv PRV-101(D), Sv 108-8600(D) | DE4002i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 12 January 1940 | |||
NBC broadcast from Southlands Theatre Restaurant | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-01-12-001 | The Sergeant Was Shy | Mx MLP-1003(D) | DE4001a | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 14 February 1940 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-02-14-001 | WM1135-A | Solitude - vIA | CBS 88522, Cl(F) 790, Co 35427, Ms MD11-248 | DE4003a | |
40-02-14-002 | WM1136-A | Stormy Weather - vIA | CBS 88522, Cl(F) 790, Co 35556, Ms MD11-248 | DE4003b | |
40-02-14-003 | WM1137-A | Mood Indigo - vIA | CBS 88522, Cl(F) 790, Co 35427, Ms MD11-248 | DE4003c | |
40-02-14-004 | WM1138-A | Sophisticated Lady | CBS 88522, Cl(F) 790, Co 35556, Ms MD11-248 | DE4003d | |
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 14 February 1940 | |||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-02-14-005 | WM1139-A | Pelican Drag | CBS 88522, Cl(F) 790, Ep LN-3237, Ms MD7-235 | DE4003e | |
40-02-14-006 | WM1140-A | Tapioca | CBS 88522, Cl(F) 790, Ep LN-3237, Ms MD7-235 | DE4003f | |
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 15 February 1940 | |||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-02-15-001 | WM1141-A | Mardi Gras Madness | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5595 | DE4003g | |
40-02-15-002 | WM1142-A | Watch The Birdie | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5595 | DE4003h | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | 15 February 1940 | ||||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-02-15-003 | WM1143-A | Black Butterfly | CBS 88522, Cl(F) 790, Ms MD7-235, Tx M-8011, Vo 5618 | DE4004a | |
40-02-15-004 | WM1144-A | Dry Long So | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 5690, Tx M-8011 | DE4004b | |
40-02-15-005 | WM1145-A | Toasted Pickle | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 6336 | DE4004c | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
40-02-15-006 | WM1146-A | Give It Up | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 5690, Tx M-8011 | DE4004d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago. IL | February 1940 | |||
Stage show at State Lake Theatre | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-02-20-001 | Clarinet Lament | DE4007a | |||
40-02-20-002 | Serenade To Sweden | DE4007b | |||
40-02-20-003 | Pyramid | DE4007d | |||
40-02-20-004 | Mood Indigo | DE4007e | |||
40-02-20-005 | St. Louis Blues - vCW | DE4007f | |||
Duke Ellington(p); Sonny Greer(d); Ivie Anderson(v) only | |||||
40-02-20-006 | I Want A Man Like That - vIA | DE4007g | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago. IL | 06 March 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries, Ivie Anderson(v) | |||||
40-03-06-001 | BS044887-2 | You, You Darlin’ - vHJ | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26537 | DE4005a | |
40-03-06-002 | BS044888-1 | Jack The Bear | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Bb 82876-60091-2-1, Cl(F) 805, RCA 09026-63386-2(D), Vi 26536 | DE4005b | |
40-03-06-003 | BS044889-1 | Ko-Ko | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Nw RP2048, RCA 09026-63386-2(D) | DE4005c | |
40-03-06-004 | BS044889-2 | Ko-Ko | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Bb 82876-60091-2-1, Cl(F) 805, RCA 09026-63386-2(D), Vi 26577 | DE4005d | |
40-03-06-005 | BS044890-1 | Morning Glory | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, MJ MJCD-1140, RCA 09026-63386-2(D), Vi 26536 | DE4005e | |
40-03-06-006 | BS044891-1 | So Far, So Good - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26537 | DE4005f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago. IL | 15 March 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-03-15-001 | BS049015-1 | Conga Brava | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 26577 | DE4006a | |
40-03-15-002 | BS049016-1 | Concerto For Cootie | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Bb 82876-60091-2-1, Cl(F) 805, RCA 09026-63386-2(D), Vi 26598 | DE4006b | |
40-03-15-003 | BS049017-1 | Me And You - vIA | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26598 | DE4006c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 04 May 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-05-04-001 | BS049654-1 | Bojangles | Cl(F) 805, Mt 1, RCA 09026-63386-2(D) | DE4008a | |
40-05-04-002 | BS049655-1 | Cotton Tail | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 26610 | DE4008b | |
40-05-04-003 | BS049656-1 | Don’t Get Around Much Anymore | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26610 | DE4008c | |
40-05-04-004 | BS049657-1 | Blue Goose | Cl(F) 805, Mt 1, RCA 09026-63386-2(D) | DE4008d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 28 May 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-05-28-001 | BS053020-1 | Dusk | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB.-MJ-MJCD-1140, Bb 82876-60091-2-1, Cl(F) 805, RCA 09026-63386-2(D), Vi 26677 | DE4009a | |
40-05-28-002 | BS053020-2 | Dusk | (F)RCA FPM-1-7047, Nw RP2048, RCA 09026-63386-2(D) | DE4009b | |
40-05-28-003 | BS053021-1 | Bojangles | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 26644 | DE4009c | |
40-05-28-004 | BS053022-1 | A Portrait Of Bert Williams | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26644 | DE4009d | |
40-05-28-005 | BS053023-1 | Blue Goose | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), BL SPV-305822, Cl(F) 805, RCA 09026-63386-2(D), Vi 26677 | DE4009e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 June 1940 | |||
CBS recording for BBC | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-06-10-001 | East St. Louis toodle-O (theme) | JU JUCD-2069(D), MR MCD-084-2, Sv 108-8600(D) | DE4010a | ||
40-06-10-002 | Ko-Ko | JU JUCD-2069(D), MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010b | ||
40-06-10-003 | Blue Goose | JU JUCD-2069(D), MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010c | ||
40-06-10-004 | So Far, So Good - vIA | JU JUCD-2069(D), MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010d | ||
40-06-10-005 | Cotton Tail | JU JUCD-2069(D), MDD 012, MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010e | ||
40-06-10-006 | Concerto For Cootie | JU JUCD-2069(D), MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010f | ||
40-06-10-007 | Jack The Bear | JU JUCD-2069(D), MDD 012, MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010g | ||
40-06-10-008 | Boy Meets Horn | JU JUCD-2069(D), MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010h | ||
40-06-10-009 | The Sergeant Was Shy | JU JUCD-2069(D), MDD 012, MR MCD-084-2, QD Q-007, Sv 108-8600(D) | DE4010i | ||
40-06-10-010 | Don’t Get Around Much Anymore | JU JUCD-2069(D), MR MCD-084-2, Sv 108-8600(D) | DE4010j | ||
New DESOR shows William White Jr.(as) replacing Otto Hardwick. Indeed Hardwick missed the session, and Hodges and Webster covered his parts. Subsequently White came in for less than a week’s time. | |||||
DUKE ELLINGTON | Chicago, IL | 12 June 1940 | |||
MBS broadcast | |||||
Duke Ellington, Norman Pierce(tk) | |||||
40-06-12-001 | Interview by Pierce | DE4011a | |||
Duke Ellington(p) | |||||
40-06-12-002 | Never No Lament | DE4011b | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 July 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-07-22-001 | BS054606-1 | Harlem Air Shaft | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26731 | DE4012a | |
40-07-22-002 | BS054607-1 | At A Dixie Roadside Diner - vIA | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26719 | DE4012b | |
40-07-22-003 | BS054608-1 | All Too Soon | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 26247 | DE4012c | |
40-07-22-004 | BS054609-1 | Rumpus In Richmond | (F)RCA FPM-1-7047, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26788 | DE4012d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 July 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-07-24-001 | BS0546214-1 | My Greatest Mistake | (F)RCA FXM1-7072, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 26719 | DE4013a | |
40-07-24-002 | BS054625-1 | Sepia Panorama | (F)RCA FXM1-7072, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 805, RCA 09026-63386-2(D), Vi 26731 | DE4013b | |
40-07-24-003 | BS054625-2 | Sepia Panorama | (F)RCA FXM1-7072, Nw RP2048, RCA 09026-63386-2(D) | DE4013c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 29 July 1940 | |||
NBC broadcast from Eastwood Gardens | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-07-29-001 | At A Dixie Roadside Diner | DESS CD-4 | DE4014xa | ||
40-07-29-002 | Harlem Air-Shaft | EV Ev-3005(D), JM DE-003†, MDD 012, NI 4016 | DE4014a | ||
40-07-29-003 | All Too Soon | EV Ev-3005(D), JM DE-003†, MDD 012, NI 4016 | DE4014b | ||
40-07-29-004 | Me And You - vIA | JM DE-003† | DE4014c | ||
40-07-29-005 | Jack The Bear | JM DE-003† | DE4014d | ||
40-07-29-006 | Concerto For Cootie | JM DE-003† | DE4014e | ||
40-07-29-007 | Ko-Ko | JM DE-003†, JS 705 | DE4014f | ||
40-07-29-008 | Orchids For Remembrance | JM DE-003† | DE4014g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 31 July 1940 | |||
NBC broadcast from Eastwood Gardens | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-07-31-001 | Rose Of The Rio Grande - vIA | Ev EV-3005, MDD 012, NI 4016 | DE4015a | ||
40-07-31-002 | Warm Valley | Ev EV-3005, NI 4016 | DE4015b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Salem, NH | 17 August 1940 | |||
NBC broadcast from Canobie Lake Park | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-08-17-001 | Ridin’ On A Blue Note | Ev EV-3005, MDD 012, NI 4016 | DE4016a | ||
40-08-17-002 | Boy Meets Horn | Ev EV-3005, NI 4016 | DE4016b | ||
40-08-17-003 | Rose Room | Ev EV-3005, NI 4016 | DE4017a | ||
40-08-17-004 | Stompy Jones | Ev EV-3005, MDD 012, NI 4016 | DE4017b | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 05 September 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-05-001 | BS053427-1 | There Shall Be No Night - vHJ | (F)RCA FXM1-7072, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 26748 | DE4018a | |
40-09-05-002 | BS053428-1 | In A Mellow Tone | (F)RCA FXM1-7072, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D), Vi 26788 | DE4018b | |
40-09-05-003 | BS053429-1 | Five O’Clock Whistle - vIA | (F)RCA FXM1-7072, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 26748 | DE4018c | |
40-09-05-004 | BS053430-1 | Warm Valley | (F)RCA FXM1-7072, BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D) | DE4018d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-09-06-001 | Sepia Panorama | Ev EV-3005, NI 4016 | DE4019a | ||
40-09-06-002 | Concerto For Cootie | Ev EV-3005, NI 4016 | DE4019b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-06-003 | Sepia Panorama (Theme) | DESS CD-4, JG 1006 | DE4020a | ||
40-09-06-004 | Stompy Jones | DESS CD-4, JG 1006, Rt 70 | DE4020b | ||
40-09-06-005 | Gal From Joe’s | DESS CD-4, JS 705 | DE4020c | ||
40-09-06-006 | Me And You - vIA | DESS CD-4, JS 705 | DE4020d | ||
40-09-06-007 | In A Mellow Tone | DESS CD-4, JG 1006, Mx MLP-1003(D) | DE4020e | ||
40-09-06-008 | Chatterbox | DESS CD-4, JG 1006, Mx MLP-1003(D) | DE4020f | ||
40-09-06-009 | Echoes Of Harlem | DESS CD-4, JS 705 | DE4020g | ||
40-09-06-010 | St. Louis Blues - vIA | DESS CD-4, JG 1006 | DE4020h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 07 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-07-001 | East St Louis Toodle-Oo (Theme) | ||||
40-09-07-002 | Harlem Airshaft | ||||
40-09-07-003 | Whispering Grass | ||||
40-09-07-004 | Sepia Panorama | ||||
40-09-07-005 | KoKo | ||||
40-09-07-006 | I Don’t Mind -vIA | ||||
40-09-07-007 | At A Dixie Roadside Diner - vIA | ||||
40-09-07-008 | Conga Brava | ||||
40-09-07-009 | Pussy Willow | ||||
40-09-07-010 | Warm Valley (Theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 08 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-08-001 | Sepia Panorama | DESS CD-4, JS 704 | DE4021a | ||
40-09-08-002 | Rumpus In Richmond | DESS CD-4, JS 704 | DE4021b | ||
40-09-08-003 | You Think Of Everything | DESS CD-4, JS 704 | DE4021c | ||
40-09-08-004 | My Greatest Mistake | DESS CD-4, JS 704 | DE4021d | ||
40-09-08-005 | Bojangles | DESS CD-4, JS 704, MDD 012 | DE4021e | ||
40-09-08-006 | Azure | DESS CD-4, JS 704 | DE4021f | ||
40-09-08-007 | Five O’Clock Whistle - vIA | DESS CD-4, JS 704 | DE4021g | ||
40-09-08-008 | Concerto For Cootie | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-09-10-001 | East St Louis Toodle-Oo (Theme) | ||||
40-09-10-002 | Mood Indigo | ||||
40-09-10-003 | April In Paris | ||||
40-09-10-004 | The Same Old Story | ||||
40-09-10-005 | Plucked Again | ||||
40-09-10-006 | Something To Live For - vHJ | ||||
40-09-10-007 | Whispering Grass | ||||
40-09-10-008 | The Mystery Song | ||||
40-09-10-009 | Warm Valley (Theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-11-001 | Tootin’ Through The Roof | JS 704 | DE4022a | ||
40-09-11-002 | April In Paris | JS 704 | DE4022b | ||
40-09-11-003 | So Far, So Good - vIA | JS 704 | DE4022c | ||
40-09-11-004 | Whispering Grass | DESS CD-4, JS 704 | DE4022d | ||
40-09-11-005 | The Mystery Song | DESS CD-4, JS 704 | DE4022e | ||
40-09-11-006 | Warm Valley | DESS CD-4, JS 704 | DE4022f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-09-11-007 | East St Louis Toodle-O (theme) | DE4023a | |||
40-09-11-008 | Madame Will Drop Her Shawl | DESS CD-4, JS 704 | DE4023b | ||
40-09-11-009 | Blue Goose | DESS CD-4, JS 704 | DE4023c | ||
40-09-11-010 | All This And Heaven Too | DE4023d | |||
40-09-11-011 | Slap Happy | DESS CD-4, JS 704, Mx MLP-1003(D) | DE4023e | ||
40-09-11-012 | All Too Soon | JS 704 | DE4023f | ||
40-09-11-013 | Solitude | DE4023g | |||
40-09-11-014 | Rockin’ In Rhythm | DESS CD-4, JS 704 | DE4023h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-12-001 | Sepia Panorama (theme) | ||||
40-09-12-002 | The Breeze And I - vHJ | ||||
40-09-12-003 | There I Go - vIA | ||||
40-09-12-004 | At A Dixie Roadside Diner - vIA | ||||
40-09-12-005 | I Don’t Mind - vIA | ||||
40-09-12-006 | So Far So Good - vIA | ||||
40-09-12-007 | Solitude | ||||
40-09-12-008 | Rockin In Rhythm (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-12-009 | Sepia panorama (theme) | ||||
40-09-12-010 | Solid Old Man | JS 705, MDD 012 | DE4024a | ||
40-09-12-011 | Maybe - vIA | DESS CD-4, JS 705 | DE4024b | ||
40-09-12-012 | Oh Babe, Maybe Someday - vIA | JS 705 | DE4024c | ||
40-09-12-013 | I Don’t Mind | DE4024d | |||
40-09-12-014 | Blueberry Hill | JS 705 | DE4024e | ||
40-09-12-015 | Harlem Air-Shaft | DESS CD-4, JS 705 | DE4024f | ||
40-09-12-016 | Warm Valley (theme) | DE4024g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 14 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-14-001 | Sepia Panorama (theme) | ||||
40-09-14-002 | Madame Will Drop Her Shawl | ||||
40-09-14-003 | You Think Of Everything | ||||
40-09-14-004 | Our Love Affair | ||||
40-09-14-005 | My Greatest Mistake - vHJ | ||||
40-09-14-006 | Maybe - vIA | ||||
40-09-14-007 | In A Mellow Tone | ||||
40-09-14-008 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 15 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-15-001 | Sepia Panorama (theme) | ||||
40-09-15-002 | The Seargent Was Shy | ||||
40-09-15-003 | Orchids For Remembrance | ||||
40-09-15-004 | Maybe - vIA | ||||
40-09-15-005 | Cotton Tail | ||||
40-09-15-006 | There Shall Be No Night - vHJ | ||||
40-09-15-007 | Harlem Airshaft | ||||
40-09-15-008 | There I Go | ||||
40-09-15-009 | Five O’Clock Whistle - vIA | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 17 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-09-17-001 | Sepia Panorama (theme) | ||||
40-09-17-002 | Azure | ||||
40-09-17-003 | The Same Old Story | ||||
40-09-17-004 | Subtle Lament | ||||
40-09-17-005 | Star Dust - vHJ | ||||
40-09-17-006 | Black Beauty | ||||
40-09-17-007 | You Think Of Everything | ||||
40-09-17-008 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 18 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-18-001 | Sepia Panorama (theme) | ||||
40-09-18-002 | Doing The Voom Voom | ||||
40-09-18-003 | Something To Live For - vIA | ||||
40-09-18-004 | Madame Will Drop Her Shawl | ||||
40-09-18-005 | Way Down Yonder In New Orleans | ||||
40-09-18-006 | Sweet Sue | ||||
40-09-18-007 | Mood Indigo | ||||
40-09-18-008 | Blue Prelude (Blue Goose?) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 19 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-19-001 | Sepia Panorama (theme) | ||||
40-09-19-002 | Madame Will Drop Her Shawl | ||||
40-09-19-003 | There Shall Be No Night - vHJ | ||||
40-09-19-004 | Our Love Affair | ||||
40-09-19-005 | My Greatest Mistake | ||||
40-09-19-006 | At A Dixie Roadside Diner - vIA | ||||
40-09-19-007 | Call Of The Canyon - vHJ | ||||
40-09-19-008 | Whispering Grass | ||||
40-09-19-009 | Five O’Clock Whistle - vIA | ||||
40-09-19-010 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 21 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-21-001 | Sepia Panorama (theme) | ||||
40-09-21-002 | Jig Walk | Ev EV-3005, MDD 012, NI 4016 | DE4025a | ||
40-09-21-003 | Whispering Grass | ||||
40-09-21-004 | Blueberry Hill | ||||
40-09-21-005 | Harlem Air Shaft | ||||
40-09-21-006 | All This And Heaven Too | ||||
40-09-21-007 | Maybe - vIA | ||||
40-09-21-008 | There I Go | ||||
40-09-21-009 | Madame Will Drop Her Shawl | ||||
40-09-21-010 | Tootin’ Through The Roof | ||||
40-09-21-011 | Warm Valley (theme) | DE4025b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 25 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-09-25-001 | Sepia Panorama (theme) | ||||
40-09-25-002 | The Sergeant Was Shy | ||||
40-09-25-003 | Frenesi | ||||
40-09-25-004 | There Shall Be No Night - vHJ | ||||
40-09-25-005 | Harlem Airshaft | ||||
40-09-25-006 | My Greatest Mistake | ||||
40-09-25-007 | Way Down Yonder In New Orleans | ||||
40-09-25-008 | Solid Old Man | ||||
40-09-25-009 | Blue Goose | ||||
40-09-25-010 | There I Go | ||||
40-09-25-011 | Old King Dooji | ||||
40-09-25-012 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-09-26-001 | Sepia Panorama (theme) | ||||
40-09-26-002 | Rumpus In Richmond | ||||
40-09-26-003 | I Don’t Mind - vIA | ||||
40-09-26-004 | Our Love Affair | ||||
40-09-26-005 | Orchids For Remembrance | ||||
40-09-26-006 | Maybe | ||||
40-09-26-007 | Cotton Tail | ||||
40-09-26-008 | Here I Go | ||||
40-09-26-009 | Get Out Of Town | ||||
40-09-26-010 | Little Posey | MDD 012, NI 4016 | DE4026a | ||
40-09-26-011 | Warm Valley (theme) | NI 4016 | DE4026b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 27 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-09-27-001 | Sittin’ At The Séance | DE4027a | |||
40-09-27-002 | Looking For Yesterday | DE4027b | |||
40-09-27-003 | Weely | DE4027c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 28 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-28-001 | Sepia Panorama (theme) | ||||
40-09-28-002 | There Shall Be No Night - vHJ | ||||
40-09-28-003 | Two Dreams Met - vIA | ||||
40-09-28-004 | Cottontail | ||||
40-09-28-005 | There I Go | ||||
40-09-28-006 | St. Louis Blues - vIA | ||||
40-09-28-007 | My Greatest Mistake | ||||
40-09-28-008 | Madame Will Drop Her Shawl | ||||
40-09-28-009 | Rumpus In Richmond | ||||
40-09-28-010 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 29 September 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-09-29-001 | Sepia Panorama (theme) | ||||
40-09-29-002 | The Sergeant Was Shy | ||||
40-09-29-003 | Concerto For Cootie | ||||
40-09-29-004 | Two Dreams Met | ||||
40-09-29-005 | Our Love Affair - vHJ | ||||
40-09-29-006 | Harlem Air Shaft | ||||
40-09-29-007 | Crosstown | ||||
40-09-29-008 | Madame Will Drop Her Shawl | ||||
40-09-29-009 | Five O’Clock Whistle - vIA | ||||
40-09-29-010 | Two Dreams Met | ||||
40-09-29-011 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | September / October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-10-00-001 | Maybe - vIA | DE4028xa | |||
40-10-00-002 | I Give You My word | DE4028a | |||
40-10-00-003 | So You’re The One | DE4028b | |||
40-10-00-004 | I Want To Live | DE4028c | |||
40-10-00-005 | Madame Will Drop Her Shawl | DE4028d | |||
40-10-00-006 | There I Go | DE4028e | |||
40-10-00-007 | Harlem Air-Shaft | DE4028f | |||
40-10-00-008 | Stardust - vHJ | DESS CD-4, JS 705 | DE4028g | ||
40-10-00-009 | Subtle Lament | DESS CD-4, JS 705 | DE4028h | ||
40-10-00-010 | It’s The Same Old Story | DESS CD-4, JS 705 | DE4028j | ||
40-10-00-011 | Cotton Tail | DESS CD-4, JS 705 | DE4028i | ||
40-10-00-012 | T.T. On Toast | JS 705 | DE4028k | ||
40-10-00-013 | The Sergeant Was Shy | JS 705 | DE4028l | ||
Duke Ellington(p) | |||||
40-10-00-014 | Black Beauty | DESS CD-4, JS 705 | DE4028n | ||
The above items are likely duplicates from the other listed sessions from Hotel Sherman but until these are definitively identified they remain as previously listed. DE4028m (was "At A Dixie Roadside Diner") now identified as DE4014xa | |||||
DUKE ELLINGTON AND Jimmie Blanton | Chicago, IL | 01 October 1940 | |||
RCA-Victor recording session | |||||
Duke Ellington(p); Jimmie Blanton(sb) | |||||
40-10-01-001 | BS053504-1 | Pitter Panther Patter | (F)RCA FXM1-7072, Bb 2178-2-RB, Nw RP2048, RCA 09026-63386-2(D) | DE4029a | |
40-10-01-002 | BS053504-2 | Pitter Panther Patter | (F)RCA FXM1-7072, AMSC 1143(D), Bb 2178-2-RB, Cl(F) 820, RCA 09026-63386-2(D), Vi 27221 | DE4029b | |
40-10-01-003 | BS053505-1 | Body And Soul | Bb 2178-2-RB, Nw RP2048, RCA 09026-63386-2(D), UtD 2008(D) | DE4029c | |
40-10-01-004 | BS053505-2 | Body And Soul | (F)RCA FXM1-7072, Bb 2178-2-RB, Nw RP2048, RCA 09026-63386-2(D) | DE4029d | |
40-10-01-005 | BS053505-3 | Body And Soul | (F)RCA FXM1-7072, AMSC 1143(D), Bb 2178-2-RB, Cl(F) 820, RCA 09026-63386-2(D), Vi 27406 | DE4029e | |
40-10-01-006 | BS053506-1 | Sophisticated Lady | (F)RCA FXM1-7072, Bb 2178-2-RB, Nw RP2048, RCA 09026-63386-2(D) | DE4029f | |
40-10-01-007 | BS053506-2 | Sophisticated Lady | (F)RCA FXM1-7072, AMSC 1143(D), Bb 2178-2-RB, Cl(F) 820, RCA 09026-63386-2(D), Vi 27221 | DE4029g | |
40-10-01-008 | BS053507-1 | Mr. J.B. Blues | (F)RCA FXM1-7072, AMSC 1143(D), Bb 2178-2-RB, Cl(F) 820, RCA 09026-63386-2(D), Vi 27406 | DE4029h | |
40-10-01-009 | BS053507-2 | Mr. J.B. Blues | (F)RCA FXM1-7072, Bb 2178-2-RB, Nw RP2048, RCA 09026-63386-2(D) | DE4029i | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 01 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
40-10-01-010 | Sepia Panorama (theme) | ||||
40-10-01-011 | Madame Will Drop Her Shawl | ||||
40-10-01-012 | There I Go | ||||
40-10-01-013 | I’ll Never Smile Again - vIA | ||||
40-10-01-014 | I’m Nobody’s Baby - vIA | ||||
40-10-01-015 | I Hear A Rhapsody | ||||
40-10-01-016 | Harmony In Harlem | ||||
40-10-01-017 | Looking For Yesterday | ||||
40-10-01-018 | Way Down Yonder In New Orleans - vIA | ||||
40-10-01-019 | Two Dreams Met | ||||
40-10-01-020 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Cootie Williams(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-10-03-001 | In A Mellow Tone | JS 705 | DE4030a | ||
40-10-03-002 | Ring Dem Bells - vCW | JS 705, QD Q-007 | DE4030b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 05 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-10-05-001 | Sepia Panorama (theme) | ||||
40-10-05-002 | Koko | ||||
40-10-05-003 | I Never Felt This Way Before - vJH | ||||
40-10-05-004 | Rumpus In Richmond | ||||
40-10-05-005 | I Hear A Rhapsody | ||||
40-10-05-006 | Madame Will Drop Her Shawl | ||||
40-10-05-007 | There I Go | ||||
40-10-05-008 | Five O’Clock Whistle - vIA | ||||
40-10-05-009 | I Don’t Mind | ||||
40-10-05-010 | Tootin’ Through The Roof | ||||
40-10-05-011 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-10-06-001 | Sepia Panorama (theme) | ||||
40-10-06-002 | Me And You - vHJ | ||||
40-10-06-003 | My Greatest Mistake | ||||
40-10-06-004 | Harlem Air Shaft | ||||
40-10-06-005 | I Give You My Word | ||||
40-10-06-006 | Madame Will Drop Her Shawl | ||||
40-10-06-007 | So You’re The One | ||||
40-10-06-008 | Bojangles | ||||
40-10-06-009 | Our Love Affair | ||||
40-10-06-010 | In A Mellow Tone | ||||
40-10-06-011 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 08 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) | |||||
40-10-08-001 | Sepia Panorama (theme) | ||||
40-10-08-002 | There Shall Be No Night - vHJ | ||||
40-10-08-003 | In A Mellow Tone | ||||
40-10-08-004 | I Never Felt This Way Before | ||||
40-10-08-005 | Practice Makes Perfect | ||||
40-10-08-006 | The Same Old Story | ||||
40-10-08-007 | At A Dixie Roadside Diner - vIA | ||||
40-10-08-008 | I Hear A Rhapsody | ||||
40-10-08-009 | Maybe - vIA | ||||
40-10-08-010 | Cottontail | ||||
40-10-08-011 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-10-12-001 | Sepia Panorama (theme) | ||||
40-10-12-002 | In A Mellow Tone | ||||
40-10-12-003 | There I Go | ||||
40-10-12-004 | Madame Will Drop Her Shawl | ||||
40-10-12-005 | I Hear A Rhapsody | ||||
40-10-12-006 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 13 October 1940 | |||
NBC broadcast from Hotel Sherman | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson, Herb Jeffries(v) NBC broadcast from Hotel Sherman | |||||
40-10-13-001 | Sepia Panorama (theme) | ||||
40-10-13-002 | Rumpus In Richmond | ||||
40-10-13-003 | I Never Felt This Way Before - vHJ | ||||
40-10-13-004 | The Sergeant Was Shy | ||||
40-10-13-005 | The Same Old Story | ||||
40-10-13-006 | Practice Makes Perfect | ||||
40-10-13-007 | So You’re The One | ||||
40-10-13-008 | Five O’Clock Whistle - vIA | ||||
40-10-13-009 | Concerto For Cootie | ||||
40-10-13-010 | Ferryboat Serenade - vIA | ||||
40-10-13-011 | Jack The Bear | ||||
40-10-13-012 | Warm Valley (theme) | ||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 17 October 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
40-10-17-001 | BS053430-2 | Warm Valley | (F)RCA FXM1-7094, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4031a | |
40-10-17-002 | BS053430-3 | Warm Valley | (F)RCA FXM1-7094, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 26796 | DE4031b | |
40-10-17-003 | BS053552-1 | Flaming Sword | (F)RCA FXM1-7094, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4031c | |
40-10-17-004 | BS053552-2 | Flaming Sword | (F)RCA FXM1-7094, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 26796 | DE4031d | |
40-10-17-005 | BS053552-3 | Flaming Sword | (F)RCA FXM1-7094, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4031e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 28 October 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
40-10-28-001 | BS053579-1 | Across The Track Blues | (F)RCA FXM1-7094, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 27235 | DE4032a | |
40-10-28-002 | BS053579-2 | Across The Track Blues | (F)RCA FXM1-7094, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4032b | |
40-10-28-003 | BS053580-1 | Chloe | (F)RCA FXM1-7094, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27235 | DE4032c | |
40-10-28-004 | BS053581-1 | I Never Felt This Way Before - vHJ | (F)RCA FXM1-7094, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 820, RCA 09026-63386-2(D), Vi 27247 | DE4032d | |
40-10-28-005 | BS053582-2 | I Never Felt This Way Before - vHJ | (F)RCA FXM1-7094, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4032e | |
JOHNNY HODGES AND HIS ORCHESTRA | Chicago, IL | 02 November 1940 | |||
RCA-Victor recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-11-02-001 | BS053603-1 | Day Dream | (F)RCA FXM1-7094, Bb B-11021, BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D) | DE4033a | |
40-11-02-002 | BS053604-1 | Good Queen Bess | (F)RCA FXM1-7094, Bb B-11117, BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D) | DE4033b | |
40-11-02-003 | BS053604-2 | Good Queen Bess | (F)RCA FXM1-7094, BL SPV-305822, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4033c | |
40-11-02-004 | BS053605-1 | That’s The Blues Old Man | (F)RCA FXM1-7094, Bb B-11117, BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D) | DE4033d | |
40-11-02-005 | BS053606-1 | Junior Hop | Nw RP2051(AM), RCA 09026-63386-2(D), UtD 2009 | DE4033e | |
40-11-02-006 | BS053606-2 | Junior Hop | (F)RCA FXM1-7094, Bb B-11021, BL SPV-305822, Cl(F) 820, RCA 09026-63386-2(D) | DE4033f | |
REX STEWART AND HIS ORCHESTRA | Same session | ||||
Rex Stewart(t); Lawrence Brown(tb); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-11-02-007 | BS053607-1 | Without A Song | (F)RCA FXM1-7133, Bb B-10946, Cl(F) 820, RCA 09026-63386-2(D) | DE4033g | |
40-11-02-008 | BS053607-2 | Without A Song | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4033h | |
40-11-02-009 | BS053608-1 | My Sunday Gal | (F)RCA FXM1-7133, Bb B-10946, Cl(F) 820, RCA 09026-63386-2(D) | DE4033i | |
40-11-02-010 | BS053609-1 | Mobile Bay | (F)RCA FXM1-7133, Bb B-11057, Cl(F) 820, RCA 07863-66790-2(D), RCA 09026-63386-2(D) | DE4033j | |
40-11-02-011 | BS053609-2 | Mobile Bay | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4033k | |
40-11-02-012 | BS053610-1 | Linger Awhile | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4033l | |
40-11-02-013 | BS05310-2 | Linger Awhile | (F)RCA FXM1-7133, Bb B-11057, Cl(F) 820, MJ MJCD-1140, RCA 07863-66790-2(D), RCA 09026-63386-2(D) | DE4033m | |
DUKE ELLINGTON AND HIS ORCHESTRA | Fargo, ND | 07 November 1940 | |||
Dance The Crystal Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch);Herb Jeffries, Ivie Anderson(v) | |||||
40-11-07-001 | It’s Glory | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034a | ||
40-11-07-002 | The Mooch | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034b | ||
40-11-07-003 | The Sheik Of Araby | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034c | ||
40-11-07-004 | Sepia Panorama | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034d | ||
40-11-07-005 | Ko-Ko | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034e | ||
40-11-07-006 | There Shall Be No Night - vHJ | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034f | ||
40-11-07-007 | Pussy Willow | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034g | ||
40-11-07-008 | Chatterbox | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034h | ||
40-11-07-009 | Mood Indigo | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034i | ||
40-11-07-010 | Harlem Air-Shaft | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034j | ||
40-11-07-011 | Ferryboat Serenade - vIA | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034k | ||
40-11-07-012 | Warm Valley | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034l | ||
40-11-07-013 | Chaser | Sv 108-8600(D), VJC 1019-2 | DE4034m | ||
40-11-07-014 | Stompy Jones | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034n | ||
40-11-07-015 | Chloe | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034o | ||
40-11-07-016 | Bojangles | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034p | ||
40-11-07-017 | On The Air | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034q | ||
40-11-07-018 | Rumpus In Richmond | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034r | ||
40-11-07-019 | Chaser | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034s | ||
40-11-07-020 | The Sidewallks Of New York | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034t | ||
40-11-07-021 | Flaming Sword | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034u | ||
40-11-07-022 | Don’t Get Around Much Anymore (Never No Lament) | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034v | ||
40-11-07-023 | Caravan | St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034w | ||
40-11-07-024 | Clarinet Lament | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1019-2 | DE4034x | ||
40-11-07-025 | Slap Happy | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034y | ||
40-11-07-026 | Sepia Panorama | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034z | ||
40-11-07-027 | Boy Meets Horn | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034aa | ||
40-11-07-028 | Way Down Yonder In New Orleans - vIA | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ab | ||
40-11-07-029 | Oh Babe, Maybe Someday - vIA | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ac | ||
40-11-07-030 | Five O’Clock Whistle - vIA | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ad | ||
40-11-07-031 | Fanfare | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | |||
40-11-07-032 | Call Of The Canyon - vHJ | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ae | ||
40-11-07-033 | Unidentified Title | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | |||
40-11-07-034 | All This And Heaven Too - vHJ | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034af | ||
40-11-07-035 | Chaser | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ag | ||
40-11-07-036 | Rockin’ In Rhythm | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ah | ||
40-11-07-037 | Sophisticated Lady | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ai | ||
40-11-07-038 | Cotton Tail | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034aj | ||
40-11-07-039 | Whispering Grass | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ak | ||
40-11-07-040 | Conga Brava - vHJ | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034al | ||
40-11-07-041 | I Never Felt This Way Before - vHJ | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034am | ||
40-11-07-042 | Chaser | Sv 108-8600(D), VJC 1020-2 | DE4034an | ||
40-11-07-043 | Across The Track Blues | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ao | ||
40-11-07-044 | Honeysuckle Rose | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ap | ||
40-11-07-045 | Wham! - vRN | Rt 70, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034aq | ||
40-11-07-046 | Stardust | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034ar | ||
40-11-07-047 | Rose Of The Rio Grande - vIA | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034as | ||
40-11-07-048 | St. Louis Blues - vIA | JSo AA-520/521, St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034at | ||
40-11-07-049 | Warm Valley | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034au | ||
40-11-07-050 | God Bless America | St STCD-5316/17, Sv 108-8600(D), VJC 1020-2 | DE4034av | ||
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 11 November 1940 | |||
RCA-Victor recording session | |||||
Ray Nance(t); Juan Tizol(tb); Barney Bigard(cl); Ben Webster(ts); Duke Ellington(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
40-11-11-001 | BS053621- | Charlie The Chulo | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D), UtD 2009 | DE4035a | |
40-11-11-002 | BS053621- | Charlie The Chulo | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4035b | |
40-11-11-003 | BS053621-1 | Charlie The Chulo | (F)RCA FXM1-7133, Bb B-10981, Cl(F) 837, RCA 09026-63386-2(D) | DE4035c | |
40-11-11-004 | BS053622- | Lament For Javanette | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4035d | |
40-11-11-005 | BS053622-1 | Lament For Javanette | (F)RCA FXM1-7133, Bb B-11098, Cl(F) 837, RCA 09026-63386-2(D) | DE4035e | |
40-11-11-006 | BS053623- | A Lull At Dawn | (F)RCA FXM1-7133, Nw RP2051(AM) | DE4035f | |
40-11-11-007 | BS053623- | A Lull At Dawn | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4035g | |
40-11-11-008 | BS053623-1 | A Lull At Dawn | (F)RCA FXM1-7133, Bb B-10981, Cl(F) 837, RCA 09026-63386-2(D) | DE4035h | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
40-11-11-009 | BS053624-2 | Ready Eddy | (F)RCA FXM1-7133, Nw RP2051(AM) | DE4035i | |
40-11-11-010 | BS053624- | Ready Eddy | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4035j | |
40-11-11-011 | BS053624- | Ready Eddy | (F)RCA FXM1-7133, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4035k | |
40-11-11-012 | BS053624-1 | Ready Eddy | (F)RCA FXM1-7133, Bb B-11098, Cl(F) 837, RCA 09026-63386-2(D) | DE4035l | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 28 December 1940 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch);Herb Jeffries(v) | |||||
40-12-28-001 | BS052780-1 | The Sidewalks Of New York | (F)RCA FXM1-7134-Ie, (F)RCA FXM1-7134-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27380 | DE4036a | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
40-12-28-002 | BS052781-1 | Flamingo - vHJ | (F)RCA FXM1-7134-Ie, (F)RCA FXM1-7134-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27326 | DE4036b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
40-12-28-003 | BS052782-1 | The Girl In My Dreams - vHJ | (F)RCA FXM1-7134-Ie, (F)RCA FXM1-7134-IIe, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27326 | DE4036c | |
40-12-28-004 | BS052782-2 | The Girl In My Dreams - vHJ | (F)RCA FXM1-7134-Ie, (F)RCA FXM1-7134-IIe, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4036d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 January 1941 | |||
Standard Radio Transcription recording session at RCA-Victor | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch);Herb Jeffries(v) | |||||
41-01-15-001 | ¬ Take The “A” Train | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101a | ||
41-01-15-002 | - | I Hear A Rhapsody - vHJ | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101b | ||
41-01-15-003 | BS055250 | - | Bounce | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132 | DE4101c | |
41-01-15-004 | - | It’s Sad but True | (F)RCA FXM1-7134-Ie, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101d | ||
41-01-15-005 | _| Madame Will Drop Her Shawl | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101e | ||
41-01-15-006 | ¬ Frenesi | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101f | ||
41-01-15-007 | - | Until Tonight | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101g | ||
41-01-15-008 | BS055251 | - | West Indian Stomp | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101h | |
41-01-15-009 | - | Love And I | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101i | ||
41-01-15-010 | _| John Hardy’s Wife | (F)RCA FXM1-7134-Ie, DJD 28035, Sd SCD-4107, St P-132, VJC 1003-2 | DE4101j | ||
DUKE ELLINGTON AND Jimmie Blanton WITH JOHN SCOTT TROTTER ORCHESTRA | Los Angeles, CA | 16 January 1941 | |||
NBC broadcast from NBC studios | |||||
Duke Ellington(p); Jimmie Blanton(sb) with John Scott Trotter Orchestra | |||||
41-01-16-001 | Jive Rhapsody | (F)RCA FXM1-7134-Ie, MR MCD-084-2, QD Q-007 | DE4102a | ||
41-01-16-002 | Jumpin’ Punkins | (F)RCA FXM1-7134-Ie, MDD 012, MR MCD-084-2, QD Q-007 | DE4102b | ||
DUKE ELLINGTON | Culver City, CA | 28 January 1941 | |||
MBS broadcast from Casa Manana | |||||
Duke Ellington, Doug Hatton(tk) | |||||
41-01-28-001 | Interview by Hatton | Bb 82876-60091-2-2 | DE4103a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | February 1941 | |||
MBS broadcast from Casa Manana | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
41-02-06-001 | Clementine | DE9060a | |||
41-02-06-002 | Madame Will Drop Her Shawl | DE9060b | |||
41-02-06-003 | Jumpin’ Punkins | DE9060c | |||
41-02-06-004 | Unidentified | DE9060d | |||
41-02-06-005 | Blue Serge | DE9060e | |||
41-02-06-006 | Are You Sticking? | DE9060f | |||
41-02-06-007 | Take The “A” Train (theme) | DE9060g | |||
41-02-06-008 | A Flower Is A Lovesome Thing | DE9060h | |||
Titles from different sessions. The drummer may be Forrest ‘Chico’ Hamilton in some or all takes (see TDWAW). | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 13 February 1941 | |||
MBS broadcast from Casa Manana | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
41-02-13-001 | John Hardy’s Wife | DE4104a | |||
41-02-13-002 | The Girl In My Dreams - vHJ | DE4104b | |||
41-02-13-003 | Clementine | DE4104c | |||
41-02-13-004 | A Flower Is A Lovesome Thing | DE4104d | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 15 February 1941 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
41-02-15-001 | BS055283-1 | Take The “A” Train | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27380 | DE4105a | |
41-02-15-002 | BS055284-1 | Jumpin’ Punkins | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, Bb 74321-13181-2(D), Nw RP2051(AM), RCA 09026-63386-2(D) | DE4105b | |
41-02-15-003 | BS055284-2 | Jumpin’ Punkins | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27356 | DE4105c | |
41-02-15-004 | BS055285-1 | John Hardy’s Wife | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27434 | DE4105d | |
41-02-15-005 | BS055286-1 | Blue Serge | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27356 | DE4105e | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
41-02-15-006 | BS055287-1 | After All | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), BL SPV-305822, RCA 09026-63386-2(D), Vi 27434 | DE4105f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 16 February 1941 | |||
MBS broadcast from Casa Manana | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries, Ivie Anderson(v) | |||||
41-02-16-001 | Take The “A” Train (theme) | DE4106a | |||
41-02-16-002 | Take The “A” Train | MR MCD-084-2 | DE4106b | ||
41-02-16-003 | Jumpin’ Punkins | MR MCD-084-2 | DE4106c | ||
41-02-16-004 | Flamingo - vHJ | MR MCD-084-2 | DE4106d | ||
Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d) | |||||
41-02-16-005 | Jive Rhapsody | MDD 012, MR MCD-084-2 | DE4106e | ||
As before | |||||
41-02-16-006 | After All | MR MCD-084-2 | DE4106f | ||
41-02-16-007 | Chelsea Bridge | MR MCD-084-2 | DE4106g | ||
41-02-16-008 | Love Like This Can’t Last - vIA | MR MCD-084-2 | DE4106h | ||
41-02-16-009 | Blue Serge | MR MCD-084-2 | DE4106i | ||
41-02-16-010 | Take The “A” Train (theme) | MR MCD-084-2 | DE4106j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 20 February 1941 | |||
MBS broadcast from Casa Manana | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
41-02-20-001 | Blue Serge | DE4107xa | |||
41-02-20-002 | Are You Sticking? | Bb 82876-60091-2-1 | DE4107a | ||
41-02-20-003 | Chelsea Bridge | Bb 82876-60091-2-1 | DE4107b | ||
41-02-20-004 | Love Like This Can’t Last - vIA | Bb 82876-60091-2-1 | DE4107c | ||
41-02-20-005 | Moon Mist | Bb 82876-60091-2-1, MDD 012 | DE4107d | ||
41-02-20-006 | Take The “A” Train (theme) | Bb 82876-60091-2-1, MDD 012 | DE4107xb | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 30 March 1941 | |||
CBS broadcast | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
41-03-30-001 | Take The “A” Train | ||||
41-03-30-002 | Flamingo - vHJ | DE9025a | |||
DUKE ELLINGTON | New York City, NY | 14 May 1941 | |||
RCA-Victor recording session | |||||
Duke Ellington(p) | |||||
41-05-14-001 | BS065604-1 | Dear Old Southland | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, Bb 2178-2-RB, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4108a | |
41-05-14-002 | BS065604-2 | Dear Old Southland | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, Cl(F) 837, RCA 09026-63386-2(D), Vi 27564(F) | DE4108b | |
41-05-14-003 | BS065605-1 | Solitude | (F)RCA FXM1-7134-IIe, (F)RCA FXM1-7135-Ie, Bb 2178-2-RB, Cl(F) 837, RCA 09026-63386-2(D), Vi 27564 | DE4108c | |
41-05-14-004 | BS065605-2 | Solitude | (F)RCA FXM1-7135-Ie, (F)RCA FXM1-7135-IIe, Bb 2178-2-RB, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4108d | |
DUKE ELLINGTON AND JIMMIE BLANTON | Los Angeles, CA | 29 May 1941 | |||
NBC broadcast from NBC Studios | |||||
Duke Ellington(p); Jimmie Blanton(sb) | |||||
41-05-29-001 | Stomp Caprice | MDD 012, Sp 17 | DE4109a | ||
DUKE ELLINGTON AND JIMMIE BLANTON WITH JOHN SCOTT TROTTER ORCHESTRA | Same session | ||||
Duke Ellington(p); Jimmie Blanton(sb); John Scott Trotter Orch and Choir | |||||
41-05-29-002 | Frankie And Johnny - vChoir | (F)RCA FXM1-7135-Ie, MDD 012, MR MCD-084-2, QD Q-007, Sp 17, Te M-554(D) | DE4109b | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 05 June 1941 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
41-06-05-001 | B061283-1 | Bakiff | (F)RCA FXM1-7135-Ie, (F)RCA FXM1-7135-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27502 | DE4110a | |
41-06-05-002 | B061284-1 | Are You Sticking? | (F)RCA FXM1-7135-Ie, (F)RCA FXM1-7135-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27804 | DE4110b | |
41-06-05-003 | B061284-2 | Are You Sticking? | (F)RCA FXM1-7135-Ie, (F)RCA FXM1-7135-IIe, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4110c | |
41-06-05-004 | B061285-1 | Just A-Sittin’ And A-Rockin' | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27587 | DE4110d | |
41-06-05-005 | B061286-1 | The Giddy-Bug Gallop | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), BL SPV-305822, Cl(F) 837, RCA 09026-63386-2(D), Vi 27502 | DE4110e | |
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | June 1941 | |||
MBS Broadcast, from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
41-06-05-006 | Take The “A” Train (theme) | DE4112a | |||
41-06-05-007 | Sepia Panorama | Bb 82876-60091-2-1, MDD 012 | DE4112b | ||
41-06-05-008 | It’s Square But It Rocks - vIA | Bb 82876-60091-2-1 | DE4112c | ||
41-06-05-009 | Day Dream | DE4112d | |||
41-06-05-010 | In A Mellow Tone | Bb 82876-60091-2-1, MDD 012 | DE4112e | ||
41-06-05-011 | ¬ The Second Portrait Of The Lion | DE4112f | |||
41-06-05-012 | _| Raincheck | DE4112g | |||
DUKE ELLINGTON | Los Angeles, CA | 09 June 1941 | |||
MBS studio broadcast | |||||
Duke Ellington(p,tk); Herb Jeffries(v); Eddie "Rochester" Anderson(tk) | |||||
41-06-09-001 | Talk about Canada Lee | ||||
41-06-09-002 | Brown Skin Gal - vHJ | DE4111a | |||
41-06-09-003 | Intro talk | ||||
41-06-09-004 | Chocolate Shake | DE4111b | |||
“A tribute to the Actor, Jockey, Boxer and Musician Canada Lee”. See this article at pastdaily.com, which has a full recording. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | 12 June 1941 | |||
MBS Broadcast, from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
41-06-12-001 | ¬ The Second Portrait Of The Lion | (F)RCA FXM1-7274-Ie, JA 15 | DE4113a | ||
41-06-12-002 | _| Raincheck | (F)RCA FXM1-7274-Ie, JA 15, MDD 006 | DE4113b | ||
41-06-12-003 | Flamingo - vHJ | DE4113c | |||
41-06-12-004 | Just A-Sittin’ And A-Rockin' | Rt 56 | DE4113d | ||
41-06-12-005 | The Giddy-Bug Gallop | DE4113e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | 16 June 1941 | |||
MBS Broadcast, from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
41-06-16-001 | Solid Old Man | DE4114a | |||
41-06-16-002 | John Hardy’s Wife | DE4114b | |||
41-06-16-003 | It’s Square But It Rocks - vIA | DE4114c | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 26 June 1941 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p,cs); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
41-06-26-001 | BS061318-1 | Chocolate Shake - vIA | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27531 | DE4115a | |
41-06-26-002 | BS061319-1 | I Got It Bad - vIA | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27531 | DE4115b | |
41-06-26-003 | BS061319-2 | I Got It Bad - vIA | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, BL SPV-305822, Nw RP2051(AM), RCA 09026-63386-2(D) | DE4115c | |
DUKE ELLINGTON | Los Angeles, CA | 29 June 1941 | |||
CBS broadcast from Hollywood Bowl | |||||
Duke Ellington(p) with John Scott Trotter, Lud Guskin, Meredith Willson, Freddie Martin, Jackie Cooper and others. | |||||
41-06-29-001 | Amapola | DE4207a | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 02 July 1941 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p,cs); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Herb Jeffries, Ivie Anderson(v) | |||||
41-07-02-001 | BS061338-1 | Clementine | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), BL SPV-305822, Cl(F) 837, RCA 09026-63386-2(D), Vi 27700 | DE4116a | |
41-07-02-002 | BS061339-1 | Brown-Skin Gal - vHJ | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27517 | DE4116b | |
41-07-02-003 | BS061340-1 | Jump For Joy - vHJ | (F)RCA FXM1-7135-IIe, (F)RCA FXM1-7201-Ie, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 837, RCA 09026-63386-2(D), Vi 27517 | DE4116c | |
41-07-02-004 | BS061340-2 | Jump For Joy - vIA | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 851, RCA 09026-63386-2(D) | DE4116d | |
41-07-02-005 | BS061341-1 | Moon Over Cuba | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 851, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27587 | DE4116e | |
REX STEWART AND HIS ORCHESTRA | Los Angeles, CA | 03 July 1941 | |||
RCA-Victor recording session | |||||
Rex Stewart(t); Lawrence Brown(tb); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
41-07-03-001 | BS061342-1 | Some Saturday | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, Bb B-11258, Cl(F) 851, RCA 07863-66790-2(D), RCA 09026-63386-2(D) | DE4117a | |
41-07-03-002 | BS061343-1 | Just Squeeze Me (Subtle Slough) | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, Bb B-11258, Cl(F) 851, MJ MJCD-1140, RCA 09026-63386-2(D) | DE4117b | |
41-07-03-003 | BS061344-1 | Menelik - The Lion Of Judah | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, BD T-1003, HMV JO-282, RCA 09026-63386-2(D) | DE4117c | |
41-07-03-004 | BS061345-1 | Poor Bubber | (F)RCA FXM1-7201-Ie, (F)RCA FXM1-7201-IIe, Cl(F) 851, HMV JO-282, RCA 09026-63386-2(D) | DE4117d | |
JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
Ray Nance(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar) Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
41-07-03-005 | BS061346-1 | Squaty Roo | (F)RCA FXM1-7201-IIe, (F)RCA FXM1-7274-Ie, Bb B-11447, BL SPV-305822, Cl(F) 851, RCA 09026-63386-2(D) | DE4117e | |
41-07-03-006 | BS061347-1 | Passion Flower | (F)RCA FXM1-7201-IIe, (F)RCA FXM1-7274-Ie, Bb B30-0817, BL SPV-305822, Cl(F) 851, RCA 09026-63386-2(D) | DE4117f | |
41-07-03-007 | BS061348-1 | Things Ain’t What They Used To Be | (F)RCA FXM1-7201-IIe, (F)RCA FXM1-7274-Ie, Bb B-11447, BL SPV-305822, Cl(F) 851, RCA 09026-63386-2(D) | DE4117g | |
41-07-03-008 | BS061349-1 | Goin’ Out The Back Way | (F)RCA FXM1-7201-IIe, (F)RCA FXM1-7274-Ie, Bb B30-0817, BL SPV-305822, Cl(F) 851, RCA 09026-63386-2(D) | DE4117h | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 25 August 1941 | |||
Recording for CBS broadcast | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch);Herb Jeffries(v) | |||||
41-08-25-001 | Take The “A” Train | Co CBS-Forecast-N.-12 | DE4118a | ||
41-08-25-002 | Flamingo - vHJ | Co CBS-Forecast-N.-12 | DE4118b | ||
41-08-25-003 | Jumpin’ Punkins | Co CBS-Forecast-N.-12 | DE4118c | ||
DUKE ELLINGTON | Los Angeles, CA | 01 September 1941 | |||
KFI studio broadcast | |||||
Duke Ellington(p); Herb Jeffries, Ivie Anderson, Joe Turner, Choir(v) | |||||
Selections From “Jump For Joy” | DE4119a | ||||
41-09-01-001 |
| Kl KLON-1† | |||
41-09-01-002 |
| Kl KLON-1† | |||
41-09-01-003 |
| Kl KLON-1† | |||
41-09-01-004 |
| Kl KLON-1† | |||
41-09-01-005 |
| Kl KLON-1† | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 September 1941 | |||
Standard Radio Transcription recording session at RCA-Victor | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch);Herb Jeffries, Ivie Anderson(v) | |||||
41-09-17-001 | ¬ Clementine | (F)RCA FXM1-7274-Ie, DJD 28035, MDD 006, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120a | ||
41-09-17-002 | - | Chelsea Bridge | (F)RCA FXM1-7274-Ie, MDD 012, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120b | ||
41-09-17-003 | BS061661 | - | Love Like This Can’t Last | (F)RCA FXM1-7274-Ie, DJD 28035, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120c | |
41-09-17-004 | - | After All | (F)RCA FXM1-7274-Ie, DJD 28035, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120d | ||
41-09-17-005 | _| The Girl In My Dreams - vHJ | (F)RCA FXM1-7274-Ie, DJD 28035, Sd SCD-4107, St P-169 | DE4120e | ||
41-09-17-006 | ¬ Jumpin’ Punkins | (F)RCA FXM1-7274-Ie, DJD 28035, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120f | ||
41-09-17-007 | BS061662 | - | Frankie And Johnny | (F)RCA FXM1-7274-Ie, DJD 28035, MDD 012, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120g | |
41-09-17-008 | - | Flamingo - vHJ | (F)RCA FXM1-7274-Ie, DJD 28035, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120h | ||
41-09-17-009 | _| Bakiff | (F)RCA FXM1-7274-Ie, Sd SCD-4107, St P-169, VJC 1003-2 | DE4120i | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 26 September 1941 | |||
Same personnel | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
41-09-26-001 | BS061684-1 | Five O’Clock Drag | (F)RCA FXM1-7201-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 851, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27700 | DE4121a | |
41-09-26-002 | BS061685-1 | Rocks In My Bed - vIA | (F)RCA FXM1-7201-IIe, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 851, RCA 09026-63386-2(D), Vi 27639 | DE4121b | |
41-09-26-003 | BS061686-1 | Bli-Blip - vRN | (F)RCA FXM1-7274-IIe, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 851, RCA 09026-63386-2(D), Vi 27639 | DE4121c | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
41-09-26-004 | BS061687-1 | Chelsea Bridge | (F)RCA FXM1-7274-IIe, Cl(F) 851, RCA 09026-63386-2(D) | DE4121d | |
BARNEY BIGARD AND HIS ORCHESTRA | Los Angeles, CA | 29 September 1941 | |||
RCA-Victor recording session | |||||
Ray Nance(t); Juan Tizol(tb); Barney Bigard(cl,ts); Harry Carney(bar) Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
41-09-29-001 | BS061688-1 | Brown Suede | (F)RCA FXM1-7274-IIe, Bb B-11581, Cl(F) 851, RCA 09026-63386-2(D) | DE4122a | |
41-09-29-002 | BS061689-1 | Noir Bleu | (F)RCA FXM1-7274-IIe, Cl(F) 851, RCA 09026-63386-2(D) | DE4122b | |
41-09-29-003 | BS061690-1 | C Blues (C-Jam Blues) | (F)RCA FXM1-7274-IIe, Bb B-11581, Cl(F) 851, RCA 09026-63386-2(D) | DE4122c | |
41-09-29-004 | BS061691-1 | June | (F)RCA FXM1-7274-IIe, Cl(F) 851, RCA 09026-63386-2(D) | DE4122d | |
DUKE ELLINGTON AND Jimmie Blanton WITH JOHN SCOTT TROTTER ORCHESTRA | 09 October 1941 | ||||
Duke Ellington(p); Jimmie Blanton(sb) with John Scott Trotter Orchestra | |||||
41-10-09-001 | Take The “A” Train | JHP CD-48736, MDD 012, MR MCD-084-2, QD Q-007 | DE4123a | ||
41-10-09-002 | Flamingo | JHP CD-48736 | DE4123b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | November / December 1941 | |||
RCM film recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch);Herb Jeffries, Ivie Anderson, Paul White, Marie Bryant(v) | |||||
41-11-30-001 | Cotton Tail | Bb 82876-60091-2-2, ER 1002, Sv SLP-6000 | DE4124a | ||
41-11-30-002 | I Got It Bad - vIA | Bb 82876-60091-2-2, Sv SLP-6000 | DE4124b | ||
41-11-30-003 | Flamingo - vHJ | (F)RCA FXM1-7274-Ie, Bb 82876-60091-2-2, Sv SLP-6000 | DE4124c | ||
41-11-30-004 | Bli-Blip - vPW, MB | (F)RCA FXM1-7274-Ie, Bb 82876-60091-2-2, Sv SLP-6000 | DE4124d | ||
41-11-30-005 | C-Jam Blues | Bb 82876-60091-2-2, ER 1002 | DE4124e | ||
Film soundtrack from "Soundies" made for visual juke boxes | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 02 December 1941 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch);Herb Jeffries(v) | |||||
41-12-02-001 | BS061941-1 | Raincheck | (F)RCA FXM1-7274-IIe, AMSC 1143(D), Cl(F) 851, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27880 | DE4125a | |
41-12-02-002 | BS061942-1 | What Good Would It Do? - vHJ | (F)RCA FXM1-7274-IIe, Cl(F) 851, RCA 09026-63386-2(D), Vi 27740 | DE4125b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
41-12-02-003 | BS061943-1 | I Don’t Know What Kind Of Blues I’ve Got - vHJ | (F)RCA FXM1-7274-IIe, Cl(F) 851, RCA 09026-63386-2(D), Vi 27804 | DE4125c | |
41-12-02-004 | BS061943-2 | I Don’t Know What Kind Of Blues I’ve Got - vHJ | Nw RP2051(AM), RCA 09026-63386-2(D) | DE4125d | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
41-12-02-005 | BS0616887-2 | Chelsea Bridge | (F)RCA FXM1-7274-IIe, AMSC 1143(D), Cl(F) 851, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 27740 | DE4125e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 03 December 1941 | |||
Standard Radio Transcription recording session at RCA-Victor | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch);Herb Jeffries(v) | |||||
41-12-03-001 | ¬ Stomp Caprice | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126a | ||
41-12-03-002 | - | Bugle Breaks | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126b | ||
41-12-03-003 | BS061946 | - | You And I - vHJ | Sd SCD-4107, St P-183, Te M-550 | DE4126c | |
41-12-03-004 | - | Have You Changed? | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126d | ||
41-12-03-005 | _| Raincheck | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126e | ||
41-12-03-006 | ¬ Blue Serge | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126f | ||
41-12-03-007 | - | Moon Mist | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126g | ||
41-12-03-008 | BS061947 | - | I Don’t Want To Set The World On Fire - vHJ | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126h | |
41-12-03-009 | - | Easy Street | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126i | ||
41-12-03-010 | _| Perdido | Sd SCD-4107, St P-183, Te M-550, VJC 1003-2 | DE4126j | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 21 January 1942 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-01-21-001 | BS070682-1 | Perdido | (F)RCA FXM1-7274-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Bb 82876-60091-2-1, Cl(F) 867, RCA 09026-63386-2(D), Vi 27880 | DE4201a | |
42-01-21-002 | BS070682-2 | Perdido | Nw RP2056, RCA 07863-66790-2(D), RCA 09026-63386-2(D) | DE4201b | |
42-01-21-003 | BS070683-1 | C-Jam Blues | (F)RCA FXM1-7274-IIe, AMSC 1143(D), Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 27856 | DE4201c | |
42-01-21-004 | BS070684-1 | Moon Mist | (F)RCA FXM1-7301, BL SPV-305822, Cl(F) 867, RCA 09026-63386-2(D) | DE4201d | |
42-01-21-005 | BS070684-2 | Moon Mist | Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Nw RP2056, RCA 09026-63386-2(D), Vi 27856 | DE4201e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 26 February 1942 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-02-26-001 | BS071890-1 | What Am I Here For? | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 20-1598 | DE4202a | |
42-02-26-002 | BS071891-1 | I Don’t Mind - vIA | Nw RP2056, RCA 09026-63386-2(D) | DE4202b | |
42-02-26-003 | BS071891-2 | I Don’t Mind - vIA | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1598 | DE4202c | |
42-02-26-004 | BS071892-1 | Someone | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1584 | DE4202d | |
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | April / May 1942 | |||
Broadcast, from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-04-20-001 | What Am I Here For? | DE4203a | |||
42-04-20-002 | Barzillai Lew | DE4203b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | 02 May 1942 | |||
MBS broadcast from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-05-02-001 | Take The “A” Train | DETS 903-9021 | DE4204a | ||
42-05-02-002 | Swing Shifters Swing | DETS 903-9021, Rt 70 | DE4204b | ||
42-05-02-003 | Main Stem | DETS 903-9021 | DE4204c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | 07 May 1942 | |||
MBS broadcast from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-05-07-001 | Take The “A” Train | DE4205a | |||
42-05-07-002 | The Strollers | DE4205b | |||
42-05-07-003 | I Don’t Want To Walk Without You | DE4205c | |||
42-05-07-004 | Just Fiddlin’ Around | DE4205d | |||
42-05-07-005 | I Don’t Mind - vIA | DE4205e | |||
42-05-07-006 | John Hardy’s Wife | DE4205f | |||
42-05-07-007 | Someone | DE4205g | |||
42-05-07-008 | Body And Soul | DE4205h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | South Gate, CA | May 1942 | |||
MBS broadcast from Trianon Ballroom | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Herb Jeffries, Ivie Anderson(v) | |||||
42-05-20-001 | The One I Love Belongs To Somebody Else - vIA | DE4206a | |||
42-05-20-002 | Body And Soul - vHJ | DE4206b | |||
42-05-20-003 | Take The “A” Train (theme) | DE4206c | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 26 June 1942 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p,cs); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Herb Jeffries(v) | |||||
42-06-26-001 | BS072437-1 | My Little Brown Book - vHJ | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1584 | DE4208a | |
42-06-26-002 | BS072438-1 | Main Stem | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 07863-66790-2(D), RCA 09026-63386-2(D), Vi 20-1556 | DE4208b | |
42-06-26-003 | BS072439-1 | Johnny Come Lately | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1556 | DE4208c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 14 July 1942 | |||
CBS Broadcast, from El Patio Ballroom, Lakeside Park | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-14-001 | Things Ain’t What They Used To Be | DETS 903-9021 | DE4209a | ||
42-07-14-002 | Ko-Ko | DETS 903-9021 | DE4209b | ||
42-07-14-003 | Take The “A” Train (theme) | DETS 903-9021 | DE4209c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 15 July 1942 | |||
CBS Broadcast, from El Patio Ballroom, Lakeside Park | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-07-15-001 | Take The “A” Train (theme) | DETS 903-9022 | DE4210a | ||
42-07-15-002 | The Strollers | DETS 903-9022, JA 15 | DE4210b | ||
42-07-15-003 | Rocks In My Bed - vIA | DETS 903-9022 | DE4210c | ||
42-07-15-004 | John Hardy’s Wife | DETS 903-9022 | DE4210d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 19 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-19-001 | Bli-Blip - vRN | DE4211a | |||
42-07-19-002 | All I Need Is You | DE4211b | |||
42-07-19-003 | Perdido | DE4211c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 21 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-21-001 | C-Jam Blues | DE4212a | |||
42-07-21-002 | Take The “A” Train | DE4212b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 22 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-22-001 | Just A-Sittin And A-Rockin' | NI 4016 | DE4213a | ||
42-07-22-002 | Rose Of The Rio Grande | DE4213b | |||
42-07-22-003 | I Didn’t Know About You | NI 4016 | DE4213c | ||
42-07-22-004 | Things Ain’t What They Used to Be | BJ LP-3004, NI 4016 | DE4213d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-24-001 | Swing Shifter’s Swing | JA 15 | DE4214a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-07-26-001 | Someone | DE4215a | |||
42-07-26-002 | The Sergeant Was Shy | DE4215b | |||
42-07-26-003 | I Don’t Mind - vIA | DE4215c | |||
42-07-26-004 | What Am I Here For? | DE4215d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 27 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-07-27-001 | Warm Valley | DE4216a | |||
42-07-27-002 | Bakiff | DE4216b | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 28 July 1942 | |||
RCA-Victor recording session | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-07-28-001 | BS074781-1 | Hayfoot, Strawfoot - vIA | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1505 | DE4217a | |
42-07-28-002 | BS074781-2 | Hayfoot, Strawfoot - vIA | Bb 5659-2-RB-(1ed)(D), Nw RP2056, RCA 09026-63386-2(D) | DE4217b | |
42-07-28-003 | BS074782-1 | I Didn’t Know About You (Sentimental Lady) | (F)RCA FXM1-7301, BL SPV-305822, Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1528 | DE4217c | |
42-07-28-004 | BS074782-2 | I Didn’t Know About You (Sentimental Lady) | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Nw RP2056, RCA 09026-63386-2(D) | DE4217d | |
42-07-28-005 | BS074783-1 | A Slip Of The Lip - vRN | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1528 | DE4217e | |
42-07-28-006 | BS074784-1 | Sherman Shuffle | (F)RCA FXM1-7301, Bb 5659-2-RB(D), Bb 5659-2-RB-(1ed)(D), Cl(F) 867, RCA 09026-63386-2(D), Vi 20-1505 | DE4217f | |
NB. This was Duke Ellington's final commercial recording before the Union ban which started on 1 August 1942 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 28 July 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-07-28-007 | John Hardy’s Wife | DE4218a | |||
42-07-28-008 | Five O’Clock Drag | NI 4016 | DE4218b | ||
42-07-28-009 | Perdido | NI 4016 | DE4218c | ||
42-07-28-010 | Solitude - vIA | NI 4016 | DE4218d | ||
42-07-28-011 | Barzillai Lew | NI 4016 | DE4218e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | July/August 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
42-08-00-001 | Hayfoot, Strawfoot - vIA | DE4219a | |||
42-08-00-002 | Unbooted Character | DE4219b | |||
42-08-00-003 | Concerto For Cootie | DE4219d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 07 August 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-08-07-001 | Moon Mist | DE4222a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 08 August 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-08-08-001 | Mainstem | DE4223a | |||
42-08-08-002 | Sherman Shuffle | DE4223b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 August 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-08-11-001 | Cotton Tail | DE4224a | |||
42-08-11-002 | Things Ain’t What They Used to Be | DE4224b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 13 August 1942 | |||
Broadcast, from Hotel Sherman | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ivie Anderson, Joya Sherrill(v) | |||||
42-08-13-001 | Take The “A” Train (theme) | DE4225a | |||
42-08-13-002 | Manhattan Serenade - vJS | DE4225b | |||
42-08-13-003 | What Am I Here For? | DE4225c | |||
42-08-13-004 | Be Careful, It’s My Heart | DE4225d | |||
42-08-13-005 | Perdido | DE4225e | |||
42-08-13-006 | At Last | DE4225f | |||
42-08-13-007 | Massachusetts - vIA | DE4225g | |||
42-08-13-008 | Things Ain’t What They Used to Be | DE4225h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cleveland, OH | 29 August 1942 | |||
Broadcast, from Palace Theatre | |||||
Wallace Jones, Rex Stewart(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-08-29-001 | Tangerine (YT) | DE4226a | |||
42-08-29-002 | Who Wouldn’t Love You? (YT) | Te M-554(D) | DE4226b | ||
42-08-29-003 | Unidentified (YT) | Te M-554(D) | DE4226c | ||
42-08-29-004 | I Don’t Want To Walk Without You (YT) | Te M-554(D) | DE4226d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 28 September 1942 | |||
MGM film soundtrack | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
42-09-28-001 | Things Ain’t What They Used to Be | HS 5003, TCM R2-72245 | DE4227a | ||
42-09-28-002 | Going Up | HS 5003, TCM R2-72245 | DE4227b | ||
Film sound track from MGM's "Cabin In The Sky" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 29 September 1942 | |||
MGM film soundtrack | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Ford Washington(Buck), John Sublett (Bubbles), Hall Johnson Choir(v). Joined by a studio string orchestra. | |||||
42-09-29-001 | Shine - vJSu,FW,HJC | HS 5003, TCM R2-72245 | DE4228a | ||
Film sound track from MGM's "Cabin In The Sky" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 6, 7 or 9 October 1942 | |||
AFRS radio transcription | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
42-09-05-001 | Jubilee Theme | AFRS J-1 | DE4229a | ||
42-09-05-002 | Hayfoot, Strawfoot - vBR | AFRS J-1, Sn SB-214 | DE4229b | ||
42-09-05-003 | Going Up | AFRS J-1, Sn SB-214 | DE4229c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 08 October 1942 | |||
Columbia film soundtrack | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
42-10-08-001 | Take The “A” Train (YT) | Dur NVG-9502, HS 5014 | DE4230a | ||
Film soundtrack from Columbia’s “Reveille With Beverly”. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Trenton, NJ | 19 November 1942 | |||
Broadcast, from Fort Dix | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche, Jimmy Britton(v) | |||||
42-11-19-001 | Coca Cola Theme | Dk D-1011 | DE4231a | ||
42-11-19-002 | Perdido | AFRS BW-31, Dk D-1011 | DE4231b | ||
42-11-19-003 | Just As Though You Were Here - vJBr | AFRS BW-31, Dk D-1011 | DE4231c | ||
42-11-19-004 | Hayfoot, Strawfoot - vBR | Dk D-1011 | DE4231d | ||
42-11-19-005 | Don’t Get Around much Anymore | BJ LP-3004, Dk D-1011, Rt 70 | DE4231e | ||
42-11-19-006 | Going Up | BJ LP-3004, Dk D-1011, Rt 70 | DE4231f | ||
42-11-19-007 | Things Ain’t What They Used to Be | Dk D-1011 | DE4231g | ||
42-11-19-008 | Take The “A” Train (theme) | Dk D-1011 | DE4231h | ||
42-11-19-009 | Coca Cola Theme | Dk D-1011 | DE4231i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Providence, RI | 17 December 1942 | |||
Broadcast, from Biltmore Hotel | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche, Jimmy Britton(v) | |||||
42-12-17-001 | What Am I Here For? | BJ LP-3004 | DE4232a | ||
42-12-17-002 | Dearly Beloved - vJBr | BJ LP-3004 | DE4232b | ||
42-12-17-003 | Perdido | BJ LP-3004 | DE4232c | ||
42-12-17-004 | A Slip Of The Lip - vRN | BJ LP-3004 | DE4232d | ||
42-12-17-005 | Mr. Five By Five - vBR | BJ LP-3004 | DE4232e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 January 1943 | |||
Concert, at Carnegie Hall | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-01-23-001 | Star Spangled Banner | DE4301a | |||
43-01-23-002 | Black And Tan Fantasy | Df DRCD-11210, Pr P-34004 | DE4301b | ||
43-01-23-003 | Rockin’ In Rhythm | Df DRCD-11210, Pr P-34004 | DE4301c | ||
43-01-23-004 | Moon Mist | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301d | ||
43-01-23-005 | Jumpin’ Punkins | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301e | ||
43-01-23-006 | A Portrait Of Bert Williams | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301f | ||
43-01-23-007 | Bojangles | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301g | ||
43-01-23-008 | Black Beauty (A Portrait Of Florence Mills) | DE4301h | |||
BLACK, BROWN AND BEIGE | |||||
- A. BLACK | |||||
43-01-23-009 | - 01. Worksong | FDC 1004 | DE4301i | ||
43-01-23-010 | - 02. Come Sunday | FDC 1004 | DE4301j | ||
43-01-23-011 | - 03. Light | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301k | ||
- B. BROWN | |||||
43-01-23-012 | - 04. West Indian Dance | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301l | ||
43-01-23-013 | - 05. Emancipation Celebration | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301m | ||
43-01-23-014 | - 06. The Blues - vBR | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301n | ||
- C. BEIGE | |||||
43-01-23-015 | - 07. A View From Central Park | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301o | ||
43-01-23-016 | - 08. Cy Runs Rock Waltz | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301p | ||
43-01-23-017 | - 09. Interlude - Cy Runs Rock Waltz | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301q | ||
43-01-23-018 | - 10. Sugar Hill Penthouse | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301r | ||
43-01-23-019 | - 11. Finale | Df DRCD-11210, FDC 1004, HoF JG-626, Pr P-34004 | DE4301s | ||
43-01-23-020 | Ko-Ko | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301t | ||
43-01-23-021 | Dirge | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301u | ||
43-01-23-022 | Johnny Come Lately (Stomp) | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301w | ||
43-01-23-023 | Are You Sticking? | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301x | ||
43-01-23-024 | Bakiff | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301y | ||
43-01-23-025 | Jack The Bear | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301z | ||
43-01-23-026 | BLUE BELLS OF HARLEM | Df DRCD-11210, HoF JG-627, Pr P-34004 | DE4301aa | ||
43-01-23-027 | Cotton Tail | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ab | ||
43-01-23-028 | Day Dream | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ac | ||
43-01-23-029 | Boy Meets Horn | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ad | ||
43-01-23-030 | Rose Of The Rio Grande | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ae | ||
43-01-23-031 | Don’t Get Around Much Anymore | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301af | ||
43-01-23-032 | Going Up | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ag | ||
43-01-23-033 | Mood Indigo | Df DRCD-11210, HoF JG-625, Pr P-34004 | DE4301ah | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 28 January 1943 | |||
Concert, at Symphony Hall | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-01-28-001 | Star Spangled Banner | Df DRCD-11210, Pr P-34004 | DE4302a | ||
43-01-28-002 | What Am I Here For? | DE4302b | |||
43-01-28-003 | Main Stem | DE4302c | |||
43-01-28-004 | Day Dream | DE4302d | |||
BLACK, BROWN AND BEIGE | |||||
- A. BLACK | |||||
43-01-28-005 | - 01. Worksong | Df DRCD-11210, Pr P-34004 | DE4302e | ||
43-01-28-006 | - 02. Come Sunday | Df DRCD-11210, HoF JG-626, Pr P-34004 | DE4302f | ||
43-01-28-007 | - 03. Light | DE4302g | |||
- B. BROWN | |||||
43-01-28-008 | - 04. West Indian Dance | DE4302h | |||
43-01-28-009 | - 05. Emancipation Celebration | MJ MJCD-1140 | DE4302i | ||
43-01-28-010 | - 06. The Blues - vBR | JA 15 | DE4302j | ||
- C. BEIGE | |||||
43-01-28-011 | - 07. A View From Central Park | DE4302k | |||
43-01-28-012 | - 08. Cy Runs Rock Waltz | DE4302l | |||
43-01-28-013 | - 09. Interlude - Cy Runs Rock Waltz | DE4302m | |||
43-01-28-014 | - 10. Sugar Hill Penthouse | DE4302n | |||
43-01-28-015 | - 11. Finale | DE4302o | |||
43-01-28-016 | Jumpin’ Punkins | DE4302p | |||
43-01-28-017 | Dirge | DE4302q | |||
43-01-28-018 | Johnny Come Lately | DE4302r | |||
43-01-28-019 | Black Beauty (A Portrait Of Florence Mills) | Df DRCD-11210, Pr P-34004 | DE4302s | ||
43-01-28-020 | Bakiff | DE4302t | |||
43-01-28-021 | Black And Tan Fantasy | DE4302u | |||
43-01-28-022 | BLUE BELLS OF HARLEM | DE4302v | |||
43-01-28-023 | Boy Meets Horn | DE4302w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-04-03-001 | Take The “A” Train (theme) | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303a | ||
43-04-03-002 | Hayfoot, Strawfoot - vBR | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303b | ||
43-04-03-003 | It Can’t Be Wrong | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303c | ||
43-04-03-004 | What Am I Here For? | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303d | ||
43-04-03-005 | Main Stem | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303e | ||
43-04-03-006 | Could It Be You? | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303f | ||
43-04-03-007 | Going Up | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303g | ||
43-04-03-008 | Don’t Get Around Much Anymore | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303h | ||
43-04-03-009 | Nevada | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303i | ||
43-04-03-010 | Things Ain’t What They Used To Be | Az LP-431, Sv 101-8359, Sv 108-8600(D), SYY DSOY2203(D) | DE4303j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-04-04-001 | Take The “A” Train (theme) | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304a | ||
43-04-04-002 | Don’t Get Around Much Anymore | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304b | ||
43-04-04-003 | Main Stem | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304c | ||
43-04-04-004 | I Don’t Want Nobody At All - vBR | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304d | ||
43-04-04-005 | Johnny Come Lately | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304e | ||
43-04-04-006 | Things Ain’t What They Used To Be | Rt 56, Sv 101-8359, Sv 108-8600(D) | DE4304f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-04-07-001 | My Gal Sal | DE4305a | |||
43-04-07-002 | You’ll Never Know - vBR | DE4305b | |||
43-04-07-003 | Way Low | DE4305c | |||
43-04-07-004 | Hayfoot, Strawfoot - vBR | DE4305d | |||
43-04-07-005 | Don’t Get Around Much Anymore | DE4305e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-04-10-001 | What’s The Good Word Mr. Bluebird? - vBR | DE4306a | |||
43-04-10-002 | It Can’t Be Wrong | DE4306b | |||
43-04-10-003 | Harlem Air Shaft | DE4306c | |||
43-04-10-004 | Don’t Get Around Much Anymore | DE4306d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Jimmy Britton(v) | |||||
43-04-17-001 | Take The “A” Train (theme) | Az LP-431, SYY DSOY2203(D) | DE4308a | ||
43-04-17-002 | What Am I Here For? | Az LP-431, SYY DSOY2203(D) | DE4308b | ||
43-04-17-003 | Barzillai Lew | Az LP-431, SYY DSOY2203(D) | DE4308c | ||
43-04-17-004 | Ring Around The Moon - vJBr | Az LP-431, SYY DSOY2203(D) | DE4308d | ||
43-04-17-005 | Cotton Tail | Az LP-431, SYY DSOY2203(D) | DE4308e | ||
43-04-17-006 | Don’t Get Around Much Anymore | Az LP-431, SYY DSOY2203(D) | DE4308f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Sax Mallard(cl,as); Johnny Hodges, Scotty Scott(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
Johnny Come Lately | DE4309a | ||||
It Can’t Be Wrong | DE4309b | ||||
Three Cent Stomp | DE4309c | ||||
DUKE ELLINGTON GROUP WITH CBS HOUSE BAND | New York City, NY | 21 April 1943 | |||
Broadcast, from CBS studios | |||||
Harold Baker(t); Ray Nance(t,v); Lawrence Brown, Joe Nanton(tb); Sax Mallard, Harry Carney(cl); Duke Ellington(p); Junior Raglin(sb) | |||||
43-04-21-001 | ¬ Mood Indigo | Rt 70 | DE4310a | ||
43-04-21-002 | _| Sophisticated Lady | Rt 70 | DE4310b | ||
43-04-21-003 | It Don’t Mean A Thing | DE4310c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Sax Mallard(cl,as); Johnny Hodges, Scotty Scott(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-04-24-001 | Cabin In The Sky | DE4311a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 April 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Chauncey Haughton(cl,ts); Sax Mallard(cl,as); Johnny Hodges(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-04-25-001 | Nevada | DE4307a | |||
43-04-25-002 | Hayfoot, Strawfoot | DE4307b | |||
43-04-25-003 | It Can’t Be Wrong | DE4307c | |||
43-04-25-004 | It’s Been So Long | DE4307d | |||
43-04-25-005 | Perdido | DE4307e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 May 1943 | |||
Broadcast, from Radio City | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Sax Mallard(cl,as); Johnny Hodges, Scotty Scott(as); Otto Hardwick(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-05-01-001 | Take The “A” Train (theme) | DETS 903-9001, JSo AA-501 | DE4313a | ||
43-05-01-002 | Hayfoot, Strawfoot | DETS 903-9001, JSo AA-501 | DE4313b | ||
43-05-01-003 | Don’t Get Around Much Anymore | DETS 903-9001, JSo AA-501 | DE4313c | ||
43-05-01-004 | A Slip Of The Lip | DETS 903-9001, JSo AA-501 | DE4313d | ||
43-05-01-005 | Take The “A” Train | DETS 903-9001 | DE4313e | ||
DUKE ELLINGTON WITH PAUL LAVALLE ORCHESTRA | New York City, NY | 02 May 1943 | |||
Broadcast, from WJZ studios | |||||
Duke Ellington(p) with Chamber of L.B.S. Orchestra | |||||
43-05-02-001 | Don’t Get Around Much Anymore | DE4314a | |||
43-05-02-002 | It Don’t Mean A Thing | DE4314b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | May 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Sax Mallard(cl,as); Johnny Hodges, Scotty Scott(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-05-10-001 | Cabin In The Sky | Ca CAR-435 | DE4315a | ||
43-05-10-002 | In A Mellow Tone | DE4315b | |||
43-05-10-003 | I Don’t Want Anybody At All - vBR | DE4315c | |||
43-05-10-004 | Barzillai Lew | Ca CAR-435 | DE4315d | ||
43-05-10-005 | Don’t Get Around Much Anymore | DE4315e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 May 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Sax Mallard(cl,as); Johnny Hodges, Scotty Scott(as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-05-23-001 | As Time Goes By | DETS 903-9015 | DE4316a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | May 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-05-25-001 | Take The “A” Train (theme) | Dk D-1015 | DE4317a | ||
43-05-25-002 | Java Jive | Dk D-1015 | DE4317b | ||
43-05-25-003 | Day Dream | Dk D-1015 | DE4317c | ||
43-05-25-004 | Way Low | Dk D-1015 | DE4317d | ||
43-05-25-005 | Perdido | Dk D-1015 | DE4317e | ||
43-05-25-006 | Don’t Get Around Much Anymore | Dk D-1015 | DE4317f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 May 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Jimmy Britton(v) | |||||
43-05-28-001 | Way Low | DE4312a | |||
43-05-28-002 | Around My Heart | DE4312b | |||
43-05-28-003 | Perdido | DE4312c | |||
43-05-28-004 | Ogeechee River Lullaby - vJBr | DE4312d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 May 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); BettyRoche(v) | |||||
43-05-30-001 | Take The “A” Train (theme) | DETS 903-9015 | DE4319a | ||
43-05-30-002 | The Canteen Bounce | AFRS BW-31, AFRS J-69, DETS 903-9015 | DE4319xa | ||
43-05-30-003 | Perdido | AFRS BW-31, DETS 903-9015 | DE4319xb | ||
43-05-30-004 | Hayfoot, Strawfoot - vBR | AFRS BW-31, AFRS J-69, DETS 903-9015 | DE4319xc | ||
43-05-30-005 | Don’t Get Around Much Anymore | AFRS BW-31, DETS 903-9015 | DE4319b | ||
43-05-30-006 | A Slip Of The Lip - vRN | AFRS BW-31, DETS 903-9015 | DE4319c | ||
43-05-30-007 | Ring Dem Bells | AFRS BW-31, DETS 903-9015 | DE4319d | ||
43-05-30-008 | Things Ain’t What They Used To Be | AFRS BW-31, DETS 903-9015 | DE4319e | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Tobe Reed (tk) | |||||
43-05-30-009 | Interview by Reed | DETS 903-9015 | DE4319xd | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 June 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker,Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-06-06-001 | Moon Mist | DETS 903-9025(D)(S)(T), Sv 101-8359, Sv 108-8600(D) | DE4321a | ||
43-06-06-002 | You’ll Never Know | DETS 903-9025(D)(S)(T), JA 15, Sv 101-8359, Sv 108-8600(D) | DE4321b | ||
43-06-06-003 | Oh! Lady Be Good | DETS 903-9015, DETS 903-9025(D)(S)(T) | DE4321c | ||
43-06-06-004 | Tonight I shall Sleep | DETS 903-9025(D)(S)(T), JA 15, Sv 101-8359, Sv 108-8600(D) | DE4321d | ||
43-06-06-005 | Nevada | DETS 903-9015, DETS 903-9025(D)(S)(T) | DE4321e | ||
43-06-06-006 | Just Squeeze Me (Subtle Slough) | DETS 903-9015, DETS 903-9025(D)(S)(T) | DE4321f | ||
43-06-06-007 | I Don’t Know What Kind Of Blues I’ve Got - vBR | DETS 903-9025(D)(S)(T), Sv 101-8359, Sv 108-8600(D) | DE4321g | ||
43-06-06-008 | Don’t Get Around Much Anymore | DETS 903-9025(D)(S)(T), Sv 101-8359, Sv 108-8600(D) | DE4321h | ||
43-06-06-009 | Moon Mist | DETS 903-9025(D)(S)(T), Sv 101-8359, Sv 108-8600(D) | DE4321i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 June 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker,Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-06-07-001 | Just Squeeze Me (Subtle Slough) | DETS 903-9016 | DE4322a | ||
43-06-07-002 | Main Stem | DETS 903-9016 | DE4322b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | June 1943 | |||
Broadcast entitled "Pastel Period" from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker,Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-06-08-001 | Bakiff | DETS 903-9016 | DE4323a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17, 19 June 1943 | |||
RKO film soundtrack | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-06-17-001 | ¬ Mood Indigo | Bb 82876-60091-2-2 | DE4324a | ||
43-06-17-002 | _| Sophisticated Lady | Bb 82876-60091-2-2 | DE4324b | ||
43-06-17-003 | It Don’t Mean A Thing - vRN,TJ | Bb 82876-60091-2-2 | DE4324c | ||
43-06-17-004 | Don’t Get Around Much Anymore | Bb 82876-60091-2-2, Co CK-48654 | DE4324d | ||
Film soundtrack from RKO Pictures’ “Duke Ellington And His Orchestra”. One of the four numbers (it is unknown which one) was recorded on the 17th with the remaining three on the 19th. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 June 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker,Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-06-18-001 | Take The “A” Train (theme) | DE4325a | |||
43-06-18-002 | Bojangles | Rt 56 | DE4325b | ||
43-06-18-003 | People will Say We’re In Love | Rt 56 | DE4325c | ||
43-06-18-004 | Five O’Clock Drag | Rt 56 | DE4325d | ||
43-06-18-005 | Johnny Come Lately | Rt 56 | DE4325e | ||
43-06-18-006 | Tonight I Shall Sleep | Rt 56 | DE4325f | ||
43-06-18-007 | Wait For Me, Mary | Rt 56 | DE4325g | ||
43-06-18-008 | It’s Been So Long | Rt 56 | DE4325h | ||
43-06-18-009 | Blue Skies | Rt 56 | DE4325i | ||
43-06-18-010 | Don’t Get Around Much Anymore | DE4325j | |||
DUKE ELLINGTON AND BARRY WOOD WITH MILLION DOLLAR BAND | New York City, NY | 19 June 1943 | |||
Broadcast, probably NBC | |||||
Duke Ellington(p,v): Barry Wood(v) with the Million Dollar Band | |||||
43-06-19-001 | Take The “A” Train (theme) | DE4326a | |||
43-06-19-002 | Unidentified - vBaW,DE | DE4326b | |||
43-06-19-003 | Don’t Get Around Much Anymore | DE4326c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 June 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-06-20-001 | Moon Mist | Hu HC-6.001 | DE4327a | ||
43-06-20-002 | Black Beauty | Hu HC-6.001 | DE4327b | ||
43-06-20-003 | Could It Be You? | Hu HC-6.001 | DE4327c | ||
43-06-20-004 | I Have Faith | Hu HC-6.001 | DE4327d | ||
43-06-20-005 | Time On My Hands | Hu HC-6.001 | DE4327e | ||
43-06-20-006 | Tonight I Shall Sleep - vBR | Hu HC-6.001 | DE4327f | ||
43-06-20-007 | C-Jam Blues | Hu HC-6.001 | DE4327g | ||
43-06-20-008 | BLUE BELLS OF HARLEM | Hu HC-6.001 | DE4327h | ||
43-06-20-009 | Don’t Get Around Much Anymore | Hu HC-6.001 | DE4327i | ||
43-06-20-010 | Moon Mist | Hu HC-6.001 | DE4327j | ||
DUKE ELLINGTON | New York City, NY | 25 June 1943 | |||
CBS broadcast | |||||
Duke Ellington(p) | |||||
43-06-25-001 | Solitude | GoJ 1002 | DE4335a | ||
DUKE ELLINGTON WITH SCOTT ORCHESTRA | Same session | ||||
Duke Ellington(p) with Raymond Scott and His Orchestra | |||||
43-06-25-002 | Don’t Get Around Much Anymore | GoJ 1002 | DE4335b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early Summer 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-06-24-001 | I Didn’t Know About You (Sentimental Lady) | DE9022a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 June1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-06-27-001 | Moon Mist | Hu HC-6.001 | DE4328a | ||
43-06-27-002 | Close to You | Hu HC-6.001 | DE4328b | ||
43-06-27-003 | Baghdad | Hu HC-6.001 | DE4328c | ||
43-06-27-004 | Summertime - vAH | Hu HC-6.001 | DE4328d | ||
43-06-27-005 | Caravan | Hu HC-6.001 | DE4328e | ||
43-06-27-006 | Sunday, Monday Or Always | Hu HC-6.001 | DE4328f | ||
43-06-27-007 | Tonight I Shall Sleep | Hu HC-6.001 | DE4328g | ||
43-06-27-008 | Dinah’s In A Jam - vRN | Hu HC-6.001 | DE4328h | ||
43-06-27-009 | Don’t Get Around Much Anymore | Hu HC-6.001 | DE4328i | ||
43-06-27-010 | Moon Mist | Hu HC-6.001 | DE4328j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | June 1943 | |||
U.S. Treasury Department recording session | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-06-30-001 | Take The “A” Train | DETS 46, DETS 903-9001, TSP 231/232 | DE4329a | ||
43-06-30-002 | Don’t Get Around Much Anymore | DETS 46, DETS 903-9001, TSP 231/232 | DE4329b | ||
43-06-30-003 | Caravan | DETS 46, DETS 903-9001, TSP 231/232 | DE4329c | ||
43-06-30-004 | It Can’t Be Wrong - vAH | DETS 46, DETS 903-9001, TSP 231/232 | DE4329d | ||
43-06-30-005 | Johnny Come Lately | DETS 46, DETS 903-9001, TSP 231/232 | DE4329e | ||
43-06-30-006 | Take The"A" Train | DETS 46, DETS 903-9001, TSP 231/232 | DE4329f | ||
43-06-30-007 | Wait For Me, Mary | DETS 46, DETS 903-9001, TSP 231/232 | DE4329g | ||
43-06-30-008 | Moon Mist | DETS 46, DETS 903-9001, TSP 231/232 | DE4329h | ||
43-06-30-009 | A Slip Of The Lip - vRN | DETS 46, DETS 903-9001, TSP 231/232 | DE4329i | ||
43-06-30-010 | Things Ain’t What They Used To Be | DETS 46, DETS 903-9001, TSP 231/232 | DE4329j | ||
43-06-30-011 | Take The “A” Train (Theme) | DETS 46, DETS 903-9002, TSP 233 | DE4329k | ||
43-06-30-012 | Tonight I Shall Sleep | DETS 46, DETS 903-9002, TSP 233 | DE4329l | ||
43-06-30-013 | Go Away Blues - vBR | DETS 46, DETS 903-9002, TSP 233 | DE4329m | ||
43-06-30-014 | Creole Love Call | DETS 46, DETS 903-9002, TSP 233 | DE4329n | ||
43-06-30-015 | Three Cent Stomp | DETS 46, DETS 903-9002, TSP 233 | DE4329o | ||
DUKE ELLINGTON | New York City, NY | 11 July 1943 | |||
BBC broadcast | |||||
Duke Ellington, Alistair Cooke(tk) | |||||
43-07-11-001 | Interview by Cooke | DE4331a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 July 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t)Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-07-11-002 | Moon Mist | Hu HC-6.002 | DE4332a | ||
43-07-11-003 | Out Of Nowhere | Hu HC-6.002 | DE4332b | ||
43-07-11-004 | And Russia Is Her Name | Hu HC-6.002 | DE4332c | ||
43-07-11-005 | It Don’t Mean A Thing | Hu HC-6.002 | DE4332d | ||
43-07-11-006 | Blue Serge | Hu HC-6.002 | DE4332e | ||
43-07-11-007 | BLUE BELLS OF HARLEM | Hu HC-6.002 | DE4332f | ||
43-07-11-008 | Don’t Get Around Much Anymore | Hu HC-6.002 | DE4332g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 July 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t)Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-07-14-001 | Barzillai Lew | DE4333a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 July 1943 | |||
WMCA broadcast | |||||
Wallace Jones, Harold Baker(t)Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Hal West(d,ch) | |||||
43-07-06-001 | Cotton Tail | JA 15 | DE4334a | ||
43-07-06-002 | I Left My Sugar In Salt Lake City - vBR | DE4334b | |||
43-07-06-003 | Sweet Georgia Brown | JA 15 | DE4334c | ||
43-07-06-004 | Going Up | JA 15 | DE4334d | ||
Recording date uncertain. Drummer may have been Sonny Greer. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-08-03-001 | Three Cent Stomp | DE4336a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Sandy Williams, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-08-09-001 | Take The “A” Train (theme) | DE4337a | |||
43-08-09-002 | Rumpus In Richmond | DE4337b | |||
43-08-09-003 | Creole Love Call | DE4337c | |||
43-08-09-004 | Things Ain’t What They Used To Be | DE4337d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-08-14-001 | Clementine | Hu HC-6.002 | DE4338a | ||
43-08-14-002 | I Didn’t Know About You | Hu HC-6.002 | DE4338b | ||
43-08-14-003 | A Slip Of The Lip - vRN | Hu HC-6.002 | DE4338c | ||
43-08-14-004 | There Is A Man In My Life | Hu HC-6.002 | DE4338d | ||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
43-08-14-005 | Pitter Panther Patter | Hu HC-6.002 | DE4338e | ||
As before | |||||
43-08-14-006 | Rockin’ In Rhythm | Hu HC-6.002 | DE4338f | ||
43-08-14-007 | Do Nothin’ Till You Hear From Me - vAH | Hu HC-6.002 | DE4338g | ||
43-08-14-008 | Main Stem | Hu HC-6.002 | DE4338h | ||
43-08-14-009 | Don’t Get Around Much Anymore | Hu HC-6.002 | DE4338i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-08-21-001 | Baby, Please Please Stop And Think About Me | DETS 903-9022 | DE4339a | ||
43-08-21-002 | And Russia Is Her Name | DETS 903-9022 | DE4339b | ||
43-08-21-003 | Don’t Get Around Much Anymore | DETS 903-9022 | DE4339c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-08-26-001 | What Am I Here For? | DETS 903-9023 | DE4340a | ||
43-08-26-002 | Baby Please Stop And Think About Me | Ca CAR-435, DETS 903-9023 | DE4340b | ||
43-08-26-003 | Rocks In My Bed - vBR | DETS 903-9023 | DE4340c | ||
43-08-26-004 | Clementine | DETS 903-9023 | DE4340d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-08-28-001 | Take The “A” Train (theme) | QD Q-071 | DE4341a | ||
43-08-28-002 | Way Low | QD Q-071 | DE4341b | ||
43-08-28-003 | A Slip Of The Lip - vRN | QD Q-071 | DE4341c | ||
43-08-28-004 | Rockin’ In Rhythm | QD Q-071 | DE4341d | ||
43-08-28-005 | Tonight I Shall Sleep - vAH | QD Q-071 | DE4341e | ||
43-08-28-006 | Three Cent Stomp | QD Q-071 | DE4341f | ||
43-08-28-007 | I Don’t Know What Kind Of Blues I’ve Got - vBR | QD Q-071 | DE4341g | ||
43-08-28-008 | Later Tonight | QD Q-071 | DE4341h | ||
43-08-28-009 | Don’t Get Around Much Anymore | QD Q-071 | DE4341i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-08-29-001 | Moon Mist | QD Q-071 | DE4342a | ||
43-08-29-002 | Do You Know? | QD Q-071 | DE4342b | ||
43-08-29-003 | Just Squeeze Me (Subtle Slough) | QD Q-071 | DE4342c | ||
43-08-29-004 | Do Nothin’ Till You Hear From Me - vAH | QD Q-071 | DE4342d | ||
43-08-29-005 | Emancipation Celebration | QD Q-071 | DE4342e | ||
43-08-29-006 | I Didn’t Know About You | DE4342f | |||
43-08-29-007 | Go Away Blues - vBR | QD Q-071 | DE4342g | ||
43-08-29-008 | Cotton Tail | QD Q-071 | DE4342h | ||
43-08-29-009 | Tonight I Shall Sleep - vAH | QD Q-071 | DE4342i | ||
43-08-29-010 | Don’t Get Around Much Anymore | QD Q-071 | DE4342j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 August 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-08-31-001 | Blue Skies | DE4343a | |||
43-08-31-002 | Tonight I Shall Sleep - vAH | DE4343b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-09-01-001 | Take The “A” Train (theme) | DETS 903-9019 | DE4344a | ||
43-09-01-002 | Take It From There | DETS 903-9019 | DE4344b | ||
43-09-01-003 | Later Tonight | DETS 903-9019 | DE4344c | ||
43-09-01-004 | Wait For Me, Mary | DETS 903-9019 | DE4344d | ||
43-09-01-005 | Go Away Blues - vBR | DETS 903-9019 | DE4344e | ||
43-09-01-006 | Tonight I Shall Sleep - vAH | DETS 903-9019 | DE4344f | ||
43-09-01-007 | Don’t Get Around Much Anymore | DETS 903-9019 | DE4344g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-09-02-001 | In A Mellow Tone | DE9083a | |||
43-09-02-002 | Rockin’ In Rhythm | DE9083b | |||
43-09-02-003 | Tonight I Shall Sleep | DE9083c | |||
43-09-02-004 | Stormy Weather - vBR | DE9083d | |||
DUKE ELLINGTON WITH LAVALLE ORCHESTRA | New York City, NY | 03 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-09-03-001 | Barzillai Lew | DETS 903-9019 | DE4345a | ||
43-09-03-002 | C-Jam Blues | DETS 903-9019 | DE4345b | ||
43-09-03-003 | Do Nothin’ Till You Hear From Me - vAH | DETS 903-9019 | DE4345c | ||
43-09-03-004 | Just Squeeze Me (Subtle Slough) | DETS 903-9019 | DE4345d | ||
43-09-03-005 | Take The “A” Train (theme) | DETS 903-9019 | DE4345e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-09-04-001 | Day Dream | DESUK CD-1 | DE9084a | ||
43-09-04-002 | West Indian Dance | DESUK CD-1 | DE9084b | ||
43-09-04-003 | Tonight I Shall Sleep - vAH | DESUK CD-1 | DE9084c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 September 1943 | |||
NBC broadcast | |||||
Duke Ellington(p) with Chamber of LBS Orchestra. Paul Lavalle(cond.) | |||||
43-09-05-001 | Sophisticated Lady | Te M-554(D) | DE4346a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-09-05-002 | Moon Mist | DETS 903-9016 | DE4347a | ||
43-09-05-003 | C-Jam Blues | DETS 903-9016 | DE4347b | ||
43-09-05-004 | Do Nothin’ Till You Hear From Me | DE4347c | |||
43-09-05-005 | It Don’t Mean A Thing - vRN,TJ | DETS 903-9016 | DE4347d | ||
43-09-05-006 | Tonight I Shall Sleep - vAH | DETS 903-9016 | DE4347e | ||
43-09-05-007 | Ring Dem Bells - vRN | DETS 903-9016 | DE4347f | ||
43-09-05-008 | ¬ Don’t Get Around Much Anymore | DETS 903-9016 | DE4347g | ||
43-09-05-009 | _| Things Ain’t What They Used To Be | DETS 903-9016 | DE4347h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-06-001 | Rumpus In Richmond | DESUK CD-1 | DE9085a | ||
43-09-06-002 | Caravan | DESUK CD-1 | DE9085b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-09-07-001 | I Don’t Want Anybody At All - vBR | DE4348a | |||
43-09-07-002 | C-Jam Blues | DE4348b | |||
43-09-07-003 | ¬ Don’t Get Around Much Anymore | DE4348c | |||
43-09-07-004 | _| Things Ain’t What They Used To Be | DE4348d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-09-07-005 | Johnny Come Lately | DETS 903-9020 | DE4349a | ||
43-09-07-006 | Emancipation Celebration | DETS 903-9020 | DE4349b | ||
43-09-07-007 | Go Away Blues -vBR | DETS 903-9020 | DE4349c | ||
43-09-07-008 | ¬ Don’t Get Around Much Anymore | DETS 903-9020 | DE4349d | ||
43-09-07-009 | _| Things Ain’t What They Used To Be | DETS 903-9020 | DE4349e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-08-001 | Day Dream | DE9086a | |||
43-09-08-002 | Honeysuckle Rose | DESUK CD-1 | DE9086b | ||
43-09-08-003 | Go Away Blues | DE9086c | |||
43-09-08-004 | Main Stem | DESUK CD-1 | DE9086d | ||
43-09-08-005 | I Didn’t Know About You (Sentimental Lady) | DE9086e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-09-001 | Way Low | DE4350a | |||
43-09-09-002 | Harlem Air Shaft | DE4350b | |||
43-09-09-003 | I Didn’t Know About You | DE4350c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-09-10-001 | Summertime - vAH | DETS 903-9020 | DE4351a | ||
43-09-10-002 | Jack The Bear | DETS 903-9020 | DE4351b | ||
43-09-10-003 | I Didn’t Know About You (Sentimental Lady) | DETS 903-9020 | DE4351c | ||
43-09-10-004 | In A Mellow Tone | DETS 903-9020 | DE4351d | ||
43-09-10-005 | Rockin’ In Rhythm | DETS 903-9020 | DE4351e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-09-11-001 | Just Squeeze Me (Subtle Slough) | DE4352a | |||
43-09-11-002 | Go Away Blues - vBR | DE4352b | |||
43-09-11-003 | Bojangles | DE4352c | |||
43-09-11-004 | West Indian Dance | DE4352d | |||
43-09-11-005 | Cotton Tail | DE4352e | |||
43-09-11-006 | On The Sands Of Time | Te M-554(D) | DE4352f | ||
43-09-11-007 | A Slip Of The Lip - vRN | DE4352g | |||
43-09-11-008 | Don’t Get Around Much Anymore | DE4352h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-12-001 | Sunday, Monday Or Always | DE4353a | |||
43-09-12-002 | Don’t Get Around Much Anymore | DE4353b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-12-003 | Johnny Come Lately | DE4354a | |||
43-09-12-004 | Later Tonight | DE4354b | |||
43-09-12-005 | A Slip Of The Lip - vRN | DE4354c | |||
43-09-12-006 | Don’t Get Around Much Anymore | DE4354d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-13-001 | Caravan | DE9087a | |||
43-09-13-002 | It Don’t Mean A Thing - vRN,TJ | DE9087b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-15-001 | Take The “A” Train (theme) | DE4355a | |||
43-09-15-002 | Someone | WL RM-343/344† | DE4355b | ||
43-09-15-003 | Jump For Joy | Ca CAR-435, WL RM-343/344† | DE4355c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-09-18-001 | Take The “A” Train (theme) | DE4356a | |||
43-09-18-002 | Until It Happened To You | DE4356b | |||
43-09-18-003 | Jack The Bear | DE4356c | |||
43-09-18-004 | On The Sunny Side Of The Street | DE4356d | |||
43-09-18-005 | Cotton Tail | DE4356e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-09-20-001 | Take The “A” Train (theme) | DE4357a | |||
43-09-20-002 | Do You Know? | DE4357b | |||
43-09-20-003 | Go Away Blues - vBR | DE4357c | |||
43-09-20-004 | Rockin’ In Rhythm | DE4357d | |||
43-09-20-005 | Ghost Of Love - vAH | DE4357e | |||
43-09-20-006 | What Am I Here For? | DE4357f | |||
43-09-20-007 | It Don’t Mean A Thing - vRN,TJ | DE4357g | |||
43-09-20-008 | I Didn’t Know About You | DE4357h | |||
43-09-20-009 | Don’t Get Around Much Anymore | DE4357i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 September 1943 | |||
Broadcast, from the Hurricane Restaurant | |||||
Wallace Jones, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Bernard Archer(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Nat Jones(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-09-23-001 | At’s In There - vBR | DETS 903-9025(D)(S)(T) | DE4358a | ||
43-09-23-002 | Design For Jivin' | Ca CAR-435, DETS 903-9025(D)(S)(T) | DE4358b | ||
43-09-23-003 | Jump For Joy - vRN | DETS 903-9025(D)(S)(T) | DE4358c | ||
43-09-23-004 | Solid Old Man | DETS 903-9025(D)(S)(T) | DE4358d | ||
43-09-23-005 | I Didn’t Know About You | DETS 903-9025(D)(S)(T) | DE4358e | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 08 November 1943 | |||
World Broadcasting System recording Session | |||||
Wallace Jones, Rex Stewart, Dizzy Gillespie,Taft Jordan(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wilson Myers(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-11-08-001 | Rockin’ In Rhythm | Ci CCD-101(D), Ci CLP-101 | DE4359a | ||
43-11-08-002 | Rockin’ In Rhythm | Ci CCD-101(D), Ci CLP-101 | DE4359b | ||
43-11-08-003 | Rockin’ In Rhythm | Ci CCD-101(D), Ci CLP-101 | DE4359c | ||
43-11-08-004 | Rockin’ In Rhythm | Ci CCD-101(D), Ci CLP-101 | DE4359d | ||
43-11-08-005 | Rockin’ In Rhythm | Ci CCD-101(D), Ci CLP-101, Wo 6049/6058 | DE4359e | ||
43-11-08-006 | Blue Skies | Ci CCD-101(D), Ci CLP-101 | DE4359f | ||
43-11-08-007 | Blue Skies | Ci CCD-101(D), Ci CLP-101 | DE4359g | ||
43-11-08-008 | Blue Skies | Ci CCD-101(D), Ci CLP-101 | DE4359h | ||
43-11-08-009 | Blue Skies | Ci CCD-101(D), Ci CLP-101 | DE4359i | ||
43-11-08-010 | Boy Meets Horn | Ci CCD-101(D), Ci CLP-101 | DE4359j | ||
43-11-08-011 | Boy Meets Horn | Ci CCD-101(D), Ci CLP-101, Cl(F) 867, Wo 6019/6028 | DE4359k | ||
43-11-08-012 | Do Nothin’ Till You Hear From Me | Ci CCD-101(D), Ci CLP-101 | DE4359l | ||
43-11-08-013 | Do Nothin’ Till You Hear From Me - vAH | Ci CCD-101(D), Ci CLP-101 | DE4359m | ||
43-11-08-014 | Do Nothin’ Till You Hear From Me - vAH | Ci CCD-101(D), Ci CLP-101, Wo 6049/6058 | DE4359n | ||
43-11-08-015 | Summertime - vAH | Ci CCD-101(D), Ci CLP-101 | DE4359o | ||
43-11-08-016 | Summertime - vAH | Ci CCD-101(D), Ci CLP-101, Wo 6049/6058 | DE4359p | ||
43-11-08-017 | I Didn’t Know About You | Ci CCD-101(D), Ci CLP-102 | DE4359q | ||
43-11-08-018 | I Didn’t Know About You | AFRS J-69, Ci CCD-101(D), Ci CLP-102, Wo 6029/6038 | DE4359r | ||
43-11-08-019 | Tea For Two | Ci CCD-101(D), Ci CLP-102 | DE4359s | ||
43-11-08-020 | Tea For Two | Ci CCD-101(D), Ci CLP-102, Wo 6029/6038 | DE4359t | ||
43-11-08-021 | C-Jam Blues | Ci CCD-101(D), Ci CLP-102, Wo 6009/6018 | DE4359u | ||
43-11-08-022 | Rockabye River (Hop-Skip-Jump) | AFRS J-69, Ci CCD-101(D), Ci CLP-102, Cl(F) 867, Wo 6019/6028 | DE4359v | ||
43-11-08-023 | Blue Skies | Ci CCD-101(D), Ci CLP-102 | DE4359w | ||
43-11-08-024 | Blue Skies | Ci CCD-101(D), Ci CLP-102, Wo 6049/6058 | DE4359x | ||
43-11-08-025 | Mood Indigo | Ci CCD-101(D), Ci CLP-102 | DE4359y | ||
43-11-08-026 | Mood Indigo | Ci CCD-101(D), Ci CLP-102, Wo 6029/6038 | DE4359z | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 November 1943 | |||
World Broadcasting System recording Session | |||||
Wallace Jones, Rex Stewart, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-11-09-001 | Main stem | Ci CCD-101(D), Ci CLP-102 | DE4360a | ||
43-11-09-002 | Main stem | Ci CCD-101(D), Ci CLP-102 | DE4360b | ||
43-11-09-003 | Main stem | Ci CCD-102(D), Ci CLP-102, Cl(F) 867, Wo 6499/6508 | DE4360c | ||
43-11-09-004 | A Slip Of The Lip - vRN | Ci CCD-102(D), Ci CLP-102 | DE4360d | ||
43-11-09-005 | A Slip Of The Lip - vRN | Ci CCD-102(D), Ci CLP-102, Wo 6049/6058 | DE4360e | ||
43-11-09-006 | Three Cent Stomp | Ci CCD-102(D), Ci CLP-102 | DE4360f | ||
43-11-09-007 | Three Cent Stomp | Ci CCD-102(D), Ci CLP-102 | DE4360g | ||
43-11-09-008 | Three Cent Stomp | Ci CCD-102(D), Ci CLP-103, Wo 6499/6508 | DE4360h | ||
43-11-09-009 | I Wonder Why - vBR | Ci CCD-102(D), Ci CLP-103 | DE4360i | ||
43-11-09-010 | I Wonder Why - vBR | Ci CCD-102(D), Ci CLP-103 | DE4360j | ||
43-11-09-011 | I Wonder Why - vBR | Ci CCD-102(D), Ci CLP-103 | DE4360k | ||
43-11-09-012 | I Wonder Why - vBR | Ci CCD-102(D), Ci CLP-103, Wo 7699/7708 | DE4360l | ||
43-11-09-013 | Go Away Blues - vBR | Ci CCD-102(D), Ci CLP-103, Wo 6049/6058 | DE4360m | ||
43-11-09-014 | I Don’t Want Anybody At All - vBR | AFRS J-69, Ci CCD-102(D), Ci CLP-103, Wo 6019/6028 | DE4360n | ||
43-11-09-015 | Ain’t Misbehavin' | Ci CCD-102(D), Ci CLP-103, Wo 6019/6028 | DE4360o | ||
43-11-09-016 | Things Ain’t What They Used To Be | Ci CCD-102(D), Ci CLP-102, Cl(F) 867, Wo 6499/6508 | DE4360p | ||
43-11-09-017 | Baby, Please Stop And Think About Me | Ci CCD-102(D), Ci CLP-103 | DE4360q | ||
43-11-09-018 | Baby, Please Stop And Think About Me | Ci CCD-102(D), Ci CLP-103 | DE4360r | ||
43-11-09-019 | Baby, Please Stop And Think About Me | Ci CCD-102(D), Ci CLP-103, Wo 6019/6028 | DE4360s | ||
43-11-09-020 | Caravan | Ci CCD-102(D), Ci CLP-103, Wo 7699/7708 | DE4360t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Buffalo, NY | 27 November 1943 | |||
Broadcast, from Trico Products Factory | |||||
Wallace Jones, Rex Stewart, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
43-11-27-001 | Blue Skies | AFRS SB-217 | DE4361a | ||
43-11-27-002 | Do Nothin’ Till You Hear From Me - vAH | AFRS SB-217 | DE4361b | ||
43-11-27-003 | A Slip Of The Lip - vRN | AFRS J-69, AFRS SB-217 | DE4361c | ||
43-11-27-004 | I Didn’t Know About You | AFRS SB-217 | DE4361d | ||
43-11-27-005 | I Wonder Why - vBR | AFRS SB-217 | DE4361e | ||
43-11-27-006 | Rockin’ In Rhythm | AFRS SB-217 | DE4361f | ||
43-11-27-007 | Things Ain’t What They Used To Be | AFRS SB-217 | DE4361g | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 01 December 1943 | |||
World Broadcasting System recording Session | |||||
Wallace Jones, Rex Stewart, Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
43-12-01-001 | N1055-1 | It Don’t Mean A Thing - vRN,TJ | Ci CCD-102(D), Ci CLP-104 | DE4362a | |
43-12-01-002 | N1055-2 | It Don’t Mean A Thing - vRN,TJ | Ci CCD-102(D), Ci CLP-104 | DE4362b | |
43-12-01-003 | N1055-3 | It Don’t Mean A Thing - vRN,TJ | Ci CCD-102(D), Ci CLP-104, Wo 6689/6698 | DE4362c | |
43-12-01-004 | N1056-1 | Johnny Come Lately | Ci CCD-102(D), Ci CLP-104, Wo 6679/6688 | DE4362d | |
43-12-01-005 | N1056-2 | Johnny Come Lately | Ci CCD-102(D), Ci CLP-104 | DE4362e | |
43-12-01-006 | N1057-1 | Creole Love Call | Ci CCD-102(D), Ci CLP-104 | DE4362f | |
43-12-01-007 | N1057-2 | Creole Love Call | Ci CCD-102(D), Ci CLP-104 | DE4362g | |
43-12-01-008 | N1057-3 | Creole Love Call | Ci CCD-102(D), Ci CLP-104, Cl(F) 867, Wo 6689/6698 | DE4362h | |
43-12-01-009 | N1058-1 | Somebody Loves Me | Ci CCD-103(D), Ci CLP-104, Wo 6689/6698 | DE4362i | |
43-12-01-010 | N1059-1 | Jack The Bear | Ci CCD-103(D), Ci CLP-104, Wo 6689/6698 | DE4362j | |
43-12-01-011 | N1060-1 | Harlem Air-Shaft | Ci CCD-103(D), Ci CLP-104 | DE4362k | |
43-12-01-012 | N1060-2 | Harlem Air-Shaft | Ci CCD-103(D), Ci CLP-104 | DE4362l | |
43-12-01-013 | N1060-3 | Harlem Air-Shaft | Ci CCD-103(D), Ci CLP-104, Wo 6679/6688 | DE4362m | |
43-12-01-014 | N1061-1 | Ring Dem Bells - vRN | Ci CCD-103(D), Ci CLP-104, Wo 6909/6918 | DE4362n | |
43-12-01-015 | N1062-1 | Rose Room | Ci CCD-103(D), Ci CLP-105 | DE4362o | |
43-12-01-016 | N1062-2 | Rose Room | Ci CCD-103(D), Ci CLP-105, Wo 6689/6698 | DE4362p | |
43-12-01-017 | N1063-1 | Honeysuckle Rose | Ci CCD-103(D), Ci CLP-105, Wo 6679/6688 | DE4362q | |
43-12-01-018 | N1064-1 | Java Jive | Ci CCD-103(D), Ci CLP-105, Wo 6679/6688 | DE4362r | |
DUKE ELLINGTON AND HIS ORCHESTRA | Hampton, VA | 08 December 1943 | |||
Broadcast, from Langley Field AFB | |||||
Wallace Jones, Rex Stewart Harold Baker(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Betty Roche(v) | |||||
43-12-08-001 | Three Cent Stomp | AFRS SB-226, Dk D-1015 | DE4363a | ||
43-12-08-002 | I Wonder Why - vBR | AFRS SB-226, Bu 74465-99629-2, DESW Washington-'99(D), Dk D-1015, Sv 108-8600(D), Sv STCD-8310(D)(S) | DE4363b | ||
43-12-08-003 | Going Up | AFRS SB-226, Bu 74465-99629-2, DESW Washington-'99(D), Dk D-1015, Sv 108-8600(D), Sv STCD-8310(D)(S) | DE4363c | ||
43-12-08-004 | Boy Meets Horn | AFRS SB-226, Dk D-1015 | DE4363d | ||
43-12-08-005 | Jump For Joy | AFRS SB-226, Bu 74465-99629-2, Dk D-1015 | DE4363e | ||
43-12-08-006 | Take The “A” Train | AFRS SB-226, Dk D-1015 | DE4363f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 December 1943 | |||
Concert, at Carnegie Hall | |||||
Wallace Jones, Rex Stewart, Harold Baker, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
43-12-11-001 | Star Spangled Banner | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364a | ||
43-12-11-002 | Introduction by Duke Ellington | Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-003 | Take The “A” Train | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364b | ||
43-12-11-004 | Moon Mist | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364c | ||
43-12-11-005 | Tea For Two | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364d | ||
43-12-11-006 | Honeysuckle Rose | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364e | ||
43-12-11-007 | Stardust | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364f | ||
43-12-11-008 | C-Jam Blues | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364g | ||
43-12-11-009 | West Indian Dance | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364h | ||
43-12-11-010 | Emancipation Celebration | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364i | ||
43-12-11-011 | NEW WORLD A-COMIN' | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364j | ||
43-12-11-012 | Going Up | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364k | ||
43-12-11-013 | Don’t Get Around Much Anymore | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364l | ||
43-12-11-014 | Introduction by Duke Ellington | Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-015 | Ring Dem Bells - vRN | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364m | ||
Medley:- | DE4364n | ||||
43-12-11-016 | - 1. In A Sentimental Mood | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-017 | - 2. Mood Indigo | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-018 | - 3. Sophisticated Lady | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-019 | - 4. Caravan | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-020 | - 5. Solitude | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-021 | - 6. I Let A Song Go Out Of My Heart | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | |||
43-12-11-022 | Jack The Bear | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364o | ||
43-12-11-023 | Do Nothin’ Till You Hear From Me - vAH | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364p | ||
43-12-11-024 | Summertime - vAH | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364q | ||
43-12-11-025 | Cotton Tail | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364r | ||
43-12-11-026 | Black And Tan Fantasy | Em EMBD2001, JP LP-1, Sv 103-8341, Sv 108-8600(D) | DE4364s | ||
43-12-11-027 | ¬ Suddenly It Jumped | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364t | ||
43-12-11-028 | _| Rockin’ In Rhythm | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364u | ||
43-12-11-029 | I Didn’t Know About You | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364v | ||
43-12-11-030 | Trumpet In Spades | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364w | ||
43-12-11-031 | Things Ain’t What They Used To Be | Em EMBD2001, Sv 103-8341, Sv 108-8600(D) | DE4364x | ||
DUKE ELLINGTON | New York City, NY | December 1943 | |||
Time film recording session | |||||
Duke Ellington(p) | |||||
43-12-20-001 | Dancers In Love | DE4365a | |||
Film soundtrack from "March of Time, Vol. 10, No. 5 - Up Beat In Music" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | u/k, U.S.A. | 1943 / 1944 | |||
Broadcast | |||||
Wallace Jones, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Otto Hardwick(cl,as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Betty Roche(v) | |||||
44-00-00-001 | Do Nothin’ Till You Hear From Me - vAH | DE9071a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Wini Johnson(v) | |||||
44-04-01-001 | Take The “A"Train (theme) | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401a | ||
44-04-01-002 | Concerto For Cootie | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401b | ||
44-04-01-003 | Johnny Come Lately | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401c | ||
44-04-01-004 | My Heart Tells Me - vAH | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401d | ||
44-04-01-005 | Blue Skies | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401e | ||
44-04-01-006 | Things Ain’t What They Used To Be | DETS 903-9024(D)(S)(T), DRC DE-3 | DE4401f | ||
DUKE ELLINGTON | New York City, NY | 02 April 1944 | |||
Concert, at Carnegie Hall | |||||
Duke Ellington(p) | |||||
44-04-02-001 | Sophisticated Lady | DE4402a | |||
44-04-02-002 | Dancers In Love | Rt 70 | DE4402b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Wini Johnson(v) | |||||
44-04-02-003 | Take The “A"Train (theme) | DE4403a | |||
44-04-02-004 | Johnny Come Lately | DE4403b | |||
44-04-02-005 | I Didn’t Know About You | DE4403c | |||
44-04-02-006 | Solid Old Man | DE4403d | |||
44-04-02-007 | My Ideal - vWJh | DE4403e | |||
44-04-02-008 | Five O’Clock Drag | DE4403f | |||
44-04-02-009 | Honeysuckle Rose | DE4403g | |||
44-04-02-010 | No Love, No Nothing - vAH | DE4403h | |||
44-04-02-011 | Boy Meets Horn | DE4403i | |||
44-04-02-012 | Things Ain’t What They Used To Be | DE4403j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-07-001 | Take The “A"Train (theme) | DE4404a | |||
44-04-07-002 | Johnny Come Lately | DE4404b | |||
44-04-07-003 | I Didn’t Know About You | DE4404c | |||
44-04-07-004 | Just Squeeze Me | DE4404d | |||
44-04-07-005 | Ring Dem bells - vRN | DE4404e | |||
44-04-07-006 | My Heart Tells Me - vAH | DE4404f | |||
44-04-07-007 | My Gal Sal | DE4404g | |||
44-04-07-008 | Concerto For Cootie | DE4404h | |||
44-04-07-009 | Honeysuckle Rose | DE4404i | |||
44-04-07-010 | Sweet Georgia Brown | DE4404j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-04-08-001 | Three Cent Stomp | DE4405a | |||
44-04-08-002 | Main Stem | DE4405b | |||
44-04-08-003 | I Didn’t Know About You (Sentimental Lady) | DE4405c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-09-001 | Take The “A"Train (theme) | DETS 903-9017 | DE4406a | ||
44-04-09-002 | Do Nothin’ Till You Hear From Me - vAH | DETS 903-9017 | DE4406b | ||
44-04-09-003 | It Don’t Mean A Thing - vRN,TJ | DETS 903-9017 | DE4406c | ||
44-04-09-004 | Things Ain’t What They Used To Be | DETS 903-9017 | DE4406d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-13-001 | Take The “A"Train (theme) | DE4407a | |||
44-04-13-002 | Fickle Fling | Ca CAR-235, Rt 70, WL RM-297/298† | DE4407b | ||
44-04-13-003 | I’ll Get By - vAH | DE4407c | |||
44-04-13-004 | Tea For Two | Ca CAR-235, WL RM-297/298† | DE4407d | ||
44-04-13-005 | Day Dream | DE4407e | |||
44-04-13-006 | Three Cent Stomp | WL RM-297/298† | DE4407f | ||
44-04-13-007 | Do Nothin’ Till You Hear From Me | DE4407g | |||
44-04-13-008 | San Fernando Valley | DE4407h | |||
44-04-13-009 | Solid Old Man | DE4407i | |||
44-04-13-010 | Things Ain’t What They Used To Be | DE4407j | |||
DUKE ELLINGTON | New York City, NY | 16 April 1944 | |||
WJZ broadcast | |||||
Duke Ellington(p) | |||||
44-04-16-001 | Solitude | DE4408a | |||
DUKE ELLINGTON WITH HALL OF FAME ORCHESTRA | New York City, NY | Same session | |||
Duke Ellington(p) with Hall of Fame Orchestra. Cond. Paul Whiteman | |||||
44-04-16-002 | Don’t Get Around Much Anymore | DE4408b | |||
44-04-16-003 | Sophisticated Lady | DE4408c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-20-001 | Take The “A"Train (theme) | DETS 903-9017 | DE4409a | ||
44-04-20-002 | San Fernando Valley | DETS 903-9017 | DE4409b | ||
44-04-20-003 | Way Low | DETS 903-9017 | DE4409c | ||
44-04-20-004 | Suddenly It Jumped | DETS 903-9017 | DE4409d | ||
44-04-20-005 | Summertime - vAH | DETS 903-9017 | DE4409e | ||
44-04-20-006 | On The Alamo | DETS 903-9017 | DE4409f | ||
44-04-20-007 | Things Ain’t What They Used To Be | DETS 903-9017 | DE4409g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-04-21-001 | Boy Meets Horn | DETS 903-9017 | DE4410a | ||
44-04-21-002 | Jump For Joy | DETS 903-9017 | DE4410b | ||
44-04-21-003 | Three Cent Stomp | DETS 903-9017 | DE4410c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-22-001 | Take The “A” Train (theme) | DETS 903-9025(D)(S)(T) | DE4411a | ||
44-04-22-002 | Now I Know | DETS 903-9025(D)(S)(T) | DE4411b | ||
44-04-22-003 | Perdido | DETS 903-9025(D)(S)(T) | DE4411c | ||
44-04-22-004 | Do Nothin’ Till You Hear From Me - vAH | DETS 903-9025(D)(S)(T) | DE4411d | ||
44-04-22-005 | Suddenly It Jumped | DETS 903-9025(D)(S)(T) | DE4411e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-23-001 | Concerto For Cootie | DE9088a | |||
44-04-23-002 | Three Cent Stomp | DE9088b | |||
44-04-23-003 | No Love, No Nothing - vAH | DE9088c | |||
44-04-23-004 | Main Stem | DE9088d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-24-001 | Chloe | DESUK CD-1 | DE9089a | ||
44-04-24-002 | Johnny Come Lately | DESUK CD-1 | DE9089b | ||
44-04-24-003 | Do Nothin’ Till You Hear From Me - vAH | DE9089c | |||
44-04-24-004 | It Don’t Mean A Thing - vRN,TJ | DE9089d | |||
44-04-24-005 | Things Ain’t What They Used To Be | DE9089e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-25-001 | Rockabye River (Hop, Skip, Jump) | DESUK CD-1 | DE9090a | ||
44-04-25-002 | Main Stem | DE9090b | |||
44-04-25-003 | I Didn’t Know About You (Sentimental Lady) | DESUK CD-1 | DE9090c | ||
44-04-25-004 | On The Alamo | DESUK CD-1 | DE9090d | ||
44-04-25-005 | My Heart Tells Me - vAH | DE9090e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-04-26-001 | Way Low | DE9091a | |||
44-04-26-002 | San Fernando Valley | DE9091b | |||
44-04-26-003 | Concerto For Cootie | DE9091c | |||
44-04-26-004 | Suddenly It Jumped | DE9091d | |||
44-04-26-005 | Things Ain’t What They Used To Be | DE9091e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-04-27-001 | Solid Old Man | DETS 903-9018 | DE4412a | ||
44-04-27-002 | How Blue The Night | DETS 903-9018 | DE4412b | ||
44-04-27-003 | Ring Dem Bells | DETS 903-9018 | DE4412c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-28-001 | Rockabye River | DETS 903-9018, WL RM-343/344† | DE4413a | ||
44-04-28-002 | Jumping Frog Jump | Ca CAR-435, DETS 903-9018, WL RM-343/344† | DE4413b | ||
44-04-28-003 | Do Nothin’ Till You Hear From Me - vAH | DETS 903-9018 | DE4413c | ||
44-04-28-004 | Johnny Come Lately | DETS 903-9018 | DE4413d | ||
44-04-28-005 | Poinciana | DETS 903-9018, WL RM-343/344† | DE4413e | ||
44-04-28-006 | On The Alamo | Ca CAR-435, DETS 903-9018, WL RM-343/344† | DE4413f | ||
44-04-28-007 | Three Cent Stomp | DETS 903-9018 | DE4413g | ||
44-04-28-008 | I Didn’t Know About You (Sentimental Lady) | DETS 903-9018 | DE4413h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-29-001 | Don’t Get Around Much Anymore | DE9092a | |||
44-04-29-002 | Rockin’ In Rhythm | DE9092b | |||
44-04-29-003 | I’ll Get By - vAH | DE9092c | |||
44-04-29-004 | Perdido | DE9092d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-04-30-001 | San Fernando Valley | DE9093a | |||
44-04-30-002 | And So Little Time | DE9093b | |||
44-04-30-003 | Jumping Frog Jump | DE9093c | |||
44-04-30-004 | Do Nothin’ Till You Hear From Me - vAH | DE9093d | |||
44-04-30-005 | Clementine | DE9093e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-00-001 | Rockin’ In Rhythm | DESUK CD-1 | DE9094a | ||
44-05-00-002 | Mood To Be Wooed | DESUK CD-1 | DE9094b | ||
44-05-00-003 | My Honey’s Lovin’ Arms - vRN | DE9094c | |||
44-05-00-004 | Do Nothin’ Till You Hear From Me | DE9094d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-01-001 | On The Alamo | DESUK CD-1 | DE9095a | ||
44-05-01-002 | Main Stem | DESUK CD-1 | DE9095b | ||
44-05-01-003 | My Little Brown Book - vAH | DESUK CD-1 | DE9095c | ||
44-05-01-004 | Rockabye River (Hop, Skip, Jump) | DESUK CD-1 | DE9095d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-05-001 | Back Home Again In Indiana | DETS 903-9025(D)(S)(T) | DE4414a | ||
44-05-05-002 | How Blue The Night | DETS 903-9025(D)(S)(T) | DE4414b | ||
44-05-05-003 | Stomp, Look And Listen | DETS 903-9025(D)(S)(T) | DE4414c | ||
44-05-05-004 | Jumping Frog Jump | DETS 903-9025(D)(S)(T) | DE4414d | ||
44-05-05-005 | Perdido | DETS 903-9025(D)(S)(T) | DE4414e | ||
44-05-05-006 | Concerto For Cootie | DETS 903-9025(D)(S)(T) | DE4414f | ||
44-05-05-007 | Blue Skies | DETS 903-9025(D)(S)(T) | DE4414g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-06-001 | Take The “A” Train (theme) | DRC DE-3 | DE4415a | ||
44-05-06-002 | Now I Know | DRC DE-3, MJ MJCD-1124 | DE4415b | ||
44-05-06-003 | Perdido | DRC DE-3, MJ MJCD-1124 | DE4415c | ||
44-05-06-004 | Do Nothin’ Till You Hear From Me - vAH | DRC DE-3, MJ MJCD-1124 | DE4415d | ||
44-05-06-005 | My Gal Sal | DRC DE-3, MJ MJCD-1124 | DE4415e | ||
44-05-06-006 | I Didn’t Know About You (Sentimental Lady) | DRC DE-3 | DE4415f | ||
44-05-06-007 | Take The “A” Train (theme) | DRC DE-3 | DE4415g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-07-001 | Jumpin’ Punkins | MJ MJCD-1124 | DE4416a | ||
44-05-07-002 | Poinciana | MJ MJCD-1124 | DE4416b | ||
44-05-07-003 | It Don’t Mean A Thing - vRN,TJ | MJ MJCD-1124 | DE4416c | ||
44-05-07-004 | Do Nothin’ Till You Hear From Me - vAH | DE4416d | |||
44-05-07-005 | Perdido | DE4416e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Skippy Williams(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-12-001 | Time Alone Will Tell | DETS 903-9018 | DE4417a | ||
44-05-12-002 | San Fernando Valley | DETS 903-9018 | DE4417b | ||
44-05-12-003 | Stomp, Look And Listen | DETS 903-9018 | DE4417c | ||
44-05-12-004 | Concerto For Cootie | DETS 903-9018 | DE4417d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-19-001 | Long Ago And Far Away - vAH | DETS 903-9018 | DE4418a | ||
44-05-19-002 | Someone | DETS 903-9018 | DE4418b | ||
44-05-19-003 | Suddenly It Jumped | DETS 903-9018 | DE4418c | ||
44-05-19-004 | Things Ain’t What They Used to Be | DETS 903-9018 | DE4418d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-20-001 | Take The “A” Train (theme) | DE4419a | |||
44-05-20-002 | Someone | DE4419b | |||
44-05-20-003 | Goin’ My Way | DE4419c | |||
44-05-20-004 | Perdido | DE4419d | |||
44-05-20-005 | Since You Went Away | DE4419e | |||
44-05-20-006 | How Blue The Night | DE4419f | |||
44-05-20-007 | Do Nothin’ Till You Hear From Me | DE4419g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-21-001 | Five O’Clock Drag | DE4420a | |||
44-05-21-002 | C-Jam Blues | DE4420b | |||
44-05-21-003 | How Blue The Night | DE4420c | |||
44-05-21-004 | My Honey’s Lovin’ Arms - vRN | Ca CAR-435, WL RM-299/300† | DE4420d | ||
44-05-21-005 | I’ll Get By - vAH | DE4420e | |||
44-05-21-006 | Stomp, Look And Listen | DE4420f | |||
44-05-21-007 | Now I Know | DE4420g | |||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
44-05-21-008 | Pitter Panther Patter | DE4420h | |||
As before | |||||
44-05-21-009 | Blue Skies | MJ MJCD-1141 | DE4420i | ||
44-05-21-010 | Do Nothin’ Till You Hear From Me | DE4420j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-24-001 | Someday I’ll Meet You Again | DE4421a | |||
44-05-24-002 | And So Little Time | DE4421b | |||
44-05-24-003 | Clementine | MJ MJCD-1124 | DE4421c | ||
44-05-24-004 | Someone | MJ MJCD-1124 | DE4421d | ||
44-05-24-005 | Perdido | DE4421e | |||
44-05-24-006 | Do Nothin’ Till You Hear From Me | DE4421f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-25-001 | Take The “A” Train (theme) | DRC DE-3 | DE4422a | ||
44-05-25-002 | Someone | DRC DE-3 | DE4422b | ||
44-05-25-003 | G.I. Jive | DRC DE-3 | DE4422c | ||
44-05-25-004 | Three Cent Stomp | DRC DE-3 | DE4422d | ||
44-05-25-005 | My Little Brown Book - vAH | Cl(F) 867, DRC DE-3, VD 252 | DE4422e | ||
44-05-25-006 | Johnny Come Lately | DRC DE-3 | DE4422f | ||
44-05-25-007 | Blue Skies | DRC DE-3 | DE4422g | ||
44-05-25-008 | I Didn’t Know About You (Sentimental Lady) | DRC DE-3 | DE4422h | ||
44-05-25-009 | Stomp, Look And Listen | DRC DE-3 | DE4422i | ||
44-05-25-010 | Do Nothin’ Till You Hear From Me | DRC DE-3 | DE4422j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-05-26-001 | Mood To Be Wooed | Cl(F) 867, VD 252 | DE4423a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-27-001 | Someone | Rt 70 | DE4424a | ||
44-05-27-002 | G.I. Jive | Ca CAR-435, MJ MJCD-1124, Rt 70 | DE4424b | ||
44-05-27-003 | Three Cent Stomp | MJ MJCD-1124, Rt 70 | DE4424c | ||
44-05-27-004 | My Little Brown Book - vAH | DE4424d | |||
44-05-27-005 | Johnny Come Lately | MJ MJCD-1124 | DE4424e | ||
44-05-27-006 | Blue Skies | MJ MJCD-1124 | DE4424f | ||
44-05-27-007 | I Didn’t Know About You (Sentimental Lady) | MJ MJCD-1124, Rt 70 | DE4424g | ||
44-05-27-008 | Stomp, Look And Listen | DE4424h | |||
44-05-27-009 | Do Nothin’ Till You Hear From Me | DE4424i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 May 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-05-31-001 | Take The “A” Train (theme) | DE4425a | |||
44-05-31-002 | This I Love Above All | DE4425b | |||
44-05-31-003 | Midriff | MJ MJCD-1124 | DE4425c | ||
44-05-31-004 | My Little Brown Book - vAH | DE4425d | |||
44-05-31-005 | Suddenly It Jumped | DE4425e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 June 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-06-01-001 | San Fernando valley | DE9026a | |||
44-06-01-002 | Perdido | DE9026b | |||
44-06-01-003 | My Little Brown Book - vAH | DE9026c | |||
44-06-01-004 | Rockabye River (Hop, Skip, Jump) | DE9026d | |||
44-06-01-005 | Ring Dem Bells - vRN | DE9026e | |||
44-06-01-006 | Now I Know | DE9026f | |||
44-06-01-007 | Mood To Be Wooed | DE9026g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 June 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
44-06-02-001 | Take The “A” Train (theme) | DE4427a | |||
44-06-02-002 | Dancing In The Dark | DE4427b | |||
44-06-02-003 | Main Stem | MJ MJCD-1124 | DE4427c | ||
44-06-02-004 | My Little Brown Book - vAH | MJ MJCD-1124 | DE4427d | ||
44-06-02-005 | Rockabye River (Hop, Skip, Jump) | DE4427e | |||
44-06-02-006 | Ring Dem Bells - vRN | DE4427f | |||
44-06-02-007 | Mood To Be Wooed | DE4427g | |||
44-06-02-008 | A Slip Of The Lip - vRN | DE4427h | |||
44-06-02-009 | Harlem Air-Shaft | DE4427i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 June 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-06-03-001 | Perdido | P30 05 | DE4429a | ||
44-06-03-002 | Irresistible You | Ca CAR-435, P30 05, WL RM-297/298† | DE4429b | ||
44-06-03-003 | How Blue The Night | Ca CAR-435, P30 05, WL RM-297/298† | DE4429c | ||
44-06-03-004 | Things Ain’t What They Used To Be | P30 05 | DE4429d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 June 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-06-04-001 | Too Much In Love | Ca CAR-435, MJ MJCD-1124 | DE4430a | ||
44-06-04-002 | It Don’t Mean A Thing - vRN,TJ | DE4430b | |||
44-06-04-003 | Mood To Be Wooed | MJ MJCD-1124 | DE4430c | ||
44-06-04-004 | Things Ain’t What They Used To Be | MJ MJCD-1124 | DE4430d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 June 1944 | |||
Broadcast, from the Hurricane Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Wini Johnson(v) | |||||
44-06-06-001 | The Wonder Of You - vWJh | DE4431a | |||
44-06-06-002 | Suddenly It Jumped | DE4431b | |||
44-06-06-003 | Mood To Be Wooed | DE4431c | |||
44-06-06-004 | Do Nothin’ Till You Hear From Me | DE4431d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bainbridge, MD | 08 July 1944 | |||
Broadcast, from Naval Training Center | |||||
Shelton Hemphill, Rex Stewart(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
44-07-08-001 | G.I. Jive | AFRS SB-409, DESW Washington-'99(D), Sv 108-8600(D), Sv STCD-8310(D)(S) | DE4432a | ||
44-07-08-002 | Amor | AFRS SB-409, DESW Washington-'99(D), Rt 70, Sv 108-8600(D), Sv STCD-8310(D)(S) | DE4432b | ||
44-07-08-003 | My Little Brown Book - vAH | AFRS SB-409 | DE4432c | ||
44-07-08-004 | Frankie And Johnny | AFRS SB-409, DESW Washington-'99(D), Rt 70, Sv 108-8600(D), Sv STCD-8310(D)(S) | DE4432d | ||
44-07-08-005 | I Didn’t Know About You (Sentimental Lady) | AFRS SB-409 | DE4432e | ||
44-07-08-006 | It Don’t Mean A Thing - vRN,TJ | AFRS SB-409, Rt 70 | DE4432f | ||
44-07-08-007 | Take The “A” Train (theme) | AFRS SB-409 | DE4432g | ||
DUKE ELLINGTON WITH THE PAUL BARON ORCHESTRA | New York City, NY | 02 August 1944 | |||
CBS broadcast | |||||
Duke Ellington(p) with the Paul Baron Orchestra | |||||
44-08-02-001 | Dancers In Love (Stomp For Beginners) | AFRS SO-430 | DE4433a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 November 1944 | |||
WMCA broadcast | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Hillard Brown(d) | |||||
44-11-29-001 | Things Ain’t What They Used To Be | Ev EV-3003 | DE4434a | ||
44-11-29-002 | Suddenly It Jumped | DE4434b | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 01 December 1944 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
44-12-01-001 | D4VB453-1 | I Ain’t Got Nothin’ But The Blues - vAH,KD | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1623 | DE4435a | |
44-12-01-002 | D4VB454-1 | I’m Beginning To See The Light - vJS | Nw RP2056, RCA 09026-63386-2(D), Vi 20-1618 | DE4435b | |
44-12-01-003 | D4VB454-2 | I’m Beginning To See The Light - vJS | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1618 | DE4435c | |
44-12-01-004 | D4VB455-1 | Don’t You Know I Care - vAH | (F)RCA FXM1-7302, Nw RP2056, RCA 09026-63386-2(D), RCA EPAT-435 | DE4435d | |
44-12-01-005 | D4VB455-2 | Don’t You Know I Care - vAH | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1618 | DE4435e | |
44-12-01-006 | D4VB456-1 | I Didn’t Know About You - vJS | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1623 | DE4435f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11,12 December 1944 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
BLACK, BROWN AND BEIGE | |||||
44-12-11-001 | D4VC-560-1 | - 01. Worksong | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 28-0401 | DE4436a | |
44-12-11-002 | D4VC-561-2 | - 02. Come Sunday | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 28-0401 | DE4436b | |
44-12-11-003 | D4VC-562-3 | - 06. The Blues - vJS | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 28-0400 | DE4436c | |
44-12-11-004 | D4VC-563-1 | - 04. West Indian Dance | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-1618 | DE4436d | |
44-12-11-005 | D4VC-563-1 | - 05. Emancipation Celebration | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-1618 | DE4436e | |
44-12-11-006 | D4VC-563-1 | - 10. Sugar Hill Penthouse | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-1623 | DE4436f | |
44-12-11-004,5,6 were issued as “Three Dances” | |||||
DUKE ELLINGTON WITH BLACKTON ORCHESTRA | New York City, NY | 17 December 1944 | |||
NBC broadcast | |||||
Duke Ellington(p): Gertrude Niesen, Choir(v) with Jay Blackston and His Orchestra | |||||
Medley:- | DE4437a | ||||
44-12-17-001 | - 1. Sophisticated Lady | AFRS MALB-1 | |||
44-12-17-002 | - 2. Solitude - vChoir | AFRS MALB-1 | |||
44-12-17-003 | - 3. Caravan | AFRS MALB-1 | |||
44-12-17-004 | - 4. Mood Indigo - vChoir | AFRS MALB-1 | |||
44-12-17-005 | - 5. It Don’t Mean A Thing - vChoir | AFRS MALB-1 | |||
44-12-17-006 | Main Stem | AFRS MALB-1 | DE4437b | ||
44-12-17-007 | Do Nothin’ Till You Hear From Me - vGN | AFRS YSS-110 | DE4437c | ||
44-12-17-008 | Somebody Loves Me | DE4437d | |||
Most likely Gertrude Niesen may not have been present and the last two titles did not belong to the original MALB broadcast. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 December 1944 | |||
Concert, at Carnegie Hall | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Hillard Brown(d); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
44-12-19-001 | Star Spangled Banner | DE4438a | |||
44-12-19-002 | Blutopia | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438b | ||
44-12-19-003 | Midriff | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438c | ||
44-12-19-004 | Creole Love Call - vKD | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438d | ||
44-12-19-005 | Suddenly It Jumped | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438e | ||
44-12-19-006 | Frustration | Rt 59 | DE4438f | ||
44-12-19-007 | It Don’t Mean A Thing - vRN | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438g | ||
44-12-19-008 | I Didn’t Know About You - vJS | DE4438h | |||
44-12-19-009 | Don’t You Know I Care - vAH | DE4438i | |||
44-12-19-010 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | DE4438j | |||
44-12-19-011 | I’m Beginning To See The Light - vJS | DE4438k | |||
44-12-19-012 | Pitter Panther Patter | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438l | ||
PERFUME SUITE | |||||
44-12-19-013 | - 1. Balcony Serenade (Love) | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438m | ||
44-12-19-014 | - 2. Strange Feeling (Violence) | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438n | ||
44-12-19-015 | - 3. Dancers In Love (Naivete) | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438o | ||
44-12-19-016 | - 4. Coloratura (Sophistication) | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438p | ||
44-12-19-017 | Things Ain’t What They Used To Be | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438q | ||
BLACK, BROWN AND BEIGE | |||||
44-12-19-018 | - 01. Worksong | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438r | ||
44-12-19-019 | - 06. The Blues - vME | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438s | ||
44-12-19-020 | - 04. West Indian Dance | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438t | ||
44-12-19-021 | - 10. Sugar Hill Penthouse | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438u | ||
44-12-19-022 | - 05. Emancipation Celebration | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438v | ||
44-12-19-023 | - 02. Come Sunday | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438w | ||
44-12-19-024 | - 03. Light | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438x | ||
Medley:- | DE4438y | ||||
44-12-19-025 | - 1. In A Sentimental Mood | Rt 59 | |||
44-12-19-026 | - 2. Mood Indigo | Rt 59 | |||
44-12-19-027 | - 3. Sophisticated Lady | Rt 59 | |||
44-12-19-028 | - 4. Caravan | Rt 59 | |||
44-12-19-029 | - 5. Solitude | Rt 59 | |||
44-12-19-030 | - 6. I Let A Song Go Out Of My Heart | Rt 59 | |||
44-12-19-031 | Mood To Be Wooed | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438z | ||
44-12-19-032 | Blue Cellophane | Df DRCD-11210, PA PAJZ005, Rt 59 | DE4438aa | ||
44-12-19-033 | Air Conditioned Jungle | Rt 59 | DE4438ab | ||
44-12-19-034 | Frantic Fantasy | Pr P-24073 | DE4438ac | ||
44-12-19-035 | Blue Skies | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438ad | ||
44-12-19-036 | ¬ Frankie And Johnny | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438ae | ||
44-12-19-037 | _| Metronome All Out | Df DRCD-11210, PA PAJZ005, Pr P-24073 | DE4438af | ||
DE4438t,u,v presented as "Three Dances" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 January 1945 | |||
World Broadcasting System recording Session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-01-02-001 | N2994-1 | Midriff | Ci CCD-103(D), Ci CLP-105 | DE4501a | |
45-01-02-002 | N2994-2 | Midriff | Ci CCD-103(D), Ci CLP-105, Wo 7799/7808 | DE4501b | |
45-01-02-003 | N2995-1 | I Didn’t Know About You - vJS | Ci CCD-103(D), Ci CLP-105 | DE4501c | |
45-01-02-004 | N2995-2 | I Didn’t Know About You - vJS | Ci CCD-103(D), Ci CLP-105 | DE4501d | |
45-01-02-005 | N2995-3 | I Didn’t Know About You - vJS | Ci CCD-103(D), Ci CLP-105 | DE4501e | |
45-01-02-006 | N2995-4 | I Didn’t Know About You - vJS | Ci CCD-103(D), Ci CLP-105, Wo 6819/6828 | DE4501f | |
45-01-02-007 | N2996-1 | I’m Beginning To See The Light | Ci CCD-103(D), Ci CLP-105 | DE4501g | |
45-01-02-008 | N2996-2 | I’m Beginning To See The Light -vJS | Ci CCD-103(D), Ci CLP-105, Wo 6819/6828 | DE4501h | |
45-01-02-009 | N2997-1 | Mood To Be Woed | Ci CCD-103(D), Ci CLP-105, Wo 7799/7808 | DE4501i | |
45-01-02-010 | N2998-1 | Blue Cellophane | Ci CCD-103(D), Ci CLP-106(D) | DE4501j | |
45-01-02-011 | N2998-2 | Blue Cellophane | Ci CCD-103(D), Ci CLP-106(D) | DE4501k | |
45-01-02-012 | N2998-3 | Blue Cellophane | Ci CCD-103(D), Ci CLP-106(D), Wo 7219/7228 | DE4501l | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 03 January 1945 | |||
World Broadcasting System recording Session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-01-03-001 | N2999-1 | Just Squeeze Me (Subtle Slough) | Ci CCD-103(D), Ci CLP-106(D) | DE4502a | |
45-01-03-002 | N2999-2 | Just Squeeze Me (Subtle Slough) | Ci CCD-103(D), Ci CLP-106(D) | DE4502b | |
45-01-03-003 | N2999-3 | Just Squeeze Me (Subtle Slough) | Ci CCD-103(D), Ci CLP-106(D), Wo 7219,7228 | DE4502c | |
45-01-03-004 | N3000-1 | Hit Me With A Hot Note - vJS | Ci CCD-103(D), Ci CLP-106(D) | DE4502d | |
45-01-03-005 | N3000-2 | Hit Me With A Hot Note - vJS | Ci CCD-103(D), Ci CLP-106(D) | DE4502e | |
45-01-03-006 | N3000-3 | Hit Me With A Hot Note | Ci CCD-103(D), Ci CLP-106(D) | DE4502f | |
45-01-03-007 | N3000-4 | Hit Me With A Hot Note - vJS | Ci CCD-103(D), Ci CLP-106(D), Wo 8749/8758 | DE4502g | |
45-01-03-008 | N3001-1 | Air Conditioned Jungle | Ci CCD-103(D), Ci CLP-106(D) | DE4502h | |
45-01-03-009 | N3001-2 | Air Conditioned Jungle | Ci CCD-104(D), Ci CLP-106(D), Wo 7799/7808 | DE4502i | |
Duke Ellington(p); Junior Raglin(sb) only | |||||
45-01-03-010 | N3002-1 | Pitter Panther Patter | Ci CCD-104(D), Wo 6909/6918Ci-CLP-106 | DE4502j | |
as before | |||||
45-01-03-011 | N3003-1 | Frantic Fantasy | Ci CCD-104(D), Ci CLP-106(D) | DE4502k | |
45-01-03-012 | N3003-2 | Frantic Fantasy | Ci CCD-104(D), Ci CLP-106(D), Dk D-1017, Wo 7699/7708 | DE4502l | |
45-01-03-013 | N3004-1 | Don’t You Know I Care - vAH | Ci CCD-104(D), Ci CLP-107(D) | DE4502m | |
45-01-03-014 | N3004-2 | Don’t You Know I Care - vAH | Ci CCD-104(D), Ci CLP-107(D) | DE4502n | |
45-01-03-015 | N3004-3 | Don’t You Know I Care - vAH | Ci CCD-104(D), Ci CLP-107(D), Wo 6819/1828 | DE4502o | |
45-01-03-016 | N3005-1 | I Ain’t Got Nothin’ But The Blues - vAH, KD | Ci CCD-104(D), Ci CLP-107(D) | DE4502p | |
45-01-03-017 | N3005-2 | I Ain’t Got Nothin’ But The Blues | Ci CCD-104(D), Ci CLP-107(D) | DE4502q | |
45-01-03-018 | N3005-3 | I Ain’t Got Nothin’ But The Blues | Ci CCD-104(D), Ci CLP-107(D) | DE4502r | |
45-01-03-019 | N3005-4 | I Ain’t Got Nothin’ But The Blues | Ci CCD-104(D), Ci CLP-107(D) | DE4502s | |
45-01-03-020 | N3005-5 | I Ain’t Got Nothin’ But The Blues - vAH, KD | Ci CCD-104(D), Ci CLP-107(D) | DE4502t | |
45-01-03-021 | N3005-6 | I Ain’t Got Nothin’ But The Blues - vAH, KD | Ci CCD-104(D), Ci CLP-107(D), Wo 6909/6918 | DE4502u | |
45-01-03-022 | N3006-1 | Blutopia | Ci CCD-104(D), Ci CLP-107(D) | DE4502v | |
45-01-03-023 | N3006-2 | Blutopia | Ci CCD-104(D), Ci CLP-107(D) | DE4502w | |
45-01-03-024 | N3006-3 | Blutopia | Ci CCD-104(D), Ci CLP-107(D), Wo 7869/67878 | DE4502x | |
45-01-03-025 | N3007-1 | Let The Zoomers Drool | Ci CCD-104(D), Ci CLP-107(D) | DE4502y | |
45-01-03-026 | N3007-2 | Let The Zoomers Drool | Ci CCD-104(D), Ci CLP-107(D), Wo 7869/67878 | DE4502z | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-01-03-027 | N3008-1 | You Never Know The Things You Miss | Ci CCD-104(D), Ci CLP-107(D) | DE4502aa | |
45-01-03-028 | N3008-2 | You Never Know The Things You Miss | Ci CCD-104(D), Ci CLP-107(D), Wo 6909/6918 | DE4502ab | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 January 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-01-04-001 | D5VB12-3 | Carnegie Blues | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1644 | DE4503a | |
45-01-04-002 | D5VB13-1 | Blue Cellophane | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D) | DE4503b | |
45-01-04-003 | D5VB14-2 | Mood To Be Wooed | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1670 | DE4503c | |
45-01-04-004 | D5VB15-5 | My Heart Sings - vJS | (F)RCA FXM1-7302, Cl(F) 881, RCA 09026-63386-2(D), Vi 20-1644 | DE4503d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 17 January 1945 | |||
Concert, at Philharmonic Auditorium | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-01-17-001 | Blutopia | AFRS BML-P229/230, AFRS ONS-484, GoJ 1003 | DE4504a | ||
45-01-17-002 | Air Conditioned Jungle | AFRS BML-P229/230, AFRS ONS-484, GoJ 1003 | DE4504b | ||
45-01-17-003 | Frustration | AFRS BML-P229/230, AFRS ONS-484, GoJ 1003 | DE4504c | ||
45-01-17-004 | Blue Cellophane | AFRS BML-P231/232, AFRS ONS-484, GoJ 1003 | DE4504d | ||
45-01-17-005 | Suddenly It Jumped | AFRS BML-P231/232, AFRS ONS-484, GoJ 1003 | DE4504e | ||
45-01-17-006 | Coloratura | AFRS BML-P231/232, AFRS ONS-484, GoJ 1003 | DE4504f | ||
45-01-17-007 | Frantic Fantasy | AFRS BML-P231/232, AFRS ONS-486, GoJ 1003 | DE4504g | ||
Add Billie Holiday(v) | |||||
45-01-17-008 | Lover Man - vBH | MoJ MJCD-141 | DE4504h | ||
Billie Holiday out | |||||
45-01-17-009 | It Don’t Mean A Thing - vRN, TJ | AFRS ONS-486, GoJ 1003 | DE4504i | ||
45-01-17-010 | It Don’t Mean A Thing | DE4504j | |||
45-01-17-011 | Esquire Jump | AFRS BML-P233/234, AFRS ONS-485, FDC 1009 | DE4504k | ||
Add Willie Smith(as) | |||||
45-01-17-012 | Tea For Two | AFRS BML-P233/234, AFRS ONS-485, FDC 1008 | DE4504l | ||
Willie Smith out. Add Anita O'Day(v) | |||||
45-01-17-013 | Wish You Waiting For Me - vAOD | AFRS ONS-485, FDC 1009 | DE4504m | ||
Anita O'Day out | |||||
45-01-17-014 | Midriff | AFRS BML-P233/234, AFRS ONS-485, FDC 1009 | DE4504n | ||
45-01-17-015 | Mood To Be Wooed | AFRS BML-P231/232, AFRS ONS-486, FDC 1009 | DE4504o | ||
Duke Ellington out. Add Billy Strayhorn(p); Billie Holiday(v) | |||||
45-01-17-016 | I Cover The Waterfront - vBH | AFRS BML-P233/234, AFRS ONS-486, FDC 1009, MoJ MJCD-141 | DE4504p | ||
Duke Ellington(p); Al Casey(g); Junior Raglin(b); Sidney Catlett(d) | |||||
45-01-17-017 | Honeysuckle Rose | AFRS ONS-486, FDC 1009 | DE4504q | ||
As before Billy Strayhorn and Billie Holiday out. Add Louis Armstrong(t); Benny Goodman(cl); Duke Ellington(p) | |||||
45-01-17-018 | Things Ain’t What They Used To Be | AFRS ONS-486,485,486,487, FDC 1009 | DE4504r | ||
Louis Armstrong, Benny Goodman out | |||||
BLACK, BROWN AND BEIGE | |||||
45-01-17-019 | - 01. Worksong | AFRS BML-P233/234, AFRS ONS-486, DRC DE-4 | DE4504s | ||
45-01-17-020 | - 06. The Blues - vME | AFRS BML-P233/234, AFRS ONS-487, DRC DE-4 | DE4504t | ||
45-01-17-021 | - 04. West Indian Dance | AFRS ONS-487, DRC DE-4 | DE4504u | ||
45-01-17-022 | - 10. Sugar Hill Penthouse | AFRS ONS-487, DRC DE-4 | DE4504v | ||
45-01-17-023 | - 05. Emancipation Celebration | AFRS ONS-487, DRC DE-4 | DE4504w | ||
45-01-17-024 | - 02. Come Sunday | AFRS ONS-487, DRC DE-4 | DE4504x | ||
45-01-17-025 | - 03. Light | AFRS ONS-487, DRC DE-4 | DE4504y | ||
Taft Jordan(t); Jimmy Hamilton(cl); Duke Ellington(p); Al Casey(g); Junior Raglin(sb); Sidney Catlett(d); AOD(v) | |||||
45-01-17-026 | I Can’t Believe That You’re In Love With Me - vAOD | AFRS BML-P231/232, GoJ 1003 | DE4504z | ||
As before | |||||
45-01-17-027 | ¬ Frankie And Johnny | AFRS BML-P229/230, GoJ 1003 | DE4504aa | ||
45-01-17-028 | _| Metronome All Out | AFRS BML-P229/230, GoJ 1003 | DE4504ab | ||
NB. The title of the concert is "Second esquire All-American Jazz Concert,". Louis Armstrong's and Benny Goodman's were playing from New Orleans and New York respectively | |||||
DUKE ELLINGTON WITH JOHN SCOTT TROTTER ORCHESTRA | Los Angeles, CA | 18 January 1945 | |||
Concert, at Philharmonic Auditorium | |||||
Duke Ellington(p) with the John Scott Trotter Orchestra and choir | |||||
45-01-18-001 | Frankie And Johnny vCHO | AFRS MH-111, Bo 601 | DE4505a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | January 1945 | |||
NBC broadcast | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Lena Horne(v) | |||||
45-01-20-001 | Take The “A” Train (theme) | AFRS J-117 | DE4506a | ||
45-01-20-002 | Suddenly It Jumped | AFRS J-117 | DE4506b | ||
45-01-20-003 | I’m Beginning To See The Light - vJS | AFRS J-117 | DE4506c | ||
45-01-20-004 | It Don’t Mean A Thing - vRN, TJ | AFRS J-117 | DE4506d | ||
45-01-20-005 | I Didn’t Know About You - vLH | AFRS J-117 | DE4506e | ||
45-01-20-006 | I Get A Kick Out Of You - vLH | AFRS J-117 | DE4506f | ||
45-01-20-007 | Midriff | AFRS J-117 | DE4506g | ||
45-01-20-008 | Blue Skies | AFRS J-117 | DE4506h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 03 March 1945 | |||
AFRS broadcast | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-03-03-001 | Take The “A” Train (theme) | AFRS EC-38 | DE4507a | ||
45-03-03-002 | I’m Beginning To See The Light - vJS | AFRS EC-38 | DE4507b | ||
45-03-03-003 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | AFRS EC-38 | DE4507c | ||
45-03-03-004 | Blue Skies | AFRS EC-38 | DE4507d | ||
REX STEWART ALL STARS | Los Angeles, CA | 18 March 1945 | |||
KPAS broadcast | |||||
Rex Stewart(t); Bob Wilson(tb); Barney Bigard(cl); Duke Ellington(p); Rollo Garber(sb); Sonny Greer(d) | |||||
45-03-18-001 | Mood Indigo | Dk D-1017 | DE4508a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 25 March 1945 | |||
Concert, at Civic Opera House | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-03-25-001 | Blutopia | DE4509a | |||
45-03-25-002 | Midriff | DE4509b | |||
45-03-25-003 | Creole Love Call - vKD | DE4509c | |||
45-03-25-004 | Suddenly It Jumped | DE4509d | |||
45-03-25-005 | I Didn’t Know About You - vJS | DE4509e | |||
45-03-25-006 | My Heart Sings - vJS | DE4509f | |||
45-03-25-007 | Air Conditioned Jungle | DE4509g | |||
45-03-25-008 | Frantic Fantasy | DE4509h | |||
BLACK, BROWN AND BEIGE | |||||
45-03-25-009 | - 01. Worksong | Jo LP-1053A | DE4509i | ||
45-03-25-010 | - 06. The Blues - vME | Jo LP-1053B | DE4509j | ||
45-03-25-011 | - 04. West Indian Dance | Jo LP-1053B | DE4509k | ||
45-03-25-012 | - 10. Sugar Hill Penthouse | Jo LP-1053B | DE4509l | ||
45-03-25-013 | - 05. Emancipation Celebration | Jo LP-1053B | DE4509m | ||
45-03-25-014 | - 02. Come Sunday | Jo LP-1053B | DE4509n | ||
45-03-25-015 | - 03. Light | Jo LP-1053B | DE4509o | ||
45-03-25-016 | Things Aint What They Used To Be | DE4509p | |||
PERFUME SUITE | |||||
45-03-25-017 | - 1. Balcony Serenade (Love) | Jo LP-1053B | DE4509q | ||
45-03-25-018 | - 2. Strange feeling (Violence) - vAH | Jo LP-1053B | DE4509r | ||
45-03-25-019 | - 3. Dancer In Love (Naiveté) | Jo LP-1053B | DE4509s | ||
45-03-25-020 | - 4. Coloratura (Sophistication) | Jo LP-1053B | DE4509t | ||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
45-03-25-021 | Medley | DE4509u | |||
- 1. Sophisticated Lady | |||||
- 2. Solitude | |||||
- 3. I Let A Song Go Out Of My Heart | |||||
Personnel as before | |||||
45-03-25-022 | Take The “A” Train (theme) | AFRS ONS-854, Jo LP-1053A | DE4509v | ||
45-03-25-023 | Blue Cellophane | Jo LP-1053A | DE4509w | ||
45-03-25-024 | Frustration | Jo LP-1053A | DE4509x | ||
45-03-25-025 | I’m Beginning To See The Light - vJS | Jo LP-1053A | DE4509y | ||
45-03-25-026 | Mood To Be Wooed | Jo LP-1053A | DE4509z | ||
45-03-25-027 | It Don’t Mean A Thing - vRN,TJ | Jo LP-1053A | DE4509aa | ||
45-03-25-028 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | Jo LP-1053A | DE4509ab | ||
45-03-25-029 | Blue Skies | Jo LP-1053B | DE4509ac | ||
45-03-25-030 | Take The “A” Train (theme) | DE4509ad | |||
45-03-25-031 | ¬ Frankie And Johnny | SD Xmas-1946 | DE4509ae | ||
45-03-25-032 | _| Metronome All Out | SD Xmas-1946 | DE4509af | ||
45-03-25-033 | Honeysuckle Rose | AFRS ONS-854 | DE4509ag | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-04-06-001 | Frustration | DE4510a | |||
45-04-06-002 | Blue Cellophane | DE4510b | |||
45-04-06-003 | I’m Beginning To See The Light - vJS | DE4510c | |||
45-04-06-004 | I Didn’t Know About You | DE4510d | |||
45-04-06-005 | Rockabye river | DE4510e | |||
45-04-06-006 | I Miss Your Kiss | DE4510f | |||
45-04-06-007 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | DE4510g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-04-07-001 | Take The “A” Train (theme) | AFRS DWTD-01,02,04/09,11/20,22,23,24,29,42/48,50/58,60,63/71,73/76, DETS 01, DETS 903-9001 | DE4511a | ||
45-04-07-002 | Blutopia | AFRS DWTD-02, AFRS DWTD-24, DETS 01, DETS 903-9001 | DE4511b | ||
45-04-07-003 | Midriff | AFRS DWTD-02, DETS 01, DETS 903-9001, MJ 2MJP-1055 | DE4511c | ||
45-04-07-004 | Creole Love Call - vKD | AFRS DWTD-02, AFRS DWTD-08, AFRS DWTD-48, DETS 01, DETS 903-9001 | DE4511d | ||
45-04-07-005 | Suddenly It Jumped | AFRS DWTD-05, AFRS DWTD-41, DETS 01, DETS 903-9001 | DE4511e | ||
45-04-07-006 | Frustration | AFRS DWTD-05, DETS 01, DETS 903-9001 | DE4511f | ||
45-04-07-007 | I’m Beginning To See The Light - vJS | DETS 01, DETS 903-9001 | DE4511g | ||
PERFUME SUITE | |||||
45-04-07-008 | - 1. Balcony Serenade (Love) | AFRS DWTD-02, DETS 01, DETS 903-9001 | DE4511h | ||
45-04-07-009 | - 2. Strange feeling (Violence) - vAH | AFRS DWTD-02, DETS 01, DETS 903-9001 | DE4511i | ||
45-04-07-010 | - 3. Dancer In Love (Naiveté) | AFRS DWTD-02, DETS 01, DETS 903-9001 | DE4511j | ||
45-04-07-011 | - 4. Coloratura (Sophistication) | AFRS DWTD-02, AFRS DWTD-23, DETS 01, DETS 903-9001 | DE4511k | ||
45-04-07-012 | Air Conditioned Jungle | AFRS DWTD-05, DETS 01, DETS 903-9001 | DE4511l | ||
45-04-07-013 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | AFRS DWTD-05, DETS 01, DETS 903-9001 | DE4511m | ||
45-04-07-014 | Just Squeeze Me | AFRS DWTD-06, DETS 01, DETS 903-9001 | DE4511n | ||
45-04-07-015 | Passion Flower | AFRS DWTD-01, AFRS DWTD-02, AFRS DWTD-06, DETS 01, DETS 903-9001 | DE4511o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
45-04-11-001 | Take The “A” Train (theme) | DE4512a | |||
45-04-11-002 | Someone | DE4512b | |||
45-04-11-003 | Main Stem | DE4512c | |||
45-04-11-004 | Don’t You Know I Care - vAH | DE4512d | |||
45-04-11-005 | Sentimental Journey | DE4512e | |||
45-04-11-006 | I Didn’t Know About You | DE4512f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t);Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-04-14-001 | Moon Mist | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513a | ||
Duke Ellington(p) | |||||
45-04-14-002 | NEW WORLD A-COMIN' | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513b | ||
As before | |||||
45-04-14-003 | Nobody Knows The Trouble I’ve Seen - vAH | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513c | ||
45-04-14-004 | Mood Indigo | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513d | ||
Duke Ellington(p) | |||||
45-04-14-005 | Chant For F.D. Roosevelt | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513e | ||
As before | |||||
45-04-14-006 | Come Sunday | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513f | ||
45-04-14-007 | A City Called Heaven - vKD | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513g | ||
45-04-14-008 | Creole Love Call - vKD | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513h | ||
45-04-14-009 | Moon Mist | Ar ARLP-12029, DETS 903-9001, DETS BONUS | DE4513i | ||
DUKE ELLINGTON | New York City, NY | 15 April 1945 | |||
Broadcast, from Radio City | |||||
Duke Ellington(p) | |||||
45-04-15-001 | ¬ Sophisticated Lady | DE4514a | |||
45-04-15-002 | _| Solitude | DE4514b | |||
Mti, Choir(v) added | |||||
45-04-15-003 | Nobody Knows The Trouble I’ve Seen - vMTi, Choir | DE4514c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Kay Davis, Marie Ellington(v) | |||||
45-04-21-001 | Take The “A” Train (theme) | DETS 02, DETS 903-9002 | DE4515a | ||
45-04-21-002 | Mood To Be Wooed | AFRS DWTD-01, AFRS DWTD-06, AFRS DWTD-23, DETS 02, DETS 903-9002 | DE4515b | ||
45-04-21-003 | If You Are But A Dream - vKD | AFRS DWTD-01, AFRS DWTD-35, DETS 02, DETS 903-9002 | DE4515c | ||
45-04-21-004 | Riff Staccato | AFRS DWTD-01, AFRS DWTD-24, DETS 02, DETS 903-9002 | DE4515d | ||
45-04-21-005 | I’m Beginning To See The Light - vKD | DETS 02, DETS 903-9002 | DE4515e | ||
45-04-21-006 | West Indian Dance | AFRS DWTD-01, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515f | ||
45-04-21-007 | The Blues - vME | AFRS DWTD-01, AFRS DWTD-24, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515g | ||
45-04-21-008 | Emancipation Celebration | AFRS DWTD-01, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515h | ||
45-04-21-009 | Sugar Hill Penthouse | AFRS DWTD-01, AFRS DWTD-62, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515i | ||
45-04-21-010 | I Didn’t Know About You | AFRS DWTD-01, DETS 02, DETS 903-9002 | DE4515j | ||
45-04-21-011 | Stomp, Look and Listen | AFRS DWTD-01, AFRS DWTD-14, DETS 02, DETS 903-9002 | DE4515k | ||
45-04-21-012 | Frantic Fantasy | AFRS DWTD-23, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515l | ||
45-04-21-013 | It Don’t Mean A Thing - vRN,TJ | AFRS DWTD-06, AFRS DWTD-23, Cl(F) 915, DETS 02, DETS 903-9002 | DE4515m | ||
45-04-21-014 | I Didn’t Know About You | DETS 02, DETS 903-9002 | DE4515n | ||
DUKE ELLINGTON | New York City, NY | 22 April 1945 | |||
MBS broadcast | |||||
Duke Ellington, Dick Brown(tk) | |||||
45-04-22-001 | Interview by Dick Brown | DE4516a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-04-22-002 | Take The “A” Train (theme) | Dk D-1011 | DE4517a | ||
45-04-22-003 | After A While | Dk D-1011 | DE4517b | ||
45-04-22-004 | I Ain’t Got Nothin’ But The Blues - vAH, KD | Dk D-1011 | DE4517c | ||
45-04-22-005 | Riff Staccato | Dk D-1011 | DE4517d | ||
45-04-22-006 | I Didn’t Know About You | Dk D-1011 | DE4517e | ||
45-04-22-007 | Main Stem | Dk D-1011 | DE4517f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-04-24-001 | All At Once | DE4518a | |||
45-04-24-002 | Candy | DE4518b | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 26 April 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-04-26-001 | Kissing Bug - vJS | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), Vi 20-1670 | DE4519a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
45-04-26-002 | If You Are But A Dream - vKD | DE4520a | |||
45-04-26-003 | West Indian Dance | DE4520b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-04-28-001 | Take The “A” Train (theme) | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521a | ||
45-04-28-002 | Midriff | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521b | ||
45-04-28-003 | Carnegie Blues | DETS 03, DETS 903-9002 | DE4521c | ||
45-04-28-004 | Someone | AFRS DWTD-05, AFRS DWTD-24, DETS 03, DETS 903-9002 | DE4521d | ||
45-04-28-005 | My Little Brown Book - vAH | AFRS DWTD-05, DETS 03, DETS 903-9002 | DE4521e | ||
45-04-28-006 | Kssing Bug - vJS | AFRS DWTD-05, DETS 03, DETS 903-9002 | DE4521f | ||
45-04-28-007 | Ring Dem Bells - vRN | AFRS DWTD-05, DETS 03, DETS 903-9002 | DE4521g | ||
45-04-28-008 | I’m Beginning To See The Light | DETS 03, DETS 903-9002 | DE4521h | ||
45-04-28-009 | Worksong | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521i | ||
45-04-28-010 | Come Sunday | AFRS DWTD-03, AFRS DWTD-14, DETS 03, DETS 903-9002 | DE4521j | ||
45-04-28-011 | Candy - vRN | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521k | ||
45-04-28-012 | Teardrops In The Rain | DETS 03, DETS 903-9002 | DE4521l | ||
45-04-28-013 | Accentuate The Positive - vJS | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521m | ||
45-04-28-014 | Way Low | AFRS DWTD-03, DETS 03, DETS 903-9002 | DE4521n | ||
45-04-28-015 | Take The “A” Train (theme) | DETS 03, DETS 903-9002 | DE4521o | ||
DUKE ELLINGTON WITH TOMMY DORSEY AND HIS ORCHESTRA | New York City, NY | 29 April 1945 | |||
NBC broadcast | |||||
Duke Ellington(p) with Tommy Dorsey and His Orchestra | |||||
45-04-29-001 | I Didn’t Know About You - vTSe | DE4522a | |||
45-04-29-002 | I’m Beginning To See The Light - vTSe | DE4522b | |||
DUKE ELLINGTON WITH RHYTHM | Same session | ||||
Duke Ellington(p); Sid Bloch(sb); Buddy Rich(d) | |||||
45-04-29-003 | Dancers In Love | DE4522c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-04-29-004 | Hit Me With A Hot Note - vJS | DE4523a | |||
45-04-29-005 | I Should Care | DE4523b | |||
45-04-29-006 | Clementine | DE4523c | |||
45-04-29-007 | I’m Beginning To See The Light - vJS | DE4523d | |||
45-04-29-008 | Things Ain’t What They Used To Be | DE4523e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | April 1945 | |||
Broadcast, from 400 Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-04-30-001 | Suddenly It Jumped | DE4524a | |||
45-04-30-002 | Things Ain’t What They Used To Be | DE4524b | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 01 May 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-05-01-001 | D5VB233-1 | Everything But You - vJS | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), Vi 20-1697 | DE4525a | |
45-05-01-002 | D5VB234-1 | Riff Staccato - vRN | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), Vi 20-1697 | DE4525b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 01 May 1945 | |||
MBS Broadcast | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-05-01-003 | Take The “A” Train | DETS 903-9010 | DE4526a | ||
45-05-01-004 | I Miss Your Kiss | DETS 903-9010 | DE4526b | ||
45-05-01-005 | He’s Home For A Little While - vJS | DETS 903-9010 | DE4526c | ||
45-05-01-006 | Riff Staccato - vRN | DETS 903-9010 | DE4526d | ||
45-05-01-007 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | DETS 903-9010 | DE4526e | ||
45-05-01-008 | I’m Beginning To See The Light | DETS 903-9010 | DE4526f | ||
Further research by David Palmquist has shown that this is, in fact, the correct date and that it is an MBS, not a CBS, broadcast | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Newark, NJ | 05 May 1945 | |||
Broadcast, from Adams Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-05-05-001 | Take The “A” Train (theme) | DETS 04, DETS 903-9003, Fm FA-1001 | DE4527a | ||
45-05-05-002 | Blutopia | AFRS DWTD-04, AFRS DWTD-08, AFRS DWTD-29, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527b | ||
45-05-05-003 | D.E. Bond Promo | DETS 04 | DE4527c | ||
45-05-05-004 | Clementine | AFRS DWTD-06, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527d | ||
45-05-05-005 | My Heart Sings - vJS | AFRS DWTD-06, AFRS DWTD-35, DETS 04, DETS 903-9003 | DE4527e | ||
45-05-05-006 | Sentimental Journey | AFRS DWTD-04, AFRS DWTD-06, AFRS DWTD-13, AFRS DWTD-29, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527f | ||
45-05-05-007 | I Got It Bad - vAH | AFRS DWTD-06, DETS 04, DETS 903-9003 | DE4527g | ||
45-05-05-008 | Three Cent Stomp | AFRS DWTD-06, AFRS DWTD-24, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527h | ||
45-05-05-009 | Black And Tan Fantasy | AFRS DWTD-06, AFRS DWTD-35, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527i | ||
45-05-05-010 | Blue Skies | AFRS DWTD-24, DETS 04, DETS 903-9003 | DE4527j | ||
45-05-05-011 | Passion Flower | AFRS DWTD-04, DETS 04, DETS 903-9003 | DE4527k | ||
45-05-05-012 | Air Conditioned Jungle | AFRS DWTD-04, AFRS DWTD-29, DETS 04, DETS 903-9003 | DE4527l | ||
45-05-05-013 | Frantic Fantasy | AFRS DWTD-04, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527m | ||
45-05-05-014 | I’m Beginning To See The Light with D.E. Bond Promo | DETS 04, DETS 903-9003 | DE4527n | ||
45-05-05-015 | Main Stem | AFRS DWTD-04, AFRS DWTD-26, DETS 04, DETS 903-9003, Fm FA-1001 | DE4527o | ||
45-05-05-016 | Everything But You - vJS | AFRS DWTD-04, AFRS DWTD-08, AFRS DWTD-62, DETS 04, DETS 903-9003 | DE4527p | ||
45-05-05-017 | Carnegie Blues | AFRS DWTD-04, DETS 04, DETS 903-9003 | DE4527q | ||
45-05-05-018 | Jump For Joy - vRN | DETS 04, DETS 903-9003 | DE4527r | ||
45-05-05-019 | Things Ain’t What They Used To Be | DETS 04, DETS 903-9003 | DE4527s | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 10 May 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-05-10-001 | D5VB261-1 | Prelude To A Kiss | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPT-1004 | DE4528a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 May 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
45-05-11-001 | D5VB262-1 | Caravan | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), Vi 20-3291 | DE4529a | |
45-05-11-002 | D5VB263-1 | Black And Tan Fantasy | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPM-6009, RCA LPT-1004 | DE4529b | |
45-05-11-003 | D5VB264-1 | Mood Indigo - vKD | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPM-6009 | DE4529c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 May 1945 | |||
Broadcast, from Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Bob Haggart(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-05-12-001 | Take The “A” Train (theme) | DETS 05, DETS 903-9003 | DE4530a | ||
45-05-12-002 | Carnegie Blues | AFRS DWTD-07, AFRS DWTD-14, DETS 05, DETS 903-9003 | DE4530b | ||
45-05-12-003 | Riff Staccato - vRN | AFRS DWTD-07, DETS 05, DETS 903-9003 | DE4530c | ||
45-05-12-004 | D.E. Bond Promo | DETS 05, DETS 903-9003 | DE4530d | ||
45-05-12-005 | All At Once | AFRS DWTD-07, AFRS DWTD-71, DETS 05, DETS 903-9003 | DE4530e | ||
45-05-12-006 | Yesterdays - vKD | AFRS DWTD-07, AFRS DWTD-14, AFRS DWTD-71, DETS 05, DETS 903-9003 | DE4530f | ||
45-05-12-007 | I Miss Your Kiss | AFRS DWTD-07, DETS 05, DETS 903-9003, JSo AA-501 | DE4530g | ||
45-05-12-008 | Accentuate The Positive - vJS | AFRS DWTD-07, AFRS DWTD-61, DETS 05, DETS 903-9003, JSo AA-501 | DE4530h | ||
45-05-12-009 | D.E. Bond Promo | DETS 05, DETS 903-9003 | DE4530i | ||
45-05-12-010 | Blue Cellophane | AFRS DWTD-07, DETS 05, DETS 903-9003 | DE4530j | ||
45-05-12-011 | Take The “A” Train (theme) | DETS 05, DETS 903-9003 | DE4530k | ||
45-05-12-012 | Take The “A” Train (theme) | DETS 05, DETS 903-9003 | DE4530l | ||
45-05-12-013 | Prelude To A Kiss | AFRS DWTD-08, Cl(F) 951, DETS 05, DETS 903-9003 | DE4530m | ||
45-05-12-014 | Caravan | AFRS DWTD-08, AFRS DWTD-47-DETS-05, DETS 903-9003 | DE4530n | ||
Duke Ellington(p) | |||||
45-05-12-015 | Sophisticated Lady | AFRS DWTD-08, AFRS DWTD-35, AFRS DWTD-61, DETS 05, DETS 903-9003 | DE4530o | ||
As before | |||||
45-05-12-016 | I Ain’t Got Nothin’ But The Blues - vAH, KD | AFRS DWTD-07, DETS 05, DETS 903-9003 | DE4530p | ||
45-05-12-017 | I’m Beginning To See The Light - vJS | DETS 05, DETS 903-9003 | DE4530q | ||
45-05-12-018 | D.E. Bond Promo | DETS 05, DETS 903-9003 | DE4530q | ||
45-05-12-019 | In A Mellow Tone | AFRS DWTD-07, DETS 05, DETS 903-9003 | DE4530r | ||
45-05-12-020 | Harlem Airshaft | AFRS DWTD-08, AFRS DWTD-26, Cl(F) 915, DETS 05, DETS 903-9003 | DE4530s | ||
45-05-12-021 | I Don’t Mind - vME | AFRS DWTD-08, DETS 05, DETS 903-9003 | DE4530t | ||
45-05-12-022 | D.E. Bond Promo | DETS 05, DETS 903-9003 | DE4530u | ||
45-05-12-023 | Jeep Is Jumpin' | AFRS DWTD-26, DETS 05 | DE4530v | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 14 May 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Bob Haggart(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-05-14-001 | D5VB265-1 | In A Sentimental Mood | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPT-1004, Vi 20-3291 | DE4531a | |
45-05-14-002 | D5VB266-1 | It Don’t Mean A Thing - vME,JS,ME | (F)RCA FXM1-7303, Cl(F) 915, HMV J0-264, RCA 09026-63386-2(D), RCA LPT-1004 | DE4531b | |
45-05-14-003 | D5VB267-1 | Sophisticated Lady | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPM-6009, RCA LPT-1004 | DE4531c | |
TOMMY DORSEY WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Add Tommy Dorsey(tb) | |||||
45-05-14-004 | D5VB268-1 | Tonight I Shall Sleep | (F)RCA FXM1-7303, RCA 09026-63386-2(D), Vi 45-0002 | DE4531d | |
DUKE ELLINGTON WITH TOMMY DORSEY'S ORCHESTRA | New York City, NY | 14 May 1945 | |||
RCA-Victor recording session | |||||
Charlie Shavers(t); Tommy Dorsey(tb); Duke Ellington(p); Buddy Rich(d) with Tommy Dorsey and His Orchestra | |||||
45-05-14-005 | D5VB258-1 | The Minor Goes Muggin' | (F)RCA PM-42397, RCA 09026-63386-2(D), Vi 45-0002 | DE4532a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 15 May 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-05-15-001 | D5VB269-1 | I Let A Song Go Out Of My Heart - vJS | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA LPT-1004 | DE4533a | |
45-05-15-002 | D5VB269-1 | I Let A Song Go Out Of My Heart - vJS | (F)RCA FXM1-7303, Nw RP2056, RCA 09026-63386-2(D), RCA J0-268, RCA LPV-553 | DE4533b | |
45-05-15-003 | D5VB270-1 | Solitude - vAH, Marie Ellington, Joya Sherrill, Kay Davis | (F)RCA FXM1-7303, Cl(F) 915, RCA 09026-63386-2(D), RCA J0-249, RCA LPT-1004 | DE4533c | |
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 16 May 1945 | |||
RCA-Victor recording session | |||||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
45-05-16-001 | D5VB271-1 | Frankie And Johnny | (F)RCA PM-42047, Bb 2178-2-RB, Cl(F) 951, RCA 09026-63386-2(D), Vi 20-2324 | DE4534a | |
45-05-16-002 | D5VB272-1 | Jumping Room Only | (F)RCA PM-42047, Bb 2178-2-RB, Cl(F) 951, RCA 09026-63386-2(D), Vi 20-4281 | DE4534b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
45-05-16-003 | D5VB273-1 | Black Beauty | (F)RCA PM-42047, Cl(F) 951, HMV JO-249, RCA 09026-63386-2(D), RCA LPM-6009 | DE4534c | |
45-05-16-004 | D5VB274-1 | Ev’ry Hour On The Hour - vAH | (F)RCA PM-42047, Cl(F) 951, RCA 09026-63386-2(D), Vi 20-1718 | DE4534d | |
DUKE ELLINGTON AND HIS ORCHESTRA | DETROIT, MI | 19 May 1945 | |||
Broadcast, from Paradise Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-05-19-001 | Take The “A” Train (theme) | DETS 06, DETS 903-9004 | DE4535a | ||
45-05-19-002 | Teardrops In The Rain | AFRS DWTD-09, DETS 06, DETS 903-9004 | DE4535b | ||
45-05-19-003 | Everything But You - vJS | AFRS DWTD-09, DETS 06, DETS 903-9004 | DE4535c | ||
45-05-19-004 | D.E. Bond Promo | DETS 06, DETS 903-9004 | DE4535d | ||
45-05-19-005 | Perdido | AFRS DWTD-09, DETS 06, DETS 903-9004, Fm FA-1001, JSo AA-501 | DE4535e | ||
45-05-19-006 | If You Are But A Dream - vKD | AFRS DWTD-09, DETS 06, DETS 903-9004 | DE4535f | ||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
45-05-19-007 | Pitter Panther Patter | DETS 06, DETS 903-9004, Fm FA-1001 | DE4535g | ||
As before | |||||
45-05-19-008 | Emancipation Celebration | DETS 06, DETS 903-9004 | DE4535h | ||
45-05-19-009 | D.E. Bond Promo | DETS 06, DETS 903-9004 | DE4535i | ||
45-05-19-010 | I Should Care | DETS 06, DETS 903-9004, Fm FA-1001 | DE4535j | ||
45-05-19-011 | Take The “A” Train (theme) | DETS 06, DETS 903-9004 | DE4535k | ||
45-05-19-012 | Take The “A” Train (theme) | DETS 06, DETS 903-9004 | DE4535l | ||
45-05-19-013 | ¬ In A Sentimental Mood | AFRS DWTD-09, DETS 06, DETS 903-9004, Fm FA-1001 | DE4535m | ||
45-05-19-014 | - | It Don’t Mean A Thing - vME, Joya Sherrill, Kay Davis | AFRS DWTD-09, DETS 06, DETS 903-9004, Fm FA-1001 | DE4535n | ||
45-05-19-015 | _| Solitude - vAH, Marie Ellington, Joya Sherrill, Kay Davis | AFRS DWTD-09, DETS 06, DETS 903-9004, Fm FA-1001 | DE4535o | ||
45-05-19-016 | I’m Beginning To See The Light | DETS 06, DETS 903-9004 | DE4535p1 | ||
45-05-19-017 | D.E. Bond Promo | DETS 06, DETS 903-9004 | DE4535p2 | ||
45-05-19-018 | Just Squeeze Me | AFRS DWTD-24, DETS 06, DETS 903-9004, Fm FA-1001 | DE4535q | ||
45-05-19-019 | C-Jam Blues | AFRS DWTD-09, DETS 06, DETS 903-9004, Fm FA-1001 | DE4535r | ||
45-05-19-020 | Don’t You Know I Care - vAH | DETS 06, DETS 903-9004 | DE4535s | ||
45-05-19-021 | D.E. Bond Promo | DETS 06, DETS 903-9004 | DE4535t | ||
45-05-19-022 | Stomp Look And Listen | DETS 06, DETS 903-9004 | DE4535u | ||
45-05-19-023 | Things Ain’t What They Used To Be | DETS 06, DETS 903-9004 | DE4535v | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 May 1945 | |||
Broadcast, from Regal Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-05-26-001 | Take The “A” Train (theme) | DETS 07, DETS 903-9004 | DE4536a | ||
45-05-26-002 | Sugar Hill Penthouse | AFRS DWTD-11, AFRS DWTD-28, Cl(F) 951, DETS 07, DETS 903-9004 | DE4536b | ||
45-05-26-003 | Suddenly It Jumped | AFRS DWTD-11, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536c | ||
45-05-26-004 | D.E. Bond Promo | DETS 07, DETS 903-9004 | DE4536d | ||
45-05-26-005 | Candy - vRN | AFRS DWTD-13, AFRS DWTD-50, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536e | ||
45-05-26-006 | A Friend Of Yours | AFRS DWTD-11, AFRS DWTD-38, AFRS DWTD-50, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536f | ||
45-05-26-007 | Kissing Bug - vJS | AFRS DWTD-11, AFRS DWTD-35, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536g | ||
45-05-26-008 | Hollywood Hangover | AFRS DWTD-11, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536h | ||
45-05-26-009 | Laura | AFRS DWTD-11, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536i | ||
45-05-26-010 | D.E. Bond Promo | DETS 07, DETS 903-9004 | DE4536j | ||
45-05-26-011 | Take The “A” Train (theme) | DETS 07, DETS 903-9004 | DE4536k | ||
45-05-26-012 | In The Shade Of The Old Apple Tree | AFRS DWTD-11, Cl(F) 951, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536l | ||
45-05-26-013 | ¬ Frankie And Johnny | AFRS DWTD-13, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536m | ||
45-05-26-014 | _| Metronome All Out | AFRS DWTD-13, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536n | ||
45-05-26-015 | I’m Beginning to See The Light | DETS 07, DETS 903-9004 | DE4536o | ||
45-05-26-016 | D.E. Bond Promo | DETS 07, DETS 903-9004 | DE4536o | ||
45-05-26-017 | Midriff | AFRS DWTD-13, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536p | ||
45-05-26-018 | I Ain’t Got Nothin’ But The Blues - vAH, KD | DETS 07, DETS 903-9004 | DE4536q | ||
45-05-26-019 | My Honey’s Lovin’ Arms - vRN | AFRS DWTD-11, AFRS DWTD-14, DETS 07, DETS 903-9004, Fm FA-1002 | DE4536r | ||
45-05-26-020 | D.E. Bond Promo | DETS 07, DETS 903-9004 | DE4536s | ||
45-05-26-021 | Rockin’ In Rhythm | AFRS DWTD-13, DETS 07, DETS 903-9004 | DE4536t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Battle Creek, MI | 02 June 1945 | |||
Broadcast, from Percy Jones Hospital Center | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-06-02-001 | Take The “A” Train (theme) | DETS 08, DETS 903-9005 | DE4537a | ||
45-06-02-002 | Mood To Be Wooed | AFRS DWTD-12, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537b | ||
45-06-02-003 | Jack The Bear | AFRS DWTD-12, AFRS DWTD-14, AFRS DWTD-60, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537c | ||
45-06-02-004 | D.E. Bond Promo | DETS 08, DETS 903-9005 | DE4537d | ||
45-06-02-005 | The More I See You - vKD | AFRS DWTD-12, AFRS DWTD-60, DETS 08, DETS 903-9005 | DE4537e | ||
45-06-02-006 | Way Low | AFRS DWTD-12, AFRS DWTD-16, AFRS DWTD-40, AFRS DWTD-60, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537f | ||
45-06-02-007 | Blues On The Double | AFRS DWTD-13, AFRS DWTD-16, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537g | ||
45-06-02-008 | D.E. Bond Promo | DETS 08, DETS 903-9005 | DE4537h | ||
45-06-02-009 | Summertime - vAH | AFRS DWTD-13, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537i | ||
45-06-02-010 | Take The “A” Train (theme) | DETS 08, DETS 903-9005 | DE4537j | ||
45-06-02-011 | Take The “A” Train (theme) | DETS 08, DETS 903-9005 | DE4537k | ||
45-06-02-012 | Come Sunday | AFRS DWTD-12, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537l | ||
45-06-02-013 | Light | AFRS DWTD-12, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537m | ||
45-06-02-014 | I’m Beginning To See The Light - vJS and D.E. Bond Promo | AFRS DWTD-13, DETS 08, DETS 903-9005 | DE4537n | ||
45-06-02-015 | On The Alamo | AFRS DWTD-14, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537o | ||
45-06-02-016 | Carnegie Blues | AFRS DWTD-18, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537p | ||
45-06-02-017 | D.E. Bond Promo | DETS 08, DETS 903-9005 | DE4537q | ||
45-06-02-018 | Riff Staccato - vRN | AFRS DWTD-14, AFRS DWTD-60, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537r | ||
45-06-02-019 | Blue Skies | AFRS DWTD-12, AFRS DWTD-18, AFRS DWTD-36, DETS 08, DETS 903-9005, Fm FA-1003 | DE4537s | ||
45-06-02-020 | Things Ain’t What They Used to Be | DETS 08, DETS 903-9005, Fm FA-1003 | DE4537t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Toledo, OH | 09 June 1945 | |||
Broadcast, from Paramount Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Marie Ellington(v) | |||||
45-06-09-001 | Take The “A” Train (theme) | DETS 09, DETS 903-9005 | DE4538a | ||
45-06-09-002 | Blue Is The Night | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538b | ||
45-06-09-003 | D.E. Bond Promo | DETS 09, DETS 903-9005 | DE4538c | ||
45-06-09-004 | Can’t You Read Between The Lines? | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538d | ||
45-06-09-005 | Rockabye River (Hop, Skip, Jump) | AFRS DWTD-15, AFRS DWTD-18, DETS 09, DETS 903-9005 | DE4538e | ||
45-06-09-006 | Kissing Bug | AFRS DWTD-16, DETS 09, DETS 903-9005 | DE4538f | ||
45-06-09-007 | Solid Old Man | AFRS DWTD-15, AFRS DWTD-37, DETS 09, DETS 903-9005 | DE4538g | ||
45-06-09-008 | One O’Clock Jump | AFRS DWTD-16, DETS 09, DETS 903-9005 | DE4538h | ||
45-06-09-009 | D.E. Bond Promo | DETS 09, DETS 903-9005 | DE4538i | ||
45-06-09-010 | I Miss Your Kiss | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538j | ||
45-06-09-011 | Things Ain’t What They Used to Be | DETS 09, DETS 903-9005 | DE4538k | ||
45-06-09-012 | Things Ain’t What They Used to Be | DETS 09, DETS 903-9005 | DE4538l | ||
45-06-09-013 | ¬ Diminuendo In Blue | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538m | ||
45-06-09-014 | - | Rocks In My Bed - vME | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538n | ||
45-06-09-015 | _| Crescendo In Blue | AFRS DWTD-15, DETS 09, DETS 903-9005 | DE4538o | ||
45-06-09-016 | I’m Beginning To See The Light - vJS and D.E. Bond Promo | DETS 09, DETS 903-9005 | DE4538p | ||
45-06-09-017 | Teardrops In The Rain | AFRS DWTD-16, AFRS DWTD-37, DETS 09, DETS 903-9005 | DE4538q | ||
45-06-09-018 | My Little Brown Book - vAH | AFRS DWTD-16, AFRS DWTD-37, DETS 09, DETS 903-9005 | DE4538r | ||
45-06-09-019 | Accentuate The Positive | AFRS DWTD-16, DETS 09, DETS 903-9005 | DE4538s | ||
45-06-09-020 | D.E. Bond Promo | DETS 09, DETS 903-9005 | DE4538t | ||
45-06-09-021 | C-Jam blues | AFRS DWTD-16, DETS 09, DETS 903-9005 | DE4538u | ||
45-06-09-022 | Take The “A” Train (theme) | DETS 09, DETS 903-9005 | DE4538v | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Eavnsville, IN | 16 June 1945 | |||
Broadcast, from Franklin Gardens | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-06-16-001 | Take The “A” Train (theme) | DETS 10, DETS 903-9006 | DE4539a | ||
45-06-16-002 | The Last Time I Saw You | AFRS DWTD-17, DETS 10, DETS 903-9006 | DE4539b | ||
45-06-16-003 | The Blues – vME | AFRS DWTD-17, DETS 10, DETS 903-9006, JSo AA-501 | DE4539c | ||
45-06-16-004 | D.E. Bond Promo | DETS 10, DETS 903-9006 | DE4539d | ||
45-06-16-005 | The Wish That I Wish Tonight - vJS | AFRS DWTD-17, AFRS DWTD-20, DETS 10, DETS 903-9006 | DE4539e | ||
45-06-16-006 | Jumpin’ Punkins | AFRS DWTD-17, DETS 10, DETS 903-9006 | DE4539f | ||
45-06-16-007 | On The Sunnyside Of The Street | AFRS DWTD-17, AFRS DWTD-20, DETS 10, DETS 903-9006 | DE4539g | ||
45-06-16-008 | D.E. Bond Promo | DETS 10, DETS 903-9006 | DE4539h | ||
45-06-16-009 | Cotton Tail | AFRS DWTD-17, AFRS DWTD-20, DETS 10, DETS 903-9006 | DE4539i | ||
45-06-16-010 | Take The “A” Train (theme) | DETS 10, DETS 903-9006 | DE4539j | ||
45-06-16-011 | NEW WORLD A-COMIN | AFRS DWTD-18, Cl(F) 951, DETS 10, DETS 903-9006, Te M-554(D), UA NUA-7(D) | DE4539k | ||
45-06-16-012 | I’m Beginning To See The Light and D.E. Bond Promo | DETS 10, DETS 903-9006 | DE4539l | ||
45-06-16-013 | Johnny Come Lately | AFRS DWTD-17, DETS 10, DETS 903-9006 | DE4539m | ||
45-06-16-014 | Yesterdays - vKD | AFRS DWTD-17, AFRS DWTD-18, AFRS DWTD-34, DETS 10, DETS 903-9006 | DE4539n | ||
45-06-16-015 | Let The Zoomers Drool | AFRS DWTD-18, AFRS DWTD-32, DETS 10, DETS 903-9006, JSo AA-501 | DE4539o | ||
45-06-16-016 | D.E. Bond Promo | DETS 10, DETS 903-9006 | DE4539p | ||
45-06-16-017 | Boy Meets Horn | DETS 10, DETS 903-9006 | DE4539q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Akron, OH | 23 June 1945 | |||
Broadcast, from Army Camp | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-06-23-001 | Take The “A” Train (theme) | DETS 11, DETS 903-9006 | DE4540a | ||
45-06-23-002 | Jump For Joy - vRN | AFRS DWTD-19, DETS 11, DETS 903-9006 | DE4540b | ||
45-06-23-003 | All At Once | AFRS DWTD-20, DETS 11, DETS 903-9006 | DE4540c | ||
45-06-23-004 | D.E. Bond Promo | DETS 11, DETS 903-9006 | DE4540d | ||
45-06-23-005 | Ko-Ko | AFRS DWTD-19, AFRS DWTD-37, AFRS DWTD-39, AFRS DWTD-70, DETS 11, DETS 903-9006 | DE4540e | ||
45-06-23-006 | I Should Care | AFRS DWTD-19, DETS 11, DETS 903-9006 | DE4540f | ||
45-06-23-007 | Go Away Blues - vJS | AFRS DWTD-19, AFRS DWTD-37, AFRS DWTD-39, DETS 11, DETS 903-9006 | DE4540g | ||
45-06-23-008 | Tootin’ Through The Roof | AFRS DWTD-19, DETS 11, DETS 903-9006 | DE4540h | ||
45-06-23-009 | Ev’ry Hour On The Hour - vJS | AFRS DWTD-20, AFRS DWTD-29, DETS 11, DETS 903-9006 | DE4540i | ||
45-06-23-010 | I’m Beginning To See The Light - vJS and D.E. Bond Promo | DETS 11, DETS 903-9006 | DE4540j | ||
45-06-23-011 | Take The “A” Train (theme) | DETS 11, DETS 903-9006 | DE4540k | ||
45-06-23-012 | Take The “A” Train (theme) | DETS 11, DETS 903-9006 | DE4540l | ||
45-06-23-013 | BLUE BELLS OF HARLEM | AFRS DWTD-20, AFRS DWTD-31, DETS 11, DETS 903-9006 | DE4540m | ||
45-06-23-014 | Body And Soul and D.E. Bond Promo | AFRS DWTD-20, DETS 11, DETS 903-9006 | DE4540n | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-06-23-015 | The More I See You - vKD | AFRS DWTD-19, AFRS DWTD-22, DETS 11, DETS 903-9006 | DE4540o | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
45-06-23-016 | What Am I Here For? | AFRS DWTD-19, AFRS DWTD-31, DETS 11, DETS 903-9006 | DE4540p | ||
45-06-23-017 | Warm Valley | AFRS DWTD-19, DETS 11, DETS 903-9006 | DE4540q | ||
45-06-23-018 | D.E. Bond Promo | DETS 11, DETS 903-9006 | DE4540r | ||
45-06-23-019 | Stompy Jones | AFRS DWTD-19, DETS 11, DETS 903-9006 | DE4540s | ||
45-06-23-020 | Take The “A” Train (theme) | DETS 11, DETS 903-9006 | DE4540t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NJ | 27 June 1945 | |||
Broadcast, US Coastguard Training Center | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-06-27-001 | Take The “A” Train (theme) | AFRS SB-707, Te M-554(D) | DE4541a | ||
45-06-27-002 | Suddenly It Jumped | AFRS SB-707, Te M-554(D) | DE4541b | ||
45-06-27-003 | The More I See You - vKD | AFRS SB-707 | DE4541c | ||
45-06-27-004 | Kissing Bug - vJS | AFRS SB-707 | DE4541d | ||
45-06-27-005 | Mood To Be Wooed | AFRS SB-707, Te M-554(D) | DE4541e | ||
45-06-27-006 | C-Jam Blues | AFRS SB-707, Te M-554(D) | DE4541f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 June 1945 | |||
Broadcast, Apollo Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Marie Ellington(v) | |||||
45-06-30-001 | Take The “A” Train (theme) | DETS 12, DETS 903-9007 | DE4542a | ||
45-06-30-002 | Caravan | AFRS DWTD-22, AFRS DWTD-29, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542b | ||
45-06-30-003 | Fickle Fling | AFRS DWTD-22, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542c | ||
45-06-30-004 | D.E. Bond Promo | DETS 12, DETS 903-9007 | DE4542d | ||
45-06-30-005 | Kissing Bug - vJS | AFRS DWTD-22, AFRS DWTD-69, AFRS DWTD-71, DETS 12, DETS 903-9007 | DE4542e | ||
45-06-30-006 | Honeysuckle Rose | AFRS DWTD-22, AFRS DWTD-26, AFRS DWTD-43, AFRS DWTD-69, AFRS DWTD-71, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542f | ||
45-06-30-007 | Day Dream | AFRS DWTD-22, AFRS DWTD-26, AFRS DWTD-42, AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-69, AFRS DWTD-71, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542g | ||
45-06-30-008 | One O’Clock Jump | AFRS DWTD-22, AFRS DWTD-23, AFRS DWTD-29, AFRS DWTD-42, AFRS DWTD-46, AFRS DWTD-71, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542h | ||
45-06-30-009 | D.E. Bond Promo | DETS 12, DETS 903-9007 | DE4542i | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-06-30-010 | There’s No You | DETS 12, DETS 903-9007 | DE4542j | ||
45-06-30-011 | Take The “A” Train (theme) | AFRS DWTD-51, DETS 12, DETS 903-9007 | DE4542k | ||
45-06-30-012 | ¬ Chelsea Bridge | AFRS DWTD-22, AFRS DWTD-51, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542l | ||
45-06-30-013 | - | Something To Live For - vME | AFRS DWTD-51, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542m | ||
45-06-30-014 | - | Clementine and D.E. Bond Promo | AFRS DWTD-51, DETS 12, DETS 903-9007 | DE4542n | ||
45-06-30-015 | _| My Little Brown Book - vAH | DETS 12, DETS 903-9007, Fm FA-1009 | DE4542o | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
45-06-30-016 | Riff Staccato - vRN | AFRS DWTD-22, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542p | ||
45-06-30-017 | Carnegie Blues | AFRS DWTD-23, DETS 12, DETS 903-9007, Fm FA-1009 | DE4542q | ||
45-06-30-018 | I’m Beginning To See The Light - vJS and D.E. Bond Promo | DETS 12, DETS 903-9007 | DE4542r | ||
45-06-30-019 | Old King Dooji | AFRS DWTD-23, DETS 12, DETS 903-9007, Fm FA-1009, JSo AA-501 | DE4542s | ||
45-06-30-020 | Things Ain’t What They Used To Be | AFRS DWTD-23, DETS 12, DETS 903-9007 | DE4542t | ||
DUKE ELLINGTON | New York City, NY | July 1945 | |||
Broadcast, Apollo Theatre | |||||
Duke Ellington(p) | |||||
45-07-05-001 | I Let A Song Go Out Of My Heart | DE4543a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-07-05-002 | Solitude | DE4543b | |||
45-07-05-003 | It Don’t Mean A Thing - vRN,TJ,JS,KD,ME | DE4543c | |||
45-07-05-004 | Take The “A” Train (theme) | DE4543d | |||
DUKE ELLINGTON | New York City, NY | 07 July 1945 | |||
Private party | |||||
Duke Ellington(p) | |||||
45-07-07-001 | Jumping Room Only | DE4544a | |||
45-07-07-002 | NEW WORLD A-COMIN' | DE4544b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 July 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Marie Ellington(v) | |||||
45-07-07-003 | Take The “A” Train (theme) | DETS 13, DETS 903-9007 | DE4545a | ||
45-07-07-004 | BLUE BELLS OF HARLEM | AFRS DWTD-25, DETS 13, DETS 903-9007, Fm FA-1009 | DE4545b | ||
45-07-07-005 | I’m Beginning To See The Light - vJS | AFRS DWTD-25, AFRS DWTD-61, DETS 13, DETS 903-9007, Fm FA-1009 | DE4545c | ||
45-07-07-006 | D.E. Bond Promo | DETS 13, DETS 903-9007 | DE4545d | ||
45-07-07-007 | Can’t You Read Between The Lines? | AFRS DWTD-25, DETS 13, DETS 903-9007 | DE4545e | ||
45-07-07-008 | ¬ Diminuendo In Blue | AFRS DWTD-25, Cl(F) 951, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545f | ||
45-07-07-009 | - | Carnegie Blues | AFRS DWTD-25, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545g | ||
45-07-07-010 | _| Crescendo In Blue | AFRS DWTD-25, Cl(F) 951, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545h | ||
45-07-07-011 | D.E. Bond Promo | DETS 13, DETS 903-9007 | DE4545i | ||
45-07-07-012 | Mood To Be Wooed | DETS 13, DETS 903-9007 | DE4545j | ||
Add Billy Strayhorn(p) | |||||
45-07-07-013 | Take The “A” Train (theme) | DETS 13, DETS 903-9007 | DE4545k | ||
PERFUME SUITE | |||||
45-07-07-014 | - 1. Balcony Serenade (Love) | AFRS DWTD-26, AFRS DWTD-42, Cl(F) 881, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545l | ||
45-07-07-015 | - 2. Strange feeling (Violence) - vAH | AFRS DWTD-26, Cl(F) 881, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545m | ||
45-07-07-016 | - 3. Dancer In Love (Naiveté) | AFRS DWTD-26, Cl(F) 881, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545n | ||
45-07-07-017 | - 4. Coloratura (Sophistication) | AFRS DWTD-26, Cl(F) 881, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545o | ||
45-07-07-018 | D.E. Bond Promo | DETS 13, DETS 903-9007 | DE4545p | ||
Billy Strayhorn out. | |||||
45-07-07-019 | Hollywood Hangover | AFRS DWTD-25, DETS 13, DETS 903-9007, Fm FA-1010 | DE4545q | ||
45-07-07-020 | I Don’t Mind - vME | AFRS DWTD-29, DETS 13, DETS 903-9007 | DE4545r | ||
45-07-07-021 | Ring Dem Bells - vRN | AFRS DWTD-25, Cl(F) 951, DETS 13, DETS 903-9007 | DE4545s | ||
45-07-07-022 | Things Ain’t What They Used To Be | DETS 13, DETS 903-9007 | DE4545t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 14 July 1945 | |||
Broadcast, RKO Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-07-14-001 | Take The “A” Train (theme) | DETS 14, DETS 903-9008 | DE4546a | ||
45-07-14-002 | In The Shade Of The Old Apple tree | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546b | ||
45-07-14-003 | Kissing Bug - vJS | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546c | ||
45-07-14-004 | D.E. Bond Promo | DETS 14, DETS 903-9008 | DE4546d | ||
45-07-14-005 | Bugle Breaks | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546e | ||
45-07-14-006 | A Friend Of Yours | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546f | ||
45-07-14-007 | West Indian Dance | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546g | ||
Add Billy Strayhorn(p) | |||||
45-07-14-008 | Tonight I Shall Sleep - vAH and D.E. Bond Promo | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546h | ||
45-07-14-009 | Stomp, Look And Listen | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546i | ||
45-07-14-010 | I’m Beginning To See The Light | AFRS DWTD-44,46,48/49,51/52,54,56/57,59/64,66,68,70-76, DETS 14, DETS 903-9008 | DE4546j | ||
45-07-14-011 | Take The “A” Train (theme) | AFRS DWTD-32, DETS 14, DETS 903-9008 | DE4546k | ||
45-07-14-012 | ¬ Downbeat Shuffle | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546l | ||
45-07-14-013 | - | Esquire Swank | AFRS DWTD-33, DETS 14, DETS 903-9008, JSo AA-501 | DE4546m | ||
45-07-14-014 | _| Metronome All Out and D.E. Bond Promo | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546n | ||
Billy Strayhorn out | |||||
45-07-14-015 | If You Are But A Dream | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546o | ||
45-07-14-016 | Blutopia | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546p | ||
45-07-14-017 | Candy - vRN | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546q | ||
45-07-14-018 | D.E. Bond Promo | DETS 14, DETS 903-9008 | DE4546r | ||
45-07-14-019 | Main Stem | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546s | ||
45-07-14-020 | Take The “A” Train (theme) | AFRS DWTD-33, DETS 14, DETS 903-9008 | DE4546t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Marshfield, MA | 21 July 1945 | |||
Broadcast, Fieldstone Ballroom | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-07-21-001 | Take The “A” Train (theme) | AFRS DWTD-34, AFRS DWTD-35, DETS 15, DETS 903-9008 | DE4547a | ||
45-07-21-002 | In A Mellow Tone | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547b | ||
45-07-21-003 | The Wish That I Wish Tonight - vJS | AFRS DWTD-34, AFRS DWTD-38, AFRS DWTD-65, DETS 15, DETS 903-9008 | DE4547c | ||
45-07-21-004 | D.E. Bond Promo | DETS 15, DETS 903-9008 | DE4547d | ||
45-07-21-005 | C-Jam Blues | AFRS DWTD-34, AFRS DWTD-60, DETS 15, DETS 903-9008 | DE4547e | ||
45-07-21-006 | Ultra Blue (Ultra Violet) | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547f | ||
45-07-21-007 | There’s No You - vKD | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547g | ||
45-07-21-008 | Emancipation Celebration | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547h | ||
45-07-21-009 | Don’t Get Around Much Anymore - vAH | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547i | ||
45-07-21-010 | Let The Zoomers Drool | DETS 15, DETS 903-9008 | DE4547j | ||
45-07-21-011 | Take The “A” Train (theme) | DETS 15, DETS 903-9008 | DE4547k | ||
45-07-21-012 | REMINISCING IN TEMPO | DETS 15, DETS 903-9008 | DE4547l | ||
45-07-21-013 | Everything But you and D.E. Bond Promo | DETS 15, DETS 903-9008 | DE4547m | ||
45-07-21-014 | Ko-Ko | AFRS DWTD-34, AFRS DWTD-45, DETS 15, DETS 903-9008 | DE4547n | ||
45-07-21-015 | Mood To Be Wooed | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547o | ||
45-07-21-016 | Tea For Two | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547p | ||
45-07-21-017 | D.E. Bond Promo | DETS 15, DETS 903-9008 | DE4547q | ||
45-07-21-018 | Blues On The Double | AFRS DWTD-34, DETS 15, DETS 903-9008 | DE4547r | ||
45-07-21-019 | Things Ain’t What They Used To Be | DETS 15, DETS 903-9008 | DE4547s | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 July 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Al Lucas(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
PERFUME SUITE | |||||
45-07-24-001 | - 2. Strange feeling (Violence) - vAH | (F)RCA PM-42047, Cl(F) 951, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-4711 | DE4548a | ||
45-07-24-002 | - 4. Coloratura (Sophistication) | (F)RCA PM-42047, Cl(F) 951, RCA 09026-63386-2(D) | DE4548b | ||
45-07-24-003 | - 1. Balcony Serenade (Love) | (F)RCA PM-42047, Cl(F) 951, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-4711 | DE4548c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Hartford, CT | 28 July 1945 | |||
Broadcast, State Theatre | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-07-28-001 | Take The “A” Train (theme) | DETS 16, DETS 903-9009 | DE4550a | ||
45-07-28-002 | Teardrops In The Rain | AFRS DWTD-42, DETS 16, DETS 903-9009 | DE4550b | ||
45-07-28-003 | Frustration | DETS 16, DETS 903-9009 | DE4550c | ||
45-07-28-004 | D.E. Bond Promo | DETS 16, DETS 903-9009 | DE4550d | ||
45-07-28-005 | Everything But You - vJS | AFRS DWTD-42, AFRS DWTD-76, DETS 16, DETS 903-9009 | DE4550e | ||
45-07-28-006 | 9:20 Special | AFRS DWTD-42, AFRS DWTD-76, DETS 16, DETS 903-9009 | DE4550f | ||
45-07-28-007 | Moon Mist | AFRS DWTD-42, AFRS DWTD-52, AFRS DWTD-74, DETS 16, DETS 903-9009 | DE4550g | ||
45-07-28-008 | Rockin’ In Rhythm | AFRS DWTD-42, DETS 16, DETS 903-9009 | DE4550h | ||
45-07-28-009 | D.E. Bond Promo | DETS 16, DETS 903-9009 | DE4550i | ||
45-07-28-010 | Ev’ry Hour On The Hour - vAH | DETS 16, DETS 903-9009 | DE4550j | ||
45-07-28-011 | Take The “A” Train (theme) | DETS 16, DETS 903-9009 | DE4550k | ||
45-07-28-012 | Medley:- | DE4550l | |||
45-07-28-013 | - 1. In A Sentimental Mood | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-014 | - 2. Black Beauty | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-015 | - 3. Sophisticated Lady | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-016 | - 4. Caravan | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-017 | - 5. Solitude | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-018 | - 6. I Let A Song Go Out Of My Heart | AFRS DWTD-43, AFRS DWTD-49, AFRS DWTD-52, DETS 16, DETS 903-9009 | |||
45-07-28-019 | D.E. Bond Promo | DETS 16, DETS 903-9009 | DE4550m | ||
45-07-28-020 | Trumpet In Spades | AFRS DWTD-43, DETS 16, DETS 903-9009 | DE4550n | ||
45-07-28-021 | Just A-Sittin’ And A-Rockin' | AFRS DWTD-43, DETS 16, DETS 903-9009 | DE4550o | ||
45-07-28-022 | Go Away Blues - vJS | AFRS DWTD-43, AFRS DWTD-47, DETS 16, DETS 903-9009 | DE4550p | ||
45-07-28-023 | D.E. Bond Promo | DETS 16, DETS 903-9009 | DE4550q | ||
45-07-28-024 | One O’Clock Jump | DETS 16, DETS 903-9009 | DE4550r | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 30 July 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
PERFUME SUITE | |||||
45-07-30-001 | D5VB506-2 | - 4. Coloratura (Sophistication) | (F)RCA PM-42047, Cl(F) 985, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-4712 | DE4551a | |
45-07-30-002 | D5VB518-1 | Things Ain’t What They Used To Be | (F)RCA PM-42047, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-1718 | DE4551b | |
DUKE ELLINGTON AND JUNIOR RAGLIN | Same session | ||||
Duke Ellington(p); Junior Raglin(sb) | |||||
PERFUME SUITE | |||||
45-07-30-003 | D5VB519-1 | - 3. Dancer In Love (Naiveté) | (F)RCA PM-42047, Cl(F) 985, RCA 09026-63386-2(D), UA NUA-7(D), Vi 20-4712 | DE4551c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 31 July 1945 | |||
World Broadcasting System recording Session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-07-31-001 | N3513-1 | Teardrops In The Rain | Ci CCD-104(D), Ci CLP-107(D) | DE4552a | |
45-07-31-002 | N3513-2 | Teardrops In The Rain | Ci CCD-104(D), Ci CLP-107(D) | DE4552b | |
45-07-31-003 | N3513-3 | Teardrops In The Rain | Ci CCD-104(D), Ci CLP-107(D), Wo 7219/7228 | DE4552c | |
45-07-31-004 | N3514-1 | Metronome All Out | Ci CCD-105(D), Ci CLP-108 | DE4552d | |
45-07-31-005 | N3514-2 | Metronome All Out | Ci CCD-105(D), Ci CLP-108, Wo 7329/7338 | DE4552e | |
45-07-31-006 | N3515-1 | Esquire Swank | Ci CCD-105(D), Ci CLP-108, Wo 7329/7338 | DE4552f | |
45-07-31-007 | N3516-1 | Downbeat Shuffle | Ci CCD-105(D), Ci CLP-108 | DE4552g | |
45-07-31-008 | N3516-2 | Downbeat Shuffle | Ci CCD-105(D), Ci CLP-108 | DE4552h | |
45-07-31-009 | N3516-3 | Downbeat Shuffle | Ci CCD-105(D), Ci CLP-108 | DE4552i | |
45-07-31-010 | N3516-4 | Downbeat Shuffle | Ci CCD-105(D), Ci CLP-108, Wo 7349/7358 | DE4552j | |
45-07-31-011 | N3517-1 | Riff Staccato - vRN | Ci CCD-104(D), Ci CLP-108 | DE4552k | |
45-07-31-012 | N3517-2 | Riff Staccato - vRN | Ci CCD-104(D), Ci CLP-108 | DE4552l | |
45-07-31-013 | N3517-3 | Riff Staccato - vRN | Ci CCD-104(D), Ci CLP-108, Wo 7359/7368 | DE4552m | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 August 1945 | |||
World Broadcasting System pre-recording for BBC broadcast | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-08-03-001 | Black And Tan Fantasy | JU JUCD-2043, St 108-8600 | DE4549a | ||
45-08-03-002 | Mood To Be Wooed | JU JUCD-2043, St 108-8600 | DE4549b | ||
45-08-03-003 | Frantic Fantasy | JU JUCD-2043, St 108-8600 | DE4549c | ||
45-08-03-004 | C-Jam Blues | JU JUCD-2043, St 108-8600 | DE4549d | ||
45-08-03-005 | Air Conditioned Jungle | JU JUCD-2043, St 108-8600 | DE4549e | ||
45-08-03-006 | On The Sunny Side Of The Street | JU JUCD-2043, St 108-8600 | DE4549f | ||
45-08-03-007 | Rockin’ In Rhythm | JU JUCD-2043, St 108-8600 | DE4549g | ||
45-08-03-008 | Take The “A” Train (theme) | JU JUCD-2043, St 108-8600 | DE4549h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 August 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-08-04-001 | Take The “A” Train (theme) | AFRS DWTD-30, DETS 17, DETS 903-9009 | DE4553a | ||
45-08-04-002 | Dancing In The Dark | AFRS DWTD-30, DETS 17, DETS 903-9009 | DE4553b | ||
45-08-04-003 | Downbeat Shuffle | AFRS DWTD-30, DETS 17, DETS 903-9009 | DE4553c | ||
45-08-04-004 | D.E. Bond Promo | DETS 17, DETS 903-9009 | DE4553d | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-08-04-005 | Tonight I Shall Sleep - vAH | AFRS DWTD-30, AFRS DWTD-66, DETS 17, DETS 903-9009 | DE4553e | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
45-08-04-006 | Esquire Swank | AFRS DWTD-30, AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553f | ||
45-08-04-007 | Creole love Call - vKD | AFRS DWTD-30, DETS 17, DETS 903-9009 | DE4553g | ||
45-08-04-008 | I Miss Your Kiss | AFRS DWTD-30, DETS 17, DETS 903-9009 | DE4553h | ||
45-08-04-009 | Riff Staccato and D.E. Bond Promo | DETS 17, DETS 903-9009 | DE4553i | ||
45-08-04-010 | Take The “A” Train (theme) | DETS 17, DETS 903-9009 | DE4553j | ||
45-08-04-011 | Passion Flower | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553k | ||
45-08-04-012 | Frantic Fantasy | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553l | ||
45-08-04-013 | Air Conditioned Jungle | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553m | ||
45-08-04-014 | On The Sunny Side Of The Street | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553n | ||
45-08-04-015 | Metronome All Out | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553o | ||
45-08-04-016 | Everything But You - vJS and D.E. Bond Promo | AFRS DWTD-31, DETS 17, DETS 903-9009 | DE4553p | ||
45-08-04-017 | Solid Old Man | DETS 17, DETS 903-9009 | DE4553q | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 07 August 1945 | |||
World Broadcasting System recording Session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-08-07-001 | N3533-1 | Ultra Blue | Ci CCD-105(D), Ci CLP-108 | DE4554a | |
45-08-07-002 | N3533-2 | Ultra Blue | Ci CCD-105(D), Ci CLP-108, Wo 7219-7228 | DE4554b | |
45-08-07-003 | N3534-1 | Everything But You - vJS | Ci CCD-105(D), Ci CLP-108, Wo 7159-7168 | DE4554c | |
45-08-07-004 | N3535-1 | Frustration | Ci CCD-105(D), Ci CLP-108 | DE4554d | |
45-08-07-005 | N3535-2 | Frustration | Ci CCD-105(D), Ci CLP-108, Wo 8509-8518 | DE4554e | |
45-08-07-006 | N3536-1 | Hollywood Hangover | Ci CCD-105(D), Ci CLP-108, Wo 8749-8758 | DE4554f | |
45-08-07-007 | N3537-1 | Blues On The Double | Ci CCD-105(D), Ci CLP-109 | DE4554g | |
45-08-07-008 | N3537-2 | Blues On The Double | Ci CCD-105(D), Ci CLP-109 | DE4554h | |
45-08-07-009 | N3537-3 | Blues On The Double | Ci CCD-105(D), Ci CLP-109, Wo 7329-7338 | DE4554i | |
45-08-07-010 | N3538-1 | Kissing Bug - vJS | Ci CCD-105(D), Ci CLP-109, Wo 7159-7168 | DE4554j | |
45-08-07-011 | N3539-1 | Ev’ry Hour On The Hour | Ci CCD-105(D), Ci CLP-109 | DE4554k | |
45-08-07-012 | N3539-2 | Ev’ry Hour On The Hour | Ci CCD-105(D), Ci CLP-109 | DE4554l | |
45-08-07-013 | N3539-3 | Ev’ry Hour On The Hour - vAH | Ci CCD-105(D), Ci CLP-109, Wo 7159-7168 | DE4554m | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-08-07-014 | N3540-1 | Passion Flower | Ci CCD-105(D), Ci CLP-109 | DE4554n | |
45-08-07-015 | N3540-2 | Passion Flower | Ci CCD-105(D), Ci CLP-109 | DE4554o | |
45-08-07-016 | N3540-3 | Passion Flower | Ci CCD-105(D), Ci CLP-109 | DE4554p | |
45-08-07-017 | N3540-4 | Passion Flower | Ci CCD-105(D), Ci CLP-109 | DE4554q | |
45-08-07-018 | N3540-5 | Passion Flower | Ci CCD-105(D), Ci CLP-109, Wo 8509-8518 | DE4554r | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
45-08-07-019 | N3541-1 | In A Jam | Ci CCD-105(D), Ci CLP-109, Wo 7869-7878 | DE4554s | |
45-08-07-020 | N3542-1 | In The Shade Of The Old Apple Tree | Ci CCD-105(D), Ci CLP-109, Wo 8509-8518 | DE4554t | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 August 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-08-11-001 | Take The “A” Train (theme) | DETS 18, DETS 903-9010 | DE4555a | ||
45-08-11-002 | What Am I Here For? | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555b | ||
45-08-11-003 | Blue Is The Night | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555c | ||
Add Billy Strayhorn(p) | |||||
45-08-11-004 | The Wish That I Wish Tonight - vJS and D.E. Bond Promo | AFRS DWTD-44, AFRS DWTD-64, DETS 18, DETS 903-9010 | DE4555d | ||
45-08-11-005 | Someone | DETS 18, DETS 903-9010 | DE4555e | ||
45-08-11-006 | Take The “A” Train (theme) | DETS 18, DETS 903-9010 | DE4555f | ||
45-08-11-007 | Harlem Air-Shaft | DETS 18, DETS 903-9010 | DE4555g | ||
45-08-11-008 | Out Of This World - vKD | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555h | ||
45-08-11-009 | D.E. Bond Promo | DETS 18, DETS 903-9010 | DE4555i | ||
45-08-11-010 | Midriff | AFRS DWTD-44, AFRS DWTD-75, DETS 18, DETS 903-9010 | DE4555j | ||
Billy Strayhorn out | |||||
45-08-11-011 | Everything But You - vJS | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555k | ||
45-08-11-012 | Ring Dem Bells | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555l | ||
45-08-11-013 | Mood To Be Wooed | AFRS DWTD-44, DETS 18, DETS 903-9010 | DE4555m | ||
45-08-11-014 | D.E. Bond Promo | DETS 18, DETS 903-9010 | DE4555n | ||
45-08-11-015 | Emancipation Celebration | DETS 18, DETS 903-9010 | DE4555o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 August 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Marie Ellington(v) | |||||
45-08-18-001 | Take The “A” Train (theme) | DETS 19, DETS 903-9010 | DE4556a | ||
BLACK, BROWN AND BEIGE | |||||
45-08-18-002 | - 01. Worksong | AFRS DWTD-45, DETS 19, DETS 903-9010 | DE4556b | ||
45-08-18-003 | D.E. Bond Promo | DETS 19, DETS 903-9010 | DE4556c | ||
45-08-18-004 | - 06.The Blues - vME | AFRS DWTD-45, DETS 19, DETS 903-9010 | DE4556d | ||
45-08-18-005 | - 04. West Indian Dance | AFRS DWTD-45, DETS 19, DETS 903-9010 | DE4556e | ||
45-08-18-006 | D.E. Bond Promo | DETS 19, DETS 903-9010 | DE4556f | ||
45-08-18-007 | - 02. Come Sunday | AFRS DWTD-45, DETS 19, DETS 903-9010 | DE4556g | ||
45-08-18-008 | - 03. Light | AFRS DWTD-45, DETS 19, DETS 903-9010 | DE4556h | ||
45-08-18-009 | Take The “A” Train (theme) | DETS 19, DETS 903-9010 | DE4556i | ||
45-08-18-010 | Take The “A” Train (theme) | DETS 19, DETS 903-9010 | DE4556j | ||
45-08-18-011 | Just Squeeze Me | AFRS DWTD-46, DETS 19, DETS 903-9010 | DE4556k | ||
45-08-18-012 | D.E. Bond Promo | DETS 19, DETS 903-9010 | DE4556l | ||
45-08-18-013 | Blue Skies | AFRS DWTD-46, AFRS DWTD-51, AFRS DWTD-64, DETS 19, DETS 903-9010 | DE4556m | ||
45-08-18-014 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | AFRS DWTD-46, AFRS DWTD-64, DETS 19, DETS 903-9010 | DE4556n | ||
45-08-18-015 | Riff Staccato - vRN | AFRS DWTD-46, AFRS DWTD-64, DETS 19, DETS 903-9010 | DE4556o | ||
45-08-18-016 | Bugle Breaks | AFRS DWTD-46, AFRS DWTD-64, AFRS DWTD-68, DETS 19, DETS 903-9010, JSo AA-501 | DE4556p | ||
45-08-18-017 | Kissing Bug - vJS | AFRS DWTD-46, AFRS DWTD-68, DETS 19, DETS 903-9010 | DE4556q | ||
45-08-18-018 | D.E. Bond Promo | DETS 19, DETS 903-9010 | DE4556r | ||
45-08-18-019 | Suddenly It Jumped | AFRS DWTD-46, AFRS DWTD-68, DETS 19, DETS 903-9010 | DE4556s | ||
45-08-18-020 | Warm Valley | DETS 19, DETS 903-9010 | DE4556t | ||
BEN WEBSTER ALL STARS | New York City, NY | 20 August 1945 | |||
Broadcast, Radio City | |||||
Ben Webster, Don Byas(ts); Buster Bailey, Herbie Fields(cl); Stuff Smith(vl); Duke Ellington(p); Al Lucas(sb); Eddie Nicholson(d) | |||||
45-08-20-001 | The Romp | JA 35 | DE4557a | ||
Sometimes dated 45-09-08 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Marshfield, MA | 25 August 1945 | |||
Broadcast, Fieldstone Ballroom | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-08-25-001 | Take The “A” Train (theme) | DETS 20, DETS 903-9011 | DE4558a | ||
45-08-25-002 | Mood Indigo | AFRS DWTD-47, AFRS DWTD-54, DETS 20, DETS 903-9011 | DE4558b | ||
45-08-25-003 | D.E. Bond Promo | DETS 20, DETS 903-9011 | DE4558c | ||
45-08-25-004 | In A Jam | AFRS DWTD-47, DETS 20, DETS 903-9011 | DE4558d | ||
45-08-25-005 | Everything But You - vJS | AFRS DWTD-47, DETS 20, DETS 903-9011 | DE4558e | ||
45-08-25-006 | Tonk (Pianistically Allied) | AFRS DWTD-47, AFRS DWTD-64, DETS 20, DETS 903-9011, MDD 006 | DE4558f | ||
45-08-25-007 | I Don’t Mind - vME | AFRS DWTD-47, AFRS DWTD-64, DETS 20, DETS 903-9011 | DE4558g | ||
45-08-25-008 | D.E. Bond Promo | DETS 20, DETS 903-9011 | DE4558h | ||
45-08-25-009 | Jeep Is Jumpin' | AFRS DWTD-47, DETS 20, DETS 903-9011 | DE4558i | ||
45-08-25-010 | Take The “A” Train (theme) | AFRS DWTD-47, DETS 20, DETS 903-9011 | DE4558j | ||
45-08-25-011 | Take The “A” Train (theme) | DETS 20, DETS 903-9011 | DE4558k | ||
45-08-25-012 | Black And Tan Fantasy | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558l | ||
45-08-25-013 | I’m Beginning To See The Light - vJS | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558m | ||
45-08-25-014 | After All and D.E. Bond Promo | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558n | ||
45-08-25-015 | Don’t You Know I Care - vAH | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558o | ||
45-08-25-016 | Back Home Again In Indiana | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558p | ||
45-08-25-017 | The More I See You - vKD | AFRS DWTD-48, DETS 20, DETS 903-9011 | DE4558q | ||
45-08-25-018 | D.E. Bond Promo | DETS 20, DETS 903-9011 | DE4558r | ||
45-08-25-019 | Let The Zoomers Drool | DETS 20, DETS 903-9011 | DE4558s | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 01 September 1945 | |||
Broadcast, Earl Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-09-01-001 | Take The “A” Train (theme) | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559a | ||
45-09-01-002 | On The Alamo | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559b | ||
45-09-01-003 | D.E. Bond Promo | DETS 21, DETS 903-9011 | DE4559c | ||
45-09-01-004 | Sugar Hill Penthouse | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559d | ||
45-09-01-005 | Stomp, Look And Listen | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559e | ||
45-09-01-006 | There’s No You - vKD | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559f | ||
45-09-01-007 | Jumpin’ Punkins | AFRS DWTD-49, DETS 21, DETS 903-9011 | DE4559g | ||
45-09-01-008 | Body And Soul and D.E. Bond Promo | DETS 21, DETS 903-9011 | DE4559h | ||
45-09-01-009 | Take The “A” Train (theme) | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559i | ||
45-09-01-010 | Caravan | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559j | ||
45-09-01-011 | Flamingo - vAH | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559k | ||
45-09-01-012 | Air Conditioned Jungle | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559l | ||
45-09-01-013 | Everything But You and D.E. Bond Promo | DETS 21, DETS 903-9011 | DE4559m | ||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
45-09-01-014 | Pitter Panther Patter | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559n | ||
As before | |||||
45-09-01-015 | One O’Clock Jump | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559o | ||
45-09-01-016 | Moon Mist | AFRS DWTD-50, DETS 21, DETS 903-9011 | DE4559p | ||
45-09-01-017 | D.E. Bond Promo | DETS 21, DETS 903-9011 | DE4559q | ||
45-09-01-018 | Jump For Joy - vRN | DETS 21, DETS 903-9011 | DE4559r | ||
45-09-01-019 | Take The “A” Train (theme) | DETS 21, DETS 903-9011 | DE4559s | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 September 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Marie Ellington(v) | |||||
45-09-08-001 | Take The “A” Train (theme) | DETS 22, DETS 903-9012 | DE4560a | ||
45-09-08-002 | Carnegie Blues | AFRS DWTD-51, Cl(F) 985, DETS 22, DETS 903-9012 | DE4560b | ||
45-09-08-003 | D.E. Bond Promo | DETS 22, DETS 903-9012 | DE4560c | ||
45-09-08-004 | I Can’t Believe That You’re In Love with Me | AFRS DWTD-51, DETS 22, DETS 903-9012 | DE4560d | ||
45-09-08-005 | Mood To Be Wooed | AFRS DWTD-51, DETS 22, DETS 903-9012 | DE4560e | ||
45-09-08-006 | Kissing Bug - vJS | AFRS DWTD-51, Cl(F) 951, DETS 22, DETS 903-9012 | DE4560f | ||
Add Billy Strayhorn(p) | |||||
45-09-08-007 | Chelsea Bridge | DETS 22, DETS 903-9012 | DE4560g | ||
45-09-08-008 | D.E. Bond Promo | DETS 22, DETS 903-9012 | DE4560h | ||
45-09-08-009 | Something To Live For - vME | DETS 22, DETS 903-9012 | DE4560i | ||
45-09-08-010 | Clementine | DETS 22, DETS 903-9012 | DE4560j | ||
Billy Strayhorn out | |||||
45-09-08-011 | Take The “A” Train (theme) | DETS 22, DETS 903-9012 | DE4560k | ||
45-09-08-012 | Way Low | AFRS DWTD-52, DETS 22, DETS 903-9012 | DE4560l | ||
45-09-08-013 | Solid Old Man | AFRS DWTD-52, DETS 22, DETS 903-9012 | DE4560m | ||
45-09-08-014 | D.E. Bond Promo | DETS 22, DETS 903-9012 | DE4560n | ||
45-09-08-015 | Summertime - vAH | AFRS DWTD-52, DETS 22, DETS 903-9012 | DE4560o | ||
45-09-08-016 | Old King Dooji | AFRS DWTD-52, DETS 22, DETS 903-9012 | DE4560p | ||
Billy Strayhorn(p); Kay Davis(v) | |||||
45-09-08-017 | If I Loved You - vKD | DETS 22, DETS 903-9012 | DE4560q | ||
As before | |||||
45-09-08-018 | Unbooted Character | Cl(F) 985, DETS 22, DETS 903-9012, VD 671 | DE4560r | ||
45-09-08-019 | Just A-Sittin’ And A-Rockin' | DETS 22, DETS 903-9012 | DE4560s | ||
45-09-08-020 | D.E. Bond Promo | DETS 22, DETS 903-9012 | DE4560t | ||
45-09-08-021 | Hollywood Hangover | DETS 22, DETS 903-9012 | DE4560u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 September 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-09-15-001 | Take The “A” Train (theme) | DETS 23, DETS 903-9012 | DE4561a | ||
45-09-15-002 | Just Squeeze Me | AFRS DWTD-53, DETS 23, DETS 903-9012 | DE4561b | ||
45-09-15-003 | C-Jam Blues | AFRS DWTD-53, DETS 23, DETS 903-9012 | DE4561c | ||
45-09-15-004 | D.E. Bond Promo | DETS 23, DETS 903-9012 | DE4561d | ||
45-09-15-005 | Ev’ry Hour On The Hour - vAH | AFRS DWTD-53, DETS 23, DETS 903-9012 | DE4561e | ||
45-09-15-006 | Jeep Is Jumpin' | DETS 23, DETS 903-9012 | DE4561f | ||
45-09-15-007 | Take The “A” Train (theme) | DETS 23, DETS 903-9012 | DE4561g | ||
45-09-15-008 | Creole Love Call - vKD | AFRS DWTD-53, AFRS DWTD-58, DETS 23, DETS 903-9012 | DE4561h | ||
45-09-15-009 | ¬ Frankie And Johnny | AFRS DWTD-53, DETS 23, DETS 903-9012 | DE4561i | ||
45-09-15-010 | _| Metronome All Out | AFRS DWTD-53, DETS 23, DETS 903-9012 | DE4561j | ||
45-09-15-011 | Everything But You - vJS | DETS 23, DETS 903-9012 | DE4561k | ||
45-09-15-012 | Emancipation Celebration | DETS 23, DETS 903-9012 | DE4561l | ||
45-09-15-013 | Warm Valley | DETS 23, DETS 903-9012 | DE4561m | ||
45-09-15-014 | Take The “A” Train (theme) | DETS 23, DETS 903-9012 | DE4561n | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-09-16-001 | There’s No You - vKD | DE4562a | |||
45-09-16-002 | Ko-Ko | DE4562b | |||
45-09-16-003 | Flamingo - vAH | DE4562c | |||
45-09-16-004 | Rockin’ In Rhythm | DE4562d | |||
45-09-16-005 | Take The “A” Train (theme) | DE4562e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-09-17-001 | Midriff | DE4563a | |||
45-09-17-002 | Carnegie Blues | DE4563b | |||
45-09-17-003 | Everything But You - vJS | DE4563c | |||
45-09-17-004 | Teardrops In The Rain | DE4563d | |||
45-09-17-005 | Mood To Be Wooed | DE4563e | |||
45-09-17-006 | C-Jam Blues | DE4563f | |||
45-09-17-007 | I Got It Bad - vAH | DE4563g | |||
Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
45-09-17-008 | Pitter Panther Patter | DE4563h | |||
As before | |||||
45-09-17-009 | Hollywood Hangover | DE4563i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-09-18-001 | Take The “A” Train (theme) | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591a | ||
45-09-18-002 | As Long As I Live | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591b | ||
45-09-18-003 | 9:20 Special | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591c | ||
45-09-18-004 | The Wonder Of You - vJS | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591d | ||
45-09-18-005 | Walkin’ With My Honey | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591e | ||
45-09-18-006 | Three Cent Stomp | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591f | ||
45-09-18-007 | Don’t Take Your Love From Me - vAH | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591g | ||
45-09-18-008 | Court Session | AFRS ONS-800, DETS 903-9005, Jo 1071 | DE4591h | ||
This aircheck was cut to record on 18 November 1945 but as it was broadcast as noted, it is more appropriate to list it here | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-09-20-001 | Take The “A” Train (theme) | DE4564a | |||
45-09-20-002 | Caravan | DE4564b | |||
45-09-20-003 | Teardrops In The Rain | DE4564c | |||
45-09-20-004 | My Heart Sings - vJS | DE4564d | |||
45-09-20-005 | 9:20 Special | DE4564e | |||
45-09-20-006 | Frustration | DE4564f | |||
45-09-20-007 | Johnny Come Lately | DE4564g | |||
45-09-20-008 | Tonight I Shall Sleep - vAH | DE4564h | |||
45-09-20-009 | Harlem Air Shaft | DE4564i | |||
45-09-20-010 | Take The “A” Train (theme) | DE4564j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 September 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-09-22-001 | Someone | DETS 24, DETS 903-9013 | DE4565a | ||
45-09-22-002 | Riff Staccato - vRN | DETS 24, DETS 903-9013 | DE4565b | ||
45-09-22-003 | Homesick, That’s All | DETS 24, DETS 903-9013 | DE4565c | ||
45-09-22-004 | Kissing Bug - vJS | DETS 24, DETS 903-9013 | DE4565d | ||
45-09-22-005 | Take The “A” Train (theme) | DETS 24, DETS 903-9013 | DE4565e | ||
45-09-22-006 | Take The “A” Train (theme) | DETS 24, DETS 903-9013 | DE4565f | ||
45-09-22-007 | Things Ain’t What They Used To Be | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565g | ||
45-09-22-008 | D.E. Bond Promo | DETS 24, DETS 903-9013 | DE4565h | ||
45-09-22-009 | Three cent Stomp | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565i | ||
Add Billy Strayhorn(p) | |||||
45-09-22-010 | There’s No You - vKD | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565j | ||
Billy Strayhorn out | |||||
45-09-22-011 | Fancy Dan | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565k | ||
45-09-22-012 | Everything But You - vJS | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565l | ||
45-09-22-013 | Fickle Fling | AFRS DWTD-54, DETS 24, DETS 903-9013 | DE4565m | ||
45-09-22-014 | D.E. Bond Promo | DETS 24, DETS 903-9013 | DE4565n | ||
45-09-22-015 | Blue Serge | DETS 24, DETS 903-9013 | DE4565o | ||
DUKE ELLINGTON WITH LOU BRING ORCHESTRA | New York City, NY | 23 September 1945 | |||
Broadcast, NBC Studios | |||||
Duke Ellington(p) with Lou Bring Orchestra | |||||
45-09-23-001 | Solitude | AFRS MALB-68 | DE4566a | ||
Add TC(tb) | |||||
45-09-23-002 | The Minor Goes Muggin' | AFRS MALB-68 | DE4566b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-09-23-003 | Take The “A” Train (theme) | DE4567a | |||
45-09-23-004 | Just Squeeze me | DE4567b | |||
45-09-23-005 | I’d Do It All Over Again | DE4567c | |||
45-09-23-006 | Three Cent Stomp | DE4567d | |||
45-09-23-007 | Love Letters | DE4567e | |||
45-09-23-008 | ¬ Take The “A” Train | DE4567xa | |||
45-09-23-009 | _| Riff Staccato - vRN | DE4567f | |||
45-09-23-010 | I’ll Buy That Dream | DE4567g | |||
45-09-23-011 | Cotton Tail | DE4567h | |||
45-09-23-012 | Way Low | DE4567i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-09-24-001 | Take The “A” Train (theme) | DETS 903-9013 | DE4568a | ||
45-09-24-002 | Stompy Jones | DETS 903-9013 | DE4568b | ||
45-09-24-003 | Walkin’ With My Honey | DETS 903-9013 | DE4568c | ||
45-09-24-004 | Lily Belle | DETS 903-9013 | DE4568d | ||
45-09-24-005 | Everything But You - vJS | DETS 903-9013 | DE4568e | ||
45-09-24-006 | In A Mellow Tone | DETS 903-9013 | DE4568f | ||
45-09-24-007 | Solid Old Man | DETS 903-9013 | DE4568g | ||
45-09-24-008 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | DETS 903-9013 | DE4568h | ||
45-09-24-009 | Blue Skies | DETS 903-9013 | DE4568i | ||
45-09-24-010 | Suddenly It Jumped | DETS 903-9013 | DE4568j | ||
45-09-24-011 | Take The “A” Train (theme) | DETS 903-9013 | DE4568k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-09-26-001 | Take The “A” Train (theme) | DETS 903-9010 | DE4569a | ||
45-09-26-002 | Suddenly It Jumped | DETS 903-9010 | DE4569b | ||
45-09-26-003 | Laura | DETS 903-9010 | DE4569c | ||
45-09-26-004 | Kissing Bug - vJS | DETS 903-9010 | DE4569d | ||
45-09-26-005 | Stompy Jones | DETS 903-9010 | DE4569e | ||
45-09-26-006 | Solid Old Man | DETS 903-9010 | DE4569f | ||
45-09-26-007 | Carnegie Blues | DETS 903-9010 | DE4569g | ||
45-09-26-008 | In A Mellow Tone | DETS 903-9010 | DE4569h | ||
45-09-26-009 | Fancy Dan | DETS 903-9010 | DE4569i | ||
45-09-26-010 | Things Ain’t What They Used To Be | DETS 903-9010 | DE4569j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 September 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-09-28-001 | Take The “A” Train (theme) | DE4570a | |||
45-09-28-002 | Walkin’ With My Honey | DE4570b | |||
45-09-28-003 | Lily Belle | DE4570c | |||
45-09-28-004 | Everything But You - vJS | DE4570d | |||
45-09-28-005 | I Can’t Believe That You’re In Love with Me | DE4570e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Ray Nance(t,vn,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill, Kay Davis(v) | |||||
45-10-01-001 | Take The “A” Train (theme) | Bu 74465-99629-2 | DE4571a | ||
45-10-01-002 | Caravan | Bu 74465-99629-2, DETS 903-9012 | DE4571b | ||
45-10-01-003 | Three Cent Stomp | Bu 74465-99629-2, DETS 903-9012 | DE4571c | ||
45-10-01-004 | Yesterdays - vKD | Bu 74465-99629-2, DETS 903-9012 | DE4571d | ||
45-10-01-005 | Things Ain’t What They Used To Be | Bu 74465-99629-2 | DE4571xa | ||
45-10-01-006 | Blues On The Double | Bu 74465-99629-2, DETS 903-9012 | DE4571e | ||
45-10-01-007 | Kissing Bug - vJS | Bu 74465-99629-2 | DE4571xb | ||
45-10-01-008 | Riff Staccato - vRN | Bu 74465-99629-2, DETS 903-9012 | DE4571f | ||
45-10-01-009 | Cotton Tail | Bu 74465-99629-2, DETS 903-9012 | DE4571g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-10-04-001 | Take The “A” Train (theme) | DE4572a | |||
45-10-04-002 | I’d Do It All Over Again | DE4572b | |||
45-10-04-003 | Homesick, That’s All | DE4572c | |||
45-10-04-004 | Go Away Blues | DE4572d | |||
45-10-04-005 | It Don’t Mean A Thing - vTJ | DE4572e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 October 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-10-06-001 | Take The “A” Train (theme) | DETS 25, DETS 903-9013 | DE4573a | ||
45-10-06-002 | Main Stem | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573b | ||
45-10-06-003 | Carnegie Blues | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573c | ||
45-10-06-004 | I Can’t Believe That You’re In Love with Me | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573d | ||
45-10-06-005 | D.E. Bond Promo | DETS 25, DETS 903-9013 | DE4573e | ||
45-10-06-006 | What Am I Here For? | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573f | ||
45-10-06-007 | Lilly Belle | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573g | ||
45-10-06-008 | Homesick, That’s All | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573h | ||
45-10-06-009 | Go Away Blues - vJS | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573i | ||
45-10-06-010 | Frantic Fantasy | AFRS DWTD-55, DETS 25, DETS 903-9013 | DE4573j | ||
45-10-06-011 | If You Are But A Dream | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573k | ||
45-10-06-012 | D.E. Bond Promo | DETS 25, DETS 903-9013 | DE4573l | ||
45-10-06-013 | Jack The Bear | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573m | ||
45-10-06-014 | Ev’ry Hour On The Hour - vAH | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573n | ||
45-10-06-015 | Cotton Tail | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573o | ||
45-10-06-016 | Way Low (Lament In A Minor Mood) | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573p | ||
45-10-06-017 | D.E. Bond Promo | DETS 25, DETS 903-9013 | DE4573q | ||
45-10-06-018 | Teardrops In The Rain | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573r | ||
45-10-06-019 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | AFRS DWTD-56, DETS 25, DETS 903-9013 | DE4573s | ||
45-10-06-020 | Things Ain’t What They Used To Be | DETS 25, DETS 903-9013 | DE4573t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-10-07-001 | Take The “A” Train (theme) | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574a | ||
45-10-07-002 | Love Letters | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574b | ||
45-10-07-003 | Main Stem | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574c | ||
45-10-07-004 | Fishing For The Moon | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574d | ||
45-10-07-005 | Riff ’n’ Drill | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574e | ||
45-10-07-006 | Kissing Bug - vJS | AFRS MC-131, DETS 903-9002, Jo 1071 | DE4574f | ||
45-10-07-007 | Suddenly It Jumped | DETS 903-9011 | DE4574g | ||
45-10-07-008 | Ev’ry Hour On The Hour - vAH | DETS 903-9011 | DE4574h | ||
45-10-07-009 | Cotton Tail | DETS 903-9011 | DE4574i | ||
45-10-07-010 | Everything But You | DETS 903-9011 | DE4574j | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 08 October 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Ray Nance, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sidney Catlett(d); Joya Sherrill(v) | |||||
45-10-08-001 | D5VB662-1 | Tell Ya What I’m Gonna Do - vJS | (F)RCA PM-42047, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-1748 | DE4575a | |
45-10-08-002 | D5VB663-1 | Come To Baby, Do! - vJS | (F)RCA PM-42047, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-1748 | DE4575b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-10-10-001 | In The Shade Of The Old Apple tree | DETS 903-9004 | DE4576a | ||
45-10-10-002 | 9:20 Special | DETS 903-9004 | DE4576b | ||
45-10-10-003 | Tell Ya What I’m Gonna Do - vJS | DETS 903-9004 | DE4576c | ||
45-10-10-004 | West Indian Dance | DETS 903-9004 | DE4576d | ||
45-10-10-005 | A Door Will Open | DETS 903-9004 | DE4576e | ||
45-10-10-006 | In A Mellow Tone | DETS 903-9004, MJ MJCD-1140 | DE4576f | ||
45-10-10-007 | Everything But You - vJS | DETS 903-9004 | DE4576g | ||
45-10-10-008 | Solid Old Man | DETS 903-9004 | DE4576h | ||
45-10-10-009 | Things Ain’t What They Used To Be | DETS 903-9004 | DE4576i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-10-11-001 | Take The “A” Train (theme) | DETS 903-9007 | DE4577a | ||
45-10-11-002 | Clementine | DETS 903-9007 | DE4577b | ||
45-10-11-003 | I’ll Buy That Dream | DETS 903-9007 | DE4577c | ||
45-10-11-004 | Come To Baby Do - vJS | DETS 903-9007 | DE4577d | ||
45-10-11-005 | Harlem Air Shaft | DETS 903-9007 | DE4577e | ||
45-10-11-006 | Everything But You | DETS 903-9007 | DE4577f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 October 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-10-13-001 | Take The “A” Train (theme) | DETS 26, DETS 903-9014 | DE4578a | ||
45-10-13-002 | Things Ain’t What They Used To Be | AFRS DWTD-28, DETS 26, DETS 903-9014, Fm FA-1010 | DE4578b | ||
45-10-13-003 | Ev’ry Hour On The Hour - vAH | DETS 26, DETS 903-9014, Fm FA-1010 | DE4578c | ||
45-10-13-004 | D.E. Bond Promo | DETS 26, DETS 903-9014 | DE4578d | ||
45-10-13-005 | Hollywood Hangover | AFRS DWTD-27, DETS 26, DETS 903-9014, Fm FA-1010 | DE4578e | ||
45-10-13-006 | Take The “A” Train (theme) | AFRS DWTD-27, DETS 26, DETS 903-9014 | DE4578f | ||
45-10-13-007 | Autumn Serenade - vJS | AFRS DWTD-27, AFRS DWTD-33, DETS 26, DETS 903-9014, Fm FA-1010 | DE4578g | ||
45-10-13-008 | Rockabye River | AFRS DWTD-27, DETS 26, DETS 903-9014, Fm FA-1010 | DE4578h | ||
45-10-13-009 | Ridin’ On A Blue Note | AFRS DWTD-27, AFRS DWTD-32, DETS 26, DETS 903-9014 | DE4578i | ||
Add Billy Strayhorn(p) | |||||
45-10-13-010 | I’ll Buy That Dream | AFRS DWTD-27, DETS 26, DETS 903-9014 | DE4578j | ||
45-10-13-011 | D.E. Bond Promo | DETS 26, DETS 903-9014 | DE4578k | ||
45-10-13-012 | Riff ’n’ Drill | AFRS DWTD-27, DETS 26, DETS 903-9014 | DE4578l | ||
45-10-13-013 | Tell Ya What I’m Gonna Do - vJS | AFRS DWTD-27, AFRS DWTD-34, DETS 26, DETS 903-9014 | DE4578m | ||
Billy Strayhorn out | |||||
45-10-13-014 | How Deep Is The Ocean | AFRS DWTD-27, DETS 26, DETS 903-9014 | DE4578n | ||
45-10-13-015 | Mood Indigo | DETS 26, DETS 903-9014 | DE4578o | ||
45-10-13-016 | Take The “A” Train | AFRS DWTD-28, DETS 26, DETS 903-9014 | DE4578p | ||
45-10-13-017 | ¬ Diminuendo In Blue | AFRS DWTD-28, DETS 26, DETS 903-9014 | DE4578q | ||
45-10-13-018 | - | I Got It Bad - vAH | AFRS DWTD-28, AFRS DWTD-63, DETS 26, DETS 903-9014 | DE4578r | ||
45-10-13-019 | _| Crescendo In Blue | AFRS DWTD-28, DETS 26, DETS 903-9014 | DE4578s | ||
45-10-13-020 | Everything But You - vJS | AFRS DWTD-28, DETS 26, DETS 903-9014 | DE4578t | ||
45-10-13-021 | Everything But You and D.E. Bond Promo | DETS 26, DETS 27, DETS 903-9014 | DE4578u | ||
45-10-13-022 | Between The Devil And The Deep Blue Sea | AFRS DWTD-28, DETS 27, DETS 903-9014, JSo AA-501 | DE4578v | ||
Add Billy Strayhorn(p) | |||||
45-10-13-023 | After All | AFRS DWTD-28, DETS 27, DETS 903-9013 | DE4578w | ||
45-10-13-024 | Out Of This World - vKD | AFRS DWTD-28, DETS 27, DETS 903-9013 | DE4578x | ||
Billy Strayhorn out | |||||
45-10-13-025 | C-Jam Blues | DETS 27, DETS 903-9013 | DE4578y | ||
45-10-13-026 | Take The “A” Train (theme) | DETS 27, DETS 903-9013 | DE4578z | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Autumn 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-10-14-001 | Stomp, Look And Listen | DE4579a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-10-15-001 | I’ll Buy That Dream | Bu 74465-99629-2 | DE9006a | ||
45-10-15-002 | Fickle Fling | Bu 74465-99629-2 | DE9006b | ||
45-10-15-003 | Autumn Serenade - vJS | Bu 74465-99629-2 | DE9006c | ||
45-10-15-004 | How Deep Is The Ocean | Bu 74465-99629-2 | DE9006d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 October 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-10-18-001 | Take The “A” Train (theme) | DE4580a | |||
45-10-18-002 | A Door Will Open | DETS 903-9011 | DE4580b | ||
45-10-18-003 | Lily Belle | DETS 903-9011 | DE4580c | ||
45-10-18-004 | West Indian Dance | DETS 903-9011 | DE4580d | ||
45-10-18-005 | Waiting For The Train To Come In | DETS 903-9011 | DE4580e | ||
45-10-18-006 | Blues On The Double | DETS 903-9011 | DE4580f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 October 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch);Joya Sherrill(v) | |||||
45-10-20-001 | Take The “A” Train (theme) | DETS 27, DETS 903-9014 | DE4581a | ||
45-10-20-002 | Ultra Blue (How Blue Can You Get #) | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581b | ||
45-10-20-003 | Teardrops In The Rain | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581c | ||
45-10-20-004 | Time On My Hands | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581d | ||
45-10-20-005 | Riff Staccato - vJS | DETS 27, DETS 903-9014 | DE4581e | ||
45-10-20-006 | Take The “A” Train (theme) | DETS 27, DETS 903-9014 | DE4581f | ||
45-10-20-007 | Ko-Ko | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581g | ||
Billy Strayhorn(p); Kay Davis(v) | |||||
45-10-20-008 | If I Loved You - vKD | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581h | ||
As before | |||||
45-10-20-009 | D.E. Bond Promo | DETS 27, DETS 903-9014 | DE4581i | ||
45-10-20-010 | Just Squeeze Me | DETS 27, DETS 903-9014 | DE4581j | ||
Add Russell Procope(as) | |||||
45-10-20-011 | Honeysuckle Rose | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581k | ||
45-10-20-012 | Perdido | AFRS DWTD-57, DETS 27, DETS 903-9014 | DE4581l | ||
Russell Procope out | |||||
45-10-20-013 | Air Conditioned Jungle | AFRS DWTD-58, DETS 27, DETS 903-9014 | DE4581m | ||
45-10-20-014 | Take The “A” Train (theme) | DETS 27, DETS 903-9014 | DE4581n | ||
45-10-20-015 | Take The “A” Train (theme) | DETS 28, DETS 903-9014 | DE4581o | ||
45-10-20-016 | Waiting For The Train To Come In | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581p | ||
45-10-20-017 | I’d Do It All Over Again | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581q | ||
45-10-20-018 | D.E. Bond Promo | DETS 28, DETS 903-9014 | DE4581r | ||
45-10-20-019 | Fancy Dan | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581s | ||
45-10-20-020 | Homesick That’s All | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581t | ||
45-10-20-021 | Blues On The Double | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581u | ||
Add Billy Strayhorn(p) | |||||
45-10-20-022 | Ev’ry Hour On The Hour | DETS 28, DETS 903-9014 | DE4581v | ||
45-10-20-023 | D.E. Bond Promo | DETS 28, DETS 903-9014 | DE4581w | ||
Billy Strayhorn out | |||||
45-10-20-024 | Caravan | AFRS DWTD-58, DETS 28, DETS 903-9014 | DE4581x | ||
45-10-20-025 | Riff ’n’ Drill | DETS 28, DETS 903-9014 | DE4581y | ||
45-10-20-026 | Things Ain’t What They Used To Be | DETS 28, DETS 903-9014 | DE4581z | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 October 1945 | |||
MBS broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
45-10-21-001 | Take The “A” Train (theme) | AFRS ONS-763, AFRS ONS-786, Jo LP-1006 | DE4582a | ||
45-10-21-002 | Midriff | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582b | ||
45-10-21-003 | A Door Will Open | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582c | ||
45-10-21-004 | My Little Brown Book - vAH | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582d | ||
45-10-21-005 | Stomp, Look And Listen | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582e | ||
45-10-21-006 | Waiting For The Train To Come In | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582f | ||
45-10-21-007 | ¬ Diminuendo In Blue | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582g | ||
45-10-21-008 | - | Rocks In My Bed | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582h | ||
45-10-21-009 | _| Crescendo In Blue | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582i | ||
45-10-21-010 | Everything But You | AFRS ONS-763, DETS 903-9008, Jo LP-1006 | DE4582j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 October 1945 | |||
NBC broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-10-24-001 | Take The “A” Train (theme) | AFRS ONS-764, DETS 903-9007 | DE4583a | ||
45-10-24-002 | How Deep Is The Ocean | AFRS ONS-764 | DE4583b | ||
45-10-24-003 | Walkin’ With my Honey | AFRS ONS-764, DETS 903-9007 | DE4583c | ||
45-10-24-004 | Go Away Blues - vJS | AFRS ONS-764, DETS 903-9007 | DE4583d | ||
45-10-24-005 | Homesick, That’s All | AFRS ONS-764, DETS 903-9007 | DE4583e | ||
45-10-24-006 | I’d Do It All Over Again | AFRS ONS-764, DETS 903-9007 | DE4583f | ||
45-10-24-007 | Take The “A” Train | AFRS ONS-764 | DE4583g | ||
45-10-24-008 | Fancy Dan | AFRS ONS-764, DETS 903-9007 | DE4583h | ||
45-10-24-009 | Ev’ry Hour On The Hour | AFRS ONS-764 | DE4583i | ||
45-10-24-010 | Emancipation Celebration | AFRS ONS-764, AFRS ONS-800, Jo LP-1071 | DE4583j | ||
45-10-24-011 | Let The Zoomers Drool | AFRS ONS-764, AFRS ONS-800, Jo LP-1071 | DE4583k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 October 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis, Golden Gate Quartet(v) | |||||
45-10-27-001 | Take The “A” Train (theme) | AFRS DWTD-59, DETS 28 | DE4584a | ||
45-10-27-002 | Johnny Come Lately | AFRS DWTD-59, DETS 28 | DE4584b | ||
45-10-27-003 | I Can’t Believe That You’re In Love With Me | AFRS DWTD-59, DETS 28 | DE4584c | ||
45-10-27-004 | I’ll Buy That Dream | AFRS DWTD-59, DETS 28 | DE4584d | ||
45-10-27-005 | Stomp, Look And Listen | DETS 28 | DE4584e | ||
Add Billy Strayhorn(p) | |||||
45-10-27-006 | Take The “A” Train (theme) | DETS 28 | DE4584f | ||
45-10-27-007 | The Wonder Of You - vJS | AFRS DWTD-59, DETS 28 | DE4584g | ||
45-10-27-008 | D.E. Bond Promo | DETS 28 | DE4584h | ||
Add Golden Gate Quartet(v) | |||||
45-10-27-009 | Joshua Fit The Battle Of Jericho - vGGQ | AFRS DWTD-59, DETS 28 | DE4584i | ||
45-10-27-010 | The General Jumped At Dawn - vGGQ | DETS 28 | DE4584j | ||
Billy Strayhorn, Golden Gate Quartet out | |||||
45-10-27-011 | Mood To Be Wooed | AFRS DWTD-59, DETS 29 | DE4584k | ||
45-10-27-012 | Three Cent Stomp | AFRS DWTD-59, DETS 29 | DE4584l | ||
Add Billy Strayhorn(p) | |||||
45-10-27-013 | Yesterdays - vKD | AFRS DWTD-60, DETS 29 | DE4584m | ||
45-10-27-014 | D.E. Bond Promo | DETS 29 | DE4584n | ||
45-10-27-015 | Do Nothin’ Till You Hear From Me - vAH | AFRS DWTD-60, DETS 29 | DE4584o | ||
Billy Strayhorn out | |||||
45-10-27-016 | Stompy Jones | AFRS DWTD-60, DETS 29 | DE4584p | ||
45-10-27-017 | Things Ain’t What They Used To Be | DETS 29 | DE4584q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-10-28-001 | Things Ain’t What They Used To Be | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585a | ||
45-10-28-002 | In A Mellow Tone | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585b | ||
45-10-28-003 | The Wonder Of You - vJS | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585c | ||
45-10-28-004 | Riff ’n’ Drill | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585d | ||
45-10-28-005 | The Last Time I Saw You | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585e | ||
45-10-28-006 | How Deep Is The Ocean | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585f | ||
45-10-28-007 | Riff Staccato - vJS | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585g | ||
45-10-28-008 | Ev’ry Hour On The Hour - vAH | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585h | ||
45-10-28-009 | Harlem Air-Shaft | AFRS ONS-786, DETS 903-9006, GoJ 1020 | DE4585i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 October 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch) | |||||
45-10-29-001 | Take The “A” Train (theme) | DE4586a | |||
45-10-29-002 | Stompy Jones | DE4586b | |||
45-10-29-003 | I’d Do It All Over Again | DE4586c | |||
45-10-29-004 | A Door Will Open | DE4586d | |||
45-10-29-005 | It Don’t Mean A Thing - vTJ | DE4586e | |||
45-10-29-006 | Frantic Fantasy | DE4586f | |||
45-10-29-007 | Blue Skies | DE4586g | |||
45-10-29-008 | Everything But You | DE4586h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | October / November 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
45-11-00-001 | Take The “A” Train (theme) | AFRS MC-172 | DE4587a | ||
45-11-00-002 | Jumpin’ Punkins | AFRS MC-172, DETS 903-9003 | DE4587b | ||
45-11-00-003 | A Door Will Open | AFRS MC-172, DETS 903-9003 | DE4587c | ||
45-11-00-004 | West Indian Dance | AFRS MC-172, DETS 903-9003 | DE4587d | ||
45-11-00-005 | I Ain’t Got Nothin’ But The Blues - vAH, KD | AFRS MC-172, DETS 903-9003 | DE4587e | ||
45-11-00-006 | Jack The Bear | AFRS MC-172, DETS 903-9003 | DE4587f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 November 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-11-03-001 | Take The “A” Train (theme) | AFRS DWTD-61, AFRS DWTD-62, DETS 29 | DE4588a | ||
45-11-03-002 | Clementine | AFRS DWTD-61, DETS 29 | DE4588b | ||
45-11-03-003 | Jeep Is Jumpin' | AFRS DWTD-61, DETS 29 | DE4588c | ||
45-11-03-004 | Don’t Take Your Love From Me - vAH | DETS 29 | DE4588d | ||
45-11-03-005 | It Don’t Mean A Thing - vTJ | AFRS DWTD-61, DETS 29 | DE4588e | ||
Add Billy Strayhorn(p) | |||||
45-11-03-006 | D.E. Bond Promo | DETS 29 | DE4588f | ||
45-11-03-007 | If You Are But A Dream - vKD | AFRS DWTD-61, DETS 29 | DE4588g | ||
Billy Strayhorn out | |||||
45-11-03-008 | Emancipation Celebration | AFRS DWTD-61, DETS 29 | DE4588h | ||
Add The Mellotones(v) | |||||
45-11-03-009 | Caldonia | AFRS DWTD-61, DETS 29 | DE4588i | ||
The Mellotones out | |||||
45-11-03-010 | Ring Dem Bells - vTJ | DETS 29 | DE4588j | ||
Add Billy Strayhorn(p) | |||||
45-11-03-011 | Take The “A” Train (theme) | DETS 30 | DE4588k | ||
45-11-03-012 | A Door Will Open | AFRS DWTD-62, DETS 30 | DE4588l | ||
45-11-03-013 | D.E. Bond Promo | DETS 30 | DE4588m | ||
Billy Strayhorn out | |||||
45-11-03-014 | Court Session | AFRS DWTD-62, DETS 30 | DE4588n | ||
45-11-03-015 | That’s For Me | AFRS DWTD-62, DETS 30 | DE4588o | ||
45-11-03-016 | On The Atcheson, Topeka And Santa Fe | AFRS DWTD-62, DETS 30 | DE4588p | ||
45-11-03-017 | Ev’ry Hour On The Hour - vAH | AFRS DWTD-62, DETS 30 | DE4588q | ||
45-11-03-018 | D.E. Bond Promo | DETS 30 | DE4588r | ||
45-11-03-019 | How Deep Is The Ocean | AFRS DWTD-62, DETS 30 | DE4588s | ||
45-11-03-020 | Victory Drive - vJS | DETS 30 | DE4588t | ||
45-11-03-021 | Autumn Serenade - vJS | AFRS DWTD-62, DETS 30 | DE4588u | ||
45-11-03-022 | Take The “A” Train (theme) | DETS 30 | DE4588v | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 November 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Joe Nanton, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-11-10-001 | Take The “A” Train (theme) | DETS 30 | DE4589a | ||
45-11-10-002 | Just A-Sittin’ And A-Rockin' | DETS 30 | DE4589b | ||
45-11-10-003 | Take The “A” Train (theme) | DETS 30 | DE4589c | ||
45-11-10-004 | 9:20 Special | AFRS DWTD-40, DETS 30 | DE4589d | ||
Add Billy Strayhorn(p) | |||||
45-11-10-005 | Frustration | AFRS DWTD-40, AFRS DWTD-53, DETS 30 | DE4589e | ||
45-11-10-006 | D.E. Bond Promo | DETS 30 | DE4589f | ||
Billy Strayhorn out | |||||
45-11-10-007 | Jennie | AFRS DWTD-40, AFRS DWTD-66, DETS 30 | DE4589g | ||
45-11-10-008 | Dancing In The Dark - vKD | AFRS DWTD-40, DETS 30 | DE4589h | ||
45-11-10-009 | Crosstown | AFRS DWTD-40, DETS 30 | DE4589i | ||
45-11-10-010 | Passion Flower | AFRS DWTD-40, DETS 30 | DE4589j | ||
45-11-10-011 | Victory Drive - vJS | DETS 31 | DE4589k | ||
Add The Mellotones(v) | |||||
45-11-10-012 | Get On Board Little Children - vTM | AFRS DWTD-40, DETS 31 | DE4589l | ||
The Mellotones out | |||||
45-11-10-013 | Take The “A” Train (theme) | AFRS DWTD-40, AFRS DWTD-41, DETS 31, GoJ 1020 | DE4589m | ||
45-11-10-014 | Come Sunday | AFRS DWTD-41, DETS 31 | DE4589n | ||
45-11-10-015 | Light | AFRS DWTD-41, DETS 31, GoJ 1020 | DE4589o | ||
45-11-10-016 | D.E. Bond Promo | DETS 31 | DE4589p | ||
45-11-10-017 | 11:60 p.m. - vJS | AFRS DWTD-41, DETS 31, DETS 59, GoJ 1020 | DE4589q | ||
45-11-10-018 | Tell It To A Star | AFRS DWTD-41, DETS 31, GoJ 1020 | DE4589r | ||
45-11-10-019 | I Ain’t Got Nothin’ But The Blues - vAH, Kay Davis | AFRS DWTD-41, DETS 31, GoJ 1020 | DE4589s | ||
45-11-10-020 | Cotton Tail | AFRS DWTD-41, DETS 31, GoJ 1020 | DE4589t | ||
45-11-10-021 | Waiting For The Train To Come In | DETS 31 | DE4589u | ||
45-11-10-022 | Star Spangled Banner | DETS 31 | DE4589v | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 November 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-11-17-001 | Take The “A” Train (theme) | AFRS DWTD-39, DETS 31 | DE4590a | ||
45-11-17-002 | Walkin’ With My Honey | AFRS DWTD-39, AFRS DWTD-45, AFRS DWTD-74, DETS 31 | DE4590b | ||
45-11-17-003 | Jack The Bear | AFRS DWTD-39, DETS 31 | DE4590c | ||
Add Billy Strayhorn(p) | |||||
45-11-17-004 | Autumn Serenade - vJS | AFRS DWTD-39, DETS 31 | DE4590d | ||
45-11-17-005 | D.E. Bond Promo | DETS 31 | DE4590e | ||
45-11-17-006 | Tell It To A Star | AFRS DWTD-39, AFRS DWTD-59, DETS 31 | DE4590f | ||
Add The Mellotones(v) | |||||
45-11-17-007 | The Cat And The Fiddle - vTM | AFRS DWTD-39, DETS 31 | DE4590g | ||
Billy Strayhorn, The Mellotones out | |||||
45-11-17-008 | I Can’t Begin To Tell You | AFRS DWTD-39, DETS 31 | DE4590h | ||
45-11-17-009 | How Deep Is The Ocean | AFRS DWTD-39, DETS 31 | DE4590i | ||
Add Billy Strayhorn(p) | |||||
45-11-17-010 | The Wonder Of You - vJS | AFRS DWTD-39, DETS 32 | DE4590j | ||
Billy Strayhorn out | |||||
45-11-17-011 | Victory Drive - vJS | DETS 32 | DE4590k | ||
45-11-17-012 | As Long As I Live | AFRS DWTD-39, DETS 32 | DE4590l | ||
45-11-17-013 | Take The “A” Train (theme) | DETS 32 | DE4590m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | November 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-11-20-001 | Take The “A” Train (theme) | AFRS MC-180, DETS 903-9003 | DE4592a | ||
45-11-20-002 | Just A-Sittin’ And A-Rockin' | AFRS MC-180, DETS 903-9003 | DE4592b | ||
45-11-20-003 | Clementine | AFRS MC-180, DETS 903-9003 | DE4592c | ||
45-11-20-004 | The Wonder Of You - vJS | AFRS MC-180, DETS 903-9003 | DE4592d | ||
45-11-20-005 | I’ll Buy That Dream | AFRS MC-180, DETS 903-9003 | DE4592e | ||
45-11-20-006 | Come To Baby, Do! | AFRS MC-180, DETS 903-9003 | DE4592f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 November 1945 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
45-11-24-001 | Take The “A” Train (theme) | AFRS DWTD-36, AFRS DWTD-37, DETS 32 | DE4593a | ||
45-11-24-002 | Way Low | AFRS DWTD-36, DETS 32 | DE4593b | ||
45-11-24-003 | C-Jam Blues | AFRS DWTD-36, DETS 32 | DE4593c | ||
45-11-24-004 | Kissing Bug - vJS | AFRS DWTD-36, DETS 32 | DE4593d | ||
45-11-24-005 | D.E. Bond Promo | DETS 32 | DE4593e | ||
45-11-24-006 | Just A-Sittin’ And A-Rockin' | AFRS DWTD-36, DETS 32 | DE4593f | ||
Add The Mellotones(v) | |||||
45-11-24-007 | Caldonia | AFRS DWTD-36, DETS 32 | DE4593g | ||
The Mellotones out | |||||
45-11-24-008 | Fancy Dan | AFRS DWTD-36, DETS 32 | DE4593h | ||
45-11-24-009 | I’m Just A Lucky So And So - vAH | AFRS DWTD-36, DETS 32 | DE4593i | ||
45-11-24-010 | Take The “A” Train (theme) | DETS 32 | DE4593j | ||
45-11-24-011 | Take The “A” Train (theme) | DETS 32 | DE4593k | ||
45-11-24-012 | The Last Time I Saw you | AFRS DWTD-36, DETS 32 | DE4593l | ||
45-11-24-013 | On The Atcheson, Topeka And Santa Fe | AFRS DWTD-36, DETS 32 | DE4593m | ||
45-11-24-014 | D.E. Bond Promo | DETS 32 | DE4593n | ||
Add Billy Strayhorn(p); Kay Davis(v) only | |||||
45-11-24-015 | If I Loved You - vKD | AFRS DWTD-36, DETS 32 | DE4593o | ||
As before | |||||
45-11-24-016 | I Can’t Begin To Tell You | AFRS DWTD-36, DETS 32 | DE4593p | ||
45-11-24-017 | The Wonder Of You - vJS | AFRS DWTD-36, DETS 32 | DE4593q | ||
45-11-24-018 | Riff ’n’ Drill | DETS 32 | DE4593r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 November 1945 | |||
Broadcast, NBC Studios | |||||
Shelton Hemphill, Rex Stewart, Cat Anderson(t); Taft Jordan(t,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
45-11-25-001 | Take The “A” Train (theme) | AFRS MALB-77 | DE4594a | ||
45-11-25-002 | Dancers In Love | AFRS MALB-77, AFRS MH-192 | DE4594b | ||
DUKE ELLINGTON WITH JAY BLACKTON ORCHESTRA | Same session | ||||
Duke Ellington(p) with Jay Blackton and His Orchestra | |||||
Medley:- | DE4594c | ||||
45-11-25-003 | - 1. Sophisticated Lady | AFRS MALB-77 | |||
45-11-25-004 | - 2. Solitude | AFRS MALB-77 | |||
45-11-25-005 | - 3. Caravan | AFRS MALB-77 | |||
45-11-25-006 | - 4. Mood Indigo | AFRS MALB-77 | |||
45-11-25-007 | - 5. It Don’t Mean A Thing | AFRS MALB-77 | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 26 November 1945 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill(v) | |||||
45-11-26-001 | D5VB949-1 | I’m Just A Lucky So And So - vAH | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), RCA LPV-553, Vi 20-1799 | DE4595a | |
45-11-26-002 | D5VB950-1 | Long Strong And Consecutive - vJS | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), RCA LPV-553 | DE4595b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
45-11-26-003 | D5VB951-1 | The Wonder Of You - vJS | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-1799 | DE4595c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 November 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-11-28-001 | Crosstown | DETS 903-9009 | DE4596e | ||
45-11-28-002 | The Wonder Of You - vJS | DETS 903-9009 | DE4596f | ||
45-11-28-003 | Cotton Tail | DETS 903-9009 | DE4596g | ||
45-11-28-004 | I’m Just A Lucky So And So | DETS 903-9009 | DE4596h | ||
45-11-28-005 | Things Ain’t What They Used To Be | DETS 903-9009 | DE4596i | ||
45-11-28-006 | Three Cent Stomp | DETS 903-9009 | DE4596a | ||
45-11-28-007 | Long Strong And Consecutive - vJS | DETS 903-9009 | DE4596b | ||
45-11-28-008 | Blue Skies | DETS 903-9009 | DE4596c | ||
45-11-28-009 | Everything But You | DETS 903-9009 | DE4596d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | November / December 1945 | |||
AFRS Radio Tr., Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
45-11-30-001 | Take The “A” Train (theme) | AFRS MC195 | DE4597a | ||
45-11-30-002 | I’ll Buy That Dream | AFRS MC195 | DE4597b | ||
45-11-30-003 | Tell It To A Star | AFRS MC195 | DE4597c | ||
45-11-30-004 | Stomp, Look And Listen | AFRS MC195 | DE4597d | ||
45-11-30-005 | Autumn Serenade | AFRS MC195 | DE4597e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 December 1945 | |||
Broadcast, Zanzibar Restaurant | |||||
Shelton Hemphill, Rex Stewart, Taft Jordan, Cat Anderson(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
45-12-03-001 | Caravan | DE4598a | |||
45-12-03-002 | I Can’t Begin To Tell You | DE4598b | |||
45-12-03-003 | As Long As I Live | DE4598c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 29 December 1945 | |||
Broadcast, Queensway Ballroom | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Joya Sherrill(v) | |||||
45-12-29-001 | Take The “A” Train (theme) | DE4599a | |||
45-12-29-002 | Teardrops In The Rain | DE4599b | |||
45-12-29-003 | Creole Love Call | DE4599c | |||
45-12-29-004 | The Wonder Of You - vJS | DE4599d | |||
45-12-29-005 | C-Jam Blues | DE4599e | |||
45-12-29-006 | Cotton Tail | DE4599f | |||
45-12-29-007 | Magenta Haze | DE4599g | |||
45-12-29-008 | Blue Skies | DE4599h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 January 1946 | |||
Concert, Carnegie Hall | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford, Al Lucas(sb); Sonny Greer(d,ch); Al Hibbler, Joya Sherrill, Kay Davis(v) | |||||
46-01-04-001 | Star Spangled Banner | DE4601a | |||
46-01-04-002 | Caravan | Df DRCD-11211, Pr P-24074 | DE4601b | ||
46-01-04-003 | In A Mellow Tone | Df DRCD-11211, Pr P-24074 | DE4601c | ||
46-01-04-004 | Solid Old Man | Df DRCD-11211, Pr P-24074 | DE4601d | ||
46-01-04-005 | Come Sunday | Df DRCD-11211, Pr P-24074 | DE4601e | ||
46-01-04-006 | Light | Df DRCD-11211, Pr P-24074 | DE4601f | ||
46-01-04-007 | The Blues - vJS | Df DRCD-11211, Pr P-24074 | DE4601g | ||
46-01-04-008 | Rugged Romeo | Df DRCD-11211, Pr P-24074 | DE4601h | ||
46-01-04-009 | Sono | Df DRCD-11211, Pr P-24074 | DE4601i | ||
46-01-04-010 | Air Conditioned Jungle | Df DRCD-11211, Pr P-24074 | DE4601j | ||
Duke Ellington(p); Al Lucas(sb); Sonny Greer(d) | |||||
46-01-04-011 | Dancers In Love | DE4601k | |||
As before | |||||
46-01-04-012 | Coloratura | DE4601l | |||
46-01-04-013 | ¬ Frankie And Johnny | DE4601m | |||
46-01-04-014 | _| Metronome All Out | DE4601n | |||
46-01-04-015 | Take The “A” Train | Df DRCD-11211, Pr P-24074 | DE4601o | ||
A TONAL GROUP | |||||
46-01-04-016 | - 1. Rhapsoditti (Mellow Ditty) | Df DRCD-11211, Pr P-24074 | DE4601p | ||
46-01-04-017 | - 2. Fugueaditti | Df DRCD-11211, Pr P-24074 | DE4601q | ||
46-01-04-018 | - 3. Jam-A-Ditty | Df DRCD-11211, Pr P-24074 | DE4601r | ||
Duke Ellington(p); Al Lucas(sb); Sonny Greer(d) | |||||
46-01-04-019 | Pitter Panther Patter | Df DRCD-11211, Pr P-24074 | DE4601s | ||
As before | |||||
46-01-04-020 | ¬ Diminuendo In Blue | Df DRCD-11211, Pr P-24074 | DE4601t | ||
46-01-04-021 | - | Transblucency - vKD | Df DRCD-11211, Pr P-24074 | DE4601u | ||
46-01-04-022 | _| Crescendo In Blue | Df DRCD-11211, Pr P-24074 | DE4601v | ||
46-01-04-023 | Magenta Haze | Df DRCD-11211, Pr P-24074 | DE4601w | ||
46-01-04-024 | Suburbanite | Df DRCD-11211, Pr P-24074 | DE4601x | ||
46-01-04-025 | My Little Brown Book - vAH | DE4601y | |||
46-01-04-026 | Nobody Knows The Trouble I’ve Seen - vAH | DE4601z | |||
46-01-04-027 | Fat And Forty - vAH | DE4601aa | |||
46-01-04-028 | I’m Just A Lucky So And So - vAH | Df DRCD-11211, Pr P-24074 | DE4601ab | ||
46-01-04-029 | Riff ’n’ Drill | Df DRCD-11211, Pr P-24074 | DE4601ac | ||
DUKE ELLINGTON AND BILLY STRAYHORN | New York City, NY | 10 January 1946 | |||
RCA-Victor recording session | |||||
Duke Ellington, Billy Strayhorn(p) | |||||
46-01-10-001 | D6VB1518-1 | Tonk | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), Vi 27-0145 | DE4602a | |
46-01-10-002 | D6VB1519-1 | Drawing Room Blues | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-2327 | DE4602b | |
LEONARD FEATHER'S ESQUIRE ALL-AMERICANS | New York City, NY | 10 January 1946 | |||
RCA-Victor recording session | |||||
Louis Armstrong(t,v); Charlie Shavers(t); Jimmy Hamilton(cl); Johnny Hodges(as); Don Byas(ts); Duke Ellington, Billy Strayhorn(p); Remo Palmieri(g); Chubby Jackson(sb); Sonny Greer(d) | |||||
46-01-10-003 | D6VC5020-1 | Long Long Journey - vLA | (F)RCA PM-42397, RCA 09026-63386-2(D), Vi 40-4001 | DE4603a | |
Louis Armstrong out. Add Red Norvo(vb) | |||||
46-01-10-004 | D6VC5022-1 | The One That Got Away | (F)RCA PM-42397, RCA 09026-63386-2(D), Vi 40-4002 | DE4603b | |
METRONOME ALL-STAR BAND | New York City, NY | 15 January 1946 | |||
RCA-Victor recording session | |||||
Harry Edison, Pete Candoli, Neal Hefti, Sonny Berman (t); Tommy Dorsey, Bill Harris, J C Higginbotham (tb); Buddy De Franco (cl); Herbie Fields, Johnny Hodges (as); Flip Phillips, George Auld (ts); Harry Carney (bs); Teddy Wilson (p); Red Norvo (vib); Tiny Grimes, Billy Bauer (g); Chubby Jackson (sb); Dave Tough (d); Duke Ellington (cond.) | |||||
46-01-15-001 | Metronome All Out (S)(T)(YT) | (F)RCA PM-42397, RCA 09026-63386-2(D), Vi 27-0116 | DE4604a | ||
Vail says Herbie Fields plays alto, not tenor sax. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 January 1946 | |||
Concert, Ritz Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-01-16-001 | Take The “A” Train (theme) | DE4605a | |||
46-01-16-002 | Take The “A” Train | Sdi 125 | DE4605b | ||
46-01-16-003 | Honeysuckle Rose | Sdi 125 | DE4605c | ||
46-01-16-004 | Jam-A-Ditty | Sdi 125 | DE4605d | ||
46-01-16-005 | Esquire Swank | Cl(F) 985, Sdi 125, VD 617 | DE4605e | ||
Add Francis Wayne(v) | |||||
46-01-16-006 | I’m Checking Out Goombye - vFWa | Sdi 125 | DE4605f | ||
DUKE ELLINGTON'S AND WOODY HERMAN'S COMBINED ORCHESTRAS | Same session | ||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood, Woody Herman Trumpet Section(t); Lawrence Brown, Wilbur De Paris, Claude Jones, Bill Harris, Ed Kiefer, Ralph Pfeffner(tb); Woody Herman(cl); Otto Hardwick(cl,as); Jimmy Hamilton(cl,ts); Johnny Hodges, John LaPorta, Sam Marowitz(as); Al Sears, Mickey Folus, Flip Phillips(ts); Harry Carney(cl,as,bar); Sam Rubinowitch(bar); Duke Ellington, Tony Aless, Billy Bauer(p); Red Norvo(vib); Fred Guy(g); Oscar Pettiford, Chubby Jackson(sb); Sonny Greer, Don Lamond(d); Muzzy Marcellino(v) | |||||
Woody Herman’s trumpet section is unclear. Various sources suggest different players out of Conrad Gozzo, Irv Lewis, Irv Markowitz, Marky Markowitz, Neal Hefti, Pete Candoli Shorty Rogers, Sonny Berman. | |||||
46-01-16-007 | C-Jam Blues | Cl(F) 985, He 35, MoJ MJCD-1305, Sdi 125, VD 648 | DE4605g | ||
46-01-16-008 | C-Jam Blues | He 35, MoJ MJCD-1305 | DE4605h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 January 1946 | |||
First Concert, Civic Opera House | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Al Lucas, Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-01-20-001 | Star Spangled Banner | MM 65110-2 | DE4606a | ||
46-01-20-002 | Caravan | DETS 33, DETS 903-9017 | DE4606b | ||
46-01-20-003 | In A Mellow Tone | MM 65110-2 | DE4606c | ||
46-01-20-004 | Solid Old Man | MM 65110-2 | DE4606d | ||
46-01-20-005 | Come Sunday | MM 65110-2 | DE4606e | ||
46-01-20-006 | Light | MM 65110-2 | DE4606f | ||
46-01-20-007 | Rugged Romeo | DETS 33, DETS 903-9017, MM 65110-2 | DE4606g | ||
46-01-20-008 | Sono | DETS 33, DETS 903-9017 | DE4606h | ||
46-01-20-009 | Air Conditioned Jungle | DETS 33, DETS 903-9017 | DE4606i | ||
46-01-20-010 | Circe | DETS 33, DETS 903-9017, MM 65110-2 | DE4606j | ||
Duke Ellington(p); Oscar Pettiford(sb); Sonny Greer(d) | |||||
46-01-20-011 | Dancers In Love | MM 65110-2 | DE4606k | ||
As before | |||||
46-01-20-012 | Coloratura | MM 65110-2 | DE4606l | ||
46-01-20-013 | ¬ Frankie And Johnny | MM 65110-2 | DE4606m | ||
46-01-20-014 | _| Metronome All Out | MM 65110-2 | DE4606n | ||
46-01-20-015 | Take The “A” Train | MM 65110-2 | DE4606o | ||
A TONAL GROUP | |||||
46-01-20-016 | - 1. Rhapsoditti (Mellow Ditty) | DETS 33, DETS 903-9017 | DE4606p | ||
46-01-20-017 | - 2. Fugueaditti | DETS 33, DETS 903-9017 | DE4606q | ||
46-01-20-018 | - 3. Jam-A-Ditty | DETS 33, DETS 903-9017 | DE4606r | ||
46-01-20-019 | Magenta Haze | MM 65110-2 | DE4606s | ||
46-01-20-020 | ¬ Diminuendo In Blue | DE4606t | |||
46-01-20-021 | - | Transblucency - vKD | DE4606u | |||
46-01-20-022 | _| Crescendo In Blue | DE4606v | |||
Duke Ellington(p); Oscar Pettiford(sb); Sonny Greer(d) | |||||
46-01-20-023 | Pitter Panther Patter | DE4606w | |||
As Before | |||||
46-01-20-024 | Suburbanite | DETS 33, DETS 903-9017, MM 65110-2 | DE4606x | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 January 1946 | |||
Second Concert, Civic Opera House | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-01-20-025 | Take The “A” Train (theme) | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607a | ||
46-01-20-026 | Jam-A-Ditty | AFRS DWTD-38 | DE4607b | ||
46-01-20-027 | Magenta Haze | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607c | ||
46-01-20-028 | ¬ Diminuendo In Blue | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607d | ||
46-01-20-029 | - | Transblucency - vKD | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607e | ||
46-01-20-030 | _| Crescendo In Blue | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607f | ||
Duke Ellington(p); Oscar Pettiford(sb); Sonny Greer(d) | |||||
46-01-20-031 | Pitter Panther Patter | AFRS DWTD-38, DETS 33, DETS 903-9017 | DE4607f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, PA | 16 March 1946 | |||
Broadcast, WEAF studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); John Conte(v) | |||||
46-03-16-001 | My Blue Heaven - vJCn | AFRS TTC-4 | DE4608a | ||
46-03-16-002 | Blue Skies | AFRS TTC-4 | DE4608b | ||
46-03-16-003 | In The Eyes Of My Irish Colleen - vJCn (F) | AFRS TTC-4 | DE4608c | ||
46-03-16-004 | I’m Just A Lucky So And So | AFRS TTC-4 | DE4608d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 March 1946 | |||
Capitol Radio Transcription recording session at WMCA studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wilson Myers(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-03-28-001 | Crosstown | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033, P30 02 | DE4609a | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-03-28-002 | Passion Flower | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609b | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-03-28-003 | Magenta Haze | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609c | ||
46-03-28-004 | Everything Goes | AFRS J-(XMAS47), Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609d | ||
Wmy out. Add Oscar Pettiford(sb) | |||||
46-03-28-005 | Eighth Veil | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609e | ||
46-03-28-006 | Riff ’n’ Drill | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609f | ||
46-03-28-007 | Blue Abandon | Cp B-163/164, Hs HBCD-501-1, Ld HMP-5033 | DE4609g | ||
46-03-28-008 | Transblucency - vKD | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5033 | DE4609h | ||
46-03-28-009 | Embraceable You - vKD | Cp B-165/166, Hs HBCD-501-3, Ld HMP-5037 | DE4609i | ||
46-03-28-010 | Rugged Romeo | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5033 | DE4609j | ||
46-03-28-011 | Jennie | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5033 | DE4609k | ||
46-03-28-012 | Sono | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5033 | DE4609l | ||
46-03-28-013 | Jeep Is Jumpin' | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5033 | DE4609m | ||
46-03-28-014 | Take The “A” Train | Cp X-25, Hs HBCD-501-1, Ld HMP-5033 | DE4609n | ||
46-03-28-015 | Take The “A” Train (theme) | AFRS J-(XMAS47), Cp X-25, Hs HBCD-501-3, Ld HMP-5037 | DE4609o | ||
46-03-28-016 | Perdido | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5034 | DE4609p | ||
Duke Ellington(p); Oscar Pettiford(sb); Sonny Greer(d) | |||||
46-03-28-017 | Tip Toe Topic | Cp B-165/166, Hs HBCD-501-1, Ld HMP-5034 | DE4609q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | San Antonio,TX | 13 April 1946 | |||
Broadcast, San Pedro Playhouse | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Bernard Flood(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Otto Hardwick(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-04-13-001 | Jam-A-Ditty | DETS 34, DETS 903-9018 | DE4610a | ||
46-04-13-002 | Blue Is The Night | DETS 34, DETS 903-9018 | DE4610b | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-04-13-003 | Passion Flower | DETS 34, DETS 903-9018 | DE4610c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 20 April 1946 | |||
Broadcast, Howard Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-04-20-001 | Take The “A” Train (theme) | DETS 34 | DE4611a | ||
46-04-20-002 | Mood To Be Wooed | DETS 34 | DE4611b | ||
46-04-20-003 | Caravan | DETS 34 | DE4611c | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-04-20-004 | D.E. Bond Promo | DETS 34 | DE4611d | ||
46-04-20-005 | Don’t Take Your Love From Me - vAH | DETS 34 | DE4611e | ||
Billy Strayhorn out. Add Duke Ellington(p). | |||||
46-04-20-006 | Take The “A” Train (theme) | DETS 34 | DE4611f | ||
46-04-20-007 | The Blues - vKD | DESW Washington-'99(D), DETS 34, Sv STCD-8310(D)(S) | DE4611g | ||
46-04-20-008 | D.E. Bond Promo | DETS 34 | DE4611h | ||
46-04-20-009 | Sono | DESW Washington-'99(D), DETS 34, Sv STCD-8310(D)(S) | DE4611i | ||
46-04-20-010 | One O’Clock Jump | DETS 34, JSo AA-565 | DE4611j | ||
46-04-20-011 | I’m Just A Lucky So And So - vAH | DETS 34 | DE4611k | ||
46-04-20-012 | D.E. Bond Promo | DE4611l | |||
46-04-20-013 | Riff Staccato - vRN | DETS 34 | DE4611m | ||
46-04-20-014 | Just A-Sittin’ And A-Rockin' | DETS 34 | DE4611n | ||
DUKE ELLINGTON | Washington, DC | 20 April 1946 | |||
WWDC broadcast. WWDC studio. | |||||
Duke Ellington, Willis Conover (tk). | |||||
46-04-20-015 | Interview by Conover | ||||
The interview was aired within the 11 p.m. WWDC program Conover’s “Saturday Night Dance Party”. | |||||
DUKE ELLINGTON | Washington, DC | 21 April 1946 | |||
WWDC studio. Unissued recording, at 2:00 am, after interview by Conover. | |||||
Duke Ellington (p). | |||||
46-04-21-001 | NEW WORLD A-COMIN' | ||||
46-04-21-002 | Just Squeeze Me | ||||
46-04-21-003 | Unidentified | ||||
Duke Ellington, Billy Strayhorn(p) | |||||
46-04-21-004 | Tonk | ||||
46-04-21-005 | Piano Interlude | ||||
A recording of this session (and more info) is available at https://ehsankhoshbakht.blogspot.com/2020/04/duke-ellingtons-solo-piano-at-wwdc-1946.html. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Worcester, MA | 27 April 1946 | |||
Broadcast, Municipal Auditorium | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-04-27-001 | Take The “A” Train (theme) | DETS 35, DETS 903-9018 | DE4612a | ||
46-04-27-002 | Stompy Jones | DETS 35, DETS 903-9018 | DE4612b | ||
46-04-27-003 | Moon Mist | DETS 35, DETS 903-9018 | DE4612c | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-04-27-004 | D.E. Bond Promo | DETS 35, DETS 903-9018 | DE4612d | ||
46-04-27-005 | Just A-Sittin’ And A-Rockin’ - vRN | DETS 35, DETS 903-9018 | DE4612e | ||
46-04-27-006 | I Can’t Believe That You’re In Love With Me | DETS 35, DETS 903-9018 | DE4612f | ||
Duke Ellington(p) solo | |||||
46-04-27-007 | Sophisticated Lady | DETS 35, DETS 903-9018 | DE4612g | ||
As before | |||||
46-04-27-008 | D.E. Bond Promo | DETS 35, DETS 903-9018 | DE4612h | ||
46-04-27-009 | Jennie | DETS 35, DETS 903-9018 | DE4612i | ||
46-04-27-010 | I’m Just A Lucky So And So - vAH | DETS 35, DETS 903-9018 | DE4612j | ||
46-04-27-011 | Come Sunday | DETS 35, DETS 903-9018 | DE4612k | ||
46-04-27-012 | Light | DETS 35, DETS 903-9018 | DE4612l | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-04-27-013 | We’ll Be Together Again - vKD | DETS 35, DETS 903-9018 | DE4612m | ||
Billy Strayhorn out. Add Duke Ellington(p). | |||||
46-04-27-014 | Hollywood Hangover | DETS 35, DETS 903-9018 | DE4612n | ||
46-04-27-015 | Just Squeeze Me | DETS 35, DETS 903-9018 | DE4612o | ||
46-04-27-016 | D.E. Bond Promo | DETS 35, DETS 903-9018 | DE4612p | ||
46-04-27-017 | Perdido | DETS 35, DETS 903-9018 | DE4612q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Hanover, NH | 04 May 1946 | |||
Broadcast, Dartmouth College | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-05-04-001 | Take The “A” Train (theme) | DETS 36, DETS 903-9019 | DE4613a | ||
46-05-04-002 | Just A-Sittin’ And A-Rockin' | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613b | ||
46-05-04-003 | D.E. Bond Promo | DETS 36, DETS 903-9019 | DE4613c | ||
46-05-04-004 | 9:20 Special | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613d | ||
46-05-04-005 | I Can’t Get Started | AFRS DWTD-63, DETS 36, DETS 903-9019, JSo AA-501 | DE4613e | ||
46-05-04-006 | Flamingo | DETS 36, DETS 903-9019 | DE4613f | ||
46-05-04-007 | Fancy Dan | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613g | ||
46-05-04-008 | ¬ Diminuendo In Blue | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613h | ||
46-05-04-009 | - | Transblucency - vKD | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613i | ||
46-05-04-010 | _| Crescendo In Blue | AFRS DWTD-63, DETS 36, DETS 903-9019 | DE4613j | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-05-04-011 | D.E. Bond Promo | DETS 36, DETS 903-9019 | DE4613k | ||
46-05-04-012 | Someone | AFRS DWTD-64, DETS 36, DETS 903-9019 | DE4613l | ||
46-05-04-013 | Three Cent Stomp | AFRS DWTD-64, DETS 36, DETS 903-9019 | DE4613m | ||
46-05-04-014 | D.E. Bond Promo | DETS 36, DETS 903-9019 | DE4613n | ||
46-05-04-015 | I’m Just A Lucky So And So - vAH | DETS 36, DETS 903-9019 | DE4613o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 May 1946 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-05-18-001 | In A Mellow Tone | AFRS DWTD-68, DETS 37, DETS 903-9019 | DE4614a | ||
46-05-18-002 | I’m Just A Lucky So And So - vAH | AFRS DWTD-68, DETS 37, DETS 903-9019 | DE4614b | ||
46-05-18-003 | Sono | AFRS DWTD-68, DETS 37, DETS 903-9019 | DE4614c | ||
46-05-18-004 | Rugged Romeo | AFRS DWTD-68, DETS 37, DETS 903-9019 | DE4614d | ||
46-05-18-005 | Circe | AFRS DWTD-68, DETS 37, DETS 903-9019 | DE4614e | ||
46-05-18-006 | Air Conditioned Jungle | DETS 37, DETS 903-9019 | DE4614f | ||
Billy Strayhorn(p); Kay Davis(v) only | |||||
46-05-18-007 | Full Moon And Empty Arms - vKD | DETS 37, DETS 903-9019 | DE4614g | ||
As before but Billy Strayhorn(p) replaces Duke Ellington. | |||||
46-05-18-008 | D.E. Bond Promo | DETS 37, DETS 903-9019 | DE4614h | ||
46-05-18-009 | Laughing On The Outside | DETS 37, DETS 903-9019 | DE4614i | ||
Billy Strayhorn out. Add Duke Ellington(p). | |||||
46-05-18-010 | Take The “A” Train (theme) | DETS 37, DETS 903-9019 | DE4614j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 May 1946 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
46-05-25-001 | Take The “A” Train (theme) | DETS 37, DETS 903-9019 | DE4615a | ||
46-05-25-002 | Just A-Sittin’ And A-Rockin’ - vRN | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615b | ||
46-05-25-003 | Crosstown | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615c | ||
46-05-25-004 | D.E. Bond Promo | DETS 37, DETS 903-9019 | DE4615d | ||
46-05-25-005 | Summertime - vAH | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615e | ||
46-05-25-006 | Teardrops In The Rain | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615f | ||
46-05-25-007 | ¬ Frankie And Johnny | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615g | ||
46-05-25-008 | _| Metronome All Out | AFRS DWTD-69, DETS 37, DETS 903-9019 | DE4615h | ||
46-05-25-009 | D.E. Bond Promo | DETS 37, DETS 903-9019 | DE4615i | ||
46-05-25-010 | Rickabye River | DETS 37, DETS 903-9019 | DE4615j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 June 1946 | |||
Broadcast, Paramount Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis, Marion Cox(v) | |||||
46-06-01-001 | Take The “A” Train (theme) | DETS 38, DETS 903-9020 | DE4616a | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-06-01-002 | A Flower Is A Lovesome Thing | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616b | ||
46-06-01-003 | D.E. Bond Promo | DETS 38, DETS 903-9020 | DE4616c | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-06-01-004 | Main Stem | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616d | ||
46-06-01-005 | A Ghost Of A Chance - vMC | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616e | ||
46-06-01-006 | Interview With Duke Ellington | DETS 903-9020 | |||
46-06-01-007 | In A Jam | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616f | ||
46-06-01-008 | I’m Just A Lucky So And So - vAH | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616g | ||
46-06-01-009 | Stomp, Look And Listen | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616h | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-06-01-010 | Come Rain Or Come Shine - vKD | AFRS DWTD-74, DETS 38, DETS 903-9020 | DE4616i | ||
46-06-01-011 | D.E. Bond Promo | DETS 38, DETS 903-9020 | DE4616j | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-06-01-012 | Things Ain’t What They Used To Be | DETS 38, DETS 903-9020 | DE4616k | ||
DUKE ELLINGTON | New York City, NY | 03, 04 or 05 June 1946 | |||
Demo recording for "Beggar's Holiday". Chamber Music Hall at Carnegie Hall. Spoken introduction by John LaTouche. | |||||
Duke Ellington(p); Bill Dillard(v) | |||||
46-06-03-001 | Loose Living -vBD | ||||
46-06-03-002 | Sweet Lucy -vBD | ||||
46-06-03-003 | Women, Women, Women -vBD | ||||
46-06-03-004 | Jail House Lament -vBD | ||||
46-06-03-005 | Prisoner’s Song -vBD | ||||
Duke Ellington(p); Kay Davis(v) | |||||
46-06-03-006 | Inbetween -vKD | ||||
46-06-03-007 | Brown Penny -vKD | ||||
46-06-03-008 | No One But You -vKD | ||||
46-06-03-009 | Ore From a Gold Mine -vKD | ||||
46-06-03-010 | Oh Polly -vKD | ||||
46-06-03-011 | Rooster And The Hen -vKD | ||||
Duke Ellington(p); Marion Cox(v) | |||||
46-06-03-012 | Lullaby For Junior -vMC | ||||
46-06-03-013 | Wrong Side Of The Railroad Track -vMC | ||||
46-06-03-014 | Rooster And The Hen -vMC | ||||
Duke Ellington(p); John Latouche(v) | |||||
46-06-03-015 | Tooth & Claw -vJL | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Reading, PA | 08 June 1946 | |||
Broadcast, WEEU studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis, Marion Cox(v) | |||||
46-06-08-001 | Take The “A” Train (theme) | DETS 39, DETS 903-9020 | DE4617a | ||
46-06-08-002 | Mood To Be Wooed | AFRS DWTD-65, DETS 903-9020 | DE4617b | ||
46-06-08-003 | D.E. Bond Promo | DETS 39, DETS 903-9020 | DE4617c | ||
46-06-08-004 | Johnny Come Lately | AFRS DWTD-65, DETS 39, DETS 903-9020 | DE4617d | ||
Billy Strayhorn(p); Kay Davis(v) only | |||||
46-06-08-005 | They Say It’s Wonderful - vKD | AFRS DWTD-65, DETS 39, DETS 903-9020 | DE4617e | ||
As before | |||||
46-06-08-006 | Strange Love | AFRS DWTD-65, DETS 39, DETS 903-9020 | DE4617f | ||
46-06-08-007 | Honeysuckle Rose | AFRS DWTD-65, DETS 39, DETS 903-9020 | DE4617g | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-06-08-008 | Don’t Take Your Love From Me - vAH | AFRS DWTD-65, AFRS DWTD-73, DETS 39, DETS 903-9020 | DE4617h | ||
46-06-08-009 | D.E. Bond Promo | DETS 39, DETS 903-9020 | DE4617i | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-06-08-010 | Blues On The Double | AFRS DWTD-65, DETS 39, DETS 903-9020 | DE4617j | ||
46-06-08-011 | Take The “A” Train (theme) | DETS 39, DETS 903-9020 | DE4617k | ||
46-06-08-012 | Take The “A” Train (theme) | DETS 39, DETS 903-9020 | DE4617l | ||
46-06-08-013 | Come Sunday | AFRS DWTD-66, DETS 39, DETS 903-9020 | DE4617m | ||
46-06-08-014 | Light | AFRS DWTD-66, DETS 39, DETS 903-9020 | DE4617n | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-06-08-015 | D.E. Bond Promo | DETS 39, DETS 903-9020 | DE4617o | ||
46-06-08-016 | Lover Man - vMC | AFRS DWTD-66, DETS 39, DETS 903-9020 | DE4617p | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-06-08-017 | Riff Staccato - vRN | AFRS DWTD-66, DETS 39, DETS 903-9020 | DE4617q | ||
46-06-08-018 | Mood Indigo | AFRS DWTD-66, DETS 39, DETS 903-9020 | DE4617r | ||
46-06-08-019 | D.E. Bond Promo | DETS 39, DETS 903-9020 | DE4617s | ||
46-06-08-020 | Riff ’n’ Drill | DETS 39, DETS 903-9020 | DE4617t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Duluth, MN | 20 June 1946 | |||
WDSM broadcast. Duluth Armory. Dance date. | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(as,cl); Johnny Hodges(as); Al Sears(ts); Harry Carney (as,bs,cl,bcl); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d); Kay Davis, Al Hibbler(v). | |||||
46-06-20-001 | Take The “A” Train (theme) | ||||
46-06-20-002 | Take The “A” Train | ||||
46-06-20-003 | Transblucency -vKD | ||||
46-06-20-004 | C-Jam Blues | ||||
46-06-20-005 | I’m Just A Lucky So And So -vAH | ||||
46-06-20-006 | Riff Staccato | ||||
46-06-20-007 | Come Rain Or Come Shine -vKD | ||||
46-06-20-008 | Blue Skies | ||||
46-06-20-009 | Things Ain’t What They Used To Be | ||||
Transcriptions of the broadcast are available at https://drive.google.com/file/d/1C1ryHA4GAJSN1ZolMpPAS1BZaqFh7Atb/view (part1) and https://drive.google.com/file/d/1NjkejroQ7NIYTVW7ZF8dqFYM4Ro__0BF/view (part2). | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 06 July 1946 | |||
Broadcast, Million Dollar Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Reunald Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-07-06-001 | Take The “A” Train (theme) | DETS 40, DETS 903-9021 | DE4618a | ||
46-07-06-002 | Caravan | DETS 40, DETS 903-9021 | DE4618b | ||
46-07-06-003 | Sonno | DETS 40, DETS 903-9021 | DE4618c | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-07-06-004 | D.E. Bond Promo | DETS 40, DETS 903-9021 | DE4618d | ||
46-07-06-005 | Laughing On The Outside - vAH | DETS 40, DETS 903-9021 | DE4618e | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-07-06-006 | Take The “A” Train (theme) | DETS 40, DETS 903-9021 | DE4618f | ||
46-07-06-007 | Take The “A” Train (theme) | DETS 40, DETS 903-9021 | DE4618g | ||
46-07-06-008 | The Blues - vKD | DETS 40, DETS 903-9021 | DE4618h | ||
46-07-06-009 | Teardrops In The Rain | DETS 40, DETS 903-9021 | DE4618i | ||
46-07-06-010 | I’m Just A Lucky So And So - vAH | DETS 40, DETS 903-9021 | DE4618j | ||
46-07-06-011 | D.E. Bond Promo | DETS 40, DETS 903-9021 | DE4618k | ||
46-07-06-012 | Metronome All Out | DETS 40, DETS 903-9021 | DE4618l | ||
46-07-06-013 | Just A-Sittin’ And A-Rockin’ - vRN | DETS 40, DETS 903-9021 | DE4618m | ||
46-07-06-014 | One O’Clock Jump | AFRS J-(XMAS47), DETS 40 | DE4618n | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 July 1946 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-07-09-001 | D6VB2093-1 | Rockabye River | (F)RCA PM-42397, AFRS J-XMAS47†, Cl(F) 985, RCA 09026-63386-2(D), Vi 40-0134 | DE4619a | |
46-07-09-002 | D6VB2094-1 | Suddenly It Jumped | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), Vi 40-3135 | DE4619b | |
46-07-09-003 | D6VB2095-1 | Transblucency - vKD | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D), Vi 40-2326 | DE4619c | |
46-07-09-004 | D6VB2096-1 | Just Squeeze Me - vRN | (F)RCA PM-42397, Cl(F) 985, RCA 09026-63386-2(D) | DE4619d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 10 July 1946 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
46-07-10-001 | D6VB2097-1 | A Gatherin’ In A Clearin' | (F)RCA PM-42415, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-4281 | DE4620a | |
46-07-10-002 | D6VB2098-1 | You Don’t Love Me No More - vAH | (F)RCA PM-42415, Cl(F) 985, RCA 09026-63386-2(D) | DE4620b | |
46-07-10-003 | D6VB2099-1 | Pretty Woman - vAH | (F)RCA PM-42415, Cl(F) 985, RCA 09026-63386-2(D), Vi 20-2325 | DE4620c | |
46-07-10-004 | D6VB2100-1 | Hey Baby - vRN | (F)RCA PM-42415, Cl(F) 985, RCA 09026-63386-2(D) | DE4620d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 11 July 1946 | |||
Capitol Radio Transcription recording session at Hollywood studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
46-07-11-001 | Rockabye River | Cp B-245/246, Hs HBCD-501-1, JM DE-003†, Ld HMP-5034 | DE4621a | ||
46-07-11-002 | A Gatherin’ In A Clearin' | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621b | ||
46-07-11-003 | You Don’t Love Me No More - vAH | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621c | ||
46-07-11-004 | Pretty Woman - vAH | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621d | ||
46-07-11-005 | Just Squeeze Me - vRN | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621e | ||
46-07-11-006 | Hey Baby - vRN | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621f | ||
46-07-11-007 | Suddenly It Jumped | Cp B-245/246, Hs HBCD-501-1, Ld HMP-5034 | DE4621g | ||
46-07-11-008 | Come Rain Or Come Shine - vKD | Cp B-245/246, Hs HBCD-501-2, Ld HMP-5034 | DE4621h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 16 July 1946 | |||
Capitol Radio Transcription recording session at Hollywood studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Marion Cox(v) | |||||
46-07-16-001 | Fickle Fling | Cp B-249/250, Hs HBCD-501-2, Ld HMP-5034 | DE4622a | ||
46-07-16-002 | 9:20 Special | DE4622xa | |||
46-07-16-003 | 9:20 Special | DE4622xb | |||
46-07-16-004 | 9:20 Special | DE4622xc | |||
46-07-16-005 | 9:20 Special | Cp B-299/300, Hs HBCD-501-2, Ld HMP-5034 | DE4622b | ||
46-07-16-006 | One O’Clock Jump | Cp B-299/300, Hs HBCD-501-2, Ld HMP-5034 | DE4622c | ||
46-07-16-007 | Back Home Again In Indiana | Cp B-249/250, Hs HBCD-501-2, Ld HMP-5034 | DE4622d | ||
46-07-16-008 | A Ghost Of A Chance - vMC | Cp B-249/250 | DE4622e | ||
46-07-16-009 | Lover Man - vMC | Cp B-249/250 | DE4622f | ||
46-07-16-010 | Unbooted Character | Cp B-299/300, Hs HBCD-501-2, Ld HMP-5035 | DE4622g | ||
46-07-16-011 | Suburbanite | Cp B-249/250, Hs HBCD-501-2, Ld HMP-5035 | DE4622h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 July 1946 | |||
Capitol Radio Transcription recording session at Hollywood studio | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Joe Nanton, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-07-17-001 | Moon Mist | Cp B-249/250, Hs HBCD-501-2, Ld HMP-5035 | DE4623a | ||
46-07-17-002 | In A Jam | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623b | ||
46-07-17-003 | On The Alamo | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623c | ||
46-07-17-004 | I Can’t Believe That You’re In Love With Me | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623d | ||
46-07-17-005 | Just You, Just Me | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623e | ||
46-07-17-006 | Someone | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623f | ||
46-07-17-007 | Tea For Two | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623g | ||
46-07-17-008 | Double Ruff | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623h | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-07-17-009 | A Flower Is A Lovesome thing | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623i | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-07-17-010 | The Mooch | Cp B-247/248, Hs HBCD-501-2, Ld HMP-5035 | DE4623j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | San Diego, CA | 27 July 1946 | |||
Broadcast, Orpheum Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-07-27-001 | Take The “A” Train (theme) | DETS 41, DETS 903-9021 | DE4624a | ||
46-07-27-002 | Jump For Joy - vRN | AFRS DWTD-70, DETS 41, DETS 903-9021 | DE4624b | ||
46-07-27-003 | A Gatherin’ In A Clearin' | AFRS DWTD-70, DETS 41, DETS 903-9021 | DE4624c | ||
46-07-27-004 | D.E. Bond Promo | DETS 41, DETS 903-9021 | DE4624d | ||
46-07-27-005 | Come Rain Or Come Shine - vKD | AFRS DWTD-70, DETS 41, DETS 903-9021 | DE4624e | ||
46-07-27-006 | Suddenly It Jumped | AFRS DWTD-70, DETS 41, DETS 903-9021 | DE4624f | ||
46-07-27-007 | Take The “A” Train (theme) | DETS 41, DETS 903-9021 | DE4624g | ||
Medley:- | DE4624h | ||||
46-07-27-008 | - 1. Black And Tan Fantasy | DETS 41, DETS 903-9021 | |||
46-07-27-009 | - 2. In A Sentimental Mood | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-010 | - 3. Mood Indigo | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-011 | - 4. I’m Beginning To See The Light | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-012 | - 5. Sophisticated Lady | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-013 | - 6. Caravan | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-014 | - 7. I Let A Song Go Out Of My Heart & Don’t Get Around Much Anymore | AFRS DWTD-70, DETS 41, DETS 903-9021 | |||
46-07-27-015 | D.E. Bond Promo | DETS 41, DETS 903-9021 | DE4624i | ||
46-07-27-016 | Passion Flower | AFRS DWTD-70, DETS 41, DETS 903-9021 | DE4624j | ||
46-07-27-017 | Just You, Just Me | AFRS DWTD-70, DETS 41, DETS 903-9021, WL RM-299/300† | DE4624k | ||
46-07-27-018 | You Don’t Love Me No More - vAH | AFRS DWTD-71, DETS 41, DETS 903-9021 | DE4624l | ||
46-07-27-019 | Unbooted Character | AFRS DWTD-71, DETS 41, DETS 903-9021 | DE4624m | ||
46-07-27-020 | D.E. Bond Promo | DETS 41, DETS 903-9021 | DE4624n | ||
46-07-27-021 | Cotton Tail | DETS 41, DETS 903-9021 | DE4624o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 03 August 1946 | |||
Broadcast, Golden Gate Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
46-08-03-001 | Take The “A” Train (theme) | DETS 42, DETS 903-9021 | DE4625a | ||
46-08-03-002 | Eighth Veil | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625b | ||
46-08-03-003 | D.E. Bond Promo | DETS 42, DETS 903-9021 | DE4625c | ||
46-08-03-004 | Lover Man - vMC | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625d | ||
46-08-03-005 | Blue Is The Night | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625e | ||
46-08-03-006 | Just Squeeze Me - vRN | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625f | ||
46-08-03-007 | D.E. Bond Promo | DETS 42, DETS 903-9021 | DE4625g | ||
46-08-03-008 | ¬ Diminuendo In Blue | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625h | ||
46-08-03-009 | - | Transblucency - vKD | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625i | ||
46-08-03-010 | _| Crescendo In Blue | AFRS DWTD-73, DETS 42, DETS 903-9021 | DE4625j | ||
46-08-03-011 | D.E. Bond Promo | DETS 42, DETS 903-9021 | DE4625k | ||
46-08-03-012 | Things Ain’t What They Used To Be | DETS 42, DETS 903-9021 | DE4625l | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-08-03-013 | Take The “A” Train (theme) | DETS 42, DETS 903-9021 | DE4625m | ||
46-08-03-014 | A Flower Is A Lovesome Thing | DETS 42, DETS 903-9021 | DE4625n | ||
46-08-03-015 | D.E. Bond Promo | DETS 42, DETS 903-9021 | DE4625o | ||
46-08-03-016 | Hollywood Hangover | DETS 42, DETS 903-9021 | DE4625p | ||
46-08-03-017 | I Got It Bad - vAH | DETS 42, DETS 903-9021 | DE4625q | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-08-03-018 | Jeep Is Jumpin' | DETS 42, DETS 903-9021 | DE4625r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | August 1946 | |||
AFRS Radio Transcription Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-10-001 | Take The “A” Train (theme) | AFRS MC-437 | DE4626a | ||
46-08-10-002 | Passion Flower | AFRS MC-437 | DE4626b | ||
46-08-10-003 | Teardrops In The Rain | AFRS MC-437, AFRS MC-457 | DE4626c | ||
46-08-10-004 | Just Squeeze Me - vRN | AFRS MC-437 | DE4626d | ||
46-08-10-005 | Hollywood Hangover | AFRS MC-437 | DE4626e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 14 August 1946 | |||
Paramount fim recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
PERFUME SUITE | |||||
46-08-14-001 | - 1. Balcony Serenade (Love) | UA NUA-7(D) | DE4627a | ||
46-08-14-002 | - 2. Strange Feeling (Violence) | UA NUA-7(D) | DE4627b | ||
46-08-14-003 | - 3. Dancers In Love (Naivete) | UA NUA-7(D) | DE4627c | ||
Film sound track from "Date With The Duke" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 16 August 1946 | |||
AFRS Radio Transcription Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
46-08-16-001 | Take The “A” Train (theme) | AFRS MC-457 | DE4628a | ||
46-08-16-002 | 9:20 Special | AFRS MC-457 | DE4628b | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-08-16-003 | Day Dream | AFRS MC-457 | DE4628c | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-08-16-004 | You Don’t Love Me No More - vAH | AFRS MC-457 | DE4628d | ||
46-08-16-005 | Metronome All Out | AFRS MC-457 | DE4628e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 17 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-08-17-001 | Take The “A” Train (theme) | DETS 43, DETS 903-9021 | DE4629a | ||
46-08-17-002 | 9:20 Special | DETS 43, DETS 903-9021 | DE4629b | ||
46-08-17-003 | Day Dream | DETS 43, DETS 903-9021 | DE4629c | ||
46-08-17-004 | Metronome All Out | DETS 43, DETS 903-9021 | DE4629d | ||
46-08-17-005 | D.E. Bond Promo | DETS 43, DETS 903-9021 | DE4629e | ||
A TONAL GROUP | DETS 43, DETS 903-9021 | ||||
46-08-17-006 | - 1. Rhapsoditti (Mellow Ditty) | DETS 43, DETS 903-9021 | DE4629f | ||
46-08-17-007 | - 2. Fugueaditti | DETS 43, DETS 903-9021 | DE4629g | ||
46-08-17-008 | - 3. Jam-A-Ditty | DETS 43, DETS 903-9021 | DE4629h | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-08-17-009 | D.E. Bond Promo | DETS 43, DETS 903-9021 | DE4629i | ||
46-08-17-010 | Take The “A” Train (theme) | DETS 43, DETS 903-9021 | DE4629j | ||
46-08-17-011 | Take The “A” Train (theme) | DETS 43, DETS 903-9021 | DE4629k | ||
46-08-17-012 | Just Squeeze Me - vRN | DETS 43, DETS 903-9021 | DE4629l | ||
46-08-17-013 | D.E. Bond Promo | DETS 43, DETS 903-9021 | DE4629m | ||
46-08-17-014 | One O’Clock Jump | DETS 43, DETS 903-9021 | DE4629n | ||
46-08-17-015 | Cynthia’s In Love - vKD | DETS 43, DETS 903-9021 | DE4629o | ||
46-08-17-016 | Take The “A” Train (theme) | DETS 43, DETS 903-9021 | DE4629p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 17 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-17-017 | Harlem Air Shaft | DE4630a | |||
46-08-17-018 | Just Squeeze Me - vRN | DE4630b | |||
46-08-17-019 | Jumpin’ Punkins | DE4630c | |||
46-08-17-020 | Teardrops In The Rain | DE4630d | |||
46-08-17-021 | Riff ’n’ Drill | DE4630e | |||
46-08-17-022 | Things Ain’t What They Used To Be | DE4630f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 18 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-18-001 | Blue Is The Night | DE4631a | |||
46-08-18-002 | Rockabye River | DE4631b | |||
46-08-18-003 | Solid Old Man | DE4631c | |||
46-08-18-004 | Jack The Bear | DE4631d | |||
46-08-18-005 | Suburbanite | DE4631e | |||
46-08-18-006 | Blue Skies | DE4631f | |||
46-08-18-007 | Things Ain’t What They Used To Be | DE4631g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 19 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-19-001 | 9:20 Special | Ff LP-35135 | DE4632a | ||
46-08-19-002 | Just Squeeze Me - vRN | Ff LP-35135 | DE4632b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 22 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-22-001 | Back Home Again In Indiana | DE4633a | |||
46-08-22-002 | My Honey’s Lovin’ Arms - vRN | DE4633b | |||
46-08-22-003 | Just You, Just Me | DE4633c | |||
DUKE ELLINGTON | Culver City, CA | 24 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Duke Ellington(p) | |||||
46-08-24-001 | Take The “A” Train (theme) | DETS 44, DETS 903-9023 | DE4634a | ||
46-08-24-002 | Mood Indigo | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634b | ||
46-08-24-003 | Don’t Get Around Much Anymore | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634c | ||
46-08-24-004 | Sophisticated Lady | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634d | ||
46-08-24-005 | Bond Promo | DETS 903-9023 | |||
DUKE ELLINGTON AND OSCAR PETTIFORD | Culver City, CA | Same session | |||
Duke Ellington(p); Oscar Pettiford(sb) | |||||
46-08-24-006 | Solitude | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | Same session | |||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-08-24-007 | Stomp, Look And Listen | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634f | ||
46-08-24-008 | A Gatherin’ In A Clearin' | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634g | ||
46-08-24-009 | Cynthia’s In Love - vKD | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634h | ||
46-08-24-010 | D.E. Bond Promo | DETS 44, DETS 903-9023 | DE4634i | ||
46-08-24-011 | C-Jam Blues | AFRS DWTD-75, DETS 44, DETS 903-9023 | DE4634j | ||
46-08-24-012 | Things Ain’t What They Used To Be | DETS 44, DETS 903-9023 | DE4634k | ||
46-08-24-013 | Take The “A” Train (theme) | DETS 44, DETS 903-9023 | DE4634l | ||
46-08-24-014 | Rugged Romeo | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634m | ||
46-08-24-015 | Magenta Haze | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634n | ||
46-08-24-016 | D.E. Bond Promo | DETS 44, DETS 903-9023 | DE4634o | ||
46-08-24-017 | Jack The Bear | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634p | ||
46-08-24-018 | Suburbanite | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634q | ||
46-08-24-019 | You Don’t Love Me No More - vRN | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634r | ||
46-08-24-020 | D.E. Bond Promo | DETS 44, DETS 903-9023 | DE4634s | ||
46-08-24-021 | Solid Old Man | AFRS DWTD-76, DETS 44, DETS 903-9023 | DE4634t | ||
46-08-24-022 | Hollywood Hangover | DETS 44, DETS 903-9023 | DE4634u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 24 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-24-023 | Moon Mist | DE4635a | |||
46-08-24-024 | A Gatherin’ In A Clearin' | DE4635b | |||
46-08-24-025 | Stomp, Look And Listen | DE4635c | |||
46-08-24-026 | C-Jam Blues | DE4635d | |||
DUKE ELLINGTON WITH THE TOMMY DORSEY ORCHESTRA | Los Angeles, CA | 25 August 1946 | |||
Broadcast, NBC studio | |||||
Duke Ellington(p,tk) with Tommy Dorsey(tb,tk) and His Orchestra and Choir | |||||
46-08-25-001 | Solitude - vCHO | AFRS TDS-57-JRC-1212 | DE4636a | ||
46-08-25-002 | Take The “A” Train | AFRS TDS-57-JRC-1212 | DE4636b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 25 August 1946 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-08-25-003 | Magenta Haze | DE4637a | |||
46-08-25-004 | Take The “A” Train | DE4637b | |||
46-08-25-005 | Rugged Romeo | DE4637c | |||
46-08-25-006 | Solid Old Man | DE4637d | |||
46-08-25-007 | Hollywood Hangover | DE4637e | |||
46-08-25-008 | Things Ain’t What They Used To Be | DE4637f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 August 1946 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Marion Cox(v) | |||||
46-08-26-001 | D6VB2113-1 | Back Home Again In Indiana | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), Vi LPV-553 | DE4638a | |
46-08-26-002 | D6VB2114-1 | Blue Is The Night | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPM-6009 | DE4638b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-08-26-003 | D6VB2115-1 | Lover Man - vMC | Cl(F) 1015, Nw RP2056, RCA 09026-63386-2(D), Vi LEJ-4 | DE4638c | |
46-08-26-004 | D6VB2115-2 | Lover Man - vMC | (F)RCA PM-42415, RCA 09026-63386-2(D) | DE4638d | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-08-26-005 | D6VB2116-1 | Just You, Just Me | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPM-6009 | DE4638e | |
46-08-26-006 | D6VB2117-1 | Beale Street Blues | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), Vi 20-2326 | DE4638f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 31 August 1946 | |||
Broadcast, Lincoln Theatre | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis, Marion Cox(v) | |||||
46-08-31-001 | Take The “A” Train (theme) | DETS 45, DETS 903-9023 | DE4639a | ||
46-08-31-002 | My Honey’s Lovin’ Arms | DETS 45, DETS 903-9023 | DE4639b | ||
46-08-31-003 | Warm Valley | DETS 45, DETS 903-9023 | DE4639c | ||
46-08-31-004 | D.E. Bond Promo | DETS 45, DETS 903-9023 | DE4639d | ||
46-08-31-005 | Jumpin’ Punkins | DETS 45, DETS 903-9023 | DE4639e | ||
46-08-31-006 | Come Rain Or Come Shine - vKD | DETS 45, DETS 903-9023 | DE4639f | ||
46-08-31-007 | Swamp Fire | DETS 45, DETS 903-9023 | DE4639g | ||
46-08-31-008 | Pretty Woman - vAH | DETS 45, DETS 903-9023 | DE4639h | ||
46-08-31-009 | D.E. Bond Promo | DETS 45, DETS 903-9023 | DE4639i | ||
46-08-31-010 | Moon Mist | DETS 45, DETS 903-9023 | DE4639j | ||
46-08-31-011 | Take The “A” Train (theme) | DETS 45, DETS 903-9023 | DE4639k | ||
46-08-31-012 | Take The “A” Train (theme) | DETS 45, DETS 903-9023 | DE4639l | ||
46-08-31-013 | Memphis Blues | DETS 45, DETS 903-9023 | DE4639m | ||
46-08-31-014 | Beale Street Blues | DETS 45, DETS 903-9023 | DE4639n | ||
46-08-31-015 | St. Louis Blues - vMC | DETS 45, DETS 903-9023 | DE4639o | ||
46-08-31-016 | D.E. Bond Promo | DETS 45, DETS 903-9023 | DE4639p | ||
46-08-31-017 | Three Cent Stomp | DETS 45, DETS 903-9023 | DE4639q | ||
46-08-31-018 | Just Squeeze Me - vRN | DETS 45, DETS 903-9023 | DE4639r | ||
46-08-31-019 | D.E. Bond Promo | DETS 45, DETS 903-9023 | DE4639s | ||
46-08-31-020 | Blues On The Double | DETS 45, DETS 903-9023 | DE4639t | ||
46-08-31-021 | Things Ain’t What They Used To Be | DETS 45, DETS 903-9023 | DE4639u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 03 September 1946 | |||
RCA-Victor recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Marion Cox(v) | |||||
46-09-03-001 | D6VB2126-1 | My Honey’s Lovin’ Arms - vRN | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPV-553, Vi 20-3135 | DE4640a | |
46-09-03-002 | D6VB2127-1 | Memphis Blues | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPV-553, Vi 20-2325 | DE4640b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-09-03-003 | D6VB2128-1 | A Ghost Of A Chance - vMC | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D) | DE4640c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-09-03-004 | D6VB2129-1 | St. Louis Blues - vMC | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPV-553, Vi 20-3135 | DE4640d | |
46-09-03-005 | D6VB2130-1 | Swamp Fire | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), RCA LPM-6009, Vi 20-3135 | DE4640e | |
46-09-03-006 | D6VB2131-1 | Royal Garden Blues | (F)RCA PM-42415, Cl(F) 1015, RCA 09026-63386-2(D), Vi 20-3135 | DE4640f | |
46-09-03-007 | D6VB2132-1 | Esquire Swank | Cl(F) 1015, RCA 09026-63386-2(D), RCA LPV-553, Sw 230 | DE4640g | |
46-09-03-008 | D6VB2133-1 | Midriff | Cl(F) 1015, RCA 09026-63386-2(D), RCA LPV-553, Sw 230 | DE4640h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 October 1946 | |||
Broadcast, Aquarium Restaurant | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-10-03-001 | Take The “A” Train (theme) | DE4641a | |||
46-10-03-002 | Jam-A-Ditty | DE4641b | |||
46-10-03-003 | Just Squeeze Me | DE4641c | |||
46-10-03-004 | Suddenly It Jumped | DE4641d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 October 1946 | |||
Broadcast, Aquarium Restaurant | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
46-10-05-001 | Take The “A” Train (theme) | DETS 46, DETS 903-9023 | DE4642a | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
46-10-05-002 | Can’t Help Lovin’ That Man - vKD | DETS 46, DETS 903-9023 | DE4642b | ||
46-10-05-003 | D.E. Bond Promo | DETS 46, DETS 903-9023 | DE4642c | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
46-10-05-004 | Just You, Just Me | DETS 46, DETS 903-9023 | DE4642d | ||
46-10-05-005 | Just Squeeze Me - vRN | DETS 46, DETS 903-9023 | DE4642e | ||
46-10-05-006 | Things Ain’t What They Used To Be | DETS 46, DETS 903-9023 | DE4642f | ||
DUKE ELLINGTON WITH PERCY FAITH AND HIS ORCHESTRA | New York City, NY | 07 October 1946 | |||
NBC broadcast | |||||
Duke Ellington(p) with Percy Faith and His Orchestra | |||||
46-10-07-001 | There Was Nobody Looking | UtD 2001 | DE4643a | ||
Medley:- | DE4643b | ||||
46-10-07-002 | - 1. I’m Beginning To See The Light | UtD 2001 | |||
46-10-07-003 | - 2.Do Nothin’ Till You Hear FROM ME | UtD 2001 | |||
46-10-07-004 | - 3. Don’t Get Around Much Anymore | UtD 2001 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 October 1946 | |||
Broadcast, Aquarium Restaurant | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-10-11-001 | In A Mellow Tone | Ff LP-35135 | DE4644a | ||
46-10-11-002 | Magenta Haze | Ff LP-35135 | DE4644b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 October 1946 | |||
Broadcast, Radio City | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); John Conte(v) | |||||
46-10-12-001 | Somebody Loves Me - vJCn | AFRS TTC-25 | DE4648a | ||
46-10-12-002 | Blue Skies | AFRS TTC-25 | DE4648b | ||
46-10-12-003 | Just Squeeze Me - vRN | AFRS TTC-25 | DE4648c | ||
46-10-12-004 | September Song - vJCn | AFRS TTC-25 | DE4648d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 October 1946 | |||
Musicraft recording session | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-10-23-001 | 5765-4 | Diminuendo In Blue | Cl(F) 1015, La 15753, Mu 511, Mu MVS-2004 | DE4645a | |
46-10-23-002 | 5766-4 | Magenta Haze | Cl(F) 1015, La 15753, Mu 483, Mu MVS-2004 | DE4645b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 October 1946 | |||
Broadcast, Aquarium Restaurant | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-10-25-001 | A Garden In The Rain | Ff LP-35135 | DE4646a | ||
46-10-25-002 | The Whole World Is Singing My Song | Ff LP-35135 | DE4646b | ||
46-10-25-003 | Jennie | Ff LP-35135 | DE4646c | ||
46-10-25-004 | The Things We Did Last Summer | Ff LP-35135 | DE4646d | ||
46-10-25-005 | Rugged Romeo | Ff LP-35135 | DE4646e | ||
46-10-25-006 | C-Jam Blues | Ff LP-35135 | DE4646f | ||
46-10-25-007 | Things Ain’t What They Used To Be | Ff LP-35135 | DE4646g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 November 1946 | |||
Concert, Civic Opera House | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis, Marion Cox(v) | |||||
46-11-10-001 | Overture To A Jam Session | Pri DC-01 | DE4647a | ||
46-11-10-002 | Ring Dem Bells - vRN | MM 65110-2, Pri DC-01 | DE4647b | ||
46-11-10-003 | The Mooch | DE4647c | |||
46-11-10-004 | Jumpin’ Punkins | MM 65110-2, Pri DC-01 | DE4647d | ||
46-11-10-005 | ¬ Beale Street Blues | MM 65110-2, Pri DC-01 | DE4647e | ||
46-11-10-006 | - | Memphis Blues | MM 65110-2, Pri DC-01 | DE4647f | ||
46-11-10-007 | _| St. Louis Blues - vMC | Pri DC-01 | DE4647g | ||
46-11-10-008 | Eighth Veil | Pri DC-01 | DE4647h | ||
46-11-10-009 | Golden Feather | MM 65110-2 | DE4647i | ||
46-11-10-010 | Air Conditioned Jungle | MM 65110-2, Pri DC-01 | DE4647j | ||
46-11-10-011 | Golden Cress | Pri DC-02 | DE4647k | ||
46-11-10-012 | Unbooted Character | MM 65110-2, Pri DC-01 | DE4647l | ||
46-11-10-013 | Sultry Sunset | MM 65110-2, Pri DC-01 | DE4647m | ||
DEEP SOUTH SUITE | |||||
46-11-10-014 | - 1. Magnolias Dripping With Molasses | MM 65110-2, Pri DC-02 | DE4647n | ||
46-11-10-015 | - 2. Hearsay | MM 65110-2, Pri DC-02 | DE4647o | ||
46-11-10-016 | - 3. There Was Nobody Looking | MM 65110-2, Pri DC-02 | DE4647p | ||
46-11-10-017 | - 4. Happy Go Lucky Local | MM 65110-2, Pri DC-02 | DE4647q | ||
46-11-10-018 | Things Ain’t What They Used To Be | MM 65110-2, Pri DC-02 | DE4647r | ||
46-11-10-019 | Good Fishin' | Pri DC-02 | DE4647s | ||
THE BEAUTIFUL INDIANS | |||||
46-11-10-020 | - 1. Minnehaha - vKD | Pri DC-02 | DE4647t | ||
46-11-10-021 | - 2. Hiawatha | MM 65110-2, Pri DC-02 | DE4647u | ||
Add DRh(g) | |||||
46-11-10-022 | Ride Red Ride | MM 65110-2, Pri DC-01 | DE4647v | ||
46-11-10-023 | A Blues Riff | MM 65110-2, Pri DC-01 | DE4647w | ||
46-11-10-024 | Honeysuckle Rose | MM 65110-2, Pri DC-01 | DE4647x | ||
DRh out | |||||
46-11-10-025 | My Little Brown Book - vAH | DE4647y | |||
46-11-10-026 | You Don’t Love Me No More - vAH | DE4647z | |||
46-11-10-027 | Fat And Forty - vAH | DE4647aa | |||
46-11-10-028 | I’m Just A Lucky So And So - vAH | DE4647ab | |||
Medley:- | DE4647ac | ||||
46-11-10-029 | - 1. In A Sentimental Mood | Pri DC-02 | |||
46-11-10-030 | - 2. Mood Indigo | Pri DC-02 | |||
46-11-10-031 | - 3. I’m Beginning To See The Light | Pri DC-02 | |||
46-11-10-032 | - 4. Sophisticated Lady | Pri DC-02 | |||
46-11-10-033 | - 5. Caravan | Pri DC-02 | |||
46-11-10-034 | - 6. Solitude | Pri DC-02 | |||
46-11-10-035 | - 7. I Let A Song Go Out Of My Heart & Don’t Get Around Much Anymore | Pri DC-02 | |||
46-11-10-036 | Just Squeeze Me - vRN | DE4647ad | |||
46-11-10-037 | Blue Skies | MM 65110-2, Pri DC-02 | DE4647ae | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 November 1946 | |||
Concert, Carnegie Hall | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-11-23-001 | Eighth Veil | QD Q-018 | DE4649a | ||
46-11-23-002 | Golden Feather | QD Q-018 | DE4649b | ||
46-11-23-003 | Flippant Flurry | QD Q-018 | DE4649c | ||
46-11-23-004 | Golden Cress | Cl(F) 1015, QD Q-018, VD 742 | DE4649d | ||
46-11-23-005 | Unbooted Character | QD Q-018 | DE4649e | ||
46-11-23-006 | Sultry Sunset | Cl(F) 1015, QD Q-018, VD 742 | DE4649f | ||
DEEP SOUTH SUITE | |||||
46-11-23-007 | - 1. Magnolias Dripping With Molasses | Cl(F) 1015, QD Q-018, UA NUA-7(D), VD 750 | DE4649g | ||
46-11-23-008 | - 2. Hearsay | Cl(F) 1015, QD Q-018, UA NUA-7(D), VD 750 | DE4649h | ||
46-11-23-009 | - 3. There Was Nobody Looking | Cl(F) 1015, QD Q-018, UA NUA-7(D), VD 759 | DE4649i | ||
46-11-23-010 | - 4. Happy Go Lucky Local | Cl(F) 1015, QD Q-018, UA NUA-7(D), VD 759 | DE4649j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 November 1946 | |||
Musicraft recording session | |||||
Shelton Hemphill, Taft Jordan, Cat Anderson, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-11-25-001 | 5813-2 | Sultry Sunset | Cl(F) 1051, La 15753, Mu 466, Mu MVS-2004 | DE4650a | |
46-11-25-002 | 5814-2 | Happy Go Lucky Local - Part 2 | Cl(F) 1051, La 15753, Mu 461, Mu MVS-2004 | DE4650b | |
46-11-25-003 | 5815-1 | Blue Skies | Cl(F) 1051, La 15753, Mu 484, Mu MVS-2004 | DE4650c | |
46-11-25-004 | 5816-2 | Happy Go Lucky Local - Part 1 | Cl(F) 1051, La 15753, Mu 461, Mu MVS-2004 | DE4650d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 December 1946 | |||
Musicraft recording session | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
THE BEAUTIFUL INDIANS | |||||
46-12-05-001 | 5817-1 | - 2. Hiawatha | Cl(F) 1051, La 15753, Mu 464, Mu MVS-2004, UA NUA-7(D) | DE4651a | |
46-12-05-002 | 5818-3 | Flippant Flurry | Cl(F) 1051, La 15753, Mu 465, Mu MVS-2004 | DE4651b | |
46-12-05-003 | 5823-1 | Golden Feather | Cl(F) 1051, La 15753, Mu 465, Mu MVS-2004 | DE4651c | |
THE BEAUTIFUL INDIANS | |||||
46-12-05-004 | 5824-3 | - 1. Minnehaha - vKD | Cl(F) 1051, La 15753, Mu 464, Mu MVS-2004, UA NUA-7(D) | DE4651d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 December 1946 | |||
Musicraft recording session | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
46-12-11-001 | 5845-3 | Overture To A Jam Session - Part 1 | Cl(F) 1051, Mu 463, Mu MVS-2004, UA NUA-7(D) | DE4652a | |
46-12-11-002 | 5846-3 | Overture To A Jam Session - Part 2 | Cl(F) 1051, Mu 463, Mu MVS-2004, UA NUA-7(D) | DE4652b | |
46-12-11-003 | 5847-1 | Jam-A-Ditty | Cl(F) 1051, La 15753, Mu 466, Mu MVS-2004 | DE4652c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 December 1946 | |||
Musicraft recording session | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
46-12-18-001 | 4851-2 | Tulip Or Turnip - vRN | Cl(F) 1051, Mu 483, Mu MVS-2004 | DE4653a | |
46-12-18-002 | 4852-3 | It Shouldn’t Happen To A Dream - vAH | Cl(F) 1051, La 15753, Mu 846, Mu MVS-2004 | DE4653b | |
DUKE ELLINGTON WITH PERCY FAITH AND HIS ORCHESTRA | New York City, NY | 1946 / 1947 | |||
NBC broadcast | |||||
Duke Ellington(p) with Percy Faith and His Orchestra | |||||
47-00-00-001 | ¬ Sophisticated Lady | DE9072a | |||
47-00-00-002 | _| Mood Indigo | DE9072b | |||
47-00-00-003 | Dancers In Love | DE9072c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 January 1947 | |||
Capitol Radio Transcription recording session | |||||
Shelton Hemphill, Taft Jordan, Francis Williams, Wallace Jones(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-01-07-001 | Golden Feather | Cp B-299/300 | DE4701a | ||
47-01-07-002 | Golden Cress | Cp B-299/300, Ld HMP-5036 | DE4701b | ||
47-01-07-003 | Flippant Flurry | Cp B-299/300, Ld HMP-5036 | DE4701c | ||
47-01-07-004 | Jam-A-Ditty | Cp B-287/288, Ld HMP-5036 | DE4701d | ||
47-01-07-005 | Fugueaditti | Cp B-287/288, Ld HMP-5036 | DE4701e | ||
47-01-07-006 | Happy Go Lucky local - Part 1 | Cp B-287/288, Ld HMP-5036 | DE4701f | ||
47-01-07-007 | Happy Go Lucky local - Part 2 | Cp B-287/288, Ld HMP-5036 | DE4701g | ||
47-01-07-008 | Overture To A Jam Session | Cp B-287/288, Ld HMP-5036 | DE4701h | ||
47-01-07-009 | Sultry Sunset | Cp B-287/288, Ld HMP-5036 | DE4701i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 02 February 1947 | |||
Concert, Civic Opera House | |||||
Shelton Hemphill, Taft Jordan, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Al Hibbler, Kay Davis, Marion Cox(v) | |||||
47-02-02-001 | Happy Go Lucky Local | DE4702a | |||
Beggar’s Holidy Medley: | DE4702b | ||||
47-02-02-002 | - 1. Take Love Easy | ||||
47-02-02-003 | - 2. When I Walk With You - vMC | ||||
47-02-02-004 | - 3. Tomorrow Mountain | ||||
47-02-02-005 | - 4. Brown Penny - vKD | ||||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-02-02-006 | Triple Play | MJ 2MJP-1055 | DE4702c | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
47-02-02-007 | Near Mess | DE4703d | |||
THE BEAUTIFUL INDIANS | |||||
47-02-02-008 | - 1. Minnehaha - vKD | DE4703e | |||
47-02-02-009 | - 2. Hiawatha | DE4703f | |||
DUKE ELLINGTON | Philadelphia, PA | circa. February 1947 | |||
Broadcast, Earle Theatre | |||||
Duke Ellington, n/k(tk) | |||||
47-02-15-001 | Interview | DE4704a | |||
DUKE ELLINGTON | Washington, DC | 21 February 1947 | |||
Broadcast, Earle Theatre | |||||
Duke Ellington, Emerson Parker(tk) | |||||
47-02-21-001 | Interview by Parker | DE4704a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Ithaca, NY | 19 April 1947 | |||
Concert, Cornell University | |||||
Shelton Hemphill, Taft Jordan, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Ed McConney(d);Al Hibbler, Kay Davis, Marion Cox(v) | |||||
47-04-19-001 | Blutopia | SR 204 | DE4705a | ||
47-04-19-002 | Overture To A Jam Session | SR 204 | DE4705b | ||
47-04-19-003 | The Mooch | SR 204 | DE4705c | ||
47-04-19-004 | ¬ Diminuendo In Blue | SR 204 | DE4705d | ||
47-04-19-005 | _| Crescendo In Blue | SR 204 | DE4705e | ||
47-04-19-006 | Frustration | DE4705f | |||
47-04-19-007 | Rugged Romeo | SR 204 | DE4705g | ||
47-04-19-008 | Flippant Flurry | DE4705h | |||
47-04-19-009 | Golden Cress | DE4705i | |||
47-04-19-010 | Jam-A-Ditty | DE4705j | |||
47-04-19-011 | Passion Flower | SR 204 | DE4705k | ||
47-04-19-012 | The Blues - vKD | SR 204 | DE4705l | ||
Duke Ellington(p); Oscar Pettiford(sb); Ed McConney(d) | |||||
47-04-19-013 | Dancers In Love | DE4705m | |||
As before | |||||
47-04-19-014 | ¬ Frankie And Johnny | SR 204 | DE4705n | ||
47-04-19-015 | _| Metronome All Out | SR 204 | DE4705o | ||
47-04-19-016 | Things Ain’t what They Used To Be | DE4705p | |||
47-04-19-017 | Take The “A” Train | DE4705q | |||
47-04-19-018 | ¬ Beale Street Blues | DE4705r | |||
47-04-19-019 | - | Memphis Blues | DE4705s | |||
47-04-19-020 | _| St. Louis Blues - vMC | DE4705t | |||
47-04-19-021 | Minnehaha - vKD | DE4705u | |||
47-04-19-022 | Transblucency - vKD | DE4705v | |||
47-04-19-023 | Hiawatha | DE4705w | |||
47-04-19-024 | My Little Brown Book - vAH | DE4705x | |||
47-04-19-025 | Don’t Take Your Love From Me - vAH | DE4705y | |||
47-04-19-026 | Summertime - vAH | DE4705z | |||
47-04-19-027 | I’m Just A Lucky So And So - vAH | SR 204 | DE4705aa | ||
47-04-19-028 | Flamingo - vAH | DE4705ab | |||
Medley: | DE4705ac | ||||
47-04-19-029 | - 1. In A Sentimental Mood | ||||
47-04-19-030 | - 2. Mood Indigo | ||||
47-04-19-031 | - 3. I’m Beginning To See The Light | ||||
47-04-19-032 | - 4. Sophisticated Lady | ||||
47-04-19-033 | - 5. Caravan | ||||
47-04-19-034 | - 6. Solitude | ||||
47-04-19-035 | - 7. I Let A Song & Don’t Get Around Much | ||||
47-04-19-036 | Just Squeeze Me - vRN | SR 204 | DE4705ad | ||
47-04-19-037 | Ring Dem Bells - vRN | SR 204 | DE4705ae | ||
DUKE ELLINGTON GROUP | New York City, NY | 10 May 1947 | |||
WNEW broadcast | |||||
Taft Jordan(t); Ray Nance(t,vl,v); Lawrence Brown(tb); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Ed McConney(d) | |||||
47-05-10-001 | C-Jam Blues | Rt 59 | DE4706a | ||
47-05-10-002 | Sophisticated Lady | Cl(F) 1051, FDC 1023, Rt 59, VD 795 | DE4706b | ||
47-05-10-003 | I Can’t Give You Anything But Love | Cl(F) 1051, FDC 1023, Rt 59, Te M-554(D), VD 795 | DE4706c | ||
DUKE ELLINGTON AND CARL BRISSON | Same session | ||||
Duke Ellington(p); Oscar Pettiford(sb); Carl Brisson(v) | |||||
47-05-10-004 | Cocktails For Two - vCBr | DE4706d | |||
DUKE ELLINGTON GROUP | Same session | ||||
Taft Jordan(t); Ray Nance(t,vl,v); Lawrence Brown(tb); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Ed McConney(d) | |||||
47-05-10-005 | It Don’t Mean A Thing | Cl(F) 1051, FDC 1023, Rt 59, Te M-554(D), VD 795 | DE4706e | ||
DUKE ELLINGTON AND BILL "BOJANGLES" ROBINSON | Same session | ||||
Duke Ellington(p); Bill "Bojangles" Robinson(td) | |||||
47-05-10-006 | Doin’ The New Lowdown | DE4706f | |||
DUKE ELLINGTON GROUP | Same session | ||||
Taft Jordan(t); Ray Nance(t,vl,v); Lawrence Brown(tb); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Ed McConney(d) | |||||
47-05-10-007 | On The Sunny Side Of The Street | Cl(F) 1051, FDC 1023, Rt 59, VD 795 | DE4706g | ||
BILLY STRAYHORN AND RAY NANCE | Same session | ||||
Billy Strayhorn(p); Ray Nance(v) | |||||
47-05-10-008 | Moon Mist | Rt 59 | DE4706h | ||
DUKE ELLINGTON WITH PERCY FAITH AND HIS ORCHESTRA | New York City, NY | 19 May 1947 | |||
NBC broadcast | |||||
Duke Ellington(p) acc. Percy Faith and His Orchestra | |||||
Medley: | DE4707a | ||||
47-05-19-001 | - 1. Solitude | AFRS MH-192 | |||
47-05-19-002 | - 2. Caravan | AFRS MH-192 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, NH | 03 June 1947 | |||
Dance date | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Chester Crimpler(v) | |||||
47-06-03-001 | One O’Clock Jump | DE9023a | |||
47-06-03-002 | Flamingo - vCCr | DE9023b | |||
47-06-03-003 | The Mooch | DE9023c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 June 1947 | |||
Capitol Radio Transcription recording session | |||||
Shelton Hemphill, Taft Jordan, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-06-09-001 | Beale Street Blues | Cp B-301/302, Hs HBCD-501-3, Ld HMP-5036 | DE4708a | ||
47-06-09-002 | Memphis Blues | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5036 | DE4708b | ||
47-06-09-003 | St. Louis Blues - vRN | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5036 | DE4708c | ||
47-06-09-004 | Swamp Fire | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5037 | DE4708d | ||
47-06-09-005 | How High The Moon | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5037, P30 02 | DE4708e | ||
47-06-09-006 | Blue Lou | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5037 | DE4708f | ||
47-06-09-007 | Non-Violent Integration (Who Struck John?) | Cp B-301-302, Hs HBCD-501-3, Ld HMP-5036 | DE4708g | ||
47-06-09-008 | Violet Blue | Cp B-303-304, Hs HBCD-501-3, Ld HMP-5037 | DE4708h | ||
47-06-09-009 | Royal Garden Blues | Cp B-303-304, Hs HBCD-501-3, Ld HMP-5037 | DE4708i | ||
47-06-09-010 | Jumpin’ Punkins | Cp B-303-304, Hs HBCD-501-3, Ld HMP-5037 | DE4708j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 June 1947 | |||
Capitol Radio Transcription recording session | |||||
Shelton Hemphill, Taft Jordan, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Wilbur De Paris, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-06-10-001 | Frustration | Cp B-303/304, Hs HBCD-501-3, Ld HMP-5037 | DE4709a | ||
47-06-10-002 | Blue Is The Night | Cp B-303/304, Hs HBCD-501-3, Ld HMP-5037 | DE4709b | ||
47-06-10-003 | Jump For Joy - vRN | Cp B-303/304, Hs HBCD-501-3, Ld HMP-5037 | DE4709c | ||
47-06-10-004 | Far Away Blues | Cp B-303/304, Hs HBCD-501-3, Ld HMP-5037 | DE4709d | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-06-10-005 | Azalea | Cp B-305 | DE4709e | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
47-06-10-006 | Orchids For Madame - vCCr | Cp B-305 | DE4709f | ||
47-06-10-007 | Frisky | Cp B-305, Hs HBCD-501-3, Ld HMP-5037 | DE4709g | ||
47-06-10-008 | Park At 106th | Cp B-305, Hs HBCD-501-3, Ld HMP-5037 | DE4709h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 01 July 1947 | |||
Broadcast, El Patio Ballroom, Lakeside Park | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-07-01-001 | Take The “A” Train (theme) | J&J JJ-602 | DE4710a | ||
47-07-01-002 | Orchids For Madame - vCCr | J&J JJ-602 | DE4710b | ||
47-07-01-003 | Golden Feather | J&J JJ-602 | DE4710c | ||
47-07-01-004 | Flippant Flurry | J&J JJ-602 | DE4710d | ||
47-07-01-005 | Jam-A-Ditty | J&J JJ-602 | DE4710e | ||
47-07-01-006 | Passion Flower | J&J JJ-602 | DE4710f | ||
THE BEAUTIFUL INDIANS | |||||
47-07-01-007 | - 1. Minnehaha - vKD | J&J JJ-602 | DE4710g | ||
47-07-01-008 | - 2. Hiawatha | J&J JJ-602 | DE4710h | ||
47-07-01-009 | Take The “A” Train (theme) | J&J JJ-602 | DE4710i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 04 July 1947 | |||
Broadcast, El Patio Ballroom, Lakeside Park | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-07-04-001 | Take The “A” Train (theme) | J&J JJ-602 | DE4711a | ||
47-07-04-002 | Caravan | J&J JJ-602 | DE4711b | ||
47-07-04-003 | Brown Penny - vKD | J&J JJ-602 | DE4711c | ||
47-07-04-004 | In A Mellow Tone | J&J JJ-602 | DE4711d | ||
47-07-04-005 | The Mooch | J&J JJ-602, JS AA-565 | DE4711e | ||
47-07-04-006 | Prisoner Of Love - vCCr | J&J JJ-602 | DE4711f | ||
47-07-04-007 | Happy Go Lucky Local | J&J JJ-602 | DE4711g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 08 July 1947 | |||
Broadcast, El Patio Ballroom, Lakeside Park | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
47-07-08-001 | Take The “A” Train (theme) | J&J JJ-612 | DE4712a | ||
47-07-08-002 | How High The Moon | J&J JJ-612 | DE4712b | ||
47-07-08-003 | Transblucency - vKD | J&J JJ-612, UtD 2001 | DE4712c | ||
47-07-08-004 | Jam-A-Ditty | J&J JJ-612, UtD 2001 | DE4712d | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-07-08-005 | A Flower Is A Lovesome Thing | J&J JJ-612, UtD 2001 | DE4712e | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
47-07-08-006 | Rockin’ In Rhythm | J&J JJ-612, UtD 2001 | DE4712f | ||
47-07-08-007 | Tulip Or Turnip - vRN | J&J JJ-612, UtD 2001 | DE4712g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 09 July 1947 | |||
Broadcast, El Patio Ballroom, Lakeside Park | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-07-09-001 | Take The “A” Train (theme) | J&J JJ-612 | DE4713a | ||
47-07-09-002 | Overture To A Jam Session | J&J JJ-612 | DE4713b | ||
47-07-09-003 | It Shouldn’t Happen To A Dream - vCCr | J&J JJ-612 | DE4713c | ||
47-07-09-004 | One O’Clock Jump | J&J JJ-612, JS AA-566 | DE4713d | ||
47-07-09-005 | Beale Street Blues | J&J JJ-612, MJ 2MJP-1060 | DE4713e | ||
47-07-09-006 | St. Louis Blues - vRN | J&J JJ-612 | DE4713f | ||
47-07-09-007 | Things Ain’t What They Used to Be | J&J JJ-612 | DE4713g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 25 July 1947 | |||
Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-07-25-001 | Moon Mist | AFRS SB-1044, AFRS SB-1080, Jo 4015, SYY DSOD-2100 | DE4714a | ||
47-07-25-002 | Prisoner Of Love - vCCr | AFRS SB-1044, Jo 4015, SYY DSOD-2100 | DE4714b | ||
47-07-25-003 | Harlem Air Shaft | AFRS SB-1044, AFRS SB-1047, Jo 4015, SYY DSOD-2100 | DE4714c | ||
47-07-25-004 | Brown Penny - vKD | AFRS SB-1044, Jo 4015, SYY DSOD-2100 | DE4714d | ||
47-07-25-005 | ¬ Beale Street Blues | AFRS SB-1047, AFRS SB-1083, Jo 4015, Jo LP-4014(D), SYY DSOD-2100 | DE4714e | ||
47-07-25-006 | - | Memphis Blues | AFRS SB-1047, Jo 4015, SYY DSOD-2100 | DE4714f | ||
47-07-25-007 | _| St. Louis Blues - vRN | AFRS SB-1047, Jo 4015, SYY DSOD-2100 | DE4714g | ||
47-07-25-008 | Mood Indigo | AFRS SB-1047, Jo 4015, SYY DSOD-2100 | DE4714h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 30 July 1947 | |||
Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
47-07-30-001 | Take The “A” Train (theme) | AFRS SB-1083, Jo LP-4014(D), Rt 59, SYY DSOD-2100 | DE4715a | ||
47-07-30-002 | Happy Go Lucky Local | AFRS SB-1083, Jo LP-4014(D), Rt 59, SYY DSOD-2100 | DE4715b | ||
THE BEAUTIFUL INDIANS | |||||
47-07-30-003 | - 1. Minnehaha - vKD | AFRS SB-1083, Jo LP-4014(D), Rt 59, SYY DSOD-2100 | DE4715c | ||
47-07-30-004 | - 2. Hiawatha | AFRS SB-1083, Jo LP-4014(D), Rt 59, SYY DSOD-2100 | DE4715d | ||
47-07-30-005 | Warm Valley | AFRS SB-1083, Jo LP-4014(D), Rt 59, SYY DSOD-2100 | DE4715e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 August 1947 | |||
Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-08-01-001 | Take The “A” Train (theme) | AFRS SB-1077, Jo LP-4014(D), SYY DSOD-2100 | DE4716a | ||
47-08-01-002 | It’s Kind Of Lonesome Out Tonight - vCCr | AFRS SB-1077, Jo LP-4014(D), SYY DSOD-2100 | DE4716b | ||
47-08-01-003 | Caravan | AFRS SB-1077, Jo LP-4014(D), SYY DSOD-2100 | DE4716c | ||
47-08-01-004 | When I Walk With You - vKD | AFRS SB-1077, Jo LP-4014(D), SYY DSOD-2100 | DE4716d | ||
47-08-01-005 | Passion Flower | AFRS SB-1077, AFRS SB-1080, Jo LP-4014(D), SYY DSOD-2100 | DE4716e | ||
47-08-01-006 | Tulip Or Turnip - vRN | AFRS SB-1080, SYY DSOD-2100 | DE4716f | ||
47-08-01-007 | Stompy Jones | AFRS SB-1080, SYY DSOD-2100 | DE4716g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 05 August 1947 | |||
Broadcast, Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Chester Crumpler, Kay Davis(v) | |||||
47-08-05-001 | Squeeze Me | SYY DSOD-2100 | DE9049a | ||
47-08-05-002 | Take The “A” Train (theme) | SYY DSOD-2100 | DE9049b | ||
47-08-05-003 | Royal Garden Blues | SYY DSOD-2100 | DE9049c | ||
47-08-05-004 | I Like The Sunrise - vCCr | SYY DSOD-2100 | DE9049d | ||
47-08-05-005 | Sophisticated Lady | SYY DSOD-2100 | DE9049e | ||
47-08-05-006 | Brown Penny - vKD | SYY DSOD-2100 | DE9049f | ||
47-08-05-007 | Blue Is The Night | SYY DSOD-2100 | DE9049g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 06 August 1947 | |||
Broadcast, Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Chester Crimpler(v) | |||||
47-08-06-001 | Take The “A” Train (theme) | SYY DSOD-2100 | DE9050a | ||
47-08-06-002 | Flippant Flurry | SYY DSOD-2100 | DE9050b | ||
47-08-06-003 | It’s Kind Of Lonesome Out Tonight - vCCr | SYY DSOD-2100 | DE9050c | ||
47-08-06-004 | Hollywood Hangover | SYY DSOD-2100 | DE9050d | ||
47-08-06-005 | Tulip Or Turnip - vRN | SYY DSOD-2100 | DE9050e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 07 August 1947 | |||
Broadcast, Ciro's Club | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Chester Crimpler(v) | |||||
47-08-07-001 | Take The “A” Train (theme) | SYY DSOD-2100 | DE9051a | ||
47-08-07-002 | Lady Of The Lavender Mist (Too Weary To Worry) | SYY DSOD-2100 | DE9051b | ||
47-08-07-003 | H’ya Sue (Flirtation) | SYY DSOD-2100 | DE9051c | ||
47-08-07-004 | Azalea - vCCr | SYY DSOD-2100 | DE9051d | ||
47-08-07-005 | Caravan | SYY DSOD-2100 | DE9051e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 14 August 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Chester Crimpler(v) | |||||
47-08-14-001 | HCO2531- | H’ya Sue | Nw RP2056, UtD 2002 | DE4717a | |
47-08-14-002 | HCO2531- | H’ya Sue | Nw RP2056, UtD 2002 | DE4717b | |
47-08-14-003 | HCO2531-1 | H’ya Sue | CBS 462985-2, CBS 66607(D), Cl(F) 1051, Co 38234, Co G-32564 | DE4717c | |
47-08-14-004 | HCO2532-1 | Lady Of The Lavender Mist (Too Weary To Worry) | CBS 462985-2, CBS 66607(D), Cl(F) 1051, Co 38235, Co G-32564 | DE4717d | |
47-08-14-005 | HCO2532- | Lady Of The Lavender Mist (Too Weary To Worry) | DE4717e | ||
47-08-14-006 | HCO2532- | Lady Of The Lavender Mist (Too Weary To Worry) | DE4717f | ||
47-08-14-007 | HCO2532-2 | Lady Of The Lavender Mist (Too Weary To Worry) | Nw RP2056, UtD 2002 | DE4717g | |
47-08-14-008 | HCO2533- | Women, Women, Women - vRN | UtD 2002 | DE4717h | |
47-08-14-009 | HCO2533-1 | Women, Women, Women - vRN | CBS 462985-2, CBS 66607(D), Cl(F) 1051, Co 38576, Co CK-66372, Co G-32564 | DE4717i | |
47-08-14-010 | Maybe I Should Change My Ways | DE4717j | |||
47-08-14-011 | Maybe I Should Change My Ways | DE4717k | |||
47-08-14-012 | Maybe I Should Change My Ways - CCr | Cl(F) 1051, UtD 2002 | DE4717l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 31 August 1947 | |||
Concert, Hollywood Bowl | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Al Hibbler, Kay Davis(v) | |||||
47-08-31-001 | Blutopia | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718a | ||
47-08-31-002 | Overture To A Jam Session | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718b | ||
47-08-31-003 | The Mooch | AFRS HBS-59(2/5), UJ 001, UJ RKO-1033 | DE4718c | ||
47-08-31-004 | Jumpin’ Punkins | AFRS HBS-59(2/5), UJ 001, UJ RKO-1033 | DE4718d | ||
47-08-31-005 | Ring Dem Bells | AFRS HBS-59(2/5), AFRS J-(XMAS47), UJ 001, UJ RKO-1033 | DE4718e | ||
47-08-31-006 | ¬ Beale Street Blues | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718f | ||
47-08-31-007 | - | Memphis Blues | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718g | ||
47-08-31-008 | _| St. Louis Blues - vRN | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718h | ||
47-08-31-009 | Golden Feather | AFRS HBS-59(1/3), UJ 001, UJ RKO-1033 | DE4718i | ||
47-08-31-010 | Air Conditioned Jungle | AFRS HBS-59(4/6), UJ 001, UJ RKO-1033 | DE4718j | ||
47-08-31-011 | Golden Cress | AFRS HBS-59(4/6), UJ 001, UJ RKO-1033 | DE4718k | ||
47-08-31-012 | ¬ Diminuendo In Blue | AFRS HBS-59(2/5), UJ 001, UJ RKO-1033 | DE4718l | ||
47-08-31-013 | - | Transblucency - vKD | AFRS HBS-59(2/5), UJ 001, UJ RKO-1033 | DE4718m | ||
47-08-31-014 | _| Crescendo In Blue | AFRS HBS-59(2/5), UJ 001, UJ RKO-1033 | DE4718n | ||
47-08-31-015 | Come Sunday | AFRS HBS-59(2/5), UJ 003 | DE4718o | ||
47-08-31-016 | Light | AFRS HBS-59(4/6), UJ 003 | DE4718p | ||
47-08-31-017 | The Blues | AFRS HBS-59(4/6), UJ 003 | DE4718q | ||
47-08-31-018 | Emancipation Celebration | AFRS HBS-59(7/9), UJ 003 | DE4718r | ||
Duke Ellington(p); Oscar Pettiford(sb); Sonny Greer(d) | |||||
47-08-31-019 | Dancers In Love | AFRS HBS-59(7/9), UJ 003 | DE4718s | ||
As before | |||||
47-08-31-020 | ¬ Frankie And Johnny | AFRS HBS-59(7/9), UJ 003 | DE4718t | ||
47-08-31-021 | _| Metronome All Out | AFRS HBS-59(7/9), UJ 003 | DE4718u | ||
47-08-31-022 | My Little Brown Book - vAH | AFRS HBS-59(8/10) | DE4718v | ||
47-08-31-023 | Summertime - vAH | AFRS HBS-59(8/10) | DE4718w | ||
47-08-31-024 | It Shouldn’t Happen To A Dream - vAH | AFRS HBS-59(8/10) | DE4718x | ||
47-08-31-025 | Fat And Forty - vAH | AFRS HBS-59(8/10) | DE4718y | ||
47-08-31-026 | I Got It Bad - vAH | AFRS HBS-59(8/10) | DE4718z | ||
47-08-31-027 | Take The “A” Train | AFRS HBS-59(7/9), UJ 003 | DE4718aa | ||
47-08-31-028 | Moon Mist | AFRS HBS-59(7/9), UJ 003 | DE4718ab | ||
47-08-31-029 | Jam-A-Ditty | AFRS HBS-59(7/9), UJ 003 | DE4718ac | ||
THE BEAUTIFUL INDIANS | |||||
47-08-31-030 | - 1. Minnehaha - vKD | AFRS HBS-59(7/9), UJ 003 | DE4718ad | ||
47-08-31-031 | - 2. Hiawatha | AFRS HBS-59(8/10), UJ 003 | DE4718ae | ||
Medley | DE4718af | ||||
47-08-31-032 | - 1. Do Nothin’ Till You Hear From Me | AFRS HBS-59(8/10) | |||
47-08-31-033 | - 2. In A Sentimental Mood | AFRS HBS-59(8/10) | |||
47-08-31-034 | - 3. Mood Indigo | AFRS HBS-59(8/10) | |||
47-08-31-035 | - 4. I’m Beginning To See The Light | AFRS HBS-59(8/10) | |||
47-08-31-036 | - 5. Sophisticated Lady | AFRS HBS-59(8/10) | |||
47-08-31-037 | - 6. Caravan | AFRS HBS-59(8/10) | |||
47-08-31-038 | - 7. Solitude | AFRS HBS-59(8/10) | |||
47-08-31-039 | - 8. I Let A Song & Don’t Get Around Much | AFRS HBS-59(8/10) | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 September 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch);Al Hibbler,n/k(v) | |||||
47-09-01-001 | HCO2596- | It’s Monday Every Day - vAH | DE4719a | ||
47-09-01-002 | HCO2596-1 | It’s Monday Every Day - vAH | CBS 462985-2, CBS 66607(D), Cl(F) 1051, Co 38165 | DE4719b | |
47-09-01-003 | HCO2597- | Golden Cress | Nw RP2056, UtD 2002 | DE4719c | |
47-09-01-004 | HCO2597-1 | Golden Cress | CBS 462985-2, CBS 66607(D), Cl(F) 1051, Co 38236, Co G-32564 | DE4719d | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-09-01-005 | HCO2598-1 | Put Yourself In My Place Baby - vn/k | CBS 462985-2, Cl(F) 1051, Co 291732, UtD 2002 | DE4719e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | September 1947 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-09-15-001 | Take The “A” Train (theme) | DE4720a | |||
47-09-15-002 | Lady Of The Lavender Mist | DE4720b | |||
47-09-15-003 | H’ya Sue | DE4720c | |||
47-09-15-004 | Blue Is The Night | DE4720d | |||
47-09-15-005 | I’m Just A Lucky So And So | DE4720e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 29 September 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Dolores Parker, Woody Herman(v) | |||||
47-09-29-001 | HCO2598-2 | Put Yourself In My Place, Baby - vDP | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 37957 | DE4721a | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
47-09-29-002 | HCO2654-1 | Cowboy Rhumba - vWH | DE4721b | ||
47-09-29-003 | HCO2654-2 | Cowboy Rhumba - vWH | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38950 | DE4721c | |
47-09-29-004 | HCO2655- | The Wildest Gal In Town - vDP | DE4721d | ||
47-09-29-005 | HCO2655- | The Wildest Gal In Town - vDP | DE4721e | ||
47-09-29-006 | HCO2655- | The Wildest Gal In Town - vDP | DE4721f | ||
47-09-29-007 | HCO2655-1 | The Wildest Gal In Town - vDP | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38957 | DE4721g | |
47-09-29-008 | HCO2655-2 | The Wildest Gal In Town - vDP | DE4721h | ||
47-09-29-009 | HCO2656- | I Fell And Broke My Heart - vWH | Nw RP2056, UtD 2002 | DE4721i | |
47-09-29-010 | HCO2656-1 | I Fell And Broke My Heart - vWH | CBS 462985-2, CBS 66607(D), Cl(F) 1086, FDC 1022, FMRS FM-4001/02 | DE4721j | |
47-09-29-011 | HCO2658- | Antidisestablishmentarianismist - vRN | Nw RP2056, UtD 2002 | DE4721k | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 30 September 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
47-09-30-001 | HCO2658-1 | Antidisestablishmentarianismist - vRN | CBS 462985-2, CBS 66607(D), Cl(F) 1086, VD 843 | DE4722a | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-09-30-002 | HCO2662- | Don’t Be So Mean To Baby - vAH | DE4722b | ||
47-09-30-003 | HCO2662-1 | Don’t Be So Mean To Baby - vAH | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38295 | DE4722c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 October 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Dolores Parker(v) | |||||
47-10-01-001 | It’s Mad, Mad, Mad - vDP | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38295, Co G-32564 | DE4723a | ||
47-10-01-002 | You Gotta Crawl Before You Walk - vRN | Nw RP2056, UtD 2002 | DE4723b | ||
47-10-01-003 | You Gotta Crawl Before You Walk - vRN | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co G-32564 | DE4723c | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
47-10-01-004 | Maybe I Should Change My Ways | Nw RP2056, UtD 2002 | DE4723d | ||
47-10-01-005 | Maybe I Should Change My Ways | Cl(F) 1086, Co 1-331 | DE4723e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 02 October 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Kay Davis, Dolores Parker(v) | |||||
47-10-02-001 | HCO2666- | Kitty - vRN | Nw RP2056, UtD 2002 | DE4724a | |
47-10-02-002 | HCO2666-1 | Kitty - vRN | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co G-32564 | DE4724b | |
47-10-02-003 | HCO2668- | Brown Penny - vKD | DE4724c | ||
47-10-02-004 | HCO2668-1 | Brown Penny - vKD | DE4724d | ||
47-10-02-005 | HCO2668-2 | Brown Penny - vKD | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co G-32564 | DE4724e | |
47-10-02-006 | HCO2668-3 | Brown Penny - vKD | DE4724f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 04 October 1947 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-10-04-001 | Blue Lou | DE4725a | |||
47-10-04-002 | H’ya Sue | MJ 2MJP-1082, Nw RP2056 | DE4725b | ||
47-10-04-003 | How High The Moon | DE4725c | |||
47-10-04-004 | Emancipation Celebration | DE4725d | |||
47-10-04-005 | Antidisestablishmentarianismist - vRN | DE4725e | |||
47-10-04-006 | It’s Kind Of Lonesome Out Tonight | DE4725f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 05 October 1947 | |||
Broadcast, Meadowbrook Gardens Café | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-10-05-001 | Honeysuckle Rose | DE4726a | |||
47-10-05-002 | It’s Kind Of Lonesome Out Tonight | DE4726b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 06 October 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-10-06-001 | HCO2665- | Maybe I Should Change My Ways | Nw RP2056, UtD 2002 | DE4727a | |
47-10-06-002 | HCO2665-2 | Maybe I Should Change My Ways | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38576, Co G-32564 | DE4727b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
47-10-06-003 | HCO2676- | Boogie Bop Blues | Nw RP2056, UtD 2003(D) | DE4727c | |
47-10-06-004 | HCO2676-1 | Boogie Bop Blues | CBS 462985-2, CBS 62993, CBS 66607(D), Cl(F) 1086, Co G-32564 | DE4727d | |
47-10-06-005 | HCO2677- | Sultry Serenade | DE4727xa | ||
47-10-06-006 | HCO2677- | Sultry Serenade | DE4727xb | ||
47-10-06-007 | HCO2677- | Sultry Serenade | DE4727xc | ||
47-10-06-008 | HCO2677- | Sultry Serenade | Nw RP2061, UtD 2004(D) | DE4727e | |
47-10-06-009 | HCO2677- | Sultry Serenade | DE4727xd | ||
47-10-06-010 | HCO2677- | Sultry Serenade | DE4727xe | ||
47-10-06-011 | HCO2677-5 | Sultry Serenade | Nw RP2061, UtD 2004(D) | DE4727f | |
47-10-06-012 | HCO2677- | Sultry Serenade | DE4727xf | ||
47-10-06-013 | HCO2677- | Sultry Serenade | DE4727xg | ||
47-10-06-014 | HCO2677- | Sultry Serenade | DE4727xh | ||
47-10-06-015 | HCO2677-1 | Sultry Serenade | CBS 462985-2, CBS 66607(D), Cl(F) 1086, Co 38363, Co G-32564 | DE4727g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 November 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch) | |||||
47-11-10-001 | CO38371- | Stomp, Look And Listen | Co C3K-65841, Nw RP2061, UtD 2003(D) | DE4728a | |
47-11-10-002 | CO38371-1 | Stomp, Look And Listen | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co DB-2504, Co G-32564 | DE4728b | |
47-11-10-003 | CO38372-1 | Air Conditioned Jungle | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co 38265, Co G-32564, FDC 1023 | DE4728c | |
47-11-10-004 | CO38372- | Air Conditioned Jungle | Nw RP2061, UtD 2003(D) | DE4728d | |
47-11-10-005 | CO38372- | Air Conditioned Jungle | DE4728e | ||
47-11-10-006 | CO38372- | Air Conditioned Jungle | DE4728f | ||
47-11-10-007 | CO38372-2 | Air Conditioned Jungle | VD 833 | DE4728g | |
47-11-10-008 | CO38373- | Three Cent Stomp | Co C3K-65841 | DE4728xa | |
47-11-10-009 | CO38373-1 | Three Cent Stomp | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co 38237, Co G-32564 | DE4728h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 November 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Dolores Parker(v) | |||||
47-11-11-001 | CO38374- | Progressive Gavotte | FDC 1023 | DE4729a | |
47-11-11-002 | CO38374-1 | Progressive Gavotte | CBS 462986-2, CBS 62993, CBS 66607(D), Cl(F) 1086, Co 38237, Co G-32564 | DE4729b | |
47-11-11-003 | CO38374- | Progressive Gavotte | DE4729c | ||
47-11-11-004 | CO38374- | Progressive Gavotte | C3K 65841, Nw RP2061, UtD 2003(D) | DE4729d | |
47-11-11-005 | CO38375- | He Makes Me Believe He’s Mine - vDP | DE4729e | ||
47-11-11-006 | CO38375-1 | He Makes Me Believe He’s Mine - vDP | DE4729f | ||
47-11-11-007 | CO38375- | He Makes Me Believe He’s Mine - vDP | DE4729g | ||
47-11-11-008 | CO38375- | He Makes Me Believe He’s Mine - vDP | DE4729h | ||
47-11-11-009 | CO38375- | He Makes Me Believe He’s Mine - vDP | DE4729i | ||
47-11-11-010 | CO38375-2 | He Makes Me Believe He’s Mine - vDP | CBS 462986-2, CBS 66607(D), Cl(F) 1086 | DE4729j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 November 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Dolores Parker(v) | |||||
47-11-14-001 | CO38386- | Take Love Easy - vDP | DE4730a | ||
47-11-14-002 | CO38386- | Take Love Easy - vDP | Nw RP2061, UtD 2003(D) | DE4730b | |
47-11-14-003 | CO38386- | Take Love Easy - vDP | DE4730c | ||
47-11-14-004 | CO38386-1 | Take Love Easy - vDP | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co 38519, Co CK-66372, Co G-32564 | DE4730d | |
47-11-14-005 | CO38387-1 | I Can’t Believe That You’re In Love With Me | CBS 462986-2, CBS 62993, CBS 66607(D), Cl(F) 1086, Co G-32564, FMRS FM-4001/2 | DE4730e | |
47-11-14-006 | CO38388-1 | How High The Moon | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co 38950, Co G-32564 | DE4730f | |
47-11-14-007 | CO38389- | Singin’ In The Rain | Nw RP2061, UtD 2003(D) | DE4730g | |
47-11-14-008 | CO38389-1 | Singin’ In The Rain | CBS 462986-2, CBS 66607(D), Cl(F) 1086, Co 38464, Co G-32564 | DE4730h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 November 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Herman Grimes(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Edgar Brown(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
47-11-18-001 | CO38705- | Do Nothin’ Till You Hear From Me - vAH | DE4731a | ||
47-11-18-002 | CO38705- | Do Nothin’ Till You Hear From Me - vAH | DE4731b | ||
47-11-18-003 | CO38705-1 | Do Nothin’ Till You Hear From Me - vAH | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co 38363 | DE4731c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 November 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Al Hibbler, Dolores Parker(v) | |||||
47-11-20-001 | CO38398- | Don’t Get Around Much Anymore - vAH | DE4732a | ||
47-11-20-002 | CO38398- | Don’t Get Around Much Anymore - vAH | DE4732b | ||
47-11-20-003 | CO38398- | Don’t Get Around Much Anymore - vAH | DE4732c | ||
47-11-20-004 | CO38398-1 | Don’t Get Around Much Anymore - vAH | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co 38363, Co CK-66372, Co G-32564 | DE4732d | |
47-11-20-005 | CO38399- | Once Upon A Dream - vDP | DE4732e | ||
47-11-20-006 | CO38399- | Once Upon A Dream - vDP | Nw RP2061, UtD 2003(D) | DE4732f | |
47-11-20-007 | CO38399- | Once Upon A Dream - vDP | DE4732g | ||
47-11-20-008 | CO38399-1 | Once Upon A Dream - vDP | CBS 462986-2, CBS 66607(D), Cl(F) 1119, FDC 1022 | DE4732h | |
47-11-20-009 | CO38400- | It’s Love I’m In - vAH | DE4732i | ||
47-11-20-010 | CO38400-1 | It’s Love I’m In - vAH | CBS 462986-2, CBS 66607(D), Cl(F) 1119, FDC 1022 | DE4732j | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | November / December 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Dud Bascomb, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford(sb); Sonny Greer(d,ch); Dolores Parker(v) | |||||
47-11-31-001 | Riff ’n’ Drill | DE9013a | |||
47-11-31-002 | Ole Buttermilk Sky - vDP | DE9013b | |||
47-11-31-003 | The Mooch | DE9013c | |||
DUKE ELLINGTON | Cincinnati, OH | 06 December 1947 | |||
NBC broadcast | |||||
Duke Ellington(p) | |||||
47-12-06-001 | Mood Indigo | AFRS KCTT-29, VJC 1011-2 | DE4733a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 December 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford, Junior Raglin(sb); Sonny Greer(d,ch); Dolores Parker(v) | |||||
47-12-22-001 | CO38591- | I Could Get A Man - vDP | DE4734a | ||
47-12-22-002 | CO38591- | I Could Get A Man - vDP | DE4734b | ||
47-12-22-003 | CO385911-1 | I Could Get A Man - vDP | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co 38519, Co G-32564 | DE4734c | |
Ray Nance(t,vl,v); Lawrence Brown,Tyree Glenn(tb); Jimmy Hamilton(ts); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford, Junior Raglin(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
47-12-22-004 | CO38592-1 | On A Turquoise Cloud - vKD | CBS 462986-2, CBS 66607(D), Co 38234, Co CK-48654, Co CK-66372, Co G-32564 | DE4734d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 December 1947 | |||
Columbia Recording Session | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford, Junior Raglin(sb); Sonny Greer(d,ch); Elayne Jones(tim) | |||||
LIBERIAN SUITE | |||||
47-12-24-001 | XCO40788- | - 1. I Like The Sunrise | Cl(F) 1119, VD 858 | ||
47-12-24-002 | XCO40789- | - 1. I Like The Sunrise - vAH | CBS 462989-2, CBS 66607(D), Cl(F) 1119, Co CL-6073, FDC 1023, UA NUA-7(D), UtD 2005(D) | DE4735a | |
47-12-24-003 | XCO40789- | - 1. I Like The Sunrise - vAH | C3K 65841, Nw RP2061, UtD 2005(D) | DE4735b | |
47-12-24-004 | XCO40790- | - 2. Dance No. 1 | DE4735c | ||
47-12-24-005 | XCO40790- | - 2. Dance No. 1 | CBS 462989-2, CBS 66607(D), Cl(F) 1119, Co CL-6073, UA NUA-7(D) | DE4735d | |
47-12-24-006 | XCO40790- | - 2. Dance No. 1 | Nw RP2061, UtD 2005(D) | DE4735e | |
47-12-24-007 | XCO40791- | - 3. Dance No. 2 | CBS 462989-2, CBS 66607(D), Cl(F) 1119, Co CL-6073, UA NUA-7(D), UtD 2005(D) | DE4735f | |
47-12-24-008 | XCO40792- | - 4. Dance No. 3 | Nw RP2061, UtD 2005(D) | DE4735g | |
47-12-24-009 | XCO40792- | - 4. Dance No. 3 | CBS 462989-2, CBS 66607(D), Cl(F) 1119, Co CL-6073, UA NUA-7(D), UtD 2005(D) | DE4735h | |
47-12-24-010 | XCO40793- | - 5. Dance No. 4 | CBS 462989-2, CBS 66607(D), Cl(F) 1119, Co CL-6073, UA NUA-7(D), UtD 2005(D) | DE4735i | |
47-12-24-011 | XCO40794- | - 6. Dance No. 5 | Co CK-87066 | DE4735xa | |
47-12-24-012 | XCO40794- | - 6. Dance No. 5 | CBS 462989-2, CBS 66607(D), Co CL-6073, UA NUA-7(D), UtD 2005(D) | DE4735j | |
NB.The vocal on " I Like The Sunrise" was overdubbed by Al Hibbler at a later date. VD 858 issued without vocal. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 December 1947 | |||
Concert, Carnegie Hall | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford, Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Dolores Parker, Kay Davis(v) | |||||
47-12-26-001 | Star Spangled Banner | DE4736a | |||
47-12-26-002 | Snibor (The New Look) | DE4736b | |||
47-12-26-003 | Blue Serge | DE4736c | |||
47-12-26-004 | Midriff | DE4736d | |||
47-12-26-005 | Triple Play | DE4736e | |||
47-12-26-006 | He Makes Me Believe He’s Mine - vDP | DE4736f | |||
47-12-26-007 | Harlem Air-Shaft | DE4736g | |||
47-12-26-008 | Mella Brava | DE4736h | |||
47-12-26-009 | Kickapoo Joy Juice | DE4736i | |||
47-12-26-010 | On A Turquoise Cloud - vKD | DE4736j | |||
Medley: | DE4736k | ||||
47-12-26-011 | - 1. Wanderlust | ||||
47-12-26-012 | - 2. Junior Hop | ||||
47-12-26-013 | - 3. Jeep’s Blues | ||||
47-12-26-014 | - 4. Dooji Wooji | ||||
47-12-26-015 | - 5. Jeep Is Jumpin' | ||||
47-12-26-016 | - 6. Mood To Be Wooed | ||||
47-12-26-017 | Juke Bop Boogie | DE4736l | |||
47-12-26-018 | New York City Blues | DE4736m | |||
47-12-26-019 | The Clothed Woman | DE4736n | |||
Duke Ellington out. Add Paul Rudoff(fh); Warren Ross(f); Elayne Jones(p) | |||||
47-12-26-020 | All Heart | DE4736o | |||
As before | |||||
LIBERIAN SUITE | |||||
47-12-26-021 | - 1. I Like The Sunrise - vAH | DE4736p | |||
47-12-26-022 | - 2. Dance No. 1 | DE4736q | |||
47-12-26-023 | - 3. Dance No. 2 | DE4736r | |||
47-12-26-024 | - 4. Dance No. 3 | DE4736s | |||
47-12-26-025 | - 5. Dance No. 4 | DE4736t | |||
47-12-26-026 | - 6. Dance No. 5 | DE4736u | |||
Medley: | DE4736v | ||||
47-12-26-027 | - 1. East St. Louis Toodle-O | ||||
47-12-26-028 | - 2. Echoes Of Harlem | ||||
47-12-26-029 | - 3. Things Ain’t What They Used To Be | ||||
47-12-26-030 | Stomp, Look And Listen | DE4736w | |||
47-12-26-031 | Bakiff | DE4736x | |||
47-12-26-032 | Rockin’ In Rhythm | DE4736y | |||
47-12-26-033 | On The Sunny Side Of The Street | DE4736z | |||
47-12-26-034 | It’s Monday Every Day - vAH | DE4736aa | |||
47-12-26-035 | Lover Come Back To Me - vAH | DE4736ab | |||
47-12-26-036 | Don’t Take Your Love From Me - vAH | DE4736ac | |||
47-12-26-037 | It Don’t Mean A Thing - vAH | DE4736ad | |||
Medley: | DE4736ae | ||||
47-12-26-038 | - 1. Do Nothin’ Till You Hear From Me | ||||
47-12-26-039 | - 2. In A Sentimental Mood | ||||
47-12-26-040 | - 3. Mood Indigo | ||||
47-12-26-041 | - 4. I’m Beginning To See The Light | ||||
47-12-26-042 | - 5. Sophisticated Lady | ||||
47-12-26-043 | - 6. Caravan | ||||
47-12-26-044 | - 7. Solitude | ||||
47-12-26-045 | - 8. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 December 1947 | |||
Concert, Carnegie Hall | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Claude Jones(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Oscar Pettiford, Junior Raglin(sb); Sonny Greer(d,ch); Al Hibbler, Dolores Parker, Kay Davis(v) | |||||
47-12-27-001 | Star Spangled Banner | DE4737a | |||
47-12-27-002 | Snibor (The New Look) | Df DRCD-11211, Pr P-24075 | DE4737b | ||
47-12-27-003 | Blue Serge | Df DRCD-11211, Pr P-24075 | DE4737c | ||
47-12-27-004 | Midriff | DE4737d | |||
47-12-27-005 | Triple Play | Df DRCD-11211, Pr P-24075 | DE4737e | ||
47-12-27-006 | He Makes Me Believe He’s Mine - vDP | DE4737f | |||
47-12-27-007 | Harlem Air-Shaft | Df DRCD-11211, Pr P-24075 | DE4737g | ||
47-12-27-008 | Mella Brava | Df DRCD-11211, Pr P-24075 | DE4737h | ||
47-12-27-009 | Kickapoo Joy Juice | Df DRCD-11211, Pr P-24075 | DE4737i | ||
47-12-27-010 | On A Turquoise Cloud - vKD | Df DRCD-11211, Pr P-24075 | DE4737j | ||
Medley: | DE4737k | ||||
47-12-27-011 | - 1. Wanderlust | Df DRCD-11211, Pr P-24075 | |||
47-12-27-012 | - 2. Junior Hop | Df DRCD-11211, Pr P-24075 | |||
47-12-27-013 | - 3. Jeep’s Blues | Df DRCD-11211, Pr P-24075 | |||
47-12-27-014 | - 4. Squaty Roo | Df DRCD-11211, Pr P-24075 | |||
47-12-27-015 | - 5. Jeep Is Jumpin' | Df DRCD-11211, Pr P-24075 | |||
47-12-27-016 | - 6. Mood To Be Wooed | Df DRCD-11211, Pr P-24075 | |||
47-12-27-017 | Juke Bop Boogie | Df DRCD-11211, Pr P-24075 | DE4737l | ||
47-12-27-018 | New York City Blues | Df DRCD-11211, Pr P-24075 | DE4737m | ||
47-12-27-019 | The Clothed Woman | Df DRCD-11211, Pr P-24075 | DE4737n | ||
Duke Ellington out. Add Paul Rudoff(fh); Warren Ross(f); Elayne Jones(p) | |||||
47-12-27-020 | All Heart | MDD 006 | DE4737o | ||
As before | |||||
LIBERIAN SUITE | |||||
47-12-27-021 | - 1. I Like The Sunrise - vAH | Df DRCD-11211, Pr P-24075 | DE4737p | ||
47-12-27-022 | - 2. Dance No. 1 | Df DRCD-11211, Pr P-24075 | DE4737q | ||
47-12-27-023 | - 3. Dance No. 2 | Df DRCD-11211, Pr P-24075 | DE4737r | ||
47-12-27-024 | - 4. Dance No. 3 | Df DRCD-11211, Pr P-24075 | DE4737s | ||
47-12-27-025 | - 5. Dance No. 4 | Df DRCD-11211, Pr P-24075 | DE4737t | ||
47-12-27-026 | - 6. Dance No. 5 | Df DRCD-11211, Pr P-24075 | DE4737u | ||
Medley: | DE4737v | ||||
47-12-27-027 | - 1. East St. Louis Toodle-O | Df DRCD-11211, Pr P-24075 | |||
47-12-27-028 | - 2. Echoes Of Harlem | Df DRCD-11211, Pr P-24075 | |||
47-12-27-029 | - 3. Things Ain’t What They Used To Be | Df DRCD-11211, Pr P-24075 | |||
47-12-27-030 | Stomp, Look And Listen | DE4737w | |||
47-12-27-031 | Bakiff | Df DRCD-11211, Pr P-24075 | DE4737x | ||
47-12-27-032 | Rockin’ In Rhythm | DE4737y | |||
47-12-27-033 | On The Sunny Side Of The Street | DE4737z | |||
47-12-27-034 | Cotton Tail | Df DRCD-11211, Pr P-24075 | DE4737aa | ||
47-12-27-035 | It’s Monday Every Day - vAH | DE4737ab | |||
47-12-27-036 | Lover Come Back To Me - vAH | DE4737ac | |||
47-12-27-037 | Don’t Take Your Love From Me - vAH | DE4737ad | |||
47-12-27-038 | It Don’t Mean A Thing - vAH | DE4737ae | |||
Medley: | DE4737af | ||||
47-12-27-039 | - 1. Do Nothin’ Till You Hear From Me | ||||
47-12-27-040 | - 2. In A Sentimental Mood | ||||
47-12-27-041 | - 3. Mood Indigo | ||||
47-12-27-042 | - 4. I’m Beginning To See The Light | ||||
47-12-27-043 | - 5. Sophisticated Lady | ||||
47-12-27-044 | - 6. Caravan | ||||
47-12-27-045 | - 7. Solitude | ||||
47-12-27-046 | - 8. I Let A Song & Don’t Get Around Much | ||||
47-12-27-047 | Tulip Or Turnip - vRN | DE4737ag | |||
47-12-27-048 | Blue Skies (Trumpets No End) | Df DRCD-11211, Pr P-24075 | DE4737ah | ||
DUKE ELLINGTON GROUP | New York City, NY | 29 December 1947 | |||
WMCA broadcast | |||||
Al Killian(t); Ray Nance(t,vl,v); Lawrence Brown,Tyree Glenn(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Junior Raglin(sb); Sonny Greer(d); Kay Davis(v) | |||||
47-12-29-001 | Take The “A” Train (theme) | DE4738a | |||
47-12-29-002 | C-Jam Blues | DE4738b | |||
SG out. Add BRi(d) | |||||
47-12-29-003 | Things Ain’t What They Used To Be | DE4738c | |||
BRi out. Add Sonny Greer(d) | |||||
47-12-29-004 | Transblucency - vKD | DE4738d | |||
47-12-29-005 | On The Sunny Side Of The Street | DE4738e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 December 1947 | |||
Columbia Recording Session | |||||
Al Killian, Harold Baker(t); Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Al Sears(ts); Harry Carney(bar); Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d); Dolores Parker(v) | |||||
47-12-30-001 | CO38670- | A Woman And A Man - vDP | DE4739a | ||
47-12-30-002 | CO38670- | A Woman And A Man - vDP | Nw RP2061, UtD 2003(D) | DE4739b | |
47-12-30-003 | CO38670- | A Woman And A Man - vDP | DE4739c | ||
47-12-30-004 | CO38670-1 | A Woman And A Man - vDP | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co DZ-722, FDC 1022 | DE4739d | |
HB(t); Lawrence Brown(tb); Johnny Hodges(as); Al Sears(ts); Harry Carney(bar); Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
47-12-30-005 | CO38671- | The Clothed Woman | FDC 1023, Nw RP2061, UtD 2003(D) | DE4739e | |
47-12-30-006 | CO38671- | The Clothed Woman | DE4739f | ||
47-12-30-007 | CO38671-1 | The Clothed Woman | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co 38236, Co KG-33341 | DE4739g | |
As before | |||||
47-12-30-008 | CO38672-1 | New York City Blues | CBS 462986-2, CBS 66607(D), Cl(F) 1119, Co 38235, Co KG-33341 | DE4739h | |
47-12-30-009 | CO38672-2 | New York City Blues | FDC 1023, Nw RP2061, UtD 2003(D), VD 871 | DE4739i | |
Al Killian, Harold Baker(t); Lawrence Brown,Tyree Glenn(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Al Sears(ts); Duke Ellington(p); Junior Raglin(sb); Sonny Greer(d) | |||||
47-12-30-010 | Let’s Go Blues | CBS 462987-2(D), CBS 66607(D), Cl(F) 1119, Co KG-33341 | DE4739j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Schenectady, NY | 06 November 1948 | |||
Broadcast, Gymnastics Hall, Union College | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-06-001 | Take The “A” Train (theme) | DE4801a | |||
48-11-06-002 | Y’oughta | Du KLJ-20034, JS AA-534 | DE4801b | ||
48-11-06-003 | Don’t Be So Mean To Baby - vAH | Du KLJ-20034 | DE4801c | ||
48-11-06-004 | How You Sound | Du KLJ-20034 | DE4801d | ||
48-11-06-005 | On A Turquoise Cloud - vKD | Du KLJ-20034 | DE4801e | ||
48-11-06-006 | Don’t Blame Me - vKD | Du KLJ-20034 | DE4801f | ||
48-11-06-007 | Just A Sittin’ And A-Rockin’ - vRN | DE4801g | |||
48-11-06-008 | H’ya Sue | DE4801h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 November 1948 | |||
Concert, Carnegie Hall | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-13-001 | Star Spangled Banner | DE4802a | |||
48-11-13-002 | Three Cent Stomp | AFRS J-317, VJC 1024-2 | DE4802b | ||
48-11-13-003 | Lady Of The Lavender Mist | AFRS J-317, Ca CAR-437, VJC 1024-2 | DE4802c | ||
48-11-13-004 | Suddenly It Jumped | AFRS J-317, VJC 1024-2 | DE4802d | ||
48-11-13-005 | REMINISCING IN TEMPO | AFRS J-317, VJC 1024-2 | DE4802e | ||
48-11-13-006 | She Wouldn’t Be Moved | AFRS J-317, Ca CAR-437, VJC 1024-2 | DE4802f | ||
SYMPHOMANIAC | AFRS J-317, Ca CAR-437, VJC 1024-2 | ||||
48-11-13-007 | - 1. Symphonic Or Bust | AFRS J-317, Ca CAR-437, UA NUA-7(D), VJC 1024-2 | DE4802g | ||
48-11-13-008 | - 2. How You Sound | AFRS J-317, Ca CAR-437, UA NUA-7(D), VJC 1024-2 | DE4802h | ||
48-11-13-009 | My Friend | AFRS J-317, Ca CAR-437, VJC 1024-2 | DE4802i | ||
48-11-13-010 | Tootin’ Through The Roof | AFRS J-314, AFRS J-315, Ca CAR-437, VJC 1024-2 | DE4802j | ||
48-11-13-011 | Creole Love Call - vKD | AFRS J-314, Ca CAR-436, VJC 1024-2 | DE4802k | ||
48-11-13-012 | Don’t Blame Me - vKD | AFRS J-314, Ca CAR-436, VJC 1024-2 | DE4802l | ||
48-11-13-013 | Paradise | AFRS JJ-48, VJC 1024-2 | DE4802m | ||
48-11-13-014 | THE TATTOOED BRIDE | AFRS J-315, Cl(F) 1119, FDC 1023, VJC 1024-2 | DE4802n | ||
48-11-13-015 | Take The “A” Train | Ca CAR-436, VJC 1024-2 | DE4802o | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
48-11-13-016 | Lush Life - vKD | AFRS J-317, Ca CAR-436, VJC 1025-2 | DE4802p | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
48-11-13-017 | H’ya Sue | AFRS J-320, Ca CAR-437, VJC 1025-2 | DE4802q | ||
48-11-13-018 | Fantazm | AFRS J-320, Ca CAR-437, VJC 1025-2 | DE4802r | ||
48-11-13-019 | Y’oughta | AFRS JJ-48, Ca CAR-437, VJC 1025-2 | DE4802s | ||
48-11-13-020 | Brown Betty | AFRS J-315, Ca CAR-436, VJC 1025-2 | DE4802t | ||
48-11-13-021 | Humoresque | AFRS J-315, Ca CAR-436, VJC 1025-2 | DE4802u | ||
48-11-13-022 | How High The Moon | AFRS JJ-48, Ca CAR-436, VJC 1025-2 | DE4802v | ||
48-11-13-023 | Cotton Tail | AFRS JJ-48, Ca CAR-436, VJC 1025-2 | DE4802w | ||
48-11-13-024 | Don’t Be So Mean To Baby - vAH | AFRS J-317, VJC 1025-2 | DE4802x | ||
48-11-13-025 | Lover Come Back To Me - vAH | AFRS J-317, VJC 1025-2 | DE4802y | ||
48-11-13-026 | Trees - vAH | AFRS J-342, VJC 1025-2 | DE4802z | ||
48-11-13-027 | It’s Monday Every Day - vAH | AFRS J-320, VJC 1025-2 | DE4802aa | ||
Medley: | DE4802ab | ||||
48-11-13-028 | - 1. Don’t Get Around Much Anymore | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-029 | - 2. Do Nothin’ Till You Hear From Me | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-030 | - 3. In A Sentimental Mood | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-031 | - 4. Mood Indigo | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-032 | - 5. I’m Beginning To See The Light | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-033 | - 6. Sophisticated Lady | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-034 | - 7. Caravan | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-035 | - 8. It Don’t Mean A Thing | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-036 | - 9. Solitude | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-037 | - 10. I Let A Song & Don’t Get Around Much | AFRS J-320, AFRS J-342, Jo 5013, VJC 1025-2 | |||
48-11-13-038 | Limehouse Blues | AFRS J-342, Ca CAR-436, Jo 5013, VJC 1025-2 | DE4802ac | ||
48-11-13-039 | Just A-Sittin’ And A-Rockin’ - vRN | AFRS J-342, Ca CAR-436, VJC 1025-2 | DE4802ad | ||
48-11-13-040 | Blue Skies | AFRS J-342, Ca CAR-436, VJC 1025-2 | DE4802ae | ||
48-11-13-041 | Things Ain’t What They Used to Be | Ca CAR-436, VJC 1025-2 | DE4802af | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 22 November 1948 | |||
Broadcast, Click Restaurant | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-22-001 | Take The “A” Train (theme) | AFRS ONS-1830, Jo LP-1066, Ra 5000-FC | DE4803a | ||
48-11-22-002 | Suddenly It Jumped | AFRS ONS-1830, Jo LP-1066, Ra 5000-FC | DE4803b | ||
48-11-22-003 | It’s Monday Every Day - vAH | AFRS ONS-1830, Jo LP-1066, Ra 5000-FC | DE4803c | ||
48-11-22-004 | How High The Moon | AFRS ONS-1830, Jo LP-1066, Ra 5000-FC | DE4803d | ||
48-11-22-005 | On A Turquoise Cloud - vKD | AFRS ONS-1830, Jo LP-1066, Ra 5000-FC | DE4803e | ||
48-11-22-006 | Just A-Sittiin’ And A-Rockin’ - vRN | AFRS ONS-1830, Ra 5000-FC | DE4803f | ||
48-11-22-007 | Blue Skies | AFRS ONS-1830, Ra 5000-FC | DE4803g | ||
48-11-22-008 | H’ya Sue | AFRS ONS-1830, Ra 5000-FC | DE4803h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 23 November 1948 | |||
Broadcast, Click Restaurant | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-23-001 | Tootin’ Through The Roof | Ra 5000-FC | DE4804a | ||
48-11-23-002 | Creole Love Call - vKD | DE4804b | |||
48-11-23-003 | C-Jam Blues | DE4804c | |||
48-11-23-004 | Don’t Blame Me - vKD | Ra 5000-FC | DE4804d | ||
48-11-23-005 | Humoresque | Ra 5000-FC | DE4804e | ||
48-11-23-006 | Don’t Be So Mean To baby - vAH | DE4804f | |||
48-11-23-007 | H’ya Sue | DE4804g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 24 November 1948 | |||
Broadcast, Click Restaurant | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-24-001 | Progressive Gavotte | Ra 5003-FC | DE4805a | ||
48-11-24-002 | Mood Indigo - vKD | DE4805b | |||
48-11-24-003 | St. Louis Blues - vRN | DE4805c | |||
48-11-24-004 | It Don’t Mean A Thing - vAH | Ra 5003-FC | DE4805d | ||
48-11-24-005 | H’ya Sue | DE4805e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 26 November 1948 | |||
Broadcast, Click Restaurant | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-26-001 | Rockabye River | Ra 5003-FC | DE4806a | ||
48-11-26-002 | How You Sound | DE4806b | |||
48-11-26-003 | Tulip Or Turnip - vRN | DE4806c | |||
48-11-26-004 | He Makes Me Believe He’s Mine - vKD | Ra 5003-FC | DE4806d | ||
48-11-26-005 | Trees - vAH | Ra 5003-FC | DE4806e | ||
Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d) | |||||
48-11-26-006 | Dancers In Love | DE4806f | |||
As before | |||||
48-11-26-007 | H’ya Sue | DE4806g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 27 November 1948 | |||
Broadcast, Click Restaurant | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-11-27-001 | Singin’ In The Rain | DE4807a | |||
48-11-27-002 | Limehouse Blues | Ra 5003-FC | DE4807b | ||
48-11-27-003 | Lover Man - vKD | Ra 5003-FC | DE4807c | ||
48-11-27-004 | Humoresque | DE4807d | |||
48-11-27-005 | S’posin’ - vAH | Ra 5003-FC | DE4807e | ||
48-11-27-006 | H’ya Sue | DE4807f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Ithaca, NY | 10 December 1948 | |||
Concert, Cornelll University | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
48-12-10-001 | Star Spangled Banner | MM 65114-2 | DE4808a | ||
48-12-10-002 | Lady Of The Lavender Mist | MM 65114-2, WRC T-195 | DE4808b | ||
48-12-10-003 | Suddenly It Jumped | MM 65114-2, WRC T-195 | DE4808c | ||
48-12-10-004 | REMINISCING IN TEMPO | Ds 448-1, MM 65114-2 | DE4808d | ||
48-12-10-005 | She Wouldn’t Be Moved | CRC (E2KL-3187/8), MM 65114-2, WRC T-195 | DE4808e | ||
48-12-10-006 | Paradise | MM 65114-2, WRC T-195 | DE4808f | ||
SYMPHOMANIAC | |||||
48-12-10-007 | - 1. Symphonic Or Bust | Ds 448-1, MM 65114-2 | DE4808g | ||
48-12-10-008 | - 2. How You Sound | Ds 448-1, MM 65114-2 | DE4808h | ||
48-12-10-009 | Tootin’ Through The Roof | MM 65162-2, WRC T-195 | DE4808i | ||
48-12-10-010 | Creole Love Call - vKD | MM 65114-2, WRC T-160 | DE4808j | ||
48-12-10-011 | Don’t Blame Me - vKD | MM 65114-2, WRC T-160 | DE4808k | ||
48-12-10-012 | THE TATTOOED BRIDE | MM 65114-2, WRC T-195 | DE4808l | ||
48-12-10-013 | Take The “A” Train | Ds 448-1, MM 65162-2 | DE4808m | ||
48-12-10-014 | Lover Man - vKD | Ds 448-1, MM 65114-2 | DE4808n | ||
48-12-10-015 | H’ya Sue | Ds 448-1, MM 65162-2 | DE4808o | ||
48-12-10-016 | Fantazm | CRC (E2KL-3187/8), Ds 448-1, MM 65162-2 | DE4808p | ||
48-12-10-017 | Y’oughta | MM 65114-2, WRC T-160 | DE4808q | ||
48-12-10-018 | My Friend | Ds 448-1, MM 65114-2 | DE4808r | ||
48-12-10-019 | Brown Betty | CRC (E2KL-3187/8), MM 65162-2, WRC T-160 | DE4808s | ||
48-12-10-020 | Humoresque | MM 65162-2, WRC T-160 | DE4808t | ||
48-12-10-021 | How High The Moon | MM 65162-2, WRC T-160 | DE4808u | ||
48-12-10-022 | Don’t Be So Mean To Baby - vAH | MM 65162-2, WRC T-160 | DE4808v | ||
48-12-10-023 | Lover Come Back To Me - vAH | Ds 448-1, MM 65162-2 | DE4808w | ||
48-12-10-024 | Trees - vAH | Ds 448-1 | DE4808x | ||
48-12-10-025 | It’s Monday Every Day - vAH | Ds 448-1, MM 65162-2 | DE4808y | ||
Medley: | DE4808z | ||||
48-12-10-026 | - 1. Don’t Get Around Much Anymore | MM 65114-2, WRC T-195 | |||
48-12-10-027 | - 2. Do Nothin’ Till You Hear From Me | MM 65114-2, WRC T-195 | |||
48-12-10-028 | - 3. In A Sentimental Mood | MM 65114-2, WRC T-195 | |||
48-12-10-029 | - 4. Mood Indigo | MM 65114-2, WRC T-195 | |||
48-12-10-030 | - 5. I’m Beginning To See The Light | MM 65114-2, WRC T-195 | |||
48-12-10-031 | - 6. Sophisticated Lady | MM 65114-2, WRC T-195 | |||
48-12-10-032 | - 7. Caravan | MM 65114-2, WRC T-195 | |||
48-12-10-033 | - 8. It Don’t Mean A Thing | MM 65114-2, WRC T-195 | |||
48-12-10-034 | - 9. I Let A Song & Don’t Get Around Much | MM 65114-2, WRC T-195 | |||
48-12-10-035 | Limehouse Blues | MM 65114-2, WRC T-160 | DE4808aa | ||
48-12-10-036 | Blue Skies | WRC T-160 | DE4808ab | ||
48-12-10-037 | Just A-Sittin’ And A-Rockin’ - vRN | Ds 448-1 | DE4808ac | ||
Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d) | |||||
48-12-10-038 | Dancers In Love | Ds 448-1, MM 65114-2 | DE4808ad | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Location unknown, U.S.A. | c. December 1948 | |||
AFRS radio transcription | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch) | |||||
48-12-20-001 | Take The “A” Train (theme) | Ra 5003-FC | DE4809a | ||
48-12-20-002 | C-Jam Blues | Ra 5003-FC | DE4809b | ||
48-12-20-003 | Brown Betty | Ra 5003-FC | DE4809c | ||
48-12-20-004 | Blue Skies | Ra 5003-FC | DE4809d | ||
48-12-20-005 | Take The “A” Train | Ra 5003-FC | DE4809e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 December 1948 | |||
Broadcast, Apollo Theatre | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wendell Marshall(sb); Sonny Greer(d,ch) | |||||
48-12-29-001 | Cotton Tail | DE4810a | |||
Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d) | |||||
48-12-29-002 | Dancers In Love | DE4810b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
49-02-00-001 | Caravan | AFRS JJ-39, Oz 1001 | DE4901a | ||
49-02-00-002 | Brown Betty | AFRS JJ-39, MP Ell-90 | DE4901b | ||
49-02-00-003 | Main Stem | AFRS JJ-39, MP Ell-90, Oz 1001 | DE4901c | ||
49-02-00-004 | Y’oughta | AFRS JJ-39, MP Ell-90, Oz 1001 | DE4901d | ||
49-02-00-005 | Solitude - vAH | AFRS JJ-39, Oz 1001 | DE4901e | ||
49-02-00-006 | Stomp, Look And Listen | AFRS JJ-39 | DE4901f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 06 February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
49-02-06-001 | How High The Moon | AFRS JJ-45, MP Ell-90, Oz 1001 | DE4902a | ||
49-02-06-002 | Lover Man - KD | AFRS JJ-45, MP Ell-90, Oz 1001 | DE4902b | ||
49-02-06-003 | Rockin’ In Rhythm | AFRS JJ-45, Oz 1001 | DE4902c | ||
49-02-06-004 | Just Squeeze Me - vRN | AFRS JJ-45, Oz 1001 | DE4902d | ||
49-02-06-005 | How You Sound | AFRS JJ-45, MP Ell-90, Oz 1001 | DE4902e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch) | |||||
49-02-07-001 | H’ya Sue | AFRS JJ-46, Ra 5004-FC, Sv 101-8345 | DE4903a | ||
49-02-07-002 | C-Jam Blues | AFRS JJ-46, Ra 5004-FC, Sv 101-8345 | DE4903b | ||
49-02-07-003 | Passion Flower | AFRS JJ-46, Ra 5004-FC, Sv 101-8345 | DE4903c | ||
49-02-07-004 | Clementine | AFRS JJ-46, Ra 5004-FC, Sv 101-8345 | DE4903d | ||
49-02-07-005 | Just A-Sittin’ And A-Rockin' | AFRS JJ-46, Ra 5004-FC, Sv 101-8345 | DE4903e | ||
49-02-07-006 | One O’Clock Jump | AFRS JJ-46, MP Ell-90, Sv 101-8345 | DE4903f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
49-02-09-001 | Take The “A” Train (theme) | AFRS JJ-47 | DE4904a | ||
49-02-09-002 | THE TATTOOED BRIDE | AFRS JJ-47, MP Ell-90 | DE4904b | ||
49-02-09-003 | Rockin’ In Rhythm | AFRS JJ-47 | DE4904c | ||
49-02-09-004 | Do Nothin’ Till You Hear From Me - vAH | AFRS JJ-47 | DE4904d | ||
49-02-09-005 | How You Sound | AFRS JJ-47 | DE4904e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 10 February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch) | |||||
49-02-10-001 | Solid Old Man | AFRS J-336, Jo 5013, Ra 5004-FC, Sv 101-8345 | DE4905a | ||
49-02-10-002 | Singin’ In The Rain | AFRS J-336, Jo 5013, MP Ell-90, Ra 5004-FC, Sv 101-8345 | DE4905b | ||
49-02-10-003 | Three Cent Stomp | AFRS J-336, Jo 5013, MP Ell-90, Ra 5004-FC, Sv 101-8345 | DE4905c | ||
49-02-10-004 | Tulip Or Turnip | AFRS J-336, Jo 5013, Ra 5004-FC, Sv 101-8345 | DE4905d | ||
49-02-10-005 | Take The “A” Train | AFRS J-336, Jo 5013, Ra 5004-FC, Sv 101-8345 | DE4905e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
49-02-11-001 | H’ya Sue | AFRS J-349 | DE4906a | ||
49-02-11-002 | He Makes Me Believe He’s Mine - vKD | AFRS J-349 | DE4906b | ||
49-02-11-003 | Stomp, Look And Listen | AFRS J-349 | DE4906c | ||
49-02-11-004 | Brown Betty | AFRS J-349, ST 109 | DE4906d | ||
49-02-11-005 | St. Louis Blues - vRN | AFRS J-349, MP Ell-90 | DE4906e | ||
49-02-11-006 | Humoresque | AFRS J-349, MP Ell-90 | DE4906f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
49-02-12-001 | THE TATTOOED BRIDE | AFRS J-356 | DE4907a | ||
49-02-12-002 | Just Squeeze Me - vRN | AFRS J-356 | DE4907b | ||
49-02-12-003 | Body And Soul - vKD | AFRS J-356 | DE4907c | ||
49-02-12-004 | Do Nothin’ Till You Hear From Me - vAH | AFRS J-356 | DE4907d | ||
49-02-12-005 | Rockin’ In Rhythm | AFRS J-356 | DE4907e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
49-02-13-001 | Unbooted Character | AFRS J-361, Sv 101-8345 | DE4908a | ||
49-02-13-002 | Paradise | AFRS J-361, MDD 006, MP Ell-90, Sv 101-8345 | DE4908b | ||
49-02-13-003 | How You Sound | AFRS J-361, Sv 101-8345 | DE4908c | ||
49-02-13-004 | It’s Monday Every Day - vAH | AFRS J-361, Sv 101-8345 | DE4908d | ||
49-02-13-005 | Caravan | AFRS J-361, Sv 101-8345 | DE4908e | ||
49-02-13-006 | Cotton Tail | AFRS J-361, Sv 101-8345 | DE4908f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | February 1949 | |||
Broadcast, Hollywood Empire | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch) | |||||
49-02-14-001 | Beale Street Blues | DE4909a | |||
49-02-14-002 | Tootin’ Through The Roof | DE4909b | |||
49-02-14-003 | Harlem Air-Shaft | DE4909c | |||
49-02-14-004 | Blue Lou | DE4909d | |||
49-02-14-005 | Three Cent Stomp | DE4909e | |||
49-02-14-006 | C-Jam Blues | DE4909f | |||
49-02-14-007 | On The Sunny Side Of The Street | DE4909g | |||
49-02-14-008 | Cotton Tail | DE4909h | |||
49-02-14-009 | Things Ain’t What They Used To Be | DE4909i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 16 February 1949 | |||
Paramount film recording session | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
49-02-16-001 | SM568-2 | Take The “A” Train | DE4910a | ||
49-02-16-002 | SM569-2 | On A Turquoise Cloud - vKD | DE4910b | ||
49-02-16-003 | SM 570-3 | Y’oughta - vRN | DE4910c | ||
The Edward Sisters(td) | |||||
49-02-16-004 | SM 571-1 | Suddenly It Jumped | DE4910d | ||
Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d) | |||||
49-02-16-005 | SM 572-1 | Dancers In Love | DE4910e | ||
As Before | |||||
49-02-16-006 | SM 573- | ¬ Frankie And Johnny | DE4910f | ||
49-02-16-007 | _| Metronome All Out | DE4910g | |||
Recording for Universal Picture Company's "Symphony In Swing". Y'oughta not used. Suddenly It Jumped edited. | |||||
DUKE ELLINGTON | Chicago, IL | March 1949 | |||
Private Party at the home of "Two Ton" Baker | |||||
Duke Ellington(p,ep,v) | |||||
49-03-00-001 | I’m Afraid | DE4911a | |||
49-03-00-002 | I’m Afraid - vDE | DE4911b | |||
49-03-00-003 | I’m Afraid - vDE | DE4911c | |||
49-03-00-004 | Lover Man | DE4911d | |||
49-03-00-005 | Fantazam | DE4911e | |||
49-03-00-006 | HARLEM | DE4911f | |||
49-03-00-007 | Piano Interlude | DE4911g | |||
49-03-00-008 | Unidentified | DE4911h | |||
49-03-00-009 | Creole Rhapsody | DE4911i | |||
49-03-00-010 | Creole Rhapsody | DE4911j | |||
49-03-00-011 | Uno, Due, Tre - vDE | DE4911k | |||
49-03-00-012 | Rockin’ In Rhythm | DE4911l | |||
49-03-00-013 | Piano Interlude | DE4911m | |||
49-03-00-014 | Sentimental Journey | DE4911n | |||
49-03-00-015 | The Mystery Song | DE4911o | |||
49-03-00-016 | B-Sharp Boston | DE4911p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 April 1949 | |||
CBS Telecast | |||||
Shelton Hemphill, Al Killian, Francis Williams, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Al Sears, Ben Webster(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Kay Davis(v) | |||||
49-04-29-001 | Mood Indigo | DE4912a | |||
49-04-29-002 | Take The “A” Train | DE4912b | |||
49-04-29-003 | C-Jam Blues | DE4912c | |||
49-04-29-004 | Sophisticated Lady | DE4912d | |||
49-04-29-005 | On A Turquoise Cloud - vKD | DE4912e | |||
Duke Ellington(p); Wendell Marshall(sb) | |||||
49-04-29-006 | Pitter Panther Patter | DE4912f | |||
As Before | |||||
49-04-29-007 | Warm Valley | DE4912g | |||
Telecast title "Adventures In Jazz" | |||||
DUKE ELLINGTON with RAYMOND SCOTT AND HIS ORCHESTRA | New York City, NY | 02 May 1949 | |||
CBS broadcast | |||||
Duke Ellington(p) with Raymond Scott and His Orchestra | |||||
Medley: | DE4913a | ||||
49-05-02-001 | - 1. Don’t Get Around Much Anymore | ||||
49-05-02-002 | - 2. Mood Indigo | ||||
49-05-02-003 | - 3. It Don’t Mean A Thing | ||||
49-05-02-004 | Caravan | DE4913b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 31 August 1949 | |||
Broadcast, Click Restaurant | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Lu Elliott, Kay Davis(v) | |||||
49-08-31-001 | Take The “A” Train (theme) | Ra 5005-FC | DE4914a | ||
49-08-31-002 | St. Louis Blues - vRN | Ra 5005-FC | DE4914b | ||
49-08-31-003 | Caravan | Ra 5005-FC | DE4914c | ||
49-08-31-004 | The Hucklebuck - vLE | Ra 5005-FC | DE4914d | ||
49-08-31-005 | Don’t Blame Me - vKD | Ra 5005-FC | DE4914e | ||
49-08-31-006 | Maybe I Should Change My Ways | Ra 5005-FC | DE4914f | ||
49-08-31-007 | Blue Skies | Ra 5005-FC | DE4914g | ||
49-08-31-008 | Take The “A” Train (theme) | Ra 5005-FC | DE4914h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 September 1949 | |||
Columbia Recording Session | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Lu Elliott, Kay Davis(v) | |||||
49-09-01-001 | CO41687- | You Of All People - vAH | DE4915a | ||
49-09-01-002 | CO41687- | You Of All People - vAH | DE4915b | ||
49-09-01-003 | CO41687-1 | You Of All People - vAH | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 38606(D) | DE4915c | |
49-09-01-004 | CO41688- | Creole Love Call - vKD | UtD 2003(D) | DE4915d | |
49-09-01-005 | CO41688-1 | Creole Love Call - vKD | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 38606(D) | DE4915e | |
49-09-01-006 | CO41688-2 | Creole Love Call - vKD | Co DZ-725, Co KG-33341, Nw RP2061 | DE4915f | |
49-09-01-007 | CO41689- | The Greatest There Is - vLE | UtD 2003(D) | DE4915g | |
49-09-01-008 | CO41689-1 | The Greatest There Is - vLE | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co KG-33341, FDC 1022 | DE4915h | |
49-09-01-009 | CO41690- | Snibor | Nw RP2061, UtD 2003(D) | DE4915i | |
49-09-01-010 | CO41690-1 | Snibor | CBS 462987-2(D), CBS 62993, CBS 66607(D), Cl(F) 1191(D), Co KG-33341 | DE4915j | |
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 02 September 1949 | |||
Broadcast, Click Restaurant | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Lu Elliott, Kay Davis(v) | |||||
49-09-02-001 | Creole Love Call - vKD | Ra 5005-FC | DE4916a | ||
49-09-02-002 | All Of Me - vLE | Ra 5005-FC | DE4916b | ||
49-09-02-003 | Solitude - vAH | Ra 5005-FC | DE4916c | ||
49-09-02-004 | Dance No. 2 | Ra 5005-FC | DE4916d | ||
49-09-02-005 | It Don’t Mean A Thing - vAH | Ra 5005-FC | DE4916e | ||
49-09-02-006 | Things Ain’t What They Used To Be | Ra 5005-FC | DE4916f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 03 September 1949 | |||
Broadcast, Click Restaurant | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Kay Davis(v) | |||||
49-09-03-001 | Take The “A” Train (theme) | AFRS JJ-83, Rt 22 | DE4917a | ||
49-09-03-002 | Singin’ In The Rain | AFRS JJ-83, Rt 22 | DE4917b | ||
49-09-03-003 | Mood Indigo - vKD | AFRS JJ-83, Rt 22 | DE4917c | ||
49-09-03-004 | Caravan | AFRS JJ-83, Rt 22 | DE4917d | ||
49-09-03-005 | Paradise | AFRS JJ-83, Ra 5005-FC | DE4917e | ||
49-09-03-006 | S’posin’ - vAH | AFRS JJ-83, Ra 5005-FC | DE4917f | ||
49-09-03-007 | Take The “A” Train (theme) | AFRS JJ-83, Ra 5005-FC | DE4917g | ||
DUKE ELLINGTON | New York City, NY | 20 September 1949 | |||
NBC Telecast | |||||
Duke Ellington(p) with studio orchestra cond. By Alan Roth | |||||
Medley: | DE4918a | ||||
49-09-20-001 | - 1. Don’t Get Around Much Anymore | ||||
49-09-20-002 | - 2. Mood Indigo | ||||
49-09-20-003 | - 3. I’m Beginning To See The Light | ||||
49-09-20-004 | - 4. Solitude | ||||
49-09-20-005 | - 5. Caravan | ||||
49-09-20-006 | - 6. It Don’t Mean A Thing | ||||
49-09-20-007 | - 7. Sophisticated Lady | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 23 November 1949 | |||
Broadcast, Click Restaurant | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler(v) | |||||
49-11-23-001 | Jam-A-Ditty | DE4919a | |||
49-11-23-002 | You Of All People - vAH | DE4919b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 December 1949 | |||
Columbia Recording Session | |||||
Ray Nance(t); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Jimmy Forrest(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Lu Elliott, Joe Van Loan, Unidentified vocal group(v) | |||||
49-12-22-001 | CO42550- | The World Is Waiting For The Sunrise - vAH | DE4920a | ||
49-12-22-002 | CO42550- | The World Is Waiting For The Sunrise - vAH | DE4920b | ||
49-12-22-003 | CO42550-1 | The World Is Waiting For The Sunrise - vAH | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 30195 | DE4920c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
49-12-22-004 | CO42551- | Joog Joog - vLE, JVL, Uvg | DE4920d | ||
49-12-22-005 | CO42551-1 | Joog Joog - vLE, JVL, Uvg | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 30195, Co KG-33341 | DE4920e | |
49-12-22-006 | CO42552-1 | Good Woman Blues - vAH | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 38702, Co KG-33341 | DE4920f | |
49-12-22-007 | CO42553- | On The Sunny Side Of The Street - vLE | UtD 2003(D) | DE4920g | |
Add Billy Strayhorn(cs) | |||||
49-12-22-008 | CO42553- | On The Sunny Side Of The Street - vLE | Nw RP2061, UtD 2003(D) | DE4920h | |
49-12-22-009 | CO42553- | On The Sunny Side Of The Street - vLE | DE4920i | ||
49-12-22-010 | CO42553-1 | On The Sunny Side Of The Street - vLE | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co 38702, Co KG-33341 | DE4920j | |
Billy Strayhorn out | |||||
49-12-22-011 | CO42554- | B-Sharp Boston | CBS 462987-2(D), CBS 66607(D), Cl(F) 1191(D), Co KG-33341, Co PE-7 | DE4920k | |
49-12-22-012 | CO42554- | B-Sharp Boston | CBS 62993, Nw RP2061, UtD 2003(D) | DE4920l | |
Many thanks to Marv Goldberg for his attribution of Joe Van Loan to Joog Joog. | |||||
DUKE ELLINGTON | Unknown location, U.S.A. | Late 1940s / Early 1950s | |||
CBS broadcast | |||||
Duke Ellington(p) with studio orchestra | |||||
Medley | DE9074a | ||||
49-12-01-001 | - 1. Solitude | ||||
49-12-01-002 | - 2. Don’t Get Around Much Anymore | ||||
49-12-01-003 | - 3. Sophisticated Lady | ||||
DUKE ELLINGTON | Detroit, MI | late January 1950 | |||
Private party | |||||
Duke Ellington(p,v) | |||||
50-01-00-001 | I’m Afraid - vDE | UtD 2001 | DE5001a | ||
50-01-00-002 | Joog Joog - vDE | UtD 2001 | DE5001b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | late January 1950 | |||
Broadcast, Paradise Theatre | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Jimmy Forrest(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler, Lu Elliott, Kay Davis(v) | |||||
50-01-01-001 | Take The “A” Train (theme) | UtD 2001 | DE5002a | ||
50-01-01-002 | B-Sharp Boston | UtD 2001 | DE5002b | ||
50-01-01-003 | How High The Moon | UtD 2001 | DE5002c | ||
50-01-01-004 | D.E. Message | UtD 2001 | DE5002d | ||
50-01-01-005 | Creole Love Call - vKD | UtD 2001 | DE5002e | ||
50-01-01-006 | On The Sunny Side Of The Street - vLE | UtD 2001 | DE5002f | ||
50-01-01-007 | You Of All People - vAH | UtD 2001 | DE5002g | ||
50-01-01-008 | D.E. Message | UtD 2001 | DE5002h | ||
50-01-01-009 | Suddenly It Jumped | UtD 2001 | DE5002i | ||
50-01-01-010 | Take The “A” Train (theme) | UtD 2001 | DE5002j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 06 March 1950 | |||
Universal film recording session | |||||
Nelson Williams, Al Killian, Dave Burns, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Tyree Glenn(tb,vib); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Charlie Rouse, Alva McCain(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler,Chubby Kemp, Kay Davis(v) | |||||
50-03-06-001 | Things Ain’t What They Used To Be | DE5003a | |||
50-03-06-002 | Take The “A” Train (theme) | DE5003b | |||
50-03-06-003 | She Wouldn’t Be Moved | DE5003c | |||
50-03-06-004 | History Of Jazz | DE5003d | |||
50-03-06-005 | Hello, Little Boy | DE5003e | |||
50-03-06-006 | Hello, Little Boy - vCK | DE5003f | |||
50-03-06-007 | Violet Blue - vKD | DE5003g | |||
50-03-06-008 | You Of All People - vAH | DE5003h | |||
Recording for Universal Picture Company's "Salute To Duke Ellington". Hello Little Boy, instrumental and You oOf All People not used. Vocal version of Hello Little Boy, edited. | |||||
DUKE ELLINGTON | Paris, France | 07 April 1950 | |||
Inedit broadcast | |||||
Duke Ellington,n/k(tk) | |||||
50-04-07-001 | Interview | IMV 50 | DE9040a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Zürich, Switzerland | 02 May 1950 | |||
Concert, Kongresshaus | |||||
Nelson Williams, Al Killian, Ernie Royal, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson, Theodore Kelly(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Don Byas, Alva McCain(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Kay Davis(v) | |||||
50-05-02-001 | Suddenly It Jumped | TCB 43062 | DE9064a | ||
50-05-02-002 | Ring Dem Bells | TCB 43062 | DE9064b | ||
50-05-02-003 | Creole Love Call - vKD | TCB 43062 | DE9064c | ||
50-05-02-004 | Paradise | TCB 43062 | DE9064d | ||
50-05-02-005 | Air Conditioned Jungle | TCB 43062 | DE9064e | ||
50-05-02-006 | How High The Moon | TCB 43062 | DE9064f | ||
50-05-02-007 | THE TATTOOED BRIDE | TCB 43062 | DE9064g | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
50-05-02-008 | Take The “A” Train | TCB 43062 | DE9064h | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
50-05-02-009 | ¬ Frankie And Johnny | TCB 43062 | DE9064i | ||
50-05-02-010 | _| Metronome All Out | TCB 43062 | DE9064j | ||
50-05-02-011 | Rockin’ In Rhythm | TCB 43062 | DE9064k | ||
50-05-02-012 | Violet Blue | TCB 43062 | DE9064l | ||
50-05-02-013 | St. Louis blues - vRN | TCB 43062 | DE9064m | ||
50-05-02-014 | S Wonderful | TCB 43062 | DE9064n | ||
50-05-02-015 | Jeep Is Jumpin' | TCB 43062 | DE9064o | ||
DUKE ELLINGTON | Genève, Switzerland | 04 May 1950 | |||
pre- recorded for RSR broadcast | |||||
Duke Ellington, Loys Choquart(tk) | |||||
50-05-04-001 | Interview by Choquart | DE5004a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Hamburg, Germany | 29 May 1950 | |||
Concert, Ernst Merck Musikhalle | |||||
Nelson Williams, Al Killian, Ernie Royal, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson, Theodore Kelly(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Don Byas, Alva McCain(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Chubby Kemp, Kay Davis(v) | |||||
50-05-29-001 | Suddenly It Jumped | DE5007a | |||
50-05-29-002 | The Mooch | DE5007b | |||
50-05-29-003 | Ring Dem Bells - vRN | DE5007c | |||
50-05-29-004 | Paradise | DE5007d | |||
50-05-29-005 | Air Conditioned Jungle | DE5007e | |||
50-05-29-006 | Y’oughta | MJ MJCD-1088 | DE5007f | ||
50-05-29-007 | How High The Moon | DE5007g | |||
50-05-29-008 | Creole Love Call - vKD | DE5007h | |||
50-05-29-009 | On A Turquoise Cloud | DE5007i | |||
50-05-29-010 | ¬ Frankie And Johnny | DE5007j | |||
50-05-29-011 | _| Metronome All Out | DE5007k | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
50-05-29-012 | Take The “A” Train | DE5007l | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
50-05-29-013 | Rockin’ In Rhythm | DE5007m | |||
50-05-29-014 | Violet Blue | DE5007n | |||
50-05-29-015 | Don’t Get Around Much Anymore | DE5007o | |||
50-05-29-016 | Hello, Little Boy - vCK | DE5007p | |||
50-05-29-017 | Juke Bop Boogie - vCK | DE5007q | |||
50-05-29-018 | Mood Indigo | DE5007r | |||
50-05-29-019 | St. Louis Blues - vRN | DE5007s | |||
50-05-29-020 | Caravan | DE5007t | |||
50-05-29-021 | Blue Skies | DE5007u | |||
DUKE ELLINGTON | Kobenhaven, Denmark | 31 May 1950 | |||
Broadcast, St. Thomas Restaurant | |||||
Duke Ellington(p) | |||||
50-05-31-001 | I Can’t Get Started | DE5005a | |||
DON BYAS, JIMMY HAMILTON AND DUKE ELLINGTON Don Byas(ts); Jimmy Hamilton(cl); Duke Ellington(p) | |||||
50-05-31-002 | Body And Soul | DE5005b | |||
50-05-31-003 | Blues No. 2 | DE5005c | |||
DUKE ELLINGTON | Aarhus, Denmark | 06 June 1950 | |||
Recording session Hammerschmidts Optagelses-Studio | |||||
Duke Ellington(p,v) | |||||
50-06-06-001 | Sophisticated Lady | AR (no-number) | DE5006a | ||
50-06-06-002 | Mood Indigo | AR (no-number) | DE5006b | ||
50-06-06-003 | I’m Afraid - vDE | DE5006c | |||
Add IBH(v) | |||||
50-06-06-004 | I Met A Little Miss - vIBH | DE5006d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 July 1950 | |||
DuMont Telecast | |||||
Nelson Williams, Andres Marenguito, Ernie Royal, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Alva McCain(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Chubby Kemp, June Norton, Marion Cox,Timmie Rogers(v) | |||||
50-07-18-001 | Take The “A” Train (theme) | DE5008a | |||
50-07-18-002 | Rockin’ In Rhythm | DE5008b | |||
Add Son and Sonny(td) | |||||
50-07-18-003 | Everybody’s Doin’ It - vTR | DE5008c | |||
50-07-18-004 | Take The “A” Train | DE5008d | |||
Son and Sonny out | |||||
50-07-18-005 | Hello, Little Boy - vCK | DE5008e | |||
50-07-18-006 | Caravan | DE5008f | |||
50-07-18-007 | Take The “A” Train (theme) | DE5008g | |||
50-07-18-008 | ¬ Creole Love Call - vJNo | DE5008h | |||
50-07-18-009 | - | Jeep Is Jumpin' | DE5008i | |||
50-07-18-010 | _| Creole Love Call - vJNo | DE5008j | |||
50-07-18-011 | On A Turquoise Cloud - vCK, JN, MC | DE5008k | |||
50-07-18-012 | Stomp, Look And Listen | DE5008l | |||
Telecast title Cavalcade of Bands | |||||
OSCAR PETTIFORD HIS CELLO AND QUARTET | New York City, NY | 13 September 1950 | |||
Mercer recording session | |||||
Duke Ellington(p); Oscar Pettiford(ce); Lloyd Trottman(sb); Jo Jones(d) | |||||
50-09-13-001 | M4005 | Perdido | Cl(F) 1191(D), Me M-1952, Vg DP-19 | DE5009a | |
Add Billy Strayhorn(cs) | |||||
50-09-13-002 | M4006 | Take The “A” Train | Cl(F) 1191(D), Me M-1959, Vg DP-19 | DE5009b | |
50-09-13-003 | M4007 | Oscalypso | Cl(F) 1191(D), Me M-1952, Vg DP-19 | DE5009c | |
Billy Strayhorn out | |||||
50-09-13-004 | M4008 | Blues For Blanton | Cl(F) 1191(D), Me M-1959, Vg DP-19 | DE5009d | |
50-09-13-005 | M4009 | Twelve O’Clock Jump | DE5009e | ||
Blues No. 3 | Cl(F) 1191(D), UtD 2006 | ||||
CHUBBY KEMP AND HER ALL STARS | New York City, NY | 21 September 1950 | |||
Mercer recording session | |||||
Red Rodney(t); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Oscar Pettiford(ce); Wendell Marshall(sb); Max Roach(d); Chubby Kemp(v) | |||||
50-09-21-001 | M4010 | Mean Old Choo Choo - vCK | Cl(F) 1191(D), UtD 2006 | DE5010a | |
50-09-21-002 | M4013 | A Slip Of The Lip (Me And My Wig) - vCK | Cl(F) 1191(D), Me M-1971 | DE5010b | |
THE ELLINGTONIANS WITH CHUBBY KEMP | Same session | ||||
As before | |||||
50-09-21-003 | M4014 | How Blue Can You Get - vCK | Cl(F) 1191(D), Me M-1960 | DE5010c | |
CHUBBY KEMP AND HER ALL STARS | Same session | ||||
As before | |||||
50-09-21-004 | M4015 | Juke Bop Boogie - vCK | Cl(F) 1191(D), Me M-1971 | DE5010d | |
SARA FORDE WITH MERCER ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Chubby Kemp out. Add Sara Forde(v) | |||||
50-09-21-005 | M4016 | Set ‘Em Up - vSF | Cl(F) 1191(D), Me M-1960 | ||
THE ELLINGTONIANS | Same session | ||||
Red Rodney(t); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(mp); Wendell Marshall(sb); Max Roach(d) | |||||
50-09-21-006 | M4017 | The New Piano Roll Blues | Cl(F) 1191(D), Me M-1958, Vg DP-19 | DE5010f | |
JIMMY McPHAIL WITH BILLY STRAYHORN TRIO | New York City, NY | 03 October 1950 | |||
Mercer recording session | |||||
Duke Ellington, Billy Strayhorn(p); Wendell Marshall(sb); n/k(cl); Jimmy McPhail(v) | |||||
50-10-03-001 | M5706 | I Wonder Why - vJMP | DE5011a | ||
50-10-03-002 | M5707 | I’ll Remember April - vJMP | DE5011b | ||
50-10-03-003 | M5709 | No Smoking - vJMP | DE5011c | ||
50-10-03-004 | M5710 | Brown Suede - vJMP | DE5011d | ||
BILLY STRAYHORN TRIO | Same session | ||||
Mercer recording session | |||||
Duke Ellington, Billy Strayhorn(p); Wendell Marshall(sb) | |||||
50-10-03-005 | M5710 | Cotton Tail | Cl(F) 1217, Me LP-1001, Vg DP-19, Vg VJD-525 | DE5011e | |
50-10-03-006 | M5711 | C-Jam Blues | Cl(F) 1217, Me LP-1001, Me M-1954, Vg DP-19, Vg VJD-525 | DE5011f | |
50-10-03-007 | M5712 | Flamingo | Cl(F) 1217, Me LP-1001, Me M-1954, Vg DP-19, Vg VJD-525 | DE5011g | |
50-10-03-008 | M5713 | Bang Up Blues | Cl(F) 1217, Me LP-1001, Vg DP-19, Vg VJD-525 | DE5011h | |
THE ELLINGTONIANS WITH AL HIBBLER | 21 October 1950 | ||||
Mercer recording session | |||||
Mercer Ellington(fl); Benny Carter(as); Harry Carney(bar); Billy Strayhorn(p); Dave Barbour(g); Wendell Marshall(sb); Charlie Smith(d); Al Hibbler(v) | |||||
50-10-21-001 | M4019 | Stormy Weather - vAH | Me M-1956 | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
50-10-21-002 | M4020 | Cherry - vAH | Me M-1956 | ||
Duke Ellington and Mercer Ellington out. Add Billy Strayhorn(p) | |||||
50-10-21-003 | M4021 | Stardust - vAH | Me M-1965 | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
50-10-21-004 | M4022 | Honeysuckle Rose - vAH | Me M-1965 | DE5012b | |
WILD BILL DAVIS AND HIS REAL GONE ORGAN | New York City, NY | October 1950 | |||
Mercer recording session | |||||
Wild Bill Davis(o);Duke Ellington(p); John Collins(g); Wendell Marshall(sb); Jo Jones(d) | |||||
50-10-30-001 | M4023 | Things Ain’t What They Used To Be | Cl(F) 1217, Me M-1955, Vg DP-19, Vg VJD-525 | DE5013a | |
BILLY STRAYHORN TRIO | New York City, NY | November 1950 | |||
Mercer recording session | |||||
Duke Ellington, Billy Strayhorn(p); Joe Shulman(sb) | |||||
50-11-00-001 | M2479 | Tonk | Cl(F) 1217, Me LP-1001, Me M-1963, Vg DP-19, Vg VJD-525 | DE5014a | |
50-11-00-002 | M2480 | Johnny Come Lately | Cl(F) 1217, Me LP-1001, Me M-1963, Vg DP-19, Vg VJD-525 | DE5014b | |
50-11-00-003 | M2481 | In A Blue Summer Garden | Cl(F) 1217, Me LP-1001, Vg DP-19, Vg VJD-525 | DE5014c | |
50-11-00-004 | M2482 | Great Times | Cl(F) 1217, Me LP-1001, Vg DP-19, Vg VJD-525 | DE5014d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 November 1950 | |||
ABC telecast | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Bobby Davis(td) | |||||
50-11-19-001 | The World Is Waiting For The Sunrise | DE5015a | |||
50-11-19-002 | Oh! Lady Be Good | DE5015b | |||
Bobby Davis out | |||||
50-11-19-003 | St. Louis Blues - vRN | DE5015c | |||
50-11-19-004 | Blue Skies | JSo AA-564 | DE5015d | ||
Telecast title "Show Time U.S.A." | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 November 1950 | |||
Columbia Recording Session | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Al Hibbler,Yvonne Lanauze(v) | |||||
50-11-20-001 | CO44662-1 | Build That Railroad - vAH | CBS 462987-2(D), CBS 66607(D), Cl(F) 1217, Co 39110, Co KG-33341 | DE5016a | |
50-11-20-002 | CO44663-1 | Love You Madly - vYL | CBS 462987-2(D), CBS 66607(D), Cl(F) 1217, Co 39110, Co CK-66372, Co KG-33341 | DE5016b | |
50-11-20-003 | CO44664-1 | Great Times | CBS 462987-2(D), CBS 66607(D), Cl(F) 1217, Co KG-33341 | DE5016c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 December 1950 | |||
Columbia Recording Session | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Mercer Ellington(fh)Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington, Billy Strayhorn(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Yvonne Lanauze(v) | |||||
50-12-18-001 | CO44749 | THE TATTOOED BRIDE | CBS 462989-2, Cl(F) 1217, Co ML-4418, UA NUA-7(D) | DE5017a | |
50-12-18-002 | CO44750 | Mood Indigo - vYL | CBS 462989-2, Cl(F) 1217, Co ML-4418 | DE5017b | |
50-12-18-003 | CO44751 | Sophisticated Lady - vYL | CBS 462989-2, Cl(F) 1258, Co ML-4418 | DE5017c | |
50-12-18-004 | CO44752 | Solitude | CBS 462989-2, Cl(F) 1258, Co ML-4418 | DE5017d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 December 1950 | |||
Dumont telecast | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson,Tyree Glenn(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Sonny Greer(d,ch); Butch Ballard(d); Yvonne Lanauze(v) | |||||
50-12-26-001 | Take The “A” Train (theme) | DE5018a | |||
50-12-26-002 | Ko-Ko | DE5018b | |||
50-12-26-003 | Co-Percussional Intricacies | DE5018c | |||
Add The Three Poms(td) | |||||
50-12-26-004 | On The Alamo | DE5018d | |||
50-12-26-005 | The World Is Waiting For The Sunrise | DE5018e | |||
50-12-26-006 | ¬ Tea For Two | DE5018f | |||
50-12-26-007 | _| I Know That You Know | DE5018g | |||
The Three Poms out | |||||
50-12-26-008 | Coloratura | DE5018h | |||
Add Harold King(td) | |||||
50-12-26-009 | Perdido | DE5018i | |||
Harold King out | |||||
50-12-26-010 | Love You Madly - vYL | DE5018j | |||
50-12-26-011 | Take The “A” Train (theme) | DE5018k | |||
50-12-26-012 | Great Times | DE5018l | |||
50-12-26-013 | Don’t Get Around Much Anymore | DE5018m | |||
50-12-26-014 | Mood Indigo | DE5018n | |||
Add Bobby Davis(td) | |||||
50-12-26-015 | ¬ Oh! Lady Be Good | DE5018o | |||
50-12-26-016 | _| Stompy Jones | DE5018p | |||
Telecast title "Cavalcade of Bands" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 January 1951 | |||
Broadcast, | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Wendell Marshall(sb); Sonny Greer(d,ch); Al Hibbler,Yvonne Lanauze(v) | |||||
51-01-02-001 | Take The “A” Train | GoJ 1018, GS 203 | DE5101a | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
51-01-02-002 | Solitude - vYL | GoJ 1018, GS 203 | DE5101b | ||
51-01-02-003 | You Of All People - vAH | GoJ 1018, GS 203 | DE5101c | ||
Add. Oscar Pettiford(ce) | |||||
51-01-02-004 | Great Times | GoJ 1018, GS 203 | DE5101d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 January 1951 | |||
Concert, Metropolitan Opera House | |||||
Nelson Williams, Francis Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall, Joe Benjamin(sb); Sonny Greer(d,ch); Bill Clark(d);Yvonne Lanauze(v) | |||||
51-01-21-001 | The Mooch | Ce 20-EL-5503, DJD 28035, RRe RR-3(D), VoA J-13/14 | DE5102a | ||
51-01-21-002 | Ring Dem Bells - vRN | Ce 20-EL-5503, DJD 28035, RRe RR-3(D), VoA J-13/14, VoA JC-13 | DE5102b | ||
51-01-21-003 | Frustration | DJD 28035, RRe RR-3(D), VoA J-13/14, VoA JC-13 | DE5102c | ||
51-01-21-004 | Coloratura | DJD 28035, RRe RR-3(D), VoA J-13/14, VoA JC-13 | DE5102d | ||
51-01-21-005 | Rose Of The Rio Grande | DJD 28035, RRe RR-3(D), VoA J-11/12, VoA JC-13 | DE5102e | ||
51-01-21-006 | Love You Madly - vYL | DJD 28035, RRe RR-3(D), VoA J-11/12 | DE5102f | ||
51-01-21-007 | Take The “A” Train | Ce 20-EL-5503, DJD 28035, RRe RR-3(D), VoA J-13/14, VoA JC-13 | DE5102g | ||
51-01-21-008 | HARLEM | DJD 28035, RRe RR-3(D), VoA J-11/12 | DE5102h | ||
Russell Procope(ss) instead of (as) | |||||
CONTROVERSIAL SUITE | |||||
51-01-21-009 | - 2. Later | RRe RR-4, VoA J-11/12 | DE5102i | ||
51-01-21-010 | - 1. Before My Time | RRe RR-4, VoA J-11/12 | DE5102j | ||
As before | |||||
51-01-21-011 | Violet Blue | VoA JC-13 | DE5102xa | ||
Duke Ellington(tk) acc. by Jimmy Hamilton, Russell Procope(cl), Harry Carney (bcl) | |||||
51-01-21-012 | Monologue - tkDE | RRe RR-4, VoA J-15/16 | DE5102k | ||
As before | |||||
51-01-21-013 | Duet | DJD 28035, RRe RR-3(D), VoA J-15/16 | DE5102l | ||
51-01-21-014 | ¬ V.I.P Boogie | RRe RR-4, VoA J-15/16 | DE5102m | ||
51-01-21-015 | _| Jam With Sam | RRe RR-4, VoA J-15/16 | DE5102n | ||
Medley: | DE5102o | ||||
51-01-21-016 | - 1. Don’t Get Around Much Anymore | RRe RR-4, VoA J-13/14 | |||
51-01-21-017 | - 2. In A Sentimental Mood | RRe RR-4, VoA J-13/14 | |||
51-01-21-018 | - 3. Mood Indigo | RRe RR-4, VoA J-13/14 | |||
51-01-21-019 | - 4. I’m Beginning To See The Light | RRe RR-4, VoA J-13/14 | |||
51-01-21-020 | - 5. Sophisticated Lady | RRe RR-4, VoA J-13/14 | |||
51-01-21-021 | - 6. Caravan | RRe RR-4, VoA J-13/14 | |||
51-01-21-022 | - 7. Solitude | RRe RR-4, VoA J-13/14 | |||
51-01-21-023 | - 8. I Let A Song & Don’t Get Around Much | RRe RR-4, VoA J-13/14 | |||
51-01-21-024 | St. Louis Blues - vRN | VoA JC-13 | DE5102xb | ||
51-01-21-025 | Blue Skies | RRe RR-4, VoA J-13/14, VoA JC-13 | DE5102p | ||
DUKE ELLINGTON | Philadelphia, PA | 23 January 1951 | |||
WFIL Telecast, | |||||
Duke Ellington(p) | |||||
Medley: | DE5103a | ||||
51-01-23-001 | - 1. Mood Indigo | ||||
51-01-23-002 | - 2. It Don’t Mean A Thing | ||||
51-01-23-003 | - 3. Sophisticated Lady | ||||
51-01-23-004 | - 4. In A Sentimental Mood | ||||
51-01-23-005 | - 5. Solitude | ||||
51-01-23-006 | - 6. Caravan | ||||
51-01-23-007 | - 7. I Let A Song Go Out Of My Heart | ||||
51-01-23-008 | - 8. Take The “A” Train | ||||
51-01-23-009 | - 9. I Got It Bad | ||||
51-01-23-010 | - 10. Don’t Get Around Much Anymore | ||||
51-01-23-011 | - 11. Do Nothin’ Till You Year From Me | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 February 1951 | |||
Concert, Shrine Auditorium | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Lawrence Brown, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall, Joe Benjamin(sb); Charlie Smith(d,ch); Barbara Winfield(v) | |||||
51-02-09-001 | Star Spangled Banner | DE9059a | |||
51-02-09-002 | The Mooch | DE9059b | |||
51-02-09-003 | Ring Dem Bells - vRN | DE9059c | |||
51-02-09-004 | Frustration | DE9059d | |||
51-02-09-005 | Coloratura | DE9059e | |||
51-02-09-006 | Rose Of The Rio Grande | DE9059f | |||
51-02-09-007 | Love you Madly - vBWn | DE9059g | |||
51-02-09-008 | Take The “A” Train | DE9059h | |||
51-02-09-009 | HARLEM | DE9059i | |||
Russell Procope(ss) instead of (as) | |||||
CONTROVERSIAL SUITE | |||||
51-02-09-010 | - 2. Later | DE9059j | |||
51-02-09-011 | - 1. Before My Time | DE9059k | |||
As before | |||||
51-02-09-012 | Violet Blue | DE9059l | |||
51-02-09-013 | Jeep Is Jumpin' | DE9059m | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
51-02-09-014 | Monologue - tkDE | DE9059n | |||
THE CORONETS | Detroit, MI | 17 April 1951 | |||
Mercer recording session | |||||
Cat Anderson(t); Juan Tizol(tb); Jimmy Hamilton(cl,ts); Willie Smith(as); Paul Gonsalves(ts); Billy Strayhorn(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-04-17-001 | M4029 | Night Walk | Cl(F) 1258, Me 1969, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5104a | |
51-04-17-002 | M4030 | Moonlight Fiesta | Me 1967, Vg DP-19, Vg VJD-525 | DE5104b | |
51-04-17-003 | M4030 | Moonlight Fiesta | Cl(F) 1258, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5104c | |
51-04-17-004 | M4031 | She | Cl(F) 1258, Me 1967, Vg DP-19, Vg VJD-525 | DE5104d | |
51-04-17-005 | M4032 | The Happening | Cl(F) 1258, Me 1969, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5104e | |
Previously listed as New York City. Detroit is probable. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 May 1951 | |||
ABC Telecast, unknown location | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d);Avon Long, Thelma Carpenter(v) | |||||
51-05-02-001 | Take The “A” Train (theme) | DE5105a | |||
51-05-02-002 | Take The “A” Train | SDi 107 | DE5105b | ||
51-05-02-003 | Something To Live For - vTC | SDi 107 | DE5105c | ||
51-05-02-004 | Caravan | SDi 107 | DE5105d | ||
51-05-02-005 | I Got It Bad - vALo | SDi 107 | DE5105e | ||
51-05-02-006 | Do Nothin’ Till You Year From Me - vTC | SDi 107 | DE5105f | ||
51-05-02-007 | ¬ V.I.P Boogie | SDi 107 | DE5105g | ||
51-05-02-008 | _| Jam With Sam | SDi 107 | DE5105h | ||
51-05-02-009 | Take The “A” Train (theme) | DE5105i | |||
UCLA catalogue entry https://search.library.ucla.edu/permalink/01UCS_LAL/17p22dp/alma99609503506533. DESS article https://ellington.se/2017/05/04/birdland-may-3-1951/ with recording of Nothin' | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 May 1951 | |||
Broadcast, Birdland | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler(v) | |||||
51-05-04-001 | Take The “A” Train (theme) | DE5121a | |||
51-05-04-002 | ¬ V.I.P Boogie | Al AL-710 | DE5121b | ||
51-05-04-003 | _| Jam With Sam | Al AL-710 | DE5121c | ||
51-05-04-004 | Frustration | Al AL-710 | DE5121d | ||
51-05-04-005 | Sultry Serenade | Al AL-710 | DE5121e | ||
51-05-04-006 | Sophisticated Lady | Al AL-710 | DE5121f | ||
51-05-04-007 | Take The “A” Train (theme) | DE5121g | |||
51-05-04-008 | Just A-Sittin’ And A-Rockin’ - vRN | Al AL-710 | DE5121h | ||
51-05-04-009 | Air Conditioned Jungle | Al AL-710 | DE5121i | ||
51-05-04-010 | Coloratura | Al AL-710 | DE5121j | ||
51-05-04-011 | Solitude - vAH | Al AL-710 | DE5121k | ||
51-05-04-012 | Skin Deep | Al AL-710 | DE5121l | ||
51-05-04-013 | Perdido | Al AL-710 | DE5121m | ||
51-05-04-014 | Take The “A” Train (theme) | DE5121n | |||
This session has previously been dated June 1951. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 May 1951 | |||
Columbia Recording Session | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker, Ray Nance(t); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-05-10-001 | CO45814-1 | Fancy Dan | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co 39428, Co KG-33341 | DE5106a | |
51-05-10-002 | CO45815-1 | The Hawk Talks | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co 39428, Co KG-33341 | DE5106b | |
51-05-10-003 | CO45816-1 | V.I.P. Boogie | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co 39670, Co KG-33341 | DE5106c | |
51-05-10-004 | CO45817-1 | Jam With Sam | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co 39670, Co KG-33341 | DE5106d | |
Duke Ellington(tk), acc. by Jimmy Hamilton, Russell Procope, Willie Smith(cl); Harry Carney(bcl); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-05-10-005 | CO45818-1 | Monologue - tkDE | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co 39496, Co KG-33341 | DE5106e | |
THE CORONETS | Boston, MA | 18 May 1951 | |||
Mercer recording session | |||||
Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as);Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-05-18-001 | M4033 | Swamp Drum | Cl(F) 1258, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5107a | |
51-05-18-002 | M4034 | Sultry Serenade | Cl(F) 1258, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5107b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
51-05-18-003 | M4035 | Indian Summer | Cl(F) 1258, Me 1968, Vg DP-19, Vg VJD-525 | DE5107c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
51-05-18-004 | M4036 | Britt-And-Butter Blues | Cl(F) 1258, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5107d | |
DUKE ELLINGTON AND KEN MURRAY WITH DAVID BROCKMAN AND HIS ORCHESTRA | New York City, NY | 19 May 1951 | |||
CBS Telecast, "The Ken Murray Show" | |||||
Duke Ellington(p); Ken Murray, unknown male, unknown female, choir(v) with David Brockman and His Orchestra | |||||
Medley: | DE5108a | ||||
51-05-19-001 | - 1. Caravan | ||||
51-05-19-002 | - 2. Sophisticated Lady | ||||
51-05-19-003 | - 3. Mood Indigo - vCHO | ||||
51-05-19-004 | - 4. It Don’t Mean A Thing | ||||
51-05-19-005 | - 5. I Got It Bad - vUF,CHO | ||||
51-05-19-006 | - 6. I Let A Song Go Out Of My Heart - vUM | ||||
51-05-19-007 | - 7. Don’t Get Around Much Anymore - vUM,UF,CHO | ||||
51-05-19-008 | I Like The Wild Open Spaces - vKM,UF,CHO | DE5108b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 May 1951 | |||
Columbia Recording Session | |||||
Nelson Williams, Andres Marenguito, Cat Anderson, Harold Baker, Ray Nance(t); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-05-24-001 | CO45829-1 | Ting-A-Ling | CBS 462987-2(D), CBS 66607(D), Cl(F) 1258, Co DB-3618, Co KG-33341 | DE5109a | |
51-05-24-002 | CO45830-1 | Eighth Veil | CBS 462988-2(D), CBS 66607(D), Cl(F) 1258, Co 39496, Co KG-33341 | DE5109b | |
51-05-24-003 | CO45831-1 | Brown Betty | CBS 462988-2(D), CBS 66607(D), Cl(F) 1258, Co DB-3618, Co KG-33341 | DE5109c | |
THE CORONETS | New York City, NY | 01 June 1951 | |||
Mercer recording session | |||||
Juan Tizol(tb); Willie Smith(as); Duke Ellington(p); Billy Strayhorn(o); Wendell Marshall(sb); Louie Bellson(d); Norma Oldham(v) | |||||
51-06-01-001 | M4037 | The Nearness Of You - vNO | DE5110a | ||
51-06-01-002 | M4038 | More Than You Know - vNO | DE5110b | ||
51-06-01-003 | M4039 | Caravan | Cl(F) 1282, Me 1968, Vg DP-19, Vg VJD-525 | DE5110c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 05 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-05-001 | Happy Go Lucky Local | VoA POD-43/POD-44 | DE5111a | ||
51-06-05-002 | Love You Madly - vNO | DE5111b | |||
51-06-05-003 | Mood Indigo | DE5111c | |||
51-06-05-004 | Ting-A-Ling | VoA POD-43/POD-44 | DE5111d | ||
51-06-05-005 | Danny Boy - vAH | VoA POD-43/POD-44 | DE5111e | ||
51-06-05-006 | Rockin’ In Rhythm | DE5111f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 06 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-06-001 | Take The “A” Train (theme) | DRC DE-2 | DE5112a | ||
51-06-06-002 | THE TATTOOED BRIDE | DRC DE-2 | DE5112b | ||
51-06-06-003 | Indian Summer | DRC DE-2, SR 202 | DE5112c | ||
51-06-06-004 | Love You Madly - vNO | DRC DE-2 | DE5112d | ||
51-06-06-005 | Moonlight Fiesta | DRC DE-2 | DE5112r | ||
51-06-06-006 | All Day Long | DRC DE-2 | DE5112f | ||
51-06-06-007 | I Let A Song Go Out Of My Heart - vAH | DRC DE-2 | DE5112g | ||
51-06-06-008 | The Hawk Talks | DRC DE-2 | DE5112h | ||
51-06-06-009 | Take The “A” Train | DRC DE-2 | DE5112i | ||
51-06-06-010 | Gotta Go | DRC DE-2 | DE5112j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 07 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-07-001 | Take The “A” Train (theme) | DE5113a | |||
51-06-07-002 | Midriff | SR 202 | DE5113b | ||
51-06-07-003 | Sophisticated Lady | DE5113c | |||
51-06-07-004 | Love You Madly - vNO | DE5113d | |||
51-06-07-005 | The Hawk Talks | DE5113e | |||
51-06-07-006 | Solitude - vAH | DE5113f | |||
51-06-07-007 | All Day Long | MDD 006, SR 202 | DE5113g | ||
51-06-07-008 | Just A-Sittin’ And A-Rockin’ - vRN | MJ MJCD-1153 | DE5113h | ||
51-06-07-009 | Gotta Go | DE5113i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 08 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler(v) | |||||
51-06-08-001 | Take The “A” Train (theme) | DE5114a | |||
51-06-08-002 | How High The Moon | DE5114b | |||
51-06-08-003 | Brown Betty | DE5114c | |||
51-06-08-004 | S’posin’ - vAH | DE5114d | |||
51-06-08-005 | Frustration | DE5114e | |||
51-06-08-006 | St. Louis Blues - vRN | DE5114f | |||
51-06-08-007 | Primping At The Prom | DE5114g | |||
51-06-08-008 | Swamp Drum | DE5114h | |||
51-06-08-009 | Perdido | DE5114i | |||
DUKE ELLINGTON AND HIS RHYTHM | Cedar Grove, NJ | 09 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-06-09-001 | I Can’t Get Started | DE5115a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-09-002 | Primping At The Prom | DRC DE-2, MJ MJCD-1153 | DE5115b | ||
51-06-09-003 | Later | DRC DE-2 | DE5115c | ||
51-06-09-004 | Unidentified | DRC DE-2 | DE5115d | ||
51-06-09-005 | Take The “A” Train | DRC DE-2 | DE5115e | ||
Duke Ellington(p) solo) | |||||
51-06-09-006 | NEW WORLD A-COMIN' | DRC DE-2 | DE5115f | ||
As before | |||||
51-06-09-007 | Harlem Air-Shaft | DE5115g | |||
51-06-09-008 | Night Walk | SR 202 | DE5115h | ||
51-06-09-009 | Love You Madly - vNO | DE5115i | |||
51-06-09-010 | Sultry Serenade | DE5115j | |||
51-06-09-011 | Ol’ Man River - vAH | DE5115k | |||
51-06-09-012 | Things Ain’t What They Used To Be | SR 202 | DE5115l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 10 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler(v) | |||||
51-06-10-001 | Warm Valley | VoA POD-43/POD-44 | DE5116a | ||
51-06-10-002 | Flamingo - vAH | DE5116b | |||
51-06-10-003 | Tea For Two | ST 109, VoA POD-43/POD-44 | DE5116c | ||
51-06-10-004 | Eighth Veil | VoA POD-43/POD-44 | DE5116d | ||
51-06-10-005 | Love You Madly - vNO | DE5116e | |||
51-06-10-006 | Blue Lou | DE5116f | |||
51-06-10-007 | Creole Love Call | DE5116g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | 11 June 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-11-001 | Take The “A” Train (theme) | DE5117a | |||
51-06-11-002 | ¬ V.I.P Boogie | DE5117b | |||
51-06-11-003 | _| Jam With Sam | DE5117c | |||
51-06-11-004 | Don’t Get Around Much Anymore - vAH | DE5117d | |||
51-06-11-005 | Sultry Serenade | DE5117r | |||
51-06-11-006 | Duet | DE5117f | |||
51-06-11-007 | Love You Madly - vNO | DE5117g | |||
51-06-11-008 | The Hawk Talks | DE5117h | |||
51-06-11-009 | The Happening | SR 202 | DE5117i | ||
51-06-11-010 | Gotta Go | SR 202 | DE5117j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Cedar Grove, NJ | Jun 1951 | |||
MBS broadcast, Meadowbrook Ballroom | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-06-15-001 | All Day Long | VoA POD-41/POD-42 | DE5118a | ||
51-06-15-002 | Sophisticated Lady | VoA POD-41/POD-42 | DE5118b | ||
51-06-15-003 | The Hawk Talks | VoA POD-41/POD-42 | DE5118c | ||
51-06-15-004 | Midriff | VoA POD-41/POD-42 | DE5118d | ||
51-06-15-005 | Just A-Sittin’ And A-Rockin’ - vRN | VoA POD-41/POD-42 | DE5118r | ||
51-06-15-006 | Caravan | VoA POD-41/POD-42 | DE5118f | ||
THE CORONETS | New York City, NY | 19 June 1951 | |||
Mercer recording session | |||||
Juan Tizol(tb); Jimmy Hamilton(cl,ts); Willie Smith(as); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-06-19-001 | M4040 | Alternate | Cl(F) 1282, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5119a | |
51-06-19-002 | M4041 | Hoppin’ John | Cl(F) 1282, Me 1973, Vg DP-19, Vg VJD-525 | DE5119b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
51-06-19-003 | M4042 | Jumpin’ With Symphony Sid | Cl(F) 1282, Me 1973, Me LP-1005, Vg DP-19, Vg VJD-525 | DE5119c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 June 1951 | |||
Broadcast, Birdland | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler(v) | |||||
51-06-23-001 | Jumpin’ With Symphony Sid | DE5120a | |||
51-06-23-002 | Take The “A” Train (theme) | DE5120b | |||
51-06-23-003 | Fancy Dan | SDi 107 | DE5120c | ||
51-06-23-004 | The Hawk Talks | SDi 107 | DE5120d | ||
51-06-23-005 | Swamp Drum | SDi 107 | DE5120r | ||
51-06-23-006 | Rockin’ In Rhythm | SDi 107 | DE5120f | ||
51-06-23-007 | Happy Birthday To You | DE5120g | |||
51-06-23-008 | THE TATTOOED BRIDE | SDi 107 | DE5120h | ||
51-06-23-009 | Caravan | DE5120i | |||
51-06-23-010 | All Day Long | DE5120j | |||
51-06-23-011 | Ol’ Man River - vAH | DE5120k | |||
51-06-23-012 | Harlem Air-Shaft | SR 202 | DE5120l | ||
51-06-23-013 | Things Ain’t What They Used To Be | DE5120m | |||
51-06-23-014 | Take The “A” Train (theme) | DE5120n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 June 1951 | |||
AFRS recording session | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler(v) | |||||
51-06-28-001 | Take The “A” Train (theme) | SoP P-575 | DE5124a | ||
51-06-28-002 | Fancy Dan | Du KLJ-20034, Gt GRC-DE1R/DE2R†, P30 02, SoP P-575 | DE5124b | ||
51-06-28-003 | The Hawk Talks | Du KLJ-20034, Gt GRC-DE1R/DE2R†, P30 02, SoP P-575 | DE5124c | ||
51-06-28-004 | Ol’ Man River - vAH | Du KLJ-20034, Gt GRC-DE1R/DE2R†, P30 02, SoP P-575 | DE5124d | ||
51-06-28-005 | C-Jam Blues | Du KLJ-20034, Gt GRC-DE1R/DE2R†, SoP P-575 | DE5124e | ||
51-06-28-006 | Caravan | Gt GRC-DE1R/DE2R† | DE5124f | ||
51-06-28-007 | Mood Indigo | Gt GRC-DE1R/DE2R† | DE5124g | ||
Add Billy Strayhorn(p) | |||||
51-06-28-008 | Blues No. 04 | Gt GRC-DE1R/DE2R† | DE5124h | ||
Billy Strayhorn out | |||||
51-06-28-009 | Tea For Two | Gt GRC-DE1R/DE2R† | DE5124i | ||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carnet(bcl) | |||||
51-06-28-010 | Monologue | Gt GRC-DE1R/DE2R† | DE5124j | ||
As before | |||||
51-06-28-011 | Duet | Gt GRC-2873†, Gt GRC-DE1R/DE2R† | DE5124k | ||
51-06-28-012 | ¬ V.I.P Boogie | Gt GRC-2873†, Gt GRC-DE1R/DE2R† | DE5124l | ||
51-06-28-013 | _| Jam With Sam | Gt GRC-2873†, Gt GRC-DE1R/DE2R† | DE5124m | ||
51-06-28-014 | Primping At The Prom | Gt GRC-DE1R/DE2R† | |||
51-06-28-015 | Moonlight Fiesta | Gt GRC-DE1R/DE2R† | |||
51-06-28-016 | Sophisticated Lady | Gt GRC-DE1R/DE2R† | |||
This session was originally thought to have taken place on 19 August 1951 but subsequent opinion is that it actually took place as noted | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 June 1951 | |||
Broadcast, Birdland | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Al Hibbler,Norma Oldham(v) | |||||
51-06-30-001 | Jumpin’ With Symphony Sid | DE5122a | |||
51-06-30-002 | Take The “A” Train (theme) | DE5122b | |||
51-06-30-003 | Midriff | DE5122c | |||
51-06-30-004 | Warm Valley | SR 202 | DE5122d | ||
51-06-30-005 | Eighth Veil | DE5122e | |||
51-06-30-006 | The Hawk Talks | DE5122f | |||
51-06-30-007 | Flamingo - vAH | DE5122g | |||
51-06-30-008 | Boy Meets Horn | SR 202 | DE5122h | ||
51-06-30-009 | How High The Moon | DE5122i | |||
51-06-30-010 | Mood Indigo | DE5122j | |||
51-06-30-011 | Love You Madly - vNO | SR 202 | DE5122k | ||
51-06-30-012 | Fancy Dan | DE5122l | |||
51-06-30-013 | ¬ Diminuendo In Blue | SR 202 | DE5122m | ||
51-06-30-014 | - | Wailing Interval | SR 202 | DE5122n | ||
51-06-30-015 | _| Crescendo In Blue | SR 202 | DE5122o | ||
51-06-30-016 | ¬ Take The “A” Train (theme) | SR 202 | DE5122p | ||
51-06-30-017 | _| Jumpin’ With Symphony Sid | DE5122q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 August 1951 | |||
Columbia Recording Session | |||||
Nelson Williams, Cat Anderson, Harold Baker(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-08-07-001 | CO47018- | Deep Night | Nw RP2061, UtD 2004(D) | DE5123a | |
51-08-07-002 | CO47018-1 | Deep Night | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co 39545, Co CG-33961(D) | DE5123b | |
51-08-07-003 | CO47019- | Please be Kind | Nw RP2061, UtD 2004(D) | DE5123c | |
51-08-07-004 | CO47019-1 | Please be Kind | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co 39545, Co CG-33961(D) | DE5123d | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
51-08-07-005 | CO47020- | Smada | Nw RP2061, UtD 2004(D) | DE5123e | |
51-08-07-006 | CO47020-1 | Smada | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co CG-33961(D), Ok 6911 | DE5123f | |
51-08-07-007 | CO47021- | Rock Skippin’ At The Blue Note | DE5123xa | ||
51-08-07-008 | CO47021- | Rock Skippin’ At The Blue Note | DE5123xb | ||
51-08-07-009 | CO47021- | Rock Skippin’ At The Blue Note | UtD 2004(D) | DE5123g | |
51-08-07-010 | CO47021-1 | Rock Skippin’ At The Blue Note | CBS 462988-2(D), CBS 66607(D), Co 39942, Co CG-33961(D) | DE5123h | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
51-08-07-011 | CO47022- | Don’t Take My Love | DE5123i | ||
DUKE ELLINGTON WITH RAY BLOCK AND HIS ORCHESTRA | unknown location USA | probably late 1951 | |||
Telecast, | |||||
Duke Ellington(p) with Ray Block and His Orchestra | |||||
51-10-00-001 | Sophisticated Lady | DE5125a | |||
DUKE ELLINGTON AND HIS RHYTHM | unknown location USA | probably late 1951 | |||
Telecast, "The Benay Venuta Show" | |||||
Duke Ellington(p,tk); n/k(sb); n/k(d) | |||||
51-11-00-001 | I’m Beginning To See The Light | DE5126a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 December 1951 | |||
Columbia Recording Session | |||||
Willie Cook, Harold Baker, Clark Terry, Francis Williams(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-12-07-001 | HARLEM | DE5127a | |||
51-12-07-002 | HARLEM | DE5127b | |||
51-12-07-003 | HARLEM | DE5127c | |||
51-12-07-004 | HARLEM | Co CK-40836*, Co CK-87066* | DE5127d | ||
51-12-07-005 | HARLEM | Cl(F) 1282, Co CK-40836, Co CK-87066, Co ML-4639, UA NUA-7(D) | DE5127e | ||
51-12-07-006 | HARLEM | DE5127f | |||
51-12-07-007 | HARLEM | UtD 2005(D) | DE5127g | ||
Ray Nance out. Add Dick Vance(t) | |||||
51-12-07-008 | Bensonality | UtD 2004(D) | DE5127h | ||
51-12-07-009 | Bensonality | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co 39712, Co CG-33961(D) | DE5127i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 December 1951 | |||
Columbia Recording Session | |||||
Willie Cook, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Lloyd Oldham(v) | |||||
51-12-11-001 | CO47267- | Blues At Sundown - vLO | UtD 2004(D) | DE5128a | |
51-12-11-002 | CO47267-1 | Blues At Sundown - vLO | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co 39712, Co CG-33961(D) | DE5128b | |
51-12-11-003 | CO47268-1 | Duet | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, Co CG-33961(D) | DE5128c | |
CO47269-2 | CONTROVERSIAL SUITE | ||||
51-12-11-004 | - 1. Before My Time | UtD 2005(D) | DE5128d | ||
51-12-11-005 | - 2. Later | UtD 2005(D) | DE5128e | ||
CO47269-3 | CONTROVERSIAL SUITE | ||||
51-12-11-006 | - 1. Before My Time | CBS 66607(D), Cl(F) 1282, Co CG-40836, Co CK-87066, Co CL-830, UA NUA-7(D) | DE5128f | ||
51-12-11-007 | - 2. Later | CBS 66607(D), Cl(F) 1282, Co CG-40836, Co CK-87066, Co CL-830, UA NUA-7(D) | DE5128g | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
51-12-11-008 | CO47270-6 | Azalea - vLO | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, UtD 2004(D) | DE5128h | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
51-12-11-009 | CO47271- | Vagabonds | UtD 2004(D) | DE5128i | |
51-12-11-010 | CO47271-6 | Vagabonds | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, FMRS FM-4001/02† | DE5128j | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
51-12-11-011 | CO47272- | Something To Live For - vLO | CBS 462988-2(D), CBS 66607(D), Cl(F) 1282, UtD 2004(D) | DE5128k | |
DUKE ELLINGTON AND HIS ORCHESTRA | unknown location USA | probably late 1951 | |||
Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
51-12-32-001 | Take The “A” Train | DE5129a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Minneapolis, MN | 06 January 1952 | |||
Sister Kenny Foundation rec. session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-01-06-001 | Take The “A” Train (theme) | SK 1952-FA | DE5202a | ||
52-01-06-002 | Eighth Veil | P30 02, SK 1952-FA | DE5202b | ||
52-01-06-003 | Duet | P30 02, SK 1952-FA | DE5202c | ||
52-01-06-004 | Mood Indigo | P30 02, SK 1952-FA | DE5202d | ||
52-01-06-005 | Rockin’ In Rhythm | P30 02, SK 1952-FA | DE5202e | ||
52-01-06-006 | Take The “A” Train (theme) | SK 1952-FA | DE5202f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Fresno, CA | 29 February 1952 | |||
Mercer recording session. Rainbow Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-02-29-001 | CO48377 | Skin Deep | Cl(F) 1350, Co CK-40836, Co CK-87066, Co CL-830, Co ML-4639 | DE9044a | |
Skin Deep was purchased by Columbia on December 8,1952. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 14 March 1952 | |||
Snader transcriptions | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-03-14-001 | Caravan | Cm CA-3038, Cm CA-3043 | DE5203a | ||
52-03-14-002 | ¬ V.I.P Boogie | Cm CA-3043 | DE5203b | ||
52-03-14-003 | _| Jam With Sam | Cm CA-3043 | DE5203c | ||
52-03-14-004 | Sophisticated Lady | Cm CA-3038, Cm CA-3043 | DE5203d | ||
52-03-14-005 | Mood Indigo | Cm CA-3038 | DE5203e | ||
52-03-14-006 | The Hawk Talks | Cm CA-3038, Cm CA-3043 | DE5203f | ||
52-03-14-007 | The Mooch | Cm CA-3043 | DE5203g | ||
52-03-14-008 | Solitude - vJG | Cm CA-3038, Cm CA-3043 | DE5203h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | unknown location USA | March 1952 | |||
Dance | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-03-18-001 | Primping At The Prom | Acr ACTRCD9033(MB)(S)(T) | DE5204a | ||
52-03-18-002 | Johnny Come Lately | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5204b | ||
52-03-18-003 | Moonstone | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5204c | ||
52-03-18-004 | Time On My Hands | Acr ACTRCD9033(MB)(S)(T), Fk FJ-2968(D), Sk 502(D) | DE5204d | ||
52-03-18-005 | Margie | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5204e | ||
52-03-18-006 | Chelsea Bridge | Acr ACTRCD9033(MB)(S)(T), Fk FJ-2968(D), SR 201 | DE5204f | ||
52-03-18-007 | Midriff | Acr ACTRCD9033(MB)(S)(T) | DE5204g | ||
52-03-18-008 | Bensonality | Fk FJ-2968(D), Sk 502(D) | DE5204h | ||
52-03-18-009 | THE TATTOOED BRIDE | Fk FJ-2968(D), Su 501(D) | DE5204i | ||
52-03-18-010 | Just Squeeze Me - vRN | DE5204j | |||
52-03-18-011 | Once There Lived A Fool - vJG | Sk 502(D) | DE5204k | ||
52-03-18-012 | Blues At Sundown - vJG | SR 201 | DE5204l | ||
52-03-18-013 | Do Nothin’ Till You Hear From Me - vJG | DE5204m | |||
52-03-18-014 | Cotton Tail | Fk FJ-2968(D), Sk 502(D) | DE5204n | ||
52-03-18-015 | Mood Indigo | Fk FJ-2968(D), Su 501(D) | DE5204o | ||
52-03-18-016 | Caravan | Sk 502(D) | DE5204p | ||
52-03-18-017 | Moonlight Fiesta | SR 201 | DE5204q | ||
52-03-18-018 | Love You Madly - vBR | Fk FJ-2968(D), Sk 502(D) | DE5204r | ||
52-03-18-019 | I Got It Bad - vBR | DE5204s | |||
52-03-18-020 | Take The “A” Train - vBR | DE5204t | |||
52-03-18-021 | Deep Purple - vBR | DE5204u | |||
52-03-18-022 | Lady Of The Lavender Mist | Fk FJ-2968(D), Sk 502(D) | DE5204v | ||
52-03-18-023 | How High The Moon | Sk 502(D) | DE5204w | ||
52-03-18-024 | On The Sunny Side Of The Street - vBR | Fk FJ-2968(D), Sk 502(D) | DE5204x | ||
52-03-18-025 | Fancy Dan | DE5204y | |||
52-03-18-026 | One O’Clock Jump | SR 201 | DE5204z | ||
52-03-18-027 | Take The “A” Train (theme) | SR 201 | DE5204aa | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Salem, OR | 22 March 1952 | |||
Dance, Crystal Garden | |||||
Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-03-22-001 | Solitude - vJG | DE5205a | |||
52-03-22-002 | Blues At Sundown - vJG | He CD-92/93 | DE5205b | ||
52-03-22-003 | Do Nothin’ Till You Hear From Me - vJG | He CD-92/93 | DE5205c | ||
52-03-22-004 | It Don’t Mean A Thing - vRN | Fk FJ-2968(D), He CD-92/93, Su 501(D) | DE5205d | ||
52-03-22-005 | Take The “A” Train (theme) | DE5205xa | |||
52-03-22-006 | Fancy Dan | Fk FJ-2968(D), He CD-92/93, Su 501(D) | DE5205e | ||
52-03-22-007 | The Hawk Talks | He CD-92/93 | DE5205f | ||
52-03-22-008 | Tenderly | He CD-92/93, SR 201 | DE5205g | ||
52-03-22-009 | Frustration | He CD-92/93 | DE5205h | ||
52-03-22-010 | Tea For Two | Fk FJ-2968(D), He CD-92/93, Sk 502(D) | DE5205i | ||
52-03-22-011 | Deep Purple | Fk FJ-2968(D), He CD-92/93, Sk 502(D) | DE5205j | ||
52-03-22-012 | Caravan | Fk FJ-2968(D), He CD-92/93 | DE5205k | ||
52-03-22-013 | Warm Valley | He CD-92/93 | DE5205l | ||
52-03-22-014 | ¬ I Let A Song Go Out Of My Heart | He CD-92/93 | DE5205m | ||
52-03-22-015 | _| Don’t Get Around Much Anymore - vRN | He CD-92/93 | DE5205n | ||
52-03-22-016 | Take The “A” Train | Fk FJ-2968(D), He CD-92/93, Su 501(D) | DE5205o | ||
52-03-22-017 | Sophisticated Lady | He CD-92/93 | DE5205p | ||
52-03-22-018 | Don’t Worry ‘Bout Me | Fk FJ-2968(D), Sk 502(D) | DE5205q | ||
52-03-22-019 | Perdido | He CD-92/93 | DE5205r | ||
52-03-22-020 | Jeep Is Jumpin' | He CD-92/93, SR 201 | DE5205s | ||
52-03-22-021 | Mood Indigo | He CD-92/93 | DE5205t | ||
52-03-22-022 | How High The Moon | Fk FJ-2968(D), He CD-92/93 | DE5205u | ||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
52-03-22-023 | Monologue | He CD-92/93 | DE5205v | ||
As before | |||||
52-03-22-024 | Duet | He CD-92/93 | DE5205w | ||
52-03-22-025 | Skin Deep | He CD-92/93 | DE5205x | ||
Duke Ellington(p) | |||||
52-03-22-026 | Black Beauty | SR 201 | DE5205y | ||
Duke Ellington(p); Wendell Marshall(sb) | |||||
52-03-22-027 | Dancers In Love | He CD-92/93 | DE5205z | ||
As before | |||||
52-03-22-028 | THE TATTOOED BRIDE | He CD-92/93 | DE5205aa | ||
52-03-22-029 | Flamingo - vJG | DE5205ab | |||
52-03-22-030 | Blue Skies | Fk FJ-2968(D), He CD-92/93, Sk 502(D) | DE5205ac | ||
52-03-22-031 | Take The “A” Train | He CD-92/93 | DE5205ad | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 24 March 1952 | |||
Concert, Civic Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-03-24-001 | The Hawk Talks | Acr ACTRCD9033(MB)(S)(T) | DE5201a | ||
52-03-24-002 | Frustration | Acr ACTRCD9033(MB)(S)(T) | DE5201b | ||
52-03-24-003 | Sultry Serenade | Acr ACTRCD9033(MB)(S)(T) | DE5201c | ||
52-03-24-004 | Sophisticated Lady | Acr ACTRCD9033(MB)(S)(T) | DE5201d | ||
52-03-24-005 | Perdido | Acr ACTRCD9033(MB)(S)(T) | DE5201e | ||
52-03-24-006 | I Got It Bad - vBR | Acr ACTRCD9033(MB)(S)(T) | DE5201f | ||
52-03-24-007 | HARLEM | Acr ACTRCD9033(MB)(S)(T) | DE5201g | ||
52-03-24-008 | Take The “A” Train (theme) | Acr ACTRCD9033(MB)(S)(T) | DE5201h | ||
52-03-24-009 | ¬ V.I.P Boogie | Acr ACTRCD9033(MB)(S)(T) | DE5201i | ||
52-03-24-010 | _| Jam With Sam | Acr ACTRCD9033(MB)(S)(T) | DE5201j | ||
52-03-24-011 | Monologue - tkDE | Acr ACTRCD9033(MB)(S)(T) | DE5201k | ||
52-03-24-012 | Blues At Sundown - vJG | Acr ACTRCD9033(MB)(S)(T) | DE5201l | ||
52-03-24-013 | Do Nothin’ Till You Hear From Me - vJG | DE5201xa | |||
52-03-24-014 | Once There Lived A Fool - vJG | DE5201xb | |||
52-03-24-015 | Tulip Or Turnip - vRN | Acr ACTRCD9033(MB)(S)(T) | DE5201n | ||
52-03-24-016 | Basin Street Blues - vRN | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5201o | ||
52-03-24-017 | Skin Deep | Acr ACTRCD9033(MB)(S)(T) | DE5201p | ||
Medley: | Acr ACTRCD9033(MB)(S)(T) | DE5201q | |||
52-03-24-018 | - 1. Don’t Get Around Much Anymore | ||||
52-03-24-019 | - 2. In A Sentimental Mood | ||||
52-03-24-020 | - 3. Mood Indigo | ||||
52-03-24-021 | - 4. I’m Beginning To See The Light | ||||
52-03-24-022 | - 5. Prelude To A Kiss | ||||
52-03-24-023 | - 6. It Don’t Mean A Thing | ||||
52-03-24-024 | - 7. Solitude | ||||
52-03-24-025 | - 8. Don’t Get Around Much | ||||
52-03-24-026 | - 9. I Let A Song & Don’t Get Around Much | ||||
Many discographies list this as 05 January 1952, Metropolitan Opera House, New York City. An article on TDWAW explains why this is unlikely and is the source of the date and location here. Note also that Fancy Dan DE5201m has previously been listed but does not exist. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | 25 March 1952 | |||
Concert, Civic Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche(v) | |||||
52-03-25-001 | Caravan | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206a | ||
52-03-25-002 | The Mooch | DE5206b | |||
Medley: | DE5206c | ||||
52-03-25-003 | - 1. Don’t Get Around Much Anymore | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-004 | - 2. In A Sentimental Mood | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-005 | - 3. Mood Indigo | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-006 | - 4. I’m Beginning To See The Light | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-007 | - 5. Prelude To A Kiss | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-008 | - 6. It Don’t Mean A Thing | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-009 | - 7. Solitude | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-010 | - 8. I Let A Song & Don’t Get Around Much | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | |||
52-03-25-011 | HARLEM | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206d | ||
52-03-25-012 | Take The “A” Train | DE5206e | |||
52-03-25-013 | THE TATTOOED BRIDE | DE5206f | |||
52-03-25-014 | Sophisticated Lady | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206g | ||
52-03-25-015 | Frustration | DE5206h | |||
52-03-25-016 | Sultry Serenade | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206i | ||
52-03-25-017 | How High The Moon | DE5206j | |||
52-03-25-018 | Perdido | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206k | ||
52-03-25-019 | I Got It Bad - vBR | DE5206l | |||
52-03-25-020 | The Hawk Talks | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206m | ||
52-03-25-021 | Blue Skies | DE5206n | |||
52-03-25-022 | Skin Deep | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206o | ||
52-03-25-023 | Jam With Sam | (F)RCA PM-42852, Cl(F) 1320(D)(MB), RCA 09026-63386-2(D), RCA LJM-1002, RCA-B 07863-66531-2 | DE5206p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | March 1952 | |||
Private recording session Seattle Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Willie Smith(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Betty Roche(v) | |||||
52-03-33-001 | I Love My Lovin’ Lover - vBR | DE5207a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Yakima, WA | 29 April 1952 | |||
Dance The Armory | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-04-29-001 | Phalanges | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5208a | ||
52-04-29-002 | V.I.P. Boogie | Acr ACTRCD9033(MB)(S)(T) | DE5208b | ||
52-04-29-003 | Solitude - vJG | Acr ACTRCD9033(MB)(S)(T), Fk FJ-2968(D), Su 501(D) | DE5208c | ||
52-04-29-004 | Summertime - vJG | Acr ACTRCD9033(MB)(S)(T), Sk 502(D) | DE5208d | ||
52-04-29-005 | My Little Brown Book - vJG | Acr ACTRCD9033(MB)(S)(T) | DE5208e | ||
52-04-29-006 | Ballin’ The Blues - vJG | Acr ACTRCD9033(MB)(S)(T), SR 201 | DE5208f | ||
52-04-29-007 | The Hawk Talks | Acr ACTRCD9033(MB)(S)(T) | DE5208g | ||
52-04-29-008 | Take The “A” Train | Acr ACTRCD9033(MB)(S)(T) | DE5208h | ||
52-04-29-009 | Happy Birthday To You | Acr ACTRCD9033(MB)(S)(T), Fk FJ-2968(D), Su 501(D) | DE5208i | ||
52-04-29-010 | Ting-A-Ling | Acr ACTRCD9033-(CD3)(MB)(S)(T), SR 201 | DE5208j | ||
52-04-29-011 | Sophisticated Lady | Acr ACTRCD9033-(CD3)(MB)(S)(T), Fk FJ-2968(D), Su 501(D) | DE5208k | ||
52-04-29-012 | C-Jam Blues | Acr ACTRCD9033-(CD3)(MB)(S)(T), Fk FJ-2968(D), Su 501(D) | DE5208l | ||
52-04-29-013 | Passion Flower | Acr ACTRCD9033-(CD3)(MB)(S)(T), JG 1004(D) | DE5208m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | unknown location USA | possibly Spring 1952 | |||
Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Betty Roche(v) | |||||
52-05-00-001 | I Love My Lovin’ Lover - vBR | DE5209a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 June 1952 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Clark Terry(t); Britt Woodman(tb); Russell Procope(as); Jimmy Hamilton, Paul Gonsalves(ts); Harry Carney(bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche(v) | |||||
52-06-30-001 | CO47482 | I Love My Lovin’ Lover - vBR | CBS 462988-2(D), CBS 66607(D), Cl(F) 1320(D)(MB), UtD 2004(D) | DE5210a | |
52-06-30-002 | CO47482 | I Love My Lovin’ Lover - vBR | Co CG-33961(D) | DE5210b | |
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-06-30-003 | CO47483-1 | Come On Home - vJG | CBS 462988-2(D), CBS 66607(D), Cl(F) 1320(D)(MB), Co CG-33961(D), Ok 6911 | DE5210c | |
52-06-30-004 | CO48343 | Take The “A” Train - vBR | Cl(F) 1320(D)(MB), Co CK-40836, Co CK-66372, Co CL-830, Co ML-4639 | DE5210d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 July 1952 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-07-01-001 | CO48344-4 | The Mooch | Cl(F) 1320(D)(MB), Co CK-40836, Co CL-830, Co ML-4639 | DE5211a | |
Add Billy Strayhorn(p) | |||||
52-07-01-002 | CO48345-3 | Perdido | Cl(F) 1350, Co CK-40836, Co CL-830, Co ML-4639 | DE5211b | |
Ledger notes “The Mooch” is take 4 with new ending from insert 2; Perdido is take 3. (Steven Lasker, 27 Nov 2024, via email) | |||||
DUKE ELLINGTON AND JIMMY GRISSOM | Chicago, IL | 25 July 1952 | |||
Rehearsal recording session. Universal Recording Corporation studio. | |||||
Duke Ellington(p); Jimmy Grissom(v) | |||||
52-07-25-001 | She | DE5212a | |||
52-07-25-002 | She | DE5212b | |||
52-07-25-003 | She | DE5212c | |||
52-07-25-004 | She | DE5212d | |||
52-07-25-005 | She - vJG | DE5212e | |||
52-07-25-006 | She - vJG | DE5212f | |||
52-07-25-007 | Weatherman - vJG | DE5212g | |||
52-07-25-008 | She Didn’t Have Much To Say - vJG | DE5212h | |||
Duke Ellington(p); Wendell Marshall(sb); Jimmy Grissom(v) | |||||
52-07-25-009 | Happy Go Lucky Local - vJG | DE5212i | |||
Duke Ellington(p); Jimmy Grissom(v) | |||||
52-07-25-010 | She - vJG | DE5212j | |||
52-07-25-011 | She - vJG | DE5212k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 30 July 1952 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-07-30-001 | Take The “A” Train (theme) | Ai 4(D), Can CCD-79557(D) | DE5213a | ||
52-07-30-002 | Bensonality | Ai 4(D), Can CCD-79557(D) | DE5213b | ||
52-07-30-003 | All Of Me - vBR | Ai 4(D), Can CCD-79557(D) | DE5213c | ||
52-07-30-004 | Bakiff | Ai 4(D), Can CCD-79557(D) | DE5213d | ||
52-07-30-005 | The Hawk Talks | Ai 4(D), Can CCD-79557(D) | DE5213e | ||
52-07-30-006 | Do Nothin’ Till You Hear From Me - vJG | Ai 4(D), Can CCD-79557(D) | DE5213f | ||
52-07-30-007 | ¬ V.I.P Boogie | Ai 4(D), Can CCD-79557(D) | DE5213g | ||
52-07-30-008 | _| Jam With Sam | Ai 4(D), Can CCD-79557(D) | DE5213h | ||
52-07-30-009 | Just A-Sittin’ And A-Rockin’ - vRN | Ai 4(D), Can CCD-79557(D) | DE5213i | ||
52-07-30-010 | Mood Indigo | Ai 4(D), Can CCD-79557(D) | DE5213j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 02 August 1952 | |||
Broadcast, Blue Note | |||||
Willie Cook, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-08-02-001 | Take The “A” Train (theme) | DE5214a | |||
52-08-02-002 | Smada | DE5214b | |||
52-08-02-003 | Do Nothin’ Till You Hear From Me - vJG | DE5214c | |||
52-08-02-004 | Jam With Sam | DE5214d | |||
52-08-02-005 | Just Squeeze Me - vRN | DE5214e | |||
52-08-02-006 | Cotton Tail | DE5214f | |||
52-08-02-007 | Take The “A” Train | DE5214g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06 August 1952 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-08-06-001 | Take The “A” Train (theme) | CR CACD-1010 | DE5215a | ||
52-08-06-002 | Eighth Veil | CR CACD-1010 | DE5215b | ||
52-08-06-003 | How High The Moon | CR CACD-1010 | DE5215c | ||
52-08-06-004 | Solitude | CR CACD-1010 | DE5215d | ||
52-08-06-005 | Duet | CR CACD-1010 | DE5215e | ||
52-08-06-006 | Take The “A” Train - vBR | CR CACD-1010, Ro RR-1302 | DE5215f | ||
52-08-06-007 | Caravan | CR CACD-1010 | DE5215g | ||
52-08-06-008 | ¬ I Let A Song Go Out Of My Heart | CR CACD-1010 | DE5215h | ||
52-08-06-009 | _| Don’t Get Around Much Anymore - vRN | CR CACD-1010 | DE5215i | ||
52-08-06-010 | Jam With Sam | CR CACD-1010 | DE5215j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 13 August 1952 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-08-13-001 | Take The “A” Train (theme) | Ai 4(D), Can CCD-79557(D) | DE5216a | ||
52-08-13-002 | Tulip Or Turnip - vRN | Ai 4(D), Can CCD-79557(D) | DE5216b | ||
52-08-13-003 | Ting-A-Ling | Ai 4(D), Can CCD-79557(D) | DE5216c | ||
52-08-13-004 | Flamingo - vJG | Ai 4(D), Can CCD-79557(D) | DE5216d | ||
52-08-13-005 | Rockin’ In Rhythm | Ai 4(D), Can CCD-79557(D) | DE5216e | ||
52-08-13-006 | Sophisticated Lady | Ai 4(D), Can CCD-79557(D) | DE5216f | ||
52-08-13-007 | Take The “A” Train - vBR | Ai 4(D), Can CCD-79557(D) | DE5216g | ||
52-08-13-008 | Flying Home | Ai 4(D), Can CCD-79557(D) | DE5216h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Cleveland, OH | 17 September 1952 | |||
Broadcast, Towne Casino | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-09-17-001 | Take The “A” Train (theme) | ||||
52-09-17-002 | Ko-Ko | VoA YDP-77 | DE5217a | ||
52-09-17-003 | Do Nothin’ Till You Hear From Me - vJG | ||||
52-09-17-004 | Just A-Sittin’ And A-Rockin’ - vRN | ||||
52-09-17-005 | Mood Indigo | VoA YDP-77 | DE5217b | ||
52-09-17-006 | All Of Me - vBR | ||||
52-09-17-007 | V.I.P. Boogie | VoA YDP-77 | DE5217c | ||
52-09-17-008 | Jam With Sam | VoA YDP-77 | DE5217d | ||
52-09-17-009 | Caravan | ||||
There are two broadcast recordings circulating; the former is containing the 4 titles listed in ellingtonia (and NDESOR) and dated generically Sep ‘52, the latter, dated 17 September 1952, contains 9 titles. It can be found at https://pastdaily.com/2014/12/21/duke-ellington-and-his-orchestra-live-from-cleveland-1952-past-daily-downbeat/ Among the 9 selections, there are the same 4 titles of the first recording, listening suggests strongly that these common titles are identical recordings (with different pitch/speed). | |||||
DUKE ELLINGTON | New York City, NY | 27 September 1952 | |||
ABC Telecast, "Chance Of A Lifetime" | |||||
Duke Ellington(p) | |||||
52-09-27-001 | Mood Indigo | DE5218a | |||
DUKE ELLINGTON GROUP | Same session | ||||
Harry Carney(bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-09-27-002 | ¬ Caravan | DE5218b | |||
52-09-27-003 | _| Sophisticated Lady | DE5218c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bridgeport, CT | Autumn 1952 | |||
Broadcast, Ritz Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-10-00-001 | Perdido | DE5219a | |||
52-10-00-002 | Do Nothin’ Till You Hear From Me - vJG | DE5219b | |||
52-10-00-003 | Take The “A” Train - vBR | DE5219c | |||
52-10-00-004 | ¬ I Let A Song Go Out Of My Heart | DE5219d | |||
52-10-00-005 | _| Don’t Get Around Much Anymore - vRN | DE5219e | |||
52-10-00-006 | Skin Deep | DE5219f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 November 1952 | |||
Mercer recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-08-001 | CO48640 | Ballin’ The Blues - vJG | CBS 462988-2(D), CBS 66607(D), Cl(F) 1350, UtD 2006 | DE5220b | |
52-11-08-002 | CO48641 | Body And Soul - vBR | CBS 462988-2(D), CBS 66607(D), Cl(F) 1350, UtD 2006 | DE5220c | |
52-11-08-003 | C-Jam Blues - vBR | DE5220d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 November 1952 | |||
1st Concert, Carnegie Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-11-14-001 | Star Spangled Banner | FDC 1005 | DE5221a | ||
52-11-14-002 | The Mooch | FDC 1005 | DE5221b | ||
52-11-14-003 | How High The Moon | FDC 1005 | DE5221c | ||
52-11-14-004 | THE TATTOOED BRIDE | FDC 1006 | DE5221d | ||
52-11-14-005 | Take The “A” Train (theme) | DE5221e | |||
52-11-14-006 | Lullaby Of Birdland | FDC 1005 | DE5221f | ||
52-11-14-007 | The Hawk Talks | FDC 1005 | DE5221g | ||
52-11-14-008 | Monologue - tkDE | DE5221h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 November 1952 | |||
2nd Concert, Carnegie Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-11-14-009 | Star Spangled Banner | DE5222a | |||
52-11-14-010 | The Mooch | DE5222b | |||
52-11-14-011 | How High The Moon | DE5222c | |||
52-11-14-012 | THE TATTOOED BRIDE | DE5222d | |||
52-11-14-013 | Take The “A” Train (theme) | DE5222e | |||
52-11-14-014 | The Hawk Talks | DE5222f | |||
Add DGi(t) | |||||
52-11-14-015 | Body And Soul | FDC 1006 | DE5222g | ||
DGi out | |||||
52-11-14-016 | Take The “A” Train (theme) | DE5222h | |||
52-11-14-017 | Lullaby Of Birdland | DE5222i | |||
52-11-14-018 | Monologue - tkDE | DE5222j | |||
52-11-14-019 | V.I.P. Boogie | DE5222k | |||
52-11-14-020 | Jam With Sam | DE5222l | |||
52-11-14-021 | Skin Deep | DE5222m | |||
Medley: | DE5222n | ||||
52-11-14-022 | - 1. Don’t Get Around Much Anymore | FDC 1006 | |||
52-11-14-023 | - 2. In A Sentimental Mood | FDC 1006 | |||
52-11-14-024 | - 3. Mood Indigo | FDC 1006 | |||
52-11-14-025 | - 4. I’m Beginning To See The Light | FDC 1006 | |||
52-11-14-026 | - 5. Sophisticated Lady | FDC 1006 | |||
52-11-14-027 | - 6. Caravan | FDC 1006 | |||
52-11-14-028 | - 7. It Don’t Mean A Thing | FDC 1006 | |||
52-11-14-029 | - 8. Solitude | FDC 1006 | |||
52-11-14-030 | - 9. I Let A Song & Don’t Get Around Much | FDC 1006 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 November 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-20-001 | Take The “A” Train (theme) | JU JUCD-2036, Sv 108-8617 | DE5223a | ||
52-11-20-002 | The Mooch | JU JUCD-2036, Sv 108-8617 | DE5223b | ||
52-11-20-003 | How High The Moon | JU JUCD-2036, Sv 108-8617 | DE5223c | ||
52-11-20-004 | THE TATTOOED BRIDE | JU JUCD-2036, Sv 108-8617 | DE5223d | ||
52-11-20-005 | Solitude - vJG | JU JUCD-2036, Sv 108-8617 | DE5223e | ||
52-11-20-006 | Lullaby Of Birdland | JU JUCD-2036, Sv 108-8617 | DE5223f | ||
52-11-20-007 | Take The “A” Train (theme) | JU JUCD-2036, Sv 108-8617 | DE5223g | ||
52-11-20-008 | Lullaby Of Birdland | JU JUCD-2036, Sv 108-8617 | DE5223h | ||
52-11-20-009 | Take The “A” Train - vBR | JU JUCD-2036, Sv 108-8617 | DE5223i | ||
52-11-20-010 | Perdido | JU JUCD-2036, Sv 108-8617 | DE5223j | ||
52-11-20-011 | Monologue - tkDE | JU JUCD-2036, Sv 108-8617 | DE5223k | ||
52-11-20-012 | Things Ain’t What They Used To Be | JU JUCD-2036, Sv 108-8617 | DE5223l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 November 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-22-001 | Take The “A” Train (theme) | DE5224a | |||
52-11-22-002 | Smada | DE5224b | |||
52-11-22-003 | Rockin’ In Rhythm | DE5224c | |||
52-11-22-004 | Flamingo - vJG | DE5224d | |||
52-11-22-005 | Bensonality | DE5224e | |||
52-11-22-006 | All Of Me - vBR | DE5224f | |||
52-11-22-007 | Bakiff | DE5224g | |||
52-11-22-008 | Just A-Sittin’ And A-Rockin’ - vRN | DE5224h | |||
52-11-22-009 | Jam With Sam | DE5224i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 November 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-24-001 | Take The “A” Train (theme) | JU JUCD-2036 | DE5225a | ||
52-11-24-002 | Caravan | JU JUCD-2036 | DE5225b | ||
52-11-24-003 | Do Nothin’ Till You Hear From Me - vJG | JU JUCD-2036 | DE5225c | ||
52-11-24-004 | C-Jam Blues | JU JUCD-2036 | DE5225d | ||
52-11-24-005 | Creole Love Call | JU JUCD-2036 | DE5225e | ||
52-11-24-006 | Just Squeeze Me - vRN | JU JUCD-2036 | DE5225f | ||
52-11-24-007 | Take The “A” Train - vBR | JU JUCD-2036 | DE5225g | ||
52-11-24-008 | Lullaby Of Birdland | JU JUCD-2036 | DE5225h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 November 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-25-001 | Take The “A” Train (theme) | ||||
52-11-25-002 | Rock Skippin’ At The Blue Note | DE5227b | |||
52-11-25-003 | Ko-Ko | DE5227c | |||
52-11-25-004 | My Little Brown Book - vJG | DE5227d | |||
52-11-25-005 | Vagabonds - vJG | ||||
52-11-25-006 | The Hawk Talks | ||||
52-11-25-007 | Mood Indigo | ||||
52-11-25-008 | Love You Madly - vBR | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 November 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
52-11-26-001 | Take The “A” Train (theme) | DE5226a | |||
52-11-26-002 | Warm Valley | MJ MJCD-1153 | DE5226b | ||
52-11-26-003 | Harlem Air-Shaft | DE5226c | |||
52-11-26-004 | Strange Feeling - vJG | DE5226d | |||
52-11-26-005 | Tulip Or Turnip - vRN | DE5226e | |||
52-11-26-006 | I Got It Bad - vBR | DE5226f | |||
52-11-26-007 | V.I.P. Boogie | DE5226g | |||
52-11-26-008 | Jam With Sam | DE5226h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Nov 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-11-28-001 | Lullaby Of Birdland | DE5227a | |||
52-11-28-002 | Cotton Tail | DE5227e | |||
52-11-28-003 | Smada | DE5227f | |||
52-11-28-004 | Honeysuckle Rose | DE5227g | |||
52-11-28-005 | Take The “A” Train (theme) | DE5227h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Nov 1952 | |||
Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-11-30-001 | Rock Skippin’ At The Blue Note | DE5228a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 22 December 1952 | |||
Columbia Recording Session | |||||
Willie Cook, Clark Terry, John Carroll, John Hunt(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
52-12-22-001 | CCO5397 | Primping At The Prom | CBS 462988-2(D), CBS 62993, CBS 66607(D), Cl(F) 1350, Co CG-33961(D), Co PE-7 | DE5229a | |
52-12-22-002 | CCO5398 | The Vulture Song - vJG | CBS 39942, CBS 462988-2(D), CBS 66607(D), Cl(F) 1350 | DE5229b | |
52-12-22-003 | CCO5399 | Follow Me - vJG | CBS 462988-2(D), CBS 66607(D), Cl(F) 1350, Co CG-33961(D) | DE5229c | |
DUKE ELLINGTON GROUP | Winnetka, IL | 29 December 1952 | |||
Private party Louis La Rue's home | |||||
Ray Nance(t,vl,v);Jimmy Hamilton(cl); Harry Carney(as,bar); Duke Ellington(p,tk); Wendell Marshall(sb); Jimmy Grissom(d,v) | |||||
52-12-29-001 | How High The Moon | LLR XCTV-7208/9 | DE5230a | ||
52-12-29-002 | Do Nothin’ Till You Hear From Me - vJG | LLR XCTV-7208/9 | DE5230b | ||
52-12-29-003 | Follow Me - vJG | LLR XCTV-7208/9 | DE5230c | ||
52-12-29-004 | Solitude - vJG | LLR XCTV-7208/9 | DE5230d | ||
52-12-29-005 | Monologue - tkDE | LLR XCTV-7208/9 | DE5230e | ||
52-12-29-006 | Basin Street Blues - vRN | LLR XCTV-7208/9 | DE5230f | ||
Duke Ellington(p) and Wendell Marshall(sb) only | |||||
52-12-29-007 | Pitter Panther Patter | LLR XCTV-7208/9 | DE5230g | ||
52-12-29-008 | New York City Blues | LLR XCTV-7208/9 | DE5230h | ||
As before | |||||
52-12-29-009 | Sophisticated Lady | LLR XCTV-7208/9 | DE5230i | ||
52-12-29-010 | Tangerine - vRN | LLR XCTV-7208/9 | DE5230j | ||
52-12-29-011 | Tea For Two | LLR XCTV-7208/9 | DE5230k | ||
52-12-29-012 | Tenderly | LLR XCTV-7208/9 | DE5230l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1952 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d) | |||||
52-12-31-001 | Take The “A” Train (theme) | DE5231a | |||
52-12-31-002 | ¬ I Let A Song Go Out Of My Heart | DE5231b | |||
52-12-31-003 | _| Don’t Get Around Much Anymore - vRN | DE5231c | |||
52-12-31-004 | Rock Skippin’ At The Blue Note | DE5231d | |||
52-12-31-005 | Things Ain’t What They Used To Be | DE5231e | |||
DUKE ELLINGTON | unknown location, USA | probably 1952/53 | |||
Broadcast, "March Of Dimes" | |||||
Duke Ellington(tk) | |||||
53-00-00-001 | Duke Ellington Message | DE5232a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 01 January 1953 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-01-01-001 | Take The “A” Train (theme) | DE5301a | |||
53-01-01-002 | Fancy Dan | DE5301b | |||
53-01-01-003 | My Little Brown Book - vJG | DE5301c | |||
53-01-01-004 | Bensonality | DE5301d | |||
53-01-01-005 | The Hawk Talks | DE5301e | |||
53-01-01-006 | Creole Love Call | DE5301f | |||
53-01-01-007 | All Of Me - vBR | DE5301g | |||
53-01-01-008 | Smada | DE5301h | |||
53-01-01-009 | How High The Moon | DE5301i | |||
DUKE ELLINGTON | Boston, MA | 26 January 1953 | |||
WLAW Le Jazz Hot Broadcast | |||||
Duke Ellington, Nat Hentoff(tk) | |||||
53-01-26-001 | Interview by Nat Hentoff | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 January 1953 | |||
WMGM Band Box Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Charles Mingus(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-01-30-001 | Take The “A” Train (theme) | DE5302a | |||
53-01-30-002 | Summertime | DE5302b | |||
53-01-30-003 | Come On Home - vJG | DE5302c | |||
53-01-30-004 | The Hawk Talks (YT) | MDD 010 | DE5302d | ||
53-01-30-005 | Bakiff | DE5302e | |||
53-01-30-006 | Take The “A” Train - vBR | DE5302f | |||
53-01-30-007 | Monologue - tkDE | DE5302g | |||
53-01-30-008 | Rockin’ In Rhythm | DE5302h | |||
53-01-30-009 | Smada | DE5302i | |||
53-01-30-010 | Take The “A” Train (theme) | DE5302j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 February 1953 | |||
Band Box Telecast, | |||||
Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl); Duke Ellington(p,tk). | |||||
53-02-01-001 | Take The “A” Train (theme) | DE5303a | |||
53-02-01-002 | Monologue - tkDE | DE5303b | |||
53-02-01-003 | Mood Indigo | DE5303c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 February 1953 | |||
WMGM Band Box Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Charles Mingus(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-02-02-001 | Take The “A” Train (theme) | DE5304a | |||
53-02-02-002 | Caravan | DE5304b | |||
53-02-02-003 | Smada | MDD 010 | DE5304c | ||
53-02-02-004 | Do Nothin’ Till You Hear From Me - vJG | DE5304d | |||
53-02-02-005 | The Mooch | DE5304e | |||
53-02-02-006 | How High The Moon | MDD 010 | DE5304f | ||
53-02-02-007 | Take The “A” Train (theme) | DE5304g | |||
53-02-02-008 | Caravan | DE5304h | |||
53-02-02-009 | Love You Madly - vBR | MDD 010 | DE5304i | ||
53-02-02-010 | V.I.P. Boogie | DE5304j | |||
53-02-02-011 | Jam With Sam | DE5304k | |||
53-02-02-012 | St. Louis Blues - vRN | MDD 010 | DE5304l | ||
53-02-02-013 | Things Ain’t What They Used To Be | MDD 010 | DE5304m | ||
DUKE ELLINGTON WITH THE CARL HOFF ORCHESTRA | New York City, NY | 04 February 1953 | |||
NBC Telecast, "Scott Music Hall", sponsored by Scott Paper. | |||||
Duke Ellington(p); Patti Page(v) with the Carl Hoff Orchestra | |||||
Medley: | DE5308a | ||||
53-02-04-001 | - 1. In A Sentimental Mood | ||||
53-02-04-002 | - 2. Mood Indigo | ||||
53-02-04-003 | - 3. Do Nothin’ Till You Hear From Me | ||||
53-02-04-004 | - 4. Solitude | ||||
53-02-04-005 | - 5. It Don’t Mean A Thing | ||||
53-02-04-006 | - 6. Sophisticated Lady | ||||
53-02-04-007 | Don’t Get Around Much Anymore - vPP | DE5308b | |||
Date is probable but not confirmed. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 February 1953 | |||
WMGM Band Box Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Tony Scott(cl,ts,f); Harry Carney(cl,as,bar); Duke Ellington(p); Charles Mingus(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-02-04-008 | Take The “A” Train (theme) | DE5305a | |||
53-02-04-009 | Bensonality | DE5305b | |||
53-02-04-010 | September Song - vJG | DE5305c | |||
53-02-04-011 | In A Mellow Tone | MDD 010 | DE5305d | ||
53-02-04-012 | In A Mellow Tone (Baby, You And Me) - vBR | MDD 010 | DE5305e | ||
53-02-04-013 | Blue Skies | MDD 010 | DE5305f | ||
53-02-04-014 | Mood Indigo | MDD 010 | DE5305g | ||
53-02-04-015 | Just A-Sittin’ And A-Rockin’ - vRN | MDD 010 | DE5305h | ||
53-02-04-016 | Smada | DE5305i | |||
Oscar Pettiford previously listed as sb for this session. MDD 010 liner notes and photograph suggest Mingus. | |||||
DUKE ELLINGTON TRIO | New York City, NY | 08 February 1953 | |||
Band Box Telecast, | |||||
Ray Nance(t,vl,v); Duke Ellington(p);n/k(sb) | |||||
53-02-08-001 | I Can’t Get Started - vRN | DE5306a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 February 1953 | |||
WMGM Band Box Broadcast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Tony Scott(cl,ts,f); Harry Carney(cl,as,bar); Duke Ellington(p); Charles Mingus(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-02-09-001 | Caravan | DE5307a | |||
53-02-09-002 | Happy Go Lucky Local | MDD 010 | DE5307b | ||
53-02-09-003 | Harlem Air-Shaft | MDD 010 | DE5307c | ||
53-02-09-004 | Frustration | DE5307d | |||
Add Stan Getz(ts) | |||||
53-02-09-005 | I Got It Bad | Ra 5012-FC | DE5307e | ||
Stan Getz out | |||||
53-02-09-006 | All Of Me - vBR | MDD 010 | DE5307f | ||
53-02-09-007 | I Can’t Get Started - vRN | MDD 010 | DE5307g | ||
53-02-09-008 | Sultry Serenade | MDD 010 | DE5307h | ||
53-02-09-009 | Cotton Tail | MDD 010 | DE5307i | ||
53-02-09-010 | Jam With Sam | MDD 010 | DE5307j | ||
53-02-09-011 | Vagabonds - vJG | MDD 010 | DE5307k | ||
53-02-09-012 | The Hawk Talks | MDD 010 | DE5307l | ||
Oscar Pettiford previously listed as sb for this session. MDD 010 liner notes and photograph suggest Mingus. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 February 1953 | |||
Apollo Theatre Telecast, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Hilton Jefferson(as); Tony Scott(cl,ts,f); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford(sb); Louie Bellson(d); Betty Roche, Jimmy Grissom(v) | |||||
53-02-25-001 | Take The “A” Train (theme) | DE5309a | |||
53-02-25-002 | Blue Skies | DE5309b | |||
DUKE ELLINGTON | unknown location, U.S.A | Poss. March 1953 | |||
NBC Telecast, | |||||
Duke Ellington(p,v) | |||||
53-03-00-001 | Nothin’, Nothin’, Baby | TOM 10 | DE5310a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Albuquerque, NM | 22 March 1953 | |||
Dance date | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford(sb); Butch Ballard(d); Jimmy Grissom, n/k male(v) | |||||
53-03-22-001 | Take The “A” Train | DE5311a | |||
53-03-22-002 | All Day Long | DE5311b | |||
53-03-22-003 | Stomp, Look And Listen | DE5311c | |||
53-03-22-004 | Balcony Serenade | DE5311d | |||
53-03-22-005 | Sophisticated Lady | DE5311e | |||
53-03-22-006 | Bensonality | DE5311f | |||
53-03-22-007 | Perdido | DE5311g | |||
53-03-22-008 | Ting-A-Ling | DE5311h | |||
53-03-22-009 | H’ya Sue | DE5311i | |||
53-03-22-010 | Blue Lou | DE5311j | |||
53-03-22-011 | Happy Go Lucky Local | DE5311k | |||
53-03-22-012 | Summertime | DE5311l | |||
53-03-22-013 | ¬ I Let A Song Go Out Of My Heart | DE5311m | |||
53-03-22-014 | _| Don’t Get Around Much Anymore - vRN | DE5311n | |||
53-03-22-015 | Sultry Serenade | DE5311o | |||
53-03-22-016 | The Hawk Talks | DE5311p | |||
53-03-22-017 | Mood Indigo | DE5311q | |||
53-03-22-018 | Caravan | DE5311r | |||
53-03-22-019 | Cotton Tail | DE5311s | |||
53-03-22-020 | The Vulture Song - vJG | DE5311t | |||
53-03-22-021 | Vagabonds - vJG | DE5311u | |||
53-03-22-022 | Do Nothin’ Till You Hear From Me - vJG | DE5311v | |||
53-03-22-023 | Nothin’, Nothin’, Baby - vJG | DE5311w | |||
53-03-22-024 | I’m In The Mood For Love - vJG,n/k | DE5311x | |||
53-03-22-025 | V.I.P. Boogie | DE5311y | |||
53-03-22-026 | Jam With Sam | DE5311z | |||
53-03-22-027 | Things Ain’t What They Used To Be | DE5311aa | |||
53-03-22-028 | THE TATTOOED BRIDE (Aberdeen) | DE5311ab | |||
53-03-22-029 | Take The “A” Train | DE5311ac | |||
53-03-22-030 | Just A-Sittin’ And A-Rockin' | DE5311ad | |||
53-03-22-031 | Flying Home | DE5311ae | |||
53-03-22-032 | All Of Me | DE5311af | |||
53-03-22-033 | Perdido | DE5311ag | |||
53-03-22-034 | Solitude - vJG | DE5311ah | |||
53-03-22-035 | Flamingo - vJG | DE5311ai | |||
53-03-22-036 | Ballin’ The Blues - vJG | DE5311aj | |||
53-03-22-037 | Ring Dem Bells - vRN | DE5311ak | |||
53-03-22-038 | The Mooch | DE5311al | |||
53-03-22-039 | Blue Skies | DE5311am | |||
53-03-22-040 | Take The “A” Train (theme) | DE5311an | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Pasadena, CA | 30 March 1953 | |||
Concert, Civic Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-03-30-001 | THE TATTOOED BRIDE | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312a | ||
53-03-30-002 | ¬ Diminuendo In Blue | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312b | ||
53-03-30-003 | - | Wailing Interval | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312c | ||
53-03-30-004 | _| Crescendo In Blue | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312d | ||
53-03-30-005 | The Hawk Talks | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312e | ||
53-03-30-006 | Monologue - tkDE | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312f | ||
53-03-30-007 | St. Louis Blues - vRN | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312g | ||
53-03-30-008 | V.I.P. Boogie | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312h | ||
53-03-30-009 | Jam With Sam | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312i | ||
53-03-30-010 | Without A Song - vJG | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312j | ||
53-03-30-011 | DonNothin’ Till You Hear from Me- vJG | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312k | ||
53-03-30-012 | Ballin’ The Blues - vJG | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312l | ||
Add Oscar Pettiford(ce) | |||||
53-03-30-013 | Perdido | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | DE5312m | ||
Oscar Pettiford out | |||||
Medley: | Cr GNPS-9045 | DE5312n | |||
53-03-30-014 | - 1. Don’t Get Around Much Anymore | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-015 | - 2. In A Sentimental Mood | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-016 | - 3. Mood Indigo | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-017 | - 4. I’m Beginning To See The Light | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-018 | - 5. Sophisticated Lady | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-019 | - 6. Caravan | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-020 | - 7. It Don’t Mean A Thing | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-021 | - 8. Solitude | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
53-03-30-022 | - 9. I Let A Song & Don’t Get Around Much | Cr GNPD-9045(D), Cr GNPS-9045, Vg 600105(D) | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 06 April 1953 | |||
Capitol Recording Session, Capitol Studio, Holywood | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-04-06-001 | 11398-1 | Satin Doll | AMSC AMSC-937(D), Cl(F) 1350, Cp 2458, Ms MD5-160(D) | DE5313a | |
53-04-06-002 | 11399-4 | Without A Song - vJG | Cl(F) 1350, Cp 2458, Ms MD5-160(D) | DE5313b | |
53-04-06-003 | 11400-7 | Cocktails For Two | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5313c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 07 April 1953 | |||
Capitol Recording Session, Capitol Studio, Holywood | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-04-07-001 | 11414-3 | My Old Flame | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5314a | |
53-04-07-002 | 11415-3 | I Can’t Give You Anything But Love | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5314b | |
53-04-07-003 | 11416-3 | Nothin’, Nothin’, Baby | Cl(F) 1350, Cp 2503, Ms MD5-160(D) | DE5314c | |
53-04-07-004 | 11417-5 | Stormy Weather | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5314d | |
53-04-07-005 | 11418-8 | Stardust | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5314e | |
53-04-07-006 | 11419-6 | Three Little Words | AMSC AMSC-937(D), Cl(F) 1350, Cp H-440, Ms MD5-160(D) | DE5314f | |
53-04-07-007 | 11420-5 | Orson | Cl(F) 1350, Cp T-637, Ms MD5-160(D) | DE5314g | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 09 April 1953 | |||
Capitol Recording Session, Capitol Studio, Holywood | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-04-09-001 | 11421-6 | Boo-Dah | AMSC AMSC-937(D), Cl(F) 1350, Cp 6598, Ms MD5-160(D) | DE5315a | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
53-04-09-002 | 11422-6 | Blossom | Cl(F) 1350, Cp T-679, Ms MD5-160(D) | DE5315b | |
53-04-09-003 | 11423-2 | Ballin’ The Blues - vJG | Cl(F) 1350, Cp 2503, Ms MD5-160(D) | DE5315c | |
53-04-09-004 | 11424-5 | Warm Valley | AMSC AMSC-937(D), Cl(F) 1350, Cp 2546, Ms MD5-160(D) | DE5315d | |
53-04-09-005 | 11406-9 | Flamingo | AMSC AMSC-937(D), Cl(F) 1398, Cp H-440, Ms MD5-160(D) | DE5315e | |
53-04-09-006 | 11407-8 | Blue Jean Beguine | Cl(F) 1398, Cp 2546, Ms MD5-160(D) | DE5315f | |
53-04-09-007 | 11408-10 | Liza | AMSC AMSC-937(D), Cl(F) 1398, Cp H-440, Ms MD5-160(D) | DE5315g | |
DUKE ELLINGTON WITH RHYTHM ACCOMPANIMENT | Los Angeles, CA | 14 April 1953 | |||
Capitol Recording Session, Capitol Studio, Holywood | |||||
Session started at circa 12.30am | |||||
Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d) | |||||
53-04-14-001 | 11431-6 | Who Knows? | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316a | |
Butch Ballard out | |||||
53-04-14-002 | 11432-1 | Retrospection | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316b | |
Add Butch Ballard(d) | |||||
53-04-14-003 | 11433-4 | B-Sharp Blues | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316c | |
53-04-14-004 | 11434-3 | Passion Flower | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316d | |
53-04-14-005 | 11435-2 | Dancers In Love | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316e | |
Butch Ballard out | |||||
53-04-14-006 | 11436-1 | Reflections In D | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316f | |
53-04-14-007 | 11437-4 | Melancholia | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316g | |
Add Butch Ballard(d) | |||||
53-04-14-008 | 11438-2 | Prelude To A Kiss | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5316h | |
Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d) | |||||
53-04-14-009 | In A Sentimental Mood | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5317a | ||
53-04-14-010 | Things Ain’t What They Used To Be | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5317b | ||
53-04-14-011 | All Too Soon | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5317c | ||
53-04-14-012 | Janet | Cl(F) 1398, Cp T-477, Ms MD5-160(D) | DE5317d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 30 April 1953 | |||
Dance McElroy's Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-04-30-001 | Primping At The Prom | SR 203 | DE5318a | ||
53-04-30-002 | Smada | SR 203 | DE5318b | ||
53-04-30-003 | Maybe I Should Change my Ways | SR 203 | DE5318c | ||
53-04-30-004 | All Day Long | DE5318d | |||
53-04-30-005 | Don’t Worry ‘Bout Me | La 15783, SR 203 | DE5318e | ||
53-04-30-006 | Lullabye Of Birdland | La 15783, SR 203 | DE5318f | ||
53-04-30-007 | Time On My Hands | La 15783, SR 203 | DE5318g | ||
53-04-30-008 | Take The “A” Train | La 15783 | DE5318h | ||
53-04-30-009 | Liza | La 15783, SR 203 | DE5318i | ||
53-04-30-010 | Creole Love Call | La 15783, SR 203 | DE5318j | ||
53-04-30-011 | Boo-Dah | La 15783, SR 203 | DE5318k | ||
53-04-30-012 | Stomp, Look And Listen | JG 1004(D), La 15783 | DE5318l | ||
53-04-30-013 | Happy Go Lucky Local | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15783 | DE5318m | ||
53-04-30-014 | Summertime | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15784 | DE5318n | ||
53-04-30-015 | Warm Valley | Acr ACTRCD9033-(CD3)(MB)(S)(T), JG 1004(D), La 15784 | DE5318o | ||
53-04-30-016 | Sultry Serenade | Acr ACTRCD9033-(CD3)(MB)(S)(T), JG 1004(D), La 15784 | DE5318p | ||
53-04-30-017 | H’ya Sue | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15784, SR 203JG-1004 | DE5318q | ||
53-04-30-018 | Sophisticated Lady | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15784 | DE5318r | ||
53-04-30-019 | ¬ I Let A Song Go Out Of My Heart | JBi 61746-80298-2, La 15784 | DE5318s | ||
53-04-30-020 | _| Don’t Get Around Much Anymore - vRN | JBi 61746-80298-2, La 15784 | DE5318t | ||
53-04-30-021 | Just Squeeze Me - vRN | JBi 61746-80298-2, La 15784 | DE5318u | ||
53-04-30-022 | Caravan | La 15784 | DE5318v | ||
53-04-30-023 | Perdido | JBi 61746-80298-2, La 15784 | DE5318w | ||
53-04-30-024 | Without A Song - vJG | JBi 61746-80298-2, La 15784 | DE5318x | ||
53-04-30-025 | Do Nothin’ Till You Hear From Me - vJG | JBi 61746-80298-2 | DE5318y | ||
53-04-30-026 | Come On Home - vJG | JBi 61746-80298-2, SR 203 | DE5318z | ||
53-04-30-027 | Vagabonds - vJG | JBi 61746-80298-2 | DE5318aa | ||
53-04-30-028 | Things Ain’t What They Used to Be | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15785 | DE5318ab | ||
53-04-30-029 | The Hawk Talks | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15785 | DE5318ac | ||
53-04-30-030 | C-Jam Blues | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15785 | DE5318ad | ||
53-04-30-031 | Tenderly | Acr ACTRCD9033-(CD3)(MB)(S)(T), La 15785 | DE5318ae | ||
53-04-30-032 | All The Things You Are | La 15785 | DE5318af | ||
53-04-30-033 | V.I.P. Boogie | DE5318ag | |||
53-04-30-034 | Jam With Sam | DE5318ah | |||
53-04-30-035 | Once There Lived A Fool - vJG | DE5318ai | |||
53-04-30-036 | Flamingo - vJG | DE5318aj | |||
53-04-30-037 | Solitude - vJG | La 15785 | DE5318ak | ||
53-04-30-038 | I’m Just A Lucky So And So - vJG | DE5318al | |||
53-04-30-039 | Without A Song - vJG | DE5318am | |||
53-04-30-040 | Ballin’ The Blues - vJG | La 15785 | DE5318an | ||
53-04-30-041 | Ballin’ The Blues - vJG | La 15785 | DE5318ao | ||
53-04-30-042 | Please Be Kind | SR 203 | DE5318ap | ||
53-04-30-043 | Happy Birthday To You | La 15785, SR 203 | DE5318aq | ||
53-04-30-044 | Mood Indigo | La 15785 | DE5318ar | ||
53-04-30-045 | Blue Skies | La 15785 | DE5318as | ||
53-04-30-046 | Take The “A” Train (theme) | La 15785 | DE5318at | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 June 1953 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-12-001 | Take The “A” Train (theme) | AFRS ONS-3358, Jo 1079 | DE5319a | ||
53-06-12-002 | Smada | AFRS ONS-3358, Jo 1079 | DE5319b | ||
53-06-12-003 | Bakiff | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319c | ||
53-06-12-004 | Just A-Sittin’ And A-Rockin’ - vRN | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319d | ||
53-06-12-005 | Jam With Sam | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319e | ||
53-06-12-006 | Flamingo - vJG | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319f | ||
53-06-12-007 | Do Nothin’ Till You Hear From Me - vJG | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319g | ||
53-06-12-008 | Rockin’ In Rhythm | AFRS ONS-3358, Ec EJCD-04, Jo 1079 | DE5319h | ||
53-06-12-009 | Satin Doll | AFRS ONS-3358 | DE5319i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | Jun 1953 | |||
Broadcast, Blue Note, "All-Star Parade Of Bands" | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-15-001 | Take The “A” Train (theme) | DETS 48, DETS 903-9024(D)(S)(T) | DE5320a | ||
53-06-15-002 | Caravan | DETS 48, DETS 903-9024(D)(S)(T) | DE5320b | ||
53-06-15-003 | ¬ I Let A Song Go Out Of My Heart | DETS 48, DETS 903-9024(D)(S)(T) | DE5320c | ||
53-06-15-004 | _| Don’t Get Around Much Anymore - vRN | DETS 48, DETS 903-9024(D)(S)(T) | DE5320d | ||
53-06-15-005 | The Hawk Talks | DETS 48, DETS 903-9024(D)(S)(T) | DE5320e | ||
53-06-15-006 | Come On Home - vJG | DETS 48, DETS 903-9024(D)(S)(T) | DE5320f | ||
53-06-15-007 | Flamingo - vJG | DETS 48, DETS 903-9024(D)(S)(T) | DE5320g | ||
53-06-15-008 | Jump For Joy - vRN | DETS 48, DETS 903-9024(D)(S)(T) | DE5320h | ||
53-06-15-009 | Satin Doll | DETS 48, DETS 903-9024(D)(S)(T) | DE5320i | ||
53-06-15-010 | Take The “A” Train (theme) | DETS 48, DETS 903-9024(D)(S)(T) | DE5320j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | Jun 1953 | |||
Broadcast, Blue Note, "All-Star Parade Of Bands" | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-18-001 | Take The “A” Train (theme) | DETS 48, DETS 903-9024(D)(S)(T) | DE5321a | ||
53-06-18-002 | THE TATTOOED BRIDE | DETS 48, DETS 903-9024(D)(S)(T) | DE5321b | ||
53-06-18-003 | Nothin’ Nothin’ Baby - vJG | DETS 48, DETS 903-9024(D)(S)(T) | DE5321c | ||
53-06-18-004 | Rock Skippin’ At The Blue note | DETS 48, DETS 903-9024(D)(S)(T) | DE5321d | ||
53-06-18-005 | Just Squeeze Me - vRN | DETS 48, DETS 903-9024(D)(S)(T) | DE5321e | ||
53-06-18-006 | Ting-A-Ling | DETS 48, DETS 903-9024(D)(S)(T) | DE5321f | ||
53-06-18-007 | Satin Doll | DETS 48, DETS 903-9024(D)(S)(T) | DE5321g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | Jun 1953 | |||
Broadcast, Blue Note, "All-Star Parade Of Bands" | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-21-001 | Take The “A” Train (theme) | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322a | ||
53-06-21-002 | Boo-Dah | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322b | ||
53-06-21-003 | What More Can I Say? - vJG | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322c | ||
53-06-21-004 | Frustration | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322d | ||
53-06-21-005 | Basin’ Street Blues - vRN | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322e | ||
53-06-21-006 | Duet | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322f | ||
53-06-21-007 | Ballin’ The Blues - vJG | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322g | ||
53-06-21-008 | Satin Doll | AFRS ASPB-21, DETS 903-9025(D)(S)(T), DETS BONUS | DE5322h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 June 1953 | |||
Broadcast, Blue Note, "Music For Moderns" | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-24-001 | Take The “A” Train (theme) | DETS 47, DETS 903-9024(D)(S)(T) | DE5323a | ||
53-06-24-002 | Harlem Air-Shaft | DETS 47, DETS 903-9024(D)(S)(T) | DE5323b | ||
53-06-24-003 | Creole Love Call | DETS 47, DETS 903-9024(D)(S)(T) | DE5323c | ||
53-06-24-004 | C-Jam Blues | DETS 47, DETS 903-9024(D)(S)(T) | DE5323d | ||
53-06-24-005 | Is It A Sin? - vJG | DETS 47, DETS 903-9024(D)(S)(T) | DE5323e | ||
53-06-24-006 | Just A-Sittin’ And A-Rockin’ - vRN | DETS 47, DETS 903-9024(D)(S)(T) | DE5323f | ||
53-06-24-007 | Moonlight Fiesta | DETS 47, DETS 903-9024(D)(S)(T) | DE5323g | ||
53-06-24-008 | The Hawk Talks | DETS 47, DETS 903-9024(D)(S)(T) | DE5323h | ||
53-06-24-009 | Satin Doll | DETS 47, DETS 903-9024(D)(S)(T) | DE5323i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 27 June 1953 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-27-001 | Take The “A” Train (theme) | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04 | DE5324a | ||
53-06-27-002 | Satin Doll | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04, Jo 1079 | DE5324b | ||
53-06-27-003 | Blue Jean Beguine | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04, Jo 1079 | DE5324c | ||
53-06-27-004 | Without A Song - vJG | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04, Jo 1079 | DE5324d | ||
53-06-27-005 | Smada | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04 | DE5324e | ||
53-06-27-006 | H’ya Sue | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04 | DE5324f | ||
53-06-27-007 | Just Squeeze Me - vRN | AFRS ONS-3365, Ce 20-EL-5503, Ec EJCD-04 | DE5324g | ||
53-06-27-008 | Jam With Sam | AFRS ONS-3365, Ce 20-EL-5503 | DE5324h | ||
53-06-27-009 | Take The “A” Train (theme) | AFRS ONS-3365, Ce 20-EL-5503 | DE5324i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | June 1953 | |||
NBC Broadcast, Blue Note, "All-Star Parade Of Bands" (aired July 25 1953) | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-28-001 | 11620-4 | Take The “A” Train - vRN | X-Str 4(F) | ||
53-06-28-002 | 11620-4 | Mood Indigo | X-Str 4(F) | ||
53-06-28-003 | 11620-4 | Without A Song - vJG | X-Str 4(F) | ||
53-06-28-004 | 11620-4 | Rock Skippin’ At The Blue Note | X-Str 4(F) | ||
53-06-28-005 | 11620-4 | Rockin’ In Rhythm | X-Str 4(F) | ||
53-06-28-006 | 11620-4 | Satin Doll | X-Str 4(F) | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 30 June 1953 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-06-30-001 | 11620-4 | Give Me The Right - vJG | Cl(F) 1398, Cp 2598, Ms MD5-160(D) | DE5325a | |
53-06-30-002 | 11621-5 | Is It A Sin? - vJG | Cl(F) 1398, Cp 2875, Ms MD5-160(D) | DE5325b | |
53-06-30-003 | 11622-6 | Don’t Touch Me - vJG | Cl(F) 1398, Ms MD5-160(D) | DE5325c | |
Ray Nance(t,v); Clark Terry(t); Quentin Jackson(tb); Russell Procope(cl); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d) | |||||
53-06-30-004 | 11623-4 | Basin Street Blues - vRN | Cl(F) 1398, Ms MD5-160(D), UtD 2009 | DE5325d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 01 July 1953 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-07-01-001 | 11624-8 | Big Drag | Cl(F) 1398, Cp T-679, Ms MD5-160(D) | DE5326a | |
53-07-01-002 | 11625-10 | Hear My Plea - vJG | Cl(F) 1398, Ms MD5-160(D) | DE5326b | |
53-07-01-003 | 11626-3 | Don’t Ever Say Goodbye | Cl(F) 1398, Ms MD5-160(D), UtD 2009 | DE5326c | |
53-07-01-004 | 11627-1 | What More Can I Say? - vJG | Cl(F) 1398, Ms MD5-160(D) | DE5326d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 01 July 1953 | |||
Broadcast, Blue Note, "All-Star Parade Of Bands" | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-07-01-005 | Take The “A” Train (theme) | DETS 47, DETS 903-9024(D)(S)(T) | DE5327a | ||
53-07-01-006 | Blue Jean Beguine | DETS 47, DETS 903-9024(D)(S)(T) | DE5327b | ||
53-07-01-007 | Boo-Dah | DETS 47, DETS 903-9024(D)(S)(T) | DE5327c | ||
53-07-01-008 | Cocktails For Two | DETS 47, DETS 903-9024(D)(S)(T) | DE5327d | ||
53-07-01-009 | Nothin’, Nothin’, Baby - vJG | DETS 47, DETS 903-9024(D)(S)(T) | DE5327e | ||
53-07-01-010 | Jump For Joy - vRN | DETS 47, DETS 903-9024(D)(S)(T) | DE5327f | ||
53-07-01-011 | Perdido | DETS 47, DETS 903-9024(D)(S)(T) | DE5327g | ||
53-07-01-012 | Blue Moon - vJG | DETS 47, DETS 903-9024(D)(S)(T) | DE5327h | ||
53-07-01-013 | Satin Doll | DETS 47, DETS 903-9024(D)(S)(T) | DE5327i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 August 1953 | |||
Broadcast, Apollo Theatre | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-08-19-001 | Blue Jean Beguine | DE5328a | |||
53-08-19-002 | Ballin’ The Blues - vJG | DE5328b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Reading, PA | 23 August 1953 | |||
Broadcast, Ephrata Legion Park | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d); Jimmy Grissom(v) | |||||
53-08-23-001 | Take The “A” Train (theme) | DE5329a | |||
53-08-23-002 | Satin Doll | DE5329b | |||
53-08-23-003 | V.I.P. Boogie | DE5329c | |||
53-08-23-004 | Jam With Sam | DE5329d | |||
53-08-23-005 | Give Me The Right - vJG | DE5329e | |||
53-08-23-006 | Take The “A” Train - vRN | DE5329f | |||
53-08-23-007 | Take The “A” Train | DE5329g | |||
53-08-23-008 | Satin Doll | DE5329h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Coeur D'Alène, ID | 04 October 1953 | |||
Concert, NIJC Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Butch Ballard(d) | |||||
53-10-04-001 | Take The “A” Train (theme) | Jo LP-4014(D) | DE5330a | ||
53-10-04-002 | V.I.P. Boogie | Jo LP-4014(D) | DE5330b | ||
53-10-04-003 | Jam With Sam | Jo LP-4014(D) | DE5330c | ||
53-10-04-004 | The Hawk Talks | DE5330d | |||
53-10-04-005 | Duet | Jo LP-4014(D) | DE5330e | ||
53-10-04-006 | Duet | Jo LP-4014(D) | DE5330f | ||
53-10-04-007 | Satin Doll | MP Ell-86(D) | DE5330g | ||
53-10-04-008 | Caravan | MP Ell-86(D) | DE5330h | ||
Medley: | DE5330i | ||||
53-10-04-009 | - 1. Don’t Get Around Much Anymore | ||||
53-10-04-010 | - 2. In A Sentimental Mood | ||||
53-10-04-011 | - 3. Mood Indigo | ||||
53-10-04-012 | - 4. I’m Beginning To See The Light | ||||
53-10-04-013 | - 5. Sophisticated Lady | ||||
53-10-04-014 | - 6. It Don’t Mean A Thing | ||||
53-10-04-015 | - 7. Solitude | ||||
53-10-04-016 | - 8. C-Jam Blues | ||||
53-10-04-017 | - 9. I Let A Song & Don’t Get Around Much | ||||
53-10-04-018 | I Can’t Give You Anything But Love | MP Ell-86(D) | DE5330j | ||
DUKE ELLINGTON | Madison, WI | Autumn 1953 | |||
Private Party, Fraternity House | |||||
Duke Ellington(p) | |||||
53-10-32-001 | Deep Purple | DE5331a | |||
53-10-32-002 | ¬ Deep Purple | DE5331b | |||
53-10-32-003 | _| Falling Like A Raindrop | DE5331c | |||
53-10-32-004 | Sophisticated Lady | DE5331d | |||
53-10-32-005 | Mood Indigo | DE5331e | |||
53-10-32-006 | Falling Like A Raindrop | DE5331f | |||
53-10-32-007 | Janet | DE5331g | |||
53-10-32-008 | The Clothed Woman | DE5331h | |||
53-10-32-009 | What More Can I Say? | DE5331i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tallahassee, FL | Autumn 1953 | |||
Concert, Sauls Bridges American Legion Post | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-11-00-001 | Star Spangled Banner | DE5332a | |||
53-11-00-002 | The Mooch | DE5332b | |||
53-11-00-003 | How High The Moon | DE5332c | |||
53-11-00-004 | Satin Doll | DE5332d | |||
53-11-00-005 | THE TATTOOED BRIDE | DE5332e | |||
53-11-00-006 | Frustration | DE5332f | |||
53-11-00-007 | Theme For Trambean | DE5332g | |||
53-11-00-008 | Monologue - tkDE | DE5332h | |||
53-11-00-009 | Blue Jean Beguine | DE5332i | |||
53-11-00-010 | Take The “A” Train - vRN | DE5332j | |||
53-11-00-011 | Take The “A” Train | DE5332k | |||
53-11-00-012 | V.I.P. Boogie | DE5332l | |||
53-11-00-013 | Jam With Sam | DE5332m | |||
53-11-00-014 | Take The “A” Train - vRN | DE5332n | |||
53-11-00-015 | Take The “A” Train | DE5332o | |||
53-11-00-016 | Flamingo - vJG | DE5332p | |||
53-11-00-017 | Teach Me Tonight - vJG | DE5332q | |||
53-11-00-018 | Do Nothin’ Till You Hear From Me - vJG | DE5332r | |||
53-11-00-019 | Blue Moon - vJG | DE5332s | |||
53-11-00-020 | Gonna Tan Your Hide | DE5332t | |||
Medley: | DE5332u | ||||
53-11-00-021 | - 1. Don’t Get Around Much Anymore | DE5332v | |||
53-11-00-022 | - 2. In A Sentimental Mood | DE5332w | |||
53-11-00-023 | - 3. Mood Indigo | ||||
53-11-00-024 | - 4. I’m Beginning To See The Light | ||||
53-11-00-025 | - 5. Caravan | ||||
53-11-00-026 | - 6. It Don’t Mean A Thing | ||||
53-11-00-027 | - 7. Solitude | ||||
53-11-00-028 | - 8. C-Jam Blues | ||||
53-11-00-029 | - 9. I Let A Song & Don’t Get Around Much | ||||
53-11-00-030 | Just Squeeze Me - vRN | DE5332v | |||
53-11-00-031 | Twelfth Street Rag | DE5332w | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 03 December 1953 | |||
Capitol recording session, Capitol Studios | |||||
Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-12-03-001 | 20246-9 | Kinda Dukish | Cl(F) 1432(D), Cp T-637, Ms MD5-160(D) | DE5333a | |
Add Ron Collier(co) | |||||
53-12-03-002 | 20247-11 | Montevideo | Cl(F) 1432(D), Cp T-637, Ms MD5-160(D), UtD 2008(D) | DE5333b | |
Ron Collier out | |||||
53-12-03-003 | 20248-6 | December Blue | Cl(F) 1432(D), Ms MD5-160(D), UtD 2008(D) | DE5333c | |
53-12-03-004 | 20249-2 | I’m Just A Lucky So And So - vJG | Cl(F) 1432(D), Ms MD5-160(D), UtD 2008(D) | DE5333d | |
53-12-03-005 | 20250-7 | It Shouldn’t Happen To A Dream - vJG | Cl(F) 1432(D), Ms MD5-160(D), UtD 2008(D) | DE5333e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 05 December 1953 | |||
Capitol recording session, Capitol Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-12-05-001 | 20263-7 | What More Can I Say - vJG | Cl(F) 1432(D), Ms MD5-160(D), UtD 2007 | DE5334a | |
53-12-05-002 | 20264-2 | Rockin’ In Rhythm | Cl(F) 1432(D), Ms MD5-160(D), UtD 2007 | DE5334b | |
Add Billy Strayhorn(p). Duke Ellington out | |||||
53-12-05-003 | 20265-1 | Ultra De Luxe | Cl(F) 1432(D), Ms MD5-160(D), UtD 2007 | DE5334c | |
Add Duke Ellington(p). Billy Strayhorn out | |||||
53-12-05-004 | 20266-3 | Flying Home | Cl(F) 1432(D), Ms MD5-160(D), UtD 2007 | DE5334d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Dec 1953 | |||
Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-12-08-001 | Take The “A” Train (theme) | AFRS ONS-3557 | DE5335a | ||
53-12-08-002 | The Mooch | AFRS ONS-3557 | DE5335b | ||
53-12-08-003 | Stomp, Look And Listen | AFRS ONS-3557 | DE5335c | ||
53-12-08-004 | Duet | AFRS ONS-3557 | DE5335d | ||
53-12-08-005 | My Old Flame | AFRS ONS-3557 | DE5335e | ||
53-12-08-006 | What More Can I Say - vJG | AFRS ONS-3557 | DE5335f | ||
53-12-08-007 | How High The Moon | AFRS ONS-3557 | DE5335g | ||
53-12-08-008 | Just Squeeze Me - vRN | AFRS ONS-3557 | DE5335h | ||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 11 December 1953 | |||
DuMont Telecast, "Life Begins At 80" | |||||
Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
Medley | DE5336a | ||||
53-12-11-001 | - 1. Don’t Get Around Much Anymore | ||||
53-12-11-002 | - 2. I Git It Bad | ||||
53-12-11-003 | - 3. Solitude | ||||
53-12-11-004 | - 4. Mood Indigo | ||||
53-12-11-005 | - 5. It Don’t Mean A Thing | ||||
53-12-11-006 | - 6. Sophisticated Lady | ||||
53-12-11-007 | - 7. Caravan | ||||
DUKE ELLINGTON GROUP | New York City, NY | 13 December 1953 | |||
NBC Telecast, "The Jerry Lester Show" | |||||
Clark Terry(t); Ray Nance(t,vl,v); Quentin Jackson(tb); Russell Procope(cl,ss,as); Rick Henderson(as); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
53-12-13-001 | Basin Street Blues - vRN | DE5337a | |||
DUKE ELLINGTON GROUP | New York City, NY | 15 December 1953 | |||
Capitol recording session, Capitol Studios | |||||
Ray Nance(vl); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-12-15-001 | 20275-7 | Chili Bowl | Cl(F) 1432(D), Ms MD5-160(D) | DE5338a | |
53-12-15-002 | 20276-6 | Blue Moon - vJG | Cl(F) 1432(D), Cp 2723, Ms MD5-160(D), Pk SPC-3390 | DE5338b | |
Ray Nance out | |||||
53-12-15-003 | 20277-1 | Oh! Well - vJG | Cl(F) 1432(D), Ms MD5-160(D) | DE5338c | |
Add Ray Nance(v) | |||||
53-12-15-004 | 20278-2 | Just A-Sittin’ And A-Rockin’ - vRN | Cl(F) 1432(D), Ms MD5-160(D), Pk SPC-3390 | DE5338d | |
DUKE ELLINGTON WITH THE STEVE ALLEN GROUP | New York City, NY | 16 December 1953 | |||
NBC Telecast, | |||||
Yank Lawson(t); Bobby Byrne(tb);n/k(cl); Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
53-12-16-001 | Take The “A” Train (theme) | DE5339a | |||
Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
53-12-16-002 | It Don’t Mean A Thing | DE5339b | |||
Bobby Byrne(tb);n/k(cl); Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
53-12-16-003 | In A Sentimental Mood | DE5339c | |||
Duke Ellington(p) | |||||
53-12-16-004 | Mood Indigo | DE5339d | |||
Duke Ellington, Steve Allen(p); n/k(sb); n/k(d); Eydie Gorme(v) | |||||
53-12-16-005 | I Let A Song Go Out Of My Heart - vEG | DE5339e | |||
Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
53-12-16-006 | Caravan | DE5339f | |||
n/k(cl); Duke Ellington, Steve Allen(p); n/k(sb); n/k(d); Steve Lawrence(v) | |||||
53-12-16-007 | Solitude - vSLa | DE5339g | |||
Duke Ellington(p); n/k(sb) | |||||
53-12-16-008 | Sophisticated Lady | DE5339h | |||
Yank Lawson(t); Duke Ellington(p); n/k(sb); n/k(d) | |||||
53-12-16-009 | Boy Meets Horn | DE5339i | |||
Yank Lawson(t); Bobby Byrne(tb);n/k(cl); Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
53-12-16-010 | C-Jam Blues | DE5339j | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 December 1953 | |||
Capitol recording session, Capitol Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Alfred Cobbs(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
53-12-21-001 | 20287-5 | Ultra De Luxe | Cl(F) 1432(D), Cp 2723, Ms MD5-160(D) | DE5340a | |
Add Duke Ellington(p). Billy Strayhorn out | |||||
53-12-21-002 | 20288-5 | Flying Home | AMSC AMSC-937(D), Cl(F) 1432(D), Cp T-521, Ms MD5-160(D) | DE5340b | |
53-12-21-003 | 20289-8 | What More Can I Say? - vJG | Cl(F) 1432(D), Ms MD5-160(D), Pk SPC-3390 | DE5340c | |
53-12-21-004 | 20290-6 | Serious Serenade | Cl(F) 1432(D), Ms MD5-160(D), UtD 2008(D) | DE5340d | |
53-12-21-005 | 20291-5 | Just A-Sittin’ And A-Rockin’ - vRN | Cl(F) 1432(D), Ms MD5-160(D), UtD 2007 | DE5340e | |
53-12-21-006 | 20292-7 | Honeysuckle Rose | AMSC AMSC-937(D), Cl(F) 1432(D), Cp T-521, Ms MD5-160(D) | DE5340f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 28 December 1953 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
53-12-28-001 | 12247-10 | Night Time | Cl(F) 1432(D), Ms MD5-160(D) | DE5341a | |
53-12-28-002 | 12248-6 | Stompin’ At The Savoy | AMSC AMSC-937(D), Cl(F) 1432(D), Cp T-521, Ms MD5-160(D) | DE5341b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 29 December 1953 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
53-12-29-001 | 12249- | Don’t Ever Say Goodbye | DE5342a | ||
53-12-29-002 | 12249-13 | Don’t Ever Say Goodbye | Cp T-679, Ms MD5-160(D) | DE5342b | |
Add Billy Strayhorn(cs) | |||||
53-12-29-003 | 12250-2 | Black And Tan Fantasy | AMSC AMSC-937(D), Cp T-521, Ms MD5-160(D) | DE5342c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 01 January 1954 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-01-01-001 | 12251-12 | Frivolous Banta | Cp T-537, Ms MD5-160(D) | DE5401a | |
54-01-01-002 | 12252- | In The Mood | AMSC AMSC-937(D), Cp T-521, Ms MD5-160(D) | DE5401b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 02 January 1954 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-01-02-001 | 12253-4 | One O’Clock Jump | AMSC AMSC-937(D), Cp T-521, Ms MD5-160(D) | DE5402a | |
54-01-02-002 | 12254-3 | Things Ain’t What They Used To Be | Cp T-537, Ms MD5-160(D) | DE5402b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 17 January 1954 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-01-17-001 | 12309-4 | Happy Go Lucky Local | AMSC AMSC-937(D), Cp T-521, Ms MD5-160(D) | DE5403a | |
54-01-17-002 | 12310-2 | Rockin’ In Rhythm | AMSC AMSC-937(D), Cp T-521, Ms MD5-160(D) | DE5403b | |
Add Billy Strayhorn(p) | |||||
54-01-17-003 | 12311-12 | Falling Like A Raindrop | Cp T-679, Ms MD5-160(D) | DE5403c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Hamilton, Canada | 08 February 1954 | |||
Concert, The Forum | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, George Jean(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-02-08-001 | Take The “A” Train (theme) | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404a | ||
54-02-08-002 | The Mooch | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404b | ||
54-02-08-003 | How High The Moon | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404c | ||
54-02-08-004 | Serious Serenade | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404d | ||
54-02-08-005 | Theme For Trambean | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404e | ||
54-02-08-006 | Skin Deep | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404f | ||
54-02-08-007 | Tenderly | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404g | ||
54-02-08-008 | Perdido | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404h | ||
54-02-08-009 | Monologue - tkDE | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404i | ||
Medley: | DE5404j | ||||
54-02-08-010 | - 1. Don’t Get Around Much Anymore | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-011 | - 2. In A Sentimental Mood | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-012 | - 3. Mood Indigo | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-013 | - 4. I’m Beginning To See The Light | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-014 | - 5. Sophisticated Lady | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-015 | - 6. Caravan | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-016 | - 7. It Don’t Mean A Thing | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-017 | - 8. Solitude | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-018 | - 9. C-Jam Blues | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-019 | - 10. I Let A Song & Don’t Get Around Much | M&A CD-1051(D)(S)(T), Rm RDX-1000 | |||
54-02-08-020 | Things Ain’t What They Used To Be | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404k | ||
54-02-08-021 | Satin Doll | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404l | ||
54-02-08-022 | Stompin’ At The Savoy | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404m | ||
54-02-08-023 | ¬ I Let A Song Go Out Of My Heart | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404n | ||
54-02-08-024 | _| Don’t Get Around Much Anymore - vRN | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404o | ||
54-02-08-025 | Caravan | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404p | ||
54-02-08-026 | Bunny Hop Mambo | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404q | ||
54-02-08-027 | Isle Of Capri | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404r | ||
54-02-08-028 | The Hawk Talks | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404s | ||
54-02-08-029 | All The things You Are | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404t | ||
54-02-08-030 | Duet | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404u | ||
54-02-08-031 | Blue Jean Beguine | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404v | ||
54-02-08-032 | Take The “A” Train - vRN | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404w | ||
54-02-08-033 | Take The “A” Train | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404x | ||
54-02-08-034 | Warm Valley | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404y | ||
54-02-08-035 | Jam With Sam | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404z | ||
54-02-08-036 | Take The “A” Train (theme) | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404aa | ||
54-02-08-037 | God Save The Queen | M&A CD-1051(D)(S)(T), Rm RDX-1000 | DE5404ab | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 13 April 1954 | |||
Concert, Embassy Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-04-13-001 | Smada | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405a | ||
54-04-13-002 | Black And Tan Fantasy | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405b | ||
54-04-13-003 | How High The Moon | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405c | ||
54-04-13-004 | Serious Serenade | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405d | ||
54-04-13-005 | Theme For Trambean | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405e | ||
54-04-13-006 | Skin Deep | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405f | ||
54-04-13-007 | Mood Indigo | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405g | ||
54-04-13-008 | Blue Jean Beguine | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405h | ||
54-04-13-009 | Take The “A” Train - vRN | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405i | ||
54-04-13-010 | Take The “A” Train | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405j | ||
54-04-13-011 | Satin Doll | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405k | ||
54-04-13-012 | Stompin’ At The Savoy | Cr GNPD-9049(D), Cr GNPS-9049, Vg 600142(D), X-Str 2(T) | DE5405l | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 26 April 1954 | |||
Capitol recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-04-26-001 | 12579-4 | All Day Long | Cp 3049, Ms MD5-160(D) | DE5406a | |
Add Ron Collier(co) | |||||
54-04-26-002 | 12580-12 | Bunny Hop Mambo | Cp 2875, Ms MD5-160(D) | DE5406b | |
Add Gerald Wilson(t) | |||||
54-04-26-003 | 12583-9 | Isle Of capri | Cp 2817, Ms MD5-160(D) | DE5406c | |
Gerald Wilson, Ron Collier out | |||||
54-04-26-004 | 12584-4 | C-Jam Blues | Cp T-637, Ms MD5-160(D) | DE5406d | |
54-04-26-005 | 12585-4 | Band Call | Cp 2817, Ms MD5-160(D) | DE5406e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 29 April 1954 | |||
Dance McElroy's Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
54-04-29-001 | Smada | DE5407a | |||
54-04-29-002 | Cobb’s Tune | JG 1004(D) | DE5407b | ||
54-04-29-003 | Coffee And Kisses | JG 1004(D), La 15786 | DE5407c | ||
54-04-29-004 | Easy To Love | JG 1004(D) | DE5407d | ||
54-04-29-005 | Johnny Come Lately | La 15786 | DE5407e | ||
54-04-29-006 | Maybe I Should Change My Ways | JG 1004(D), La 15786 | DE5407f | ||
54-04-29-007 | Primping At The Prom | JG 1004(D), La 15786 | DE5407g | ||
54-04-29-008 | Stomp, Look And Listen | DE5407h | |||
54-04-29-009 | Cocktails For Two | DE5407i | |||
54-04-29-010 | Liza | JBi 61746-80298-2, JG 1004(D) | DE5407j | ||
54-04-29-011 | Band Call | La 15786 | DE5407k | ||
54-04-29-012 | Stompin’ At The Savoy | JBi 61746-80298-2 | DE5407l | ||
54-04-29-013 | Take The “A” Train | DE5407m | |||
54-04-29-014 | Satin Doll | JBi 61746-80298-2, La 15786 | DE5407n | ||
54-04-29-015 | All The Things You Are | JBi 61746-80298-2 | DE5407o | ||
54-04-29-016 | Blue Jean Beguine | La 15786 | DE5407p | ||
54-04-29-017 | ¬ I Let A Song Go Out Of My Heart | DE5407q | |||
54-04-29-018 | _| Don’t Get Around Much Anymore - vRN | DE5407r | |||
54-04-29-019 | Tulip Or Turnip - vRN | La 15786 | DE5407s | ||
54-04-29-020 | Honeysuckle Rose | La 15786 | DE5407t | ||
54-04-29-021 | Theme For Trambean | La 15786 | DE5407u | ||
54-04-29-022 | Mood Indigo | DE5407v | |||
54-04-29-023 | Without A Song - vJG | DE5407w | |||
54-04-29-024 | Nothin’, Nothin’, Baby - vJG | DE5407x | |||
54-04-29-025 | Solitude - vG | DE5407y | |||
54-04-29-026 | Blue Moon - vJG | La 15786 | DE5407z | ||
54-04-29-027 | V.I.P. Boogie | La 15787 | DE5407aa | ||
54-04-29-028 | Jam With Sam | La 15787 | DE5407ab | ||
54-04-29-029 | Things Ain’t What They Used To Be | DE5407ac | |||
54-04-29-030 | Caravan | DE5407ad | |||
54-04-29-031 | Bunny Hop Mambo | La 15787 | DE5407ae | ||
54-04-29-032 | Isle Of Capri | La 15787 | DE5407af | ||
54-04-29-033 | Sophisticated Lady | DE5407ag | |||
54-04-29-034 | Take The “A” Train - vRN | La 15787 | DE5407ah | ||
54-04-29-035 | Take The “A” Train | La 15787 | DE5407ai | ||
54-04-29-036 | Skin Deep | DE5407aj | |||
54-04-29-037 | Moon Mist | DE5407ak | |||
54-04-29-038 | C-Jam Blues | DE5407al | |||
54-04-29-039 | ¬ I Let A Song Go Out Of My Heart | DE5407am | |||
54-04-29-040 | _| Don’t Get Around Much Anymore - vRN | DE5407an | |||
54-04-29-041 | Flamingo - vJG | La 15787 | DE5407ao | ||
54-04-29-042 | ¬ I Got It Bad - vJG | La 15787 | DE5407ap | ||
54-04-29-043 | _| I’m Just A Lucky So And So - vJG | La 15787 | DE5407aq | ||
54-04-29-044 | Ballin The Blues - vJG | La 15787 | DE5407ar | ||
54-04-29-045 | Ballin The Blues - vJG | La 15787 | DE5407as | ||
54-04-29-046 | Satin Doll | La 15787 | DE5407at | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | 01 May 1954 | |||
Dance Trianon Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
54-05-01-001 | Smada | DE5408a | |||
54-05-01-002 | Cobb’s Tune | DE5408b | |||
54-05-01-003 | Coffee And Kisses | DE5408c | |||
54-05-01-004 | Unidentified | DE5408d | |||
54-05-01-005 | Johnny Come Lately | DE5408e | |||
54-05-01-006 | Upper Manhattan Medical Group | DE5408f | |||
54-05-01-007 | In The Mood | DE5408g | |||
54-05-01-008 | Ultra De Luxe | DE5408h | |||
54-05-01-009 | All The Things You Are | DE5408i | |||
54-05-01-010 | Theme For Trambean | DE5408j | |||
54-05-01-011 | Satin Doll | DE5408k | |||
54-05-01-012 | Serious Serenade | DE5408l | |||
54-05-01-013 | Honeysuckle Rose | DE5408m | |||
54-05-01-014 | Blue Jean Beguine | DE5408n | |||
54-05-01-015 | Take The “A” Train - vRN | DE5408o | |||
54-05-01-016 | Take The “A” Train | DE5408p | |||
54-05-01-017 | One O’Clock Jump | DE5408q | |||
54-05-01-018 | Mood Indigo | DE5408r | |||
54-05-01-019 | Stompin’ At The Savoy | DE5408s | |||
54-05-01-020 | Stardust | DE5408t | |||
54-05-01-021 | Jump For Joy - vRN | DE5408u | |||
54-05-01-022 | Without A Song - vJG | DE5408v | |||
54-05-01-023 | Give Me The Right - vJG | DE5408w | |||
54-05-01-024 | Nothin’, Nothin’, Baby - vJG | DE5408x | |||
54-05-01-025 | Do Nothin’ Till You Hear From Me - vJG | DE5408y | |||
54-05-01-026 | Love You Madly - vJG | DE5408z | |||
54-05-01-027 | Solitude - vG | DE5408aa | |||
54-05-01-028 | Blue Moon - vJG | DE5408ab | |||
54-05-01-029 | Skin Deep | DE5408ac | |||
54-05-01-030 | Things Ain’t What They Used To Be | DE5408ad | |||
54-05-01-031 | Caravan | DE5408ae | |||
54-05-01-032 | Bunny Hop Mambo | DE5408af | |||
54-05-01-033 | Isle Of Capri | DE5408ag | |||
54-05-01-034 | Is It A Sin - vJG | DE5408ah | |||
54-05-01-035 | What More Can I Say? - vJG | DE5408ai | |||
54-05-01-036 | Jack The Bear | DE5408aj | |||
54-05-01-037 | Sophisticated Lady | DE5408ak | |||
54-05-01-038 | Perdido | DE5408al | |||
54-05-01-039 | The Mooch | DE5408am | |||
54-05-01-040 | I Got It Bad - vJG | DE5408an | |||
54-05-01-041 | I’m Just A Lucky So And So - vJG | DE5408ao | |||
54-05-01-042 | Satin Doll | DE5408ap | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Jun 1954 | |||
Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-06-00-001 | Take The “A” Train (theme) | AFRS ASPB-25 | DE5409a | ||
54-06-00-002 | Three Little Words | AFRS ASPB-25 | DE5409b | ||
54-06-00-003 | Stompin’ At The Savoy | AFRS ASPB-25 | DE5409c | ||
54-06-00-004 | Stardust | AFRS ASPB-25 | DE5409d | ||
54-06-00-005 | V.I.P. Boogie | AFRS ASPB-25 | DE5409e | ||
54-06-00-006 | Jam With Sam | AFRS ASPB-25 | DE5409f | ||
54-06-00-007 | Take The “A” Train (theme) | AFRS ASPB-25 | DE5409g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 June 1954 | |||
WNBT Telecast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d); Jimmy Grissom(v) | |||||
54-06-15-001 | Take The “A” Train (theme) | DE5410a | |||
54-06-15-002 | Blue Moon - vJG | DE5410b | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
54-06-15-003 | C-Jam Blues | DE5410c | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
54-06-15-004 | Isle Of Capri | DE5410d | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 June 1954 | |||
Capitol recording session, Capitol Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-06-17-001 | 20402-1 | Gonna Tan Your Hide | Cp T-679, Ms MD5-160(D) | DE5411a | |
54-06-17-002 | 20403-4 | It Don’t Mean A Thing - vRN | Ms MD5-160(D), Pk SPC-3390, UtD 2006 | DE5411b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Mentor, MN | Jun 1954 | |||
Dance, Mentor Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-06-31-001 | Easy To Love | DE5412a | |||
54-06-31-002 | Cobb’s Tune | DE5412b | |||
54-06-31-003 | Coffee And Kisses | DE5412c | |||
54-06-31-004 | Chelsea Bridge | DE5412d | |||
54-06-31-005 | Take The “A” Train | DE5412e | |||
54-06-31-006 | Satin Doll | DE5412f | |||
54-06-31-007 | Cocktails For Two | DE5412g | |||
54-06-31-008 | Liza | DE5412h | |||
54-06-31-009 | In The Mood | DE5412i | |||
54-06-31-010 | Stormy Weather | DE5412j | |||
54-06-31-011 | Mood Indigo | DE5412k | |||
54-06-31-012 | All The Things You Are | DE5412l | |||
54-06-31-013 | Frivolous Banta | DE5412m | |||
54-06-31-014 | Stompin’ At The Savoy | DE5412n | |||
54-06-31-015 | Stardust | DE5412o | |||
54-06-31-016 | Caravan | DE5412p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 06 July 1954 | |||
Concert, Civic Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-07-06-001 | The Mooch | DE5413a | |||
54-07-06-002 | How High The Moon | DE5413b | |||
54-07-06-003 | THE TATTOOED BRIDE | DE5413c | |||
54-07-06-004 | Frustration | DE5413d | |||
54-07-06-005 | Theme For Trambean | DE5413e | |||
54-07-06-006 | Happy Go Lucky Local | DE5413f | |||
54-07-06-007 | Summertime | DE5413g | |||
54-07-06-008 | Monologue - tkDE | DE5413h | |||
54-07-06-009 | Take The “A” Train | DE5413i | |||
54-07-06-010 | Satin Doll | DE5413j | |||
54-07-06-011 | V.I.P. Boogie | DE5413k | |||
54-07-06-012 | Jam With Sam | DE5413l | |||
DUKE ELLINGTON | Los Angeles, CA | 26 July 1954 | |||
NBC TV daytime "House Party" show, Universal Studios | |||||
Duke Ellington, Art Linkletter(tk) | |||||
54-07-26-001 | Interview by Art Linkletter | DE5414a | |||
NBC television n/k(cl); Muzzy Marcellino(ac); Duke Ellington(p); n/k(sb) | |||||
Medley | DE5414b | ||||
54-07-26-002 | - 1. Take The “A” Train | ||||
54-07-26-003 | - 2. Mood Indigo | ||||
54-07-26-004 | - 3. Sophisticated Lady | ||||
54-07-26-005 | - 4. Don’t Get Around Much Anymore | ||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Los Angeles, CA | 01 September 1954 | |||
Capitol Recording Session, Capitol Studio, Holywood | |||||
Willie Cook, Cat Anderson, Gerald Wilson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Dave Black(d) | |||||
54-09-01-001 | 12992-10 | Smile | Cp 2930, Ms MD5-160(D), Pk SPC-3390 | DE5415a | |
Gerald Wilson out | |||||
54-09-01-002 | 12993-13 | Echo tango | Cp 3049, Ms MD5-160(D) | DE5415b | |
Add Gerald Wilson(t) | |||||
54-09-01-003 | 12994-10 | If I Give My Heart To You | Cp 2930, Ms MD5-160(D) | DE5415c | |
Gerald Wilson out | |||||
54-09-01-004 | 12995-6 | Chili Bowl | Cp 2980, Ms MD5-160(D) | DE5415d | |
Add Gerald Wilson(t); Ron Collier(co) | |||||
54-09-01-005 | 12996-3 | Bakiff | Cp T-637, Ms MD5-160(D) | DE5415e | |
DUKE ELLINGTON | Probably Los Angeles, CA | Sep 1954 | |||
Broadcast, | |||||
Duke Ellington, u/k(tk) | |||||
54-09-31-001 | Interview | DE5416a | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 08 October 1954 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford(sb); Frank Rollo(bo); Dave Black(d); Jimmy Grissom(v) | |||||
54-10-08-001 | 13090-4 | Twelfth Street Rag | Cp 2980, Ms MD5-160(D) | DE5417a | |
Frank Rollo out | |||||
54-10-08-002 | 13091-2 | September Song - vJG | Ms MD5-160(D), Pk SPC-3390 | DE5417b | |
As before | |||||
54-10-08-003 | 13092-1 | Caravan | Cp T-637, Ms MD5-160(D) | DE5417c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 13 November 1954 | |||
Dance Jantzen Beach Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Peck Morrison(sb); Fred Butler(d); Jimmy Grissom(v) | |||||
54-11-13-001 | Stompin’ At The Savoy | DE5418a | |||
54-11-13-002 | Maybe I Should Change My Ways | DE5418b | |||
54-11-13-003 | Smile | DE5418c | |||
54-11-13-004 | Cocktails For Two | DE5418d | |||
54-11-13-005 | Time On My Hands | DE5418e | |||
54-11-13-006 | Summertime | DE5418f | |||
54-11-13-007 | Take The “A” Train - vRN | DE5418g | |||
54-11-13-008 | Take The “A” Train | DE5418h | |||
54-11-13-009 | Smada | DE5418i | |||
54-11-13-010 | In The Mood | DE5418j | |||
54-11-13-011 | If I Give My Heart To You | DE5418k | |||
54-11-13-012 | Sophisticated Lady | DE5418l | |||
54-11-13-013 | Serious Serenade | DE5418m | |||
54-11-13-014 | Perdido | DE5418n | |||
54-11-13-015 | Caravan | DE5418o | |||
54-11-13-016 | Chili Bowl | DE5418p | |||
54-11-13-017 | Mood Indigo | DE5418q | |||
54-11-13-018 | Just Squeeze Me - vRN | DE5418r | |||
54-11-13-019 | ¬ I Let A Song Go Out Of My Heart | DE5418s | |||
54-11-13-020 | _| Don’t Get Around Much Anymore - vRN | DE5418t | |||
54-11-13-021 | All The Things You Are | DE5418u | |||
54-11-13-022 | Theme For Trambean | DE5418v | |||
54-11-13-023 | Satin Doll | DE5418w | |||
54-11-13-024 | Jam With Sam | DE5418x | |||
54-11-13-025 | ¬ Do Nothin’ Till You Hear From Me | DE5418y | |||
54-11-13-026 | - | Prelude To A Kiss | DE5418z | |||
54-11-13-027 | _| Do Nothin’ Till You Hear From Me - vJG | DE5418aa | |||
54-11-13-028 | Honeysuckle Rose | DE5418ab | |||
54-11-13-029 | Isle Of Capri | DE5418ac | |||
54-11-13-030 | Give Me The Right - vJG | DE5418ad | |||
54-11-13-031 | September Song - vJG | DE5418ae | |||
54-11-13-032 | Love You Madly - vJG | DE5418af | |||
54-11-13-033 | Creole Love Call | DE5418ag | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
54-11-13-034 | Monologue - tkDE | DE5418ah | |||
As before | |||||
54-11-13-035 | Mood Indigo | DE5418ai | |||
DUKE ELLINGTON WITH RHYTHM | New York City, NY | 28 December 1954 | |||
NBC Telecast, "Tonight" | |||||
Duke Ellington(p); n/k(sb); n/k(d) | |||||
54-12-28-001 | ¬ I’m Beginning To See The Light | DE5419a | |||
54-12-28-002 | _| In A Sentimental Mood | DE5419b | |||
DUKE ELLINGTON AND STEVE ALLEN WITH RHYTHM | Same session | ||||
Duke Ellington, Steve Allen(p); n/k(sb); n/k(d) | |||||
54-12-28-003 | Don’t Get Around Much Anymore | DE5419c | |||
DUKE ELLINGTON WITH THE SKITCH HENDERSON ORCHESTRA | Same session | ||||
Duke Ellington(p) with the Skitch Henderson Orchestra and Doc Severinsen(t) | |||||
54-12-28-004 | Mood Indigo | DE5419d | |||
54-12-28-005 | Caravan | DE5419e | |||
54-12-28-006 | It Don’t Mean A Thing | DE5419f | |||
54-12-28-007 | I Let A Song Go Out Of My Heart | DE5419g | |||
54-12-28-008 | Boy Meets Horn | DE5419h | |||
54-12-28-009 | ¬ Sophisticated Lady | DE5419i | |||
54-12-28-010 | _| C-Jam Blues | DE5419j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 December 1954 | |||
Broadcast, Basin Street | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Wendell Marshall(sb); Louie Bellson(d); Jimmy Grissom(v) | |||||
54-12-31-001 | Chilli Bowl | SYY DSOY2233 | DE5420a | ||
54-12-31-002 | Twelfth Street Rag | SYY DSOY2233 | DE5420b | ||
54-12-31-003 | Coquette - vJG | SYY DSOY2233 | DE5420c | ||
54-12-31-004 | Mood Idigo | SYY DSOY2233 | DE5420d | ||
54-12-31-005 | Just Squeeze Me - vRN | SYY DSOY2233 | DE5420e | ||
54-12-31-006 | Lullaby Of Birdland | SYY DSOY2233 | DE5420f | ||
54-12-31-007 | Satin Doll | SYY DSOY2233 | DE5420g | ||
54-12-31-008 | Take The “A” Train | SYY DSOY2233 | DE5420h | ||
54-12-31-009 | Chili Bowl | SYY DSOY2233 | DE5420i | ||
DUKE ELLINGTON | unknown location, USA | 1955 | |||
Duke Ellington, Leonard Feather(tk) | |||||
55-00-00-001 | Interview by Leonard Feather | DE9037a | |||
DUKE ELLINGTON WITH THE DORSEY BROTHERS ORCHESTRA | New York City, NY | 01 January 1955 | |||
CBS Telecast, "Stage Show" | |||||
Duke Ellington(p); Lee Castle(t); Tommy Dorsey(tb); Jimmy Dorsey(cl,as); Buddy Rich(d); Johnny Ray(v) and the Dorsey Brothers Orchestra | |||||
Medley: | DE5501a | ||||
55-01-01-001 | - 1. Don’t Get Around Much Anymore | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-002 | - 2. In A Sentimental Mood | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-003 | - 3. Mood Indigo | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-004 | - 4. I’m Beginning To See The Light | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-005 | - 5. Sophisticated Lady | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-006 | - 6. Caravan | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-007 | - 7. Solitude | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-008 | - 8. Do Nothin’ Till You Hear From Me | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-009 | - 9. I Let A Song & Don’t Get Around Much | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-010 | - 10. It Don’t Mean A Thing | GoJ 1008, JB EBCD-2123-2(T), Mg DAWE-37(D) | |||
55-01-01-011 | When The Saints Go Marchin’ In - vJRy | GoJ 1008, JB EBCD-2123-2(T) | DE5501b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Burlington, Canada | 17 February 1955 | |||
Broadcast, Brant Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d) | |||||
55-02-17-001 | Caravan | DE5502a | |||
55-02-17-002 | Mood Indigo | DE5502b | |||
55-02-17-003 | Twelfth Street Rag | DE5502c | |||
55-02-17-004 | Just Squeeze Me - vRN | DE5502d | |||
55-02-17-005 | V.I.P. boogie | DE5502e | |||
55-02-17-006 | Jam With Sam | DE5502f | |||
55-02-17-007 | Satin Doll | DE5502g | |||
DUKE ELLINGTON WITH THE SYMPHONY OF THE AIR | New York City, NY | 16 March 1955 | |||
Carnegie Hall Rehearsal | |||||
Don Shirley(p) with The Symphony Of The Air; Duke Ellington(cond) | |||||
55-03-16-001 | NEW WORLD A-COMIN' | DE5503a | |||
55-03-16-002 | NEW WORLD A-COMIN' | DE5503b | |||
55-03-16-003 | NEW WORLD A-COMIN' | DE5503c | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE SYMPHONY OF THE AIR | New York City, NY | 16 March 1955 | |||
Concert, Carnegie Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d) with the Symphony Of The Air | |||||
NIGHT CREATURE | |||||
55-03-16-004 | - 1. Blind Bug | MJ 2MJP-1021 | DE5504a | ||
55-03-16-005 | - 2. Stalking Monster | MJ 2MJP-1021 | DE5504b | ||
55-03-16-006 | - 3. Dazzling Creature | MJ 2MJP-1021 | DE5504c | ||
Add Don Shirley(p). | |||||
55-03-16-007 | NEW WORLD A-COMIN' | MJ 2MJP-1021 | DE5504d | ||
As before | |||||
55-03-16-008 | HARLEM | MJ 2MJP-1021 | DE5504e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 20 April 1955 | |||
Concert, National Guard Armory | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d); Jimmy Grissom(v) | |||||
55-04-20-001 | La Virgen De La Macarena | JG 1002 | DE5505a | ||
55-04-20-002 | Satin Doll | DE5505b | |||
55-04-20-003 | HARLEM | DESW Washington-'99(D), JG 1002, Sv STCD-8310(D)(S) | DE5505c | ||
55-04-20-004 | Perdido | DESW Washington-'99(D), JG 1002, Sv STCD-8310(D)(S) | DE5505d | ||
55-04-20-005 | All The Things You Are | DESW Washington-'99(D), JG 1002, Sv STCD-8310(D)(S) | DE5505e | ||
55-04-20-006 | Monologue - tkDE | DE5505f | |||
55-04-20-007 | Take The A Train - vRN | JG 1002 | DE5505g | ||
55-04-20-008 | Take The A Train | JG 1002 | DE5505h | ||
55-04-20-009 | Flamingo - vJG | DE5505i | |||
55-04-20-010 | Teach Me Tonight - vJG | DE5505j | |||
55-04-20-011 | Gonna Tan Your Hide | DE5505k | |||
55-04-20-012 | Happy Go Lucky Local | DESW Washington-'99(D), JG 1002, Sv STCD-8310(D)(S) | DE5505l | ||
Medley: | DE5505m | ||||
55-04-20-013 | - 1. Don’t Get Around Much Anymore | ||||
55-04-20-014 | - 2. I Got It Bad | ||||
55-04-20-015 | - 3. In A Sentimental Mood | ||||
55-04-20-016 | - 4. Mood Indigo | ||||
55-04-20-017 | - 5. I’m Beginning To See The Light | ||||
55-04-20-018 | - 6. Sophisticated Lady | ||||
55-04-20-019 | - 7. Caravan | ||||
55-04-20-020 | - 8. It Don’t Mean A Thing | ||||
55-04-20-021 | - 9. Solitude | ||||
55-04-20-022 | - 10. C-Jam Blues | ||||
55-04-20-023 | - 11. I Let A Song & Don’t Get Around Much | ||||
55-04-20-024 | Just Squeeze Me | JG 1002 | DE5505n | ||
55-04-20-025 | Twelfth Street Rag | DE5505o | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 17 May 1955 | |||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Gerald Wilson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d); Jimmy Grissom(v) | |||||
55-05-17-001 | 14094-1 | La Virgen De La Macarena | Cp T679, Ms MD5-160(D) | DE5506a | |
GWi out | |||||
55-05-17-002 | 14095-2 | Harlem Air-Shaft | Ms MD5-160(D) | DE5506b | |
55-05-17-003 | 14095-5 | Harlem Air-Shaft | Cp T679, Ms MD5-160(D) | DE5506c | |
55-05-17-004 | 14096-4 | Look What I’ve Got For You - vJG | Ms MD5-160(D), UtD 2009 | DE5506d | |
55-05-17-005 | 14097-1 | Commercial Time | Ms MD5-160(D), UtD 2009 | DE5506e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | 18 May 1955 | ||||
Capitol recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d) | |||||
55-05-18-001 | 14098-5 | Clarinet Melodrama | Cp T-679, Ms MD5-160(D) | DE5507a | |
55-05-18-002 | 14099-4 | Theme For Trambean | Cp T-679, Ms MD5-160(D) | DE5507b | |
DUKE ELLINGTON GROUP | Same session | ||||
Clark Terry(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Russell Procope(cl); Duke Ellington(ep); Jimmy Woode(sb); Dave Black(d); Jimmy Grissom(v) | |||||
55-05-18-003 | 14100-4 | Coquette - vJG | Ms MD5-160(D), Pk SPC-3390 | DE5507c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d) | |||||
55-05-18-004 | 14101-1 | Serious Serenade | Cp T-679, Ms MD5-160(D) | DE5507d | |
55-05-18-005 | 14304-2 | Body And Soul | Ms MD5-160(D), UtD 2009 | DE5507e | |
DUKE ELLINGTON GROUP | Chicago, IL | 19 May 1955 | |||
Capitol recording session, Universal Studios | |||||
Ray Nance(t); Quentin Jackson(tb); Russell Procope(cl,ss,as); Duke Ellington(ep); Jimmy Woode(sb); Dave Black(d); Jimmy Grissom(v) | |||||
55-05-19-001 | 14102-7 | Discontented Blues | Ms MD5-160(D) | DE5508a | |
55-05-19-002 | 14103-10 | Once In A Blue Mood | Ms MD5-160(D), UtD 2009 | DE5508b | |
55-05-19-003 | 14104-7 | Oh! Lady Be Good - vJG | Ms MD5-160(D), Pk SPC-3390 | DE5508c | |
55-05-19-004 | 14105- | So Long - vJG | UtD 2009 | DE5508d | |
55-05-19-005 | 14105-9 | So Long - vJG | Ms MD5-160(D) | DE5508e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 11 June 1955 | |||
Dance Jantzenbeach Ballroom | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Dave Black(d); Jimmy Grissom(v) | |||||
55-06-11-001 | Smada | MDD 014 | DE5509a | ||
55-06-11-002 | Easy To Love | MDD 014 | DE5509b | ||
55-06-11-003 | Coffee And Kisses | MDD 014 | DE5509c | ||
55-06-11-004 | Time On My Hands | MDD 014 | DE5509d | ||
55-06-11-005 | Take The “A” Train | MDD 014 | DE5509e | ||
55-06-11-006 | If I Give My Heart To You | MDD 014 | DE5509f | ||
55-06-11-007 | Smile | MDD 014 | DE5509g | ||
55-06-11-008 | Stomp, Look And Listen | DE5509h | |||
55-06-11-009 | Blue Cellophane | DE5509i | |||
55-06-11-010 | Emancipation Celebration | DE5509j | |||
55-06-11-011 | Stompin’ At The Savoy | MDD 014 | DE5509k | ||
55-06-11-012 | Gonna Tan your Hide | DE5509l | |||
55-06-11-013 | Sophisticated Lady | DE5509m | |||
55-06-11-014 | Perdido | MDD 014 | DE5509n | ||
55-06-11-015 | Black And Tan Fantasy | DE5509o | |||
55-06-11-016 | Theme For Trambean | DE5509p | |||
55-06-11-017 | Honeysuckle Rose | MDD 014 | DE5509q | ||
55-06-11-018 | Mood Indigo | DE5509r | |||
55-06-11-019 | Caravan | DE5509s | |||
55-06-11-020 | Blue Jean Beguine | MDD 014 | DE5509t | ||
55-06-11-021 | Happy One | MDD 014 | DE5509u | ||
Duke Ellington(p); Jimmy Woode(sb); Dave Black(d) | |||||
55-06-11-022 | Commercial Time (John Sanders Blues) | JG 1002 | DE5509v | ||
As before | |||||
55-06-11-023 | All The Things You Are | MDD 014 | DE5509w | ||
55-06-11-024 | ¬ I Let A Song Go Out Of My Heart | DE5509x | |||
55-06-11-025 | _| Don’t Get Around Much Anymore - vRN | DE5509y | |||
55-06-11-026 | Satin Doll | DE5509z | |||
55-06-11-027 | Body And Soul | JG 1004(D), MDD 014 | DE5509aa | ||
55-06-11-028 | Flamingo - vJG | DE5509ab | |||
55-06-11-029 | Teach Me Tonight - vJG | DE5509ac | |||
55-06-11-030 | Do Nothin’ Till You Hear From Me - vJG | DE5509ad | |||
55-06-11-031 | Look What I’ve Got For You - vJG | DE5509ae | |||
55-06-11-032 | Take The “A” Train | DE5509af | |||
55-06-11-033 | The Mooch | DE5509ag | |||
55-06-11-034 | One O’Clock Jump | MDD 014 | DE5509ah | ||
55-06-11-035 | Day In, Day Out - vJG | DE5509ai | |||
55-06-11-036 | I Got It Bad - vJG | DE5509aj | |||
55-06-11-037 | Everything But You - vJG | DE5509ak | |||
55-06-11-038 | Solitude - vJG | DE5509al | |||
55-06-11-039 | Isle Of Capri | MDD 014 | DE5509am | ||
55-06-11-040 | Mambo Jambo | DE5509an | |||
55-06-11-041 | Mambo Jambo | DE5509ao | |||
55-06-11-042 | Just Squeeze Me - vRN | DE5509ap | |||
55-06-11-043 | Caravan | DE5509aq | |||
55-06-11-044 | Jam With Sam | DE5509ar | |||
55-06-11-045 | Mood Indigo | DE5509as | |||
DUKE ELLINGTON | Denver CO | Jun 1955 | |||
KFLM Broadcast, | |||||
Duke Ellington, Harney Peterson(tk) | |||||
55-06-31-001 | Interview by Harney Peterson | DE5510a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 July 1955 | |||
CBS Telecast, "America's Greatest Bands" | |||||
Jimmy Spear, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Ward Silloway, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Virgil Davis(as); John Kulp(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-07-09-001 | Take The “A” Train (theme) | MDD 013 | DE5511a | ||
55-07-09-002 | Harlem Air-Shaft | MDD 013 | DE5511b | ||
Duke Ellington(ep); Jimmy Woode(sb) | |||||
55-07-09-003 | ¬ Sophisticated Lady | MDD 013 | DE5511c | ||
Jimmy Spear, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Ward Silloway, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Virgil Davis(as); John Kulp(ts); Harry Carney(cl,as,bar); Duke Ellington(ep); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-07-09-004 | _| I Let A Song Go Out Of My Heart | MDD 013 | DE5511d | ||
Jimmy Spear, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Ward Silloway, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Virgil Davis(as); John Kulp(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-07-09-005 | Jump For Joy - vRN | MDD 013 | DE5511e | ||
55-07-09-006 | Jam With Sam | MDD 013 | DE5511f | ||
DUKE ELLINGTON WITH THE JIMMY CARROLL ORCHESTRA | New York City, NY | 20 July 1955 | |||
CBS Telecast, "Frankie Laine Time" | |||||
Duke Ellington(p); Connie Russell, Frankie Laine(v) with the Jimmy Carroll Orchestra | |||||
55-07-20-001 | Take The “A” Train (theme) | DE5512a | |||
55-07-20-002 | Caravan | DE5512b | |||
55-07-20-003 | I Got It Bad - vCRu | DE5512c | |||
Medley: | DE5512d | ||||
55-07-20-004 | - 1. Don’t Get Around Much Anymore - vFL | ||||
55-07-20-005 | - 2. Solitude - vFL | ||||
55-07-20-006 | - 3. I’m Just A Lucky So And So - vFL | ||||
55-07-20-007 | Take The “A” Train (theme) | DE5512e | |||
DUKE ELLINGTON WITH STAN KENTON AND KENTON'S "TELEVISION BAND". | New York City, NY | 26 July 1955 | |||
CBS Telecast, "Music '55" | |||||
Ernie Royal, Jimmy Nottingham, Nick Travis, Al DeRisi, John Bello(t); Eddie Bert, Sonny Russo, Harry DeVito, Bob Asher(tb); Bart Vasalona(btb); Vinnie Dean, Dave Schildkraut(as); Al Cohn, Bunny Bardach(ts); Danny Bank(bar); Stan Kenton(p); Sal Salvador(g); Chet Amsterdam(sb); Sol Gubin(d); Willie Rodriguez(co); Johnny Richards(cond) | |||||
55-07-26-001 | ¬ Artistry In Rhythm (YT) | Dy 2006-1(D), MDD 013 | DE5513a | ||
55-07-26-002 | _| Take The “A” Train (YT) | Dy 2006-1(D), MDD 013 | DE5513b | ||
55-07-26-003 | Monologue - Duke Ellington(tk) (YT) | DE5513c | |||
More info at https://allthingskenton.com/table_of_contents/adventures/music-55/ | |||||
YEHUDI MENUHIN AND DUKE ELLINGTON | New York City, NY | Same session | |||
Yehudi Menuhin(vl); Duke Ellington(p) | |||||
55-07-26-004 | Come Sunday (YT) | MDD 013 | DE5513d | ||
DUKE ELLINGTON | Denver CO | Summer 1955 | |||
Voice of America Broadcast, | |||||
Duke Ellington, Willis Conover(tk) | |||||
55-08-00-001 | Interview by Willis Conover | DE5514a | |||
DUKE ELLINGTON GROUP | New York City, NY | 28 August 1955 | |||
NBC Broadcast, | |||||
Duke Ellington(tk); Luther Henderson(p); Jimmy Woode(sb); Jimmy Grissom, Marion Cox(v) | |||||
MAN WITH FOUR SIDES | |||||
55-08-28-001 | - 1. Happy Go Lucky Local (Like A Train) - vJG | DE5515a | |||
55-08-28-002 | - 2. She - vJG, MC | DE5515b | |||
55-08-28-003 | - 3. It’s Rumor - vJG | DE5515c | |||
55-08-28-004 | - 4. Twilight Time - vMC | DE5515d | |||
Luther Henderson out. Add Duke Ellington(p) | |||||
55-08-28-005 | Weatherman | DE5515e | |||
55-08-28-006 | The Blues | DE5515f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 October 1955 | |||
US Treasury Department recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
55-10-24-001 | Take The “A” Train (theme) | GS 463 | DE5516a | ||
55-10-24-002 | Stomp, Look And Listen | GE LP-55001, GS 463 | DE5516b | ||
55-10-24-003 | Sophisticated Lady | GE LP-55001, GS 463, P30 02 | DE5516c | ||
55-10-24-004 | Do Nothin’ Till You Hear From Me - vJG | GE LP-55001, GS 463 | DE5516d | ||
55-10-24-005 | I Got It Bad | GE LP-55001, GS 463, P30 02 | DE5516e | ||
55-10-24-006 | Happy One | GE LP-55001, GS 463 | DE5516f | ||
55-10-24-007 | Take The “A” Train (theme) | GS 463 | DE5516g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | West Coast, USA | probably Nov 1955 | |||
Concert, | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-11-00-001 | The Mooch | DE5517a | |||
55-11-00-002 | Harlem Air-Shaft | DE5517b | |||
55-11-00-003 | Serious Serenade | DE5517c | |||
55-11-00-004 | Theme For Trambean | DE5517d | |||
55-11-00-005 | La Virgen De La Macarena | DE5517e | |||
55-11-00-006 | Happy Go Lucky Local | DE5517f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 27 November 1955 | |||
Broadcast, Zardi's | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
55-11-27-001 | Take The “A” Train (theme) | DE5519a | |||
55-11-27-002 | Smada | DE5519b | |||
55-11-27-003 | Prelude To A Kiss | DE5519c | |||
55-11-27-004 | C-Jam Blues | DE5519d | |||
55-11-27-005 | Day In Day Out - vJG | DE5519e | |||
55-11-27-006 | Take The “A” Train (theme) | DE5519f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 03 December 1955 | |||
Broadcast, Zardi's | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-12-03-001 | Boo-Dah | DE5520a | |||
55-12-03-002 | Isle Of Capri | DE5520b | |||
55-12-03-003 | Orson | DE5520c | |||
55-12-03-004 | Hey Cherie - vRN | DE5520d | |||
55-12-03-005 | Things Ain’t What They Used To Be | DE5520e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 04 December 1955 | |||
Broadcast, Zardi's | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
55-12-04-001 | Things Ain’t What They Used To Be | DE5521a | |||
55-12-04-002 | Grievin’ - vJG | DE5521b | |||
55-12-04-003 | Just Scratchin’ The Surface | DE5521c | |||
55-12-04-004 | V.I.P. Boogie | DE5521d | |||
55-12-04-005 | Jam With Sam | DE5521e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Dodge City, KS | 13 December 1955 | |||
Concert, Dodge City Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-12-13-001 | Take The “A” Train (theme) | DE5522a | |||
55-12-13-002 | Stompin’ At The Savoy | DE5522b | |||
55-12-13-003 | Black And Tan Fantasy | DE5522c | |||
55-12-13-004 | Happy Go Lucky Local | DE5522d | |||
55-12-13-005 | Serious Serenade | DE5522e | |||
55-12-13-006 | Perdido | DE5522f | |||
55-12-13-007 | Clarinet Melodrama | DE5522g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 29 December 1955 | |||
Dance Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
55-12-29-001 | Boo-Dah | DE9011a | |||
55-12-29-002 | Laura | DE9011b | |||
55-12-29-003 | Snibor | DE9011c | |||
55-12-29-004 | Coffee And Kisses | DE9011d | |||
55-12-29-005 | My Funny Valentine | DE9011e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1955 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); JohnnyHodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
55-12-31-001 | Stompin’ At The Savoy | DE5523a | |||
55-12-31-002 | I Got It Bad | DE5523b | |||
55-12-31-003 | Hey, Cherie - vRN | DE5523c | |||
55-12-31-004 | Solitude - vJG | DE5523d | |||
55-12-31-005 | Smada | DE5523e | |||
55-12-31-006 | Things Ain’t What They Used To Be | DE5523f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 January 1956 | |||
Duke Ellington recording session. Universal Studios. | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-01-03-001 | 56131-1 | Feetbone | DE5601a | ||
56-01-03-002 | 56131-2 | Feetbone | DE5601b | ||
56-01-03-003 | 56131-3 | Feetbone | DE5601c | ||
56-01-03-004 | 56131- | Feetbone | DE5601d | ||
56-01-03-005 | 56131-6 | Feetbone | DE5601e | ||
56-01-03-006 | 56131-7 | Feetbone | DE5601f | ||
56-01-03-007 | 56131-9 | Feetbone | LMR CD-83000(D)(S)(T) | DE5601g | |
56-01-03-008 | Blue Rose | DE5601h | |||
56-01-03-009 | Blue Rose | DE5601i | |||
56-01-03-010 | 56132- | Bassment (Discontented) | DE5601j | ||
56-01-03-011 | 56132- | Bassment (Discontented) | DE5601k | ||
56-01-03-012 | 56132- | Bassment (Discontented) | DE5601l | ||
56-01-03-013 | 56132-1 | Bassment (Discontented) | DE5601m | ||
56-01-03-014 | 56132-3 | Bassment (Discontented) | DE5601n | ||
56-01-03-015 | 56132-4 | Bassment (Discontented) | LMR CD-83000(D)(S)(T) | DE5601o | |
56-01-03-016 | Carnegie Blues | DE5601p | |||
Ray Nance(t); Johnny Hodges(as); Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-01-03-017 | Blues Improvisation | DE5601q | |||
As before | |||||
56-01-03-018 | 56133- | Just Scratchin’ The Surface | DE5601r | ||
56-01-03-019 | 56133-2 | Just Scratchin’ The Surface | DE5601s | ||
56-01-03-020 | 56133-3 | Just Scratchin’ The Surface | DE5601t | ||
56-01-03-021 | 56133-4 | Just Scratchin’ The Surface | DE5601u | ||
56-01-03-022 | 56133- | Just Scratchin’ The Surface | DE5601v | ||
56-01-03-023 | 56133-5 | Just Scratchin’ The Surface | LMR CD-83000(D)(S)(T) | DE5601w | |
56-01-03-024 | 56134-1 | Le Sucrier Velour (Do Not Disturb) | DE5601x | ||
56-01-03-025 | 56134-2 | Le Sucrier Velour (Do Not Disturb) | DE5601y | ||
56-01-03-026 | 56134-3 | Le Sucrier Velour (Do Not Disturb) | DE5601z | ||
56-01-03-027 | 56134-5 | Le Sucrier Velour (Do Not Disturb) | DE5601aa | ||
56-01-03-028 | 56134-7 | Le Sucrier Velour (Do Not Disturb) | DE5601ab | ||
56-01-03-029 | 56134-9 | Le Sucrier Velour (Do Not Disturb) | LMR CD-83000(D)(S)(T) | DE5601ac | |
56-01-03-030 | 56134-10 | Le Sucrier Velour (Do Not Disturb) | DE5601ad | ||
56-01-03-031 | 56134-11 | Le Sucrier Velour (Do Not Disturb) | DE5601ae | ||
56-01-03-032 | 56135- | Tea For Two | DE5601af | ||
56-01-03-033 | 56136- | Long Time Blues | DE5601ag | ||
56-01-03-034 | 56136- | Long Time Blues | DE5601ah | ||
56-01-03-035 | 56136- | Long Time Blues | DE5601ai | ||
56-01-03-036 | 56136-1 | Long Time Blues | LMR CD-83000(D)(S)(T) | DE5601aj | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 January 1956 | |||
Broadcast, Café Society Downtown | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-01-22-001 | Take The “A” Train (theme) | DE5602a | |||
56-01-22-002 | Satin Doll | DE5602b | |||
56-01-22-003 | Feetbone | DE5602c | |||
56-01-22-004 | Passion Flower | DE5602d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 January 1956 | |||
Columbia Recording Session. 30th Street Studio. | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Rosemary Clooney(v) | |||||
56-01-23-001 | Me And You - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5603a | ||
56-01-23-002 | Grievin’ - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5603b | ||
56-01-23-003 | I’m Checking Out Goombye - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5603c | ||
56-01-23-004 | Blue Rose - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5603d | ||
56-01-23-005 | Sophisticated Lady - vRC | CBS 466444-2, Co CK-65506, Co CK-66372, Co CL-872 | DE5603e | ||
56-01-23-006 | Mood Indigo - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5603f | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
56-01-23-007 | If You Were In My Place - vRC | CBS 26306(D), CBS 466444-2, Co CK-65506, Co CL-872 | DE5603g | ||
RC vocals dubbed at Radio Recorders, 8 and 11 Feb 1956 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 January 1956 | |||
Columbia Recording Session. 30th Street Studio. | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Rosemary Clooney(v) | |||||
56-01-27-001 | I Let A Song Go Out Of My Heart - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5604a | ||
56-01-27-002 | It Don’t Mean A Thing - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5604b | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
56-01-27-003 | Just A-Sittin’ And A-Rockin’ - vRC | CBS 26306(D), CBS 466444-2, Co CK-65506 | DE5604c | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
56-01-27-004 | I Got It Bad - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5604d | ||
56-01-27-005 | Passion Flower | UtD 2006 | DE5604e | ||
56-01-27-006 | Passion Flower | CBS 466444-2, Co CK-65506, Co CL-872 | DE5604f | ||
56-01-27-007 | Hey Baby | UtD 2006 | DE5604g | ||
56-01-27-008 | Hey Baby - vRC | CBS 466444-2, Co CK-65506, Co CL-872 | DE5604h | ||
RC vocals dubbed at Radio Recorders, 8 and 11 Feb 1956 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 January 1956 | |||
Broadcast, Café Society Downtown | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-01-28-001 | Take The “A” Train (theme) | DE5605a | |||
56-01-28-002 | Bassment | DE5605b | |||
56-01-28-003 | C-Jam Blues | DE5605c | |||
56-01-28-004 | Stompin’ At The Savoy | DE5605d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 7-8 February 1956 | |||
Bethlehem recording session. Universal Studios. | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-02-07-001 | East St. Louis Toodle-O | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606a | ||
56-02-07-002 | Creole Love Call | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606b | ||
56-02-07-003 | Stompy Jones | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606c | ||
56-02-07-004 | Jeep Is Jumpin' | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606d | ||
56-02-07-005 | Jack The Bear | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606e | ||
56-02-07-006 | In A Mellow Tone | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606f | ||
56-02-07-007 | Ko-Ko | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606g | ||
56-02-07-008 | Midriff | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606h | ||
56-02-07-009 | Stomp, Look And Listen | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606i | ||
56-02-07-010 | Unbooted Character | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606j | ||
56-02-07-011 | Lonesome Lullaby | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606k | ||
56-02-07-012 | Upper Manhattan Medical Group | AJ R2-74315(D)(S)(T), AMSC AMSC-937(D), Be BCP-60, SP (Unknown-1)(T) | DE5606l | ||
56-02-07-013 | Summertime | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606m | ||
56-02-07-014 | Laura | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606n | ||
56-02-07-015 | I Can’t Get Started - vRN | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606o | ||
56-02-07-016 | My Funny Valentine | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606p | ||
56-02-07-017 | Everything But You - vJG | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606q | ||
56-02-07-018 | Frustration | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-1)(T), SP (Unknown-2)(T) | DE5606r | ||
56-02-07-019 | Cotton Tail | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-1)(T), SP (Unknown-2)(T) | DE5606s | ||
56-02-07-020 | Day Dream | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606t | ||
56-02-07-021 | Deep Purple | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606u | ||
56-02-07-022 | Indian Summer | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606v | ||
56-02-07-023 | Blues No. 05 | AMSC AMSC-937(D), Be BCP-6005, ShF DK-37470(D)(S), SP (Unknown-2)(T) | DE5606w | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 18 March 1956 | |||
Duke Ellington recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-03-18-001 | 3054-6 | Blue Rose | DE5607a | ||
56-03-18-002 | 3054-7 | Blue Rose | DE5607b | ||
56-03-18-003 | 3054-8 | Blue Rose | DE5607c | ||
56-03-18-004 | 3054-10 | Blue Rose | DE5607d | ||
56-03-18-005 | 3054-11 | Blue Rose | DE5607e | ||
56-03-18-006 | 3054-12 | Blue Rose | DE5607f | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
56-03-18-007 | 3055- | Short Sheet Cluster | DE5607g | ||
56-03-18-008 | 3055- | Short Sheet Cluster | DE5607h | ||
56-03-18-009 | 3055-1 | Short Sheet Cluster | DE5607i | ||
56-03-18-010 | 3055-2 | Short Sheet Cluster | DE5607j | ||
56-03-18-011 | 3055-3 | Short Sheet Cluster | DE5607k | ||
56-03-18-012 | 3055-5 | Short Sheet Cluster | DE5607l | ||
56-03-18-013 | 3055-7 | Short Sheet Cluster | LMR CD-83000(D)(S)(T) | DE5607m | |
56-03-18-014 | 3055-8 | Short Sheet Cluster | DE5607n | ||
56-03-18-015 | 3055-10 | Short Sheet Cluster | DE5607o | ||
56-03-18-016 | 3056- | Uncontrived | DE5607p | ||
56-03-18-017 | 3056- | Uncontrived | DE5607q | ||
56-03-18-018 | 3056- | Uncontrived | LMR CD-83000(D)(S)(T) | DE5607r | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 19 March 1956 | |||
Duke Ellington recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-03-19-001 | -11 | Miss Lucy | DE5608a | ||
56-03-19-002 | -12 | Miss Lucy | LMR CD-83000(D)(S)(T) | DE5608b | |
56-03-19-003 | -2 | Prelude To A Kiss | DE5608c | ||
56-03-19-004 | -5 | Prelude To A Kiss | LMR CD-83000(D)(S)(T) | DE5608d | |
56-03-19-005 | -1 | E And D Blues | LMR CD-83000(D)(S)(T) | DE5608e | |
DUKE ELLINGTON AND HIS GROUP | Same session | ||||
Duke Ellington recording session | |||||
Clark Terry(t); John Sanders(tb); Jimmy Hamilton(cl); Johnny Hodges(as); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-03-19-006 | Way Back Blues | DJ FW40030(D), En 1052, SMSP AK-40030(D) | DE5608f | ||
56-03-19-007 | Where’s The Music? | DJ FW40030(D), En 1052, SMSP AK-40030(D) | DE5608g | ||
56-03-19-008 | Rubber Bottom | DJ FW40030(D), En 1052, SMSP AK-40030(D) | DE5608h | ||
56-03-19-009 | Play The Blues And Go Home | DJ FW40030(D), En 1052, SMSP AK-40030(D) | DE5608i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 April 1956 | |||
CBS broadcast, Basin Street | |||||
Nelson Williams, Phil Barboza, Cat Anderson, Clark Terry(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-04-14-001 | Take The “A” Train (theme) | AFRS BSJ-15 | DE5609a | ||
56-04-14-002 | Caravan | AFRS BSJ-15, Ec EJCD-04 | DE5609b | ||
56-04-14-003 | Sophisticated Lady | AFRS BSJ-15, Ec EJCD-04 | DE5609c | ||
56-04-14-004 | ¬ Kinda Dukish | AFRS BSJ-15 | DE5609d | ||
56-04-14-005 | _| Rockin’ In Rhythm | AFRS BSJ-15 | DE5609e | ||
56-04-14-006 | Do Nothin’ Till You Hear From Me - vJG | AFRS BSJ-15 | DE5609f | ||
56-04-14-007 | Stompin’ At The Savoy | AFRS BSJ-15, Ec EJCD-04 | DE5609g | ||
56-04-14-008 | Prelude To A Kiss | AFRS BSJ-15 | DE5609h | ||
56-04-14-009 | Things Ain’t What They Used To Be | DE5609i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 April 1956 | |||
NBC Monitor Broadcast, Basin Street | |||||
Nelson Williams, Phil Barboza, Cat Anderson, Clark Terry(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-04-14-010 | Take The “A” Train (theme) | DE5610xa | |||
56-04-14-011 | E And D Blues | DE5610a | |||
56-04-14-012 | The Mooch | DE5610b | |||
56-04-14-013 | Take The “A” Train (theme) | DE5610xb | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | May 1956 | |||
Concert, Flamingo Hotel | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-05-00-001 | Take The “A” Train (theme) | DE5611a | |||
56-05-00-002 | V.I.P. Boogie | DE5611b | |||
56-05-00-003 | Jam With Sam | DE5611c | |||
56-05-00-004 | I Got It Bad | DE5611d | |||
56-05-00-005 | Flamingo - vJG | DE5611e | |||
56-05-00-006 | Monologue - tkDE | DE5611f | |||
56-05-00-007 | Hey, Cherie - vRN | DE5611g | |||
Medley: | DE5611h | ||||
56-05-00-008 | - 1. Don’t Get Around Much Anymore | ||||
56-05-00-009 | - 2. Do Nothin’ Till You Hear From Me | ||||
56-05-00-010 | - 3. In A Sentimental Mood | ||||
56-05-00-011 | - 4. Mood Indigo | ||||
56-05-00-012 | - 5. I’m Beginning To See The Light | ||||
56-05-00-013 | - 6. Sophisticated Lady | ||||
56-05-00-014 | - 7. Caravan | ||||
56-05-00-015 | - 8. It Don’t Mean A Thing | ||||
56-05-00-016 | - 9. Solitude | ||||
56-05-00-017 | - 10. C-Jam Blues | ||||
56-05-00-018 | - 11. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Ann Arbor, MI | 02 July 1956 | |||
Concert, Hill Auditorium, University of Michigan | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-02-001 | Black And Tan Fantasy | DJ 018 | DE5612xa | ||
56-07-02-002 | Stompin’ At The Savoy | DJ 018 | DE5612xb | ||
56-07-02-003 | Clarinet Melodrama | DJ 018 | DE5612xc | ||
56-07-02-004 | Harlem Air-Shaft | DJ 018 | DE5612xd | ||
56-07-02-005 | Sophisticated Lady | DJ 018 | DE5612xe | ||
56-07-02-006 | Theme For Trambean | DJ 018 | DE5612xf | ||
56-07-02-007 | Satin Doll | DJ 018 | DE5612a | ||
56-07-02-008 | Take The “A” Train - vRN | DJ 018 | DE5612b | ||
56-07-02-009 | Take The “A” Train | DJ 018 | DE5612c | ||
56-07-02-010 | La Virgen De La Macarena | DJ 018 | DE5612d | ||
Duke Ellington(tk); acc. by Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl). | |||||
56-07-02-011 | Monologue - tkDE | DJ 018 | DE5612e | ||
As before | |||||
56-07-02-012 | V.I.P. Boogie | DJ 018 | DE5612f | ||
56-07-02-013 | Jam With Sam | DJ 018 | DE5612g | ||
56-07-02-014 | The Hawk Talks | DJ 018 | DE5612h | ||
56-07-02-015 | Prelude To A Kiss | DJ 018 | DE5612i | ||
56-07-02-016 | Things Ain’t What They Used To Be | DJ 018 | DE5612j | ||
56-07-02-017 | Day In, Day Out - vJG | DJ 018 | DE5612k | ||
56-07-02-018 | Do Nothin’ Till You Hear From Me - vJG | DE5612l | |||
56-07-02-019 | Blue Moon - vJG | DE5612m | |||
56-07-02-020 | Skin Deep | DE5612n | |||
Medley: | DE5612o | ||||
56-07-02-021 | - 1. Don’t Get Around Much Anymore | ||||
56-07-02-022 | - 2. Do Nothin’ Till You Hear From Me | ||||
56-07-02-023 | - 3. In A Sentimental Mood | ||||
56-07-02-024 | - 4. Mood Indigo | ||||
56-07-02-025 | - 5. I’m Beginning To See The Light | ||||
56-07-02-026 | - 6. Sophisticated Lady | ||||
56-07-02-027 | - 7. I Got It Bad | ||||
56-07-02-028 | - 8. Caravan | ||||
56-07-02-029 | - 9. It Don’t Mean A Thing | ||||
56-07-02-030 | - 10. Solitude | ||||
56-07-02-031 | - 11. C-Jam Blues | ||||
56-07-02-032 | - 12. I Let A Song & Don’t Get Around Much | ||||
Duke Ellington(p); Jimmy Woode(sb) | |||||
56-07-02-033 | Dancers In Love | DE5612p | |||
As before | |||||
56-07-02-034 | Hey, Cherie - vRN | DE5612q | |||
56-07-02-035 | Perdido | DE5612r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 07 July 1956 | |||
Concert, American Jazz Festival, Freebody Park | |||||
Willie Cook, Cat Anderson(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Al Lucas(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-07-001 | Star Spangled Banner | Co C2K-64932(D)(MB)(S)(T) | DE5613a | ||
56-07-07-002 | Black And Tan Fantasy | CBS 88653(D), Co C2-38262(D), Co C2K-64932(D)(MB)(S)(T) | DE5613b | ||
56-07-07-003 | Tea For Two | Co C2K-64932(D)(MB)(S)(T) | DE5613c | ||
Willie Cook, Herbie Jones, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-07-004 | CO56804 | Take The “A” Train | Co C2K-64932(D)(MB)(S)(T), Co CL-933 | DE5613d | |
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-07-005 | - 1. Festival Junction | Co C2K-64932(D)(MB)(S)(T), UA NUA-7(D) | DE5613e | ||
56-07-07-006 | - 2. Blues To Be There | Co C2K-64932(D)(MB)(S)(T), Co CL-934*, UA NUA-7(D) | DE5613f | ||
56-07-07-007 | - 3. Newport Up | Co C2K-64932(D)(MB)(S)(T), UA NUA-7(D) | DE5613g | ||
56-07-07-008 | CO56805 | Sophisticated Lady | Co C2K-64932(D)(MB)(S)(T), Co CL-933 | DE5613h | |
56-07-07-009 | Day In, Day Out - vJG | Co C2K-64932(D)(MB)(S)(T) | DE5613i | ||
56-07-07-010 | ¬ | ¬ Diminuendo In Blue | Co C2K-64932(D)(MB)(S)(T), Co CL-934, UA NUA-7(D) | DE5613j | |
56-07-07-011 | | CO56806 | - | Wailing Interval | Co C2K-64932(D)(MB)(S)(T), Co CL-934, UA NUA-7(D) | DE5613k | |
56-07-07-012 | _| | _| Crescendo In Blue | Co C2K-64932(D)(MB)(S)(T), Co CL-934, UA NUA-7(D) | DE5613l | |
56-07-07-013 | CO56807 | I Got It Bad | Co C2K-64932(D)(MB)(S)(T), Co CK-48654, Co CL-933 | DE5613m | |
56-07-07-014 | Jeep’s Blues | Co C2K-64932(D)(MB)(S)(T), Co CL-934 | DE5613n | ||
56-07-07-015 | Tulip Or Turnip - vRN | Co C2K-64932(D)(MB)(S)(T) | DE5613o | ||
56-07-07-016 | CO56808 | Skin Deep | Co C2K-64932(D)(MB)(S)(T), Co CL-933 | DE5613p | |
56-07-07-017 | Mood Indigo | Co C2K-64932(D)(MB)(S)(T) | DE5613q | ||
I Got It Bad was edited in the studio session 5614 as Hodges had mouthpiece problems in bars 1 and 9. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 July 1956 | |||
Columbia Recording Session, 7th Avenue Columbia Studio. | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-09-001 | - 1. Festival Junction | Co C2K-64932(D)(MB)(S)(T), Co CL-934 | DE5614a | ||
56-07-09-002 | - 2. Blues To Be There | Co C2K-64932(D)(MB)(S)(T), Co CL-934 | DE5614b | ||
56-07-09-003 | - 3. Newport Up | Co C2K-64932(D)(MB)(S)(T), Co CL-934 | DE5614c | ||
56-07-09-004 | Jeep’s Blues | Co C2K-64932(D)(MB)(S)(T) | DE5614d | ||
56-07-09-005 | I Got It Bad | Co C2K-64932*(D)(MB)(S)(T), Co CK-48654*, Co CL-933* | |||
See note in previous session. It is unclear if a whole take of I Got It Bad was recorded, or merely some overdubbing material. | |||||
DUKE ELLINGTON | New York City, NY | 09 July 1956 | |||
Film soundtrack: "Time Life Promo" | |||||
Duke Ellington(p,tk) | |||||
56-07-09-006 | Mood Indigo | DE5615a | |||
56-07-09-007 | Mood Indigo | DE5615b | |||
56-07-09-008 | Caravan | DE5615c | |||
56-07-09-009 | Sophisticated Lady | DE5615d | |||
56-07-09-010 | Satin Doll | DE5615e | |||
56-07-09-011 | Duke Ellington talking about his hits | DE5615f | |||
DE talks through the whole session | |||||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NEW HAVEN SYMPHONY ORCHESTRA | New Haven, CT | 10 July 1956 | |||
Concert, Yale Bowl | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) with the New Haven Symphony Orchestra cond. Frank Brieff | |||||
56-07-10-001 | NEW WORLD A-COMIN' | DE5616a | |||
NIGHT CREATURE | |||||
56-07-10-002 | - 1. Blind Bug | DE5616b | |||
56-07-10-003 | - 2. Stalking Monster | DE5616c | |||
56-07-10-004 | - 3. Dazzling Creature | DE5616d | |||
56-07-10-005 | HARLEM | DE5616e | |||
Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl); Duke Ellington(tk) | |||||
56-07-10-006 | Monologue | DE5616f | |||
As before but New Haven Symphony Orchestra out | |||||
Medley: | DE5616g | ||||
56-07-10-007 | - 1. Don’t Get Around Much Anymore | ||||
56-07-10-008 | - 2. In A Sentimental Mood | ||||
56-07-10-009 | - 3. Mood Indigo | ||||
56-07-10-010 | - 4. I’m Beginning To See The Light | ||||
56-07-10-011 | - 5. Sophisticated Lady | ||||
56-07-10-012 | - 6. Caravan | ||||
56-07-10-013 | - 7. Just Squeeze Me | ||||
56-07-10-014 | - 8. Do Nothin’ Till You Hear From Me - vJG | ||||
56-07-10-015 | - 9. I Got It Bad | ||||
56-07-10-016 | - 10. Just Squeeze Me - vRN | ||||
56-07-10-017 | - 11. It Don’t Mean A Thing | ||||
56-07-10-018 | - 12. Solitude | ||||
56-07-10-019 | - 13. C-Jam Blues | ||||
56-07-10-020 | - 14. I Let A Song & Don’t Get Around Much | ||||
56-07-10-021 | V.I.P. Boogie | DE5616h | |||
56-07-10-022 | Jam With Sam | DE5616i | |||
Add The New Haven Symphony Orchestra cond. Frank Brieff | |||||
56-07-10-023 | Star Spangled Banner | DE5616j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lennox, MA | 15 July 1956 | |||
Concert, Tanglewood | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-15-001 | Take The “A” Train (theme) | QD Q-049 | DE5617a | ||
56-07-15-002 | Black And Tan Fantasy | QD Q-049 | DE5617b | ||
56-07-15-003 | Harlem Air-Shaft | QD Q-049 | DE5617c | ||
56-07-15-004 | Clarinet Melodrama | QD Q-049 | DE5617d | ||
56-07-15-005 | Theme For Trambean | QD Q-049 | DE5617e | ||
56-07-15-006 | Sophisticated Lady | QD Q-049 | DE5617f | ||
56-07-15-007 | Take The “A” Train - vRN | QD Q-049 | DE5617g | ||
56-07-15-008 | Take The “A” Train | QD Q-049 | DE5617h | ||
56-07-15-009 | La Virgen De La Macarena | QD Q-050 | DE5617i | ||
Duke Ellington(tk); acc. by Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl). | |||||
56-07-15-010 | Monologue | QD Q-049 | DE5617j | ||
As before | |||||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-15-011 | - 1. Festival Junction | QD Q-050 | DE5617k | ||
56-07-15-012 | - 2. Blues To Be There | QD Q-050 | DE5617l | ||
56-07-15-013 | - 3. Newport Up | QD Q-050 | DE5617m | ||
56-07-15-014 | The Hawk Talks | QD Q-050 | DE5617n | ||
56-07-15-015 | Prelude To A Kiss | QD Q-050 | DE5617o | ||
56-07-15-016 | Things Ain’t What they Used To Be | QD Q-050 | DE5617p | ||
56-07-15-017 | I Got It Bad | QD Q-050 | DE5617q | ||
56-07-15-018 | Day In, Day Out - vJG | DE5617r | |||
56-07-15-019 | Do Nothin’ Till You Hear From Me - vJG | DE5617s | |||
56-07-15-020 | Skin Deep | DE5617t | |||
Medley: | DE5617u | ||||
56-07-15-021 | - 1. Don’t Get Around Much Anymore | ||||
56-07-15-022 | - 2. In A Sentimental Mood | ||||
56-07-15-023 | - 3. Mood Indigo | ||||
56-07-15-024 | - 4. I’m Beginning To See The Light | ||||
56-07-15-025 | - 5. Sophisticated Lady | ||||
56-07-15-026 | - 6. Caravan | ||||
56-07-15-027 | - 7. It Don’t Mean A Thing | ||||
56-07-15-028 | - 8. Solitude | ||||
56-07-15-029 | - 9. C-Jam Blues | ||||
56-07-15-030 | - 10. I Let A Song & Don’t Get Around Much | ||||
56-07-15-031 | Hey Cherie - vRN | DE5617v | |||
56-07-15-032 | Perdido | DE5617w | |||
56-07-15-033 | Mood Indigo | DE5617x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stratford, Canada | 18 July 1956 | |||
Concert, Festival Concert Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-18-001 | Bassment (Hark, the Duke’s Trumpets!) | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618a | ||
56-07-18-002 | Harlem Air-Shaft | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618b | ||
56-07-18-003 | Clarinet Melodrama | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618c | ||
56-07-18-004 | Theme For Trambean | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618d | ||
56-07-18-005 | Sophisticated Lady | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618e | ||
56-07-18-006 | Take The “A” Train - vRN | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618f | ||
56-07-18-007 | Take The “A” Train | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618g | ||
56-07-18-008 | La Virgen De La Macarena | M&A CD-616(D), X-Str 3(T) | DE5618h | ||
Duke Ellington(tk); acc. by Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl). | |||||
56-07-18-009 | Monologue | M&A CD-616(D), X-Str 3(T) | DE5618i | ||
As before | |||||
56-07-18-010 | I Got It Bad | M&A CD-616(D), MP Ell-87, X-Str 3(T) | DE5618j | ||
56-07-18-011 | HARLEM | M&A CD-616(D), X-Str 3(T) | DE5618k | ||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-18-012 | - 1. Festival Junction | DE5618l | |||
56-07-18-013 | - 2. Blues To Be There | DE5618m | |||
56-07-18-014 | - 3. Newport Up | DE5618n | |||
56-07-18-015 | Things Ain’t What they Used To Be | DE5618o | |||
56-07-18-016 | Hey Cherie - vRN | DE5618p | |||
56-07-18-017 | Perdido | DE5618q | |||
56-07-18-018 | Day In, Day Out - vJG | DE5618r | |||
56-07-18-019 | Do Nothin’ Till You Hear From Me - vJG | DE5618s | |||
56-07-18-020 | Blue Moon - vJG | DE5618t | |||
Medley: | DE5618u | ||||
56-07-18-021 | - 1. Don’t Get Around Much Anymore | ||||
56-07-18-022 | - 2. In A Sentimental Mood | ||||
56-07-18-023 | - 3. Mood Indigo | ||||
56-07-18-024 | - 4. I’m Beginning To See The Light | ||||
56-07-18-025 | - 5. Sophisticated Lady | ||||
56-07-18-026 | - 6. Caravan | ||||
56-07-18-027 | - 7. It Don’t Mean A Thing | ||||
56-07-18-028 | - 8. Solitude | ||||
56-07-18-029 | - 9. C-Jam Blues | ||||
56-07-18-030 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Burlington, Canada | 19 July 1956 | |||
Broadcast, Brant Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-19-001 | - 1. Festival Junction | DE5619a | |||
56-07-19-002 | - 2. Blues To Be There | DE5619b | |||
56-07-19-003 | - 3. Newport Up | DE5619c | |||
56-07-19-004 | Prelude To A Kiss | DE5619d | |||
56-07-19-005 | Mood Indigo | DE5619e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Burlington, Canada | 21 July 1956 | |||
Broadcast, Brant Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-07-21-001 | Take The “A” Train (theme) | DE5620a | |||
56-07-21-002 | Caravan | DE5620b | |||
56-07-21-003 | Sophisticated Lady | DE5620c | |||
56-07-21-004 | Flamingo | DE5620d | |||
56-07-21-005 | Jam With Sam | DE5620e | |||
56-07-21-006 | I Got It Bad | DE5620f | |||
56-07-21-007 | Tulip Or Turnip | DE5620g | |||
56-07-21-008 | E And D Blues | DE5620h | |||
56-07-21-009 | Take The “A” Train (theme) | DE5620i | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE CLEVELAND POPS ORCHESTRA | Cleveland, OH | 25 July 1956 | |||
Concert, Severance Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) with The Cleveland Pops Orchestra | |||||
56-07-25-001 | NEW WORLD A-COMIN' | DE5621a | |||
NIGHT CREATURE | |||||
56-07-25-002 | - 1. Blind Bug | DE5621b | |||
56-07-25-003 | - 2. Stalking Monster | DE5621c | |||
56-07-25-004 | - 3. Dazzling Creature | DE5621d | |||
Cleveland Pops Orchestra Out | |||||
56-07-25-005 | Skin Deep | DE5621e | |||
Add Cleveland Pops Orchestra | |||||
Medley: | DE5621f | ||||
56-07-25-006 | - 1. Don’t Get Around Much Anymore | ||||
56-07-25-007 | - 2. Do Nothin’ Till You Hear From Me - vJG | ||||
56-07-25-008 | - 3. In A Sentimental Mood | ||||
56-07-25-009 | - 4. Mood Indigo | ||||
56-07-25-010 | - 5. I’m Beginning To See The Light | ||||
56-07-25-011 | - 6. Sophisticated Lady | ||||
56-07-25-012 | - 7. Caravan | ||||
56-07-25-013 | - 8. I Got It Bad | ||||
56-07-25-014 | - 9. Do Nothin’ Till You Hear From Me - vJG | ||||
56-07-25-015 | - 10. I Got It Bad | ||||
56-07-25-016 | - 11. It Don’t Mean A Thing | ||||
56-07-25-017 | - 12. Solitude | ||||
56-07-25-018 | - 13. C-Jam Blues | ||||
56-07-25-019 | - 14. I Let A Song & Don’t Get Around Much | ||||
Cleveland Pops Orchestra Out | |||||
56-07-25-020 | V.I.P. Boogie | MP Ell-86(D) | DE5621g | ||
56-07-25-021 | Jam With Sam | MP Ell-86(D) | DE5621h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Fairfield, CT | 28 July 1956 | |||
Concert, Stadium Bowl, Fairfield University | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-07-28-001 | Star Spangled Banner | DE5622a | |||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-07-28-002 | - 1. Festival Junction | IAJRC 45, IAJRC CD-1005 | DE5622b | ||
56-07-28-003 | - 2. Blues To Be There | IAJRC 45, IAJRC CD-1005 | DE5622c | ||
56-07-28-004 | - 3. Newport Up | IAJRC 45, IAJRC CD-1005 | DE5622d | ||
56-07-28-005 | The Hawk Talks | IAJRC 45, IAJRC CD-1005 | DE5622e | ||
56-07-28-006 | Sophisticated Lady | IAJRC CD-1005 | DE5622f | ||
56-07-28-007 | ¬ Diminuendo In Blue | MoJ MJCD-1153, QD Q-044 | DE5622g | ||
56-07-28-008 | - | Wailing Interval | MoJ MJCD-1153, QD Q-044 | DE5622h | ||
56-07-28-009 | _| Crescendo In Blue | MoJ MJCD-1153, QD Q-044 | DE5622i | ||
56-07-28-010 | I Got It Bad | IAJRC 45, IAJRC CD-1005 | DE5622j | ||
56-07-28-011 | Things Ain’t What they Used To Be | DE5622k | |||
56-07-28-012 | Day In, Day Out - vJG | DE5622l | |||
56-07-28-013 | Do Nothin’ Till You Hear From Me - vJG | IAJRC 45, IAJRC CD-1005 | DE5622m | ||
56-07-28-014 | Hey Cherie - vRN | IAJRC CD-1005 | DE5622n | ||
56-07-28-015 | Take The “A” Train - vRN | IAJRC 45, IAJRC CD-1005 | DE5622o | ||
56-07-28-016 | Skin Deep | DE5622p | |||
56-07-28-017 | Ballin’ The Blues - vJG | IAJRC CD-1005, QD Q-044 | DE5622q | ||
56-07-28-018 | Mood Indigo | IAJRC 45, IAJRC CD-1005, QD Q-044 | DE5622r | ||
DUKE ELLINGTON WITH STUDIO ORCHESTRA | New York City, NY | 29 July 1956 | |||
CBS Broadcast, "The Woolworth Hour - The Best In Music" | |||||
Duke Ellington(p) with Studio Orchestra cond. Johnny Green | |||||
Medley | DE5623a | ||||
56-07-29-001 | - 1. Don’t Get Around Much Anymore | ||||
56-07-29-002 | - 2. Do Nothin’ Till You Hear From Me - vJG | ||||
56-07-29-003 | - 3. In A Sentimental Mood | ||||
56-07-29-004 | - 4. Mood Indigo | ||||
56-07-29-005 | - 6. Sophisticated Lady | ||||
56-07-29-006 | - 7. It Don’t Mean A Thing | ||||
56-07-29-007 | - 8. Solitude | ||||
DUKE ELLINGTON | New York City, NY | 01 August 1956 | |||
CBS studios Telecast, "Frankie Laine Time" | |||||
Duke Ellington(p) | |||||
56-08-01-001 | Dancers In Love | DE5624a | |||
DUKE ELLINGTON AND FRANKIE LANE | Same session | ||||
Duke Ellington(p); Frankie Laine, The Meadowlarks(v) with the Russ Case Orchestra | |||||
56-08-01-002 | Tomorrow Mountain - v FL, TMe | DE5624b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 August 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-08-07-001 | CO56565- | A-Flat Minor | Co CK-65568(D)(S)(T), UtD 2006 | DE5625a | |
56-08-07-002 | CO56565- | A-Flat Minor | Co CK-65568(D)(S)(T), UtD 2006 | DE5625b | |
56-08-07-003 | CO56565-1 | A-Flat Minor | Co CK-65568(D)(S)(T) | DE5625xa | |
56-08-07-004 | CO56565-3 | A-Flat Minor | Co CK-65568(D)(S)(T), UtD 2006 | DE5625c | |
56-08-07-005 | CO56565-6 | A-Flat Minor | CBS 88653(D), Co CG-33961(D), Co CK-65568(D)(S)(T) | DE5625d | |
SUCH SWEET THUNDER | |||||
56-08-07-006 | CO56566-3 | - 11. Half The Fun | Co CK-65568(D)(S)(T), UtD 2006 | DE5625e | |
56-08-07-007 | CO56566-5 | - 11. Half The Fun | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5625f | |
56-08-07-008 | CO56567-4 | Suburban Beauty | Co CK-65568(D)(S)(T), UtD 2006 | DE5625g | |
56-08-07-009 | CO56567-8 | Suburban Beauty | CBS 62993, CBS 88653(D), Co CG-33961(D), Co CK-65568(D)(S)(T), Co CL-967 | DE5625h | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 August 1956 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-08-26-001 | Dancers In Love | DE5626a | |||
56-08-26-002 | Newport Up | MDD 005(D) | DE5626b | ||
56-08-26-003 | I Got It Bad | MDD 005(D) | DE5626c | ||
56-08-26-004 | Tulip Or Turnip - vRN | MDD 005(D) | DE5626d | ||
56-08-26-005 | Mood Indigo | MDD 005(D) | DE5626e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 02 September 1956 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-09-02-001 | Take The “A” Train (theme) | DE5627a | |||
56-09-02-002 | Blues To Be There | DE5627b | |||
56-09-02-003 | Jam With Sam | DE5627c | |||
56-09-02-004 | Things Ain’t What they Used To Be | DE5627d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Buffalo, NY | 16 September 1956 | |||
Broadcast, Town Casino | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-09-16-001 | Take The “A” Train (theme) | DE5628a | |||
56-09-16-002 | Caravan | DE5628b | |||
56-09-16-003 | Stompin’ At The Savoy | DE5628c | |||
56-09-16-004 | V.I.P. Boogie | DE5628d | |||
56-09-16-005 | Jam With Sam | DE5628e | |||
56-09-16-006 | Do Nothin’ Till You Hear From Me - vJG | DE5628f | |||
56-09-16-007 | Tulip Or Turnip - vRN | DE5628g | |||
56-09-16-008 | Mood Indigo | DE5628h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 September 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Joya Sherrill, Margaret Tynes(v) | |||||
A DRUM IS A WOMAN | |||||
56-09-17-001 | -1 | - 07. Congo Square (Matumbe) | DE5629a | ||
56-09-17-002 | -2 | - 07. Congo Square (Matumbe) | DE5629b | ||
56-09-17-003 | -3 | - 07. Congo Square (Matumbe) | DE5629c | ||
56-09-17-004 | -4 | - 07. Congo Square (Matumbe) | Az 411, Co 471320-2(D)(S)(T), Co CL-951, CSP JCL-951, JT 933(D), UA NUA-7(D) | DE5629d | |
56-09-17-005 | -2 | - 06. Carribee Joe | DE5629e | ||
56-09-17-006 | -3 | - 06. Carribee Joe - vJS | DE5629f | ||
56-09-17-007 | -4 | - 06. Carribee Joe - vJS | DE5629g | ||
56-09-17-008 | -5 | - 06. Carribee Joe | DE5629h | ||
56-09-17-009 | -6 | - 06. Carribee Joe | DE5629i | ||
56-09-17-010 | -7 | - 06. Carribee Joe - vJS | DE5629j | ||
56-09-17-011 | -8 | - 06. Carribee Joe - vJS | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5629k | |
56-09-17-012 | -9 | - 06. Carribee Joe | DE5629l | ||
56-09-17-013 | -10 | - 06. Carribee Joe - vJS | DE5629m | ||
56-09-17-014 | -11 | - 06. Carribee Joe - vJS | DE5629n | ||
56-09-17-015 | - 06. Carribee Joe - vJS | DE5629o | |||
56-09-17-016 | - 06. Carribee Joe | DE5629p | |||
56-09-17-017 | - 06. Carribee Joe | DE5629q | |||
56-09-17-018 | - 06. Carribee Joe - vJS | Az 411, Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5629r | ||
56-09-17-019 | - 01. A Drum Is A Woman - vMTy | Az 411, Co 471320-2(D)(S)(T), Co CL-951, CSP JCL-951, JT 933(D), UA NUA-7(D) | DE5629s | ||
56-09-17-020 | - 01. A Drum Is A Woman - vMTy | Az 411 | DE5629t | ||
56-09-17-021 | - 13. Rhumbop - vJS | Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5629u | ||
56-09-17-022 | - 13. Rhumbop - vJS | Az 411 | DE5629v | ||
Duke Ellington, Joya Sherrill(tk) and Candido Camero(bo) were dubbed in on October 22. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Pennsauken, NJ | 22 September 1956 | |||
MBS Broadcast, "Bandstand U.S.A.", Red Hill Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-09-22-001 | Take The “A” Train (theme) | DE5640a | |||
56-09-22-002 | Caravan | DE5640b | |||
56-09-22-003 | Do Nothin’ Till You Hear From Me - vJG | DE5640c | |||
56-09-22-004 | Newport Up | DE5640d | |||
56-09-22-005 | Blues To Be There | DE5640e | |||
56-09-22-006 | Tulip Or Turnip - vRN | DE5640f | |||
Previously dated 09 December | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 September 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey, Choir(v) | |||||
A DRUM IS A WOMAN | |||||
56-09-24-001 | - 02. Rhythm Pum Te Dum - vCHO | DE5630a | |||
56-09-24-002 | - 02. Rhythm Pum Te Dum - vCHO | DE5630b | |||
56-09-24-003 | - 14. Caribee Joe - vCHO | DE5630c | |||
56-09-24-004 | - 14. Caribee Joe - vCHO | DE5630d | |||
56-09-24-005 | - 14. Caribee Joe - vCHO | DE5630e | |||
56-09-24-006 | -1 | - 02. Rhythm Pum Te Dum - vCHO | DE5630f | ||
56-09-24-007 | -2 | - 02. Rhythm Pum Te Dum - vCHO | DE5630g | ||
56-09-24-008 | - 02. Rhythm Pum Te Dum - vCHO | DE5630h | |||
56-09-24-009 | -3 | - 02. Rhythm Pum Te Dum - vCHO | Co 471320-2(D)(S)(T), Co CL-951, CSP JCL-951, JT 933(D), UA NUA-7(D) | DE5630i | |
56-09-24-010 | - 14. Caribee Joe - vCHO | Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5630j | ||
56-09-24-011 | -1 | - 03. What Else Can You Do With A Drum? - vOB | DE5630k | ||
56-09-24-012 | -2 | - 03. What Else Can You Do With A Drum? - vOB | DE5630l | ||
56-09-24-013 | -3 | - 03. What Else Can You Do With A Drum? | DE5630m | ||
56-09-24-014 | -4 | - 03. What Else Can You Do With A Drum? - vOB | DE5630n | ||
56-09-24-015 | -5 | - 03. What Else Can You Do With A Drum? | DE5630o | ||
56-09-24-016 | -6 | - 03. What Else Can You Do With A Drum? - vOB | Az 411, Co 471320-2(D)(S)(T), Co B-9511, Co CL-951, CSP JCL-951, JT 933(D), UA NUA-7(D) | DE5630p | |
56-09-24-017 | -1 | - 14. Caribee Joe - vCHO | DE5630q | ||
56-09-24-018 | -2 | - 14. Caribee Joe - vCHO | DE5630r | ||
56-09-24-019 | -3 | - 14. Caribee Joe - vCHO | DE5630s | ||
56-09-24-020 | -1 | - 07. Congo Square | DE5630t | ||
56-09-24-021 | -2 | - 07. Congo Square (Silence A) | DE5630u | ||
56-09-24-022 | -3 | - 07. Congo Square (Silence A) | DE5630v | ||
56-09-24-023 | -4 | - 07. Congo Square (Silence A) | DE5630w | ||
56-09-24-024 | -5 | - 07. Congo Square (Silence A) | DE5630x | ||
56-09-24-025 | -6 | - 07. Congo Square (Silence A) | DE5630y | ||
56-09-24-026 | -7 | - 07. Congo Square (Silence A) | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5630z | |
56-09-24-027 | -1 | - 07. Congo Square (Silence B) | DE5630aa | ||
56-09-24-028 | -2 | - 07. Congo Square (Silence B) | DE5630ab | ||
56-09-24-029 | -3 | - 07. Congo Square (Silence B) | DE5630ac | ||
56-09-24-030 | -2 | - 07. Congo Square (Silence C) | DE5630ad | ||
56-09-24-031 | -3 | - 07. Congo Square (Silence C) | DE5630ae | ||
56-09-24-032 | -4 | - 07. Congo Square (Silence C) | DE5630af | ||
56-09-24-033 | -5 | - 07. Congo Square (Silence C) | Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5630ag | |
Duke Ellington(tk) and Candido Camero(bo) were dubbed in on October 22. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 September 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington, Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d); Joya Sherrill, Margaret Tynes, Choir(v) | |||||
A DRUM IS A WOMAN | |||||
56-09-25-001 | - 08. A Drum Is A Woman - vMTy | Az 411, Co 471320-2(D)(S)(T), Co CL-951, CSP JCL-951, JT 933(D), UA NUA-7(D) | DE5631a | ||
56-09-25-002 | - 05. Hey Buddy Bolden - vJS, CHO | Az 411, Co 471320-2(D)(S)(T), Co B-9511, Co CL-951, JT 933(D), UA NUA-7(D) | DE5631b | ||
56-09-25-003 | - 14. Caribee Joe - vJS | Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5631c | ||
56-09-25-004 | - 14. Caribee Joe | Az 411 | DE5631d | ||
Russell Procope(cl); Billy Strayhorn(p); Jimmy Woode(sb) | |||||
56-09-25-005 | - 07. Congo Square | Az 411, Co 471320-2(D)(S)(T), Co CL-951, CSP JCL-951, JT 933(D) | DE5631e | ||
Clark Terry(t); Billy Strayhorn(p); Jimmy Woode(sb) | |||||
56-09-25-006 | - 10. Madam Zajj | Az 411, Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5631f | ||
56-09-25-007 | - 10. Madam Zajj | Az 411 | DE5631g | ||
Duke Ellington(tk) and choir were dubbed in on October 22. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 September 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Tom Whaley(d); Marion Bruce, Margaret Tynes(v) | |||||
A DRUM IS A WOMAN | |||||
56-09-28-001 | -1 | - 04. New Orleans (Sunrise Act 1) | DE5632a | ||
56-09-28-002 | -2 | - 04. New Orleans (Sunrise Act 1) | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5632b | |
56-09-28-003 | -1 | - 04. New Orleans (Sunrise Act 2) | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5632c | |
56-09-28-004 | -2 | - 04. New Orleans (Sunrise Act 2) | DE5632d | ||
56-09-28-005 | -3 | - 04. New Orleans (Sunrise Act 2) | DE5632e | ||
56-09-28-006 | -5 | - 04. New Orleans (Sunrise Act 2) | Az 411, CSP JCL-951 | DE5632f | |
56-09-28-007 | -9 | - 04. New Orleans (Sunrise Act 2) | DE5632g | ||
56-09-28-008 | -1 | - 13. Rhumbop (Terry) | DE5632h | ||
56-09-28-009 | -2 | - 13. Rhumbop (Terry) | DE5632i | ||
56-09-28-010 | -1 | - 13. Rhumbop (Hamilton) | DE5632j | ||
56-09-28-011 | -3 | - 13. Rhumbop (Hamilton) | DE5632k | ||
56-09-28-012 | -4 | - 13. Rhumbop (Hamilton) | DE5632l | ||
56-09-28-013 | -1 | - 05. Hey Buddy Bolden | DE5632m | ||
56-09-28-014 | -2 | - 05. Hey Buddy Bolden | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5632n | |
56-09-28-015 | -1 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632o | ||
56-09-28-016 | -3 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632p | ||
56-09-28-017 | -4 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632q | ||
56-09-28-018 | -5 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632r | ||
56-09-28-019 | -6 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632s | ||
56-09-28-020 | -7 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632t | ||
56-09-28-021 | -8 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632u | ||
56-09-28-022 | -9 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632v | ||
56-09-28-023 | -10 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632w | ||
56-09-28-024 | -11 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632x | ||
56-09-28-025 | -12 | - 12. Zajj’s Dream (Carribee Interlude) | Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5632y | |
56-09-28-026 | -1 | - 04. New Orleans (Parade) | DE5632z | ||
56-09-28-027 | -2 | - 04. New Orleans (Parade) | DE5632aa | ||
56-09-28-028 | -3 | - 04. New Orleans (Parade) | Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D), UA NUA-7*(D) | DE5632ab | |
56-09-28-029 | -1 | The Greatest Thing There Is | DE5632ac | ||
56-09-28-030 | -3 | The Greatest Thing There Is - vMB | DE5632ad | ||
56-09-28-031 | -4 | The Greatest Thing There Is - vMB | DE5632ae | ||
A DRUM IS A WOMAN | |||||
56-09-28-032 | -1 | - 12. Zajj’s Dream (Carribee Interlude) | DE5632af | ||
56-09-28-033 | -2 | - 12. Zajj’s Dream (Carribee Interlude) | Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5632ag | |
56-09-28-034 | -1 | - 07. Congo Square (Gonsalves Stanza) | DE5632ah | ||
56-09-28-035 | -2 | - 07. Congo Square (Gonsalves Stanza) | Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5632ai | |
56-09-28-036 | -1 | - 08. A Drum Is A Woman (Ending Drum) - vMTy | DE5632aj | ||
56-09-28-037 | -2 | - 08. A Drum Is A Woman (Ending Drum) - vMTy | Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5632ak | |
56-09-28-038 | -1 | - ??. Trumpet Fugue | DE5632al | ||
56-09-28-039 | -2 | - ??. Trumpet Fugue | DE5632am | ||
Duke Ellington, Joya Sherrill(tk), Candido Camero(bo) and choir were dubbed in on October 22. | |||||
DUKE ELLINGTON | New York City, NY | 22 October 1956 | |||
Columbia Recording Session, 7th Avenue Columbia Studio A. | |||||
Duke Ellington(p,tk); Candido Camero(bo); Joya Sherrill(v) | |||||
A DRUM IS A WOMAN | |||||
56-10-22-001 | - 02. Rhythm Pum Te Dum (Carribee Sequence) | CSP JCL-951* | DE5633a | ||
56-10-22-002 | - 02. Rhythm Pum Te Dum (Carribee Sequence) - vJS | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5633b | ||
Candido Camero(bo); Joya Sherrill(v) | |||||
56-10-22-003 | - 10. Madam Zajj (Carribee Sequence) - vJS | Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5633c | ||
Duke Ellington(tk) | |||||
56-10-22-004 | - ??. Narration To A DRUM IS A WOMAN | Co 471320-2(D)(S)(T), Co CL-951, JT 933(D) | DE5633d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 October 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Betty Glamann(ha); Jimmy Woode(sb); Sam Woodyard, Louie Bellson(d); Terry Snyder(d,ch) | |||||
A DRUM IS A WOMAN | |||||
56-10-23-001 | - 11. Ballet Of The Flying Saucers (Code Sequence) | Az 411, Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5634a | ||
56-10-23-002 | - 07. Congo Square (Bass Drum Solo) | Co 471320-2*(D)(S)(T), Co CL-951*, CSP JCL-951*, JT 933*(D) | DE5634b | ||
56-10-23-003 | - 11. Ballet Of The Flying Saucers | Az 411, Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5634c | ||
56-10-23-004 | - 12. Zajj’s Dream (Harp Chords) | Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5634d | ||
56-10-23-005 | - 12. Zajj’s Dream (Tympani Roll) | Co 471320-2*(D)(S)(T), Co CL-951*, JT 933*(D) | DE5634e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 November 1956 | |||
CBS Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-11-18-001 | Take The “A” Train (theme) | DE5635a | |||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-11-18-002 | - 1. Festival Junction | DE5635b | |||
56-11-18-003 | Prelude To A Kiss | DE5635c | |||
56-11-18-004 | Tulip Or Turnip - vRN | DE5635d | |||
NEWPORT JAZZ FESTIVAL SUITE | |||||
56-11-18-005 | - 2. Blues To Be There | DE5635e | |||
56-11-18-006 | - 3. Newport Up | DE5635f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 November 1956 | |||
NBC Telecast, "The Steve Allen Show", Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-11-18-007 | Take The “A” Train (theme) | DE5636a | |||
Medley | DE5636b | ||||
56-11-18-008 | - 1. Don’t Get Around Much Anymore | ||||
56-11-18-009 | - 2. I Got It Bad | ||||
56-11-18-010 | - 3. I’m Beginning To See The Light | ||||
56-11-18-011 | - 4. Sophisticated Lady | ||||
56-11-18-012 | - 5. Caravan | ||||
56-11-18-013 | - 6. Mood Indigo | ||||
Add Steve Allen(p) | |||||
56-11-18-014 | It Don’t Mean A Thing | DE5636c | |||
DUKE ELLINGTON | New York City, NY | 22 November 1956 | |||
CBS Telecast, Longines-Wittnauer Thanksgiving Festival | |||||
Duke Ellington(p) | |||||
56-11-22-001 | Black And Tan Fantasy | DE5637a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 December 1956 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Margaret Tynes, Ozzie Bailey(v) | |||||
A DRUM IS A WOMAN | |||||
56-12-06-001 | - 09. You Better Know It | Az 411 | DE5638a | ||
56-12-06-002 | CO57013-7 | - 09. You Better Know It - vOB | Az 411, Co 471320-2(D)(S)(T), Co B-9511, Co CL-951, JT 933(D), UA NUA-7(D) | DE5638b | |
56-12-06-003 | -10 | - 15. Finale # - vMT,OB | Co 471320-2(D)(S)(T), Co CL-951, JT 933(D), UA NUA-7(D) | DE5638c | |
56-12-06-004 | CO57014-1 | Café Au Lait | Co CK-65568(D)(S)(T), UtD 2006 | DE5638d | |
56-12-06-005 | CO57014-2 | Café Au Lait | Co CK-65568(D)(S)(T), UtD 2006 | DE5638e | |
56-12-06-006 | CO57014- | Café Au Lait | DE5638f | ||
56-12-06-007 | CO57014- | Café Au Lait | Co CK-65568(D)(S)(T), UtD 2006 | DE5638g | |
56-12-06-008 | CO57014- | Café Au Lait | Co CK-65568(D)(S)(T), UtD 2006 | DE5638h | |
56-12-06-009 | CO57014-3 | Café Au Lait | Co CK-65568(D)(S)(T), UtD 2006 | DE5638i | |
56-12-06-010 | CO57014-4 | Café Au Lait | DE5638j | ||
56-12-06-011 | CO57014-5 | Café Au Lait | DE5638k | ||
56-12-06-012 | CO57014-6 | Café Au Lait | CBS 88653(D), Co CG-33961(D), Co CK-65568(D)(S)(T) | DE5638l | |
56-12-06-013 | CO57015-1 | Star-Crossed Lovers (Pretty Girl #) | Co CK-65568(D)(S)(T), UtD 2006 | DE5638m | |
56-12-06-014 | CO57015-2 | Star-Crossed Lovers (Pretty Girl #) | Co CK-65568(D)(S)(T), UtD 2006 | DE5638n | |
56-12-06-015 | CO57015-3 | Star-Crossed Lovers (Pretty Girl #) | Co CK-65568(D)(S)(T), UtD 2006 | DE5638o | |
56-12-06-016 | CO57015-4 | Star-Crossed Lovers (Pretty Girl #) | Co CK-65568(D)(S)(T), UtD 2006 | DE5638p | |
56-12-06-017 | CO57015-5 | Star-Crossed Lovers (Pretty Girl #) | Co CK-65568(D)(S)(T), UtD 2006 | DE5638q | |
DUKE ELLINGTON AND HIS ORCHESTRA | Pennsauken, NJ | 08 December 1956 | |||
MBS Broadcast, "Bandstand U.S.A.", Red Hill Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-12-08-001 | Take The “A” Train | DE5639a | |||
56-12-08-002 | Things Ain’t What They Used To Be | DE5639b | |||
56-12-08-003 | Newport Up | DE5639c | |||
56-12-08-004 | Rock City Rock - vJG | DE5639d | |||
56-12-08-005 | Blue Jean Beguine | DE5639e | |||
56-12-08-006 | Sophisticated Lady | DE5639f | |||
56-12-08-007 | ¬ Mood Indigo | DE5639g | |||
56-12-08-008 | _| Blues To Be There | DE5639h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Pennsauken, NJ | 15 December 1956 | |||
MBS Broadcast, "Bandstand U.S.A.", Red Hill Inn | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-12-15-001 | Take The “A” Train (theme) | DE5641a | |||
56-12-15-002 | La Virgen De La Macarena | DE5641b | |||
56-12-15-003 | Sophisticated Lady | DE5641c | |||
56-12-15-004 | Perdido | DE5641d | |||
56-12-15-005 | Take The “A” Train | DE5641e | |||
56-12-15-006 | Take The “A” Train | DE5641f | |||
56-12-15-007 | Jeep’s Blues | DE5641g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 23 December 1956 | |||
NBC Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-12-23-001 | Take The “A” Train (theme) | DE5643a | |||
56-12-23-002 | ¬ Diminuendo In Blue | DE5643b | |||
56-12-23-003 | _| Wailing Interval | DE5643c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 30 December 1956 | |||
NBC Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
56-12-30-001 | Take The “A” Train (theme) | DE5644a | |||
56-12-30-002 | Newport Up | DE5644b | |||
56-12-30-003 | Jeep’s Blues | DE5644c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1956 | |||
CBS Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
56-12-31-001 | Take The “A” Train (theme) | DE5645a | |||
56-12-31-002 | Blue Skies | DE5645b | |||
56-12-31-003 | Sophisticated Lady | DE5645c | |||
56-12-31-004 | Caravan | DE5645d | |||
56-12-31-005 | Do Nothin’ Till You Hear From Me - vJG | DE5645e | |||
56-12-31-006 | Things Ain’t What They Used To Be | DE5645f | |||
56-12-31-007 | Mood indigo | DE5645g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 01 January 1957 | |||
NBC Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-01-001 | Take The “A” Train (theme) | MDD 005(D) | DE5701a | ||
57-01-01-002 | ¬ Diminuendo In Blue | MDD 005(D) | DE5701b | ||
57-01-01-003 | - | Wailing Interval | MDD 005(D) | DE5701c | ||
57-01-01-004 | _| Crescendo In Blue | MDD 005(D) | DE5701d | ||
57-01-01-005 | Jeep’s Blues | MDD 005(D) | DE5701e | ||
57-01-01-006 | Just Squeeze Me - vRN | MDD 005(D) | DE5701f | ||
57-01-01-007 | Mood Indigo | MDD 005(D) | DE5701g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06 January 1957 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-06-001 | Take The “A” Train (theme) | DE5702a | |||
57-01-06-002 | ¬ Sophisticated Lady | DE5702b | |||
57-01-06-003 | - | Caravan | DE5702c | |||
57-01-06-004 | _| I Got It Bad | DE5702d | |||
57-01-06-005 | ¬ Mood Indigo | DE5702e | |||
57-01-06-006 | _| Solitude | DE5702f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Grinnell, IA | 10 January 1957 | |||
Concert, Grinnell College | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-10-001 | Stompin’ At The Savoy (YT) | GC H80P-0932 | DE5703a | ||
57-01-10-002 | Black And Tan Fantasy (YT) | GC H80P-0932 | DE5703b | ||
57-01-10-003 | Newport Up (YT) | GC H80P-0932 | DE5703c | ||
57-01-10-004 | Clarinet Melodrama (YT) | GC H80P-0932 | DE5703d | ||
57-01-10-005 | Perdido (YT) | GC H80P-0932 | DE5703e | ||
57-01-10-006 | Prelude To A Kiss (YT) | GC H80P-0932 | DE5703f | ||
57-01-10-007 | All Of Me (YT) | GC H80P-0932 | DE5703g | ||
57-01-10-008 | Blue Skies (YT) | GC H80P-0932 | DE5703h | ||
57-01-10-009 | Skin Deep (YT) | GC H80P-0932 | DE5703i | ||
Medley (YT) | DE5703j | ||||
57-01-10-010 | - 1. Don’t Get Around Much Anymore | GC H80P-0932 | |||
57-01-10-011 | - 2. Do Nothin’ Till You Hear From Me | GC H80P-0932 | |||
57-01-10-012 | - 3. In A Sentimental Mood | GC H80P-0932 | |||
57-01-10-013 | - 4. Mood Indigo | GC H80P-0932 | |||
57-01-10-014 | - 5. I’m Beginning To See The Light | GC H80P-0932 | |||
57-01-10-015 | - 6. Sophisticated Lady | GC H80P-0932 | |||
57-01-10-016 | - 7. Caravan | GC H80P-0932 | |||
57-01-10-017 | - 8. It Don’t Mean A Thing | GC H80P-0932 | |||
57-01-10-018 | - 9. Solitude | GC H80P-0932 | |||
57-01-10-019 | - 10. C-Jam Blues | GC H80P-0932 | |||
57-01-10-020 | - 11. I Let A Song & Don’t Get Around Much | GC H80P-0932 | |||
57-01-10-021 | Monologue (YT) | GC H80P-0932 | DE5703k | ||
DUKE ELLINGTON GROUP | Chicago, IL | 17 January 1957 | |||
Duke Ellington recording session, Universal Studios | |||||
Ray Nance, Clark Terry, Willie Cook(t); Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-17-001 | Bluer | Sa 91231-2(D)(S)(T) | DE5704a | ||
57-01-17-002 | The Riff | Sa 91231-2(D)(S)(T) | DE5704b | ||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-17-003 | I Cover The Waterfront | Sa 91231-2(D)(S)(T) | DE5704c | ||
57-01-17-004 | Wailing Interval | Sa 91231-2(D)(S)(T) | DE5704d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Omaha, NE | 20 January 1957 | |||
NBC Telecast, "Wide Wide World", Civic Auditorium | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-20-001 | Congo Square (Matumbe) | DE5642a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington Dave Garroway(tk) | |||||
57-01-20-002 | Interview by Dave Garroway | DE5642b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
Medley | DE5642c | ||||
57-01-20-003 | - 1. Do Nothin’ Till You Hear From Me - vJG | ||||
57-01-20-004 | - 2. In A Sentimental Mood | ||||
57-01-20-005 | - 3. I Got It Bad | ||||
57-01-20-006 | - 4. I’m Beginning To See The Light | ||||
57-01-20-007 | - 5. Sophisticated Lady | ||||
57-01-20-008 | - 6. Caravan | ||||
57-01-20-009 | - 7. It Don’t Mean A Thing | ||||
57-01-20-010 | - 8. Solitude | ||||
57-01-20-011 | - 9. Don’t Get Around Much Anymore | ||||
57-01-20-012 | - 10. Mood Indigo | ||||
57-01-20-013 | Congo Square (Matumbe) | DE5642d | |||
Previously dated 18 December 1956 | |||||
DUKE ELLINGTON GROUP | Chicago, IL | 29 January 1957 | |||
Duke Ellington recording session, Universal Studios | |||||
Ray Nance, Willie Cook(t); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-29-001 | Blues A La Willie Cook | Sa 91231-2(D)(S)(T), UtD 2009 | DE5705a | ||
Ray Nance, Clark Terry, Willie Cook(t); Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-29-002 | Slow Blues Ensemble | Sa 91231-2(D)(S)(T), UtD 2009 | DE5705b | ||
Clark Terry(t); Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-29-003 | Circle Of Fourths | Sa 91231-2(D)(S)(T) | DE5705c | ||
57-01-29-004 | Perdido | Sa 91231-2(D)(S)(T) | DE5705d | ||
Ray Nance, Clark Terry, Willie Cook(t); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-29-005 | Spacemen | Sa 91231-2(D)(S)(T), UtD 2009 | DE5705e | ||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-01-29-006 | Deep Blues | Sa 91231-2(D)(S)(T) | DE5705f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Evanston, IL | 29 January 1957 | |||
Concert, Cahn Auditorium, Northwestern University | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-01-29-007 | Congo Square | DE5706a | |||
57-01-29-008 | Stompin’ At The Savoy | DE5706b | |||
57-01-29-009 | The Mooch | DE5706c | |||
57-01-29-010 | Perdido | DE5706d | |||
57-01-29-011 | Clarinet Melodrama | DE5706e | |||
57-01-29-012 | Theme For Trambean | DE5706f | |||
57-01-29-013 | Sophisticated Lady | DE5706g | |||
57-01-29-014 | Take The “A” Train - vRN | DE5706h | |||
57-01-29-015 | Take The “A” Train | DE5706i | |||
57-01-29-016 | La Virgen De LA Macarena | DE5706j | |||
57-01-29-017 | Monologue | DE5706k | |||
57-01-29-018 | V.I.P. Boogie | DE5706l | |||
57-01-29-019 | Jam With Sam | DE5706m | |||
57-01-29-020 | The Hawk Talks | DE5706n | |||
57-01-29-021 | Newport Up | DE5706o | |||
57-01-29-022 | Jeep’s Blues | DE5706p | |||
57-01-29-023 | All Of Me | DE5706q | |||
57-01-29-024 | Things Ain’t What They Used To Be | DE5706r | |||
57-01-29-025 | Prelude To A Kiss | DE5706s | |||
57-01-29-026 | Skin Deep | DE5706t | |||
Medley | DE5706u | ||||
57-01-29-027 | - 1. Don’t Get Around Much Anymore | ||||
57-01-29-028 | - 2. Do Nothin’ Till You Hear From Me - vJG | ||||
57-01-29-029 | - 3. I Let A Song Go Out Of My Heart | ||||
57-01-29-030 | - 4. Mood Indigo | ||||
57-01-29-031 | - 5. I’m Beginning To See The Light | ||||
57-01-29-032 | - 6. Sophisticated Lady | ||||
57-01-29-033 | - 7. Caravan | ||||
57-01-29-034 | - 8. I Got It Bad | ||||
57-01-29-035 | - 9. Just Squeeze Me - vRN | ||||
57-01-29-036 | - 10. It Don’t Mean A Thing | ||||
57-01-29-037 | - 11. Solitude | ||||
57-01-29-038 | - 12. C-Jam Blues | ||||
57-01-29-039 | - 13. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | February 1957 | |||
Duke Ellington recording session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Choir(v) | |||||
57-02-00-001 | Take The “A” Train - vCHO | DE5707a | |||
57-02-00-002 | Moon Mist | LMR CD-83000(D)(S)(T), Sa 91232-2(D)(S)(T) | DE5707b | ||
57-02-00-003 | Things Ain’t What They Used To Be | Sa 91231-2(D)(S)(T) | DE5707c | ||
DUKE ELLINGTON GROUP | Same session | ||||
Johnny Hodges(as); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Choir(v) | |||||
57-02-00-004 | Dual Highway - vCHO | Sa 91231-2(D)(S)(T) | DE5707d | ||
Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-02-00-005 | Jump For Joy | DE5707e | |||
57-02-00-006 | Jump For Joy | LMR CD-83000(D)(S)(T) | DE5707f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
57-02-00-007 | Perdido - vCHO | DE5707g | |||
57-02-00-008 | C-Jam Blues | DE5707h | |||
57-02-00-009 | In A Sentimental Mood | LMR CD-83000(D)(S)(T) | DE5707i | ||
57-02-00-010 | Satin Doll | LMR CD-83000(D)(S)(T) | DE5707j | ||
57-02-00-011 | Love You Madly | LMR CD-83000(D)(S)(T) | DE5707k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 02 March 1957 | |||
MBS Broadcast, Storyville | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-03-02-001 | Take The “A” Train - vRN | DE5708a | |||
57-03-02-002 | Take The “A” Train | DE5708b | |||
57-03-02-003 | Sophisticated Lady | DE5708c | |||
57-03-02-004 | Things Ain’t What They Used To Be | DE5708d | |||
57-03-02-005 | I Got It Bad | DE5708e | |||
57-03-02-006 | Newport Up | DE5708f | |||
57-03-02-007 | Congo Square | DE5708g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 March 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Arvell Shaw(sb); Sam Woodyard(d); Margaret Tynes, Ozzie Bailey(v) | |||||
57-03-07-001 | CO57520- | West Indian Dance | DE5709xa | ||
57-03-07-002 | CO57520-1 | West Indian Dance | DE5709xb | ||
57-03-07-003 | CO57520- | West Indian Dance | DE5709xc | ||
57-03-07-004 | CO57520- | West Indian Dance | DE5709xd | ||
57-03-07-005 | CO57520-2 | West Indian Dance | DE5709xe | ||
57-03-07-006 | CO57520-4 | West Indian Dance | DE5709xf | ||
57-03-07-007 | CO57520-6 | West Indian Dance | DE5709xg | ||
57-03-07-008 | CO57520-7 | West Indian Dance | CBS 88563 | DE5709a | |
57-03-07-009 | CO57521-7 | Pomegranate - vMTy, OB | Az 411, CBS 26306(D), Co B9511, JT 933(D) | DE5709b | |
57-03-07-010 | CO57522-3 | Your Love Has Faded - vOB | DE5709c | ||
Note: There are three issues of Pomegranate all using the same take. One has narration and bongos over dubbed and one with just bongos. All are on Az 411. | |||||
DUKE ELLINGTON | Washington, DC | 09 March 1957 | |||
Telecast, Masonic Hall | |||||
Duke Ellington Bob McEwan(tk) | |||||
57-03-09-001 | Interview by Bob McEwan | DE5710a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 March 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-03-13-001 | CO57533-6 | Cop-Out | CBS 62993, CBS 88563, Co 4-40903, Co CG-33961(D) | DE5711a | |
57-03-13-002 | CO57534-3 | Rock City Rock - vJG | CBS 26306(D), Co 4-40903, Co CG-33961(D) | DE5711b | |
57-03-13-003 | CO57535-4 | Someone (The Sky Fell Down) | Co CG-33961(D), Co CL-1085(D), JBt 527(D) | DE5711c | |
DUKE ELLINGTON | New York City, NY | 15 March 1957 | |||
Telecast, Ruth James' house | |||||
Duke Ellington(p,tk); Ed Murrow(tk) | |||||
57-03-15-001 | Interview by Ed Murrow (YT) | DE5712a | |||
57-03-15-002 | Satin Doll (YT) | DE5712b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 March 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
57-03-20-001 | CO57522-9 | Your Love Has Faded - vOB | CBS 26306(D), UtD 2007 | DE5713a | |
57-03-20-002 | CO57562-1 | Allah-Bye | DE5713b | ||
57-03-20-003 | CO57562-2 | Allah-Bye | MDD 006, UtD 2007 | DE5713c | |
57-03-20-004 | CO57562- | Allah-Bye | DE5713d | ||
57-03-20-005 | CO57562- | Allah-Bye | DE5713e | ||
57-03-20-006 | CO57562-3 | Allah-Bye | DE5713f | ||
57-03-20-007 | CO57562-4 | Allah-Bye | FMRS FM-4001/02 | DE5713g | |
57-03-20-008 | CO57562-5 | Allah-Bye | CBS 88653(D) | DE5713h | |
DUKE ELLINGTON GROUP | Same session | ||||
Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-03-20-009 | CO57338-1 | Piano Improvisation No. 1 | UtD 2007 | DE5713i | |
57-03-20-010 | CO57338-2 | Piano Improvisation No. 1 | CBS 88653(D), Co 5129202(D), Co CK-87042(D)(S)(T), UtD 2007 | DE5713j | |
57-03-20-011 | CO57338-3 | Piano Improvisation No. 2 | DE5713k | ||
57-03-20-012 | CO57338-4 | Piano Improvisation No. 2 | CBS 88653(D), Co 5129202(D), Co CG-33961(D), Co CK-87042(D)(S)(T) | DE5713l | |
57-03-20-013 | CO57338-5 | Piano Improvisation No. 3 | CBS 88653(D), Co 5129202(D), Co CG-33961(D), Co CK-87042(D)(S)(T) | DE5713m | |
Duke Ellington(p); Sam Woodyard(d) | |||||
57-03-20-014 | CO57338-6 | Piano Improvisation No. 4 (Bitches’ Ball) | CBS 88653(D), Co 5129202(D), Co CG-33961(D), Co CK-87042(D)(S)(T) | DE5713n | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 April 1957 | |||
Concert, Medinah Temple | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-04-03-001 | ¬ East St. Louis Toodle-O | DE5714a | |||
57-04-03-002 | _| Rockin’ In Rhythm | DE5714b | |||
57-04-03-003 | ¬ Mood Indigo | DE5714c | |||
57-04-03-004 | - | It Don’t Mean A Thing - vRN | DE5714d | |||
57-04-03-005 | - | Sophisticated Lady | DE5714e | |||
57-04-03-006 | - | In A Sentimental Mood | DE5714f | |||
57-04-03-007 | _| Solitude - vJG | DE5714g | |||
57-04-03-008 | ¬ Caravan | DE5714h | |||
57-04-03-009 | _| I Let A Song Go Out Of My Heart | DE5714i | |||
57-04-03-010 | Boy Meets Horn | DE5714j | |||
57-04-03-011 | ¬ Take The “A” Train | DE5714k | |||
57-04-03-012 | - | I Got It Bad | DE5714l | |||
57-04-03-013 | _| Perdido | DE5714m | |||
57-04-03-014 | ¬ Don’t Get Around Much Anymore | DE5714n | |||
57-04-03-015 | - | Do Nothin’ Till You Hear From Me - vJG | DE5714o | |||
57-04-03-016 | - | I’m Beginning To See The Light | DE5714p | |||
57-04-03-017 | _| Things Ain’t What They Used To Be | DE5714q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 April 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-04-15-001 | CO57712-6 | - 02. Sonnet For Caesar | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5715a | |
57-04-15-002 | CO57713-4 | - 05. Sonnet In Search Of A Moor | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5715b | |
57-04-15-003 | CO57714- | - 10. Madness In Great Ones | DE5715c | ||
57-04-15-004 | CO57715-2 | - 08. Sonnet For Sister Kate | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5715d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 April 1957 | |||
MBS Broadcast, "Bandstand U.S.A.", Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-04-20-001 | Take The “A” Train (theme) | DE9008a | |||
57-04-20-002 | Cop-Out | DE9008b | |||
57-04-20-003 | I Got It Bad | DE9008c | |||
57-04-20-004 | Rock City Rock - vJG | DE9008d | |||
57-04-20-005 | Rock City Rock - vJG | DE9008e | |||
57-04-20-006 | Sophisticated Lady | DE9008f | |||
57-04-20-007 | Caravan | DE9008g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 April 1957 | |||
CBS Broadcast, Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-04-21-001 | Take The “A” Train (theme) | DE5716a | |||
57-04-21-002 | Things Ain’t What They Used To Be | DE5716b | |||
57-04-21-003 | Newport Up | DE5716c | |||
57-04-21-004 | Mood Indigo | DE5716d | |||
57-04-21-005 | Rock City Rock - vJG | DE5716e | |||
57-04-21-006 | What Else Can You Do With A Drum? - vOB | DE5716f | |||
57-04-21-007 | Cop-Out | DE5716g | |||
57-04-21-008 | Mood Indigo | DE5716h | |||
DUKE ELLINGTON GROUP | New York City, NY | 23 April 1957 | |||
NBC Telecast, "Tonight! America After Dark", Hickory House | |||||
Johnny Hodges(as); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford(sb); Max Roach(d) | |||||
57-04-23-001 | Take The “A” Train | MDD 005(D) | DE5717a | ||
57-04-23-002 | Things Ain’t What They Used To Be | MDD 005(D) | DE5717b | ||
57-04-23-003 | Perdido | MDD 005(D) | DE5717c | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington Ben Gross(tk) | |||||
57-04-23-004 | Interview by Ben Gross | DE5717d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 April 1957 | |||
Columbia Recording Session | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-04-24-001 | CO57721- | - 07. Up And Down, Up And Down | Co CK-65568(D)(S)(T) | DE5718xa | |
57-04-24-002 | CO57721-12 | - 07. Up And Down, Up And Down (S)(T) | Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5718a | |
57-04-24-003 | CO57722-3 | - 01. Such Sweet Thunder | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5718b | |
57-04-24-004 | CO57723-4 | - 04. Lady Mac | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5718c | |
DE5718a contains the famous Puck quotation by Clark Terry. | |||||
DUKE ELLINGTON | 26 April 1957 | ||||
NBC Telecast, "Close-Up", Waldorf Astoria Hotel | |||||
Duke Ellington(p,tk); Tex McCrary, Jinx Falkenburg Jerry Valburn(tk) | |||||
57-04-26-001 | Interview by Tex McCrary and Jinx Falkenburg | DE5719a | |||
57-04-26-002 | Piano Interlude | DE5719b | |||
TDWAW titles this “Self Portrait of Duke Ellington”. It was later recorded under the title “Take It Slow” (July 25, 1962). | |||||
57-04-26-003 | What Else Can You Do With A Drum? | DE5719c | |||
57-04-26-004 | Mood Indigo | DE5719d | |||
57-04-26-005 | Lady Mac | DE5719e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 April 1957 | |||
MBS Broadcast, "Bandstand U.S.A.", Birdland | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-04-27-001 | Take The “A” Train (theme) | DE9009a | |||
57-04-27-002 | Rock City Rock - vJG | DE9009b | |||
57-04-27-003 | Sophisticated Lady | DE9009c | |||
57-04-27-004 | Perdido | DE9009d | |||
57-04-27-005 | ¬ Mood Indigo | DE9009e | |||
57-04-27-006 | _| Solitude - vJG | DE9009f | |||
57-04-27-007 | Jam With Sam | DE9009g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 April 1957 | |||
Concert, Town Hall | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-04-28-001 | - 02. Sonnet For Caesar | DE5720a | |||
57-04-28-002 | - 03. Sonnet To Hank Cinq | DE5720b | |||
57-04-28-003 | - 06. The Telecasters | DE5720c | |||
57-04-28-004 | - 04. Lady Mac | DE5720d | |||
57-04-28-005 | - 05. Sonnet In Search Of A Moor | DE5720e | |||
57-04-28-006 | - 01. Such Sweet Thunder | DE5720f | |||
57-04-28-007 | - 08. Sonnet For Sister Kate | DE5720g | |||
57-04-28-008 | - 07. Up And Down, Up And Down | DE5720h | |||
57-04-28-009 | - 09. Star-Crossed Lovers | DE5720i | |||
57-04-28-010 | - 10. Madness In Great Ones | DE5720j | |||
57-04-28-011 | - 11. Half The Fun | DE5720k | |||
DUKE ELLINGTON | 29 April 1957 | ||||
Telecast, Waldorf Astoria Hotel | |||||
Duke Ellington Harry Rasky(tk) | |||||
57-04-29-001 | Interview by Harry Rasky | DE9041a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 May 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-05-03-001 | CO57906-7 | - 03. Sonnet To Hank Cinq | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5721a | |
57-05-03-002 | CO57907- | - 06. The Telecasters | Co CK-65568(D)(S)(T) | DE5721xa | |
57-05-03-003 | CO57907-4 | - 06. The Telecasters | Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5721b | |
57-05-03-004 | CO57714-4 | - 10. Madness In Great Ones | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5721c | |
57-05-03-005 | CO57714- | - 10. Madness In Great Ones | Co CL-1033*, Co COL-469140-2*(D) | DE5721xd | |
57-05-03-006 | CO57015- | - 09. Star-Crossed Lovers | Co CK-65568(D)(S)(T), Co CL-1033*, Co COL-469140-2*(D) | DE5721xb | |
57-05-03-007 | CO57015-4 | - 09. Star-Crossed Lovers | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5721d | |
57-05-03-008 | CO57908-2 | - 12. Circle Of Fourths | Co CK-65568(D)(S)(T), Co CL-1033, Co COL-469140-2(D), UA NUA-7(D) | DE5721e | |
57-05-03-009 | CO57908-4 | - 12. Circle Of Fourths | Co CK-65568(D)(S)(T) | DE5721xc | |
DUKE ELLINGTON AND HIS ORCHESTRA | Carrolltown, PA | 22 June 1957 | |||
Dance Sunset Ballroom | |||||
Willie Cook, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-06-22-001 | Stompin’ At The Savoy | Jz J-304(D) | DE5722a | ||
57-06-22-002 | Sophisticated Lady | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722b | ||
57-06-22-003 | Stardust | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722c | ||
57-06-22-004 | Jeep’s Blues | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722d | ||
57-06-22-005 | All Of Me | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722e | ||
57-06-22-006 | Perdido | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722f | ||
57-06-22-007 | Mood Indigo | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722g | ||
57-06-22-008 | Bassment | COL CD-6656, DJ W2X-39137 | DE5722h | ||
57-06-22-009 | Flamingo - vJG | DE5722i | |||
57-06-22-010 | Do Nothin’ Till You Hear From Me - vJG | DE5722j | |||
57-06-22-011 | Take The “A” Train | COL CD-6656, DJ W2X-39137 | DE5722k | ||
57-06-22-012 | Take The “A” Train - vRN | COL CD-6656, DJ W2X-39137, Jz J-304(D) | DE5722l | ||
57-06-22-013 | Such Sweet Thunder | COL CD-6656, DJ W2X-39137 | DE5722m | ||
Harold Baker(t); Quentin Jackson, John Sanders(tb); Russell Procope(cl); Duke Ellington(p); Joe Benjamin(sb); Sam Woodyard(d) | |||||
57-06-22-014 | There’ll Be Some Changes Made | DE5722n | |||
As before | |||||
57-06-22-015 | Cop-Out | COL CD-6656, DJ W2X-39137, Ko AW-14165(D) | DE5722o | ||
57-06-22-016 | Frustration | COL CD-6656, DJ W2X-39137, Ko AW-14165(D) | DE5722p | ||
57-06-22-017 | Take The “A” Train | DE5722q | |||
57-06-22-018 | The Hawk Talks | DE5722r | |||
57-06-22-019 | Three Little Words | Jz J-304(D), Ko AW-14165(D) | DE5722s | ||
57-06-22-020 | As Time Goes By | Jz J-304(D), Ko AW-14165(D) | DE5722t | ||
57-06-22-021 | Happy One | Ko AW-14165(D) | DE5722u | ||
57-06-22-022 | Caravan | DE5722v | |||
57-06-22-023 | ¬ Diminuendo In Blue | COL CD-6656, DJ W2X-39137 | DE5722w | ||
57-06-22-024 | - | Wailing Interval | COL CD-6656, DJ W2X-39137 | DE5722x | ||
57-06-22-025 | _| Crescendo In Blue | COL CD-6656, DJ W2X-39137 | DE5722y | ||
57-06-22-026 | Things Ain’t What They Used To Be | DE5722z | |||
57-06-22-027 | I Got It Bad | COL CD-6656, DJ W2X-39137 | DE5722aa | ||
57-06-22-028 | On The Sunny Side Of The Street | COL CD-6656, DJ W2X-39137 | DE5722ab | ||
57-06-22-029 | ¬ I Let A Song Go Out Of My Heart | DE5722ac | |||
57-06-22-030 | _| Don’t Get Around Much Anymore - vRN | DE5722ad | |||
ELLA FITZGERALD WITH DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 June 1957 | |||
Verve recording session, Fine Sound Studios | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Frank Foster(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
57-06-24-001 | 21033-6 | Day Dream - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5723a | |
Billy Strayhorn out. Add Dizzy Gillespie(t); Duke Ellington(p) | |||||
57-06-24-002 | 21034-5 | Take The “A” Train - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5723b | |
ELLA FITZGERALD WITH DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 June 1957 | |||
Verve recording session | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
57-06-25-001 | 21036-6 | Everything But You - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5724a | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
57-06-25-002 | 21037-6 | I Got It Bad - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5724b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
57-06-25-003 | 21038-3 | Drop Me Off In Harlem - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5724c | |
57-06-25-004 | 21039-4 | Lost In Meditation - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5724d | |
57-06-25-005 | 21040-4 | I Ain’t Got Nothin’ But the Blues - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5724e | |
ELLA FITZGERALD WITH DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 June 1957 | |||
Verve recording session | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
57-06-26-001 | 21049-2 | Clementine - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5725a | |
57-06-26-002 | 21050-1 | I’m Just A Lucky So And So - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5725b | |
57-06-26-003 | 21051-12 | I’m Beginning To See The Light - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5725c | |
57-06-26-004 | 21052-2 | I Didn’t Know About You - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5725d | |
57-06-26-005 | 21053-3 | Rockin’ In Rhythm - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5725e | |
ELLA FITZGERALD WITH DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 June 1957 | |||
Verve recording session | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
57-06-27-001 | 21063-3 | All Too Soon - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5726a | |
57-06-27-002 | 21064-8 | Caravan - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5726b | |
57-06-27-003 | 21065-7 | Bli-Blip - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5726c | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
57-06-27-004 | 21066- | Chelsea Bridge - vEF | Ve 559248-2(D)(S)(T) | DE5726d | |
57-06-27-005 | 21066- | Chelsea Bridge - vEF | Ve 559248-2(D)(S)(T) | DE5726e | |
57-06-27-006 | 21066- | Chelsea Bridge - vEF | Ve 559248-2(D)(S)(T) | DE5726f | |
57-06-27-007 | 21066- | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T) | DE5726g | |
57-06-27-008 | 21066- | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T) | DE5726h | |
57-06-27-009 | 21066- | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T) | DE5726i | |
57-06-27-010 | 21066- | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T) | DE5726j | |
57-06-27-011 | 21066- | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T) | DE5726k | |
57-06-27-012 | 21066-8 | Chelsea Bridge - vEF | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5726l | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
57-06-27-013 | 21067-4 | Perdido - vEF | Ve 314519837-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4008-2 | DE5726m | |
57-06-27-014 | 21068-2 | E And D Blues - vEF | Ve 314519839-2(D), Ve MGV-4009-2 | DE5726n | |
DUKE ELLINGTON AND HIS ORCHESTRA | Highland Park, IL | 01 July 1957 | |||
Concert, Ravinia Park | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-07-01-001 | - 01. Such Sweet Thunder | DE9097a | |||
57-07-01-002 | - 08. Sonnet For Sister Kate | DE9097b | |||
57-07-01-003 | - 07. Up And Down, Up And Down | MDD 006 | DE9097c | ||
57-07-01-004 | - 09. Star-Crossed Lovers | DE9097d | |||
57-07-01-005 | - 10. Madness In Great Ones | DE9097e | |||
57-07-01-006 | - 11. Half The Fun | DE9097f | |||
57-07-01-007 | - 12. Circle Of Fourths | DE9097g | |||
57-07-01-008 | Jam With Sam | DE9097h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 July 1957 | |||
NBC Monitor Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Henderson Chambers, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Guy Warren(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-07-12-001 | Rock City Rock - vJG | TOM 10 | DE5727a | ||
57-07-12-002 | You Better Know It - vOB | TOM 10 | DE5727b | ||
57-07-12-003 | I Got It Bad | TOM 10 | DE5727c | ||
DUKE ELLINGTON AND HIS RHYTHM WITH THE BUFFALO PHILHARMONIC ORCHESTRA | Buffalo, NY | 23 July 1957 | |||
Concert, Kleinhans Music Hall | |||||
Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) with the Buffalo Philharmonic Orchestra | |||||
57-07-23-001 | NEW WORLD A-COMIN' | DE5728a | |||
57-07-23-002 | Stalking Monster | DE5728b | |||
Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) only | |||||
57-07-23-003 | Take The “A” Train | DE5728c | |||
57-07-23-004 | Portrait In Blues | DE5728d | |||
As before | |||||
57-07-23-005 | Mood Indigo | DE5728e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stony Brook, NY | 27 July 1957 | |||
Concert, Dogwood Hollow | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-07-27-001 | Take The “A” Train (theme) | DE5729a | |||
57-07-27-002 | Black And Tan Fantasy | DE5729b | |||
57-07-27-003 | Newport Up | DE5729c | |||
57-07-27-004 | Sophisticated Lady | DE5729d | |||
57-07-27-005 | What Else Can You Do With A Drum - vOB | DE5729e | |||
57-07-27-006 | You Better Know It - vOB | DE5729f | |||
57-07-27-007 | Jeep’s Blues | DE5729g | |||
57-07-27-008 | All Of Me | DE5729h | |||
57-07-27-009 | Rock City Rock - vJG | DE5729i | |||
57-07-27-010 | La Virgen De La Macarena | DE5729j | |||
57-07-27-011 | Skin Deep | DE5729k | |||
Medley | DE5729l | ||||
57-07-27-012 | - 1. Don’t Get Around Much Anymore | ||||
57-07-27-013 | - 2. Do Nothin’ Till You Hear From Me - vJG | ||||
57-07-27-014 | - 3. In A Sentimental Mood | ||||
57-07-27-015 | - 4. Mood Indigo | ||||
57-07-27-016 | - 5. I’m Beginning To See The Light | ||||
57-07-27-017 | - 6. Sophisticated Lady | ||||
57-07-27-018 | - 7. Caravan | ||||
57-07-27-019 | - 8. I Got It Bad | ||||
57-07-27-020 | - 9. It Don’t Mean A Thing | ||||
57-07-27-021 | - 10. Solitude - vJG | ||||
57-07-27-022 | - 11. C-Jam Blues | ||||
57-07-27-023 | - 12. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 July 1957 | |||
Concert, East River Park Ampitheater | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-07-29-001 | Star Spangled Banner | X-YT 4(YT) | DE5730a | ||
57-07-29-002 | Black And Tan Fantasy | X-YT 4(YT) | DE5730b | ||
57-07-29-003 | Perdido | X-YT 4(YT) | DE5730c | ||
57-07-29-004 | Clarinet Melodrama | DE5730d | |||
57-07-29-005 | Theme for Trambean | X-YT 4(YT) | DE5730e | ||
57-07-29-006 | Sophisticated Lady | DE5730f | |||
57-07-29-007 | Congo Square | X-YT 4(YT) | DE5730g | ||
57-07-29-008 | Take The “A” Train - vRN | DE5730h | |||
57-07-29-009 | Just Squeeze Me - vRN | DE5730i | |||
57-07-29-010 | La Virgen De La Macarena | DE5730j | |||
57-07-29-011 | What Else Can You Do With A Drum - vOB | DE5730k | |||
57-07-29-012 | You Better Know It - vOB | DE5730l | |||
57-07-29-013 | V.I.P. Boogie | DE5730m | |||
57-07-29-014 | Jam With Sam | DE5730n | |||
57-07-29-015 | The Hawk Talks | X-YT 4(YT) | DE5730o | ||
57-07-29-016 | Jeep’s Blues | X-YT 4(YT) | DE5730p | ||
57-07-29-017 | All Of Me | X-YT 4(YT) | DE5730q | ||
57-07-29-018 | Flamingo - vJG | X-YT 4(YT) | DE5730r | ||
57-07-29-019 | Do Nothin’ Till You Hear From Me - vJG | X-YT 4(YT) | DE5730s | ||
57-07-29-020 | Rock City Rock - vJG | X-YT 4(YT) | DE5730t | ||
57-07-29-021 | Skin Deep | DE5730u | |||
Medley | DE5730v | ||||
57-07-29-022 | - 1. Don’t Get Around Much Anymore | ||||
57-07-29-023 | - 2. Do Nothin’ Till You Hear From Me | ||||
57-07-29-024 | - 3. In A Sentimental Mood | ||||
57-07-29-025 | - 4. Mood Indigo | ||||
57-07-29-026 | - 5. I’m Beginning To See The Light | ||||
57-07-29-027 | - 6. Sophisticated Lady | ||||
57-07-29-028 | - 7. Caravan | ||||
57-07-29-029 | - 8. I Got It Bad | ||||
57-07-29-030 | - 9. It Don’t Mean A Thing | ||||
57-07-29-031 | - 10. Solitude - vJG | ||||
57-07-29-032 | - 11. C-Jam Blues | ||||
57-07-29-033 | - 12. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON | Chicago, IL | 07 August 1957 | |||
CBS Broadcast, "The Howard Miller Show", for the radio station WIND | |||||
Duke Ellington, Howard Miller(tk) | |||||
57-08-07-001 | Interview by Howard Miller (YT) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 August 1957 | |||
NBC Monitor Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-08-24-001 | What Else Can You Do With A Drum - vOB | DE5731a | |||
57-08-24-002 | Newport Up | DE5731b | |||
57-08-24-003 | Jeep’s Blues | DE5731c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 August 1957 | |||
NBC Monitor Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Joya Sherrill, Ozzie Bailey(v) | |||||
57-08-31-001 | Take The “A” Train (theme) | DE5732a | |||
57-08-31-002 | Rhumbop - vJS | DE5732b | |||
57-08-31-003 | Pomegranate - vOB | DE5732c | |||
57-08-31-004 | Such Sweet Thunder | DE5732d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 02 September 1957 | |||
Verve recording session, Universal Studios | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
PORTRAIT OF ELLA FITZGERALD | |||||
57-09-02-001 | 21380-13 | - 1. Royal Ancestry | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5733a | |
57-09-02-002 | 21381- | - 2. All Heart | DE5733b | ||
57-09-02-003 | 21381- | - 2. All Heart | DE5733c | ||
57-09-02-004 | 21381- | - 2. All Heart | DE5733d | ||
57-09-02-005 | 21381- | - 2. All Heart | DE5733e | ||
57-09-02-006 | 21381-1 | - 2. All Heart | Ve 559248-2(D)(S)(T) | DE5733xa | |
57-09-02-007 | 21381-3 | - 2. All Heart | Ve 559248-2(D)(S)(T) | DE5733xb | |
57-09-02-008 | 21381-6 | - 2. All Heart | Ve 559248-2(D)(S)(T) | DE5733xc | |
57-09-02-009 | 21381-8 | - 2. All Heart | Ve 559248-2(D)(S)(T) | DE5733xd | |
57-09-02-010 | 21381-12 | - 2. All Heart | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5733f | |
57-09-02-011 | 21382-7 | - 3. Beyond Category | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5733g | |
57-09-02-012 | 21383-4 | - 4. Total Jazz | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5733h | |
DUKE ELLINGTON AND HIS ORCHESTRA | Stratford, Canada | 05 September 1957 | |||
Concert, Festival Theatre | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
SUCH SWEET THUNDER | |||||
57-09-05-001 | - 02. Sonnet For Caesar | DE5734a | |||
57-09-05-002 | - 03. Sonnet To Hank Cinq | DE5734b | |||
57-09-05-003 | - 06. The Telecasters | DE5734c | |||
57-09-05-004 | - 04. Lady Mac | DE5734d | |||
57-09-05-005 | - 12. Circle Of Fourths | DE5734e | |||
57-09-05-006 | - 05. Sonnet In Search Of A Moor | DE5734f | |||
57-09-05-007 | - 01. Such Sweet Thunder | DE5734g | |||
57-09-05-008 | - 08. Sonnet For Sister Kate | DE5734h | |||
57-09-05-009 | - 07. Up And Down, Up And Down | DE5734i | |||
57-09-05-010 | - 09. Star-Crossed Lovers | DE5734j | |||
57-09-05-011 | - 10. Madness In Great Ones | DE5734k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 September 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
57-09-09-001 | CO59716- | Commercial Time | CBS 88653(D), JBt 527(D) | DE5735a | |
57-09-09-002 | CO59717- | Tenderly | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5735b | |
57-09-09-003 | CO59718- | Autumn Leaves - vOB | Co CK-66372, JBt 527(D) | DE5735c | |
57-09-09-004 | CO59719- | Mood Indigo | CBS 88653(D), JBt 527(D) | DE5735d | |
57-09-09-005 | CO59719- | Mood Indigo | CBS 88653(D), Co CL-1085(D), JBt 527(D) | DE5735e | |
57-09-09-006 | CO59719- | Mood Indigo | Co CK-44444, Co CS-8053, JBt 527(D) | DE5735f | |
DUKE ELLINGTON AND VIC DAMONE | New York City, NY | 11 September 1957 | |||
CBS Telecast, "The Vic Damone Show" | |||||
Duke Ellington(p); Vic Damone(v) with the Bert Farber Orchestra | |||||
57-09-11-001 | Take The “A” Train | DE5736a | |||
Medley: | DE5736b | ||||
57-09-11-002 | - 1. Don’t Get Around Much Anymore | ||||
57-09-11-003 | - 2. Solitude - vVD | ||||
57-09-11-004 | - 3. I’m Beginning To See The Light | ||||
57-09-11-005 | - 4. Do Nothin’ Till You Hear From Me | ||||
57-09-11-006 | - 5. I Let A Song Go Out Of My Heart | ||||
57-09-11-007 | - 6. I Got It Bad - vVD | ||||
57-09-11-008 | - 7. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | September 1957 | |||
MBS Broadcast, Storyville | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-09-31-001 | Take The “A” Train (theme) | DE5737a | |||
57-09-31-002 | Jeep’s Blues | DE5737b | |||
57-09-31-003 | Newport Up | DE5737c | |||
57-09-31-004 | La Virgen De La Macarena | DE5737d | |||
57-09-31-005 | Just Squeeze Me - vRN | DE5737e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 October 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
57-10-01-001 | CO59896-2 | Dancing In The Dark | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5738a | |
57-10-01-002 | CO59897-3 | Prelude To A Kiss | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5738b | |
57-10-01-003 | CO5989-8-1 | Autumn Leaves - vOB | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5738c | |
DUKE ELLINGTON AND BILLY STRAYHORN | New York City, NY | 03 October 1957 | |||
Verve recording session, Fine Sound Studios | |||||
Billy Strayhorn(p); Duke Ellington(tk) | |||||
57-10-03-001 | -1 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xa | |
57-10-03-002 | -2 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xb | |
57-10-03-003 | -3 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xc | |
57-10-03-004 | -4 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xd | |
57-10-03-005 | -5 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xe | |
57-10-03-006 | -6 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xf | |
57-10-03-007 | -7 | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 559248-2(D)(S)(T) | DE5739xg | |
57-10-03-008 | 21557- | Narration To “PORTRAIT OF ELLA FITZGERALD” 1st Movement | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5739a | |
57-10-03-009 | 21557- | Narration To “PORTRAIT OF ELLA FITZGERALD” 2nd Movement | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5739b | |
57-10-03-010 | 21557- | Narration To “PORTRAIT OF ELLA FITZGERALD” 3rd Movement | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5739c | |
Duke Ellington(p); Billy Strayhorn(tk) | |||||
57-10-03-011 | -1 | Narration To “PORTRAIT OF ELLA FITZGERALD” 4th Movement | Ve 559248-2(D)(S)(T) | DE5739xh | |
57-10-03-012 | 21557- | Narration To “PORTRAIT OF ELLA FITZGERALD” 4th Movement | Ve 314519839-2(D), Ve 559248-2(D)(S)(T), Ve MGV-4009-2 | DE5739d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 October 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-10-10-001 | CO59936- | Willow weep For Me | CBS 88563, Co CL-1085(D), JBt 527(D) | DE5740a | |
57-10-10-002 | CO59936- | Willow weep For Me | Co CK-44444, Co CS-8053, JBt 527(D) | DE5740b | |
57-10-10-003 | CO59937- | Where Or When | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5740c | |
57-10-10-004 | CO59937- | Where Or When | CBS 88563, JBt 527(D) | DE5740d | |
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-10-10-005 | CO59938- | All The Things You Are | CBS 88563, Co 5129202(D), Co CK-87042(D)(S)(T), JBt 527(D) | DE5740e | |
57-10-10-006 | CO59938- | All The Things You Are | CBS 88563, Co 5129202(D), Co CK-44444, Co CK-87042(D)(S)(T), FMRS FM-4001/02, JBt 527(D) | DE5740f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
57-10-10-007 | CO59939- | Night And Day | CBS 88563, Co CK-44444, JBt 527(D) | DE5740g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 October 1957 | |||
NBC Telecast: "Standard Oil 75th Anniversary" Esso Show. | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-10-13-001 | Take The “A” Train (theme) | DE5741a | |||
57-10-13-002 | Such Sweet Thunder | DE5741b | |||
57-10-13-003 | The Telecasters | DE5741c | |||
57-10-13-004 | Lady Mac | DE5741d | |||
Medley: | DE5741e | ||||
57-10-13-005 | - 1. Do Nothin’ Till You Hear From Me | ||||
57-10-13-006 | - 2. I’m Beginning To See The Light | ||||
57-10-13-007 | - 3. Sophisticated Lady | ||||
57-10-13-008 | - 4. Caravan | ||||
57-10-13-009 | - 5. Mood Indigo | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 October 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-10-14-001 | CO59960-3 | Solitude | Co CK-44444, Co CL-1085(D), Co CS-8053, JBt 527(D) | DE5742a | |
57-10-14-002 | CO59961-10 | My Heart, My Mind, My Everything - vJG | CBS 26306(D), Co 4-41098, Co CK-66372, JBt 527(D) | DE5742b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 November 1957 | |||
Dance, Holiday Ballroom | |||||
Willie Cook, Cat Anderson, Harold Baker, Clark Terry(t); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-11-10-001 | Creole Love Call | DESS CD-5(D) | DE5743a | ||
57-11-10-002 | Deep Purple | DE5743b | |||
57-11-10-003 | Blue Jean Beguine | DESS CD-5(D) | DE5743c | ||
57-11-10-004 | Happy One | DESS CD-5(D) | DE5743d | ||
57-11-10-005 | Take The “A” Train | DE5743e | |||
57-11-10-006 | Perdido | DE5743f | |||
57-11-10-007 | Cop-Out | DE5743g | |||
57-11-10-008 | Sophisticated Lady | DE5743h | |||
57-11-10-009 | What Else Can You Do With A Drum? - vOB | DESS CD-5(D) | DE5743i | ||
57-11-10-010 | You Better Know It - vOB | DE5743j | |||
57-11-10-011 | My Funny Valentine | DE5743k | |||
57-11-10-012 | Jeep’s Blues | DE5743l | |||
57-11-10-013 | All Of Me | DE5743m | |||
57-11-10-014 | Take The “A” Train - vRN | DE5743n | |||
57-11-10-015 | Just Squeeze Me - vRN | DE5743o | |||
57-11-10-016 | Skin Deep | DE5743p | |||
57-11-10-017 | In The Mood | DESS CD-5(D) | DE5743q | ||
57-11-10-018 | Flamingo - vJG | DESS CD-5(D) | DE5743r | ||
57-11-10-019 | Do Nothin’ Till ou Hear From Me - vJG | DESS CD-5(D) | DE5743s | ||
57-11-10-020 | Blue Moon - vJG | DESS CD-5(D) | DE5743t | ||
57-11-10-021 | Mambo Jambo | DESS CD-5(D) | DE5743u | ||
57-11-10-022 | Mambo Jambo | DESS CD-5(D) | DE5743v | ||
57-11-10-023 | Such Sweet Thunder | DESS CD-5(D) | DE5743w | ||
57-11-10-024 | Star-Crossed Lovers | DESS CD-5(D) | DE5743x | ||
57-11-10-025 | Passion Flower | DESS CD-5(D) | DE5743y | ||
57-11-10-026 | Madness In Great Ones | DESS CD-5(D) | DE5743z | ||
57-11-10-027 | Mood Indigo | DE5743aa | |||
57-11-10-028 | What Am I Herer For? | DESS CD-5(D) | DE5743ab | ||
57-11-10-029 | ¬ Diminuendo In Blue | DESS CD-5(D) | DE5743ac | ||
57-11-10-030 | - | Wailing Interval | DESS CD-5(D) | DE5743ad | ||
57-11-10-031 | _| Crescendo In Blue | DESS CD-5(D) | DE5743ae | ||
57-11-10-032 | Autumn Leaves - vOB | DESS CD-5(D) | DE5743af | ||
57-11-10-033 | Caravan | DE5743ag | |||
57-11-10-034 | Mambo Jambo | DESS CD-5(D) | DE5743ah | ||
57-11-10-035 | Love You Madly - vJG | DESS CD-5(D) | DE5743ai | ||
57-11-10-036 | Good Girl Blues - vJG | DE5743aj | |||
57-11-10-037 | Laura | DE5743ak | |||
57-11-10-038 | Mood Indigo | DE5743al | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 25 November 1957 | |||
WGN TV Telecast, "Hour Of Music" | |||||
Willie Cook, Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Rick Henderson(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom,Lurlean Hunter(v) | |||||
57-11-25-001 | Take The “A” Train (theme) | Jo LP-1023 | DE5744a | ||
57-11-25-002 | Jam With Sam | Jo LP-1023 | DE5744b | ||
Duke Ellington(p) | |||||
57-11-25-003 | Soda Fountain Rag | Jo LP-1023 | DE5744c | ||
As before | |||||
57-11-25-004 | Such Sweet Thunder | Jo LP-1023 | DE5744d | ||
57-11-25-005 | The Telecasters | Jo LP-1023 | DE5744e | ||
57-11-25-006 | Lady Mac | Jo LP-1023 | DE5744f | ||
PERFUME SUITE | |||||
57-11-25-007 | - 1. Balcony Serenade | Jo LP-1023 | DE5744g | ||
57-11-25-008 | - 2. Strange Feeling - vJG | Jo LP-1023 | DE5744h | ||
57-11-25-009 | - 3. Coloratura | Jo LP-1023 | DE5744i | ||
57-11-25-010 | - 4. Dancers In Love | Jo LP-1023 | DE5744j | ||
57-11-25-011 | I’m Beginning To See The Light - vLHu | Jo LP-1023 | DE5744k | ||
57-11-25-012 | Don’t You Know I Care - vLHu | Jo LP-1023 | DE5744l | ||
Medley: | DE5744m | ||||
57-11-25-013 | - 1. Don’t Get Around Much Anymore | ||||
57-11-25-014 | - 2. Do Nothin’ Till You Hear From Me | ||||
57-11-25-015 | - 3. In A Sentimental Mood | ||||
57-11-25-016 | - 4. Mood Indigo | ||||
57-11-25-017 | - 5. I’m Beginning To See The Light | ||||
57-11-25-018 | - 6. Sophisticated Lady | ||||
57-11-25-019 | - 7. Caravan | ||||
57-11-25-020 | - 8. I Got It Bad | ||||
57-11-25-021 | - 9. Just Squeeze Me - vRN | ||||
57-11-25-022 | - 10. It Don’t Mean A Thing - vRN | ||||
57-11-25-023 | - 11. Solitude | ||||
57-11-25-024 | - 12. C-Jam Blues | ||||
57-11-25-025 | - 13. I Let A Song & Don’t Get Around Much | ||||
57-11-25-026 | Satin Doll | Jo LP-1023 | DE5744n | ||
57-11-25-027 | Take The “A” Train (theme) | DE5744o | |||
Clark Terry notes this date as the first recording session in which he played the flugelhorn | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 December 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-12-02-001 | CO59457-8 | Rondolet (Slamar In D Flat) | CBS 88653(D) | DE5745a | |
PERFUME SUITE | |||||
57-12-02-002 | CO59458-2 | - 4. Coloratura | Co COL-469139-2(D), Co FC-38028(D) | DE5745b | |
57-12-02-003 | CO59459-6 | - 1. Balcony Serenade | Co COL-469139-2(D), Co FC-38028(D) | DE5745c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 December 1957 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom(v) | |||||
57-12-09-001 | CO59457- | Rondolet (Slamar In D Flat) | DE5746a | ||
57-12-09-002 | CO59486- | Together - vJG | CBS 26306(D), Co 4-41098 | DE5746b | |
PERFUME SUITE | |||||
57-12-09-003 | CO59487- | - 2. Strange Feeling - vJG | Co COL-469139-2(D), Co FC-38028(D) | DE5746c | |
57-12-09-004 | CO59488-2 | - 3. Dancers In Love | Co COL-469139-2(D), Co FC-38028(D) | DE5746d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 30 December 1957 | |||
NBC Telecast, Blue Note: "Timex All Star Jazz Show #1" | |||||
Willie Cook, Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
57-12-30-001 | Ballet Of The Flying Saucers | Du KLJ-20030, Ti CS-1 | DE5747a | ||
57-12-30-002 | Such Sweet Thunder | Du KLJ-20030, Ti CS-1 | DE5747b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1957 | |||
Broadcast, Blue Note | |||||
Willie Cook, Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
57-12-31-001 | Auld Lang Syne | DE5748a | |||
57-12-31-002 | Take The “A” Train (theme) | DE5748b | |||
57-12-31-003 | Auld Lang Syne | DE5748c | |||
57-12-31-004 | Newport Up | DE5748d | |||
57-12-31-005 | Together - vJG | DE5748e | |||
57-12-31-006 | La Virgen De La Macarena | DE5748f | |||
57-12-31-007 | You Better Know It - vOB | DE5748g | |||
57-12-31-008 | Star-Crossed Lovers | DE5748h | |||
57-12-31-009 | Such Sweet Thunder | DE5748i | |||
57-12-31-010 | ¬ Diminuendo In Blue | DE5748j | |||
57-12-31-011 | - | Wailing Interval | DE5748k | |||
57-12-31-012 | _| Crescendo In Blue | DE5748l | |||
57-12-31-013 | Such Sweet Thunder | DE5748m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 01 January 1958 | |||
Broadcast, Blue Note | |||||
Cat Anderson,Willie Cook, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Grissom, Ozzie Bailey(v) | |||||
58-01-01-001 | Take The “A” Train (theme) | DE9024a | |||
58-01-01-002 | The Telecasters | DE9024b | |||
58-01-01-003 | Jump For Joy - vRN | DE9024c | |||
58-01-01-004 | Passion Flower | DE9024d | |||
58-01-01-005 | Newport Up | DE9024e | |||
58-01-01-006 | C-Jam Blues (Duke’s Place) - vOB | DE9024f | |||
58-01-01-007 | My Heart, My Mind, My Everything - vJG | DE9024g | |||
DUKE ELLINGTON | Pensacola, FL | 21 January 1958 | |||
Broadcast, possibly Municipal Auditorium, WCOA-FM Radio Station | |||||
Duke Ellington Ted Cassidy(tk) | |||||
58-01-21-001 | Interview by Ted Cassidy | DE5802a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Biloxi, MS | 22 January 1958 | |||
1st Concert, Keesler Air Force Base | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-01-22-001 | Take The “A” Train (theme) | DE5801a | |||
58-01-22-002 | Stompin’ At The Savoy | DE5801b | |||
58-01-22-003 | What Else Can You Do With A Drum? - vOB | DE5801c | |||
58-01-22-004 | Autumn Leaves - vOB | DE5801d | |||
58-01-22-005 | La Virgen De La Macarena | DE5801e | |||
58-01-22-006 | Skin Deep | DE5801f | |||
Medley: | DE5801g | ||||
58-01-22-007 | - 1. Don’t Get Around Much Anymore | ||||
58-01-22-008 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-01-22-009 | - 3. In A Sentimental Mood | ||||
58-01-22-010 | - 4. Mood Indigo | ||||
58-01-22-011 | - 5. I’m Beginning To See The Light | ||||
58-01-22-012 | - 6. Sophisticated Lady | ||||
58-01-22-013 | - 7. Caravan | ||||
58-01-22-014 | - 8. I Got It Bad | ||||
58-01-22-015 | - 9. Just Squeeze Me - vRN | ||||
58-01-22-016 | - 10. It Don’t Mean A Thing - vRN | ||||
58-01-22-017 | - 11. Solitude | ||||
58-01-22-018 | - 12. C-Jam Blues | ||||
58-01-22-019 | - 13. I Let A Song & Don’t Get Around Much | ||||
58-01-22-020 | ¬ Diminuendo In Blue | DE5801h | |||
58-01-22-021 | - | Wailing Interval | DE5801i | |||
58-01-22-022 | _| Crescendo In Blue | DE5801j | |||
58-01-22-023 | Take The “A” Train (theme) | DE5801k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Biloxi, MS | 22 January 1958 | |||
2nd Concert, Keesler Air Force Base | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-01-22-024 | Take The “A” Train (theme) | DE5803a | |||
58-01-22-025 | Stompin’ At The Savoy | DE5803b | |||
58-01-22-026 | What Else Can You Do With A Drum? - vOB | DE5803c | |||
58-01-22-027 | You Better Know It - vOB | DE5803d | |||
58-01-22-028 | La Virgen De La Macarena | DE5803e | |||
58-01-22-029 | Skin Deep | DE5803f | |||
Medley: | DE5803g | ||||
58-01-22-030 | - 1. Don’t Get Around Much Anymore | ||||
58-01-22-031 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-01-22-032 | - 3. In A Sentimental Mood | ||||
58-01-22-033 | - 4. Mood Indigo | ||||
58-01-22-034 | - 5. I’m Beginning To See The Light | ||||
58-01-22-035 | - 6. Sophisticated Lady | ||||
58-01-22-036 | - 7. Caravan | ||||
58-01-22-037 | - 8. I Got It Bad | ||||
58-01-22-038 | - 9. Just Squeeze Me - vRN | ||||
58-01-22-039 | - 10. It Don’t Mean A Thing - vRN | ||||
58-01-22-040 | - 11. Solitude | ||||
58-01-22-041 | - 12. C-Jam Blues | ||||
58-01-22-042 | - 13. Satin Doll | ||||
58-01-22-043 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-01-22-044 | ¬ Diminuendo In Blue | MP Ell-86(D) | DE5803h | ||
58-01-22-045 | - | Wailing Interval | DE5803i | |||
58-01-22-046 | _| Crescendo In Blue | MP Ell-86(D) | DE5803j | ||
58-01-22-047 | Take The “A” Train (theme) | DE5803k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 04 February 1958 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-02-04-001 | RHCO40625-1 | Track 360 | DE5804xa | ||
58-02-04-002 | RHCO40625- | Track 360 | DE5804xb | ||
58-02-04-003 | RHCO40625-2 | Track 360 | DE5804xc | ||
58-02-04-004 | RHCO40625-3 | Track 360 | Co CK-65566(D)(S)(T) | DE5804xd | |
58-02-04-005 | RHCO40625-4 | Track 360 | DE5804xe | ||
58-02-04-006 | RHCO40625-5 | Track 360 | DE5804xf | ||
58-02-04-007 | RHCO40625-6 | Track 360 | DE5804xg | ||
58-02-04-008 | RHCO40625-7 | Track 360 | DE5804xh | ||
58-02-04-009 | RHCO40625-8 | Track 360 | DE5804xi | ||
58-02-04-010 | RHCO40625-9 | Track 360 | DE5804xj | ||
58-02-04-011 | RHCO40625-10 | Track 360 | DE5804xk | ||
58-02-04-012 | RHCO40625-11 | Track 360 | DE5804xl | ||
58-02-04-013 | RHCO40625-12 | Track 360 | DE5804xm | ||
58-02-04-014 | RHCO40625-13 | Track 360 | DE5804xn | ||
58-02-04-015 | RHCO40625-14 | Track 360 | DE5804xo | ||
58-02-04-016 | RHCO40625-15 | Track 360 | CBS 88653(D), Co CK-87041(D)(S)(T), FMRS FM-4001/02 | DE5804xp | |
58-02-04-017 | RHCO40625-16 | Track 360 | Co CK-44051(D), Co CK-87041(D)(S)(T), Co SF-1 | DE5804a | |
58-02-04-018 | RHCO40626-1 | Blues In Orbit | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5804b | |
BLACK, BROWN AND BEIGE | |||||
58-02-04-019 | ¬ | - 01. Worksong (Part I) | Co CK-65566(D)(S)(T) | DE5804xq | |
58-02-04-020 | | RHCO40627-1 | - 02. Come Sunday (Part II) | Co CK-65566(D)(S)(T) | DE5804xr | |
58-02-04-021 | _| | _| 03. Light (Part 3) | Co CK-65566(D)(S)(T) | DE5804xs | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 05 February 1958 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
BLACK, BROWN AND BEIGE | |||||
58-02-05-001 | RHCO40633-5 | - 01. Worksong (Part I) | Co CK-65566(D)(S)(T), Co CL-1162 | DE5805a | |
58-02-05-002 | RHCO40634-7 | - 02. Come Sunday (Part II) | Co CK-65566(D)(S)(T), Co CL-1162 | DE5805b | |
DUKE ELLINGTON AND MAHALIA JACKSON | Los Angeles, CA | 10 February 1958 | |||
Recorded rehearsal | |||||
Duke Ellington(p); Mahalia Jackson(v) | |||||
58-02-10-001 | 23rd Psalm - vMJk | DE5806a | |||
58-02-10-002 | 23rd Psalm - vMJk | DE5806b | |||
58-02-10-003 | 23rd Psalm - vMJk | DE5806c | |||
58-02-10-004 | 23rd Psalm - vMJk | DE5806d | |||
58-02-10-005 | Come Sunday - vMJk | DE5806e | |||
58-02-10-006 | Come Sunday - vMJk | DE5806f | |||
58-02-10-007 | Come Sunday - vMJk | DE5806g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 11 February 1958 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Mahalia Jackson(v) | |||||
BLACK, BROWN AND BEIGE | |||||
58-02-11-001 | RHCO40635-4 | - 02. Come Sunday (Part IV) - vMJk | Co CK-65566(D)(S)(T) | DE5807xa | |
58-02-11-002 | RHCO40635-10 | - 02. Come Sunday (Part IV) - vMJk | Co CK-47654, Co CK-65566(D)(S)(T), Co CL-1162 | DE5807a | |
58-02-11-003 | RHCO40636-1 | - 12 23rd Psalm(Part VI) - vMJk | Co CK-65566(D)(S)(T) | DE5807xb | |
58-02-11-004 | RHCO40636-8 | - 12 23rd Psalm(Part VI) - vMJk | Co CK-65566(D)(S)(T), Co CL-1162 | DE5807b | |
58-02-11-005 | RHCO40649- | - 03. Light (Part III) | DE5807c | ||
DUKE ELLINGTON AND MAHALIA JACKSON | Los Angeles, CA | 12 February 1958 | |||
Columbia Recording Session. Radio Recorders. | |||||
Duke Ellington(p); Mahalia Jackson(v) | |||||
58-02-12-001 | RHCO40651-1 | Come Sunday - vMJk | Co CK-65566(D)(S)(T) | DE5808xa | |
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
BLACK, BROWN AND BEIGE | |||||
58-02-12-002 | RHCO40652-3 | - 02. Come Sunday (Part V) | Co CK-65566(D)(S)(T) | DE5808xb | |
58-02-12-003 | RHCO40652-8 | - 02. Come Sunday (Part V) | Co CK-65566(D)(S)(T), Co CL-1162 | DE5808a | |
58-02-12-004 | RHCO40649-6 | - 03. Light | Co CK-65566(D)(S)(T), Co CL-1162 | DE5808b | |
58-02-12-005 | RHCO40626-2 | Blues In Orbit | Co CK-65566(D)(S)(T), Co CK-87041(D)(S)(T) | DE5808c | |
58-02-12-006 | RHCO40626-6 | Blues In Orbit | Co 4-41689(D) | DE5808xc | |
DUKE ELLINGTON AND HIS ORCHESTRA | Suisun City, CA | 04 March 1958 | |||
Dance, Travis Air Force Base | |||||
Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-03-04-001 | Where Or When | DE5809a | |||
58-03-04-002 | Smada | Ga 69323(D), JC JC-004(D) | DE5809b | ||
58-03-04-003 | Dancing In The Dark | LMR CD-83001 | DE5809c | ||
58-03-04-004 | Main Stem | LMR CD-83001 | DE5809d | ||
58-03-04-005 | Vivi | Ga 69323(D), JC JC-004(D) | DE5809e | ||
58-03-04-006 | Frivolous Banta | Ga 69323(D), JC JC-004(D) | DE5809f | ||
58-03-04-007 | Willow Weep For Me | JC JC-004(D), Sa 91230-2(D)(S)(T) | DE5809g | ||
58-03-04-008 | Just Scratchin’ The Surface | Ga 69323(D), JC JC-004(D) | DE5809h | ||
58-03-04-009 | Time On My Hands | LMR CD-83001 | DE5809i | ||
58-03-04-010 | Stompy Jones | LMR CD-83001 | DE5809j | ||
58-03-04-011 | Blues In Orbit | Ga 69323(D), JC JC-004(D), Sa 91230-2(D)(S)(T) | DE5809k | ||
58-03-04-012 | Bassment | Ga 69323(D), JC JC-004(D) | DE5809l | ||
58-03-04-013 | Stompin’ At The Savoy | LMR CD-83001 | DE5809m | ||
58-03-04-014 | Blues To Be There | Ko KOA-14284(D) | DE5809n | ||
58-03-04-015 | Juniflip | Ga 69323(D), JC JC-004(D), Ko KOA-14284(D) | DE5809o | ||
58-03-04-016 | Sophisticated Lady | LMR CD-83001 | DE5809p | ||
58-03-04-017 | Satin Doll | Ko KOA-14284(D) | DE5809q | ||
58-03-04-018 | Honeysuckle Rose | Ko KOA-14284(D), Sa 91230-2(D)(S)(T) | DE5809r | ||
58-03-04-019 | Beer Barrel Polka | Ga 69323(D), JC JC-004(D), Ko KOA-14284(D) | DE5809s | ||
58-03-04-020 | What Else Can You Do With A Drum? - vOB | DE5809t | |||
58-03-04-021 | You Better Know It - vOB | DE5809u | |||
58-03-04-022 | Do Nothin’ Till You Hear From Me - vOB | DE5809v | |||
58-03-04-023 | Caravan | Ga 69323(D), JC JC-004(D), Ko KOA-14284(D), Sa 91230-2(D)(S)(T) | DE5809w | ||
58-03-04-024 | Take The “A” Train | LMR CD-83001 | DE5809x | ||
58-03-04-025 | Mood Indigo | Ko KOA-14284(D), Sa 91230-2(D)(S)(T) | DE5809y | ||
58-03-04-026 | All Heart | LMR CD-83001 | DE5809z | ||
58-03-04-027 | Where Or When | LMR CD-83001 | DE5809aa | ||
58-03-04-028 | Just A-Sittin’ And A-Rockin’ - vRN | LMR CD-83001 | DE5809ab | ||
58-03-04-029 | Take The “A” Train - vRN | LMR CD-83001 | DE5809ac | ||
58-03-04-030 | My Heart, My Mind, My Everything - vOB | DE5809ad | |||
58-03-04-031 | Together - vOB | DE5809ae | |||
58-03-04-032 | One O’Clock Jump | LMR CD-83001 | DE5809af | ||
58-03-04-033 | One O’Clock Jump (encore) | Sa 91230-2(D)(S)(T) | DE5809ag | ||
58-03-04-034 | The Mooch | LMR CD-83001 | DE5809ah | ||
58-03-04-035 | Autumn Leaves - vOB | LMR CD-83001 | DE5809ai | ||
58-03-04-036 | Perdido | Ko AW-14157(D) | DE5809aj | ||
58-03-04-037 | Oh! Lady Be Good | LMR CD-83001 | DE5809ak | ||
58-03-04-038 | Things Ain’t What They Used To Be | LMR CD-83001 | DE5809al | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Sacramento, CA | 05 March 1958 | |||
Dance, Mather Air Force Base | |||||
Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington, Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-03-05-001 | Take The “A” Train | UJ 34 | DE5810af | ||
Billy Strayhorn out | |||||
58-03-05-002 | Dancing In The Dark | UJ 34 | DE5810ag | ||
58-03-05-003 | Where Or When | UJ 34 | DE5810a | ||
58-03-05-004 | Frivolous Banta | Ko AW-14157(D) | DE5810b | ||
58-03-05-005 | Vivi | DE5810c | |||
58-03-05-006 | Main Stem | UJ 34 | DE5810d | ||
58-03-05-007 | Time On My Hands | DE5810e | |||
58-03-05-008 | Boo-Dah | Ko AW-14157(D), UJ 34 | DE5810f | ||
58-03-05-009 | Commercial Time | Sa 91230-2(D)(S)(T), UJ 34 | DE5810g | ||
58-03-05-010 | My Heart, My Mind, My Everything - vOB | DE5810h | |||
58-03-05-011 | Do Nothin’ Till You Hear From Me - vOB | DE5810i | |||
58-03-05-012 | C-Jam Blues | Ko AW-14157(D), Sa 91230-2(D)(S)(T), UJ 34 | DE5810j | ||
58-03-05-013 | All Heart | UJ 34 | DE5810k | ||
58-03-05-014 | ¬ I Let A Song Go Out Of My Heart | Ko AW-14157(D) | DE5810l | ||
58-03-05-015 | _| Don’t Get Around Much Anymore - vRN | Ko AW-14157(D) | DE5810m | ||
58-03-05-016 | Juniflip | Sa 91230-2(D)(S)(T) | DE5810n | ||
58-03-05-017 | Tenderly | DE5810o | |||
58-03-05-018 | Where Or When | DE5810p | |||
58-03-05-019 | Mood Indigo | Sa 91230-2(D)(S)(T) | DE5810xa | ||
58-03-05-020 | Stompin’ At The Savoy | DE5810q | |||
58-03-05-021 | Autumn Leaves - vOB | UJ 34 | DE5810r | ||
58-03-05-022 | Sophisticated Lady | UJ 16 | DE5810s | ||
58-03-05-023 | Suburban Beauty | Ko AW-14157(D), Sa 91230-2(D)(S)(T), UJ 16 | DE5810t | ||
58-03-05-024 | Caravan | UJ 16 | DE5810u | ||
58-03-05-025 | Take The “A” Train | DE5810v | |||
58-03-05-026 | Blues To Be There | Sa 91230-2(D)(S)(T), UJ 16 | DE5810w | ||
58-03-05-027 | Perdido | UJ 16 | DE5810x | ||
58-03-05-028 | Just Squeeze Me - vRN | UJ 16 | DE5810y | ||
58-03-05-029 | Such Sweet Thunder | Sa 91230-2(D)(S)(T) | DE5810z | ||
58-03-05-030 | Star-Crossed Lovers - vOB | Sa 91230-2(D)(S)(T), UJ 34 | DE5810aa | ||
58-03-05-031 | Together - vOB | Sa 91230-2(D)(S)(T), UJ 16 | DE5810ab | ||
58-03-05-032 | Solitude - vOB | DE5810ac | |||
58-03-05-033 | Day In, Day Out - vOB | DE5810ad | |||
58-03-05-034 | Blue Moon - vOB | UJ 16 | DE5810ae | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 March 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-03-20-001 | CO60573-14 | Got A Date With An Angel | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5811a | |
58-03-20-002 | CO60574-13 | Laugh, Clown, Laugh | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5811b | |
58-03-20-003 | CO60575-1 | Satan Takes A Holiday | DE5811c | ||
58-03-20-004 | CO60575-2 | Satan Takes A Holiday | DE5811d | ||
58-03-20-005 | CO60575-4 | Satan Takes A Holiday | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5811e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 March 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-03-24-001 | Poor Butterfly | DE5812a | |||
58-03-24-002 | CO60592-15 | Poor Butterfly | DE5812b | ||
58-03-24-003 | CO60592-16 | Poor Butterfly | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5812c | |
58-03-24-004 | CO60593-1 | The Peanut Vendor | DE5812d | ||
58-03-24-005 | CO60593-2 | The Peanut Vendor | DE5812e | ||
58-03-24-006 | CO60593-3 | The Peanut Vendor | DE5812f | ||
58-03-24-007 | CO60593-7 | The Peanut Vendor | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5812g | |
DUKE ELLINGTON | New York City, NY | 26 March 1958 | |||
NBC Educational TV Recording, NBC Studios: The Subject Is Jazz | |||||
Duke Ellington Gilbert Seldes(tk) | |||||
58-03-26-001 | Interview by Gilbert Seldes | DE5813a | |||
Ellington appears in episode 1 “What Is Jazz?”. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 March 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-03-26-002 | CO60706- | Indian Love Call | Co CL-1282 | DE5814a | |
58-03-26-003 | CO60706- | Indian Love Call | Co COL-469136-2(D)(T), Co CS-8098 | DE5814b | |
58-03-26-004 | CO60707- | Lady In Red | DE5814c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 March 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges, Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-03-31-001 | CO60707-9 | Lady In Red | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5815a | |
58-03-31-002 | CO60748- | Alice Blue Gown | Co CL-1282 | DE5815b | |
58-03-31-003 | CO60748- | Alice Blue Gown | Co COL-469136-2(D)(T), Co CS-8098 | DE5815c | |
58-03-31-004 | CO60749-1 | Satin Doll | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5815d | |
58-03-31-005 | CO60750-8 | The Donkey Serenade | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5815e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 April 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-04-01-001 | CO60751-10 | Who’s Afraid Of The Big Bad Wolf? | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5816a | |
58-04-01-002 | CO60752-6 | Gypsy Love Song | Co CL-1282, Co COL-469136-2(D)(T), Co CS-8098 | DE5816b | |
58-04-01-003 | CO60753- | Hand Me Down Love - vOB | DE5816c | ||
DUKE ELLINGTON'S SPACEMEN | New York City, NY | 02 April 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Clark Terry(t,fl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-04-02-001 | CO60756-3 | Midnight Sun | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5817a | |
58-04-02-002 | CO60757-3 | Avalon | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5817b | |
58-04-02-003 | CO60758-5 | Take The “A” Train | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5817c | |
58-04-02-004 | CO60759-2 | Body And Soul | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5817d | |
58-04-02-005 | CO60759- | Body And Soul | Ms MCD-1001 | DE5817e | |
DUKE ELLINGTON'S SPACEMEN | New York City, NY | 03 April 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Clark Terry(t,fl); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-04-03-001 | CO60760-2 | St. Louis Blues | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818a | |
58-04-03-002 | CO60761-3 | Perdido | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818b | |
58-04-03-003 | CO60762-3 | Jones | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818c | |
58-04-03-004 | CO60762- | Jones | CBS 467179-2, CBS 88653(D), Co 4-41180, Ms MCD-1001 | DE5818d | |
58-04-03-005 | CO60763-4 | Easly Autumn | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818e | |
58-04-03-006 | CO60764-5 | Bassment | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818f | |
58-04-03-007 | CO60765-4 | Spacemen | CBS 467179-2, Co CL-1198, Ms MCD-1001 | DE5818g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 April 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington, Billy Strayhorn(p); Oscar Pettiford(sb); Sam Woodyard(d);Ozzie Bailey, Choir(v) | |||||
58-04-24-001 | CO60753-1 | Hand Me Down Love - vOB | DE5819a | ||
58-04-24-002 | CO60753-2 | Hand Me Down Love - vOB | DE5819b | ||
58-04-24-003 | CO60901-1 | C-Jam Blues (Duke’s Place) - vCHO | DE5819c | ||
58-04-24-004 | CO60901-2 | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819d | ||
58-04-24-005 | CO60901-3 | C-Jam Blues (Duke’s Place) - vCHO | DE5819e | ||
58-04-24-006 | CO60901-4 | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819f | ||
58-04-24-007 | CO60901-5 | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819g | ||
58-04-24-008 | CO60901-6 | C-Jam Blues (Duke’s Place) | DE5819h | ||
58-04-24-009 | CO60901-7 | C-Jam Blues (Duke’s Place) | DE5819i | ||
58-04-24-010 | CO60901- | C-Jam Blues (Duke’s Place) - vCHO | DE5819j | ||
58-04-24-011 | CO60901- | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819k | ||
58-04-24-012 | CO60901- | C-Jam Blues (Duke’s Place) - vCHO | DE5819l | ||
58-04-24-013 | CO60901-13 | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819m | ||
58-04-24-014 | CO60901-14 | C-Jam Blues (Duke’s Place) - vOB,CHO | DE5819n | ||
58-04-24-015 | CO60901-15 | C-Jam Blues (Duke’s Place) - vOB,CHO | CBS 26306(D), Co 4-41180, FMRS FM-4001/02 | DE5819o | |
58-04-24-016 | CO60902-1 | Lullaby Of Birdland | DE5819p | ||
58-04-24-017 | CO60902-2 | Lullaby Of Birdland | UtD 2007 | DE5819q | |
58-04-24-018 | CO60902-3 | Lullaby Of Birdland | DE5819r | ||
58-04-24-019 | CO60902-4 | Lullaby Of Birdland | DE5819s | ||
58-04-24-020 | CO60902-5 | Lullaby Of Birdland | DE5819t | ||
58-04-24-021 | CO60902-6 | Lullaby Of Birdland | CBS 88653*(D), FMRS FM-4001/02* | DE5819u | |
58-04-24-022 | CO60902-7 | Lullaby Of Birdland | CBS 88653(D), FMRS FM-4001/02 | DE5819v | |
DUKE ELLINGTON GROUP | Chicago, IL | 04 June 1958 | |||
CBS telecast: "Jazz In The Round", WBBM Studio | |||||
Clark Terry, Harold Baker(t); Britt Woodman(tb); Jimmy Hamilton(cl,ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-06-04-001 | Perdido | DE5820a | |||
58-06-04-002 | Tenderly | DE5820b | |||
58-06-04-003 | Launching Pad (Blues In The Round) | DE5820c | |||
Jimmy Hamilton(cl); Jimmy Woode(sb) | |||||
58-06-04-004 | Duet | DE5820d | |||
As before | |||||
58-06-04-005 | Jones | DE5820e | |||
58-06-04-006 | Take The “A” Train | DE5820f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 June 1958 | |||
Broadcast, Blue Note | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(vl) | |||||
58-06-09-001 | Madness In Great Ones | DE5821a | |||
58-06-09-002 | C-Jam Blues (Duke’s Place) - vOB | DE5821b | |||
58-06-09-003 | Jones | DE5821c | |||
DUKE ELLINGTON GROUP | Chicago, IL | 24 June 1958 | |||
Duke Ellington recording session, Universal Studios | |||||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-06-24-001 | In A Mellow Tone | DJ FW40030(D), SMSP AK-40030(D) | DE5822a | ||
58-06-24-002 | In A Mellow Tone | DJ FW40030(D), SMSP AK-40030(D) | DE5822b | ||
58-06-24-003 | Happy Reunion | DJ FW40030(D), SMSP AK-40030(D) | DE5822c | ||
58-06-24-004 | Happy Reunion | DJ FW40030(D), SMSP AK-40030(D) | DE5822d | ||
58-06-24-005 | Wailing Interval | DJ FW40030(D), SMSP AK-40030(D) | DE5822e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 27 June 1958 | |||
Duke Ellington recording session, Universal Studios | |||||
Cat Anderson, Harold Baker, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,ss,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood(v) | |||||
58-06-27-001 | -3 | I Got It Bad - vLG | DE5823a | ||
58-06-27-002 | -4 | I Got It Bad - vLG | DE5823b | ||
58-06-27-003 | Walkin’ And Singin’ The Blues - vLG | DE5823c | |||
58-06-27-004 | -7 | Bill Bailey - vLG | DE5823d | ||
58-06-27-005 | -10 | Bill Bailey - vLG | DE5823e | ||
58-06-27-006 | St. Louis Blues - vLG | DE5823f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 03 July 1958 | |||
Afternoon Radio Broadcast, Newport Jazz Festival, Freebody Park | |||||
Cat Anderson, Harold Baker, Francis Williams(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-07-03-001 | Take The “A” Train (theme) | Co C2K-53584, Co CL-1245* | DE5826i | ||
58-07-03-002 | Princess Blue | Co C2K-53584 | DE5824a | ||
58-07-03-003 | C-Jam Blues (Duke’s Place) - vOB | Co C2K-53584 | DE5824b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | Same session | |||
Evening Concert, Newport Jazz Festival, Freebody Park | |||||
Cat Anderson, Harold Baker, Francis Williams(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-07-03-004 | Just Scratchin’ The Surface | Co C2K-53584, Co CL-1245, Ms MCD-1014 | DE5824c | ||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-07-03-005 | Happy Reunion | Co C2K-53584, Ms MCD-1014 | DE5824d | ||
As before | |||||
58-07-03-006 | Juniflip | Co C2K-53584 | DE5824e | ||
58-07-03-007 | Mr. Gentle And Mr. Cool | Co C2K-53584, Ms MCD-1014 | DE5824f | ||
58-07-03-008 | Jazz Festival Jazz | Co C2K-53584, Ms MCD-1014 | DE5824g | ||
58-07-03-009 | Feetbone | CBS 88653(D), Co C2K-53584, Ms MCD-1014 | DE5824h | ||
58-07-03-010 | Hi Fi Fo Fum | Co C2K-53584 | DE5824i | ||
58-07-03-011 | I Got It Bad - vLG | Co C2K-53584 | DE5824j | ||
58-07-03-012 | Bill Bailey - vLG | Co C2K-53584 | DE5824k | ||
Add Gerry Mulligan(bar) | |||||
58-07-03-013 | Prima Para Dubla | Co C2K-53584, Co CL-1245, Ms MCD-1014 | DE5824l | ||
Gerry Mulligan out | |||||
58-07-03-014 | El Gato | Co C2K-53584 | DE5824m | ||
58-07-03-015 | Violet Blue (Multicolored Blue) - vOB | Co C2K-53584 | DE5824n | ||
58-07-03-016 | Come Sunday | DE5824o | |||
Add Mahalia Jackson(v) | |||||
58-07-03-017 | Come Sunday | Co C2K-53584 | DE5824p | ||
Mahalia Jackson out | |||||
58-07-03-018 | Take The “A” Train (theme) | Co C2K-53584 | DE5824q | ||
58-07-03-019 | Jones | Co C2K-53584 | DE5824r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stony Brook, NY | 18 July 1958 | |||
Concert, Dogwood Hollow | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Oscar Pettiford(sb); Sam Woodyard(d); Ozzie Bailey, Lil Greenwood(v) | |||||
58-07-18-001 | Take The “A” Train (theme) | DE5825a | |||
58-07-18-002 | ¬ Black And Tan Fantasy | DE5825b | |||
58-07-18-003 | - | Creole Love Call | DE5825c | |||
58-07-18-004 | _| The Mooch | DE5825d | |||
58-07-18-005 | Newport Up | DE5825e | |||
58-07-18-006 | Tenderly | DE5825f | |||
58-07-18-007 | Perdido | DE5825g | |||
58-07-18-008 | Such Sweet Thunder | DE5825h | |||
58-07-18-009 | Sophisticated Lady | DE5825i | |||
58-07-18-010 | Sonnet To Hank Cinq | DE5825j | |||
58-07-18-011 | What Else Can You Do With A Drum? - vOB | DE5825k | |||
58-07-18-012 | You Better Know It - vOB | DE5825l | |||
58-07-18-013 | Autumn Leaves - vOB | DE5825m | |||
58-07-18-014 | Take The “A” Train - vRN | DE5825n | |||
58-07-18-015 | Take The “A” Train | DE5825o | |||
58-07-18-016 | Such Sweet Thunder | DE5825p | |||
58-07-18-017 | Violet Blue (Multicolored Blue) - vOB | DE5825q | |||
58-07-18-018 | All Of Me | DE5825r | |||
58-07-18-019 | St. Louis Blues - vLG | DE5825s | |||
58-07-18-020 | Bill Bailey - vLG | DE5825t | |||
58-07-18-021 | Walkin’ And Singin’ The Blues - vLG | DE5825u | |||
58-07-18-022 | Hi Fi Fo Fum | DE5825v | |||
Medley: | DE5825w | ||||
58-07-18-023 | - 1. Don’t Get Around Much Anymore | ||||
58-07-18-024 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-07-18-025 | - 3. In A Sentimental Mood | ||||
58-07-18-026 | - 4. Mood Indigo | ||||
58-07-18-027 | - 5. I’m Beginning To See The Light | ||||
58-07-18-028 | - 6. Sophisticated Lady | ||||
58-07-18-029 | - 7. Caravan | ||||
58-07-18-030 | - 8. I Got It Bad | ||||
58-07-18-031 | - 9. Just Squeeze Me - vRN | ||||
58-07-18-032 | - 10. It Don’t Mean A Thing - vRN | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 July 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges, Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-07-21-001 | CO61280-5 | Jazz Festival Jazz | Co CL-1245, Ms MCD-1014 | DE5826a | |
58-07-21-002 | CO61281-3 | Princess Blue | Co CL-1245, Ms MCD-1014 | DE5826b | |
58-07-21-003 | CO61282-2 | El Gato | Co CL-1245, Ms MCD-1014 | DE5826c | |
58-07-21-004 | CO61283-3 | Violet Blue (Multicolored Blue) - vOB | Co CL-1245, Ms MCD-1014 | DE5826d | |
58-07-21-005 | CO61284-1 | Hi Fi Fo Fum | Co CL-1245, Ms MCD-1014 | DE5826e | |
58-07-21-006 | CO61285-1 | Mr. Gentle And Mr. Cool | Co CL-1245, Ms MCD-1014 | DE5826f | |
58-07-21-007 | CO61286-1 | Juniflip | Co CL-1245, Ms MCD-1014 | DE5826g | |
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-07-21-008 | CO61287-3 | Happy Reunion | Co CL-1245, Ms MCD-1014 | DE5826h | |
DUKE ELLINGTON | Toronto, Canada | 31 July 1958 | |||
CBC for BBC telecast | |||||
Duke Ellington(p,tk); Bill Herbert(tk) | |||||
58-07-31-001 | Princess Blue | DE5827a | |||
58-07-31-002 | Interview by Bill Herbert | DE5827b | |||
DUKE ELLINGTON GROUP | Toronto, Canada | 31 July 1958 | |||
CBC telecast, titled "Summertime '58". CBC television studios. | |||||
Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-07-31-003 | I’m Beginning To See The Light (YT) | MVD CMB-960092 | DE9032a | ||
58-07-31-004 | Sophisticated Lady (YT) | MVD CMB-960092 | DE9032b | ||
58-07-31-005 | Caravan (YT) | MVD CMB-960092 | DE9032c | ||
58-07-31-006 | I Got It Bad (YT) | MVD CMB-960092 | DE9032d | ||
58-07-31-007 | I Let A Song & Don’t Get Around Much (YT) | MVD CMB-960092 | DE9032e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 August 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Taft Jordan, Ray Nance(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodge(as); Bill Graham(as, bar); Harry Carney (cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-08-06-001 | CO61389-1 | Red Carpet | DE5828a | ||
58-08-06-002 | CO61389-2 | Red Carpet | DE5828b | ||
58-08-06-003 | CO61389-3 | Red Carpet | DE5828c | ||
58-08-06-004 | CO61389-4 | Red Carpet | DE5828d | ||
58-08-06-005 | CO61389-5 | Red Carpet | CBS 88653(D) | DE5828e | |
58-08-06-006 | CO61390-1 | Hand Me Down Love - vOB | DE5828f | ||
58-08-06-007 | CO61390- | Hand Me Down Love - vOB | DE5828g | ||
58-08-06-008 | CO61390-2 | Hand Me Down Love - vOB | DE5828h | ||
58-08-06-009 | CO61390-3 | Hand Me Down Love - vOB | DE5828i | ||
58-08-06-010 | CO61390-4 | Hand Me Down Love - vOB | DE5828j | ||
58-08-06-011 | CO61390-5 | Hand Me Down Love - vOB | CBS 26306(D), Co 4-41401 | DE5828k | |
58-08-06-012 | CO61391-1 | Walkin’ And Singin’ The Blues - vLG | DE5828l | ||
58-08-06-013 | CO61391-2 | Walkin’ And Singin’ The Blues - vLG | DE5828m | ||
58-08-06-014 | CO61391-3 | Walkin’ And Singin’ The Blues - vLG | DE5828n | ||
58-08-06-015 | CO61391-4 | Walkin’ And Singin’ The Blues - vLG | DE5828o | ||
58-08-06-016 | CO61391-5 | Walkin’ And Singin’ The Blues - vLG | DE5828p | ||
58-08-06-017 | CO61391- | Walkin’ And Singin’ The Blues - vLG | CBS 26306(D), CBS 62993, Co 4-41401 | DE5828q | |
58-08-06-018 | CO61392- | I Can’t Give You Anything But Love - vLG | CBS 26306(D) | DE5828r | |
DUKE ELLINGTON AND HIS ORCHESTRA | French Lick, IN | 15 August 1958 | |||
Concert, Sheraton Hotel | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-08-15-001 | Take The “A” Train | DE5829a | |||
TOOT SUITE | |||||
58-08-15-002 | - 1. Red Garter | MDD 004, MP Ell-86(D) | DE5829b | ||
58-08-15-003 | - 2. Red Shoes | MDD 004 | DE5829c | ||
58-08-15-004 | - 3. Red Carpet | MDD 004 | DE5829d | ||
58-08-15-005 | - 4. Ready-Go | MDD 004 | DE5829e | ||
58-08-15-006 | Mr. Gentle And Mr. Cool | DE5829f | |||
58-08-15-007 | El Gato | DE5829g | |||
58-08-15-008 | Hand Me Down Love - vOB | DE5829h | |||
58-08-15-009 | C-Jam Blues (Duke’s Place) - vOB | DE5829i | |||
58-08-15-010 | Violet Blue (Multicolored Blue) - vOB | MP Ell-86(D) | DE5829j | ||
58-08-15-011 | All Of Me | DE5829k | |||
58-08-15-012 | St. Louis Blues - vLG | DE5829l | |||
58-08-15-013 | Bill Bailey - vLG | DE5829m | |||
58-08-15-014 | Walkin’ And Singin’ The Blues - vLG | DE5829n | |||
58-08-15-015 | Hi Fi Fo Fum | DE5829o | |||
Medley: | DE5829p | ||||
58-08-15-016 | - 1. Don’t Get Around Much Anymore | ||||
58-08-15-017 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-08-15-018 | - 3. In A Sentimental Mood | ||||
58-08-15-019 | - 4. Mood Indigo | ||||
58-08-15-020 | - 5. I’m Beginning To See The Light | ||||
58-08-15-021 | - 6. Sophisticated Lady | ||||
58-08-15-022 | - 7. Caravan | ||||
58-08-15-023 | - 8. I Got It Bad | ||||
58-08-15-024 | - 9. Just Squeeze Me - vRN | ||||
58-08-15-025 | - 10. It Don’t Mean A Thing - vRN | ||||
58-08-15-026 | - 11. Solitude | ||||
58-08-15-027 | - 12. I Let A Song & Don’t Get Around Much | ||||
58-08-15-028 | ¬ Diminuendo In Blue | DE5829q | |||
58-08-15-029 | - | Wailing Interval | DE5829r | |||
58-08-15-030 | _| Crescendo In Blue | DE5829s | |||
58-08-15-031 | Jones | DE5829t | |||
DUKE ELLINGTON | Cedar Rapids, IA | Prob Aug 1958 | |||
Broadcast, KCRG Radio, Armos Ballroom | |||||
Duke Ellington, n/k(tk) | |||||
58-08-30-001 | Interview | DE5830a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 September 1958 | |||
Concert, The Plaza Hotel, Edwardian Room | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Jimmy Rushing, Lil Greenwood, Ozzie Bailey(v) | |||||
58-09-09-001 | Take The “A” Train | Co C-32471, Co COL-471319-2(D) | DE5831a | ||
TOOT SUITE | |||||
58-09-09-002 | - 1. Red Garter | Co C-32471, Co COL-471319-2(D) | DE5831b | ||
58-09-09-003 | - 2. Red Shoes | Co C-32471, Co COL-471319-2(D) | DE5831c | ||
58-09-09-004 | - 3. Red Carpet | Co C-32471, Co COL-471319-2(D) | DE5831d | ||
58-09-09-005 | - 4. Ready-Go | Co C-32471, Co COL-471319-2(D) | DE5831e | ||
58-09-09-006 | Jones | Co C-32471, Co COL-471319-2(D) | DE5831f | ||
58-09-09-007 | Take The “A” Train (theme) | DE5831g | |||
58-09-09-008 | What Else Can You Do With A Drum? - vOB | DE5831h | |||
58-09-09-009 | Autumn Leaves - vOB | DE5831i | |||
58-09-09-010 | El Gato | Co C-32471, Co COL-471319-2(D) | DE5831j | ||
58-09-09-011 | All Of Me | Co C-32471, Co COL-471319-2(D) | DE5831k | ||
58-09-09-012 | Go Away Blues - vJRu | Co C-32471, Co COL-471319-2(D) | DE5831l | ||
58-09-09-013 | Hello, Little Boy (Hello, Litle Girl) - vJRu | Co C-32471, Co COL-471319-2(D) | DE5831m | ||
58-09-09-014 | Love To Hear My Baby Call My Name - vJRu | Co C-32471, Co COL-471319-2(D) | DE5831n | ||
58-09-09-015 | Hi Fi Fo Fum | DE5831o | |||
58-09-09-016 | Bill Bailey - vLG | DE5831p | |||
58-09-09-017 | Walkin’ And Singin’ The Blues - vLG | DE5831q | |||
58-09-09-018 | Jones | DE5831r | |||
JOHNNY RAY AND DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 September 1958 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges, Bill Graham(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); Jimmy Woode(sb); Sam Woodyard(d); Johnny Ray(v) | |||||
58-09-26-001 | CO61513- | To Know You Is To Love You - vJRy | CBS 26306(D) | DE5832a | |
58-09-26-002 | CO61514- | The Lonely Ones - vJRy | CBS 26306(D) | DE5832b | |
DUKE ELLINGTON | London, England | 07 October 1958 | |||
BBC TV Broadcast: "Monitor", aired 12 October 1958, Dorchester Hotel. | |||||
Duke Ellington, Frank Henning(tk) | |||||
58-10-07-001 | Interview by Frank Henning | DE5833a | |||
DUKE ELLINGTON | London, England | 11 October 1958 | |||
Private party, L and R Diamond's home | |||||
Duke Ellington(p) | |||||
58-10-11-001 | Single Petal Of A Rose | DE5834a | |||
DUKE ELLINGTON | N/K, England | Oct 1958 | |||
BBC Radio Third Programme (now Radio 3) | |||||
Duke Ellington, Charles Melville(tk) | |||||
58-10-14-001 | Interview by Charles Melville | DE5835a | |||
DUKE ELLINGTON | Liverpool, England | 17 October 1958 | |||
Filming session for future telecast (aired 1959-01-10) | |||||
Duke Ellington(p); Malcolm Mitchell(g); Russ Stableford(sb) | |||||
58-10-17-001 | Take The “A” Train | JU JUCD-2069(D) | DE5836a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | London, England | 25 October 1958 | |||
1st concert, Kilburn Gaumont State Theatre | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-10-25-001 | ¬ Black And Tan Fantasy | MP Ell-88 | DE5837a | ||
58-10-25-002 | - | Creole Love Call | MP Ell-88 | DE5837b | ||
58-10-25-003 | _| The Mooch | MP Ell-88 | DE5837c | ||
58-10-25-004 | Newport Up | MP Ell-88 | DE5837d | ||
58-10-25-005 | Tenderly | MP Ell-88 | DE5837e | ||
58-10-25-006 | Perdido | DE5837f | |||
58-10-25-007 | Sophisticated Lady | DE5837g | |||
58-10-25-008 | What Else Can You Do With A Drum? - vOB | MP Ell-88 | DE5837h | ||
58-10-25-009 | Autumn Leaves - vOB | MP Ell-88 | DE5837i | ||
58-10-25-010 | On The Sunny Side Of The Street | MP Ell-88 | DE5837j | ||
58-10-25-011 | Things Ain’t What They Used To Be | MP Ell-88 | DE5837k | ||
58-10-25-012 | El Gato | MP Ell-88 | DE5837l | ||
58-10-25-013 | Boo-Dah | MP Ell-88 | DE5837m | ||
58-10-25-014 | Hi Fi Fo Fum | DE5837n | |||
Medley: | DE5837o | ||||
58-10-25-015 | - 1. Don’t Get Around Much Anymore | ||||
58-10-25-016 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-10-25-017 | - 3. Don’t You Know I Care | ||||
58-10-25-018 | - 4. In A Sentimental Mood | ||||
58-10-25-019 | - 5. Mood Indigo | ||||
58-10-25-020 | - 6. I’m Beginning To See The Light | ||||
58-10-25-021 | - 7. Sophisticated Lady | ||||
58-10-25-022 | - 8. Caravan | ||||
58-10-25-023 | - 9. I Got It Bad | ||||
58-10-25-024 | - 10. Just Squeeze Me - vRN | ||||
58-10-25-025 | - 11. It Don’t Mean A Thing - vRN | ||||
58-10-25-026 | - 12. Satin Doll | ||||
58-10-25-027 | - 13. Solitude - vOB | ||||
58-10-25-028 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-10-25-029 | ¬ Diminuendo In Blue | ||||
58-10-25-030 | - | Wailing Interval | DE5837p | |||
58-10-25-031 | _| Crescendo In Blue | DE5837q | |||
58-10-25-032 | Jones | DE5837r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, England | 25 October 1958 | |||
2nd concert, Kilburn Gaumont State Theatre | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-10-25-033 | Take The “A” Train | MP Ell-88 | DE5838a | ||
58-10-25-034 | Red Garter | MP Ell-88 | DE5838b | ||
58-10-25-035 | Ko-Ko | DE5838c | |||
58-10-25-036 | Red Carpet | MP Ell-88 | DE5838d | ||
58-10-25-037 | Newport Up | DE5838e | |||
58-10-25-038 | My Funny Valentine | MP Ell-88 | DE5838f | ||
58-10-25-039 | Juniflip | MP Ell-88 | DE5838g | ||
58-10-25-040 | Frustration | MP Ell-88 | DE5838h | ||
58-10-25-041 | ¬ Kinda Dukish | DE5838i | |||
58-10-25-042 | _| Rockin’ In Rhythm | DE5838j | |||
58-10-25-043 | You Better Know It - vOB | DE5838k | |||
58-10-25-044 | Hand Me Down Love - vOB | DE5838l | |||
58-10-25-045 | Summertime | MP Ell-88 | DE5838m | ||
58-10-25-046 | Passion flower | MP Ell-88 | DE5838n | ||
58-10-25-047 | All Of Me | DE5838o | |||
58-10-25-048 | El Gato | DE5838p | |||
58-10-25-049 | Main Stem | DE5838q | |||
58-10-25-050 | Hi Fi Fo Fum | DE5838r | |||
Medley: | DE5838s | ||||
58-10-25-051 | - 1. Don’t Get Around Much Anymore | ||||
58-10-25-052 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
58-10-25-053 | - 3. Don’t You Know I Care | ||||
58-10-25-054 | - 4. In A Sentimental Mood | ||||
58-10-25-055 | - 5. Mood Indigo | ||||
58-10-25-056 | - 6. I’m Beginning To See The Light | ||||
58-10-25-057 | - 7. Sophisticated Lady | ||||
58-10-25-058 | - 8. Caravan | MP Ell-88 | |||
58-10-25-059 | - 9. I Got It Bad | MP Ell-88 | |||
58-10-25-060 | - 10. Just Squeeze Me - vRN | MP Ell-88 | |||
58-10-25-061 | - 11. It Don’t Mean A Thing - vRN | MP Ell-88 | |||
58-10-25-062 | - 12. Satin Doll | MP Ell-88 | |||
58-10-25-063 | - 13. I Let A Song & Don’t Get Around Much | ||||
58-10-25-064 | Cottonn Tail | DE5838t | |||
58-10-25-065 | Mr. Gentle And Mr. Cool | MP Ell-88 | DE5838u | ||
58-10-25-066 | Take The “A” Train - vRN | MP Ell-88 | DE5838v | ||
58-10-25-067 | Take The “A” Train | MP Ell-88 | DE5838w | ||
58-10-25-068 | Jones | MP Ell-88 | DE5838x | ||
58-10-25-069 | God Save The Queen | MP Ell-88 | DE5838y | ||
DUKE ELLINGTON AND HIS ORCHESTRA | London, England | 26 October 1958 | |||
Concert, Kilburn Gaumont State Theatre | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-10-26-001 | Take The “A” Train | DE5839a | |||
58-10-26-002 | Creole Love Call | DE5839b | |||
58-10-26-003 | ¬ Kinda Dukish | DE5839c | |||
58-10-26-004 | _| Rockin’ In Rhythm | DE5839d | |||
58-10-26-005 | Red Garter | DE5839e | |||
58-10-26-006 | Ko-Ko | DE5839f | |||
58-10-26-007 | Red Carpet | DE5839g | |||
58-10-26-008 | Newport Up | DE5839h | |||
58-10-26-009 | My Funny Valentine | DE5839i | |||
58-10-26-010 | Juniflip | DE5839j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 28 October 1958 | |||
1st concert, Palais De Chaillot | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-10-28-001 | Take The “A” Train | DE5840a | |||
58-10-28-002 | ¬ Black And Tan Fantasy | DE5840b | |||
58-10-28-003 | - | Creole Love Call | DE5840c | |||
58-10-28-004 | _| The Mooch | DE5840d | |||
58-10-28-005 | Newport Up | DE5840e | |||
58-10-28-006 | El Gato | Mn MRCD-119(D) | DE5840f | ||
58-10-28-007 | Stompy Jones | Mn MRCD-119(D) | DE5840g | ||
Medley: | DE5840h | ||||
58-10-28-008 | - 1. Don’t Get Around Much Anymore | ||||
58-10-28-009 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-10-28-010 | - 3. Don’t You Know I Care | ||||
58-10-28-011 | - 4. In A Sentimental Mood | ||||
58-10-28-012 | - 5. Mood Indigo | ||||
58-10-28-013 | - 6. I’m Beginning To See The Light | ||||
58-10-28-014 | - 7. Sophisticated Lady | ||||
58-10-28-015 | - 8. Caravan | ||||
58-10-28-016 | - 9. I Got It Bad | ||||
58-10-28-017 | - 10. Just Squeeze Me - vRN | ||||
58-10-28-018 | - 11. It Don’t Mean A Thing - vRN | ||||
58-10-28-019 | - 12. Satin Doll | ||||
58-10-28-020 | - 13. Solitude - vOB | ||||
58-10-28-021 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-10-28-022 | ¬ Diminuendo In Blue | DE5840i | |||
58-10-28-023 | - | Wailing Interval | DE5840j | |||
58-10-28-024 | _| Crescendo In Blue | DE5840k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 28 October 1958 | |||
2nd concert, Palais De Chaillot | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-10-28-025 | Perdido | DE5841a | |||
58-10-28-026 | Sophisticated Lady | DE5841b | |||
58-10-28-027 | Sonnet To Hank Cinq | DE5841c | |||
58-10-28-028 | On The Sunny Side Of The Street | Mn MRCD-119(D) | DE5841d | ||
58-10-28-029 | Things Ain’t What They Used To Be | Mn MRCD-119(D) | DE5841e | ||
58-10-28-030 | El Gato | DE5841f | |||
58-10-28-031 | V.I.P. Boogie | DE5841g | |||
58-10-28-032 | Jam With Sam | DE5841h | |||
58-10-28-033 | ¬ Diminuendo In Blue | Pb PACD-5313-2(D)(S)(T) | DE5841i | ||
58-10-28-034 | - | Wailing Interval | Pb PACD-5313-2(D)(S)(T) | DE5841j | ||
58-10-28-035 | _| Crescendo In Blue | Pb PACD-5313-2(D)(S)(T) | DE5841k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 29 October 1958 | |||
1st concert, Theatre De L'Alhambra | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-10-29-001 | Take The “A” Train | Pb PACD-5313-2(D)(S)(T) | DE5842xa | ||
58-10-29-002 | ¬ Black And Tan Fantasy | Pb PACD-5313-2(D)(S)(T) | DE5842xb | ||
58-10-29-003 | - | Creole Love Call | Pb PACD-5313-2(D)(S)(T) | DE5842xc | ||
58-10-29-004 | _| The Mooch | Pb PACD-5313-2(D)(S)(T) | DE5842xd | ||
58-10-29-005 | Newport Up | Pb PACD-5313-2(D)(S)(T) | DE5842xe | ||
58-10-29-006 | Tenderly | Pb PACD-5313-2(D)(S)(T) | DE5842xf | ||
58-10-29-007 | Juniflip | Mn MRCD-119(D), Pb PACD-5313-2(D)(S)(T) | DE5842a | ||
58-10-29-008 | Frustration | Mn MRCD-119(D), Pb PACD-5313-2(D)(S)(T) | DE5842b | ||
58-10-29-009 | Such Sweet Thunder | Mn MRCD-119(D) | DE5842c | ||
58-10-29-010 | Sonnet To Hank Cinq | Mn MRCD-119(D) | DE5842d | ||
58-10-29-011 | Passionn Flower | Mn MRCD-119(D) | DE5842e | ||
58-10-29-012 | Jam With Sam | Mn MRCD-119(D), Pb PACD-5313-2(D)(S)(T) | DE5842f | ||
58-10-29-013 | Hi Fi Fo Fum | Pb PACD-5313-2(D)(S)(T) | DE5842xg | ||
58-10-29-014 | ¬ Diminuendo In Blue | Mn MRCD-119(D) | DE5842g | ||
58-10-29-015 | - | Wailing Interval | Mn MRCD-119(D) | DE5842h | ||
58-10-29-016 | _| Crescendo In Blue | Mn MRCD-119(D) | DE5842i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 29 October 1958 | |||
2nd concert, Theatre De L'Alhambra | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-10-29-017 | Take The “A” Train | FA 5682, Mn MRCD-119(D), RTE 710707 | DE5843a | ||
58-10-29-018 | ¬ Black And Tan Fantasy | FA 5682, Mn MRCD-119(D), RTE 710707 | DE5843b | ||
58-10-29-019 | - | Creole Love Call | FA 5682, Mn MRCD-119(D), RTE 710707 | DE5843c | ||
58-10-29-020 | _| The Mooch | FA 5682, Mn MRCD-119(D), RTE 710707 | DE5843d | ||
58-10-29-021 | Newport Up | FA 5682, Mn MRCD-119(D), RTE 710707 | DE5843e | ||
58-10-29-022 | Deep Purple | FA 5682, Mg AWE-19, Mn MRCD-119(D), RTE 710707 | DE5843f | ||
58-10-29-023 | Harlem Air-Shaft | FA 5682, Mg AWE-19, RTE 710707 | DE5843g | ||
58-10-29-024 | Such Sweet Thunder | FA 5682, Mg AWE-19, RTE 710707 | DE5843h | ||
58-10-29-025 | Sonnet To Hank Cinq | FA 5682, RTE 710707 | DE5843i | ||
58-10-29-026 | Sophisticated Lady | FA 5682, RTE 710707 | DE5843j | ||
58-10-29-027 | ¬ Kinda Dukish | FA 5682, Pb PACD-5313-2(D)(S)(T), RTE 710707 | DE5843k | ||
58-10-29-028 | _| Rockin’ In Rhythm | FA 5682, Pb PACD-5313-2(D)(S)(T), RTE 710707 | DE5843l | ||
58-10-29-029 | What Else Can You Do With A Drum? - vOB | FA 5682, Mg AWE-19, RTE 710707 | DE5843m | ||
58-10-29-030 | Together - vOB | FA 5682, RTE 710707 | DE5843n | ||
58-10-29-031 | Jeep’s Blues | FA 5682, Pb PACD-5313-2(D)(S)(T), RTE 710707 | DE5843o | ||
58-10-29-032 | All Of Me | FA 5682, Mg AWE-19, Pb PACD-5313-2(D)(S)(T), RTE 710707 | DE5843p | ||
58-10-29-033 | Things Ain’t What They Used To Be | FA 5682, Mg AWE-19, Pb PACD-5313-2(D)(S)(T), RTE 710707 | DE5843q | ||
58-10-29-034 | El Gato | FA 5682, Mg AWE-19, RTE 710707 | DE5843r | ||
58-10-29-035 | Stompy Jones | FA 5682, Mg AWE-19, RTE 710707 | DE5843s | ||
58-10-29-036 | Hi Fi Fo Fum | FA 5682, Mg AWE-19, RTE 710707 | DE5843t | ||
Medley | DE5843u | ||||
58-10-29-037 | - 1. Don’t Get Around Much Anymore | FA 5682, RTE 710707 | |||
58-10-29-038 | - 2. Do Nothin’ Till You Hear From Me | FA 5682, RTE 710707 | |||
58-10-29-039 | - 3. In A Sentimental Mood | FA 5682, RTE 710707 | |||
58-10-29-040 | - 4. Mood Indigo | FA 5682, RTE 710707 | |||
58-10-29-041 | - 5. I’m Beginning To See The Light | FA 5682, RTE 710707 | |||
58-10-29-042 | - 6. Sophisticated Lady | FA 5682, RTE 710707 | |||
58-10-29-043 | - 7. Caravan | FA 5682, RTE 710707 | |||
58-10-29-044 | - 8. I Got It Bad | FA 5682, RTE 710707 | |||
58-10-29-045 | - 9. Just Squeeze Me - vRN | FA 5682, RTE 710707 | |||
58-10-29-046 | - 10. It Don’t Mean A Thing - vRN | FA 5682, RTE 710707 | |||
58-10-29-047 | - 11. Satin Doll | FA 5682, RTE 710707 | |||
58-10-29-048 | - 12. Solitude | FA 5682, RTE 710707 | |||
58-10-29-049 | - 13. I Let A Song & Don’t Get Around Much | FA 5682, RTE 710707 | |||
58-10-29-050 | ¬ Diminuendo In Blue | FA 5682, RTE 710707 | DE5843v | ||
58-10-29-051 | - | Wailing Interval | FA 5682, RTE 710707 | DE5843w | ||
58-10-29-052 | _| Crescendo In Blue | FA 5682, RTE 710707 | DE5843x | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Amsterdam, NL | 02 November 1958 | |||
1st concert, Concertgebouw | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
58-11-02-001 | Take The “A” Train | DE9062a | |||
58-11-02-002 | Tenderly | DE9062b | |||
58-11-02-003 | Perdido | DE9062c | |||
58-11-02-004 | Sophisticated Lady | DE9062d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Amsterdam, NL | 02 November 1958 | |||
2nd concert, Concertgebouw | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-02-005 | Take The “A” Train | DE5844a | |||
58-11-02-006 | ¬ Black And Tan Fantasy | IJ 509, JIc 2.119001 | DE5844b | ||
58-11-02-007 | - | Creole Love Call | IJ 509, JIc 2.119001 | DE5844c | ||
58-11-02-008 | _| The Mooch | IJ 509, JIc 2.119001 | DE5844d | ||
58-11-02-009 | Harlem Air-Shaft | JIc 2.119001 | DE5844xa | ||
58-11-02-010 | Sophisticated Lady | JIc 2.119001 | DE5844xb | ||
58-11-02-011 | My Funny Valentine | IJ 509, JIc 2.119001 | DE5844h | ||
58-11-02-012 | ¬ Kinda Dukish | JIc 2.119001 | DE5844i | ||
58-11-02-013 | _| Rockin’ In Rhythm | JIc 2.119001 | DE5844j | ||
58-11-02-014 | Mr. Gentle And Mr. Cool | IJ 509, JIc 2.119001 | DE5844k | ||
58-11-02-015 | Jack The Bear | JIc 2.119001 | DE5844xc | ||
58-11-02-016 | You Better Know It - vOB | JIc 2.119001 | DE5844xd | ||
58-11-02-017 | All Of Me | IJ 509, JIc 2.119001 | DE5844l | ||
58-11-02-018 | Things Ain’t What They Used To Be | JIc 2.119001 | DE5844m | ||
58-11-02-019 | Hi Fi Fo Fum | JIc 2.119001 | DE5844n | ||
Medley | DE5844o | ||||
58-11-02-020 | - 1. Don’t Get Around Much Anymore | IJ 509, JIc 2.119001 | |||
58-11-02-021 | - 2. Do Nothin’ Till You Hear From Me | IJ 509, JIc 2.119001 | |||
58-11-02-022 | - 3. Don’t You Know I Care | IJ 509, JIc 2.119001 | |||
58-11-02-023 | - 4. In A Sentimental Mood | IJ 509, JIc 2.119001 | |||
58-11-02-024 | - 5. Mood Indigo | IJ 509, JIc 2.119001 | |||
58-11-02-025 | - 6. I’m Beginning To See The Light | IJ 509, JIc 2.119001 | |||
58-11-02-026 | - 7. Sophisticated Lady | IJ 509, JIc 2.119001 | |||
58-11-02-027 | - 8. Caravan | IJ 509, JIc 2.119001 | |||
58-11-02-028 | - 9. I Got It Bad | IJ 509, JIc 2.119001 | |||
58-11-02-029 | - 10. Just Squeeze Me - vRN | ||||
58-11-02-030 | - 11. It Don’t Mean A Thing - vRN | IJ 509, JIc 2.119001 | |||
58-11-02-031 | - 12. Solitude - vOB | IJ 509, JIc 2.119001 | |||
58-11-02-032 | - 13. I Let A Song & Don’t Get Around Much | IJ 509, JIc 2.119001 | |||
58-11-02-033 | ¬ Diminuendo In Blue | JIc 2.119001 | DE5844p | ||
58-11-02-034 | - | Wailing Interval | JIc 2.119001 | DE5844q | ||
58-11-02-035 | _| Crescendo In Blue | JIc 2.119001 | DE5844r | ||
DUKE ELLINGTON | Stockholm, Sweden | 04 November 1958 | |||
Broadcast, Tennishallen | |||||
Duke Ellington, n/k(tk) | |||||
58-11-04-001 | Interview | DE5845a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oslo, Norway | 05 November 1958 | |||
Concert, Niardhallen | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-05-001 | Take The “A” Train | DE5846a | |||
58-11-05-002 | ¬ Black And Tan Fantasy | DE5846b | |||
58-11-05-003 | - | Creole Love Call | DE5846c | |||
58-11-05-004 | _| The Mooch | DE5846d | |||
58-11-05-005 | Newport Up | DE5846e | |||
58-11-05-006 | Tenderly | DE5846f | |||
58-11-05-007 | Perdido | DE5846g | |||
58-11-05-008 | Sophisticated Lady | DE5846h | |||
58-11-05-009 | Sonnet To Hank Cinq | DE5846i | |||
58-11-05-010 | What Else Can You Do With A Drum? - vOB | DE5846j | |||
58-11-05-011 | You Better Know It - vOB | DE5846k | |||
58-11-05-012 | Rockin’ In Rhythm | DE5846l | |||
58-11-05-013 | Jeep’s Blues | DE5846m | |||
58-11-05-014 | All Of Me | DE5846n | |||
58-11-05-015 | El Gato | DE5846o | |||
58-11-05-016 | Boo-Dah | DE5846p | |||
58-11-05-017 | Hi Fi Fo Fum | DE5846q | |||
Medley: | DE5846r | ||||
58-11-05-018 | - 1. Don’t Get Around Much Anymore | ||||
58-11-05-019 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-11-05-020 | - 3. Don’t You Know I Care | ||||
58-11-05-021 | - 4. In A Sentimental Mood | ||||
58-11-05-022 | - 5. Mood Indigo | ||||
58-11-05-023 | - 6. I’m Beginning To See The Light | ||||
58-11-05-024 | - 7. Sophisticated Lady | ||||
58-11-05-025 | - 8. Caravan | ||||
58-11-05-026 | - 9. I Got It Bad | ||||
58-11-05-027 | - 10. Just Squeeze Me - vRN | ||||
58-11-05-028 | - 11. It Don’t Mean A Thing - vRN | ||||
58-11-05-029 | - 12. Satin Doll | ||||
58-11-05-030 | - 13. Solitude - vOB | ||||
58-11-05-031 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-11-05-032 | Take The “A” Train (theme) | DE5846s | |||
58-11-05-033 | ¬ Diminuendo In Blue | DE5846t | |||
58-11-05-034 | - | Wailing Interval | DE5846u | |||
58-11-05-035 | _| Crescendo In Blue | DE5846v | |||
58-11-05-036 | Jones | DE5846w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Goteborg, Sweden | 06 November 1958 | |||
1st concert, Konserthuset | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-06-001 | Take The “A” Train | Az 59A | DE5847a | ||
58-11-06-002 | ¬ Black And Tan Fantasy | Az 59A | DE5847b | ||
58-11-06-003 | - | Creole Love Call | Az 59A | DE5847c | ||
58-11-06-004 | _| The Mooch | Az 59A | DE5847d | ||
58-11-06-005 | Newport Up | Az 59A | DE5847e | ||
58-11-06-006 | Sophisticated Lady | Az 59A | DE5847f | ||
58-11-06-007 | Sonnet To Hank Cinq | Az 59A, JI CAH-4001, MJ 2MJP-1005 | DE5847g | ||
58-11-06-008 | What Else Can You Do With A Drum? - vOB | Az 59A | DE5847h | ||
58-11-06-009 | Do Nothin’ Till You Hear From Me - vOB | Az 59A | DE5847i | ||
58-11-06-010 | Jeep’s Blues | Az 59A, MFD G4RS-2536 | DE5847j | ||
58-11-06-011 | El Gato | Az 59A | DE5847k | ||
58-11-06-012 | Boo-Dah | Az 59A | DE5847l | ||
58-11-06-013 | Boo-Dah | Az 59A | DE5847m | ||
58-11-06-014 | Hi Fi Fo Fum | Az 59A | DE5847n | ||
Medley: | DE5847o | ||||
58-11-06-015 | - 1. Don’t Get Around Much Anymore | Az 59A | |||
58-11-06-016 | - 2. Do Nothin’ Till You Hear From Me | Az 59A | |||
58-11-06-017 | - 3. Don’t You Know I Care | Az 59A | |||
58-11-06-018 | - 4. In A Sentimental Mood | Az 59A | |||
58-11-06-019 | - 5. Mood Indigo | Az 59A | |||
58-11-06-020 | - 6. I’m Beginning To See The Light | Az 59A | |||
58-11-06-021 | - 7. Sophisticated Lady | Az 59A | |||
58-11-06-022 | - 8. Caravan | Az 59A | |||
58-11-06-023 | - 9. I Got It Bad | Az 59A | |||
58-11-06-024 | - 10. Just Squeeze Me - vRN | Az 59A | |||
58-11-06-025 | - 11. It Don’t Mean A Thing - vRN | Az 59A | |||
58-11-06-026 | - 12. Satin Doll | Az 59A | |||
58-11-06-027 | - 13. Solitude - vOB | Az 59A | |||
58-11-06-028 | - 14. I Let A Song & Don’t Get Around Much | Az 59A | |||
58-11-06-029 | ¬ Diminuendo In Blue | Az 59A, MFD G4RS-2536 | DE5847p | ||
58-11-06-030 | - | Wailing Interval | Az 59A, MFD G4RS-2536 | DE5847q | ||
58-11-06-031 | _| Crescendo In Blue | Az 59A, MFD G4RS-2536 | DE5847r | ||
58-11-06-032 | Jones | Az 59A | DE5847s | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Goteborg, Sweden | 06 November 1958 | |||
2nd concert, Konserthuset | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-06-033 | Take The “A” Train | JI CAH-4001, MJ 2MJP-1005 | DE5848a | ||
58-11-06-034 | ¬ Black And Tan Fantasy | JI CAH-4001, MJ 2MJP-1005 | DE5848b | ||
58-11-06-035 | - | Creole Love Call | JI CAH-4001, MJ 2MJP-1005 | DE5848c | ||
58-11-06-036 | _| The Mooch | JI CAH-4001, MJ 2MJP-1005 | DE5848d | ||
58-11-06-037 | Newport Up | DE5848e | |||
58-11-06-038 | My Funny Valentine | DE5848f | |||
58-11-06-039 | Perdido | JI CAH-4001, MFD G4RS-2536, MJ 2MJP-1005 | DE5848g | ||
58-11-06-040 | Sophisticated Lady | JI CAH-4001, MFD G4RS-2536, MJ 2MJP-1005 | DE5848h | ||
58-11-06-041 | Sonnet To Hank Cinq | MFD G4RS-2536 | DE5848i | ||
58-11-06-042 | What Else Can You Do With A Drum? - vOB | JI CAH-4001 | DE5848j | ||
58-11-06-043 | You Better Know It - vOB | JI CAH-4001 | DE5848k | ||
58-11-06-044 | On The Sunny Side Of The Street | JI CAH-4001, MJ 2MJP-1005 | DE5848l | ||
58-11-06-045 | Things Ain’t What They Used To Be | JI CAH-4001, MFD G4RS-2536, MJ 2MJP-1005 | DE5848m | ||
58-11-06-046 | El Gato | JI CAH-4001, MJ 2MJP-1005 | DE5848n | ||
58-11-06-047 | Boo-Dah | MJ 2MJP-1005 | DE5848o | ||
58-11-06-048 | Boo-Dah | MJ 2MJP-1005 | DE5848p | ||
58-11-06-049 | Hi Fi Fo Fum | DE5848q | |||
Medley: | DE5848r | ||||
58-11-06-050 | - 1. Don’t Get Around Much Anymore | ||||
58-11-06-051 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-11-06-052 | - 3. In A Sentimental Mood | MFD G4RS-2536 | |||
58-11-06-053 | - 4. Mood Indigo | MFD G4RS-2536 | |||
58-11-06-054 | - 5. I’m Beginning To See The Light | MFD G4RS-2536 | |||
58-11-06-055 | - 6. Sophisticated Lady | MFD G4RS-2536 | |||
58-11-06-056 | - 7. Caravan | MJ 2MJP-1005 | |||
58-11-06-057 | - 8. I Got It Bad | MFD G4RS-2536, MJ 2MJP-1005 | |||
58-11-06-058 | - 9. Just Squeeze Me - vRN | MFD G4RS-2536, MJ 2MJP-1005 | |||
58-11-06-059 | - 10. It Don’t Mean A Thing - vRN | MFD G4RS-2536, MJ 2MJP-1005 | |||
58-11-06-060 | - 11. Satin Doll | MJ 2MJP-1005 | |||
58-11-06-061 | - 12. Solitude - vOB | MFD G4RS-2536 | |||
58-11-06-062 | - 13. I Let A Song & Don’t Get Around Much | ||||
58-11-06-063 | Happy Birthday To You | DE5848s | |||
58-11-06-064 | ¬ Diminuendo In Blue | DE5848t | |||
58-11-06-065 | - | Wailing Interval | DE5848u | |||
58-11-06-066 | _| Crescendo In Blue | DE5848v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, Denmark | 07 November 1958 | |||
Telecast, K.B. Hallen | |||||
Duke Ellington, n/k(tk) | |||||
58-11-07-001 | Interview | DE5849a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, Denmark | 07 November 1958 | |||
Concert, K.B. Hallen | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-07-002 | Take The “A” Train | Sv 1018540 | DE5850a | ||
58-11-07-003 | Newport Up | Sv 1018540 | DE5850b | ||
58-11-07-004 | My Funny Valentine | Sv 1018540 | DE5850c | ||
58-11-07-005 | Perdido | Sv 1018540 | DE5850d | ||
58-11-07-006 | Sophisticated Lady | Sv 1018540 | DE5850e | ||
58-11-07-007 | Sonnet To Hank Cinq | Sv 1018540 | DE5850f | ||
58-11-07-008 | What Else Can You Do With A Drum? - vOB | Sv 1018540 | DE5850g | ||
58-11-07-009 | Rockin’ In Rhythm | Sv 1018540 | DE5850h | ||
58-11-07-010 | Prelude To A Kiss | Sv 1018540 | DE5850i | ||
58-11-07-011 | Things Ain’t What They Used To Be | Sv 1018540 | DE5850j | ||
58-11-07-012 | El Gato | Sv 1018540 | DE5850k | ||
58-11-07-013 | Hi Fi Fo Fum | Sv 1018540 | DE5850l | ||
Medley: | DE5850m | ||||
58-11-07-014 | - 1. Don’t Get Around Much Anymore | ||||
58-11-07-015 | - 3. In A Sentimental Mood | ||||
58-11-07-016 | - 4. Mood Indigo | ||||
58-11-07-017 | - 5. I’m Beginning To See The Light | ||||
58-11-07-018 | - 6. Sophisticated Lady | ||||
58-11-07-019 | - 7. Caravan | ||||
58-11-07-020 | - 8. I Got It Bad | ||||
58-11-07-021 | - 9. Just Squeeze Me - vRN | ||||
58-11-07-022 | - 10. It Don’t Mean A Thing - vRN | ||||
58-11-07-023 | - 11. Satin Doll | ||||
58-11-07-024 | - 12. Solitude - vOB | ||||
58-11-07-025 | - 13. I Let A Song & Don’t Get Around Much | ||||
58-11-07-026 | ¬ Diminuendo In Blue | Sv 1018540 | DE5850n | ||
58-11-07-027 | - | Wailing Interval | Sv 1018540 | DE5850o | ||
58-11-07-028 | _| Crescendo In Blue | Sv 1018540 | DE5850p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, Germany | 08 November 1958 | |||
Concert, Deutchland Halle | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-08-001 | Take The “A” Train | DE5851a | |||
58-11-08-002 | ¬ Black And Tan Fantasy | DE5851b | |||
58-11-08-003 | - | Creole Love Call | DE5851c | |||
58-11-08-004 | _| The Mooch | DE5851d | |||
58-11-08-005 | Newport Up | DE5851e | |||
58-11-08-006 | Tenderly | DE5851f | |||
58-11-08-007 | Perdido | DE5851g | |||
58-11-08-008 | Sophisticated Lady | DE5851h | |||
58-11-08-009 | Sonnet To Hank Cinq | DE5851i | |||
58-11-08-010 | ¬ Kinda Dukish | DE5851j | |||
58-11-08-011 | _| Rockin’ In Rhythm | DE5851k | |||
58-11-08-012 | What Else Can You Do With A Drum? - vOB | DE5851l | |||
58-11-08-013 | You Better Know It - vOB | DE5851m | |||
58-11-08-014 | Jeep’s Blues | DE5851n | |||
58-11-08-015 | All Of Me | DE5851o | |||
58-11-08-016 | El Gato | DE5851p | |||
58-11-08-017 | Hi Fi Fo Fum | DE5851q | |||
58-11-08-018 | Stompy Jones | DE5851r | |||
Medley: | DE5851s | ||||
58-11-08-019 | - 1. Don’t Get Around Much Anymore | ||||
58-11-08-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-11-08-021 | - 3. Don’t You Know I Care | ||||
58-11-08-022 | - 4. In A Sentimental Mood | ||||
58-11-08-023 | - 5. Mood Indigo | ||||
58-11-08-024 | - 6. I’m Beginning To See The Light | ||||
58-11-08-025 | - 7. Sophisticated Lady | ||||
58-11-08-026 | - 8. Caravan | ||||
58-11-08-027 | - 9. I Got It Bad | ||||
58-11-08-028 | - 10. Just Squeeze Me - vRN | ||||
58-11-08-029 | - 11. It Don’t Mean A Thing - vRN | ||||
58-11-08-030 | - 12. Satin Doll | ||||
58-11-08-031 | - 13. Solitude - vOB | ||||
58-11-08-032 | - 14. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Munchen, Germany | 14 November 1958 | |||
Broadcast | |||||
Duke Ellington, n/k(tk) | |||||
58-11-14-001 | Interview | DE5852a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Munchen, Germany | 14 November 1958 | |||
Concert, Deutsches Museum | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-14-002 | Take The “A” Train | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853a | ||
58-11-14-003 | ¬ Black And Tan Fantasy | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853b | ||
58-11-14-004 | - | Creole Love Call | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853c | ||
58-11-14-005 | _| The Mooch | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853d | ||
58-11-14-006 | Newport Up | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853e | ||
58-11-14-007 | Sophisticated Lady | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853f | ||
58-11-14-008 | Sonnet To Hank Cinq | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853g | ||
58-11-14-009 | What Else Can You Do With A Drum? - vOB | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853h | ||
58-11-14-010 | Do Nothin’ Till You Hear From Me | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853i | ||
58-11-14-011 | Jeep’s Blues | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853j | ||
58-11-14-012 | Take The “A” Train (theme) | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853k | ||
58-11-14-013 | Hi Fi Fo Fum | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853l | ||
Medley: | DE5853m | ||||
58-11-14-014 | - 1. Don’t Get Around Much Anymore | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-015 | - 2. Do Nothin’ Till You Hear From Me | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-016 | - 4. In A Sentimental Mood | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-017 | - 5. Mood Indigo | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-018 | - 6. I’m Beginning To See The Light | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-019 | - 7. Sophisticated Lady | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-020 | - 8. Caravan | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-021 | - 9. I Got It Bad | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-022 | - 10. Just Squeeze Me - vRN | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-023 | - 11. It Don’t Mean A Thing - vRN | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-024 | - 12. Satin Doll | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-025 | - 13. Solitude - vOB | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-026 | - 14. I Let A Song & Don’t Get Around Much | Sv 108-8617, Sv STCD-8324(D)(S) | |||
58-11-14-027 | ¬ Diminuendo In Blue | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853n | ||
58-11-14-028 | _| Wailing Interval | Sv 108-8617, Sv STCD-8324(D)(S) | DE5853o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Basel, Switzerland | 16 November 1958 | |||
Concert | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-16-001 | Take The “A” Train | DE5854a | |||
58-11-16-002 | ¬ Black And Tan Fantasy | DE5854b | |||
58-11-16-003 | - | Creole Love Call | DE5854c | |||
58-11-16-004 | _| The Mooch | DE5854d | |||
58-11-16-005 | Newport Up | DE5854e | |||
58-11-16-006 | Tenderly | DE5854f | |||
58-11-16-007 | Perdido | DE5854g | |||
58-11-16-008 | Sophisticated Lady | DE5854h | |||
58-11-16-009 | Sonnet To Hank Cinq | DE5854i | |||
58-11-16-010 | Rockin’ In Rhythm | DE5854j | |||
58-11-16-011 | What Else Can You Do With A Drum? - vOB | DE5854k | |||
58-11-16-012 | You Better Know It - vOB | DE5854l | |||
58-11-16-013 | Do Nothin’ Till You Hear From Me - vOB | DE5854m | |||
58-11-16-014 | Jeep’s Blues | DE5854n | |||
58-11-16-015 | All Of Me | DE5854o | |||
58-11-16-016 | Things Ain’t What They Used To Be | DE5854p | |||
58-11-16-017 | El Gato | DE5854q | |||
58-11-16-018 | Stompy Jones | DE5854xa | |||
Medley: | DE5854r | ||||
58-11-16-019 | - 1. Don’t Get Around Much Anymore | ||||
58-11-16-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-11-16-021 | - 3. Don’t You Know I Care | ||||
58-11-16-022 | - 4. In A Sentimental Mood | ||||
58-11-16-023 | - 5. Mood Indigo | ||||
58-11-16-024 | - 6. I’m Beginning To See The Light | ||||
58-11-16-025 | - 7. Sophisticated Lady | ||||
58-11-16-026 | - 8. Caravan | ||||
58-11-16-027 | - 9. I Got It Bad | ||||
58-11-16-028 | - 10. Just Squeeze Me - vRN | ||||
58-11-16-029 | - 11. It Don’t Mean A Thing - vRN | ||||
58-11-16-030 | - 12. Satin Doll | ||||
58-11-16-031 | - 13. Solitude - vOB | ||||
58-11-16-032 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-11-16-033 | ¬ Diminuendo In Blue | DE5854s | |||
58-11-16-034 | _| Wailing Interval | DE5854t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Torino, I | 18 November 1958 | |||
Concert, Teatrico Alfieri | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-18-001 | Take The “A” Train | DE5855a | |||
58-11-18-002 | ¬ Black And Tan Fantasy | DE5855b | |||
58-11-18-003 | - | Creole Love Call | DE5855c | |||
58-11-18-004 | _| The Mooch | DE5855d | |||
58-11-18-005 | Newport Up | DE5855e | |||
58-11-18-006 | Tenderly | DE5855f | |||
58-11-18-007 | Perdido | DE5855g | |||
58-11-18-008 | Sonnet To Hank Cinq | DE5855h | |||
58-11-18-009 | What Else Can You Do With A Drum? - vOB | DE5855i | |||
58-11-18-010 | Do Nothin’ Till You Hear From Me - vOB | DE5855j | |||
58-11-18-011 | Jeep’s Blues | DE5855k | |||
58-11-18-012 | All Of Me | DE5855l | |||
58-11-18-013 | El Gato | DE5855m | |||
58-11-18-014 | Stompy Jones | DE5855n | |||
58-11-18-015 | Hi Fi Fo Fum | DE5855o | |||
Medley: | DE5855p | ||||
58-11-18-016 | - 1. Don’t Get Around Much Anymore | ||||
58-11-18-017 | - 2. Do Nothin’ Till You Hear From Me | ||||
58-11-18-018 | - 3. Don’t You Know I Care | ||||
58-11-18-019 | - 4. In A Sentimental Mood | ||||
58-11-18-020 | - 5. Mood Indigo | ||||
58-11-18-021 | - 6. I’m Beginning To See The Light | ||||
58-11-18-022 | - 7. Sophisticated Lady | ||||
58-11-18-023 | - 8. Caravan | ||||
58-11-18-024 | - 9. I Got It Bad | ||||
58-11-18-025 | - 10. Just Squeeze Me - vRN | ||||
58-11-18-026 | - 11. It Don’t Mean A Thing - vRN | ||||
58-11-18-027 | - 12. Satin Doll | ||||
58-11-18-028 | - 13. Solitude - vOB | ||||
58-11-18-029 | - 14. I Let A Song & Don’t Get Around Much | ||||
58-11-18-030 | ¬ Diminuendo In Blue | DE5855q | |||
58-11-18-031 | - | Wailing Interval | DE5855r | |||
58-11-18-032 | _| Crescendo In Blue | DE5855s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 20 November 1958 | |||
Concert, Salle Pleyel | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-11-20-001 | Take The “A” Train | Mg DAWE-39(D), SYY DSOY932(D) | DE5856a | ||
58-11-20-002 | ¬ Black And Tan Fantasy | Mg DAWE-39(D), SYY DSOY932(D) | DE5856b | ||
58-11-20-003 | - | Creole Love Call | Mg DAWE-39(D), SYY DSOY932(D) | DE5856c | ||
58-11-20-004 | _| The Mooch | Mg DAWE-39(D), SYY DSOY932(D) | DE5856d | ||
58-11-20-005 | Harlem Air-Shaft | Mg DAWE-39(D), SYY DSOY932(D) | DE5856e | ||
58-11-20-006 | Tenderly | FA 5682, Mg DAWE-39(D), SYY DSOY932(D) | DE5856f | ||
58-11-20-007 | Honeysuckle Rose | DE5856g | |||
58-11-20-008 | Jeep’s Blues | Mg DAWE-39(D), SYY DSOY932(D) | DE5856h | ||
58-11-20-009 | On The Sunny Side Of The Street | FA 5682, Mg DAWE-39(D), SYY DSOY932(D) | DE5856i | ||
58-11-20-010 | C-Jam Blues | FA 5682, Mg DAWE-39(D), SYY DSOY932(D) | DE5856j | ||
58-11-20-011 | C-Jam Blues (Duke’s Place) - vOB | FA 5682, Mg DAWE-39(D), SYY DSOY932(D) | DE5856k | ||
58-11-20-012 | ¬ Kinda Dukish | Mg DAWE-39(D), SYY DSOY932(D) | DE5856l | ||
58-11-20-013 | _| Rockin’ In Rhythm | Mg DAWE-39(D), SYY DSOY932(D) | DE5856m | ||
58-11-20-014 | Such Sweet Thunder | Mg DAWE-39(D), SYY DSOY932(D) | DE5856n | ||
58-11-20-015 | Caravan | FA 5682, Mg DAWE-39(D), SYY DSOY932(D) | DE5856o | ||
58-11-20-016 | Newport Up | Mg DAWE-40, SYY DSOY932(D) | DE5856p | ||
58-11-20-017 | Violet Blue (Multicolored Blue) - vOB | FA 5682, Mg DAWE-40, SYY DSOY932(D) | DE5856q | ||
58-11-20-018 | El Gato | Mg DAWE-40, SYY DSOY932(D) | DE5856r | ||
58-11-20-019 | Take The “A” Train - vRN | Mg DAWE-40, SYY DSOY932(D) | DE5856s | ||
58-11-20-020 | Take The “A” Train | Mg DAWE-40, SYY DSOY932(D) | DE5856t | ||
58-11-20-021 | V.I.P. Boogie | FA 5682, Mg DAWE-40, SYY DSOY932(D) | DE5856u | ||
58-11-20-022 | Jam With Sam | FA 5682, Mg DAWE-40, SYY DSOY932(D) | DE5856v | ||
58-11-20-023 | Stompy Jones | Mg DAWE-40, SYY DSOY932(D) | DE5856w | ||
58-11-20-024 | Hi Fi Fo Fum | Mg DAWE-40, SYY DSOY932(D) | DE5856x | ||
Medley: | DE5856y | ||||
58-11-20-025 | - 1. Don’t Get Around Much Anymore | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-026 | - 3. Do Nothin’ Till You Hear From Me | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-027 | - 4. Mood Indigo | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-028 | - 5. I’m Beginning To See The Light | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-029 | - 6. Sophisticated Lady | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-030 | - 7. Caravan | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-031 | - 8. I Got It Bad | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-032 | - 9. Just Squeeze Me - vRN | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-033 | - 10. It Don’t Mean A Thing - vRN | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-034 | - 11. Satin Doll | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-035 | - 12. Solitude - vOB | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-036 | - 13. I Let A Song & Don’t Get Around Much | Mg DAWE-40, SYY DSOY932(D) | |||
58-11-20-037 | The Hawk Talks | FA 5682, IGDJ GJ-27, LRC CDC-7680(D), Mg DAWE-40, SYY DSOY932(D) | DE5856z | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 21 December 1958 | |||
Broadcast, Blue Note | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
58-12-21-001 | Newport Up | DE5857a | |||
58-12-21-002 | Sophisticated Lady | DE5857b | |||
58-12-21-003 | What Else Can You Do With A Drum? - vOB | DE5857c | |||
58-12-21-004 | Perdido | DE5857d | |||
58-12-21-005 | Satin Doll | DE5857e | |||
58-12-21-006 | Take The “A” Train - vRN | DE5857f | |||
58-12-21-007 | Things Ain’t What They Used To Be | DE5857g | |||
DUKE ELLINGTON | Chicago, IL | Dec 1958 | |||
Private recording | |||||
Duke Ellington(tk) | |||||
58-12-25-001 | Duke Ellington talking about “Madame Croqinole” | DE5858a | |||
DUKE ELLINGTON | Chicago, IL | 28 December 1958 | |||
Private party | |||||
Duke Ellington(ep) | |||||
58-12-28-001 | Blues No. 6 | DE5859a | |||
58-12-28-002 | Unidentified | DE5859b | |||
58-12-28-003 | Le Sucrier Velour | DE5859c | |||
58-12-28-004 | ¬ I Got It Bad | DE5859d | |||
58-12-28-005 | _| NEW WORLD A-COMIN' | DE5859e | |||
58-12-28-006 | Piano Interlude | DE5859f | |||
58-12-28-007 | Unidentified | DE5859g | |||
58-12-28-008 | Piano Interlude | DE5859h | |||
58-12-28-009 | Piano Interlude | DE5859i | |||
58-12-28-010 | Lonesome Lullabye | DE5859j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 28 December 1958 | |||
Broadcast, Blue Note | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-12-28-011 | Take The “A” Train (theme) | DE5860a | |||
58-12-28-012 | C-Jam Blues (Duke’s Place) - vOB | DE5860b | |||
58-12-28-013 | Jam With Sam | DE5860c | |||
Medley: | DE5860d | ||||
58-12-28-014 | - 1. Don’t Get Around Much Anymore | ||||
58-12-28-015 | - 2. In A Sentimental Mood | ||||
58-12-28-016 | - 3. Mood Indigo | ||||
58-12-28-017 | - 4. I’m Beginning To See The Light | ||||
58-12-28-018 | - 5. Sophisticated Lady | ||||
58-12-28-019 | - 6. Caravan | ||||
58-12-28-020 | - 7. I Got It Bad | ||||
58-12-28-021 | - 8. Just Squeeze Me - vRN | ||||
58-12-28-022 | - 9. It Don’t Mean A Thing - vRN | ||||
58-12-28-023 | - 10. Satin Doll | ||||
58-12-28-024 | - 11. Solitude - vLG | ||||
58-12-28-025 | - 12. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1958 | |||
Broadcast, Blue Note | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
58-12-31-001 | Take The “A” Train (theme) | DE5861a | |||
58-12-31-002 | El Gato | DE5861b | |||
58-12-31-003 | Violet Blue (Multicolored Blue) - vOB | DE5861c | |||
58-12-31-004 | ¬ Diminuendo In Blue | DE5861d | |||
58-12-31-005 | - | Wailing Interval | DE5861e | |||
58-12-31-006 | _| Crescendo In Blue | DE5861f | |||
58-12-31-007 | St. Louis Blues - vLG | DE5861g | |||
58-12-31-008 | Walkin’ And Singin’ The Blues - vLG | DE5861h | |||
58-12-31-009 | Jump For Joy | DE5861i | |||
58-12-31-010 | Auld Lang Syne | DE5861j | |||
58-12-31-011 | Jam With Sam | DE5861k | |||
Medley: | DE5861l | ||||
58-12-31-012 | - 1. Don’t Get Around Much Anymore | ||||
58-12-31-013 | - 2. Do Nothin Till You Hear From Me - vOB | ||||
58-12-31-014 | - 3. In A Sentimental Mood | ||||
58-12-31-015 | - 4. Mood Indigo | ||||
58-12-31-016 | - 5. I’m Beginning To See The Light | ||||
58-12-31-017 | - 6. Sophisticated Lady | ||||
58-12-31-018 | - 7. Caravan | ||||
58-12-31-019 | - 8. I Got It Bad | ||||
58-12-31-020 | - 9. Just Squeeze Me - vRN | ||||
58-12-31-021 | - 10. It Don’t Mean A Thing - vRN | ||||
58-12-31-022 | - 11. Satin Doll | ||||
58-12-31-023 | - 12. Solitude - vLG | ||||
58-12-31-024 | Take The “A” Train (theme) | DE5861m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 04 January 1959 | |||
Broadcast, Blue Note | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Ozzie Bailey(v) | |||||
59-01-04-001 | Take The “A” Train (theme) | DE5901a | |||
59-01-04-002 | Violet Blue (Multicolored Blue) - vOB | DE5901b | |||
59-01-04-003 | El Gato | DE5901c | |||
Medley: | DE5901d | ||||
59-01-04-004 | - 1. Don’t Get Around Much Anymore | ||||
59-01-04-005 | - 2. Do Nothin Till You Hear From Me - vOB | ||||
59-01-04-006 | - 3. In A Sentimental Mood | ||||
59-01-04-007 | - 4. Mood Indigo | ||||
59-01-04-008 | - 5. I’m Beginning To See The Light | ||||
59-01-04-009 | - 6. Sophisticated Lady | ||||
59-01-04-010 | - 7. Caravan | ||||
59-01-04-011 | - 8. I Got It Bad | ||||
59-01-04-012 | - 9. Just Squeeze Me - vRN | ||||
59-01-04-013 | - 10. It Don’t Mean A Thing - vRN | ||||
59-01-04-014 | - 11. Satin Doll | ||||
59-01-04-015 | Things Ain’t What They Used To Be | DE5901e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 07 January 1959 | |||
Telecast, CBS studios | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Gus Johnson(d) | |||||
59-01-07-001 | Satin Doll | SG SG-8017 | DE5902a | ||
59-01-07-002 | Take The “A” Train (theme) | SG SG-8017 | DE5902b | ||
59-01-07-003 | Rockin’ In Rhythm | SG SG-8017 | DE5902c | ||
59-01-07-004 | Just Squeeze Me | SG SG-8017 | DE5902d | ||
Add Ruth Olay(v) | |||||
59-01-07-005 | I Let A Song Go Out Of My Heart - vRO | SG SG-8017 | DE5902e | ||
Ruth Olay out | |||||
59-01-07-006 | Sophisticated Lady | SG SG-8017 | DE5902f | ||
59-01-07-007 | Things Ain’t What They Used To Be | SG SG-8017 | DE5902g | ||
Add Louis Armstrong, Dizzy Gillespie, Roy Eldridge(t); Vic Dickenson (tb); Coleman Hawkins(ts); Marty Napoleon(p); Milt Hinton(sb); Gene Krupa, Jo Jones(d) | |||||
59-01-07-008 | Perdido (YT) | SG SG-8017 | DE5902h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | January 1959 | |||
Concert | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Toney Watkins(v) | |||||
59-01-15-001 | When I Trilly With My Filly - vTW | DE5903a | |||
Medley: | DE5903b | ||||
59-01-15-002 | - 1. Don’t Get Around Much Anymore | ||||
59-01-15-003 | - 2. Do Nothin Till You Hear From Me | ||||
59-01-15-004 | - 3. In A Sentimental Mood | ||||
59-01-15-005 | - 4. Mood Indigo | ||||
59-01-15-006 | - 5. I’m Beginning To See The Light | ||||
59-01-15-007 | - 6. Sophisticated Lady | ||||
59-01-15-008 | - 7. Just Squeeze Me - vRN | ||||
59-01-15-009 | - 8. It Don’t Mean A Thing - vRN | ||||
59-01-15-010 | - 9. Solitude | ||||
59-01-15-011 | - 10. Things Ain’t What They Used To Be | ||||
59-01-15-012 | - 11. I Got It Bad - vLG | ||||
59-01-15-013 | - 12. Walkin’ And Singin’ The Blues - vLG | ||||
59-01-15-014 | Caravan | DE5903c | |||
59-01-15-015 | El Gato | DE5903d | |||
59-01-15-016 | Jump For Joy - vLG, Toney Watkins | DE5903e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | January 1959 | |||
Stage Show, Copa City | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Barbara McNair, Jimmy Randolph, Norma Miller, Timmie Rogers, The Winners, Choir(v) | |||||
59-01-25-001 | Nerves, Nerves, Nerves - vCHO | DE5904a | |||
59-01-25-002 | When I Trilly With My Filly - vTWi | DE5904b | |||
Medley: | DE5904c | ||||
59-01-25-003 | - 1. Don’t Get Around Much Anymore | ||||
59-01-25-004 | - 2. Do Nothin Till You Hear From Me | ||||
59-01-25-005 | - 3. In A Sentimental Mood | ||||
59-01-25-006 | - 4. Mood Indigo | ||||
59-01-25-007 | - 5. I’m Beginning To See The Light | ||||
59-01-25-008 | - 6. Sophisticated Lady | ||||
59-01-25-009 | - 7. Just Squeeze Me - vRN | ||||
59-01-25-010 | - 8. It Don’t Mean A Thing - vRN | ||||
59-01-25-011 | - 9. Solitude | ||||
59-01-25-012 | - 10. Things Ain’t What They Used To Be | ||||
59-01-25-013 | Walk It Off - Twi | DE5904d | |||
59-01-25-014 | Brown-Skin Gal - JRa,BMN | DE5904e | |||
59-01-25-015 | Cotton Tail | DE5904f | |||
59-01-25-016 | Bad Woman - vNM | DE5904g | |||
59-01-25-017 | Strictly For The Tourist - vNM | DE5904h | |||
59-01-25-018 | Show ‘Em You Got Class - vCHO | DE5904i | |||
59-01-25-019 | Three Shows Nightly - vTR | DE5904j | |||
DUKE ELLINGTON AND ELLA FITZGERALD | New York City, NY | 10 February 1959 | |||
NBC telecast: Bell Telephone Hour - American Festival | |||||
Duke Ellington(p); Jim Hall(g); Wilfred Middlebrooks(sb); Gus Johnson(d); Ella Fitzgerald(v) with studio orchestra | |||||
Medley: | DE5905a | ||||
59-02-10-001 | - 1. Satin Doll - vEF | MDD 004 | |||
59-02-10-002 | - 2. Don’t Get Around Much Anymore - vEF | MDD 004 | |||
59-02-10-003 | - 3. Caravan | MDD 004 | |||
59-02-10-004 | - 4. Mood Indigo | MDD 004 | |||
59-02-10-005 | - 5. I’m Just A Lucky So And So - vEF | MDD 004 | |||
59-02-10-006 | - 6. Caravan | MDD 004 | |||
59-02-10-007 | - 7. Do Nothin Till You Hear From Me - vEF | MDD 004 | |||
59-02-10-008 | - 8. I’m Beginning To See The Light - vEF | MDD 004 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 February 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
TOOT SUITE | |||||
59-02-19-001 | CO62192- | - 1. Red Garter | Co CK-40712, Co CL-1323 | DE5906a | |
59-02-19-002 | CO62193- | - 3. Red Carpet | Co CK-40712, Co CL-1323 | DE5906b | |
59-02-19-003 | CO62194- | - 4. Ready-Go | Co CK-40712, Co CL-1323 | DE5906c | |
Add Dizzy Gillespie, Andres Marenguito, Cat Anderson(t) | |||||
59-02-19-004 | CO62195- | Upper Manhattan Medical Group | Co CK-40712, Co CL-1323 | DE5906d | |
Dizzy Gillespie out | |||||
59-02-19-005 | CO62196- | All Of Me | Co CK-40712, Co CL-1323 | DE5906e | |
TOOT SUITE | |||||
59-02-19-006 | CO62197- | - 2. Red Shoes | Co CK-40712, Co CL-1323 | DE5906f | |
59-02-19-007 | CO62198- | Satin Doll | CBS 88653(D), Co CK-40712 | DE5906g | |
59-02-19-008 | CO62199- | When I Trilly With My Filly | CBS 88653(D), Co CK-40712, UtD 1008 | DE5906h | |
Add Dizzy Gillespie(t); Jimmie Jones(p); Jimmy Rushing(v) | |||||
59-02-19-009 | CO62118- | Hello, Little Boy (Hello, Little Girl) - vJRu | Co 66372, Co CK-40712, Co CL-1323 | DE5906i | |
DUKE ELLINGTON AND JOHNNY HODGES | New York City, NY | 20 February 1959 | |||
Verve recording session. Columbia Studio. | |||||
Harry Edison(t); Johnny Hodges(as); Duke Ellington(p); Les Spann(g); Sam Jones(sb); Jo Jones(d) | |||||
59-02-20-001 | 22729-2 | St. Louis Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5907a | |
59-02-20-002 | 22730-3 | Royal Garden Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5907b | |
59-02-20-003 | 22731-4 | Beale Street Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5907c | |
59-02-20-004 | 22732-5 | Loveless Love | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5907d | |
59-02-20-005 | 22733-4 | Basin Street Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5907e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 February 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson(t); Harold Baker(t,pc); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Elden C. Bailey, Harry Breuer, George Gaber, Morris Goldenberg, Chauncey Morehouse, Walter E. Rosenberger, Robert M. Rosengarten, Milton Schlesinger, Bradley Spinney(pc) | |||||
59-02-25-001 | CO62255- | Tymperturbably Blue | Co CK-40712, Co CL-1323 | DE5908a | |
59-02-25-002 | CO62256- | Malletoba Spank | Co CK-40712, Co CL-1323 | DE5908b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 February 1959 | |||
Duke Ellington Recording Session | |||||
Elden C. Bailey, Harry Breuer, George Gaber, Morris Goldenberg, Chauncey Morehouse, Walter E. Rosenberger, Robert M. Rosengarten, Milton Schlesinger, Bradley Spinney out | |||||
THE QUEENS SUITE | |||||
59-02-25-003 | CO62257- | - 4. Northern Lights | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5908c | |
59-02-25-004 | CO62258- | - 3. Le Sucrier Velour | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5908d | |
59-02-25-005 | CO62259- | - 2. Lightning Bugs And Frogs | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5908e | |
DUKE ELLINGTON AND HIS AWARD WINNERS | Same session | ||||
Ray Nance(t); Britt Woodman, Quentin Jackson, John Sanders(tb); Johnny Hodges(as); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
59-02-25-006 | CO62260 | Villes Ville Is The Place, Man | Co 4-41689(D), Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5908f | |
DUKE ELLINGTON AND JOHNNY HODGES | New York City, NY | 26 February 1959 | |||
Verve recording session | |||||
Harry Edison(t); Johnny Hodges(as); Duke Ellington(p); Les Spann(g); Al Hall(sb); Jo Jones(d) | |||||
59-02-26-001 | 22734-1 | Weary Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5909a | |
59-02-26-002 | 22735-9 | Squeeze Me | Ve MGV-8345 | DE5909b | |
59-02-26-003 | 22736-5 | Wabash Blues | Ve 0602498840290(D)(T), Ve MGV-8317 | DE5909c | |
59-02-26-004 | 22737-2 | Stompy Jones | Ve MGV-8345 | DE5909d | |
59-02-26-005 | 22738-11 | Going Up | Ve MGV-8345 | DE5909e | |
DUKE ELLINGTON AND LIL GREENWOOD | unknown location, USA | March 1959 | |||
Stage Show | |||||
Duke Ellington(p); Lil Greenwood(v) acc by studio band | |||||
59-03-00-001 | Walkin’ And Singin’ The Blues - vLG | DE5910a | |||
DUKE ELLINGTON WITH VIC SCHOEN'S ORCHESTRA | New York City, NY | 06 March 1959 | |||
ABC telecast | |||||
Duke Ellington(p); Patti Page(v) acc by studio band | |||||
59-03-06-001 | Caravan | DE5911a | |||
59-03-06-002 | Don’t Get Around Much Anymore - vPP | DE5911b | |||
59-03-06-003 | Monologue | Rt 22 | DE5911c | ||
From "The Patti Page Oldsmobile Show" | |||||
DUKE ELLINGTON | Los Angeles, CA | 10 March 1959 | |||
KRHM broadcast | |||||
Duke Ellington, Frank Evans(tk) | |||||
59-03-10-001 | Interview by Frank Evans | DE5912a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 14 March 1959 | |||
Broadcast, Storyville | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d); Lil Greenwood, Ozzie Bailey(v) | |||||
59-03-14-001 | Take The “A” Train (theme) | MDD 005(D) | DE5913a | ||
59-03-14-002 | Caravan | MDD 005(D) | DE5913b | ||
59-03-14-003 | Juniflip | MDD 005(D) | DE5913c | ||
Medley: | DE5913d | ||||
59-03-14-004 | - 1. Don’t Get Around Much Anymore | MDD 005(D) | |||
59-03-14-005 | - 2. Do Nothin’ Till You Hear From Me - vOB | MDD 005(D) | |||
59-03-14-006 | - 3. I Got It Bad - vLG | MDD 005(D) | |||
59-03-14-007 | - 4. Things Ain’t What They Used To Be | MDD 005(D) | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 March 1959 | |||
Duke Ellington recording session. RCA Studios. | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as,wh); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(v) | |||||
59-03-24-001 | You Don’t Love Me No More - vLG | DE5914a | |||
59-03-24-002 | Go Away Blues - vLG | DE5914b | |||
59-03-24-003 | I Love My Lovin’ Lover - vLG | DE5914c | |||
59-03-24-004 | My Man Sends Me - vLG | DE5914d | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
59-03-24-005 | I Wonder Why - vLG | DE5914e | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
59-03-24-006 | Hello, Little Boy - vLG | DE5914f | |||
59-03-24-007 | I Got It Bad - vLG | DE5914g | |||
59-03-24-008 | Walkin’ And Singin’ The Blues - vLG | DE5914h | |||
59-03-24-009 | Walkin’ And Singin’ The Blues - vLG | DE5914i | |||
59-03-24-010 | Ghost Of Love - vLG | DE5914j | |||
59-03-24-011 | Love You Madly - vLG | DE5914k | |||
59-03-24-012 | My Little Brown Book - vLG | DE5914l | |||
Harold Baker(t); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(v) | |||||
59-03-24-013 | Solitude - vLG | DE5914m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 March 1959 | |||
Sesac recording session. Columbia Studio. | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
59-03-27-001 | Fat Mouth | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915a | ||
59-03-27-002 | Lost In The Night | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915b | ||
59-03-27-003 | Little John’s Tune | Fm 107(D) | DE5915xa | ||
59-03-27-004 | Little John’s Tune | FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915c | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
59-03-27-005 | Frou-Frou | Fm 107(D), FSR FSR-CD-410(D), MDD 006, Se N-2701/2(D) | DE5915d | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
59-03-27-006 | Dankworth Castle | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915e | ||
59-03-27-007 | Moonstone | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915f | ||
59-03-27-008 | Night Stick | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915g | ||
59-03-27-009 | Lullaby For Dreamers | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915h | ||
59-03-27-010 | She Was A Tinkling Thing | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915i | ||
59-03-27-011 | Jamaica Tomboy | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915j | ||
59-03-27-012 | Still Water | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915k | ||
59-03-27-013 | Jet Strip | Fm 107(D), FSR FSR-CD-410(D), Se N-2701/2(D) | DE5915l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 April 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
THE QUEENS SUITE | |||||
59-04-01-001 | C063072- | - 1. Sunset And The Mocking Bird | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5916a | |
59-04-01-002 | C063073- | - 6. Apes And Peacocks | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5916b | |
DUKE ELLINGTON | New York City, NY | 14 April 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Duke Ellington(p); Jimmy Woode(sb) | |||||
THE QUEENS SUITE | |||||
59-04-14-001 | C063249- | - 5. Single Petal Of A Rose | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE5917a | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 29 May 1959 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
59-05-29-001 | Haupé (Polly) | Co CK-65569 | DE9003a | ||
59-05-29-002 | Haupé (Merrily Rolling Along) | Co CK-65569 | DE9003b | ||
59-05-29-003 | Sunswept Sunday | Co CK-65569 | DE9003c | ||
59-05-29-004 | Sunswept Sunday | Co CK-65569 | DE9003d | ||
59-05-29-005 | Beer Garden | Co CK-65569 | DE9003e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 June 1959 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker, Gerald Wilsoni(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
ANATOMY OF A MURDER | |||||
59-06-01-001 | RHC046258-13 | - 06. Happy Anatomy | Co CK-65569 | DE5918a | |
59-06-01-002 | RHC046261-5 | - 02. Flirtibird | Co 4-41421(D), Co CK-65569, Co CL-1360 | DE5918b | |
59-06-01-003 | RHC046262- | - 02. Flirtibird (Flirtibird Down) | DE5918c | ||
59-06-01-004 | RHC046263-2 | - 08. Almost Cried | Co CK-65569, Co CL-1360, CoT E-10071 | DE5918d | |
59-06-01-005 | RHC046267-9 | Anatomy Of A Murder | Co CK-65569, Co S7-30421 | DE5918e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 02 June 1959 | |||
Columbia Recording Session. Radio Recorders. | |||||
Cat Anderson, Harold Baker, Gerald Wilsoni(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
ANATOMY OF A MURDER | |||||
59-06-02-001 | RHC046265-6 | Haupé (Polly) | Co CK-65569 | DE5919xa | |
59-06-02-002 | RHC046265-8 | - 12. Haupé | Co CK-65569, Co CL-1360 | DE5919a | |
59-06-02-003 | RHC046266- | - 05. Low Key Lightly | Co CK-65569, Co CL-1360 | DE5919b | |
59-06-02-004 | RHC046267-14 | Anatomy Of A Murder | CBS 88653(D), Co 4-41421(D), Co CK-65569 | DE5919c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | Early June 1959 | |||
Columbia soundtrack recording: Anatomy Of A Murder. Columbia Studios. | |||||
Cat Anderson, Harold Baker, Gerald Wilsoni(t); Clark Terry(t,fl); Ray Nance(t,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Billy Strayhorn(p,cs); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
ANATOMY OF A MURDER | |||||
59-06-05-001 | - 01. Anatomy Of A Murder | Co CK-65569, Co CL-1360, CoT E-10071 | DE5920a | ||
59-06-05-002 | - 02. Flirtibird | Co CK-65569, CoT E-10071 | DE5920xa | ||
59-06-05-003 | - 03. Way Early Subtone | Co CK-65569, Co CL-1360, CoT E-10071 | DE5920b | ||
59-06-05-004 | - 04. Hero To Zero=Haupé | Co CK-65569, Co CL-1360, CoT E-10071 | DE5920c | ||
59-06-05-005 | Haupé (Car Crash) | CoT E-10071 | DE5920d | ||
59-06-05-006 | - 05. Low Key Lightly=Haupé | Co CK-65569*, Co CL-1360*, CoT E-10071 | DE5920xb | ||
59-06-05-007 | - 06. Happy Anatomy | Co CL-1360, CoT E-10071 | DE5920e | ||
59-06-05-008 | - 07. Midnight Indigo=Haupé | Co CL-1360 | DE5920f | ||
59-06-05-009 | - 08. Almost Cried=Flirtibird | Co CK-65569 | DE5920xc | ||
59-06-05-010 | - 09. Sunswept Sunday | Co CL-1360, CoT E-10071 | DE5920g | ||
59-06-05-011 | - 10. Grace Valse=Haupé | Co CL-1360 | DE5920h | ||
59-06-05-012 | - 12. Haupé | CoT E-10071 | DE5920xd | ||
59-06-05-013 | - 13. Upper And Outest | Co CK-65569, Co CL-1360, CoT E-10071 | DE5920i | ||
59-06-05-014 | Unidentified | Co CK-65569 | DE5920xe | ||
59-06-05-015 | Fanfare For The Film’s End | Co CK-65569 | DE5920xf | ||
THE P.I. FIVE | Same session | ||||
Ray Nance(t); Quentin Jackson(tb); Russell Procope(cl);Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
59-06-05-016 | - 11. Happy Anatomy | Co CK-65569, CoT E-10071 | DE5920xg | ||
Russell Procope, Quentin Jackson out. Add Jimmy Hamilton(ts,cl) | |||||
59-06-05-017 | - 11. Happy Anatomy | Co CK-65569, Co CL-1360, CoT E-10071 | DE5920j | ||
59-06-05-018 | - 11. Happy Anatomy | La 15753 | DE5920k | ||
59-06-05-019 | Pie Eye’s Blues | Co CK-65569, CoT E-10071 | DE5920l | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
59-06-05-020 | Happy Anatomy | CoT E-10071 | DE5920m | ||
59-06-05-021 | Happy Anatomy | CoT E-10071 | DE5920n | ||
59-06-05-022 | Flirtibird | CoT E-10071 | DE5920o | ||
59-06-05-023 | Danny Boy | CoT E-10071 | DE5920p | ||
Duke Ellington(tk) | |||||
59-06-05-024 | Duke Ellington talking about “Anatomy Of A Murder” | Co CK-65569 | DE5920xh | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Wallingford, CT | 21 June 1959 | |||
Concert, Oakdale Musical Theatre | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Jimmy Rushing, Lil Greenwood, Ozzie Bailey(v) | |||||
59-06-21-001 | On The Sunny Side Of The Street - vJRu | DE5921a | |||
59-06-21-002 | Goin’ To Chicago - vJRu | DE5921b | |||
59-06-21-003 | Hello, Little Boy (Hello, Little Girl) - vJRu | DE5921c | |||
59-06-21-004 | Hello, Little Boy (Hello, Little Girl) - vJRu | DE5921d | |||
59-06-21-005 | Skin Deep | DE5921e | |||
Medley: | DE5921f | ||||
59-06-21-006 | - 1. Don’t Get Around Much Anymore | ||||
59-06-21-007 | - 2. Do Nothin Till You Hear From Me - vOB | ||||
59-06-21-008 | - 3. In A Sentimental Mood | ||||
59-06-21-009 | - 4. Mood Indigo | ||||
59-06-21-010 | - 5. I’m Beginning To See The Light | ||||
59-06-21-011 | - 6. Sophisticated Lady | ||||
59-06-21-012 | - 7. Caravan | ||||
59-06-21-013 | - 8. Just Squeeze Me - vRN | ||||
59-06-21-014 | - 9. It Don’t Mean A Thing - vRN | ||||
59-06-21-015 | - 10. Solitude | ||||
59-06-21-016 | - 11. Things Ain’t What They Used To Be | ||||
59-06-21-017 | I Got It Bad - vLG | DE5921g | |||
59-06-21-018 | Walkin’ And Singin’ The Blues - vLG | DE5921h | |||
59-06-21-019 | ¬ Diminuendo In Blue | DE5921i | |||
59-06-21-020 | - | Wailing Interval | DE5921j | |||
59-06-21-021 | _| Crescendo In Blue | DE5921k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tamiment, PA | 27 June 1959 | |||
Concert, Playhouse | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood, Ozzie Bailey(v) | |||||
59-06-27-001 | Take The “A” Train (theme) | DE5922a | |||
59-06-27-002 | ¬ Black And Tan Fantasy | DE5922b | |||
59-06-27-003 | - | Creole Love Call | DE5922c | |||
59-06-27-004 | _|The Mooch | DE5922d | |||
59-06-27-005 | Perdido | DE5922e | |||
59-06-27-006 | Sophisticated Lady | DE5922f | |||
59-06-27-007 | Sonet To Hank Cinq | DE5922g | |||
59-06-27-008 | What Else Can You Do With A Drum? - vOB | DE5922h | |||
59-06-27-009 | Autumn Leaves - vOB | DE5922i | |||
59-06-27-010 | Hand Me Down Love - vOB | DE5922j | |||
59-06-27-011 | Tenderly | DE5922k | |||
59-06-27-012 | V.I.P. Boogie | DE5922l | |||
59-06-27-013 | Haupé | Ko AW-14165(D), MP Ell-86(D) | DE5922m | ||
59-06-27-014 | Flirtibird | Ko AW-14165(D), MP Ell-86(D) | DE5922n | ||
59-06-27-015 | All Of Me | DE5922o | |||
59-06-27-016 | Take The “A” Train - vRN | DE5922p | |||
59-06-27-017 | Take The “A” Train | DE5922q | |||
59-06-27-018 | Skin Deep | DE5922r | |||
Medley | DE5922s | ||||
59-06-27-019 | - 1. Don’t Get Around Much Anymore | ||||
59-06-27-020 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
59-06-27-021 | - 3. In A Sentimental Mood | ||||
59-06-27-022 | - 4. Mood Indigo | ||||
59-06-27-023 | - 5. I’m Beginning To See The Light | ||||
59-06-27-024 | - 6. Sophisticated Lady | ||||
59-06-27-025 | - 7. Caravan | ||||
59-06-27-026 | - 8. Satin Doll | ||||
59-06-27-027 | - 9. Just Squeeze Me - vRN | ||||
59-06-27-028 | - 10. It Don’t Mean A Thing - vRN | ||||
59-06-27-029 | - 11. Solitude | ||||
59-06-27-030 | - 12. Things Ain’t What They Used To Be | ||||
59-06-27-031 | I Got It Bad - vLG | DE5922t | |||
59-06-27-032 | Walkin’ And Singin’ The Blues - vLG | DE5922u | |||
59-06-27-033 | ¬ Diminuendo In Blue | DE5922v | |||
59-06-27-034 | _| Wailing Interval | DE5922w | |||
59-06-27-035 | Jones | DE5922x | |||
DUKE ELLINGTON WITH THE RAY BLOCK ORCHESTRA | New York City, NY | 28 June 1959 | |||
CBS telecast, "The Ed Sullivan Show" | |||||
Duke Ellington(p); Jimmy Woode(sb) with the Ray Block Orchestra and CBS Studio Choir | |||||
Anatomy Of A Murder Medley: (YT) | DE5923a | ||||
59-06-28-001 | - 1. Anatomy Of A Murder | ||||
59-06-28-002 | - 2. Happy Anatomy | ||||
59-06-28-003 | - 3. Haupé | ||||
59-06-28-004 | - 4. Flirtibird | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 04 July 1959 | |||
Concert, Freebody Park | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson,Sam Woodyard(d); Jimmy Rushing, Lil Greenwood, Ozzie Bailey(v) | |||||
59-07-04-001 | Take The “A” Train (theme) | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924a | ||
IDIOM ‘59 | |||||
59-07-04-002 | - 1. Idiom ‘59 PART I | Ea 842071-2, Ve 546-686-2 | DE5924b | ||
59-07-04-003 | ¬ 2. Idiom ‘59 PART II | Ea 842071-2, Ve 546-686-2 | DE5924c | ||
59-07-04-004 | _| 3. Idiom ‘59 PART III | Ea 842071-2, Ve 546-686-2 | DE5924d | ||
59-07-04-005 | Anatomy Of A Murder | Fo 9003 | DE5924e | ||
59-07-04-006 | Rockin’ in Rhythm | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924f | ||
59-07-04-007 | Flirtibird | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924g | ||
59-07-04-008 | Perdido | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924h | ||
59-07-04-009 | Hand Me Down Love - vOB | DE5924i | |||
59-07-04-010 | Cop-Out | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924j | ||
59-07-04-011 | Flirtibird (Almost Cried) | Fo 9003 | DE5924k | ||
59-07-04-012 | V.I.P. Boogie | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924l | ||
59-07-04-013 | Jam With Sam | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924m | ||
59-07-04-014 | I Got It Bad - vLG | Fo 9003 | DE5924n | ||
59-07-04-015 | Walkin’ And Singin’ The Blues - vLG | Fo 9003 | DE5924o | ||
59-07-04-016 | Walkin’ And Singin’ The Blues - vLG | Fo 9003 | DE5924p | ||
59-07-04-017 | St. Louis Blues - vLG | Fo 9003 | DE5924q | ||
59-07-04-018 | Bill Bailey - vLG | DE5924r | |||
59-07-04-019 | Walkin’ And Singin’ The Blues - vLG | DE5924s | |||
59-07-04-020 | Basin Street Blues - vRN | Fo 9003 | DE5924t | ||
59-07-04-021 | Skin Deep | Ea 842071-2, Fo 9004, Ve 546-686-2 | DE5924u | ||
59-07-04-022 | Launching Pad | Fo 9004 | DE5924v | ||
59-07-04-023 | Jimmy’s Blues - vJRu | Fo 9004 | DE5924w | ||
59-07-04-024 | Sent For You Yesterday - vJRu | Fo 9004 | DE5924x | ||
59-07-04-025 | Hello, Little Boy (Hello, Little Girl) - vJRu | Fo 9004 | DE5924y | ||
59-07-04-026 | Love to Hear My Baby Call My Name - vJRu | Fo 9004 | DE5924z | ||
59-07-04-027 | Love to Hear My Baby Call My Name - vJRu | Fo 9004 | DE5924aa | ||
59-07-04-028 | Love to Hear My Baby Call My Name - vJRu | Fo 9004 | DE5924ab | ||
59-07-04-029 | Love to Hear My Baby Call My Name | DE5924ac | |||
The first bar can be heard on Fo 9004 | |||||
59-07-04-030 | Things Ain’t What They Used To Be | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924ad | ||
59-07-04-031 | Jones | Ea 842071-2, Fo 9003, Ve 546-686-2 | DE5924ae | ||
59-07-04-032 | Jones | Fo 9004 | DE5924af | ||
59-07-04-033 | Take The “A” Train (theme) | Fo 9004 | DE5924ag | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | July/August 1959 | |||
Unknown recording session | |||||
Billy Strayhorn(p); Jane Harvey(v); Duke Ellington(con). Others unknown. | |||||
59-07-15-001 | A Hundred Dreams From Now - vJH | LJB LJB1005(D), Si 12007(D) | |||
59-07-15-002 | I Ain’t Got Nothin’ But The Blues - vJH | LJB LJB1005(D) | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 08 August 1959 | |||
Concert, Playboy Jazz Festival, Chicago Stadium. | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson,Sam Woodyard(d); Jimmy Rushing, Lil Greenwood, Ozzie Bailey(v) | |||||
59-08-08-001 | Take The “A” Train (theme) | AFRS TIJ-01, RRRR 00006 | |||
59-08-08-002 | V.I.P. Boogie | AFRS TIJ-01, RRRR 00006 | DE5925a | ||
59-08-08-003 | Jam With Sam | AFRS TIJ-01, RRRR 00006 | DE5925b | ||
59-08-08-004 | Launching Pad | AFRS TIJ-01, RRRR 00006 | DE5925c | ||
59-08-08-005 | Newport Up | AFRS TIJ-01, RRRR 00006 | DE5925d | ||
59-08-08-006 | Walkin’ And Singin’ The Blues - vLG | AFRS TIJ-01, RRRR 00006 | DE5925e | ||
59-08-08-007 | Take The “A” Train (theme) | AFRS TIJ-01, RRRR 00006 | DE5925f | ||
59-08-08-008 | Take The “A” Train (theme) | AFRS TIJ-09, RRRR 00006 | DE5925m | ||
59-08-08-009 | Goin’ To Chicago - vJRu | AFRS TIJ-09, RRRR 00006 | DE5925n | ||
59-08-08-010 | Hello, Little Boy (Hello, Little Girl) - vJRu | AFRS TIJ-09, RRRR 00006 | DE5925o | ||
59-08-08-011 | Sent For You Yesterday - vJRu | AFRS TIJ-09, RRRR 00006 | DE5925p | ||
59-08-08-012 | Sent For You Yesterday - vJRu | AFRS TIJ-09, RRRR 00006 | DE5925q | ||
59-08-08-013 | Things Ain’t What They Used To Be | AFRS TIJ-09, RRRR 00006 | DE5925r | ||
59-08-08-014 | El Gato | AFRS TIJ-09, RRRR 00006 | DE5925s | ||
59-08-08-015 | Hand Me Down Love - vOB | AFRS TIJ-09, RRRR 00006 | DE5925t | ||
DUAEL FUEL | |||||
59-08-08-016 | - 1. Duael Fuel PART I | AFRS TIJ-14, RRRR 00006 | DE5925g | ||
59-08-08-017 | - 2. Duael Fuel PART II | AFRS TIJ-14, RRRR 00006 | DE5925h | ||
59-08-08-018 | - 3. Duael Fuel PART III | AFRS TIJ-14, RRRR 00006 | DE5925i | ||
59-08-08-019 | ¬ Diminuendo In Blue | AFRS TIJ-14, RRRR 00006 | DE5925j | ||
59-08-08-020 | - | Wailing Interval | AFRS TIJ-14, RRRR 00006 | DE5925k | ||
59-08-08-021 | _| Crescendo In Blue | AFRS TIJ-14, RRRR 00006 | DE5925l | ||
59-08-08-022 | Satin Doll | AFRS TIJ-14, RRRR 00006 | DE5925xb | ||
Recordings online at playboyjazzfestival.co.uk | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 August 1959 | |||
Matinee Performance, Blue Note | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Johnson,Sam Woodyard(d) | |||||
59-08-09-001 | C-Jam Blues | Rl 828637-2 | DE5926a | ||
59-08-09-002 | Tenderly | Rl 828637-2 | DE5926b | ||
59-08-09-003 | Honeysuckle Rose | Rl 828637-2 | DE5926c | ||
Duke Ellington, Billy Strayhorn(p); Jimmy Johnson(d) | |||||
59-08-09-004 | ¬Drawing Room Blues | Rl 828637-2 | DE5926d | ||
59-08-09-005 | _|A Hundred Dreams Ago | Rl 828637-2 | DE5926e | ||
59-08-09-006 | Tonk | Rl 828637-2 | DE5926f | ||
As before | |||||
59-08-09-007 | All Of Me | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926g | ||
59-08-09-008 | Jeep’s Blues | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926h | ||
Add Johnny Pate(sb) | |||||
59-08-09-009 | In A Mellow Tone | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926i | ||
59-08-09-010 | Things Ain’t What They Used To Be | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926j | ||
59-08-09-011 | Perdido | Rl 600062 | DE5926k | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
59-08-09-012 | Take The “A” Train | Rl 828637-2 | DE5926l | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
59-08-09-013 | Newport Up | Rl 828637-2 | DE5926m | ||
59-08-09-014 | Haupé (Polly’s Theme) | Rl 600062, Rl 828637-2 | DE5926n | ||
59-08-09-015 | Flirtibird | Rl 600062, Rl 828637-2 | DE5926o | ||
59-08-09-016 | Pie Eye’s Blues | Rl 600062, Rl 828637-2 | DE5926p | ||
59-08-09-017 | Flirtibird (Almost Cried) | Rl 828637-2 | DE5926q | ||
DUAEL FUEL | |||||
59-08-09-018 | - 1. Duael Fuel PART I | Rl 828637-2 | DE5926r | ||
59-08-09-019 | - 2. Duael Fuel PART II | Rl 828637-2 | DE5926s | ||
59-08-09-020 | - 3. Duael Fuel PART III | Rl 828637-2 | DE5926t | ||
59-08-09-021 | Sophisticated Lady | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926u | ||
59-08-09-022 | Mr. Gentle And Mr. Cool | Rl 600062, Rl 828637-2, Rl R-52119 | DE5926v | ||
59-08-09-023 | El Gato | Rl 828637-2 | DE5926w | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 August 1959 | |||
Evening Performance, Blue Note | |||||
Cat Anderson, Harold Baker, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Johnny Pate(sb); Jimmy Johnson, Sam Woodyard(d) | |||||
59-08-09-024 | ¬Blues No. 07 | Rl 828637-2 | DE5927a | ||
59-08-09-025 | _|Mood Indigo | Rl 828637-2 | DE5927b | ||
59-08-09-026 | Perdido | Rl 828637-2 | DE5927c | ||
59-08-09-027 | Satin Doll | Rl 828637-2 | DE5927d | ||
59-08-09-028 | Newport Up | Rl 828637-2 | DE5927e | ||
59-08-09-029 | ¬ Black And Tan Fantasy | Rl 828637-2 | DE5927f | ||
59-08-09-030 | - | Creole Love Call | Rl 828637-2 | DE5927g | ||
59-08-09-031 | _|The Mooch | Rl 828637-2 | DE5927h | ||
59-08-09-032 | Passion Flower | Rl 600062, Rl 828637-2, Rl R-52119 | DE5927i | ||
59-08-09-033 | On The Sunny Side Of The Street | Rl 600062, Rl 828637-2, Rl R-52119 | DE5927j | ||
59-08-09-034 | El Gato | Rl 828637-2 | DE5927k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 September 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Cat Anderson, Harold Baker, Andres Marenguito, Willie Cook(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, John Sanders(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Quentin Jackson(sb);Jimmy Johnson,Sam Woodyard(d) | |||||
DUAEL FUEL | |||||
59-09-08-001 | C063502- | - 1. Duael Fuel PART I | Co CK-87044, Co CL-1400 | DE5928a | |
59-09-08-002 | C063503- | - 2. Duael Fuel PART II | Co CK-87044, Co CL-1400 | DE5928b | |
59-09-08-003 | C063504- | - 3. Duael Fuel PART III | Co CK-87044, Co CL-1400 | DE5928c | |
Quentin Jackson(tb); Add Joe Benjamin(sb) | |||||
IDIOM ‘59 | |||||
59-09-08-004 | C063505- | - 1. Idiom ‘59 PART I | Co CK-87044, Co CL-1400 | DE5928d | |
Joe Benjamin out. Add Jimmy Woode(sb) | |||||
59-09-08-005 | C063506- | ¬ 2. Idiom ‘59 PART II | Co CK-87044, Co CL-1400 | DE5928e | |
59-09-08-006 | C063507- | _| 3. Idiom ‘59 PART III | Co CK-87044, Co CL-1400 | DE5928f | |
59-09-08-007 | C063508- | Launching Pad | Co CK-87044, Co CL-1400 | DE5928g | |
59-09-08-008 | C063509- | Cop-Out | Co CK-87044, Co CL-1400 | DE5928h | |
59-09-08-009 | C063510- | Things Ain’t What They Used To Be | Co CK-87044, Co CL-1400 | DE5928i | |
59-09-08-010 | ¬C063511- | V.I.P. Boogie | Co CK-87044 | DE5928j | |
59-09-08-011 | _| | Jam With Sam | Co CK-87044 | DE5928k | |
59-09-08-012 | C063512- | Perdido | Co CK-87044, Co CL-1400 | DE5928l | |
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 20 September 1959 | |||
1st concert Salle Pleyel | |||||
Cat Anderson, Andres Marenguito(t): Clark Terry(t,fl); Ray Nance(t,v,vc); Booty Wood, Quentin Jackson, Britt Woodman(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Russell Procope(as,cl); Paul Gonsalves(ts); Harry Carney(bs,cl,bcl); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(vc) | |||||
59-09-20-001 | ¬ Black And Tan Fantasy | Af CD-AFF-777(D), By YX-2035(D) | DE9033a | ||
59-09-20-002 | - | Creole Love Call | Af CD-AFF-777(D), By YX-2035(D) | DE9033b | ||
59-09-20-003 | _|The Mooch | Af CD-AFF-777(D), By YX-2035(D) | DE9033c | ||
59-09-20-004 | Newport Up | Af CD-AFF-777(D), By YX-2035(D) | DE9033d | ||
59-09-20-005 | Such Sweet Thunder | Af CD-AFF-777(D), By YX-2035(D) | DE9033e | ||
59-09-20-006 | ¬ Kinda Dukish | DE9033f | |||
59-09-20-007 | _|Rockin’ In Rhythm | DE9033g | |||
59-09-20-008 | El Gato | DE9033h | |||
59-09-20-009 | Jeep’s Blues | DE9033i | |||
59-09-20-010 | All Of Me | Af CD-AFF-777(D), By YX-2035(D) | DE9033j | ||
59-09-20-011 | Skin Deep | Af CD-AFF-777(D), By YX-2036 | DE9033k | ||
59-09-20-012 | Things Ain’t What They Used To Be | STJ SJ-1013(D) | DE9033l | ||
59-09-20-013 | Juniflip | STJ SJ-1013(D) | DE9033m | ||
59-09-20-014 | I Got It Bad - vLG | STJ SJ-1013(D) | DE9033n | ||
59-09-20-015 | C-Jam Blues | STJ SJ-1013(D) | DE9033o | ||
59-09-20-016 | V.I.P. Boogie | STJ SJ-1013(D) | DE9033p | ||
Medley: | DE9033q | ||||
59-09-20-017 | - 1. Don’t Get Around Much Anymore | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-018 | - 2. Do Nothin’ Till You Hear From Me | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-019 | - 3. In A Sentimental Mood | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-020 | - 4. Mood Indigo | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-021 | - 5. I’m Beginning To See The Light | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-022 | - 6. Sophisticated Lady | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-023 | - 7. Caravan | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-024 | - 8. Satin Doll | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-025 | - 9. Just Squeeze Me - vRN | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-026 | - 10. It Don’t Mean A Thing - vRN | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-027 | - 11. Solitude - vLG | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-028 | - 12. I Let A Song & Don’t Get Around Much | Af CD-AFF-777(D), By YX-2036, TJC JCD-05 | |||
59-09-20-029 | ¬ Diminuendo In Blue | DE9033r | |||
59-09-20-030 | - | Wailing Interval | DE9033s | |||
59-09-20-031 | _| Crescendo In Blue | DE9033t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, France | 20 September 1959 | |||
2nd concert Salle Pleyel | |||||
Cat Anderson, Andres Marenguito(t): Clark Terry(t,fl); Ray Nance(t,v,vc); Booty Wood, Quentin Jackson, Britt Woodman(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Russell Procope(as,cl); Paul Gonsalves(ts); Harry Carney(bs,cl,bcl); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(vc) | |||||
59-09-20-032 | ¬ Black And Tan Fantasy | DE9034a | |||
59-09-20-033 | - | Creole Love Call | DE9034b | |||
59-09-20-034 | _|The Mooch | DE9034c | |||
59-09-20-035 | Newport Up | STJ SJ-1013(D) | DE9034d | ||
59-09-20-036 | Such Sweet Thunder | DE9034e | |||
59-09-20-037 | ¬ Kinda Dukish | Af CD-AFF-777(D), By YX-2035(D) | DE9034f | ||
59-09-20-038 | _|Rockin’ In Rhythm | Af CD-AFF-777(D), By YX-2035(D) | DE9034g | ||
59-09-20-039 | El Gato | Af CD-AFF-777(D), By YX-2035(D) | DE9034h | ||
59-09-20-040 | Jeep’s Blues | DE9034i | |||
59-09-20-041 | Things Ain’t What They Used To Be | DE9034j | |||
59-09-20-042 | All Of Me | DE9034k | |||
59-09-20-043 | Skin Deep | DE9034l | |||
59-09-20-044 | Take The “A” Train (theme) | DE9034m | |||
59-09-20-045 | Bill Bailey - vLG | Af CD-AFF-777(D), By YX-2035(D) | DE9034n | ||
59-09-20-046 | Walkin’ And Singin’ The Blues - vLG | Af CD-AFF-777(D), By YX-2035(D) | DE9034o | ||
59-09-20-047 | V.I.P. Boogie | Af CD-AFF-777(D), By YX-2036 | DE9034p | ||
59-09-20-048 | Jam With Sam | Af CD-AFF-777(D), By YX-2036 | DE9034q | ||
Medley | DE9034r | ||||
59-09-20-049 | - 1. I’m Beginning To See The Light | STJ SJ-1013(D) | |||
59-09-20-050 | - 2. Sophisticated Lady | STJ SJ-1013(D) | |||
59-09-20-051 | - 3. Caravan | STJ SJ-1013(D) | |||
59-09-20-052 | - 4. Solitude | STJ SJ-1013(D) | |||
59-09-20-053 | - 5. Satin Doll | STJ SJ-1013(D) | |||
59-09-20-054 | - 6. Just Squeeze Me - vRN | STJ SJ-1013(D) | |||
59-09-20-055 | - 7. It Don’t Mean A Thing - vRN | STJ SJ-1013(D) | |||
59-09-20-056 | - 8. I Let A Song & Don’t Get Around Much | STJ SJ-1013(D) | |||
59-09-20-057 | ¬ Diminuendo In Blue | STJ SJ-1013(D) | DE9034s | ||
59-09-20-058 | - | Wailing Interval | STJ SJ-1013(D) | DE9034t | ||
59-09-20-059 | _| Crescendo In Blue | STJ SJ-1013(D) | DE9034u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, Sweden | 26 September 1959 | |||
1st concert Konserthuset | |||||
Cat Anderson, Andres Marenguito(t): Clark Terry(t,fl); Ray Nance(t,v,vc); Booty Wood, Quentin Jackson, Britt Woodman(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Russell Procope(as,cl); Paul Gonsalves(ts); Harry Carney(bs,cl,bcl); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(vc) | |||||
59-09-26-001 | Take The “A” Train (theme) | DE5931xa | |||
59-09-26-002 | ¬ Black And Tan Fantasy | DE5931a | |||
59-09-26-003 | - | Creole Love Call | DE5931b | |||
59-09-26-004 | _|The Mooch | DE5931c | |||
59-09-26-005 | Deep Purple | DE5931d | |||
59-09-26-006 | El Gato | DE5931e | |||
59-09-26-007 | Jeep’s Blues | DE5931f | |||
59-09-26-008 | All Of Me | DE5931g | |||
59-09-26-009 | V.I.P. Boogie | DE5931xb | |||
59-09-26-010 | Jam With Sam | DE5931xc | |||
59-09-26-011 | Medley: | DE5931h | |||
- 1. Don’t Get Around Much Anymore | |||||
59-09-26-012 | - 2. Do Nothin’ Till You Hear From Me | ||||
59-09-26-013 | - 3. In A Sentimental Mood | ||||
59-09-26-014 | - 4. Mood Indigo | ||||
59-09-26-015 | - 5. I’m Beginning To See The Light | ||||
59-09-26-016 | - 6. Sophisticated Lady | ||||
59-09-26-017 | - 7. Caravan | ||||
59-09-26-018 | - 8. Solitude - vLG | ||||
59-09-26-019 | - 9. Satin Doll | ||||
59-09-26-020 | - 10. Just Squeeze Me - vRN | ||||
59-09-26-021 | - 11. It Don’t Mean A Thing - vRN | ||||
59-09-26-022 | - 12. I Let A Song & Don’t Get Around Much | ||||
59-09-26-023 | ¬ Diminuendo In Blue | DE5931xd | |||
59-09-26-024 | - | Wailing Interval | DE5931xe | |||
59-09-26-025 | _| Crescendo In Blue | DE5931xf | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, Sweden | 26 September 1959 | |||
2nd concert Konserthuset | |||||
Cat Anderson, Andres Marenguito(t): Clark Terry(t,fl); Ray Nance(t,v,vc); Booty Wood, Quentin Jackson, Britt Woodman(tb); Jimmy Hamilton(cl,ts); Johnny Hodges(as); Russell Procope(as,cl); Paul Gonsalves(ts); Harry Carney(bs,cl,bcl); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d); Lil Greenwood(vc) | |||||
59-09-26-026 | ¬ Black And Tan Fantasy | DE5932b | |||
59-09-26-027 | - | Creole Love Call | DE5932c | |||
59-09-26-028 | _|The Mooch | DE5932d | |||
59-09-26-029 | Such Sweet Thunder | MFD G4RS-2536 | DE5932e | ||
59-09-26-030 | ¬ Kinda Dukish | BD BDCD-1509, MFD G4RS-2536 | DE5932f | ||
59-09-26-031 | _|Rockin’ In Rhythm | BD BDCD-1509, MFD G4RS-2536 | DE5932g | ||
59-09-26-032 | El Gato | DE5932h | |||
59-09-26-033 | Passion Flower | MFD G4RS-2536 | DE5932i | ||
59-09-26-034 | Things Ain’t What They Used To Be | DE5932j | |||
59-09-26-035 | All Of Me | DE5932k | |||
59-09-26-036 | Happy Anatomy | DE5932l | |||
Medley: | DE5932o | ||||
59-09-26-037 | - 1. Don’t Get Around Much Anymore | ||||
59-09-26-038 | - 2. Do Nothin’ Till You Hear From Me | ||||
59-09-26-039 | - 3. In A Sentimental Mood | ||||
59-09-26-040 | - 4. Mood Indigo | ||||
59-09-26-041 | - 5. I’m Beginning To See The Light | ||||
59-09-26-042 | - 6. Sophisticated Lady | ||||
59-09-26-043 | - 7. Caravan | ||||
59-09-26-044 | - 8. Solitude - vLG | ||||
59-09-26-045 | - 9. Satin Doll | MFD G4RS-2536 | |||
59-09-26-046 | - 10. Just Squeeze Me - vRN | ||||
59-09-26-047 | - 11. It Don’t Mean A Thing - vRN | ||||
59-09-26-048 | - 12. I Let A Song & Don’t Get Around Much | ||||
59-09-26-049 | ¬ Diminuendo In Blue | ||||
59-09-26-050 | - | Wailing Interval | ||||
59-09-26-051 | _| Crescendo In Blue | ||||
The final three tracks have previously been labelled DE5932p,q,r. These recordings were subsequently discovered to have been from the previous session, and moved there as DE5932xd,xe,xf. New recordings of these three titles from this session have since emerged. They have not been assigned a New DESOR number. See this article from DESS and (issue #71)(https://github.com/ellingtonia/ellingtonia/issues/71) | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Copenhagen, DK | 30 September 1959 | |||
Concert KB-Hallen | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Britt Woodman, Quentin Jackson, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d); Lil Greenwood(v) | |||||
59-09-30-001 | Take The “A” Train (theme) | DE9099a | |||
59-09-30-002 | ¬ Black And Tan Fantasy | DE9099b | |||
59-09-30-003 | - | Creole Love Call | DE9099c | |||
59-09-30-004 | _|The Mooch | DE9099d | |||
59-09-30-005 | Such Sweet Thunder | DE9099e | |||
59-09-30-006 | ¬ Kinda Dukish | DE9099f | |||
59-09-30-007 | _|Rockin’ In Rhythm | DE9099g | |||
59-09-30-008 | El Gato | DE9099h | |||
59-09-30-009 | Jeep’s Blues | DE9099i | |||
59-09-30-010 | Things Ain’t What They Used To Be | DE9099j | |||
59-09-30-011 | All Of Me | DE9099k | |||
59-09-30-012 | Skin Deep | DE9099l | |||
59-09-30-013 | Bill Bailey - vLG | DE9099m | |||
59-09-30-014 | Walkin’ And Singin’ The Blues - vLG | DE9099n | |||
59-09-30-015 | I Got It Bad - vLG | DE9099o | |||
59-09-30-016 | V.I.P. Boogie | DE9099p | |||
59-09-30-017 | Jam With Sam | DE9099q | |||
Medley: | DE9099r | ||||
59-09-30-018 | - 1. Don’t Get Around Much Anymore | ||||
59-09-30-019 | - 2. Do Nothin’ Till You Hear From Me | ||||
59-09-30-020 | - 3. In A Sentimental Mood | ||||
59-09-30-021 | - 4. Mood Indigo | ||||
59-09-30-022 | - 5. I’m Beginning To See The Light | ||||
59-09-30-023 | - 6. Sophisticated Lady | ||||
59-09-30-024 | - 7. Caravan | ||||
59-09-30-025 | - 8. Solitude - vLG | ||||
59-09-30-026 | - 9. Just Squeeze Me - vRN | ||||
59-09-30-027 | - 10. It Don’t Mean A Thing - vRN | ||||
59-09-30-028 | - 11. I Let A Song & Don’t Get Around Much | ||||
59-09-30-029 | - 12. I Let A Song & Don’t Get Around Much | ||||
59-09-30-030 | ¬ Diminuendo In Blue | DE9099s | |||
59-09-30-031 | - | Wailing Interval | DE9099t | |||
59-09-30-032 | _| Crescendo In Blue | DE9099u | |||
No known recordings of this concert exist, so this session will be deleted in future. See the note for the previous session for details. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, Germany | 04 October 1959 | |||
Concert, Sportpalast | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Quentin Jackson, Britt Woodman, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d); Lil Greenwood(v) | |||||
59-10-04-001 | Take The “A” Train (theme) | DE5933a | |||
59-10-04-002 | ¬ Black And Tan Fantasy | SH SWH-4, Sv 1038315(D)(S)(T) | DE5933b | ||
59-10-04-003 | - | Creole Love Call | SH SWH-4, Sv 1038315(D)(S)(T) | DE5933c | ||
59-10-04-004 | _|The Mooch | SH SWH-4, Sv 1038315(D)(S)(T) | DE5933d | ||
59-10-04-005 | Newport Up | DBD 11, Sv 1038315(D)(S)(T) | DE5933e | ||
59-10-04-006 | Such Sweet Thunder | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933f | ||
59-10-04-007 | Sonnet To Hank Cinq | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933g | ||
59-10-04-008 | Happy Anatomy | DE5933h | |||
59-10-04-009 | ¬ Kinda Dukish | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933i | ||
59-10-04-010 | _|Rockin’ In Rhythm | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933j | ||
59-10-04-011 | El Gato | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933k | ||
59-10-04-012 | Flirtibird | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | DE5933l | ||
59-10-04-013 | Things Ain’t What They Used To Be | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933m | ||
59-10-04-014 | All Of Me | DE5933n | |||
59-10-04-015 | Skin Deep | SH SWH-28, Sv 1038315(D)(S)(T) | DE5933o | ||
59-10-04-016 | V.I.P. Boogie | SH SWH-28, Sv 1038315(D)(S)(T) | DE5933p | ||
59-10-04-017 | Jam With Sam | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933q | ||
59-10-04-018 | St. Louis Blues - vLG | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | DE5933r | ||
59-10-04-019 | Bill Bailey - vLG | SH SWH-28, Sv 1038315(D)(S)(T) | DE5933s | ||
59-10-04-020 | Walkin’ And Singin’ The Blues - vLG | DBD 11, SH SWH-4, Sv 1038315(D)(S)(T) | DE5933t | ||
Medley: | DE5933u | ||||
59-10-04-021 | - 1. Don’t Get Around Much Anymore | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-022 | - 2. Do Nothin’ Till You Hear From Me | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-023 | - 3. I Got It Bad | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-024 | - 4. In A Sentimental Mood | SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-025 | - 5. Mood Indigo | SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-026 | - 6. I’m Beginning To See The Light | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-027 | - 7. Sophisticated Lady | SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-028 | - 8. Caravan | DBD 11, SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-029 | - 9. Solitude - vLG | SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-030 | - 10. Satin Doll | SH SWH-28, Sv 1038315(D)(S)(T) | |||
59-10-04-031 | - 11. Just Squeeze Me - vRN | ||||
59-10-04-032 | - 12. It Don’t Mean A Thing - vRN | ||||
59-10-04-033 | - 13. I Let A Song & Don’t Get Around Much | DBD 11, Sv 1038315(D)(S)(T) | |||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
59-10-04-034 | Happy Reunion | DE5933v | |||
Ray Nance (t,vc); Clark Terry (t); Russell Procope (cl); Quentin Jackson (tb); Ellington (p); Jimmy Woode (b); Jimmy Johnson (d) | |||||
59-10-04-035 | Basin Street Blues - vRN | SH SWH-4, Sv 1038315(D)(S)(T) | DE5933w | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Zurich, Switzerland | 09 October 1959 | |||
Concert, Kongress-Haus | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Quentin Jackson, Britt Woodman, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson; Lil Greenwood(v) | |||||
59-10-09-001 | Take The “A” Train (theme) | DE5934a | |||
59-10-09-002 | ¬ Black And Tan Fantasy | DE5934b | |||
59-10-09-003 | - | Creole Love Call | DE5934c | |||
59-10-09-004 | _|The Mooch | DE5934d | |||
59-10-09-005 | Newport Up | DE5934e | |||
59-10-09-006 | Such Sweet Thunder | DE5934f | |||
59-10-09-007 | Sonnet To Hank Cinq | DE5934g | |||
59-10-09-008 | ¬ Kinda Dukish | DE5934h | |||
59-10-09-009 | _|Rockin’ In Rhythm | DE5934i | |||
59-10-09-010 | El Gato | DE5934j | |||
59-10-09-011 | Passion Flower | DE5934k | |||
59-10-09-012 | Things Ain’t What They Used To Be | DE5934l | |||
59-10-09-013 | All Of Me | DE5934m | |||
59-10-09-014 | Take The “A” Train | DE5934xa | |||
59-10-09-015 | V.I.P. Boogie | DE5934n | |||
59-10-09-016 | Jam With Sam | DE5934o | |||
59-10-09-017 | St. Louis Blues - vLG | DE5934xb | |||
59-10-09-018 | Bill Bailey - vLG | DE5934xc | |||
59-10-09-019 | Walking And Singing The Blues - vLG | DE5934xd | |||
59-10-09-020 | Walking And Singing The Blues - vLG | DE5934xe | |||
Medley: | DE5934p | ||||
59-10-09-021 | - 1. Do Nothin’ Till You Hear From Me | ||||
59-10-09-022 | - 2. I Got It Bad | ||||
59-10-09-023 | - 3. Don’t Get Around Much Anymore | ||||
59-10-09-024 | - 4. In A Sentimental Mood | ||||
59-10-09-025 | - 5. Mood Indigo | ||||
59-10-09-026 | - 6. I’m Beginning To See The Light | ||||
59-10-09-027 | - 7. Sophisticated Lady | ||||
59-10-09-028 | - 8. Caravan | ||||
59-10-09-029 | - 9. Solitude - vLG | ||||
59-10-09-030 | - 10. Satin Doll | IJ 510(A)(AM) | |||
59-10-09-031 | - 11. Just Squeeze Me - vRN | ||||
59-10-09-032 | - 12. It Don’t Mean A Thing - vRN | ||||
59-10-09-033 | - 13. I Let A Song & Don’t Get Around Much | IJ 510(A)(AM) | |||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Jimmy Johnson(d) | |||||
59-10-09-034 | Happy Reunion | DE5934q | |||
As before | |||||
59-10-09-035 | ¬ Diminuendo In Blue | IJ 510(A)(AM) | DE5934r | ||
59-10-09-036 | - | Wailing Interval | IJ 510(A)(AM) | DE5934s | ||
59-10-09-037 | _| Crescendo In Blue | IJ 510(A)(AM) | DE5934t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Munich, Germany | 11 October 1959 | |||
Concert, Deutsches Museum | |||||
Cat Anderson, Andres Marenguito(t); Clark Terry(t,fl); Ray Nance(t,vl,v); Quentin Jackson, Britt Woodman, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson; Lil Greenwood(v) | |||||
59-10-11-001 | ¬ Black And Tan Fantasy | DE5935a | |||
59-10-11-002 | - | Creole Love Call | DE5935b | |||
59-10-11-003 | _|The Mooch | DE5935c | |||
59-10-11-004 | Such Sweet Thunder | DE5935d | |||
59-10-11-005 | ¬ Kinda Dukish | DE5935e | |||
59-10-11-006 | _|Rockin’ In Rhythm | DE5935f | |||
59-10-11-007 | Passion Flower | DE5935g | |||
59-10-11-008 | Things Ain’t What They Used To Be | DE5935h | |||
59-10-11-009 | Take The “A” Train | DE5935i | |||
59-10-11-010 | Walkin’ And Singin’ The Blues - vLG | DE5935j | |||
Medley: | DE5935k | ||||
59-10-11-011 | - 1. Don’t Get Around Much Anymore | DE5935l | |||
59-10-11-012 | - 2. Do Nothin’ Till You Hear From Me | DE5935m | |||
59-10-11-013 | - 3. In A Sentimental Mood | ||||
59-10-11-014 | - 4. Mood Indigo | ||||
59-10-11-015 | - 5. I’m Beginning To See The Light | ||||
59-10-11-016 | - 6. Sophisticated Lady | ||||
59-10-11-017 | - 7. Caravan | ||||
59-10-11-018 | - 8. Solitude - vLG | ||||
59-10-11-019 | - 9. Satin Doll | ||||
59-10-11-020 | - 10. Just Squeeze Me - vRN | ||||
59-10-11-021 | - 11. I Let A Song & Don’t Get Around Much | ||||
59-10-11-022 | ¬ Diminuendo In Blue | DE5935l | |||
59-10-11-023 | _|Wailing Interval | DE5935m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 November 1959 | |||
NBC telecast recording: Grammy Awards Ceremony. NBC Studios. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d) | |||||
59-11-13-001 | Anatomy Of A Murder | DE5936a | |||
DUKE ELLINGTON AND HIS AWARD WINNERS | New York City, NY | 02 December 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d) | |||||
59-12-02-001 | C064441-6 | Three J’s Blues | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445, UtD 2008(D) | DE5937a | |
Ray Nance, Jimmy Hamilton, Russell Procope, Paul Gonsalves out | |||||
59-12-02-002 | C064442-2 | Brown Penny | CBS 88654(D), Co CK-44051(D), Co CK-87041(D)(S)(T) | DE5937b | |
As before | |||||
59-12-02-003 | C064443-2 | Pie Eye’s Blues | CBS 88654(D), Co CK-87041(D)(S)(T) | DE5937c | |
59-12-02-004 | C064443-4 | Pie Eye’s Blues | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5937d | |
59-12-02-005 | C064444-3 | C-Jam Blues | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5937e | |
59-12-02-006 | C064445-2 | I Didn’t Know About You (Sentimental Lady) | CBS 88654(D), Co CK-44051(D), Co CK-87041(D)(S)(T), UtD 2008(D) | DE5937f | |
59-12-02-007 | C064446-2 | Sweet And Pungent | CBS 88654(D), Co CK-87041(D)(S)(T) | DE5937g | |
59-12-02-008 | C064446-3 | Sweet And Pungent | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5937h | |
DUKE ELLINGTON AND HIS AWARD WINNERS | New York City, NY | 03 December 1959 | |||
Columbia Recording Session, 30th Street Columbia Studio | |||||
Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Harry Carney(cl,as,bar); Billy Strayhorn(p); Jimmy Woode(sb);Jimmy Johnson(d) | |||||
59-12-03-001 | C064447-7 | Smada | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5938a | |
59-12-03-002 | C064448-8 | Blues In Blueprint | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5938b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
59-12-03-003 | C064449-4 | In A Mellow Tone | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5938c | |
59-12-03-004 | C064450-3 | The Swingers Get The Blues too | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5938d | |
59-12-03-005 | C064451-6 | The Swinger’s Jump | CBS 88654(D), Co CK-87041(D)(S)(T) | DE5938e | |
59-12-03-006 | C064451-7 | The Swinger’s Jump | Co CK-44051(D), Co CK-87041(D)(S)(T), Co CL-1445 | DE5938f | |
DUKE ELLINGTON WITH JACK KANE AND HIS MUSIC MAKERS | Toronto, Canada | 07 December 1959 | |||
CBC Telecast, Jack Kane Hour | |||||
Duke Ellington(p) with Jack Kane and His Music Makers | |||||
59-12-07-001 | Take The “A” Train (theme) | DE5939a | |||
Duke Ellington(p); Jimmy Woode(sb) only | |||||
59-12-07-002 | Single Petal Of A Rose | DE5939b | |||
As before | |||||
59-12-07-003 | Cotton Tail | DE5939c | |||
Add Harry Carney(bar) | |||||
59-12-07-004 | Sophisticated Lady | DE5939d | |||
Harry Carney(bar) out | |||||
59-12-07-005 | C-Jam Blues | DE5939e | |||
Add Johnny Hodges(as) | |||||
59-12-07-006 | I Got It Bad | DE5939f | |||
Johnny Hodges(as) out. Add Ray Nance(t,v) | |||||
59-12-07-007 | It Don’t Mean A Thing | DE5939g | |||
Ray Nance(t,v) out | |||||
59-12-07-008 | Take The “A” Train (theme) | DE5939h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 December 1959 | |||
CBS Broadcast, Blue Note | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d); Lil Greenwood, Ozzie Bailey(v) | |||||
59-12-31-001 | Take The “A” Train (theme) | DE5940a | |||
Medley: | DE5940b | ||||
59-12-31-002 | - 1. Don’t Get Around Much Anymore | ||||
59-12-31-003 | - 2. Do Nothin’ Till You Hear From Me - vOB | ||||
59-12-31-004 | - 3. Mood Indigo | ||||
59-12-31-005 | - 4. I’m Beginning To See The Light | ||||
59-12-31-006 | - 5. Sophisticated Lady | ||||
59-12-31-007 | - 6. Caravan | ||||
59-12-31-008 | - 7. I Got It Bad | ||||
59-12-31-009 | - 8. Just Squeeze Me - vRN | ||||
59-12-31-010 | - 9. It Don’t Mean A Thing - vRN | ||||
59-12-31-011 | Satin Doll | DE5940c | |||
59-12-31-012 | Auld Lang Syne | DE5940d | |||
59-12-31-013 | Take The “A” Train (theme) | DE5940e | |||
59-12-31-014 | V.I.P. Boogie | DE5940f | |||
59-12-31-015 | Jam With Sam | DE5940g | |||
59-12-31-016 | Walkin’ And Singin’ The Blues - vLG | DE5940h | |||
59-12-31-017 | Things Ain’t What They Used To Be | DE5940i | |||
59-12-31-018 | Satin Doll | DE5940j | |||
DUKE ELLINGTON | New York City, NY | Early 1960 | |||
Broadcast | |||||
Duke Ellington(tk) | |||||
60-00-00-001 | D.E. Bond Promo | DE6001a | |||
60-00-00-002 | D.E. Bond Promo | DE6001b | |||
DUKE ELLINGTON | Williamsburg, VA | 21 February 1960 | |||
WCWN broadcast. William and Mary College. | |||||
Duke Ellington and students(tk) | |||||
60-02-21-001 | Interview | DE6002a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Baltimore, MD | 22 February 1960 | |||
Concert, Shriver Hall, John Hopkins University | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d); Lil Greenwood, Ozzie Bailey(v) | |||||
60-02-22-001 | Take The “A” Train (theme) | DE6003a | |||
60-02-22-002 | ¬ Black And Tan Fantasy | DE6003b | |||
60-02-22-003 | - | Creole Love Call | DE6003c | |||
60-02-22-004 | _|The Mooch | DE6003d | |||
60-02-22-005 | Newport Up | DE6003e | |||
60-02-22-006 | Tenderly | DE6003f | |||
60-02-22-007 | Anatomy Of A Murder | DE6003g | |||
60-02-22-008 | Happy Anatomy | DE6003h | |||
60-02-22-009 | Flirtibird | DE6003i | |||
60-02-22-010 | Pie Eye’s Blues | DE6003j | |||
60-02-22-011 | Such Sweet Thunder | DE6003k | |||
60-02-22-012 | Sonnet To Hank Cing | DE6003l | |||
Medley: | DE6003m | ||||
60-02-22-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-02-22-014 | - 2. In A Sentimental Mood | ||||
60-02-22-015 | - 3. Don’t Get Around Much Anymore | ||||
60-02-22-016 | - 4. Mood Indigo | ||||
60-02-22-017 | - 5. I’m Beginning To See The Light | ||||
60-02-22-018 | - 6. Sophisticated Lady | ||||
60-02-22-019 | - 7. Caravan | ||||
60-02-22-020 | - 8. I Got It Bad - vLG | ||||
60-02-22-021 | - 9. Satin Doll | ||||
60-02-22-022 | - 10. Just Squeeze Me - vRN | ||||
60-02-22-023 | - 11. It Don’t Mean A Thing - vRN | ||||
60-02-22-024 | Jones | DE6003n | |||
60-02-22-025 | Take The “A” Train (theme) | DE6003o | |||
60-02-22-026 | V.I.P. Boogie | DE6003p | |||
60-02-22-027 | Jam With Sam | DE6003q | |||
60-02-22-028 | Caravan | DE6003r | |||
60-02-22-029 | Jeep’s Blues | DE6003s | |||
60-02-22-030 | All Of Me | DE6003t | |||
60-02-22-031 | Things Ain’t What They Used To Be | DE6003u | |||
DUAEL FUEL | |||||
60-02-22-032 | - 1. Duael Fuel PART I | DE6003xa | |||
60-02-22-033 | - 2. Duael Fuel PART II | DE6003xb | |||
60-02-22-034 | - 3. Duael Fuel PART III | DE6003xc | |||
60-02-22-035 | St. Louis Blues - vLG | DE6003x | |||
60-02-22-036 | Bill Bailey - vLG | DE6003y | |||
60-02-22-037 | Hello, Little Boy - vLG | DE6003z | |||
60-02-22-038 | ¬ Diminuendo In Blue | DE6003aa | |||
60-02-22-039 | _| Wailing Interval | DE6003ab | |||
60-02-22-040 | Take The “A” Train (theme) | DE6003ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Hanover, NH | 26 February 1960 | |||
Concert, Webster Hall, Dartmouth College | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Matthew Gee(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Jimmy Woode(sb);Jimmy Johnson(d); Lil Greenwood(v) | |||||
60-02-26-001 | ¬ Black And Tan Fantasy | DE6004a | |||
60-02-26-002 | - | Creole Love Call | DE6004b | |||
60-02-26-003 | _|The Mooch | DE6004c | |||
60-02-26-004 | Newport Up | DE6004d | |||
60-02-26-005 | Tenderly | DE6004e | |||
60-02-26-006 | Such Sweet Thunder | DE6004f | |||
60-02-26-007 | Sonnet To Hank Cing | DE6004g | |||
60-02-26-008 | Anatomy Of A Murder | DE6004h | |||
60-02-26-009 | Happy Anatomy | DE6004i | |||
60-02-26-010 | Flirtibird | DE6004j | |||
60-02-26-011 | Pie Eye’s Blues | DE6004k | |||
60-02-26-012 | Prelude To A Kiss | DE6004l | |||
60-02-26-013 | All Of Me | DE6004m | |||
60-02-26-014 | Things Ain’t What They Used To Be | DE6004n | |||
DUAEL FUEL | |||||
60-02-26-015 | - 1. Duael Fuel PART I | DE6004o | |||
60-02-26-016 | - 2. Duael Fuel PART II | DE6004p | |||
60-02-26-017 | - 3. Duael Fuel PART III | DE6004q | |||
60-02-26-018 | Jones | DE6004r | |||
60-02-26-019 | Take The “A” Train (theme) | DE6004s | |||
60-02-26-020 | V.I.P. Boogie | DE6004t | |||
60-02-26-021 | Jam With Sam | DE6004u | |||
60-02-26-022 | Caravan | DE6004v | |||
60-02-26-023 | St. Louis Blues - vLG | DE6004w | |||
60-02-26-024 | Bill Bailey - vLG | DE6004x | |||
60-02-26-025 | Walkin’ And Singin’ The Blues - vLG | DE6004y | |||
60-02-26-026 | Hello, Little Boy - vLG | DE6004z | |||
Medley: | DE6004aa | ||||
60-02-26-027 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-02-26-028 | - 2. In A Sentimental Mood | ||||
60-02-26-029 | - 3. Don’t Get Around Much Anymore | ||||
60-02-26-030 | - 4. Mood Indigo | ||||
60-02-26-031 | - 5. I’m Beginning To See The Light | ||||
60-02-26-032 | - 6. Sophisticated Lady | ||||
60-02-26-033 | - 7. Caravan | ||||
60-02-26-034 | - 8. I Got It Bad - vLG | ||||
60-02-26-035 | - 9. Satin Doll | ||||
60-02-26-036 | - 10. Just Squeeze Me - vRN | ||||
60-02-26-037 | - 11. It Don’t Mean A Thing - vRN | ||||
60-02-26-038 | - 12. I Let A Song & Don’t Get Around Much | ||||
60-02-26-039 | ¬ Diminuendo In Blue | DE6004ab | |||
60-02-26-040 | _| Wailing Interval | DE6004ac | |||
60-02-26-041 | Take The “A” Train (theme) | DE6004ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Culver City, CA | 25 April 1960 | |||
MGM recording session | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Frank Dunlop(d) | |||||
60-04-25-001 | Cops (Asphalt Jungle) | DE6005a | |||
60-04-25-002 | Wild Car | DE6005b | |||
60-04-25-003 | Cops (Asphalt Jungle) | DE6005c | |||
60-04-25-004 | I Want To Love You | DE6005d | |||
60-04-25-005 | Blues For Asphalt Jungle | DE6005e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 May 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE NUTCRACKER SUITE | |||||
60-05-26-001 | RHC046653-5 | - 1. Overture | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6006a | |
60-05-26-002 | RHC046654-6 | - 5. Entr’acte=Overture | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6006b | |
60-05-26-003 | RHC046655- | - 9. Arabesque Cookie | DE6006c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Santa Monica, CA | 27 May 1960 | |||
Concert, Civic Auditorium | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-05-27-001 | Take The “A” Train (theme) | MP Ell-86(D), QD Q-069 | DE6007a | ||
60-05-27-002 | Perdido | Hs HCD-268(D), MP Ell-86(D), QD Q-069 | DE6007b | ||
60-05-27-003 | Red Carpet | Hs HCD-268(D), QD Q-069 | DE6007c | ||
60-05-27-004 | Newport Up | Hs HCD-268(D), QD Q-069 | DE6007d | ||
60-05-27-005 | Sophisticated Lady | QD Q-069 | DE6007e | ||
60-05-27-006 | Congo Square (Matumbe) | Hs HCD-268(D), QD Q-069 | DE6007f | ||
60-05-27-007 | What Else Can you Do With A Drum? - vMG | QD Q-069 | DE6007g | ||
60-05-27-008 | Day In, Day Out - vMG | QD Q-069 | DE6007h | ||
60-05-27-009 | Lost In Loveliness - vMG | QD Q-069 | DE6007i | ||
60-05-27-010 | One More Once - vMG | QD Q-069 | DE6007j | ||
60-05-27-011 | One More Once - vMG | QD Q-069 | DE6007k | ||
60-05-27-012 | Passion Flower | QD Q-070 | DE6007l | ||
60-05-27-013 | Things Ain’t What They Used To Be | QD Q-070 | DE6007m | ||
60-05-27-014 | All Of Me | QD Q-070 | DE6007n | ||
60-05-27-015 | I Got It Bad - vLG | QD Q-070 | DE6007o | ||
60-05-27-016 | Bill Bailey - vLG | QD Q-070 | DE6007p | ||
60-05-27-017 | Take The “A” Train - vRN | Hs HCD-268(D), QD Q-070 | DE6007q | ||
60-05-27-018 | Take The “A” Train | Hs HCD-268(D), QD Q-070 | DE6007r | ||
60-05-27-019 | Mood Indigo | QD Q-070 | DE6007s | ||
60-05-27-020 | ¬ Diminuendo In Blue | Hs HCD-268(D), QD Q-070 | DE6007t | ||
60-05-27-021 | - | Wailing Interval | Hs HCD-268(D), QD Q-070 | DE6007u | ||
60-05-27-022 | _| Crescendo In Blue | Hs HCD-268(D), QD Q-070 | DE6007v | ||
60-05-27-023 | Jones | QD Q-070 | DE6007w | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 31 May 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE NUTCRACKER SUITE | |||||
60-05-31-001 | RHC046656-6 | - 2. Toot Toot Tootie Toot | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6008a | |
60-05-31-002 | RHC046662-6 | I’m Beginning To See The Light | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6008b | |
60-05-31-003 | RHC046663-7 | Perdido | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6008c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
60-06-01-001 | RHC046664- | Cops (Asphalt Jungle) | DE6009a | ||
60-06-01-002 | RHC046670- | Lost In Loveliness - vMG | CBS 26306(D), Co 4-41754 | DE6009b | |
60-06-01-003 | RHC046671- | I’m Just A Lucky So And So - vMG | DE6009c | ||
60-06-01-004 | RHC046672- | One More Once - vMG | DE6009d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 02 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
60-06-02-001 | RHC046673-3 | It Don’t Mean A Thing | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6010a | |
60-06-02-002 | RHC046671- | I’m Just A Lucky So And So - vMG | CBS 26306(D) | DE6010b | |
60-06-02-003 | RHC046672- | One More Once - vMG | CBS 26306(D), Co 4-41754 | DE6010c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 03 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE NUTCRACKER SUITE | |||||
60-06-03-001 | RHC046674-20 | - 8. Dance Of The Floreadores | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6011a | |
60-06-03-002 | RHC046675-2 | - 4. Sugar Rum Cherry | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6011b | |
DUKE ELLINGTON AND BILLY STRAYHORN | Los Angeles, CA | June 1960 | |||
Columbia Recording Session | |||||
Duke Ellington, Billy Strayhorn(tk) | |||||
60-06-10-001 | Interview between Duke and Billy Strayhorn | DE6012a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-06-20-001 | RHC046676-4 | Lullaby Of Birdland | CBS 88654(D), Co 512919-2(D), Co CK-87107(D)(S)(T) | DE6013a | |
60-06-20-002 | RHC046676-5 | Lullaby Of Birdland | CBS 88654(D), Co 512919-2(D), Co CK-87107(D)(S)(T) | DE6013b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
60-06-20-003 | RHC046677-5 | Dreamy Sort Of Thing | CBS 88654(D), Co 512919-2(D), Co CK-87107(D)(S)(T), MDD 006 | DE6013c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
60-06-20-004 | ¬ RHC046681-1 | ¬ Kinda Dukish | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6013d | |
60-06-20-005 | _| | _| Rockin’ In Rhythm | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6013e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE NUTCRACKER SUITE | |||||
60-06-21-001 | RHC046684-5 | - 7. Chinoiserie # | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6014a | |
60-06-21-002 | RHC046685-5 | - 3. Peanut Brittle Brigade | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6014b | |
60-06-21-003 | RHC046655- | - 9. Arabesque Cookie | DE6014c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 22 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Juan Tizol, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE NUTCRACKER SUITE | |||||
60-06-22-001 | RHC046655-5 | - 9. Arabesque Cookie | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6015a | |
60-06-22-002 | RHC046688-5 | - 6. The Volga Vouty | Co CL-1541(D), Co COL-467913-2(D)(S)(T), Co COL-472356-2(D), UA NUA-7(D) | DE6015b | |
60-06-22-003 | RHC046689-4 | Main Stem | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6015c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 June 1960 | |||
CBS film soundtrack recording session, Radio Recorders | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-06-26-001 | Peanut Brittle Brigade | X-YT 1(YT) | DE6016a | ||
60-06-26-002 | Peanut Brittle Brigade | X-YT 1(YT) | DE6016b | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Goddard Lieberson(tk) | |||||
60-06-26-003 | Interview by Goddard Lieberson | X-YT 1(YT) | DE6016c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
60-06-26-004 | Overture | X-YT 1(YT) | DE6016d | ||
60-06-26-005 | Sugar Rum Cherry | X-YT 1(YT) | DE6016e | ||
Film short "Playback - Duke Ellington" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 28 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
PEER GYNT SUITE Nos. 1 AND 2 | |||||
60-06-28-001 | RHC046705-5 | - 1. Morning Mood | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6017a | |
60-06-28-002 | RHC046706-4 | - 5. Anitra’s Dance | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6017b | |
60-06-28-003 | RHC046707-5 | Midriff | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6017c | |
60-06-28-004 | RHC046708-1 | Take The “A” Train | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6017d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 29 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
PEER GYNT SUITE Nos. 1 AND 2 | |||||
60-06-29-001 | RHC046709-8 | - 3. Solvejg’s Song | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6018a | |
60-06-29-002 | RHC046710-7 | - 4. Ase’s Death | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6018b | |
60-06-29-003 | RHC046711-2 | What Am I Here For? | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6018c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 30 June 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Eddie Mullins, Gerald Wilsoni(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-06-30-001 | RHC046713-6 | The Wailer | CBS 88654(D), Co 512919-2(D), Co CK-87107(D)(S)(T) | DE6019a | |
PEER GYNT SUITE Nos. 1 AND 2 | |||||
60-06-30-002 | RHC046714-9 | - 2. In The Hall Of The Mountain King | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6019b | |
60-06-30-003 | RHC046715-2 | Happy Go Lucky Local | Co 512919-2(D), Co CK-87107(D)(S)(T), Co CL-1546(D) | DE6019c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 July 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
ASPHALT JUNGLE SUITE | |||||
60-07-01-001 | RHC046717- | - 1. Wild Car | CBS 88654(D) | DE6020a | |
60-07-01-002 | RHC046718- | - 2. Cops | CBS 88654(D) | DE6020b | |
60-07-01-003 | RHC046719- | - 3. Robbers | CBS 88654(D) | DE6020c | |
DUKE ELLINGTON AND HIS RHYTHM | Los Angeles, CA | 11 July 1960 | |||
KQED telecast | |||||
Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-11-001 | Happy Go Lucky Local | Si SIGNCD2067(MB) | DE6021a | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Ralph Gleason(tk) | |||||
60-07-11-002 | Interview with Ralph Gleason | DE6021b | |||
DUKE ELLINGTON AND HIS GROUP | Same session | ||||
Duke Ellington, Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-11-003 | Take The “A” Train | DE6021c | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-11-004 | Single Petal Of A Rose | DE6021d | |||
DUKE ELLINGTON GROUP | Los Angeles, CA | 14 July 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Ray Nance(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-14-001 | RHC046703- | Everything but you | Co 469375-2(D), Co JC-35342 | DE6022a | |
60-07-14-002 | RHC046704- | Black Beauty | Co 469375-2(D), Co CK-48654, Co JC-35342 | DE6022b | |
60-07-14-003 | RHC046712- | All Too Soon | Co 469375-2(D), Co JC-35342 | DE6022c | |
60-07-14-004 | RHC046716- | Something To Live for | Co 469375-2(D), Co JC-35342 | DE6022d | |
60-07-14-005 | RHC046720- | Mood Indigo | Co 469375-2(D), Co JC-35342 | DE6022e | |
60-07-14-006 | RHC046725- | Creole Blues | Co 469375-2(D), Co JC-35342 | DE6022f | |
60-07-14-007 | RHC046726- | Don’t You Know I Care | Co 469375-2(D), Co JC-35342 | DE6022g | |
60-07-14-008 | RHC046727- | A Flower Is A Lovesome Thing | Co 469375-2(D), Co JC-35342 | DE6022h | |
60-07-14-009 | RHC046728- | Mighty Like The Blues | Co 469375-2(D), Co JC-35342 | DE6022i | |
60-07-14-010 | RHC046729- | Tonight I Shall Sleep | Co 469375-2(D), Co JC-35342 | DE6022j | |
60-07-14-011 | RHC046730- | Dual Highway | Co 469375-2(D), Co JC-35342 | DE6022k | |
60-07-14-012 | RHC046731- | Blues No. 8 | Co 469375-2(D), Co JC-35342 | DE6022l | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 19 July 1960 | |||
Concert, Moulin Rouge | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-07-19-001 | Take The “A” Train theme) | DE6023a | |||
60-07-19-002 | Stompin’ At The Savoy | DE6023b | |||
60-07-19-003 | All Of Me | DE6023c | |||
60-07-19-004 | What Else Can you Do With A Drum? - vMG | DE6023d | |||
60-07-19-005 | Lost In Loveliness - vMG | DE6023e | |||
60-07-19-006 | One More Once - vMG | DE6023f | |||
Medley: | DE6023g | ||||
60-07-19-007 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-07-19-008 | - 2. In A Sentimental Mood | ||||
60-07-19-009 | - 3. Don’t Get Around Much Anymore | ||||
60-07-19-010 | - 4. Mood Indigo | ||||
60-07-19-011 | - 5. I’m Beginning To See The Light | ||||
60-07-19-012 | - 6. Sophisticated Lady | ||||
60-07-19-013 | - 7. Caravan | ||||
60-07-19-014 | - 8.Solitude - vLG | ||||
60-07-19-015 | - 9. Satin Doll | ||||
60-07-19-016 | - 10. Just Squeeze Me - vRN | ||||
60-07-19-017 | - 11. It Don’t Mean A Thing - vRN | ||||
60-07-19-018 | - 12. I Let A Song & Don’t Get Around Much | ||||
60-07-19-019 | Bill Bailey - vLG | DE6023h | |||
60-07-19-020 | Walkin’ And Singin’ The Blues - vLG | DE6023i | |||
60-07-19-021 | Jones | DE6023j | |||
DUKE ELLINGTON GROUP | Los Angeles, CA | 21 July 1960 | |||
Recording session | |||||
Murray McEachern(tb); Paul Gonsalves(ts); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-21-001 | Paris Blues | DE6024a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); n/k(g); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-21-002 | Big Bash | DE6024b | |||
MURRAY MC EACHERN AND BILLY STRAYHORN | Same session | ||||
Murray McEachern(tb); Billy Strayhorn(p) | |||||
60-07-21-003 | Paris Blues | DE6024c | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
60-07-21-004 | The Clothed Woman | OC OPTD-1348 | DE6024d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown, Murray McEachern(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Billy Strayhorn(p); n/k(g); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-07-21-005 | Paris Blues | DE6024e | |||
DUKE ELLINGTON GROUP | Same session | ||||
Murray McEachern(tb); Paul Gonsalves(ts); Billy Strayhorn(p); n/k(g); Aaron Bell(sb); Sam Woodyard(d); Nan Wynn(v) | |||||
60-07-21-006 | Sophisticated Lady - vNWy | DE6024f | |||
60-07-21-007 | Mood Indigo | OC OPTD-1348, UA UAL-4092(D) | DE6024g | ||
60-07-21-008 | Sophisticated Lady | DE6024h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sacramento, CA | 22 July 1960 | |||
Dance, Mather A.F.B. | |||||
Willie Cook, Edward Mullens(t); Andres Marenguito(t,v); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson, Lil Greenwood(v) | |||||
60-07-22-001 | Boo-Dah | DE6025a | |||
60-07-22-002 | Laura | DE6025b | |||
60-07-22-003 | Stardust | Ko AW-14157(D), UJ 27(D) | DE6025c | ||
60-07-22-004 | Frivolous Banta | DE6025d | |||
60-07-22-005 | Take The “A” Train | RB AK-48631(D) | DE6025e | ||
60-07-22-006 | Paris Blues | Ko AW-14157(D), RB AK-48631(D), UJ 27(D) | DE6025f | ||
60-07-22-007 | ¬ Portrait of Louis Armstrong | Ko AW-14157(D), UJ 27(D) | DE6025g | ||
60-07-22-008 | _|Big Bash | Ko AW-14157(D), UJ 27(D) | DE6025xa | ||
60-07-22-009 | Overture | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025h | ||
60-07-22-010 | Tenderly | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025i | ||
60-07-22-011 | Such Sweet Thunder | Ko AW-14117(D), RB AK-48631(D) | DE6025j | ||
60-07-22-012 | ¬ Black And Tan Fantasy | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025k | ||
60-07-22-013 | - | Creole Love Call | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025l | ||
60-07-22-014 | _|The Mooch | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025m | ||
60-07-22-015 | Day In, Day Out | DE6025xb | |||
60-07-22-016 | Lost In Loveliness | DE6025xc | |||
60-07-22-017 | Take The “A” Train | UJ 27(D) | DE6025n | ||
60-07-22-018 | Satin Doll | RB AK-48631(D) | DE6025o | ||
60-07-22-019 | ¬ I Let A Song Go Out Of My Heart | DE6025p | |||
60-07-22-020 | _|Don’t Get Around Much Anymore - vRN | DE6025q | |||
60-07-22-021 | Tulip Or turnip - vRN | Ko AW-14117(D) | DE6025r | ||
60-07-22-022 | All Of Me | Ko AW-14117(D), MJ 2MJP-1082, RB AK-48631(D) | DE6025s | ||
60-07-22-023 | Jeep’s Blues | Ko AW-14117(D), RB AK-48631(D), UJ 27(D) | DE6025t | ||
60-07-22-024 | Moonglow | UJ 27(D) | DE6025u | ||
60-07-22-025 | Laura | Ko AW-14117(D), RB AK-48631(D) | DE6025v | ||
60-07-22-026 | St. Louis Blues - vLG | DE6025xd | |||
60-07-22-027 | Dance Of The Floreadores | Ko AW-14117(D), RB AK-48631(D) | DE6025w | ||
60-07-22-028 | Skin Deep | DE6025x | |||
Medley: | DE6025y | ||||
60-07-22-029 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-07-22-030 | - 2. I Got It Bad | RB AK-48631(D) | |||
60-07-22-031 | - 3. I’m Just A Lucky So And So - vMG | ||||
60-07-22-032 | - 4. Don’t get Around Much Anymore | ||||
60-07-22-033 | - 5. Mood Indigo | ||||
60-07-22-034 | - 6. I’m Beginning To See the Light | ||||
60-07-22-035 | - 7. Sophisticated Lady | ||||
60-07-22-036 | - 8. Solitude - vLG | ||||
60-07-22-037 | - 9. Just Squeeze Me - vRN | RB AK-48631(D) | |||
60-07-22-038 | - 10. It Don’t Mean A Thing - vRN | RB AK-48631(D) | |||
60-07-22-039 | Caravan - vAM | DE6025z | |||
60-07-22-040 | Take The “A” Train | DE6025xe | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
60-07-22-041 | Monologue | RB AK-48631(D) | DE6025aa | ||
As before | |||||
60-07-22-042 | ¬ Diminuendo In Blue | RB AK-48631(D) | DE6025ab | ||
60-07-22-043 | _| Wailing Interval | RB AK-48631(D) | DE6025ac | ||
60-07-22-044 | One More Once - vMG | DE6025xf | |||
60-07-22-045 | One More Once - vMG | DE6025xg | |||
60-07-22-046 | Mood Indigo | DE6025ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 28 July 1960 | |||
Concert, Red Rocks Open Theatre | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-07-28-001 | Take The “A” Train (theme) | DE6026a | |||
60-07-28-002 | ¬ Black And Tan Fantasy | DE6026b | |||
60-07-28-003 | - | Creole Love Call | DE6026c | |||
60-07-28-004 | _|The Mooch | DE6026d | |||
60-07-28-005 | Newport Up | DE6026e | |||
60-07-28-006 | Flirtibird | DE6026f | |||
60-07-28-007 | All Of Me | DE6026g | |||
60-07-28-008 | Day In, Day Out - vMG | DE6026h | |||
60-07-28-009 | Lost In Loveliness - vMG | DE6026i | |||
60-07-28-010 | One More once - vMG | DE6026j | |||
Medley | DE6026k | ||||
60-07-28-011 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-07-28-012 | - 2. In A Sentimental Mood | ||||
60-07-28-013 | - 3. I’m Just A Lucky So And So | ||||
60-07-28-014 | - 4. I Got It Bad | ||||
60-07-28-015 | - 5. Don’t Get Around Much Anymore | ||||
60-07-28-016 | - 6. Mood Indigo | ||||
60-07-28-017 | - 7. I’m Beginning To See The Light | ||||
60-07-28-018 | - 8. Sophisticated Lady | ||||
60-07-28-019 | - 9. Caravan | ||||
60-07-28-020 | - 10.Solitude - vLG | ||||
60-07-28-021 | - 11. Satin Doll | ||||
60-07-28-022 | - 12. Just Squeeze Me - vRN | ||||
60-07-28-023 | - 13. It Don’t Mean A Thing - vRN | ||||
60-07-28-024 | - 14. I Let A Song & Don’t Get Around Much | ||||
60-07-28-025 | ¬ Diminuendo In Blue | DE6026l | |||
60-07-28-026 | _| Wailing Interval | DE6026m | |||
60-07-28-027 | Jones | DE6026n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 19 August 1960 | |||
Concert, State Fair Grounds | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Britt Woodman, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-08-19-001 | Take The “A” Train (theme) | DE6027a | |||
60-08-19-002 | V.I.P. Boogie | DE6027b | |||
60-08-19-003 | Jam With Sam | DE6027c | |||
60-08-19-004 | Jeep’s Blues | DE6027d | |||
60-08-19-005 | All Of Me | DE6027e | |||
Medley | DE6027f | ||||
60-08-19-006 | - 1. Do Nothin’ Till You Hear From Me | ||||
60-08-19-007 | - 2. In A Sentimental Mood | ||||
60-08-19-008 | - 3. I’m Just A Lucky So And So - MG | ||||
60-08-19-009 | - 4. I Got It Bad | ||||
60-08-19-010 | - 5. Don’t Get Around Much Anymore | ||||
60-08-19-011 | - 6. Mood Indigo | ||||
60-08-19-012 | - 7. I’m Beginning To See The Light | ||||
60-08-19-013 | - 8. Sophisticated Lady | ||||
60-08-19-014 | - 9. Caravan | ||||
60-08-19-015 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 26 August 1960 | |||
Concert, Connie Mack Stadium | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Lawrence Brown, Britt Woodman, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
60-08-26-001 | Take The “A” Train (theme) | Rt 22 | DE6028a | ||
60-08-26-002 | Perdido | Rt 22 | DE6028b | ||
60-08-26-003 | Congo Square (Matumbe) | Rt 22 | DE6028c | ||
60-08-26-004 | V.I.P. Boogie | Rt 22 | DE6028d | ||
60-08-26-005 | Jam With Sam | Rt 22 | DE6028e | ||
Medley | DE6028f | ||||
60-08-26-006 | - 1. Do Nothin’ Till You Hear From Me | Rt 22 | |||
60-08-26-007 | - 2. In A Sentimental Mood | Rt 22 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Monterey, CA | 24 September 1960 | |||
Concert, Festival Grounds | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Lawrence Brown, Matthew Gee, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Jimmy Rushing(v) | |||||
60-09-24-001 | Take The “A” Train (theme) | Ss DSTS-1008 | DE6029a | ||
60-09-24-002 | Perdido | Ss DSTS-1008 | DE6029b | ||
60-09-24-003 | Overture | Ss DSTS-1008 | DE6029c | ||
60-09-24-004 | Half The Fun | Ss DSTS-1008 | DE6029d | ||
60-09-24-005 | Jeep’s Blues | Ss DSTS-1008 | DE6029e | ||
60-09-24-006 | Newport Up | Ss DSTS-1008 | DE6029f | ||
60-09-24-007 | Sophisticated Lady | Ss DSTS-1008 | DE6029g | ||
SUITE THURSDAY | |||||
60-09-24-008 | - 1. Misfit Blues | Ss DSTS-1008 | DE6029h | ||
60-09-24-009 | - 2. Schwiphti | Ss DSTS-1008 | DE6029i | ||
60-09-24-010 | - 3. Zweet Zurzday | Ss DSTS-1008 | DE6029j | ||
60-09-24-011 | - 4. Lay-By | Ss DSTS-1008 | DE6029k | ||
60-09-24-012 | Dance Of The Floreadores | Ss DSTS-1008 | DE6029l | ||
60-09-24-013 | Jam With Sam | Ss DSTS-1008 | DE6029m | ||
60-09-24-014 | Jones | Ss DSTS-1008 | DE6029n | ||
60-09-24-015 | On The Sunny Side Of The Street - vJRu | Ss DSTS-1009 | DE6029o | ||
60-09-24-016 | Goin’ To Chicago - vJRu | Ss DSTS-1009 | DE6029p | ||
60-09-24-017 | Sent For You Yesterday - vJRu | Ss DSTS-1009 | DE6029q | ||
60-09-24-018 | Sent For You Yesterday - vJRu | Ss DSTS-1009 | DE6029r | ||
60-09-24-019 | You Can’t Run Around - vJRu | Ss DSTS-1009 | DE6029s | ||
60-09-24-020 | Red Carpet | Ss DSTS-1009 | DE6029t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 27 September 1960 | |||
KHIP broadcast. Club Névé | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Lawrence Brown, Matthew Gee, Booty Wood(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
60-09-27-001 | Take The “A” Train (theme) | DE6030a | |||
SUITE THURSDAY | |||||
60-09-27-002 | - 1. Misfit Blues | DE6030b | |||
60-09-27-003 | - 2. Schwiphti | DE6030c | |||
60-09-27-004 | - 3. Zweet Zurzday | DE6030d | |||
60-09-27-005 | - 4. Lay-By | DE6030e | |||
60-09-27-006 | Prelude To A Kiss | DE6030f | |||
60-09-27-007 | C-Jam Blues | DE6030g | |||
60-09-27-008 | Lost In Loveliness - vMG | DE6030h | |||
60-09-27-009 | One More Once - vMG | DE6030i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 04 October 1960 | |||
KHIP broadcast. Club Névé. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Matthew Gee, Booty Wood, Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Paul Horn(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-10-04-001 | Launching Pad | DE6031a | |||
60-10-04-002 | Take The “A” Train | DE6031b | |||
60-10-04-003 | Red Shoes | DE6031c | |||
60-10-04-004 | Red Carpet | DE6031d | |||
60-10-04-005 | St. Louis Blues - vLG | DE6031e | |||
60-10-04-006 | Frustration | DE6031f | |||
60-10-04-007 | One More Once - vMG | DE6031g | |||
60-10-04-008 | Jones | DE6031h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 10 October 1960 | |||
Columbia Recording Session. Radio Recorders. | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Matthew Gee, Booty Wood, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Paul Horn(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
SUITE THURSDAY | |||||
60-10-10-001 | RHC046797-7 | - 1. Misfit Blues | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6032a | |
60-10-10-002 | RHC046798-3 | - 2. Schwiphti | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6032b | |
60-10-10-003 | RHC046799-6 | - 3. Zweet Zurzday | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6032c | |
60-10-10-004 | RHC046800-3 | - 4. Lay-By | Co CL-1597(D), Co COL-467913-2(D)(S)(T) | DE6032d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Carbondale. IL | October 1960 | |||
Concert, Southern Illinois University | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Matthew Gee, Booty Wood, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Paul Horn(as); Paul Gonsalves(ts); Harry Carney(cl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Lil Greenwood, Milt Grayson(v) | |||||
60-10-20-001 | One More Once - vMG | DE6033a | |||
60-10-20-002 | Take The “A” Train | DE6033b | |||
DUKE ELLINGTON | South Bend, IN | 24 October 1960 | |||
Broadcast, St. Mary's College | |||||
Duke Ellington, Frank Hamilton(tk) | |||||
60-10-24-001 | Interview by Frank Hamilton | DE6034a | |||
DUKE ELLINGTON | Paris, France | 14 December 1960 | |||
Recording session. Barclay Studio. | |||||
Duke Ellington(p) | |||||
60-12-14-001 | (01) | Paris Blues | DE9076a | ||
60-12-14-002 | (03) | Paris Blues | DE9076b | ||
60-12-14-003 | (04) | Paris Blues | DE9076c | ||
60-12-14-004 | Paris Blues | DE9076d | |||
DUKE ELLINGTON WITH ORCHESTRA | Same session | ||||
Louis Armstrong(t); Billy Byers(tb); Guy Lafitte(ts); Jimmy Gourley(g); Duke Ellington(p). Orchestra (recorded first and overdubbed by soloists): Maurice Thomas, Roger Guérin, Jean Baissat, Vincent Casino(t); Billy Byers, Nat Peck, André Pasquinet, Marcel Guillègue(tb); René Nicolas, Jo Hrasko(as); Pierre Gossez(as, ts); William Boucaya(bs); Jimmy Gourley(g); Michel Gaudry(b); Gus Wallez, Moustache, Christian Garros(d) | |||||
60-12-14-005 | (06) | Battle Royal | OC OPTD-1348, UA UAL-4092(D) | DE9076e | |
Louis Armstrong out | |||||
60-12-14-006 | (07) | Battle Royal | DE9076f | ||
60-12-14-007 | (10) | Battle Royal | DE9076g | ||
DUKE ELLINGTON | Paris, France | 17 December 1960 | |||
ORTF telecast, Jean Sablon Show | |||||
Duke Ellington(p); Jean Sablon(v) | |||||
60-12-17-001 | Paris Blues | MDD 011, X-YT 2(YT) | DE6035a | ||
Medley | DE6035b | ||||
60-12-17-002 | - 1. Do Nothin’ Till You Hear From Me | MDD 011, X-YT 2(YT) | |||
60-12-17-003 | - 2. In A Sentimental Mood | MDD 011, X-YT 2(YT) | |||
60-12-17-004 | - 3. Just Squeeze Me | MDD 011, X-YT 2(YT) | |||
60-12-17-005 | - 4. Prelude To A Kiss | MDD 011, X-YT 2(YT) | |||
60-12-17-006 | - 5. I Let A Song Go Out Of My Heart | MDD 011, X-YT 2(YT) | |||
60-12-17-007 | - 6. Don’t Get Around Much Anymore | MDD 011, X-YT 2(YT) | |||
60-12-17-008 | - 7. I Got It Bad | MDD 011, X-YT 2(YT) | |||
60-12-17-009 | - 8. I’m Beginning To See The Light | MDD 011, X-YT 2(YT) | |||
60-12-17-010 | - 9. Sophisticated Lady | MDD 011, X-YT 2(YT) | |||
60-12-17-011 | - 10. Caravan | MDD 011, X-YT 2(YT) | |||
60-12-17-012 | - 11. Mood Indigo | MDD 011, X-YT 2(YT) | |||
60-12-17-013 | Take The “A” Train | X-YT 2(YT) | DE6035c | ||
60-12-17-014 | Just Scratchin’ the Surface | X-YT 2(YT) | |||
60-12-17-015 | Just Scratchin’ the Surface | X-YT 2(YT) | |||
60-12-17-016 | Solitude - vJSb | X-YT 2(YT) | DE6035d | ||
DUKE ELLINGTON WITH RHYTHM | Paris, France | December 1960 | |||
ORTF broadcast, "Hebdomadaire de Jazz" | |||||
Duke Ellington, Billy Strayhorn(tk) | |||||
60-12-20-001 | Interview with Duke Ellington and Billy Strayhorn | DE9077a | |||
DUKE ELLINGTON GROUP | Paris, France | 30 December 1960 | |||
Recording session, Palais de Chaillot | |||||
Maurice Thomas, Fred Gérard, Vincent Casino, Roger Guérin(tp); André Paquinet, Marcel Galiègue, Billy Byers, Nat Peck(tb); Jo Hrasko, René Nicolas(as); Georges Grenu, Marcel Hrasko(ts); Lucky Tompson (ts); William Boucaya (bar); Raymond Guiot(fl); Duke Ellington, Billy Strayhorn(p); Guy Pedersen (b); Christian Garros (d) | |||||
TURCARET | |||||
60-12-30-001 | -1 | - 1. Overture | MDD 011 | DE6037a | |
60-12-30-002 | -2 | - 1. Overture | DE6037b | ||
60-12-30-003 | -3 | - 1. Overture | DE6037c | ||
60-12-30-004 | -2 | - 2. Frontin | MDD 011 | DE6037xa* | |
60-12-30-005 | -3 | - 2. Frontin | MDD 011 | DE6037xb* | |
60-12-30-006 | -4 | - 2. Frontin | MDD 011 | DE6037xc* | |
60-12-30-007 | -5 | - 2. Frontin | MDD 011 | DE6037d | |
60-12-30-008 | -6 | - 2. Frontin | MDD 011 | DE6037e | |
60-12-30-009 | -1 | - 3. Lisette | MDD 011 | DE6037f | |
60-12-30-010 | -2 | - 3. Lisette | MDD 011 | DE6037g | |
60-12-30-011 | -3 | - 3. Lisette | MDD 011 | DE6037h | |
60-12-30-012 | -1 | - 4. La Baronne | MDD 011 | DE6037i | |
60-12-30-013 | -2 | - 4. La Baronne | MDD 011 | DE6037j | |
60-12-30-014 | -4 | - 4. La Baronne | MDD 011 | DE6037k | |
60-12-30-015 | -1 | - 5. Turcaret | MDD 011 | DE6037l | |
60-12-30-016 | -2 | - 5. Turcaret | MDD 011 | DE6037m | |
60-12-30-017 | short | - 5. Turcaret | MDD 011 | DE6037n | |
60-12-30-018 | -1 | - 6. Colère De Turcaret=Turcaret | MDD 011 | DE6037o | |
60-12-30-019 | -1 | - 7. Chevalier | MDD 011 | ||
60-12-30-020 | -2 | - 7. Chevalier | MDD 011 | DE6037p | |
60-12-30-021 | -3 | - 7. Chevalier | MDD 011 | DE6037q | |
60-12-30-022 | -4 | - 7. Chevalier | MDD 011 | DE6037r | |
60-12-30-023 | -5 | - 7. Chevalier | MDD 011 | DE6037s | |
60-12-30-024 | -1 | - 8. Madame Mathilde De Turcaret | MDD 011 | DE6037t | |
60-12-30-025 | -2 | - 8. Madame Mathilde De Turcaret | MDD 011 | DE6037u | |
60-12-30-026 | - 9. Motif De Flamand | MDD 011 | DE6037v | ||
Much more info here | |||||
DUKE ELLINGTON GROUP | Same session | ||||
Duke Ellington, Billy Strayhorn(p); prob. Christian Garros(d) | |||||
60-12-30-027 | Tonk | MDD 011 | DE6037w* | ||
DUKE ELLINGTON AND HIS RHYTHM | Los Angeles, CA | 01 March 1961 | |||
Columbia Recording Session | |||||
Duke Ellington(p); n/k(g); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-03-01-001 | RHCO70018-2 | So | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101a | |
61-03-01-002 | RHCO70019-1 | I Can’t Get Started | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101b | |
61-03-01-003 | RHCO70020-4 | Body And Soul | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101c | |
61-03-01-004 | RHCO70021-1 | Cong-Go | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101d | |
61-03-01-005 | RHCO70022-2 | Blues For Jerry | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101e | |
Sam Woodyard out | |||||
61-03-01-006 | RHCO70023-1 | Fontainbleau Forest | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101f | |
Add Sam Woodyard(d) | |||||
61-03-01-007 | RHCO70024-1 | Summertime | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101g | |
61-03-01-008 | RHCO70025-2 | It’s Bad To Be Forgotten | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101h | |
61-03-01-009 | RHCO70026-1 | A Hundred Dreams Ago | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101i | |
61-03-01-010 | RHCO70027-7 | Pleadin' | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101j | |
61-03-01-011 | RHCO70028-2 | Springtime In Africa | CBS 465638-2, Co 5129202(D), Co CK-87042(D)(S)(T), Co CL2029 | DE6101k | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 02 March 1961 | |||
Columbia Recording Session | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Matthew Gee, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-03-02-001 | RHCO70029- | Day In, Day Out - vMG | CBS 26306(D) | DE6102a | |
61-03-02-002 | RHCO70036- | Why Was I Born - vMG | CBS 26306(D) | DE6102b | |
61-03-02-003 | RHCO70037- | Congo Square (Matumbe) | CBS 88654(D) | DE6102c | |
61-03-02-004 | RHCO70038- | Love You Madly - vMG | CBS 26306(D), FMRS FM-4001/02 | DE6102d | |
61-03-02-005 | RHCO70039- | Just A-Sittin’ And A-Rockin’ - vMG | CBS 88654(D), FMRS FM-4001/02 | DE6102e | |
Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-03-02-006 | Lotus Blossom | CBS 465638-2, CBS 88654(D), Co 5129202(D), Co CK-87042(D)(S)(T) | DE6102f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 03 March 1961 | |||
Columbia Recording Session | |||||
Andres Marenguito, Willie Cook, Edward Mullens(t); Ray Nance(t,vl,v); Matthew Gee, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-03-03-001 | RHCO70041- | Where In The World - vMG | CBS 26306(D) | DE6103a | |
61-03-03-002 | RHCO70042-2 | Tulip Or Turnip - vRN | DE6103xa | ||
61-03-03-003 | RHCO70042-3 | Tulip Or Turnip - vRN | FMRS FM-4001/02 | DE6103b | |
61-03-03-004 | RHCO70042-6 | Tulip Or Turnip - vRN | CBS 88654(D) | DE6103c | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
61-03-03-005 | RHCO70043- | Song From “Moulin Rouge” - vMG | CBS 26306(D) | DE6103d | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
61-03-03-006 | RHCO70044- | Harlem Air Shaft | DE6103xb | ||
61-03-03-007 | RHCO70044- | Harlem Air Shaft | DE6103xc | ||
61-03-03-008 | RHCO70044- | Harlem Air Shaft | DE6103xd | ||
61-03-03-009 | RHCO70044-2 | Harlem Air Shaft | DE6103e | ||
61-03-03-010 | RHCO70044-6 | Harlem Air Shaft | Co 512919-2(D), Co CK-87107(D)(S)(T) | DE6103xe | |
DUKE ELLINGTON AND BILLY STRAYHORN | Paris, France | Mar 1961 | |||
Duke Ellington Recording Session | |||||
Duke Ellington, Billy Strayhorn(p) | |||||
61-03-15-001 | Guitar Amour | DE9048a | |||
61-03-15-002 | Guitar Amour | DE9048b | |||
Billy Strayhorn out. | |||||
61-03-15-003 | Blues No. 23 | Sv 1018399 | DE9048c | ||
61-03-15-004 | Blues No. 23 | DE9048d | |||
LOUIS ARMSTRONG AND DUKE ELLINGTON | New York City, NY | 03 April 1961 | |||
Roulette recording session | |||||
Louis Armstrong(t,v); Trummy Young(tb); Barney Bigard(cl); Duke Ellington(p); Mort Herbert(sb); Danny Barcelona(d) | |||||
61-04-03-001 | It Don’t Mean A Thing - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104a | ||
61-04-03-002 | Solitude - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104b | ||
61-04-03-003 | In A Mellow Tone | Rl 2743-5-24548-2-2 | DE6104xa | ||
61-04-03-004 | -1 | In A Mellow Tone | Rl 2743-5-24548-2-2 | DE6104xb | |
61-04-03-005 | In A Mellow Tone | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6104c | ||
61-04-03-006 | -1 | I’m Beginning To See The Light | Rl 2743-5-24548-2-2 | DE6104xc | |
61-04-03-007 | -4 | I’m Beginning To See The Light | Rl 2743-5-24548-2-2 | DE6104xd | |
61-04-03-008 | -5 | I’m Beginning To See The Light - vLA | Rl 2743-5-24548-2-2 | DE6104xe | |
61-04-03-009 | -6 | I’m Beginning To See The Light | Rl 2743-5-24548-2-2 | DE6104xf | |
61-04-03-010 | I’m Beginning To See The Light | Rl 2743-5-24548-2-2 | DE6104xg | ||
61-04-03-011 | -7 | I’m Beginning To See The Light - vLA | Rl 2743-5-24548-2-2 | DE6104xh | |
61-04-03-012 | I’m Beginning To See The Light - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104d | ||
61-04-03-013 | -1 | Do Nothin’ Till You Hear From Me - vLA | Rl 2743-5-24548-2-2 | DE6104xi | |
61-04-03-014 | -2 | Do Nothin’ Till You Hear From Me - vLA | Rl 2743-5-24548-2-2 | DE6104xj | |
61-04-03-015 | -3 | Do Nothin’ Till You Hear From Me - vLA | Rl 2743-5-24548-2-2 | DE6104xk | |
61-04-03-016 | Do Nothin’ Till You Hear From Me - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6104e | ||
61-04-03-017 | -2 | Don’t Get Around Much Anymore - vLA | Rl 2743-5-24548-2-2 | DE6104xl | |
61-04-03-018 | -3 | Don’t Get Around Much Anymore | Rl 2743-5-24548-2-2 | DE6104xm | |
61-04-03-019 | -4 | Don’t Get Around Much Anymore | Rl 2743-5-24548-2-2 | DE6104xn | |
61-04-03-020 | -5 | Don’t Get Around Much Anymore - vLA | Rl 2743-5-24548-2-2 | DE6104xo | |
61-04-03-021 | Don’t Get Around Much Anymore - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104f | ||
61-04-03-022 | -5 | C-Jam Blues (Duke’s Place) - vLA | Rl 2743-5-24548-2-2 | DE6104xp | |
61-04-03-023 | C-Jam Blues (Duke’s Place) - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6104g | ||
Trummy Young, Barney Bigard out. | |||||
61-04-03-024 | I Got It Bad - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104h | ||
as before | |||||
61-04-03-025 | Just Squeeze Me - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6104i | ||
61-04-03-026 | The Beautiful Americans | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6104j | ||
LOUIS ARMSTRONG AND DUKE ELLINGTON | New York City, NY | 04 April 1961 | |||
Roulette recording session | |||||
Louis Armstrong(t,v); Trummy Young(tb); Barney Bigard(cl); Duke Ellington(p); Mort Herbert(sb); Danny Barcelona(d) | |||||
61-04-04-001 | -2 | Drop Me Off In Harlem - vLA | Rl 2743-5-24548-2-2 | DE6105xa | |
61-04-04-002 | Drop Me Off In Harlem - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105a | ||
61-04-04-003 | Mood Indigo - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105b | ||
Trummy Young, Barney Bigard out. | |||||
61-04-04-004 | -1 | I’m Just A Lucky So And So - vLA | Rl 2743-5-24548-2-2 | DE6105xb | |
61-04-04-005 | -2 | I’m Just A Lucky So And So - vLA | Rl 2743-5-24548-2-2 | DE6105xc | |
61-04-04-006 | I’m Just A Lucky So And So - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105c | ||
61-04-04-007 | -8 | Azalea | Rl 2743-5-24548-2-2 | DE6105xd | |
61-04-04-008 | -9 | Azalea | Rl 2743-5-24548-2-2 | DE6105xe | |
61-04-04-009 | -10 | Azalea - vLA | Rl 2743-5-24548-2-2 | DE6105xf | |
61-04-04-010 | Azalea | Rl 2743-5-24548-2-2 | DE6105xg | ||
61-04-04-011 | Azalea - vLA | Rl 2743-5-24548-2-2 | DE6105xh | ||
61-04-04-012 | Azalea - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52103 | DE6105d | ||
as before | |||||
61-04-04-013 | -3 | Black And Tan Fantasy | Rl 2743-5-24548-2-2 | DE6105xi | |
61-04-04-014 | -4 | Black And Tan Fantasy | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105e | |
61-04-04-015 | -5 | Black And Tan Fantasy | Rl 2743-5-24548-2-2 | DE6105xj | |
61-04-04-016 | -6 | Black And Tan Fantasy | Rl 2743-5-24548-2-2 | DE6105xk | |
61-04-04-017 | The Mooch | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105f | ||
61-04-04-018 | Cotton Tail - vLA | Rl 2743-5-24547-2-3, Rl CDP-7938442, Rl R-52174 | DE6105g | ||
DUKE ELLINGTON WITH THE MUSIC MAKERS ORCHESTRA | Toronto, CND | 19 April 1961 | |||
CBS telecast recording session | |||||
Duke Ellington(p); Harry Carney(bar); vocal group(v); Music Masters Orchestra, Gordon Kusher(cond.) | |||||
61-04-19-001 | Take The “A” Train | DE6106a | |||
61-04-19-002 | Sophisticated Lady | DE6106b | |||
61-04-19-003 | Satin Doll | DE6106c | |||
61-04-19-004 | I’m Beginning To See The Light - vCHO | DE6106d | |||
DUKE ELLINGTON | New York City, NY | 27 April 1961 | |||
Broadcast | |||||
Duke Ellington(tk) | |||||
61-04-27-001 | Duke talking about “Black, Brown and Beige | DE6107a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 2 - 3 May 1961 | |||
United Artists film soundtrack recording | |||||
Willie Cook, Edward Mullens, Cat Anderson, Clark Terry, Ray Nance(t); Louis Blackburn, Murray McEachern, Lawrence Brown, Britt Woodman, Juan Tizol(tb); Jimmy Hamilton, Arthur Clark(cl,ts); Russell Procope(cl,as); Johnny Hodges, Oliver Nelson(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Harry Smiles(ob); Duke Ellington(p); Les Spann(g,f); Aaron Bell(sb); Sonny Greer, Dave Jackson, Jimmy Johnson, Philly Joe Jones, Max Roach(d) | |||||
PARIS BLUES | |||||
61-05-02-001 | - 02. Nite (Paris Blues) | Ry RCD-10713, UA UAL-4092(D) | DE6108a | ||
61-05-02-002 | - 02. Nite (Paris Blues) | OC OPTD-1348 | DE6108xa | ||
61-05-02-003 | - 03. Autumnal Suite (Paris Blues) | Ry RCD-10713, UA UAL-4092(D) | DE6108b | ||
61-05-02-004 | - 03. Autumnal Suite (Paris Blues) | OC OPTD-1348 | DE6108xb | ||
61-05-02-005 | - 04. Birdie Jungle (Guitar Amour) | Ry RCD-10713, UA UAL-4092(D) | DE6108c | ||
61-05-02-006 | - 04. Birdie Jungle (Guitar Amour) | OC OPTD-1348 | DE6108d | ||
61-05-02-007 | - 05. Paris Stairs | Ry RCD-10713, UA UAL-4092(D) | DE6108e | ||
61-05-02-008 | - 05. Paris Stairs | OC OPTD-1348 | DE6108xc | ||
61-05-02-009 | - 06. Paris Blues | OC OPTD-1348 | DE6108f | ||
61-05-02-010 | - 08. Autumnal Suite (Paris Blues) | OC OPTD-1348 | DE6108g | ||
61-05-02-011 | - 10. Paris Blues | Ry RCD-10713, UA UAL-4092(D) | DE6108h | ||
61-05-02-012 | - 10. Paris Blues | OC OPTD-1348 | DE6108i | ||
From feature film, "Paris Blues" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 June 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Cat Anderson, Clark Terry(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Oliver Jackson(d); Eddie Locke(pc) | |||||
PERFUME SUITE | |||||
61-06-01-001 | CO67171-3 | - 2. Strange Feeling | DE6109a | ||
61-06-01-002 | CO67172- | Cops (asphalt Jungle) | DE6109b | ||
61-06-01-003 | CO67172- | Cops (asphalt Jungle) | DE6109c | ||
61-06-01-004 | CO67172- | Cops (asphalt Jungle) | DE6109d | ||
61-06-01-005 | CO67173- | Jingle Bells | DE6109e | ||
61-06-01-006 | CO67173- | Jingle Bells | DE6109f | ||
61-06-01-007 | CO67173- | Jingle Bells | DE6109g | ||
61-06-01-008 | CO67173- | Jingle Bells | DE6109h | ||
61-06-01-009 | CO67173- | Jingle Bells | DE6109i | ||
61-06-01-010 | CO67173- | Jingle Bells | DE6109j | ||
61-06-01-011 | CO67173-1 | Jingle Bells | CBS 88654(D), FMRS FM-4001/02, Har KH-32552 | DE6109k | |
DUKE ELLINGTON AND HIS ORCHESTRA | Evansville, IN | 24 June 1961 | |||
Concert, Roberts Municipal Stadium | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-06-24-001 | Flirtibird | DE6110a | |||
61-06-24-002 | Pie Eye’s Blues | DE6110b | |||
61-06-24-003 | Paris Blues | DE6110c | |||
SUITE THURSDAY | |||||
61-06-24-004 | - 1. Misfit Blues | DE6110d | |||
61-06-24-005 | - 2. Schwiphti | DE6110e | |||
61-06-24-006 | - 3. Zweet Zurzday | DE6110f | |||
61-06-24-007 | - 4. Lay-By | DE6110g | |||
Duke Ellington Piano solo | |||||
61-06-24-008 | Single Petal Of A Rose | DE6110h | |||
as before | |||||
61-06-24-009 | Skin Deep | DE6110i | |||
Medley | DE6110j | ||||
61-06-24-010 | - 1. Do Nothin’ Till You Hear From Me | ||||
61-06-24-011 | - 2. In A Sentimental Mood | ||||
61-06-24-012 | - 3. I’m Just A Lucky So And So - vMG | ||||
61-06-24-013 | - 4. I Got It Bad | ||||
61-06-24-014 | - 5. Don’t Get Around Much Anymore | ||||
61-06-24-015 | - 6. Mood Indigo | ||||
61-06-24-016 | - 7. I’m Beginning To See The Light | ||||
61-06-24-017 | - 8. Sophisticated Lady | ||||
61-06-24-018 | - 9. Caravan | ||||
61-06-24-019 | - 10. Solitude | ||||
61-06-24-020 | - 11. Satin Doll | ||||
61-06-24-021 | - 12. Just Squeeze Me - vRN | ||||
61-06-24-022 | - 13. It Don’t Mean A Thing - vRN | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Cleveland, OH | 28 June 1961 | |||
Concert, Severance Hall | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-06-28-001 | Cops (Asphalt Jungle) | DE6111a | |||
61-06-28-002 | Overture | DE6111b | |||
61-06-28-003 | Flirtibird | DE6111c | |||
61-06-28-004 | Pie Eye’s Blues | DE6111d | |||
SUITE THURSDAY | |||||
61-06-28-005 | - 1. Misfit Blues | DE6111e | |||
61-06-28-006 | - 2. Schwiphti | DE6111f | |||
61-06-28-007 | - 3. Zweet Zurzday | DE6111g | |||
61-06-28-008 | - 4. Lay-By | DE6111h | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE CLEVELAND SYMPHONY ORCHESTRA | Same session | ||||
As before. Add Cleveland Symphony Orchestra, Louis Lane (cond.) | |||||
NIGHT CREATURE | |||||
61-06-28-009 | - 1. Blind Bug | DE6111i | |||
61-06-28-010 | - 2. Stalking Monster | DE6111j | |||
61-06-28-011 | - 3. Dazzling Creature | DE6111k | |||
Medley | DE6111l | ||||
61-06-28-012 | - 1. Do Nothin’ Till You Hear From Me | ||||
61-06-28-013 | - 2. In A Sentimental Mood | ||||
61-06-28-014 | - 3. I’m Just A Lucky So And So - vMG | ||||
61-06-28-015 | - 4. I Got It Bad | ||||
61-06-28-016 | - 5. Don’t Get Around Much Anymore | ||||
61-06-28-017 | - 6. Mood Indigo | ||||
61-06-28-018 | - 7. I’m Beginning To See The Light | ||||
61-06-28-019 | - 8. Sophisticated Lady | ||||
61-06-28-020 | - 9. Caravan | ||||
61-06-28-021 | - 10. Satin Doll | ||||
61-06-28-022 | - 11. Just Squeeze Me - vRN | ||||
61-06-28-023 | - 12. It Don’t Mean A Thing - vRN | ||||
61-06-28-024 | - 13. Solitude | ||||
61-06-28-025 | - 14. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 03 July 1961 | |||
Concert, Freebody Park | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown, Juan Tizol(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-07-03-001 | Take The “A” Train (theme) | DE6112a | |||
61-07-03-002 | Perdido | DE6112b | |||
SUITE THURSDAY | |||||
61-07-03-003 | - 1. Misfit Blues | DE6112c | |||
61-07-03-004 | - 2. Schwiphti | DE6112d | |||
61-07-03-005 | - 3. Zweet Zurzday | DE6112e | |||
61-07-03-006 | - 4. Lay-By | DE6112f | |||
61-07-03-007 | ¬ Kinda Dukish | DE6112g | |||
61-07-03-008 | _| Rockin’ In Rhythm | DE6112h | |||
61-07-03-009 | Passion Flower | DE6112i | |||
61-07-03-010 | One More Once - vMG | DE6112j | |||
61-07-03-011 | Jones | DE6112k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 July 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Cat Anderson, Andres Marenguito, Thad Jones, Sonny Cohn, Snooky Young, Lennie Johnson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown, Juan Tizol, Henry Coker, Quentin Jackson, Benny Powell(tb); Jimmy Hamilton(cl,ts); Russell Procope, Marshal Royal(cl,as); Johnny Hodges(as); Frank Wess(f,as,ts); Paul Gonsalves, Frank Foster, Budd Johnson(ts); Harry Carney, Charlie Fowlkes(bar); Duke Ellington, Count Basie(p); Freddy Green(g); Eddie Jones(sb); Sonny Payne(d) | |||||
61-07-06-001 | CO67609- | Until I Met You | Co CK-65517, Co CL-1715 | DE6113a | |
61-07-06-002 | CO67610- | To You | Co CK-65517, Co CL-1715 | DE6113b | |
Eddie Jones, Sonny Payne out. Add Aaron Bell(sb); Sam Woodyard(d) | |||||
61-07-06-003 | CO67611- | Wild Man Moore | Co CK-65517 | DE6113xa | |
61-07-06-004 | CO67611- | Wild Man Moore | Co CK-65517, Co CL-1715 | DE6113c | |
Add Sonny Payne(d) | |||||
61-07-06-005 | CO67612- | Battle Royal | Co CK-65517 | DE6113xb | |
61-07-06-006 | CO67612- | Battle Royal | Co CK-65517 | DE6113xc | |
61-07-06-007 | CO67612- | Battle Royal | Co CK-65517, Co CL-1715 | DE6113d | |
Aaron Bell, Sam Woodyard out. Add Eddie Jones(d) | |||||
61-07-06-008 | CO67613- | Segue In C | Co CK-65517, Co CL-1715 | DE6113e | |
Count Basie, Eddie Jones, Sonny Payne out. Add Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-07-06-009 | CO67614- | Take The “A” Train | Co CK-65517 | DE6113xd | |
61-07-06-010 | CO67614- | Take The “A” Train | Co CK-65517 | DE6113xe | |
61-07-06-011 | CO67614- | Take The “A” Train | Co CK-65517 | DE6113xf | |
61-07-06-012 | CO67614- | Take The “A” Train | Co CK-65517, Co CL-1715 | DE6113f | |
Billy Strayhorn out. Add Count Basie(p) | |||||
61-07-06-013 | CO67615- | B.D.B. | Co CK-65517 | DE6113xg | |
61-07-06-014 | CO67615- | B.D.B. | Co CK-65517, Co CL-1715 | DE6113g | |
Aaron Bell, Sam Woodyard out. Add Eddie Jones(sb); Sonny Payne(d) | |||||
61-07-06-015 | CO67616- | Jumpin’ At The Woodside | Co CK-65517 | DE6113xh | |
61-07-06-016 | CO67616- | Jumpin’ At The Woodside | Co CK-65517, Co CL-1715 | DE6113h | |
Eddie Jones, Sonny Payne out. Add Aaron Bell(sb); Sam Woodyard(d) | |||||
61-07-06-017 | CO67617- | One More Once | CBS 88654(D), Co CK-65517, Co CL-1715 | DE6113i | |
Aaron Bell, Sam Woodyard out. Add Eddie Jones(sb); Sonny Payne(d) | |||||
61-07-06-018 | CO67618- | Blues In Hoss’ Flat | CBS 88654(D), Co CK-65517, Co CL-1715 | DE6113j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 July 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Clark Terry, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-07-30-001 | CO67172- | Cops (Asphalt Jungle) - Part 1 | DE6114a | ||
61-07-30-002 | CO67172- | Cops (Asphalt Jungle) - Part 1 | CBS 88654(D), Co 4-42144 | DE6114b | |
61-07-30-003 | CO67855- | Cops (Asphalt Jungle) - Part 2 | CBS 62993, CBS 88654(D), Co 4-42144 | DE6114c | |
DUKE ELLINGTON GROUP | Chicago, IL | 11 August 1961 | |||
WBBM telecast | |||||
Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-08-11-001 | Take The “A” Train | DE6115a | |||
Add Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
61-08-11-002 | Monologue | DE6115b | |||
Add Dorothy Donegan(p) | |||||
61-08-11-003 | Perdido | DE6115c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Aug 1961 | |||
Sheraton Park Hotel | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-08-15-001 | Cops (Asphalt Jungle) | DE6116a | |||
61-08-15-002 | Happy Go Lucky Local | DE6116b | |||
61-08-15-003 | Satin Doll | DE6116c | |||
61-08-15-004 | ¬ Diminuendo In Blue | DE6116d | |||
61-08-15-005 | _| Wailing Interval | DE6116e | |||
61-08-15-006 | Mood Indigo - vMG | DE6116f | |||
61-08-15-007 | One More Once - vMG | DE6116g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 August 1961 | |||
Dance, Holiday Ballroom | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Pocope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-08-20-001 | Cops (Asphalt Jungle) | DE6117a | |||
61-08-20-002 | Where Or When | DE6117b | |||
61-08-20-003 | Day In, Day Out - vMG | DE6117c | |||
61-08-20-004 | Why Was I Born - vMG | DE6117d | |||
61-08-20-005 | Where In The World - vMG | DE6117e | |||
61-08-20-006 | Where In The World - vMG | DE6117f | |||
61-08-20-007 | Do Nothin’ Till You Hear From Me - vMG | DE6117g | |||
61-08-20-008 | Cotton Tail | DE6117h | |||
61-08-20-009 | Prelude To A Kiss | DE6117i | |||
61-08-20-010 | All Of Me | DE6117j | |||
61-08-20-011 | C-Jam Blues | DE6117k | |||
61-08-20-012 | Jones | DE6117l | |||
61-08-20-013 | Do Nothin’ Till You Hear From Me - vMG | DE6117m | |||
61-08-20-014 | One More Once - vMG | DE6117n | |||
61-08-20-015 | Caravan | DE6117o | |||
61-08-20-016 | Amor | DE6117p | |||
61-08-20-017 | Autumn Leaves | DE6117q | |||
61-08-20-018 | ¬ I Let A Song Go Out Of My Heart | DE6117r | |||
61-08-20-019 | _| Don’t Get Around Much Anymore - vRN | DE6117s | |||
61-08-20-020 | Mack The Knife | DE6117t | |||
61-08-20-021 | Sophisticated Lady | DE6117u | |||
61-08-20-022 | Mood Indigo - vMG | DE6117v | |||
61-08-20-023 | ¬ Diminuendo In Blue | DE6117w | |||
61-08-20-024 | _| Wailing Interval | DE6117x | |||
61-08-20-025 | Happy Go Lucky Local | DE6117y | |||
61-08-20-026 | On The Sunny Side Of The Street | DE6117z | |||
61-08-20-027 | Jeep’s Blues | DE6117aa | |||
61-08-20-028 | Take The “A” Train | DE6117ab | |||
61-08-20-029 | Stompin’ At The Savoy | DE6117ac | |||
61-08-20-030 | Deep Purple | DE6117ad | |||
61-08-20-031 | Tenderly | DE6117ae | |||
61-08-20-032 | Satin Doll | DE6117af | |||
61-08-20-033 | Jack The Bear | DE6117ag | |||
61-08-20-034 | Love You Madly - vMG | DE6117ah | |||
61-08-20-035 | Take The “A” Train (theme) | DE6117ai | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 August 1961 | |||
Concert, Moon Bowl Freedomland | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-08-24-001 | Mood Indigo | DE6118a | |||
61-08-24-002 | All Of Me | DE6118b | |||
61-08-24-003 | ¬ I Let A Song Go Out Of My Heart | DE6118c | |||
61-08-24-004 | _| Don’t Get Around Much Anymore - vRN | DE6118d | |||
61-08-24-005 | Jones | DE6118e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 August 1961 | |||
Concert, Moon Bowl Freedomland | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-08-26-001 | Take The “A” Train (theme) | DE6119a | |||
61-08-26-002 | Cops (Asphalt Jungle) | DE6119b | |||
61-08-26-003 | Satin Doll | DE6119c | |||
61-08-26-004 | Rockin’ In Rhythm | DE6119d | |||
61-08-26-005 | ¬ I Let A Song Go Out Of My Heart | DE6119e | |||
61-08-26-006 | _| Don’t Get Around Much Anymore - vRN | DE6119f | |||
61-08-26-007 | One More Once - vMG | DE6119g | |||
61-08-26-008 | One More Once - vMG | DE6119h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Houston, TX | 07 September 1961 | |||
Dance, Music Hall | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-09-07-001 | Take The “A” Train (theme) | DE6120a | |||
61-09-07-002 | ¬ Black And Tan Fantasy | DE6120b | |||
61-09-07-003 | - | Creole Love Call | DE6120c | |||
61-09-07-004 | _|The Mooch | DE6120d | |||
61-09-07-005 | Newport Up | DE6120e | |||
61-09-07-006 | Tenderly | DE6120f | |||
61-09-07-007 | Cops (Asphalt Jungle) | DE6120g | |||
61-09-07-008 | Congo Square | DE6120h | |||
61-09-07-009 | Summertime | DE6120i | |||
61-09-07-010 | Autumn Leaves | DE6120j | |||
61-09-07-011 | Rockin’ In Rhythm | DE6120k | |||
61-09-07-012 | Passion Flower | DE6120l | |||
61-09-07-013 | All Of Me | DE6120m | |||
61-09-07-014 | Day In, Day Out - vMG | DE6120n | |||
61-09-07-015 | Why Was I Born - vMG | DE6120o | |||
61-09-07-016 | One More once - vMG | DE6120p | |||
61-09-07-017 | Jones | DE6120q | |||
61-09-07-018 | Take The “A” Train (theme) | DE6120r | |||
61-09-07-019 | V.I.P. Boogie | DE6120s | |||
61-09-07-020 | Jam With Sam | DE6120t | |||
61-09-07-021 | Skin Deep | DE6120u | |||
61-09-07-022 | Medley | DE6120v | |||
- 1. In A Sentimental Mood | |||||
- 2. Don’t Get Around Much Anymore | |||||
- 3. Mood Indigo | |||||
- 4. I’m Beginning To See The Light | |||||
- 5. Sophisticated Lady | |||||
- 6. Caravan | |||||
- 7. Do Nothin’ Till You Hear From Me - vMG | |||||
- 8. Just Squeeze Me - vRN | |||||
- 9. It Don’t Mean A Thing - vRN | |||||
- 10. I Let A Song & Don’t Get Around Much | |||||
61-09-07-023 | ¬ Diminuendo In Blue | DE6120w | |||
61-09-07-024 | _| Wailing Interval | DE6120x | |||
61-09-07-025 | Take The “A” Train (theme) | DE6120y | |||
DUKE ELLINGTON AND BILLY STRAYHORN | Los Angeles, CA | Sep 1961 | |||
KBCA broadcast | |||||
Duke Ellington, Billy Strayhorn, Paul Werth(tk) | |||||
61-09-13-001 | Interview by Paul Werth | DE6121a | |||
Duke Ellington(p) | |||||
61-09-13-002 | Passion Flower | DE6121b | |||
Duke Ellington, Billy Strayhorn(p) | |||||
61-09-13-003 | Take The “A” Train | DE6121c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 19 September 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE GIRLS SUITE | |||||
61-09-19-001 | RCHO70342- | - 01. Girls | Co COL-469139-2(D), Co FC-38028(D) | DE6121a | |
61-09-19-002 | RCHO70343- | - 02. Mahalia | Co COL-469139-2(D), Co FC-38028(D) | DE6121b | |
61-09-19-003 | RCHO70343- | - 02. Mahalia | DE6121c | ||
61-09-19-004 | RCHO70344- | - 03. Peg O’ My Heart | Co COL-469139-2(D), Co FC-38028(D) | DE6121d | |
61-09-19-005 | RCHO70345- | - 04. Sweet Adeline | Co COL-469139-2(D), Co FC-38028(D) | DE6121e | |
61-09-19-006 | RCHO70346- | - 05. Juanita | Co COL-469139-2(D), Co FC-38028(D) | DE6121f | |
61-09-19-007 | RCHO70347- | - 06. Sylvia | Co COL-469139-2(D), Co FC-38028(D) | DE6121g | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 September 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
THE GIRLS SUITE | |||||
61-09-20-001 | RCHO70348- | - 07. Lena | Co COL-469139-2(D), Co FC-38028(D) | DE6122a | |
61-09-20-002 | RCHO70349- | - 08. Dinah # | Co COL-469139-2(D), Co FC-38028(D) | DE6122b | |
61-09-20-003 | RCHO70349- | - 08. Dinah # | DE6122c | ||
61-09-20-004 | RCHO70350- | - 09. Clementine # | Co COL-469139-2(D), Co FC-38028(D) | DE6122d | |
61-09-20-005 | RCHO70351- | - 10. Diane | Co COL-469139-2(D), Co FC-38028(D) | DE6122e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Monterey, CA | 23 September 1961 | |||
Concert, Fair Grounds | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Johnny Hodges (as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-09-23-001 | Take The “A” Train (theme) | DE6123a | |||
61-09-23-002 | ¬ Black And Tan Fantasy | DE6123b | |||
61-09-23-003 | - | Creole Love Call | DE6123c | |||
61-09-23-004 | _|The Mooch | DE6123d | |||
61-09-23-005 | Stompin’ At The Savoy | DE6123e | |||
61-09-23-006 | In A Sentimental Mood | DE6123f | |||
61-09-23-007 | Congo Square | DE6123g | |||
61-09-23-008 | Summertime | DE6123h | |||
61-09-23-009 | Jam With Sam | DE6134i | |||
SUITE THURSDAY | |||||
61-09-23-010 | - 1. Misfit Blues | DE6123j | |||
61-09-23-011 | - 2. Schwiphti | DE6123k | |||
61-09-23-012 | - 3. Zweet Zurzday | DE6123l | |||
61-09-23-013 | - 4. Lay-By | DE6123m | |||
61-09-23-014 | Rockin’ In Rhythm | DE6123n | |||
61-09-23-015 | Sophisticated Lady | DE6123o | |||
Add Jimmy Hamilton (cl,ts) | |||||
THE GIRLS SUITE | |||||
61-09-23-016 | - 01. Girls | MDD 004 | DE6124p | ||
61-09-23-017 | - 11. Sarah | MDD 004 | DE6124q | ||
61-09-23-018 | - 07. Lena | MDD 004 | DE6124r | ||
61-09-23-019 | - 02. Mahalia | MDD 004 | DE6124s | ||
61-09-23-020 | - 08. Dinah # | MDD 004 | DE6124t | ||
61-09-23-021 | Skin Deep | DE6124u | |||
61-09-23-022 | Passion Flower | DE6124v | |||
61-09-23-023 | All Of Me | DE6124w | |||
61-09-23-024 | Things Ain’t What They Used To Be | DE6124x | |||
61-09-23-025 | Day In, Day Out - vMG | DE6124y | |||
61-09-23-026 | Do Nothin’ Till You Hear From Me - vMG | DE6124z | |||
61-09-23-027 | One More Once - vMG | DE6124aa | |||
61-09-23-028 | Jones | DE6124ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 October 1961 | |||
Concert, Picadilly Theatre | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-10-11-001 | Take The “A” Train (theme) | DE6125a | |||
61-10-11-002 | ¬ Black And Tan Fantasy | DE6125b | |||
61-10-11-003 | - | Creole Love Call | DE6125c | |||
61-10-11-004 | _|The Mooch | DE6125d | |||
61-10-11-005 | Newport Up | DE6125e | |||
61-10-11-006 | Overture | DE6125f | |||
61-10-11-007 | Cops (Asphalt Jungle) | DE6125g | |||
61-10-11-008 | Congo Square | DE6125h | |||
61-10-11-009 | Summertime | DE6125i | |||
61-10-11-010 | Flirtibird | DE6125j | |||
61-10-11-011 | All Of Me | DE6125k | |||
61-10-11-012 | Things Ain’t What They Used To Be | DE6125l | |||
61-10-11-013 | Warm Valley | DE6125m | |||
61-10-11-014 | Jeep’s Blues | DE6125n | |||
61-10-11-015 | Day In, Day Out - vMG | DE6125o | |||
61-10-11-016 | Why Was I Born - vMG | DE6125p | |||
61-10-11-017 | One More Once - vMG | DE6125q | |||
61-10-11-018 | Take The “A” Train (theme) | DE6125r | |||
61-10-11-019 | Skin Deep | DE6125s | |||
Medley | DE6125t | ||||
61-10-11-020 | - 1. In A Sentimental Mood | ||||
61-10-11-021 | - 2. Solitude - vMG | ||||
61-10-11-022 | - 3. Don’t Get Around Much Anymore | ||||
61-10-11-023 | - 4. Mood Indigo | ||||
61-10-11-024 | - 5. Sophisticated Lady | ||||
61-10-11-025 | - 6. Caravan | ||||
61-10-11-026 | - 7. Do Nothin’ Till You Hear From Me - vMG | ||||
61-10-11-027 | - 8. Just Squeeze Me - vRN | ||||
61-10-11-028 | - 9. It Don’t Mean A Thing - vRN | ||||
61-10-11-029 | - 10. I Let A Song & Don’t Get Around Much | ||||
61-10-11-030 | Satin Doll | DE6125u | |||
61-10-11-031 | ¬ Diminuendo In Blue | DE6125v | |||
61-10-11-032 | _| Wailing Interval | DE6125w | |||
61-10-11-033 | Lullaby Of Birdland | DE6125x | |||
61-10-11-034 | Caravan | DE6125y | |||
61-10-11-035 | One More Once - vMG | DE6125z | |||
61-10-11-036 | Lost In Loveliness - vMG | DE6125aa | |||
61-10-11-037 | Take The “A” Train | DE6125ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 October 1961 | |||
Columbia Recording Session | |||||
Willie Cook, Edward Mullens, Cat Anderson(t); Ray Nance(t,vl,v); Louis Blackburn, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
61-10-25-001 | CO68440- | Guitar Amour (Bon Amour) | CBS 88654(D) | DE6126a | |
61-10-25-002 | CO68441- | Paris Blues Part - 1 | DE6126b | ||
61-10-25-003 | ¬ CO68441- | Paris Blues Part - 1 | CBS 88654(D), Co 4-42237 | DE6126c | |
61-10-25-004 | _| | Paris Blues Part - 2 | CBS 88654(D), Co 4-42237 | DE6126d | |
DUKE ELLINGTON | New York City, NY | 15 November 1961 | |||
WMCA broadcast | |||||
Duke Ellington, Barry Gray(tk) | |||||
61-11-15-001 | Interview by Barry Grey | DE6127a | |||
DUKE ELLINGTON GROUP | New York City, NY | 21 November 1961 | |||
WNEW broadcast pre-recording | |||||
Edward Mullens, Cat Anderson(t); Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
61-11-21-001 | Take The “A” Train (theme) | DE6128a | |||
SUITE THURSDAY | |||||
61-11-21-002 | - 1. Misfit Blues | DE6128b | |||
61-11-21-003 | - 2. Schwiphti | DE6128c | |||
61-11-21-004 | - 3. Zweet Zurzday | DE6128d | |||
61-11-21-005 | - 4. Lay-By | DE6128e | |||
61-11-21-006 | Unidentified “I” | DE6128f | |||
61-11-21-007 | Twistin’ Time | DE6128g | |||
61-11-21-008 | Cotton Tail | DE6128h | |||
Medley | DE6128i | ||||
61-11-21-009 | - 1. I Got It Bad | ||||
61-11-21-010 | - 2. Caravan | ||||
61-11-21-011 | - 3. Mood Indigo | ||||
61-11-21-012 | - 4. I’m Beginning To See The Light | ||||
61-11-21-013 | - 5. Sophisticated Lady | ||||
61-11-21-014 | Take The “A” Train (theme) | DE6128j | |||
LOUIS ARMSTRONG AND DUKE ELLINGTON | New York City, NY | 17 December 1961 | |||
CBS telecast | |||||
Louis Armstrong(t,v); Trummy Young(tb); Joe Darensbourg(cl); Duke Ellington(p)Irving Manning(sb); Danny Barcelona(d) | |||||
61-12-17-001 | C-Jam Blues (Duke’s Place) - vLA | Pu 109 | DE6129a | ||
61-12-17-002 | In A Mellow Tone | Pu 109 | DE6129b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 January 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Edward Mullens, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-02-001 | CO68920- | We Speak The Same Language | Co CL-1790 | DE6201a | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-01-02-002 | CO68921- | Once Upon A Time | Co CL-1790 | DE6201b | |
62-01-02-003 | CO68922- | If I Were You | Co CL-1790 | DE6201c | |
DUKE ELLINGTON | New York City, NY | 04 January 1962 | |||
Recital, Museum of Modern Art | |||||
Duke Ellington(p) | |||||
62-01-04-001 | New York City Blues | MDD 001 | DE6202a | ||
62-01-04-002 | BLUE BELLS OF HARLEM | MDD 001 | DE6202b | ||
62-01-04-003 | The Clothed Woman | MDD 001 | DE6202c | ||
62-01-04-004 | Melancholia | DETS Souvenir-Recording-1984, MDD 001 | DE6202d | ||
62-01-04-005 | Janet | DETS Souvenir-Recording-1984, MDD 001 | DE6202e | ||
62-01-04-006 | Reflections In D | DETS Souvenir-Recording-1984, MDD 001 | DE6202f | ||
62-01-04-007 | There Was Nobody Looking | DETS Souvenir-Recording-1984, MDD 001 | DE6202g | ||
62-01-04-008 | NEW WORLD A-COMIN' | MDD 001 | DE6202h | ||
Add. Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-04-009 | Take The “A” Train | MDD 001 | DE6202i | ||
Aaron Bell, Sam Woodyard out | |||||
62-01-04-010 | Lotus Blossom | MDD 001 | DE6202j | ||
Add. Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-04-011 | Satin Doll | MDD 001 | DE6202k | ||
62-01-04-012 | Single Petal Of A Rose | MDD 001 | DE6202l | ||
62-01-04-013 | Kinda Dukish | MDD 001 | DE6202m | ||
Medley | DE6202n | ||||
62-01-04-014 | - 1. Do Nothin’ Till You Hear From Me | MDD 001 | |||
62-01-04-015 | - 2. Solitude | MDD 001 | |||
62-01-04-016 | - 3. Don’t Get Around Much Anymore | MDD 001 | |||
62-01-04-017 | - 4. Mood Indigo | MDD 001 | |||
62-01-04-018 | - 5. Cops (Asphalt Jungle) | MDD 001 | |||
62-01-04-019 | - 6. I’m Beginning To See The Light | MDD 001 | |||
62-01-04-020 | - 7. Sophisticated Lady | MDD 001 | |||
62-01-04-021 | - 8. Caravan | MDD 001 | |||
62-01-04-022 | Dancers In Love | MDD 001 | DE6202o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 January 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Edward Mullens, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-05-001 | CO68957- | I Couldn’t Have Done it Alone | Co CL-1790 | DE6203a | |
62-01-05-002 | CO68958- | I’ve Just Seen Her | DE6203b | ||
Add Billy Strayhorn(p) | |||||
62-01-05-003 | CO68959- | Nightlife | Co CL-1790 | DE6203c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05&09 Jan 1962 | |||
Film Soundtrack Recording, Pathé Studios | |||||
Bill Berry, Edward Mullens, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-09-001 | Take The “A” Train | GY 106657-L(D) | DE6204a | ||
62-01-09-002 | Satin Doll | GY 106657-L(D) | DE6204b | ||
62-01-09-003 | Wailing Interval (Blow By Blow) | GY 106657-L(D) | DE6204c | ||
62-01-09-004 | Things Ain’t What They Used To be | GY 106657-L(D) | DE6204d | ||
62-01-09-005 | V.I.P. Boogie | GY 106657-L(D) | DE6204e | ||
62-01-09-006 | Jam With Sam | GY 106657-L(D) | DE6204f | ||
62-01-09-007 | Kinda Dukish | GY 106657-L(D) | DE6204g | ||
62-01-09-008 | Goodyear Theme | DE6204h | |||
62-01-09-009 | Goodyear Theme | DE6204i | |||
62-01-09-010 | One More Once (The Good Years Of Jazz) | DE6204j | |||
62-01-09-011 | One More Once (The Good Years Of Jazz) | GY 106657-L(D) | DE6204k | ||
Film Short title "Goodyeay Jazz Concert - Duke Ellington" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 January 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Edward Mullens, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-10-001 | CO69232- | Which Way? | Co CL-1790 | DE6205a | |
62-01-10-002 | CO69233- | Our Children | Co CL-1790 | DE6205b | |
62-01-10-003 | CO69234- | Back To School | DE6205c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 January 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Edward Mullens, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-23-001 | CO69234- | Back To School | DE6206a | ||
62-01-23-002 | CO69234- | Back To School | DE6206b | ||
62-01-23-003 | CO69234- | Back To School | DE6206c | ||
62-01-23-004 | CO69234- | Back To School | DE6206d | ||
62-01-23-005 | CO69234- | Back To School | DE6206e | ||
62-01-23-006 | CO69234- | Back To School | Co CL-1790 | DE6206f | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-01-23-007 | CO68958- | I’ve Just Seen Her | DE6206g | ||
62-01-23-008 | CO68958- | I’ve Just Seen Her | Co CL-1790 | DE6206h | |
62-01-23-009 | CO69015- | What A Country! | DE6206i | ||
62-01-23-010 | CO69015- | What A Country! | DE6206j | ||
62-01-23-011 | CO69015- | What A Country! | DE6206k | ||
62-01-23-012 | CO69015- | What A Country! | DE6206l | ||
62-01-23-013 | CO69015- | What A Country! | Co CL-1790 | DE6206m | |
62-01-23-014 | CO69016- | Turkish Coffee | CBS 88654(D), Co CL-1970 | DE6206n | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 January 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-30-001 | CO69326- | Speak To Me Of Love | Co CL-1907 | DE6207a | |
62-01-30-002 | CO69327- | Guitar Amour | Co CL-1907 | DE6207b | |
62-01-30-003 | CO69328- | Paris Blues | Co CL-1907 | DE6207c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 January 1962 | |||
Columbia Recording Session | |||||
Howard McGhee, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-01-31-001 | CO69332- | The Petite Waltz | Co CL-1907 | DE6208a | |
62-01-31-002 | CO69333- | Javapachacha | Co CL-1907 | DE6208b | |
62-01-31-003 | CO69334- | Comme Ci, Comme Ca | Co CL-1907 | DE6208c | |
DELLA REESE WITH DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 February 1962 | |||
National Guard transcription recording session | |||||
Bill Berry, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington, Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d); Della Reese(v) | |||||
62-02-13-001 | Go With The National Guard - vDRs | JB EBCD-2110-2, NG 37/38, NG 39/40 | DE6209a | ||
62-02-13-002 | Comes Once In A Lifetime - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209b | ||
62-02-13-003 | Sophisticated Lady | JB EBCD-2110-2, NG 37/38 | DE6209c | ||
62-02-13-004 | Chopin’s Etude In E - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209d | ||
62-02-13-005 | Take The “A” Train | JB EBCD-2110-2, NG 37/38 | DE6209e | ||
62-02-13-006 | Bye-Bye Blackbird - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209f | ||
62-02-13-007 | Satin Doll | JB EBCD-2110-2, NG 37/38 | DE6209g | ||
62-02-13-008 | Don’t You Know I Care? (Or Don’t You Care To Know) - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209h | ||
62-02-13-009 | Things Ain’t What They Used To Be | JB EBCD-2110-2, NG 37/38 | DE6209i | ||
62-02-13-010 | A Foggy Day In London Town - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209j | ||
62-02-13-011 | Mood Indigo | JB EBCD-2110-2, NG 37/38 | DE6209k | ||
62-02-13-012 | That Reminds Me - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209l | ||
62-02-13-013 | Taffy Twist | JB EBCD-2110-2, NG 37/38 | DE6209m | ||
62-02-13-014 | Bill Bailey Won’t You Please Come Home - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209n | ||
62-02-13-015 | Do Nothin’ Till You Hear From Me | JB EBCD-2110-2, NG 37/38 | DE6209o | ||
62-02-13-016 | You’re Nobody ‘Till Somebody Loves You - vDRs | JB EBCD-2110-2, NG 37/38 | DE6209p | ||
62-02-13-017 | Jam With Sam | JB EBCD-2110-2, NG 37/38 | DE6209q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Troy, NY | 24 February 1962 | |||
Concert, Civic Auditorium | |||||
Bill Berry, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-02-24-001 | Take The “A” Train | DE6210a | |||
62-02-24-002 | Someone | DE6210b | |||
62-02-24-003 | In A Mellow Tone | DE6210c | |||
62-02-24-004 | Sophisticated Lady | DE6210d | |||
62-02-24-005 | Summertime | DE6210e | |||
62-02-24-006 | ¬ Diminuendo In Blue | DE6210f | |||
62-02-24-007 | _| Wailing Interval | DE6210g | |||
62-02-24-008 | Things Ain’t What They Used To Be | DE6210h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 February 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Harold Baker, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-02-27-001 | CO69722- | Under Paris Skies | Co CL-1907 | DE6211a | |
62-02-27-002 | CO69723- | The River Seine | DE6211b | ||
62-02-27-003 | ¬ | ¬ My Heart Sings | DE6211c | ||
62-02-27-004 | | CO69724- | - | My Man | DE6211d | ||
62-02-27-005 | _| | _| No Regrets | DE6211e | ||
62-02-27-006 | Theo’s No | DE6211f | |||
62-02-27-007 | Theo’s No | DE6211g | |||
DUKE ELLINGTON GROUP | Chicago, IL | 16 March 1962 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-03-16-001 | (01) | The Blues Ain’t - vMG | DE6212a | ||
62-03-16-002 | (02) | The Blues Ain’t - vMG | DE6212b | ||
62-03-16-003 | (03) | The Blues Ain’t - vMG | DE6212c | ||
62-03-16-004 | (04) | The Blues Ain’t - vMG | DE6212d | ||
62-03-16-005 | (05) | The Blues Ain’t - vMG | DE6212e | ||
62-03-16-006 | (06) | The Blues Ain’t - vMG | DE6212f | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-03-16-007 | (07) | Do Nothin’ Till You Hear From Me - vMG | DE6212g | ||
62-03-16-008 | (08) | Blue Moon | DE6212h | ||
62-03-16-009 | (09) | Blue Moon - vMG | DE6212i | ||
62-03-16-010 | (10) | Where In The World | DE6212j | ||
62-03-16-011 | (11) | Where In The World | DE6212k | ||
62-03-16-012 | (12) | Where In The World - vMG | DE6212l | ||
62-03-16-013 | (13) | Where In The World - vMG | DE6212m | ||
62-03-16-014 | (14) | One More Once (One More Twist) - vMG | DE6212n | ||
62-03-16-015 | (15) | One More Once (One More Twist) - vMG | DE6212o | ||
62-03-16-016 | (16) | One More Once (One More Twist) - vMG | DE6212p | ||
DUKE ELLINGTON GROUP | Chicago, IL | 19 March 1962 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-03-19-001 | (01) | Love You Madly - vMG | DE6213a | ||
62-03-19-002 | (02) | Love You Madly - vMG | DE6213b | ||
62-03-19-003 | (03) | Love You Madly - vMG | DE6213c | ||
62-03-19-004 | (04) | Love You Madly - vMG | DE6213d | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-03-19-005 | Solitude - vMG | DE6213e | |||
62-03-19-006 | (05) | Solitude - vMG | DE6213f | ||
62-03-19-007 | (06) | There’s No One But You - vMG | DE6213g | ||
62-03-19-008 | There’s No One But You | DE6213h | |||
62-03-19-009 | (07) | There’s No One But You - MG | DE6213i | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-03-19-010 | (08) | You Better Know It - vMG | DE6213j | ||
62-03-19-011 | (09) | You Better Know It - vMG | DE6213k | ||
62-03-19-012 | (10) | You Better Know It - vMG | DE6213l | ||
62-03-19-013 | (11) | You Better Know It - vMG | DE6213m | ||
62-03-19-014 | (12) | You Better Know It - vMG | DE6213n | ||
62-03-19-015 | (13) | You Better Know It - vMG | DE6213o | ||
DUKE ELLINGTON GROUP | New York City, NY | 29 March 1962 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Lawrence Brown(tb); Jimmy Hamilton(cl,ts); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-03-29-001 | -01 | I Feel So Good - vMG | DE6214a | ||
62-03-29-002 | -03 | I Feel So Good - vMG | DE6214b | ||
62-03-29-003 | -04 | I Feel So Good - vMG | DE6214c | ||
62-03-29-004 | -05 | I Feel So Good - vMG | DE6214d | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-03-29-005 | -01 | Paris Blues - vMG | DE6214e | ||
62-03-29-006 | -02 | Paris Blues - vMG | DE6214f | ||
62-03-29-007 | -03 | Paris Blues - vMG | DE6214g | ||
62-03-29-008 | Paris Blues | DE6214h | |||
62-03-29-009 | Paris Blues | DE6214i | |||
62-03-29-010 | -04 | Paris Blues - vMG | DE6214j | ||
62-03-29-011 | Paris Blues | DE6214k | |||
62-03-29-012 | -06 | Paris Blues - vMG | DE6214l | ||
62-03-29-013 | -07 | Paris Blues - vMG | DE6214m | ||
62-03-29-014 | -08 | Paris Blues - vMG | DE6214n | ||
62-03-29-015 | -09 | Paris Blues - vMG | DE6214o | ||
62-03-29-016 | -10 | Paris Blues - vMG | DE6214p | ||
62-03-29-017 | Paris Blues - vMG | DE6214q | |||
62-03-29-018 | -11 | Paris Blues - vMG | DE6214r | ||
62-03-29-019 | -12 | Paris Blues - vMG | DE6214s | ||
62-03-29-020 | -13 | Paris Blues - vMG | Sa 91231-2(D)(S)(T) | DE6214t | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-03-29-021 | -01 | Things Ain’t What They Used To Be | Sa 91231-2(D)(S)(T) | DE6214u | |
62-03-29-022 | -01 | I Got It Bad | Sa 91231-2(D)(S)(T) | DE6214v | |
Sam Woodyard out. Add Sonny Greer(d) | |||||
62-03-29-023 | Circle Blues | DE6214w | |||
62-03-29-024 | -01 | Circle Blues | DE6214x | ||
62-03-29-025 | -02 | Circle Blues | Sa 91231-2(D)(S)(T) | DE6214y | |
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 23 April 1962 | |||
Stage Show, Howard Theatre | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-04-23-001 | Stompin’ At The Savoy | DE6215a | |||
62-04-23-002 | Paris Blues | DE6215b | |||
62-04-23-003 | Things Ain’t What They Used To Be | DE6215c | |||
62-04-23-004 | All Of Me | DE6215d | |||
62-04-23-005 | Jam With Sam | DE6215e | |||
62-04-23-006 | ¬ Diminuendo In Blue | DE6215f | |||
62-04-23-007 | _| Wailing Interval | DE6215g | |||
62-04-23-008 | Love You Madly - vMG | DE6215h | |||
62-04-23-009 | Do Nothin’ Till You Hear From Me - vMG | DE6215i | |||
62-04-23-010 | One More Once (One More Twist) - vMG | DE6215j | |||
Add Bunny Briggs(td,v) | |||||
62-04-23-011 | Tulip Or Turnip - vBBr | DE6215k | |||
Bunny Briggs out | |||||
62-04-23-012 | Cops (Asphalt Jungle) | DE6215l | |||
62-04-23-013 | Paris Blues | DE6215m | |||
62-04-23-014 | ¬ Kinda Dukish | DE6215n | |||
62-04-23-015 | _| Rockin’ In Rhythm | DE6215o | |||
62-04-23-016 | I Got It Bad | DE6215p | |||
62-04-23-017 | Things Ain’t What They Used To Be | DE6215q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 23 April 1962 | |||
Stage Show, Howard Theatre | |||||
Duke Ellington, Tony ?(tk) | |||||
62-04-23-018 | Interview By Tony | DE6216a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 24 April 1962 | |||
Stage Show, Howard Theatre | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-04-24-001 | Take The “A” Train (theme) | DE6217a | |||
62-04-24-002 | Cops (Asphalt Jungle) | DE6217b | |||
62-04-24-003 | Mood Indigo - vMG | DE6217c | |||
62-04-24-004 | One More Once (One More Twist) - vMG | DE6217d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 May 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-05-01-001 | -1 | C-Jam Blues | Fa F-9636 | DE6218a | |
62-05-01-002 | -1 | Take The “A” Train | DE6218b | ||
62-05-01-003 | -2 | Take The “A” Train | DE6218c | ||
62-05-01-004 | -3 | Take The “A” Train | DE6218d | ||
62-05-01-005 | -4 | Take The “A” Train | DE6218e | ||
62-05-01-006 | -5 | Take The “A” Train | DE6218f | ||
62-05-01-007 | Take The “A” Train | Fa F-9636 | DE6218g | ||
62-05-01-008 | Happy Go Lucky Local | Fa F-9636 | DE6218h | ||
62-05-01-009 | -1 | Caravan | Fa F-9636 | DE6218i | |
62-05-01-010 | -1 | Just A-Sittin’ And A-Rockin' | DE6218j | ||
62-05-01-011 | -2 | Just A-Sittin’ And A-Rockin' | Fa F-9636 | DE6218k | |
62-05-01-012 | -1 | Jam With Sam | Fa F-9636 | DE6218l | |
62-05-01-013 | -1 | Paris Blues | DE6218m | ||
62-05-01-014 | -2 | Paris Blues | Fa F-9636 | DE6218n | |
62-05-01-015 | -1 | Ready-Go | DE6218o | ||
62-05-01-016 | Ready-Go | Fa F-9636 | DE6218p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 May 1962 | |||
CBS telecast recording | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-05-04-001 | Caravan | DE6219a | |||
62-05-04-002 | Rockin’ In Rhythm | DE6219b | |||
DUKE ELLINGTON WITH IRWIN COSTAL ORCHESTRA | Same session | ||||
Duke Ellington(p); Marion Lorne, Dorothy Loudon, Ron Martin, studio choir(v) acc by Irwin Costal Orchestra | |||||
Medley | DE6219c | ||||
62-05-04-003 | - 1. Sophisticated Lady | ||||
62-05-04-004 | - 2. Solitude - vMLo | ||||
62-05-04-005 | - 3. I Got It Bad - vDL | ||||
62-05-04-006 | - 4. I let A Song and Don’t Get Around Much - vRMa | ||||
62-05-04-007 | - 4. I’m Beginning To See The Light - vRMa | ||||
62-05-04-008 | - 6. Mood Indigo - vCHO | ||||
62-05-04-009 | - 7. Sophisticated Lady - vRMa,CHO | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
CBS telecast recording | |||||
As before | |||||
62-05-04-010 | Take The “A” Train | DE6219d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 May 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-05-24-001 | -1 | Flirtibird | DE6221a | ||
62-05-24-002 | -2 | Flirtibird | DE6221b | ||
62-05-24-003 | -3 | Flirtibird | DE6221c | ||
62-05-24-004 | -4 | Flirtibird | MFD G4RS-2536 | DE6221d | |
62-05-24-005 | -1 | Smada | MFD G4RS-2536 | DE6221e | |
62-05-24-006 | -1 | What Am I Here For? | DE6221f | ||
62-05-24-007 | -2 | What Am I Here For? | MFD G4RS-2536 | DE6221g | |
62-05-24-008 | -1 | Take The “A” Train | MFD G4RS-2536 | DE6221h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 May 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-05-25-001 | -1 | Anatomy Of A Murder (I’m Gonna Go Fishin') | DE6222a | ||
62-05-25-002 | -3 | Anatomy Of A Murder (I’m Gonna Go Fishin') | MFD G4RS-2536 | DE6222b | |
62-05-25-003 | -1 | Boo-Dah | DE6222c | ||
62-05-25-004 | -2 | Boo-Dah | DE6222d | ||
62-05-25-005 | -4 | Boo-Dah | MFD G4RS-2536 | DE6222e | |
Add Billy Strayhorn (hs) | |||||
62-05-25-006 | -1 | Black And Tan Fantasy | DE6222f | ||
62-05-25-007 | -2 | Black And Tan Fantasy | DE6222g | ||
62-05-25-008 | -3 | Black And Tan Fantasy | MFD G4RS-2536 | DE6222h | |
Billy Strayhorn out | |||||
62-05-25-009 | -1 | One More Once - vMG | DE6222i | ||
Duke Ellington, Milt Grayson only | |||||
62-05-25-010 | -3 | The Feeling Of Jazz - vMG | DE6222j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 May 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-05-28-001 | -2 | Mr. Gentle And Mr. Cool | MFD G4RS-2536 | DE6220a | |
62-05-28-002 | -1 | Perdido | DE6220b | ||
62-05-28-003 | -2 | Perdido | Sa 91231-2(D)(S)(T) | DE6220c | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-05-28-004 | -1 | Someone (The Sky Fell Down) | Sa 91231-2(D)(S)(T) | DE6220d | |
62-05-28-005 | -1 | Passion Flower | DE6220e | ||
62-05-28-006 | -2 | Passion Flower | Sa 91231-2(D)(S)(T) | DE6220f | |
DUKE ELLINGTON | Washington, DC | 31 May 1962 | |||
NBC telecast | |||||
Duke Ellington, Patti Cavern(tk) | |||||
62-05-31-001 | Interview By Cavern | DE6223a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 31 May 1962 | |||
Concert, Constitution Hall | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); The National Symphony Orchestra cond. Gunther Schuller | |||||
NIGHT CREATURE | |||||
62-05-31-002 | - 1. Blind Bug | DE6224a | |||
62-05-31-003 | - 2. Stalking Monster | DE6224b | |||
62-05-31-004 | - 3. Dazzling Creature | DE6224c | |||
DUKE ELLINGTON AND HIS RHYTHM | Washington, DC | 02 June 1962 | |||
Recital, Cramton Hall, Howard University | |||||
Duke Ellington, Billy Strayhorn(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-06-02-001 | Take The “A” Train | DE6225a | |||
Billy Strayhorn out. | |||||
62-06-02-002 | Satin Doll | DE6225b | |||
62-06-02-003 | Single Petal Of A Rose | DE6225c | |||
62-06-02-004 | Kinda Dukish | DE6225d | |||
62-06-02-005 | The Blues Ain’t - vMG | DE6225e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 02 June 1962 | |||
Concert, The Coliseum | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-06-02-006 | Take The “A” Train (theme) | DE6226a | |||
62-06-02-007 | ¬ Kinda Dukish | DE6226b | |||
62-06-02-008 | _| Rockin’ In Rhythm | DE6226c | |||
62-06-02-009 | Passion Flower | DE6226d | |||
62-06-02-010 | Things Ain’t What They Used To Be | DE6226e | |||
62-06-02-011 | V.I.P. Boogie | DE6226f | |||
62-06-02-012 | Jam With Sam | DE6226g | |||
62-06-02-013 | Just Squeeze Me | DE6226h | |||
62-06-02-014 | ¬ Diminuendo In Blue | DE6226i | |||
62-06-02-015 | _| Wailing Interval | DE6226j | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-06-02-016 | Take The “A” Train | DE6226k | |||
62-06-02-017 | Do Nothin’ Till You Hear From Me - vMG | DE6226l | |||
62-06-02-018 | Why Was I Born - vMG | DE6226m | |||
62-06-02-019 | One More Once - vMG | DE6226n | |||
62-06-02-020 | One More Once - vMG | DE6226o | |||
62-06-02-021 | Jones | DE6226p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 03 June 1962 | |||
Concert, The Coliseum | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-06-03-001 | Take The “A” Train (theme) | DE6227a | |||
62-06-03-002 | Perdido | DE6227b | |||
62-06-03-003 | Congo Square | DE6227c | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-06-03-004 | The Feeling Of Jazz - vMG | DE6227d | |||
62-06-03-005 | The Blues Ain’t - vMG | DE6227e | |||
62-06-03-006 | One More Once - vMG | DE6227f | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-06-03-007 | I Got It Bad | DE6227g | |||
62-06-03-008 | Guitar Amour | DE6227h | |||
62-06-03-009 | Jam With Sam | DE6227i | |||
62-06-03-010 | Take The “A” Train (theme) | DE6227j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 June 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Leon Cox, Lawrence Brown(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-06-06-001 | -10 | Taffy Twist | MFD G4RS-2536 | DE6228a | |
62-06-06-002 | -01 | H’ya Sue | DE6228b | ||
62-06-06-003 | -02 | H’ya Sue | DE6228c | ||
62-06-06-004 | H’ya Sue | DE6228d | |||
62-06-06-005 | H’ya Sue | DE6228e | |||
62-06-06-006 | -01 | Cotton Tail | DE6228f | ||
62-06-06-007 | -02 | Cotton Tail | DE6228g | ||
62-06-06-008 | -04 | Cotton Tail | DE6228h | ||
62-06-06-009 | -05 | Cotton Tail | DE6228i | ||
62-06-06-010 | Cotton Tail | DE6228j | |||
62-06-06-011 | -07 | Cotton Tail | Sa 91231-2(D)(S)(T) | DE6228k | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-06-06-012 | Misty - vMG | DE6228l | |||
62-06-06-013 | Misty - vMG | DE6228m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Mineola, NY | 17 June 1962 | |||
Concert, Mineola Playhouse | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-06-17-001 | Stompin’ At The Savoy | DE6229a | |||
62-06-17-002 | Tenderly | DE6229b | |||
62-06-17-003 | Honeysuckle Rose | DE6229c | |||
62-06-17-004 | Tea For Two | DE6229xa | |||
62-06-17-005 | Congo Square (Matumbe) | DE6229d | |||
62-06-17-006 | Summertime | DE6229e | |||
62-06-17-007 | Jam With Sam | DE6229f | |||
62-06-17-008 | Guitar Amour | DE6229g | |||
62-06-17-009 | ¬ Kinda Dukish | DE6229h | |||
62-06-17-010 | _| Rockin’ In Rhythm | DE6229i | |||
62-06-17-011 | I Got It Bad | DE6229j | |||
62-06-17-012 | All Of Me | DE6229k | |||
62-06-17-013 | Things Ain’t Qhat They Used To Be | DE6229l | |||
Medley | DE6229m | ||||
62-06-17-014 | - 1. Solitude | ||||
62-06-17-015 | - 2. Don’t Get Around Much Anymore | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 21 June 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Britt Woodman(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-06-21-001 | C075567- | Mademoiselle De Paris | Co CL-1907 | DE6230a | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-06-21-002 | C075568- | A Midnight In Paris | Co CL-1907 | DE6230b | |
Billy Strayhorn out. Add Duke Ellington(p); Eddie Locke(pc) | |||||
62-06-21-003 | C075173- | Jingle Bells | CBS 62993, CBS 88654(D), Co CL-1893 | DE6230c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 26 June 1962 | |||
Columbia Recording Session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-06-26-001 | C069723- | The River Seine | Co CL-1907 | DE6231a | |
62-06-26-002 | C075949- | My Heart Sings | Co CL-1907 | DE6231b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-06-26-003 | `C075582- | I Wish You Love | Co CL-1907 | DE6231c | |
Add Duke Ellington(p) | |||||
62-06-26-004 | C075950- | No Regrets | Co CL-1907 | DE6231d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 03 July 1962 | |||
Duke Ellington recording session | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Dave Rivera(p); Aaron Bell(sb); Sam Woodyard(d); Jimmy Dale(v) | |||||
62-07-03-001 | -1 | Drinking Again - vJDl | DE6232a | ||
62-07-03-002 | -2 | Drinking Again - vJDl | DE6232b | ||
Dave Rivera out. Add Duke Ellington(p) | |||||
62-07-03-003 | -1 | Jump For Joy - vRN | DJ FW-40359, MFD G4RS-2536 | DE6232c | |
62-07-03-004 | ¬ -2 | ¬ I Let A Song Go Out Of My Heart | DE6232d | ||
62-07-03-005 | _| | _| Don’t Get Around Much Anymore - vRN | DE6232e | ||
62-07-03-006 | -3 | I Let A Song Go Out Of My Heart | DE6232f | ||
62-07-03-007 | ¬ -4 | ¬ I Let A Song Go Out Of My Heart | MFD G4RS-2536 | DE6232g | |
62-07-03-008 | _| | _| Don’t Get Around Much Anymore - vRN | MFD G4RS-2536 | DE6232h | |
62-07-03-009 | -2 | Mack The Knife - vRN | DJ FW-40359 | DE6232i | |
62-07-03-010 | -1 | Take The “A” Train - vRN | DE6232j | ||
62-07-03-011 | -2 | Take The “A” Train - vRN | DE6232k | ||
62-07-03-012 | -1 | The Feeling Of Jazz | DE6232l | ||
62-07-03-013 | -2 | The Feeling Of Jazz | DE6232m | ||
62-07-03-014 | -4 | The Feeling Of Jazz | DJ FW-40359 | DE6232n | |
62-07-03-015 | -5 | The Feeling Of Jazz | DE6232o | ||
62-07-03-016 | -6 | The Feeling Of Jazz | DE6232p | ||
62-07-03-017 | -7 | The Feeling Of Jazz | DE6232q | ||
62-07-03-018 | -8 | The Feeling Of Jazz | MFD G4RS-2536 | DE6232r | |
62-07-03-019 | The Feeling Of Jazz | DE6232s | |||
62-07-03-020 | The Feeling Of Jazz | DE6232t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 08 July 1962 | |||
Concert, Freebody Park | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Gene Hull, Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-07-08-001 | ¬ Kinda Dukish | SYY 541231(D) | DE6233a | ||
62-07-08-002 | _| Rockin’ In Rhythm | SYY 541231(D), ToE TOLW-3162 | DE6233b | ||
62-07-08-003 | Passion Flower | SYY 541231(D), ToE TOLW-3162 | DE6233c | ||
62-07-08-004 | Things Ain’t What They Used To Be | SYY 541231(D), ToE TOLW-3162 | DE6233d | ||
62-07-08-005 | Jam With Sam | SYY 541231(D) | DE6233e | ||
62-07-08-006 | Do Nothin’ Till You Hear From Me | SYY 541231(D) | DE6233f | ||
62-07-08-007 | H’ya Sue | DE6233g | |||
Duke Ellington out. Add Thelonius Monk(p) | |||||
62-07-08-008 | Monk’s Dream | Ga 69299, SYY 541231(D) | DE6233h | ||
62-07-08-009 | Ba-lue Bolivar Ba-lues-are | Ga 69299, SYY 541231(D) | DE6233i | ||
As before | |||||
62-07-08-010 | Perdido | SYY 541231(D) | DE6233j | ||
62-07-08-011 | Guitar Amour | SYY 541231(D) | DE6233k | ||
62-07-08-012 | Broadstream | SYY 541231(D) | DE6233l | ||
62-07-08-013 | Satin Doll | SYY 541231(D) | DE6233m | ||
DUKE ELLINGTON | Detroit, MI | 13 July 1962 | |||
Broadcast | |||||
Duke Ellington, Jack Harris(tk) | |||||
62-07-13-001 | Interview By Harris | DE6234a | |||
Duke Ellington(p) | |||||
62-07-13-002 | Single Petal Of A Rose | DE6234b | |||
DUKE ELLINGTON | Chicago, IL | Jul 1962 | |||
Broadcast | |||||
Duke Ellington, Sid McCoy(tk) | |||||
62-07-20-001 | Interview By McCoy | DE6235a | |||
DUKE ELLINGTON GROUP | New York, NY | 25 July 1962 | |||
Duke Ellington recording session | |||||
Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-07-25-001 | -1 | Blue Too | DE6236a | ||
62-07-25-002 | -2 | Blue Too | DE6236b | ||
62-07-25-003 | -3 | Blue Too | DE6236c | ||
62-07-25-004 | -4 | Blue Too | DE6236d | ||
62-07-25-005 | -5 | Blue Too | LMR CD-83002 | DE6236e | |
62-07-25-006 | -1 | Tune Up | DE6236f | ||
62-07-25-007 | -2 | Tune Up | DE6236g | ||
62-07-25-008 | -3 | Tune Up | DE6236h | ||
62-07-25-009 | -4 | Tune Up | LMR CD-83002 | DE6236i | |
Add Billy Strayhorn(p) | |||||
62-07-25-010 | -1 | Take It Slow | DE6236j | ||
62-07-25-011 | -2 | Take It Slow | LMR CD-83002, MDD 006 | DE6236k | |
62-07-25-012 | -2 | Tigress (Telstar) | DE6236l | ||
62-07-25-013 | -3 | Tigress (Telstar) | DE6236m | ||
62-07-25-014 | -4 | Tigress (Telstar) | DE6236n | ||
62-07-25-015 | -5 | Tigress (Telstar) | DE6236o | ||
62-07-25-016 | -6 | Tigress (Telstar) | DE6236p | ||
62-07-25-017 | -7 | Tigress (Telstar) | DE6236q | ||
62-07-25-018 | -8 | Tigress (Telstar) | LMR CD-83002 | DE6236r | |
Johnny Hodges,Paul Gonsalves, Billy Strayhorn out. | |||||
62-07-25-019 | -1 | Like Late | DE6236s | ||
62-07-25-020 | -2 | Like Late | DE6236t | ||
62-07-25-021 | -3 | Like Late | DE6236u | ||
62-07-25-022 | -4 | Like Late | DE6236v | ||
62-07-25-023 | -5 | Like Late | DE6236w | ||
62-07-25-024 | -6 | Like Late | LMR CD-83002 | DE6236x | |
62-07-25-025 | -1 | Major | DE6236y | ||
62-07-25-026 | -2 | Major | LMR CD-83002 | DE6236z | |
62-07-25-027 | -1 | Minor | DE6236aa | ||
62-07-25-028 | -2 | Minor | DE6236ab | ||
62-07-25-029 | -3 | Minor | DE6236ac | ||
62-07-25-030 | -4 | Minor | DE6236ad | ||
62-07-25-031 | -5 | Minor | DE6236af | ||
62-07-25-032 | -6 | Minor | DE6236af | ||
62-07-25-033 | -7 | Minor | LMR CD-83002 | DE6236ag | |
62-07-25-034 | “G” For Groove | DE6236ah | |||
62-07-25-035 | -1 | “G” For Groove | DE6236ai | ||
62-07-25-036 | -2 | “G” For Groove | LMR CD-83002 | DE6236aj | |
DUKE ELLINGTON GROUP WITH COLEMAN HAWKINS | Englewood Cliffs, NJ | 18 August 1962 | |||
Impulse recording session | |||||
Ray Nance(t); Lawrence Brown(tb); Johnny Hodges(as); Coleman Hawkins(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-08-18-001 | 11044 | You Dirty Dog | Im A-26, Im IMP11622 | DE6237a | |
62-08-18-002 | 11045 | Ray Charles’ Place | Im A-26, Im IMP11622 | DE6237b | |
62-08-18-003 | 11046 | Mood Indigo | Im A-26, Im IMP11622 | DE6237c | |
62-08-18-004 | 11047 | Jeep Is Jumpin' | Im A-26, Im IMP11622 | DE6237d | |
62-08-18-005 | 11048 | Grievin’ (Self Portrait Of The Bean) | Im A-26, Im IMP11622 | DE6237e | |
62-08-18-006 | 11049 | Limbo Jazz | Im A-26, Im IMP11622 | DE6237f | |
62-08-18-007 | 11050 | Limbo Blues | DE6237g | ||
62-08-18-008 | 11051 | Wanderlust | Im A-26, Im IMP11622 | DE6237h | |
Lawrence Brown, Johnny Hodges, Harry Carney out. | |||||
62-08-18-009 | 11052 | Solitude | Im A-99, Im IMP11622 | DE6237i | |
62-08-18-010 | 11053 | The Ricitic | Im A-26, Im IMP11622 | DE6237j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 12 September 1962 | |||
Duke Ellington recording session | |||||
Cootie Williams, Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-09-12-001 | -03 | Tutti For Cootie | DE6238a | ||
62-09-12-002 | -01 | Broadstream (E.S.P.) | DE6238b | ||
62-09-12-003 | -02 | Broadstream (E.S.P.) | DE6238c | ||
62-09-12-004 | -03 | Broadstream (E.S.P.) | DE6238d | ||
62-09-12-005 | -04 | Broadstream (E.S.P.) | DE6238e | ||
62-09-12-006 | -05 | Broadstream (E.S.P.) | LMR CD-83002 | DE6238f | |
Add Billy Strayhorn(p) | |||||
62-09-12-007 | -01 | To Know You Is To Love You | DE6238g | ||
62-09-12-008 | -03 | To Know You Is To Love You | DE6238h | ||
62-09-12-009 | -11 | To Know You Is To Love You | DE6238i | ||
62-09-12-010 | -13 | To Know You Is To Love You | DE6238j | ||
62-09-12-011 | -15 | To Know You Is To Love You | DE6238k | ||
62-09-12-012 | -16 | To Know You Is To Love You | LMR CD-83002 | DE6238l | |
Billy Strayhorn out. | |||||
62-09-12-013 | September 12th Blues | LMR CD-83002, UtD 2008(D) | DE6238m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 13 September 1962 | |||
Duke Ellington recording session | |||||
Cootie Williams, Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-09-13-001 | -1 | Monk’s Dream | DE6239a | ||
62-09-13-002 | -3 | Monk’s Dream | DE6239b | ||
62-09-13-003 | -5 | Monk’s Dream | LMR CD-83002, UtD 2008(D) | DE6239c | |
62-09-13-004 | -1 | Frere Monk | MDD 006, UtD 2008(D) | DE6239d | |
62-09-13-005 | -2 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | LMR CD-83002 | DE6239e | |
62-09-13-006 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6239f | |||
Add Billy Strayhorn(p) | |||||
62-09-13-007 | -1 | Cordon Bleu | LMR CD-83002, MDD 006, UtD 2008(D) | DE6239g | |
Billy Strayhorn out. | |||||
62-09-13-008 | -2 | The Lonely Ones - vMG | DE6239h | ||
62-09-13-009 | -3 | The Lonely Ones - vMG | LMR CD-83002 | DE6239i | |
DUKE ELLINGTON WITH CHARLES MINGUS AND MAX ROACH | New York, NY | 17 September 1962 | |||
United Artists recording session | |||||
Duke Ellington(p); Charles Mingus(sb); Max Roach(d) | |||||
62-09-17-001 | Very Special | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2 | DE6240a | ||
62-09-17-002 | A Little Max | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2 | DE6240b | ||
62-09-17-003 | A Little Max | BN 72435-38227-2, BN CDP-7-46398-2 | DE6240c | ||
62-09-17-004 | Fleurette Africaine | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240d | ||
62-09-17-005 | Blues For Blanton (REM Blues) | BN 72435-38227-2 | DE6240xa | ||
62-09-17-006 | Blues For Blanton (REM Blues) | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2 | DE6240e | ||
62-09-17-007 | Wig Wise | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240f | ||
62-09-17-008 | Switch Blade | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2 | DE6240g | ||
62-09-17-009 | Switch Blade | BN 72435-38227-2 | DE6240xb | ||
62-09-17-010 | Caravan | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240h | ||
62-09-17-011 | Money Jungle | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240i | ||
62-09-17-012 | Solitude | BN 72435-38227-2, BN CDP-7-46398-2 | DE6240j | ||
62-09-17-013 | Solitude | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240k | ||
62-09-17-014 | Warm Valley | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2, UA UAJ-14017 | DE6240l | ||
62-09-17-015 | Backward Country Boy Blues | BN 72435-38227-2 | DE6240xc | ||
62-09-17-016 | Backward Country Boy Blues | BN 72435-38227-2, BN BT-85129, BN CDP-7-46398-2 | DE6240m | ||
DUKE ELLINGTON | New York, NY | 19 September 1962 | |||
NBC Telecast | |||||
Duke Ellington(p) | |||||
62-09-19-001 | Fleurette Africaine | Mo 20 | DE6241a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-09-19-002 | Montage Tonight | Mo 20 | DE6241b | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Art Linkletter(tk) | |||||
62-09-19-003 | Interview by Art Linkletter | DE6241c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York, NY | 24 September 1962 | |||
Concert, Town Hall | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d); Joya Sherrill, Milt Grayson(v) | |||||
62-09-24-001 | Take The “A” Train (theme) | DE6242a | |||
62-09-24-002 | Cops (Asphalt Jungle) | DE6242b | |||
62-09-24-003 | ¬ Black And Tan Fantasy | DE6242c | |||
62-09-24-004 | - | Creole Love Call | DE6242d | |||
62-09-24-005 | _|The Mooch | DE6242e | |||
62-09-24-006 | Stompin’ At The Savoy | DE6242f | |||
62-09-24-007 | Tenderly | DE6242g | |||
62-09-24-008 | Satin Doll | DE6242h | |||
62-09-24-009 | Summertime | DE6242i | |||
62-09-24-010 | Guitar Amour | DE6242j | |||
62-09-24-011 | Jam With Sam | DE6242k | |||
62-09-24-012 | I Got It Bad | DE6242l | |||
62-09-24-013 | All Of Me | DE6242m | |||
62-09-24-014 | Things Ain’t What They Used To Be | DE6242n | |||
62-09-24-015 | The Feeling Of Jazz - vJS | DE6242o | |||
62-09-24-016 | Take The “A” Train (theme) | DE6242p | |||
62-09-24-017 | Do Nothin’ Till You Hear From Me (Concerto For Cootie) | DE6242q | |||
62-09-24-018 | Tutti For Cootie | DE6242r | |||
62-09-24-019 | Show Me - vJS | DE6242s | |||
62-09-24-020 | My Heart Belongs To Daddy - vJS | DE6242t | |||
62-09-24-021 | Katiusha - vJS | DE6242u | |||
62-09-24-022 | I’m Beginning To See The Light - vJS | DE6242v | |||
62-09-24-023 | Things Ain’t What They Used To Be - vJS | DE6242w | |||
62-09-24-024 | Skin Deep | DE6242x | |||
62-09-24-025 | ¬ Diminuendo In Blue | DE6242y | |||
62-09-24-026 | _| Wailing Interval | DE6242z | |||
62-09-24-027 | One More Once -vMG,JS | DE6242aa | |||
62-09-24-028 | Mood Indigo | DE6242ab | |||
DUKE ELLINGTON AND JOHN COLTRANE | New York, NY | 26 September 1962 | |||
Impulse recording session | |||||
John Coltrane(ss,ts); Duke Ellington(p); Aaron Bell(sb); Sam Woodyard(d) | |||||
62-09-26-001 | 11114 | Stevie | Im A-30, Im IMP-11662 | DE6243a | |
Sam Woodyard out. Add Elvin Jones (d) | |||||
62-09-26-002 | 11115 | In A Sentimental Mood | Im A-30, Im IMP-11662 | DE6243b | |
Aaron Bell out. Add Jimmy Garrison(sb) | |||||
62-09-26-003 | 11116 | Purple Gazelle (Angelica) | Im A-30, Im IMP-11662 | DE6243c | |
62-09-26-004 | 11117 | Big Nick | Im A-30, Im IMP-11662 | DE6243d | |
Jimmy Garrison, Elvin Jones out. Add Aaron Bell(sb); Sam Woodyard(d) | |||||
62-09-26-005 | 11118 | My Little Brown Book | Im A-30, Im IMP-11662 | DE6243e | |
62-09-26-006 | 11119 | The Feeling Of Jazz | Im A-30, Im IMP-11662 | DE6243f | |
Aaron Bell, Sam Woodyard out. Add Jimmy Garrison(sb); Elvin Jones (d) | |||||
62-09-26-007 | 11120 | Take The Coltrane | Im A-30, Im IMP-11662 | DE6243g | |
DUKE ELLINGTON WITH THE PETER MATZ ORCHESTRA | New York, NY | 27 September 1962 | |||
ABC Telecast | |||||
Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Edie Adams(v) with The Peter Matz Orchestra | |||||
62-09-27-001 | Medley: | DE6244a | |||
- 1. I Got It Bad -vEA | |||||
- 2. I’m Beginning To See The Light -vEA | |||||
- 3. Sophisticated Lady -vEA | |||||
- 4. Take The “A” Train | |||||
62-09-27-002 | Satin Doll -vEA | DE6244b | |||
DUKE ELLINGTON | Salt Lake City, UT | 05 October 1962 | |||
Duke Ellington, Paul Smith(tk) | |||||
62-10-05-001 | Interview by Smith | DE9036a | |||
DUKE ELLINGTON | Vancouver, CND | 30 October 1962 | |||
Duke Ellington, Jack Cullen(tk) | |||||
62-10-30-001 | Interview by Cullen | VaI VS-81007(D) | DE6245a | ||
DUKE ELLINGTON AND BILLY STRAYHORN | Vancouver, CND | 01 November 1962 | |||
Duke Ellington, Bliiy Strayhorn, Bob Smith(tk) | |||||
62-11-01-001 | Interview by Smith | DE6246a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bellingham, WA | 08 November 1962 | |||
Concert Carver Gym, Western Washington State College | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-11-08-001 | Take The “A” Train (theme) | DE6247a | |||
62-11-08-002 | Cops (Asphalt Jungle) | DE6247b | |||
62-11-08-003 | ¬ Black And Tan Fantasy | DE6247c | |||
62-11-08-004 | - | Creole Love Call | DE6247d | |||
62-11-08-005 | _|The Mooch | DE6247e | |||
62-11-08-006 | Perdido | DE6247f | |||
62-11-08-007 | Tenderly | DE6247g | |||
62-11-08-008 | Honeysuckle Rose | DE6247h | |||
62-11-08-009 | Do Nothin’ Till You Hear From Me (Concerto For Cootie) | DE6247i | |||
62-11-08-010 | Tutti For Cootie | DE6247j | |||
62-11-08-011 | Guitar Amour | DE6247k | |||
62-11-08-012 | Summertime | DE6247l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Houston, TX | 19 November 1962 | |||
Concert Cullum Auditorium | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-11-19-001 | Take The “A” Train (theme) | DE6248a | |||
62-11-19-002 | ¬ Black And Tan Fantasy | DE6248b | |||
62-11-19-003 | - | Creole Love Call | DE6248c | |||
62-11-19-004 | _|The Mooch | DE6248d | |||
62-11-19-005 | Stompin’ At The Savoy | DE6248e | |||
62-11-19-006 | Tenderly | DE6248f | |||
62-11-19-007 | Honeysuckle Rose | DE6248g | |||
62-11-19-008 | Anatomy Of A Murder | DE6248h | |||
62-11-19-009 | Summertime | DE6248i | |||
62-11-19-010 | Guitar Amour | DE6248j | |||
62-11-19-011 | I Got It Bad | DE6248k | |||
62-11-19-012 | All Of Me | DE6248l | |||
62-11-19-013 | Things Ain’t What They Used To Be | DE6248m | |||
62-11-19-014 | Jam With Sam | DE6248n | |||
62-11-19-015 | Medley: | DE6248o | |||
- 1. Satin Doll | |||||
- 2.Solitude | |||||
- 3. Don’t Get Around Much Anymore | |||||
- 4. Mood Indigo | |||||
- 5. I’m Beginning To See The Light | |||||
- 6. Sophisticated Lady | |||||
- 7. Caravan | |||||
- 8. Do Nothin’ Till You Hear From Me - vMG | |||||
- 9. Just Squeeze Me - vRN | |||||
- 10. It Don’t Mean A Thing - vRN | |||||
- 11. I Let A Song & Don’t Get Around Much | |||||
62-11-19-016 | Jones | DE6248p | |||
62-11-19-017 | Take The “A” Train (theme) | DE6248q | |||
62-11-19-018 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6248r | |||
62-11-19-019 | Tutti For Cootie | DE6248s | |||
62-11-19-020 | Skin Deep | DE6248t | |||
62-11-19-021 | ¬ Diminuendo In Blue | DE6248u | |||
62-11-19-022 | _| Wailing Interval | DE6248v | |||
62-11-19-023 | The Blues Ain’t - vMG | DE6248w | |||
62-11-19-024 | One More Once - vMG | DE6248x | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(cl,bcl) | |||||
62-11-19-025 | Monologue | DE6248y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 29 November 1962 | |||
Reprise recording session, Universal Recording Studios | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-11-29-001 | Good-Bye | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6249a | ||
62-11-29-002 | Christopher Columbus | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6249b | ||
62-11-29-003 | Let’s Get Together | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6249c | ||
62-11-29-004 | Chant Of The Weed | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6249d | ||
62-11-29-005 | Volupté | Ms MD5-193, Re R-6069 | DE6249e | ||
62-11-29-006 | I’m Getting gSentimental Over You | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6249f | ||
62-11-29-007 | One O’Clock Jump | At 7-90043-2, Ms MD5-193, Re R-6168 | DE6249g | ||
DUKE ELLINGTON GROUP | New York City, NY | 10 December 1962 | |||
NBC telecast | |||||
n/k(f); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); B. Morrow, R. Lay(v) | |||||
62-12-10-001 | I Got It Bad - vBMo | DE6250a | |||
62-12-10-002 | In A Sentimental Mood - vRL | DE6250b | |||
62-12-10-003 | Don’t Get Around Much Anymore | DE6250c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 December 1962 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-12-11-001 | Tuxedo Junction | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6251a | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
62-12-11-002 | Ciribiribin | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6251b | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
62-12-11-003 | It’s A Lonesome Old Town | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6251c | ||
DUKE ELLINGTON WITH NBC STUDIO ORCHESTRA | New York City, NY | 11 December 1962 | |||
NBC telecast | |||||
Duke Ellington(p) acc. by NBC studio orchestra | |||||
62-12-11-004 | Guitar Amour | DE6252a | |||
DUKE ELLINGTON WITH NBC STUDIO ORCHESTRA | New York City, NY | 12 December 1962 | |||
NBC telecast | |||||
Duke Ellington(p); Johnny Nash(v) acc. by NBC studio orchestra | |||||
62-12-12-001 | I Surrender Dear - vJNa | DE6253a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 December 1962 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-12-13-001 | -08 | Minnie The Moocher | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6254a | |
62-12-13-002 | -12 | Sentimental Journey | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6254b | |
62-12-13-003 | -08 | Eighth Veil | Re RS-6069 | DE6254c | |
62-12-13-004 | Eighth Veil | Re RS-6069‡ | DE6254d | ||
DUKE ELLINGTON WITH NBC STUDIO ORCHESTRA | New York City, NY | 13 December 1962 | |||
NBC telecast | |||||
Bill Berry(t); Duke Ellington(p) acc. by NBC studio orchestra | |||||
62-12-13-005 | Take The “A” Train | DE6255a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 December 1962 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Bill Berry, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-12-14-001 | -14 | Silk Lace | DE6256a | ||
62-12-14-002 | -16 | Eighth Veil | DE6256b | ||
62-12-14-003 | -06 | When It’s Sleepy Time Down South | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6256c | |
62-12-14-004 | -02 | Cherokee | DE6256d | ||
62-12-14-005 | -02 | For Dancers only | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6256e | |
62-12-14-006 | -08 | One O’Clock Jump | DE6256f | ||
DUKE ELLINGTON WITH NBC STUDIO ORCHESTRA | New York City, NY | 14 December 1962 | |||
NBC telecast | |||||
Bill Berry(t); Duke Ellington(p) acc. by NBC studio orchestra | |||||
62-12-14-007 | Perdido | DE6257a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
62-12-14-008 | Single Petal Of A Rose | Sv 101-8399 | DE6257b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 December 1962 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-12-20-001 | -01 | Contrasts | DE6258a | ||
62-12-20-002 | -02 | Contrasts | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6258b | |
62-12-20-003 | -05 | Rhapsody In Blue | DE6258c | ||
62-12-20-004 | -07 | Rhapsody In Blue | DE6258d | ||
62-12-20-005 | -08 | Rhapsody In Blue | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6258e | |
62-12-20-006 | -10 | Pyramid | Re RS-6069 | DE6258f | |
62-12-20-007 | -05 | Sleep, Sleep, Sleep | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6258g | |
62-12-20-008 | -21 | Silk Lace | Re RS-6069 | DE6258h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 December 1962 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
62-12-29-001 | -15 | Don’t get Around Much Anymore | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6259a | |
62-12-29-002 | -03 | Auld Lang Syne | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6259b | |
62-12-29-003 | -03 | Purple Gazelle | DE6259c | ||
62-12-29-004 | -05 | Purple Gazelle | DE6259d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 December 1962 | |||
ABS and CBS broadcasts, Waldorf Astoria Hotel | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Britt Woodman, Buster Cooper(tb); Chuck Connors(btb); Aaron Bell(bb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
62-12-31-001 | Take The “A” Train (theme) | DE6260a | |||
62-12-31-002 | Satin Doll | DE6260b | |||
62-12-31-003 | Rockin’ In Rhythm | DE6260c | |||
62-12-31-004 | Sophisticated Lady | DE6260d | |||
62-12-31-005 | Eighth Veil | DE6260e | |||
62-12-31-006 | Mood Indigo | DE6260f | |||
62-12-31-007 | Tutti For Cootie | DE6260g | |||
62-12-31-008 | Do Nothin’ Till you Hear From Me - vMG | DE6260h | |||
62-12-31-009 | Things Ain’t What They Used To be | DE6260i | |||
62-12-31-010 | Take The “A” Train (theme) | DE6260j | |||
62-12-31-011 | C-Jam Blues | DE6260k | |||
62-12-31-012 | Silk Lace (Caliné) | DE6260l | |||
62-12-31-013 | Love You Madly - vMG | DE6260m | |||
62-12-31-014 | Take The “A” Train (theme) | DE6260n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 January 1963 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-01-03-001 | At The Woodchopper’s Ball | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6301a | ||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-01-03-002 | Artistry In Rhythm | At 7-90043-2, Ms MD5-193, Re RS-6168 | DE6301b | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
63-01-03-003 | The Midnight Sun Will Never Set | At 7-90043-2, At SD-1665, Ms MD5-193 | DE6301c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 January 1963 | |||
Reprise recording session, Fine Studios, Bayside, Queens | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-01-04-001 | -1 | Bonga | DE6302a | ||
Bonga | Ms MD5-193, Re R9-6069 | ||||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-01-04-002 | -5 | Smoke Rings | Ms MD5-193, Re RS-6168 | DE6302b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
63-01-04-003 | The Waltz You Saved For Me | Ms MD5-193, Re RS-6168 | DE6302c | ||
Cherokee | At SD-1685, Ms MD5-193 | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 January 1963 | |||
Reprise recording session | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-01-05-001 | (03) | Moonbow | Ms MD5-193, Re R9-6069 | DE6303a | |
63-01-05-002 | (06) | Afro-Bossa | Ms MD5-193, Re R9-6069 | DE6303b | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-01-05-003 | (08) | Angu | Ms MD5-193, Re R9-6069 | DE6303c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
63-01-05-004 | (09) | Absinthe | Ms MD5-193, Re R9-6069 | DE6303d | |
63-01-05-005 | (11) | Frontin (Sempre Amore) | Ms MD5-193, Re R9-6069 | DE6303e | |
63-01-05-006 | (16) | Purple Gazelle | Ms MD5-193, Re R9-6069 | DE6303f | |
63-01-05-007 | (41) | Tigress | DE6303g | ||
63-01-05-008 | (42) | Tigress | DE6303h | ||
63-01-05-009 | (43) | Tigress | DE6303i | ||
63-01-05-010 | (45) | Tigress | Ms MD5-193, Re R9-6069 | DE6303j | |
DUKE ELLINGTON | New York City, NY | 08 January 1963 | |||
Reprise recording session | |||||
Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
Afro-Bossa First Piano Summation | DE6304a | ||||
63-01-08-001 | - a) Silk Lace | DETS Souvenir-Recording-1984 | |||
63-01-08-002 | - b) Tigress | DETS Souvenir-Recording-1984 | |||
63-01-08-003 | - c) Pyramid | DETS Souvenir-Recording-1984 | |||
63-01-08-004 | - d) Bonga | DETS Souvenir-Recording-1984 | |||
63-01-08-005 | - e) Frontin’ (Sempre Amore) | DETS Souvenir-Recording-1984 | |||
63-01-08-006 | - f) Eighth Veil | DETS Souvenir-Recording-1984 | |||
Afro-Bossa Second Piano Summation | DE6304b | ||||
63-01-08-007 | - a) Voltupé | DETS Souvenir-Recording-1984 | |||
63-01-08-008 | - b) Absinthe | DETS Souvenir-Recording-1984 | |||
63-01-08-009 | - c) Moonbow | DETS Souvenir-Recording-1984 | |||
63-01-08-010 | - d) Purple Gazelle | DETS Souvenir-Recording-1984 | |||
63-01-08-011 | - e) Afro-Bossa | DETS Souvenir-Recording-1984 | |||
63-01-08-012 | - f) Angu | DETS Souvenir-Recording-1984 | |||
DUKE ELLINGTON | London, GB | January 1963 | |||
Pre-recording BBC for Swedish telecast | |||||
Duke Ellington, Leonard Feather(tk) | |||||
63-01-18-001 | Interview by Feather | DE9037a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 19 January 1963 | |||
1st Concert, Free Trade Hall | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-01-19-001 | Take The “A” Train (theme) | DE9065a | |||
63-01-19-002 | Afro Bossa (Bula) | DE9065b | |||
63-01-19-003 | ¬ Kinda Dukish | DE9065c | |||
63-01-19-004 | _| Rockin’ In Rhythm | DE9065d | |||
63-01-19-005 | Silk Lace (Caliné) | DE9065e | |||
63-01-19-006 | Eighth Veil | DE9065f | |||
63-01-19-007 | Pyramid | DE9065g | |||
63-01-19-008 | Cops (Asphalt Jungle) | DE9065h | |||
63-01-19-009 | Guitar Amour | DE9065i | |||
63-01-19-010 | Cop-Out | DE9065j | |||
63-01-19-011 | Jam With Sam | DE9065k | |||
63-01-19-012 | Main Stem | DE9065l | |||
63-01-19-013 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE9065m | |||
63-01-19-014 | Tutti For Cootie | DE9065n | |||
63-01-19-015 | Star-Crossed Lovers | DE9065o | |||
63-01-19-016 | Things Ain’t What They Used To Be | DE9065p | |||
63-01-19-017 | All Of Me | DE9065q | |||
63-01-19-018 | Perdido | DE9065r | |||
63-01-19-019 | The Blues Ain’t - vMG | DE9065s | |||
63-01-19-020 | Do Nothin’ Till You Hear From Me - vMG | DE9065t | |||
63-01-19-021 | On More Once - vMG | DE9065u | |||
Duke Ellington(p); Jimmy Hamilton(cl,ts); Russell Procope (cl); Harry Carney(bcl) | |||||
63-01-19-022 | Monologue | DE9065v | |||
As before | |||||
63-01-19-023 | Take The “A” Train | DE9065w | |||
63-01-19-024 | God Save The Queen | DE9065x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 19 January 1963 | |||
2nd Concert, Free Trade Hall | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-01-19-025 | Take The “A” Train (theme) | DE6305a | |||
63-01-19-026 | Afro Bossa (Bula) | DE6305b | |||
63-01-19-027 | ¬ Kinda Dukish | DE6305c | |||
63-01-19-028 | _| Rockin’ In Rhythm | DE6305d | |||
63-01-19-029 | Silk Lace (Caliné) | DE6305e | |||
63-01-19-030 | Eighth Veil | DE6305f | |||
63-01-19-031 | Pyramid | DE6305g | |||
63-01-19-032 | Cops (Asphalt Jungle) | DE6305h | |||
63-01-19-033 | Guitar Amour | DE6305i | |||
63-01-19-034 | Cop-Out | DE6305j | |||
63-01-19-035 | Jam With Sam | DE6305k | |||
63-01-19-036 | Main Stem | DE6305l | |||
63-01-19-037 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6305m | |||
63-01-19-038 | Tutti For Cootie | DE6305n | |||
63-01-19-039 | Star-Crossed Lovers | DE6305o | |||
63-01-19-040 | Things Ain’t What They Used To Be | DE6305p | |||
63-01-19-041 | All Of Me | DE6305q | |||
63-01-19-042 | Perdido | DE6305r | |||
63-01-19-043 | The Blues Ain’t - vMG | DE6305s | |||
63-01-19-044 | Do Nothin’ Till You Hear From Me - vMG | DE6305t | |||
Duke Ellington(p); Jimmy Hamilton(cl,ts); Russell Procope (cl); Harry Carney(bcl) | |||||
63-01-19-045 | Monologue | DE6305u | |||
As before | |||||
63-01-19-046 | Take The “A” Train (theme) | DE6305v | |||
63-01-19-047 | God Save The Queen | DE6305w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 21-22 Jan 1963 | |||
Granada telecast, Granada Chelsea Studios | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-01-21-001 | Take The “A” Train (theme) | DE6306a | |||
63-01-21-002 | C-Jam Blues | MM 65106-2 | DE6306b | ||
63-01-21-003 | Eighth Veil | DE6306c | |||
63-01-21-004 | Rockin’ In Rhythm | DE6306d | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-01-21-005 | Angu | MJ 2MJP-1055 | DE6306e | ||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
63-01-21-006 | Mood Indigo | MM 65106-2 | DE6306f | ||
Duke Ellington(p) solo | |||||
63-01-21-007 | Single Petal Of A Rose | MM 65106-2 | DE6306g | ||
as before | |||||
63-01-21-008 | Don’t Get Around Much Anymore - vMG | MM 65106-2 | DE6306h | ||
63-01-21-009 | ¬ Diminuendo In Blue | MM 65106-2 | DE6306i | ||
63-01-21-010 | _| Wailing Interval | MM 65106-2 | DE6306j | ||
DUKE ELLINGTON | Croyon, GB | 25 January 1963 | |||
Pre -recording BBC for Swedish telecast | |||||
Duke Ellington, Sven Lindahl(tk) | |||||
63-01-25-001 | Interview by Lindahl | DE6307a | |||
DUKE ELLINGTON | London, GB | Jan 1963 | |||
BBC broadcast | |||||
Duke Ellington, Jo Joseph(tk) | |||||
63-01-28-001 | Interview by Joseph | DE6308a | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE PARIS SYMPHONY ORCHESTRA | Paris, F | 31 January 1963 | |||
Reprise recording session | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Paris Symphony Orchestra | |||||
NIGHT CREATURE | |||||
63-01-31-001 | -01 | - 1. Blind Bug | DE6309a | ||
63-01-31-002 | - 1. Blind Bug | DE6309b | |||
63-01-31-003 | -01 | - 3. Dazzling Creature | DE6309c | ||
63-01-31-004 | -02 | - 3. Dazzling Creature | DE6309d | ||
63-01-31-005 | -03 | - 3. Dazzling Creature | DE6309e | ||
63-01-31-006 | -04 | - 3. Dazzling Creature | DE6309f | ||
63-01-31-007 | -05 | - 3. Dazzling Creature | DE6309g | ||
63-01-31-008 | -06 | - 3. Dazzling Creature | DE6309h | ||
63-01-31-009 | -07 | - 3. Dazzling Creature | DE6309i | ||
63-01-31-010 | -08 | - 3. Dazzling Creature | DE6309j | ||
63-01-31-011 | -09 | - 3. Dazzling Creature | DE6309k | ||
63-01-31-012 | -10 | - 3. Dazzling Creature | DE6309l | ||
63-01-31-013 | -11 | - 3. Dazzling Creature | DE6309m | ||
63-01-31-014 | - 3. Dazzling Creature | DE6309n | |||
63-01-31-015 | - 3. Dazzling Creature | DE6309o | |||
63-01-31-016 | -12 | - 3. Dazzling Creature | Ms MD5-193, Re R9-6097 | DE6309p | |
63-01-31-017 | -01 | - 2. Stalking Monster | DE6309q | ||
63-01-31-018 | -02 | - 2. Stalking Monster | DE6309r | ||
63-01-31-019 | -03 | - 2. Stalking Monster | DE6309s | ||
63-01-31-020 | -01 | HARLEM | DE6309t | ||
63-01-31-021 | -02 | HARLEM | DE6309u | ||
63-01-31-022 | -03 | HARLEM | DE6309v | ||
63-01-31-023 | -04 | HARLEM | DE6309w | ||
63-01-31-024 | -05 | HARLEM | DE6309x | ||
63-01-31-025 | -06 | HARLEM | DE6309y | ||
63-01-31-026 | -07 | HARLEM | DE6309z | ||
63-01-31-027 | -08 | HARLEM | DE6309aa | ||
63-01-31-028 | -09 | HARLEM | DE6309ab | ||
63-01-31-029 | -10 | HARLEM | DE6309ac | ||
63-01-31-030 | -11 | HARLEM | DE6309ad | ||
63-01-31-031 | -12 | HARLEM | DE6309ae | ||
63-01-31-032 | -13 | HARLEM | DE6309af | ||
63-01-31-033 | -14 | HARLEM | Ms MD5-193, Re R9-6097 | DE6309ag | |
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 01 February 1963 | |||
Concert, Olympia | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-01-001 | Take The “A” Train (theme) | DE6310a | |||
SUITE THURSDAY | |||||
63-02-01-002 | - 1. Misfit Blues | At 304-2, At SD2-304 | DE6310b | ||
63-02-01-003 | - 2. Schwiphti | At 304-2, At SD2-304 | DE6310c | ||
63-02-01-004 | - 3. Zweet Zurzday | At 304-2, At SD2-304 | DE6310d | ||
63-02-01-005 | - 4. Lay-By | At 304-2, At SD2-304 | DE6310e | ||
63-02-01-006 | Afro Bossa (Boola) | At 304-2, At SD2-304 | DE6310f | ||
63-02-01-007 | ¬ Kinda Dukish | At 304-2, At SD2-304 | DE6310g | ||
63-02-01-008 | _| Rockin’ In Rhythm | At 304-2, At SD2-304 | DE6310h | ||
63-02-01-009 | Silk Lace (Caliné) | At 304-2, At SD2-304 | DE6310i | ||
63-02-01-010 | Eighth Veil | DE6310j | |||
63-02-01-011 | Pyramid | At 304-2, At SD2-304 | DE6310k | ||
63-02-01-012 | Cops (Asphalt Jungle) | At 304-2, Re R-6234 | DE6310l | ||
63-02-01-013 | Guitar Amour | At 304-2, At SD2-304 | DE6310m | ||
63-02-01-014 | Jam With Sam | DE6310n | |||
63-02-01-015 | Cop-Out | At 304-2, At SD2-304 | DE6310o | ||
63-02-01-016 | Stompy Jones | DE6310p | |||
63-02-01-017 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | At 304-2, At SD2-304 | DE6310q | ||
63-02-01-018 | Tutti For Cootie | At 304-2, At SD2-304 | DE6310r | ||
63-02-01-019 | Echoes Of Harlem | DE6310s | |||
63-02-01-020 | Star-Crossed Lovers | At 304-2, At SD2-304 | DE6310t | ||
63-02-01-021 | Things Ain’t What They Used To Be | DE6310u | |||
63-02-01-022 | All Of Me | At 304-2, At SD2-304 | DE6310v | ||
63-02-01-023 | Perdido | At 304-2, At SD2-304 | DE6310w | ||
63-02-01-024 | The Blues Ain’t - vMG | DE6310x | |||
63-02-01-025 | Do Nothin’ Till You Hear From Me - vMG | DE6310y | |||
63-02-01-026 | One More Once - vMG | DE6310z | |||
63-02-01-027 | Take The “A” Train (theme) | DE6310aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 02 February 1963 | |||
1st Concert, Olympia | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-02-001 | Take The “A” Train (theme) | DE6311a | |||
63-02-02-002 | Afro Bossa (Boola) | DE6311b | |||
63-02-02-003 | ¬ Kinda Dukish | DE6311c | |||
63-02-02-004 | _| Rockin’ In Rhythm | DE6311d | |||
63-02-02-005 | Silk Lace (Caliné) | DE6311e | |||
63-02-02-006 | Eighth Veil | DE6311f | |||
63-02-02-007 | Pyramid | DE6311g | |||
63-02-02-008 | Cops (Asphalt Jungle) | DE6311h | |||
63-02-02-009 | Guitar Amour | DE6311i | |||
63-02-02-010 | Cop-Out | DE6311j | |||
63-02-02-011 | Jam With Sam | DE6311k | |||
63-02-02-012 | Stompy Jones | DE6311l | |||
SUITE THURSDAY | |||||
63-02-02-013 | - 1. Misfit Blues | DE6311m | |||
63-02-02-014 | - 2. Schwiphti | DE6311n | |||
63-02-02-015 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6311o | |||
63-02-02-016 | Tutti For Cootie | DE6311p | |||
63-02-02-017 | Star-Crossed Lovers | DE6311q | |||
63-02-02-018 | Things Ain’t What They Used To Be | DE6311r | |||
63-02-02-019 | Perdido | DE6311s | |||
63-02-02-020 | The Blues Ain’t - vMG | DE6311t | |||
63-02-02-021 | Do Nothin’ Till You Hear From Me - vMG | DE6311u | |||
63-02-02-022 | One More Once - vMG | DE6311v | |||
63-02-02-023 | Take The “A” Train (theme) | DE6311w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 02 February 1963 | |||
2nd Concert, Olympia | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-02-024 | Take The “A” Train (theme) | DE6312a | |||
63-02-02-025 | Afro Bossa (Boola) | DE6312b | |||
63-02-02-026 | ¬ Kinda Dukish | DE6312c | |||
63-02-02-027 | _| Rockin’ In Rhythm | DE6312d | |||
63-02-02-028 | Silk Lace (Caliné) | DE6312e | |||
63-02-02-029 | Eighth Veil | DE6312f | |||
63-02-02-030 | Pyramid | DE6312g | |||
63-02-02-031 | Cops (Asphalt Jungle) | DE6312h | |||
63-02-02-032 | Guitar Amour | DE6312i | |||
63-02-02-033 | Cop-Out | DE6312j | |||
63-02-02-034 | Jam With Sam | DE6312k | |||
63-02-02-035 | Take The “A” Train (theme) | DE6312l | |||
SUITE THURSDAY | |||||
63-02-02-036 | - 1. Misfit Blues | DE6312m | |||
63-02-02-037 | - 2. Schwiphti | DE6312n | |||
63-02-02-038 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6312o | |||
63-02-02-039 | Tutti For Cootie | DE6312p | |||
63-02-02-040 | Echoes Of Harlem | DE6312q | |||
63-02-02-041 | Star-Crossed Lovers | DE6312r | |||
63-02-02-042 | Things Ain’t What They Used To Be | DE6312s | |||
63-02-02-043 | All Of Me | DE6312t | |||
63-02-02-044 | Perdido | DE6312u | |||
63-02-02-045 | The Blues Ain’t - vMG | DE6312v | |||
63-02-02-046 | Do Nothin’ Till You Hear From Me - vMG | DE6312w | |||
63-02-02-047 | One More Once - vMG | DE6312x | |||
63-02-02-048 | Just Aqueeze Me - vRN | DE6312y | |||
63-02-02-049 | Take The “A” Train - vRN | DE6312z | |||
63-02-02-050 | Take The “A” Train (theme) | DE6312aa | |||
63-02-02-051 | Take The “A” Train (theme) | DE6312ab | |||
DUKE ELLINGTON | Malmo, S | 03 February 1963 | |||
Bulltofa Airport broadcast | |||||
Duke Ellington, Gun Albroth(tk) | |||||
63-02-03-001 | Interview by Albroth | DE6313a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Helsinki, Finland | 05 February 1963 | |||
Concert | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-05-001 | Take The “A” Train (theme) | DE6314a | |||
63-02-05-002 | Afro Bossa (Boola) | DE6314b | |||
63-02-05-003 | ¬ Kinda Dukish | DE6314c | |||
63-02-05-004 | _| Rockin’ In Rhythm | DE6314d | |||
63-02-05-005 | Silk Lace (Caliné) | DE6314e | |||
63-02-05-006 | Eighth Veil | DE6314f | |||
63-02-05-007 | Pyramid | DE6314g | |||
63-02-05-008 | Cops (Asphalt Jungle) | DE6314h | |||
63-02-05-009 | Guitar Amour | DE6314i | |||
63-02-05-010 | Jam With Sam | DE6314j | |||
63-02-05-011 | Cop-Out | DE6314k | |||
63-02-05-012 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6314l | |||
63-02-05-013 | Tutti For Cootie | DE6314m | |||
63-02-05-014 | Star-Crossed Lovers | MJ 2MJP-1055 | DE6314n | ||
63-02-05-015 | Things Ain’t What They Used To Be | DE6314o | |||
63-02-05-016 | Perdido | DE6314p | |||
63-02-05-017 | The Blues Ain’t - vMG | DE6314q | |||
63-02-05-018 | Do Nothin’ Till You Hear From Me - vMG | DE6314r | |||
63-02-05-019 | One More Once - vMG | DE6314s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 06 February 1963 | |||
1st concert, Konserthuset | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-06-001 | Take The “A” Train (theme) | DE9098a | |||
63-02-06-002 | Afro Bossa (Boola) | DE9098b | |||
63-02-06-003 | ¬ Kinda Dukish | DE9098c | |||
63-02-06-004 | _| Rockin’ In Rhythm | DE9098d | |||
63-02-06-005 | Silk Lace (Caliné) | DE9098e | |||
63-02-06-006 | Eighth Veil | DE9098f | |||
63-02-06-007 | Pyramid | MFD G4RS-2536 | DE9098g | ||
63-02-06-008 | Cops (Asphalt Jungle) | DE9098h | |||
63-02-06-009 | Guitar Amour | MFD G4RS-2536 | DE9098i | ||
63-02-06-010 | Cop-Out | DE9098j | |||
63-02-06-011 | Jam With Sam | DE9098k | |||
63-02-06-012 | Stompy Jones | DE9098l | |||
63-02-06-013 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE9098m | |||
63-02-06-014 | Tutti For Cootie | DE9098n | |||
63-02-06-015 | Star-Crossed Lovers | DE9098o | |||
63-02-06-016 | Things Ain’t What They Used To Be | DE9098p | |||
63-02-06-017 | Perdido | DE9098q | |||
63-02-06-018 | The Blues Ain’t - vMG | DE9098r | |||
63-02-06-019 | Do Nothin’ Till You Hear From Me - vMG | DE9098s | |||
63-02-06-020 | One More Once - vMG | DE9098t | |||
Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-02-06-021 | Dancers In Love | MFD G4RS-2536 | DE9098u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 06 February 1963 | |||
2nd concert, Konserthuset | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-06-022 | Take The “A” Train (theme) | DE6315a | |||
63-02-06-023 | Afro Bossa (Boola) | DE6315b | |||
63-02-06-024 | ¬ Kinda Dukish | DE6315c | |||
63-02-06-025 | _| Rockin’ In Rhythm | DE6315d | |||
63-02-06-026 | Silk Lace | DE6315xa | |||
63-02-06-027 | Eighth Veil | DE6315xb | |||
63-02-06-028 | Pyramid | DE6315e | |||
63-02-06-029 | Cops (Asphalt Jungle) | DE6315f | |||
63-02-06-030 | Guitar Amour | DE6315g | |||
63-02-06-031 | Cop-Out | DE6315xc | |||
63-02-06-032 | Jam With Sam | DE6315xd | |||
63-02-06-033 | Stompy Jones | MFD G4RS-2536 | DE6315xe | ||
63-02-06-034 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6315h | |||
63-02-06-035 | Tutti For Cootie | DE6315xf | |||
63-02-06-036 | Star-Crossed Lovers | MFD G4RS-2536 | DE6315i | ||
63-02-06-037 | Things Ain’t What They Used To Be | DE6315j | |||
63-02-06-038 | Perdido | DE6315k | |||
63-02-06-039 | The Blues Ain’t - vMG | DE6315xg | |||
63-02-06-040 | Do Nothin’ Till You Hear From Me - vMG | DE6315l | |||
63-02-06-041 | One More Once -MG | DE6315xh | |||
63-02-06-042 | C-Jam Blues | MFD G4RS-2536 | DE6315m | ||
63-02-06-043 | Take The “A” Train (theme) | DE6315xi | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 06 or 07 Feb 1963 | |||
Concert | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-02-06-044 | Afro Bossa (Boola) | Pb 2308-247 | DE6316a | ||
63-02-06-045 | Silk Lace (Caliné) | Pb 2308-247 | DE6316b | ||
63-02-06-046 | Cops (Asphalt Jungle) | Pb 2308-247 | DE6316c | ||
63-02-06-047 | Guitar Amour | Pb 2308-247 | DE6316d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 07 February 1963 | |||
Rehearsal | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Alice Babs(v) | |||||
63-02-07-001 | Take Love Easy - vABa | DE6317a | |||
63-02-07-002 | Take Love Easy - vABa | DE6317b | |||
63-02-07-003 | Star-Crossed Lovers | DE6317c | |||
63-02-07-004 | Star-Crossed Lovers | DE6317d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 07 February 1963 | |||
Swedish telecast | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Alice Babs, Milt Grayson(v) | |||||
63-02-07-005 | Mood Indigo | DE6318a | |||
63-02-07-006 | Take The “A” Train - vABa | DE6318b | |||
63-02-07-007 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6318c | |||
63-02-07-008 | The Blues Ain’t - vMG | DE6318d | |||
63-02-07-009 | The Eighth Veil | DE6318e | |||
63-02-07-010 | Star-Crossed Lovers | DE6318f | |||
63-02-07-011 | Sophisticated Lady | DE6318g | |||
63-02-07-012 | Honeysuckle Rose | DE6318h | |||
63-02-07-013 | Take Love Easy - vABa | DE6318i | |||
63-02-07-014 | Dancers In Love | DE6318j | |||
63-02-07-015 | I Got It Bad | DE6318k | |||
63-02-07-016 | Guitar Amour | DE6318l | |||
63-02-07-017 | Tutti For Cootie | DE6318m | |||
63-02-07-018 | Come Sunday - vABa | DE6318n | |||
63-02-07-019 | Afro Bossa (Boola) | DE6318o | |||
63-02-07-020 | Mood Indigo | DE6318p | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE STOCKHOLM SYMPHONY ORCHESTRA | Stockholm, S | 08 February 1963 | |||
Reprise recording session, Europa Film Studio | |||||
Cootie Williams, Roy Burrowes, Cat Anderson, Ake Malmquist(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper, John Pederson(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Members of the Stockholm Symphony Orchestra | |||||
NIGHT CREATURE | |||||
63-02-08-001 | - 1. Blind Bug | DE6319a | |||
63-02-08-002 | - 1. Blind Bug | DE6319b | |||
63-02-08-003 | - 1. Blind Bug | DE6319c | |||
63-02-08-004 | - 1. Blind Bug | Ms MD5-193, Re R9-6097 | DE6319d | ||
63-02-08-005 | - 2. Stalking Monster | DE6319e | |||
63-02-08-006 | - 2. Stalking Monster | DE6319f | |||
Add Billy Strayhorn(p) | |||||
63-02-08-007 | - 2. Stalking Monster | DE6319g | |||
Billy Strayhorn out | |||||
63-02-08-008 | - 2. Stalking Monster | DE6319h | |||
63-02-08-009 | - 2. Stalking Monster | DE6319i | |||
63-02-08-010 | - 2. Stalking Monster | Ms MD5-193, Re R9-6097 | DE6319j | ||
63-02-08-011 | - 3. Dazzling Creature | DE6319k | |||
63-02-08-012 | - 3. Dazzling Creature | DE6319l | |||
63-02-08-013 | - 3. Dazzling Creature | DE6319m | |||
Add Billy Strayhorn(p) | |||||
63-02-08-014 | - 3. Dazzling Creature | DE6319n | |||
Billy Strayhorn out | |||||
63-02-08-015 | - 3. Dazzling Creature | DE6319o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 08 February 1963 | |||
1st Concert, Falkoner Teatret | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-08-016 | Take The “A” Train (theme) | DE6320a | |||
63-02-08-017 | Afro Bossa (Boola) | DE6320b | |||
63-02-08-018 | ¬ Kinda Dukish | DE6320c | |||
63-02-08-019 | _| Rockin’ In Rhythm | DE6320d | |||
63-02-08-020 | Silk Lace (Caliné) | DE6320e | |||
63-02-08-021 | Eighth Veil | DE6320f | |||
63-02-08-022 | Pyramid | DE6320g | |||
63-02-08-023 | Cops (Asphalt Jungle) | DE6320h | |||
63-02-08-024 | Guitar Amour | DE6320i | |||
63-02-08-025 | Jam With Sam | DE6320j | |||
63-02-08-026 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6320k | |||
63-02-08-027 | Tutti For Cootie | DE6320l | |||
63-02-08-028 | Star-Crossed Lovers | DE6320m | |||
63-02-08-029 | Things Ain’t What They Used To Be | DE6320n | |||
63-02-08-030 | All Of Me | DE6320o | |||
63-02-08-031 | Perdido | DE6320p | |||
63-02-08-032 | The Blues Ain’t - vMG | DE6320q | |||
63-02-08-033 | Do Nothin’ Till You Hear From Me - vMG | DE6320r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 08 February 1963 | |||
2nd Concert, Falkoner Teatret | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-08-034 | Take The “A” Train (theme) | DE6321a | |||
63-02-08-035 | Afro Bossa (Boola) | DE6321b | |||
63-02-08-036 | ¬ Kinda Dukish | DE6321c | |||
63-02-08-037 | _| Rockin’ In Rhythm | DE6321d | |||
63-02-08-038 | Silk Lace (Caliné) | DE6321e | |||
63-02-08-039 | Eighth Veil | DE6321f | |||
63-02-08-040 | Pyramid | DE6321g | |||
63-02-08-041 | Cops (Asphalt Jungle) | DE6321h | |||
63-02-08-042 | Guitar Amour | DE6321i | |||
63-02-08-043 | Jam With Sam | DE6321j | |||
63-02-08-044 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6321k | |||
63-02-08-045 | Tutti For Cootie | DE6321l | |||
63-02-08-046 | Star-Crossed Lovers | DE6321m | |||
63-02-08-047 | Things Ain’t What They Used To Be | DE6321n | |||
63-02-08-048 | All Of Me | DE6321o | |||
63-02-08-049 | Perdido | DE6321p | |||
63-02-08-050 | The Blues Ain’t - vMG | DE6321q | |||
63-02-08-051 | Do Nothin’ Till You Hear From Me - vMG | DE6321r | |||
63-02-08-052 | One More Once - vMG | DE6321s | |||
DUKE ELLINGTON | Kobenhavn, DK | 09 February 1963 | |||
Pre-recording for Danish Television program Ung Lørdag, Hotel Tre Falke, Falknoner Centret, at 00:30am. Telecast the same day at 4:00pm. | |||||
Duke Ellington, Timme Rosenkrantz(tk). | |||||
63-02-09-001 | Interview by Rosenkrantz | DE9038a | |||
The interview has previously been erroneously dated January 1963 and located at Grosvenor House, London. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Kalmar, S | 09 February 1963 | |||
1st Concert, Sporthallen | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-09-002 | Take The “A” Train (theme) | DE6322a | |||
63-02-09-003 | ¬ Kinda Dukish | DE6322b | |||
63-02-09-004 | _| Rockin’ In Rhythm | DE6322c | |||
63-02-09-005 | Silk Lace (Caliné) | DE6322d | |||
63-02-09-006 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6322e | |||
63-02-09-007 | Tutti For Cootie | DE6322f | |||
63-02-09-008 | Star-Crossed Lovers | DE6322g | |||
63-02-09-009 | Things Ain’t What They Used To Be | DE6322h | |||
63-02-09-010 | Perdido | DE6322i | |||
63-02-09-011 | The Blues Ain’t - vMG | DE6322j | |||
63-02-09-012 | Do Nothin’ Till You Hear From Me - vMG | DE6322k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kalmar, S | 09 February 1963 | |||
2nd Concert, Sporthallen | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-09-013 | Take The “A” Train (theme) | DE6323a | |||
63-02-09-014 | ¬ Kinda Dukish | DE6323b | |||
63-02-09-015 | _| Rockin’ In Rhythm | DE6323c | |||
DUKE ELLINGTON | Munchen, D | 11 February 1963 | |||
AFN broadcast | |||||
Duke Ellington, Dan Marshall(tk) | |||||
63-02-11-001 | Interview by Marshall | DE6324 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stuttgart, D | 12 February 1963 | |||
Concert, Liederhalle | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-12-001 | Take The “A” Train (theme) | DE6325a | |||
63-02-12-002 | Afro Bossa (Boola) | DE6325b | |||
63-02-12-003 | ¬ Kinda Dukish | DE6325c | |||
63-02-12-004 | _| Rockin’ In Rhythm | DE6325d | |||
63-02-12-005 | Silk Lace (Caliné) | DE6325e | |||
63-02-12-006 | Eighth Veil | DE6325f | |||
63-02-12-007 | Pyramid | DE6325g | |||
63-02-12-008 | Cops (Asphalt Jungle) | DE6325h | |||
63-02-12-009 | Guitar Amour | DE6325i | |||
63-02-12-010 | Cop-Out | DE6325j | |||
63-02-12-011 | Jam With Sam | DE6325k | |||
63-02-12-012 | Main Stem | DE6325l | |||
SUITE THURSDAY | |||||
63-02-12-013 | - 1. Misfit Blues | DE6325m | |||
63-02-12-014 | - 2. Schwiphti | DE6325n | |||
63-02-12-015 | - 3. Zweet Zurzday | DE6325o | |||
63-02-12-016 | - 4. Lay-By | DE6325p | |||
63-02-12-017 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6325q | |||
63-02-12-018 | Tutti For Cootie | DE6325r | |||
63-02-12-019 | Star-Crossed Lovers | DE6325s | |||
63-02-12-020 | Things Ain’t What They Used To Be | DE6325t | |||
63-02-12-021 | I Got It Bad | DE6325u | |||
63-02-12-022 | Jeep’s Blues | DE6325v | |||
63-02-12-023 | Perdido | DE6325w | |||
63-02-12-024 | The Blues Ain’t - vMG | DE6325x | |||
63-02-12-025 | Do Nothin’ Till You Hear From Me - vMG | DE6325y | |||
63-02-12-026 | One More Once - vMG | DE6325z | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE HAMBURG SYMPHONY ORCHESTRA | Hamburg, D | 14 February 1963 | |||
Reprise recording session | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); The Hamburg Symphony Orchestra | |||||
63-02-14-001 | Non-Violent Integration | Ms MD5-193, Re R9-6097 | DE6326a | ||
DUKE ELLINGTON | Hamburg, D | 15 February 1963 | |||
Bremen Rundfunk broadcast | |||||
Duke Ellington, Dieter Bruer(tk) | |||||
63-02-15-001 | Interview by Bruer | DE6327a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 15 February 1963 | |||
Concert, Liederhalle | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-15-002 | Take The “A” Train (theme) | DE6328a | |||
63-02-15-003 | Afro Bossa (Boola) | DE6328b | |||
63-02-15-004 | ¬ Kinda Dukish | DE6328c | |||
63-02-15-005 | _| Rockin’ In Rhythm | DE6328d | |||
63-02-15-006 | Silk Lace (Caliné) | DE6328e | |||
63-02-15-007 | Eighth Veil | DE6328f | |||
63-02-15-008 | Pyramid | DE6328g | |||
63-02-15-009 | Cops (Asphalt Jungle) | DE6328h | |||
63-02-15-010 | HARLEM | DE6328i | |||
63-02-15-011 | Stompy Jones | DE6328j | |||
63-02-15-012 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6328k | |||
63-02-15-013 | Tutti For Cootie | DE6328l | |||
63-02-15-014 | Star-Crossed Lovers | DE6328m | |||
63-02-15-015 | Things Ain’t What They Used To Be | DE6328n | |||
63-02-15-016 | Perdido | DE6328o | |||
63-02-15-017 | The Blues Ain’t - vMG | DE6328p | |||
63-02-15-018 | Do Nothin’ Till You Hear From Me - vMG | DE6328q | |||
63-02-15-019 | One More Once - vMG | DE6328r | |||
63-02-15-020 | Mood Indigo | DE6328s | |||
63-02-15-021 | Take The “A” Train (theme) | DE6328t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Zurich, CH | 19 February 1963 | |||
Concert, Kongress-Haus | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-19-001 | Take The “A” Train (theme) | Jpo CD-14564 | DE6329a | ||
63-02-19-002 | Afro Bossa (Boola) | Jpo CD-14564 | DE6329b | ||
63-02-19-003 | Silk Lace (Caliné) | Jpo CD-14564 | DE6329c | ||
63-02-19-004 | Eighth Veil | Jpo CD-14564 | DE6329d | ||
63-02-19-005 | Cops (Asphalt Jungle) | Jpo CD-14564 | DE6329e | ||
63-02-19-006 | HARLEM | Jpo CD-14564 | DE6329f | ||
63-02-19-007 | Guitar Amour | Jpo CD-14564 | DE6329g | ||
63-02-19-008 | ¬ Kinda Dukish | Jpo CD-14564 | DE6329h | ||
63-02-19-009 | _| Rockin’ In Rhythm | Jpo CD-14564 | DE6329i | ||
63-02-19-010 | Happy Reunion | Jpo CD-14564 | DE6329j | ||
63-02-19-011 | Jam With Sam | Jpo CD-14564 | DE6329k | ||
63-02-19-012 | Take The “A” Train | DE6329l | |||
63-02-19-013 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6329m | |||
63-02-19-014 | Tutti For Cootie | DE6329n | |||
63-02-19-015 | Star-Crossed Lovers | DE6329o | |||
63-02-19-016 | All Of Me | DE6329p | |||
63-02-19-017 | Things Ain’t What They Used To Be | DE6329q | |||
63-02-19-018 | Perdido | DE6329r | |||
63-02-19-019 | The Blues Ain’t - vMG | DE6329s | |||
63-02-19-020 | Do Nothin’ Till You Hear From Me - vMG | DE6329t | |||
63-02-19-021 | One More Once - vMG | DE6329u | |||
63-02-19-022 | Black And Tan Fantasy | DE6329v | |||
DUKE ELLINGTON AND HIS MEN WITH LA SCALA SYMPHONY ORCHESTRA | Milano, I | 21 February 1963 | |||
Reprise recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Russell Procope (cl); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); La Scala Symphony Orchestra | |||||
63-02-21-001 | La Scala, She Too Pretty To Be True | DE6330a | |||
63-02-21-002 | La Scala, She Too Pretty To Be True | DE6330b | |||
63-02-21-003 | La Scala, She Too Pretty To Be True | Ms MD5-193, Re R9-6097 | DE6330c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 21 February 1963 | |||
Concert, Conservatorio G. Verdi | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-21-004 | Pyramid | MJ MJCD-1091 | DE6331a | ||
63-02-21-005 | In A Sentimental Mood | MJ MJCD-1091, Pb 2308-247 | DE6331b | ||
63-02-21-006 | Jam With Sam | MJ MJCD-1091 | DE6331c | ||
63-02-21-007 | Take The “A” Train | MJ MJCD-1091 | DE6331d | ||
63-02-21-008 | Broadstream (E.S.P.) | MJ MJCD-1091, Pb 2308-247 | DE6331e | ||
63-02-21-009 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | MJ MJCD-1091 | DE6331f | ||
63-02-21-010 | Echoes Of Harlem | MJ MJCD-1091 | DE6331g | ||
63-02-21-011 | Star-Crossed Lovers | MJ MJCD-1091, Pb 2308-247 | DE6331h | ||
63-02-21-012 | Things Ain’t What They Used To Be | MJ MJCD-1091 | DE6331i | ||
63-02-21-013 | All Of Me | MJ MJCD-1091 | DE6331j | ||
63-02-21-014 | The Blues Ain’t - vMG | MJ MJCD-1091 | DE6331k | ||
63-02-21-015 | One More Once - vMG | MJ MJCD-1091 | DE6331l | ||
63-02-21-016 | Mood Indigo | MJ MJCD-1091 | DE6331m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 22 February 1963 | |||
Reprise recording session | |||||
Ray Nance, Stephan Grappelli(vl); Sven Asmussen(vla); Buster Cooper (tb); Russell Procope (as); Paul Gonsalves(ts); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-02-22-001 | -1 | Limbo Jazz | At SD-1688, MDD 008, Ms MD5-193 | DE6332a | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-02-22-002 | -2 | Pretty Little One | MDD 008 | DE6332b | |
63-02-22-003 | -3 | Pretty Little One | At SD-1688, Ms MD5-193 | DE6332c | |
Add Duke Ellington(p) | |||||
63-02-22-004 | -1 | String Along With Strings | DE6332d | ||
63-02-22-005 | -2 | String Along With Strings | DE6332e | ||
63-02-22-006 | -3 | String Along With Strings | MDD 008 | DE6332f | |
63-02-22-007 | -4 | String Along With Strings | At SD-1688, MDD 008, Ms MD5-193 | DE6332g | |
Billy Strayhorn out | |||||
63-02-22-008 | -1 | The Feeling Of Jazz | DE6332h | ||
63-02-22-009 | -3 | The Feeling Of Jazz | DE6332i | ||
63-02-22-010 | -4 | The Feeling Of Jazz | DE6332j | ||
63-02-22-011 | -5 | The Feeling Of Jazz | DE6332k | ||
63-02-22-012 | -6 | The Feeling Of Jazz | MDD 008 | DE6332l | |
63-02-22-013 | -7 | The Feeling Of Jazz | At SD-1688, MDD 008, Ms MD5-193 | DE6332m | |
Buster Cooper, Russell Procope, Paul Gonsalves out | |||||
63-02-22-014 | -1 | Take The “A” Train | At SD-1688, MDD 008, Ms MD5-193 | DE6332n | |
63-02-22-015 | -2 | Take The “A” Train | MDD 008 | ||
Add Buster Cooper (tb); Russell Procope (as); Paul Gonsalves(ts) | |||||
63-02-22-016 | Tricky’s Lick | DE6332o | |||
63-02-22-017 | -2 | Tricky’s Lick | DE6332p | ||
63-02-22-018 | -3 | Tricky’s Lick | DE6332q | ||
63-02-22-019 | -5 | Tricky’s Lick | DE6332r | ||
63-02-22-020 | -6 | Tricky’s Lick | DE6332s | ||
63-02-22-021 | -7 | Tricky’s Lick | MDD 008 | DE6332t | |
63-02-22-022 | -8 | Tricky’s Lick | At SD-1688, MDD 008, Ms MD5-193 | DE6332u | |
63-02-22-023 | -2 | Blues In C | At SD-1688, MDD 008, Ms MD5-193 | DE6332v | |
Ray Nance, Sven Asmussen, Buster Cooper, Russell Procope, Paul Gonsalves out | |||||
63-02-22-024 | -1 | In A Sentimental Mood | DE6332w | ||
63-02-22-025 | -2 | In A Sentimental Mood | DE6332x | ||
63-02-22-026 | -3 | In A Sentimental Mood | DE6332y | ||
63-02-22-027 | -4 | In A Sentimental Mood | MDD 008 | DE6332z | |
63-02-22-028 | -5 | In A Sentimental Mood | At SD-1688, MDD 008, Ms MD5-193 | DE6332aa | |
Stephan Grappelli out. Add Ray Nance, (vl) | |||||
63-02-22-029 | -1 | Don’t Get Around Much Anymore | DE6332ab | ||
63-02-22-030 | -3 | Don’t Get Around Much Anymore | MDD 008 | DE6332ac | |
63-02-22-031 | -4 | Don’t Get Around Much Anymore | At SD-1688, MDD 008, Ms MD5-193 | DE6332ad | |
Sven Asmussen out. Add Ray Nance(vl) | |||||
63-02-22-032 | -1 | Day Dream | MDD 008 | DE6332ae | |
63-02-22-033 | -2 | Day Dream | At SD-1688, MDD 008, Ms MD5-193 | DE6332af | |
63-02-22-034 | -3 | Day Dream | MDD 008 | DE6332ag | |
Add Sven Asmussen(vla) | |||||
63-02-22-035 | -1 | Cotton Tail | DE6332ah | ||
63-02-22-036 | -2 | Cotton Tail | MDD 008 | DE6332ai | |
63-02-22-037 | -3 | Cotton Tail | At SD-1688, MDD 008, Ms MD5-193 | DE6332aj | |
MDD 008 releases have not been verified as correct | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 23 February 1963 | |||
1st Concert, Olympia | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-23-001 | Take The “A” Train (theme) | DE6334a | |||
63-02-23-002 | HARLEM | MDD 009 | DE6334b | ||
63-02-23-003 | ¬ Black And Tan Fantasy | DE6334c | |||
63-02-23-004 | - | Creole Love Call | DE6334d | |||
63-02-23-005 | _| The Mooch | DE6334e | |||
63-02-23-006 | Stompin’ At The Savoy | MDD 009 | DE6334f | ||
63-02-23-007 | Silk Lace (Caliné) | DE6334g | |||
63-02-23-008 | Eighth Veil | DE6334h | |||
63-02-23-009 | Pyramid | MDD 009 | DE6334i | ||
63-02-23-010 | ¬ Kinda Dukish | DE6334j | |||
63-02-23-011 | _| Rockin’ In Rhythm | DE6334k | |||
63-02-23-012 | Happy Reunion | MDD 009 | DE6334l | ||
63-02-23-013 | Broadstream (E.S.P.) | MDD 009 | DE6334m | ||
63-02-23-014 | Take The “A” Train - vES | DE6334n | |||
63-02-23-015 | Caravan | DE6334o | |||
63-02-23-016 | Tutti For Cootie | DE6334p | |||
63-02-23-017 | Day Dream | MDD 009 | DE6334q | ||
63-02-23-018 | Things Ain’t What They Used To Be | DE6334r | |||
63-02-23-019 | Skin Deep | DE6334s | |||
63-02-23-020 | The Blues Ain’t - vMG | DE6334t | |||
63-02-23-021 | I’m Just A Lucky So And So - vMG | DE6334u | |||
63-02-23-022 | One More Once - vMG | DE6334v | |||
63-02-23-023 | Mr. Gentle And Mr. Cool | DE6334w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 23 February 1963 | |||
2nd Concert, Olympia | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d); Milt Grayson(v) | |||||
63-02-23-024 | Take The “A” Train (theme) | DE6335a | |||
63-02-23-025 | HARLEM | At 304-2, At SD2-304 | DE6335b | ||
63-02-23-026 | Stompin’ At The Savoy | DE6335c | |||
63-02-23-027 | ¬ Black And Tan Fantasy | At 304-2, Re R-6234 | DE6335d | ||
63-02-23-028 | - | Creole Love Call | At 304-2, Re R-6234 | DE6335e | ||
63-02-23-029 | _|The Mooch | At 304-2, Re R-6234 | DE6335f | ||
63-02-23-030 | Rose Of The Rio Grande | At 304-2, At SD2-304 | DE6335g | ||
63-02-23-031 | Silk Lace (Caliné) | MDD 009 | DE6335h | ||
63-02-23-032 | Eighth Veil | DE6335i | |||
63-02-23-033 | Pyramid | DE6335j | |||
63-02-23-034 | ¬ Kinda Dukish | DE6335k | |||
63-02-23-035 | _| Rockin’ In Rhythm | DE6335l | |||
63-02-23-036 | Happy Reunion | DE6335m | |||
63-02-23-037 | Broadstream (E.S.P.) | DE6335n | |||
63-02-23-038 | Take The “A” Train - vES | MDD 009 | DE6335o | ||
63-02-23-039 | Happy Go Lucky Local | At 304-2, At SD2-304 | DE6335p | ||
63-02-23-040 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | MDD 009 | DE6335q | ||
63-02-23-041 | Tutti For Cootie | DE6335r | |||
63-02-23-042 | Echoes Of Harlem | At 304-2, Re R-6234 | DE6335s | ||
63-02-23-043 | Star-Crossed Lovers | MDD 009 | DE6335t | ||
63-02-23-044 | Things Ain’t What They Used To Be | At 304-2, Re R-6234 | DE6335u | ||
63-02-23-045 | On The Sunny Side Of The Street | At 304-2, At SD2-304 | DE6335v | ||
63-02-23-046 | Skin Deep | MDD 009 | DE6335w | ||
63-02-23-047 | The Blues Ain’t - vMG | At 304-2, Re R-6234 | DE6335x | ||
63-02-23-048 | Do Nothin’ Till You Hear From Me - vMG | At 304-2, Re R-6234 | DE6335y | ||
63-02-23-049 | One More Once - vMG | DE6335z | |||
63-02-23-050 | Just Squeeze Me - vRN | MDD 009 | DE6335aa | ||
63-02-23-051 | ¬ Diminuendo In Blue | MDD 009 | DE6335ab | ||
63-02-23-052 | _| Wailing Interval | MDD 009 | DE6335ac | ||
BEA BENJAMIN | Paris, F | 24 February 1963 | |||
Reprise recording session | |||||
Sven Asmussen(vla) Duke Ellington(p); Johnny Gertz(sb); Makaya Ntshoko(d); Bea Benjamin (v) | |||||
63-02-24-001 | I Got It Bad - vBBj | Ej ENJ-9309-2 | DE6333a | ||
63-02-24-002 | Solitude - vBBj | DE6333xa | |||
63-02-24-003 | Solitude - vBBj | Ej ENJ-9309-2 | DE6333b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Europe | Feb 1963 | |||
Concerts | |||||
Cootie Williams, Roy Burrowes, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-02-26-001 | Pyramid | MFD G4RS-2536 | DE6336a | ||
63-02-26-002 | Guitar Amour | MFD G4RS-2536 | DE6336b | ||
63-02-26-003 | Stompy Jones | MFD G4RS-2536 | DE6336c | ||
ALICE BABS AND DUKE ELLINGTON | Paris, F | 28 February 1963 | |||
Reprise recording session | |||||
Georges Barboteu+3n/k(fh); Duke Ellington(p); Gilbert Rovere(sb); Christian Garros(d); Alice Babs(v) | |||||
63-02-28-001 | -01 | Azure - vABa | DE6337a | ||
63-02-28-002 | -02 | Azure - vABa | DE6337b | ||
63-02-28-003 | -03 | Azure - vABa | DE6337c | ||
63-02-28-004 | -04 | Azure - vABa | DE6337d | ||
63-02-28-005 | -05 | Azure - vABa | DE6337e | ||
63-02-28-006 | -06 | Azure - vABa | Re RS-5024 | DE6337f | |
63-02-28-007 | -07 | Azure - vABa | DE6337g | ||
63-02-28-008 | -08 | Azure - vABa | DE6337h | ||
63-02-28-009 | -01 | Satin Doll - vABa | DE6337i | ||
63-02-28-010 | -02 | Satin Doll - vABa | Re RS-5024 | DE6337j | |
63-02-28-011 | -01 | Untitled Lullaby | DE6337k | ||
63-02-28-012 | -02 | Untitled Lullaby - vABa | DE6337l | ||
63-02-28-013 | -03 | Untitled Lullaby - vABa | Re RS-5024 | DE6337m | |
63-02-28-014 | -01 | Things Ain’t What They Used To Be | DE6337n | ||
63-02-28-015 | 0-2 | Things Ain’t What They Used To Be | DE6337o | ||
63-02-28-016 | -03 | Things Ain’t What They Used To Be | DE6337p | ||
63-02-28-017 | -04 | Things Ain’t What They Used To Be - vABa | DE6337q | ||
63-02-28-018 | -05 | Things Ain’t What They Used To Be - vABa | DE6337r | ||
63-02-28-019 | -06 | Things Ain’t What They Used To Be | DE6337s | ||
63-02-28-020 | -07 | Things Ain’t What They Used To Be - vABa | DE6337t | ||
63-02-28-021 | -08 | Things Ain’t What They Used To Be - vABa | DE6337u | ||
63-02-28-022 | -09 | Things Ain’t What They Used To Be - vABa | DE6337v | ||
63-02-28-023 | -10 | Things Ain’t What They Used To Be - vABa | DE6337w | ||
63-02-28-024 | -11 | Things Ain’t What They Used To Be - vABa | DE6337x | ||
63-02-28-025 | -12 | Things Ain’t What They Used To Be - vABa | DE6337y | ||
63-02-28-026 | -13 | Things Ain’t What They Used To Be - vABa | DE6337z | ||
63-02-28-027 | -14 | Things Ain’t What They Used To Be | DE6337aa | ||
63-02-28-028 | -15 | Things Ain’t What They Used To Be | DE6337ab | ||
63-02-28-029 | -16 | Things Ain’t What They Used To Be - vABa | DE6337ac | ||
ALICE BABS AND DUKE ELLINGTON | Paris, F | 01 March 1963 | |||
Reprise recording session | |||||
Duke Ellington(p); Gilbert Rovere(sb); Kenny Clarke(d); Alice Babs(v) | |||||
63-03-01-001 | -1 | La De Doody Do - vABa | DE6338a | ||
63-03-01-002 | -2 | La De Doody Do - vABa | DE6338b | ||
63-03-01-003 | -3 | La De Doody Do - vABa | DE6338c | ||
63-03-01-004 | -4 | La De Doody Do - vABa | Re RS-5024 | DE6338d | |
63-03-01-005 | -1 | I Didn’t Know About You - vABa | Re RS-5024 | DE6338e | |
63-03-01-006 | -1 | Take Love Easy - vABa | DE6338f | ||
63-03-01-007 | -2 | Take Love Easy - vABa | DE6338g | ||
63-03-01-008 | -3 | Take Love Easy - vABa | Re RS-5024 | DE6338h | |
63-03-01-009 | -1 | I’m Beginning To See The Light | DE6338i | ||
63-03-01-010 | -2 | I’m Beginning To See The Light - vABa | DE6338j | ||
63-03-01-011 | -3 | I’m Beginning To See The Light - vABa | DE6338k | ||
63-03-01-012 | -4 | I’m Beginning To See The Light - vABa | Re RS-5024 | DE6338l | |
Add Percy Glascoe(cl); Joe Hrasko(as); Gerard Badini(ts) | |||||
63-03-01-013 | -1 | C-Jam Blues - vABa | DE6338m | ||
63-03-01-014 | -2 | C-Jam Blues - vABa | Re RS-5024 | DE6338n | |
Percy Glascoe, Joe Hrasko, Gerard Badini, Kenny Clarke out. Add Georges Barboteu(fh); Christian Garros(d) | |||||
63-03-01-015 | -1 | Serenade To Sweden - vABa | DE6338o | ||
63-03-01-016 | -2 | Serenade To Sweden - vABa | DE6338p | ||
63-03-01-017 | -3 | Serenade To Sweden - vABa | DE6338q | ||
63-03-01-018 | -4 | Serenade To Sweden - vABa | Re RS-5024 | DE6338r | |
63-03-01-019 | -5 | Serenade To Sweden - vABa | DE6338s | ||
63-03-01-020 | -1 | The Girl In My Dreams (The Boy In My Dreams) - vABa | DE6338t | ||
63-03-01-021 | -2 | The Girl In My Dreams (The Boy In My Dreams) - vABa | DE6338u | ||
63-03-01-022 | -3 | The Girl In My Dreams (The Boy In My Dreams) - vABa | Re RS-5024 | DE6338v | |
63-03-01-023 | -1 | Stoona - vABa | DE6338w | ||
63-03-01-024 | -2 | Stoona - vABa | Re RS-5024 | DE6338x | |
63-03-01-025 | -1 | Come Sunday - vABa | DE6338y | ||
63-03-01-026 | -2 | Come Sunday - vABa | DE6338z | ||
63-03-01-027 | -3 | Come Sunday - vABa | DE6338aa | ||
63-03-01-028 | -4 | Come Sunday - vABa | Re RS-5024 | DE6338ab | |
63-03-01-029 | -1 | Babsie - vABa | Re RS-5024 | DE6338ac | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-03-01-030 | -1 | Something To Live For - vABa | DE6338ad | ||
63-03-01-031 | -2 | Something To Live For - vABa | DE6338ae | ||
63-03-01-032 | -3 | Something To Live For | DE6338af | ||
63-03-01-033 | -4 | Something To Live For - vABa | DE6338ag | ||
63-03-01-034 | -5 | Something To Live For - vABa | Re RS-5024 | DE6338ah | |
Duke Ellington(p); Alice Babs(v) | |||||
63-03-01-035 | Strange Visitor - vABa | DE6338ai | |||
Duke Ellington(p); Gilbert Rovere(sb); Alice Babs(v) | |||||
63-03-01-036 | Strange Visitor - vABa | DE6338aj | |||
Billy Strayhorn(p); Gilbert Rovere(sb); Kenny Clarke(d); Alice Babs(v) | |||||
63-03-01-037 | Strange Visitor - vABa | DE6338ak | |||
63-03-01-038 | Strange Visitor - vABa | DE6338al | |||
63-03-01-039 | Strange Visitor - vABa | DE6338am | |||
63-03-01-040 | Strange Visitor - vABa | DE6338an | |||
Alice Babs(p,v) | |||||
63-03-01-041 | Strange Visitor - vABa | DE6338ao | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 31 March 1963 | |||
Dance date, Bolling Air Force Base | |||||
Cootie Williams, Roy Burrowes, Willie Cook(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d); Milt Grayson(v) | |||||
63-03-31-001 | Sophisticated Lady | DE6339a | |||
63-03-31-002 | Jack The Bear | DE6339b | |||
63-03-31-003 | Take The “A” Train | DE6339c | |||
63-03-31-004 | ¬ I Let A Song Go Out Of My Heart | DE6339d | |||
63-03-31-005 | _| Don’t Get Around Much Anymore - vMG | DE6339e | |||
63-03-31-006 | Jump For Joy - vRN | DE6339f | |||
63-03-31-007 | Star-Crossed Lovers | DE6339g | |||
63-03-31-008 | Things Ain’t What They Used To Be | DE6339h | |||
63-03-31-009 | All Of Me | DE6339i | |||
63-03-31-010 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6339j | |||
63-03-31-011 | Tutti For Cootie | DE6339k | |||
63-03-31-012 | Voltupé | DE6339l | |||
63-03-31-013 | Caravan | DE6339m | |||
63-03-31-014 | One More Once - vMG | DE6339n | |||
63-03-31-015 | One More Once - vMG | DE6339o | |||
DUKE ELLINGTON GROUP | New York City, NY | 17 April 1963 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-04-17-001 | -1 | Got Nobody Now | DE6340a | ||
63-04-17-002 | -2 | Got Nobody Now | DE6340b | ||
63-04-17-003 | -3 | Got Nobody Now | DE6340c | ||
63-04-17-004 | -4 | Got Nobody Now | DE6340d | ||
63-04-17-005 | -5 | Got Nobody Now | DE6340e | ||
63-04-17-006 | -6 | Got Nobody Now | DE6340f | ||
63-04-17-007 | -7 | Got Nobody Now | LMR CD-83003 | DE6340g | |
63-04-17-008 | -1 | Jeep’s Blues | DE6340h | ||
63-04-17-009 | -2 | Jeep’s Blues | DE6340i | ||
63-04-17-010 | -3 | Jeep’s Blues | DE6340j | ||
63-04-17-011 | -4 | Jeep’s Blues | DE6340k | ||
63-04-17-012 | -5 | Jeep’s Blues | DE6340l | ||
63-04-17-013 | -7 | Jeep’s Blues | LMR CD-83003 | DE6340m | |
63-04-17-014 | -1 | It’s Bad To Be Forgotten (M.G.) | DE6340n | ||
63-04-17-015 | -2 | It’s Bad To Be Forgotten (M.G.) | DE6340o | ||
63-04-17-016 | -3 | It’s Bad To Be Forgotten (M.G.) | DE6340p | ||
63-04-17-017 | -4 | It’s Bad To Be Forgotten (M.G.) | DE6340q | ||
63-04-17-018 | -5 | It’s Bad To Be Forgotten (M.G.) | DE6340r | ||
63-04-17-019 | -6 | It’s Bad To Be Forgotten (M.G.) | DE6340s | ||
63-04-17-020 | -7 | It’s Bad To Be Forgotten (M.G.) | LMR CD-83003 | DE6340t | |
63-04-17-021 | -1 | Killian’s Lick | DE6340u | ||
63-04-17-022 | -2 | Killian’s Lick | DE6340v | ||
63-04-17-023 | -3 | Killian’s Lick | DE6340w | ||
63-04-17-024 | -4 | Killian’s Lick | LMR CD-83003 | DE6340x | |
DUKE ELLINGTON GROUP | New York City, NY | 18 April 1963 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-04-18-001 | Blousons Noirs | DE6341a | |||
63-04-18-002 | -3 | Blousons Noirs | DE6341b | ||
63-04-18-003 | -4 | Blousons Noirs | LMR CD-83003 | DE6341c | |
63-04-18-004 | -2 | Elysée | DE6341d | ||
63-04-18-005 | -3 | Elysée | DE6341e | ||
63-04-18-006 | -5 | Elysée | DE6341f | ||
63-04-18-007 | -6 | Elysée | DE6341g | ||
63-04-18-008 | -7 | Elysée | LMR CD-83003, MDD 006 | DE6341h | |
63-04-18-009 | -1 | Blue Rose | DE6341i | ||
63-04-18-010 | -3 | Blue Rose | DE6341j | ||
63-04-18-011 | -4 | Blue Rose | DE6341k | ||
63-04-18-012 | -5 | Blue Rose | DE6341l | ||
63-04-18-013 | -6 | Blue Rose | DE6341m | ||
63-04-18-014 | -9 | Blue Rose | LMR CD-83003 | DE6341n | |
63-04-18-015 | -6 | Blousons Noirs | DE6341o | ||
63-04-18-016 | -7 | Blousons Noirs | DE6341p | ||
63-04-18-017 | -8 | Blousons Noirs | DE6341q | ||
63-04-18-018 | Butter And Oleo | DE6341r | |||
63-04-18-019 | -1 | Butter And Oleo | LMR CD-83003 | DE6341s | |
DUKE ELLINGTON WITH SKITCH HENDERSON ORCHESTRA | New York City, NY | 13 May 1963 | |||
NBC telecast | |||||
Duke Ellington(p) with the Skitch Henderson Orchestra | |||||
63-05-13-001 | Satin Doll | DE6342a | |||
63-05-13-002 | Jones | DE6342b | |||
DUKE ELLINGTON GROUP | New York City, NY | 15 May 1963 | |||
Duke Ellington recording session | |||||
Ray Nance(t); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-05-15-001 | Serenade To Sweden | DE6343a | |||
Duke Ellington (p) | |||||
63-05-15-002 | Second Portrait Of The Lion | DE6343b | |||
63-05-15-003 | Second Portrait Of The Lion | DE6343c | |||
63-05-15-004 | Second Portrait Of The Lion | DE6343d | |||
Duke Ellington, Billy Strayhorn (p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-05-15-005 | Unidentified Title “J” | DE6343e | |||
Ray Nance(t); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-05-15-006 | Stoona | DE6343f | |||
63-05-15-007 | Stoona | LMR CD-83003 | DE6343g | ||
63-05-15-008 | Serenade To Sweden | DE6343h | |||
63-05-15-009 | Serenade To Sweden | LMR CD-83003 | DE6343i | ||
63-05-15-010 | Serenade To Sweden | DE6343j | |||
63-05-15-011 | Bad Woman | DE6343k | |||
63-05-15-012 | Bad Woman | DE6343l | |||
63-05-15-013 | Bad Woman | DE6343m | |||
63-05-15-014 | Bad Woman | DE6343n | |||
63-05-15-015 | Bad Woman | DE6343o | |||
63-05-15-016 | Bad Woman | LMR CD-83003 | DE6343p | ||
63-05-15-017 | Harmony In Harlem | DE6343q | |||
63-05-15-018 | Harmony In Harlem | DE6343r | |||
63-05-15-019 | Harmony In Harlem | DE6343s | |||
63-05-15-020 | Harmony In Harlem | LMR CD-83003 | DE6343t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Wiesbaden, D | 25 May 1963 | |||
Dance date, U.S. Army Soccer Club | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-05-25-001 | Take The “A” Train | DE6344a | |||
63-05-25-002 | Stardust | DE6344b | |||
63-05-25-003 | Happy Go Lucky Local | DE6344c | |||
63-05-25-004 | Deep Purple | DE6344d | |||
63-05-25-005 | Volupté | DE6344e | |||
63-05-25-006 | ¬ Diminuendo In Blue | DE6344f | |||
63-05-25-007 | _| Wailing Interval | DE6344g | |||
Medley | DE6344h | ||||
63-05-25-008 | - 1. Solitude | ||||
63-05-25-009 | - 2. Don’t Get Around Much Anymore | ||||
63-05-25-010 | - 3. Mood Indigo | ||||
63-05-25-011 | - 4. I’m Beginning To See The Light | ||||
63-05-25-012 | - 5. Sophisticated Lady | ||||
63-05-25-013 | - 6. Caravan | ||||
63-05-25-014 | - 7. Do Nothin’ Till You Hear From Me | ||||
63-05-25-015 | - 8. I Got It Bad | ||||
63-05-25-016 | - 9. Just Squeeze Me | ||||
63-05-25-017 | Perdido | DE6344i | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
63-05-25-018 | Monologue | DE6344j | |||
As before | |||||
63-05-25-019 | Tutti For Cootie | DE6344k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stuttgart, D | 26 May 1963 | |||
AFN broadcast, 7th Army Dining and Dancing Center | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-05-26-001 | Take The “A” Train (theme) | DE6345a | |||
63-05-26-002 | Afro-Bossa | DE6345b | |||
63-05-26-003 | Silk Lace | DE6345c | |||
63-05-26-004 | Satin Doll | DE6345d | |||
63-05-26-005 | Boo-Dah | DE6345e | |||
63-05-26-006 | Jeep’s Blues | DE6345f | |||
63-05-26-007 | Happy Go Lucky Local | DE6345g | |||
DUKE ELLINGTON | Arlanda, S | 31 May 1963 | |||
Bremen Rundfunk broadcast | |||||
Duke Ellington, n/k(tk) | |||||
63-05-31-001 | Interview | DE6346a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 04 June 1963 | |||
Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-04-001 | Take The “A” Train (theme) | DE6347a | |||
63-06-04-002 | Afro-Bossa | DE6347b | |||
63-06-04-003 | Perdido | DE6347c | |||
Medley | DE6347d | ||||
63-06-04-004 | - 1. Satin Doll | ||||
63-06-04-005 | - 2. Solitude | ||||
63-06-04-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-04-007 | - 4. Mood Indigo | ||||
63-06-04-008 | - 5. I’m Beginning To See The Light | ||||
63-06-04-009 | - 6. Sophisticated Lady | ||||
63-06-04-010 | - 7. Caravan | ||||
63-06-04-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-04-012 | - 9. I Got It Bad | ||||
63-06-04-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-04-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-04-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 05 June 1963 | |||
Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-05-001 | Take The “A” Train (theme) | DE6348a | |||
63-06-05-002 | Afro-Bossa | DE6348b | |||
63-06-05-003 | Perdido | DE6348c | |||
Medley | DE6348d | ||||
63-06-05-004 | - 1. Satin Doll | ||||
63-06-05-005 | - 2. Solitude | ||||
63-06-05-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-05-007 | - 4. Mood Indigo | ||||
63-06-05-008 | - 5. I’m Beginning To See The Light | ||||
63-06-05-009 | - 6. Sophisticated Lady | ||||
63-06-05-010 | - 7. Caravan | ||||
63-06-05-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-05-012 | - 9. I Got It Bad | ||||
63-06-05-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-05-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-05-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
63-06-05-016 | Take The “A” Train (theme) | DE6348e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 06 June 1963 | |||
Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-06-001 | Take The “A” Train (theme) | DE6349a | |||
63-06-06-002 | Afro-Bossa | DE6349b | |||
63-06-06-003 | Perdido | DE6349c | |||
Medley | DE6349d | ||||
63-06-06-004 | - 1. Satin Doll | ||||
63-06-06-005 | - 2. Solitude | ||||
63-06-06-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-06-007 | - 4. Mood Indigo | ||||
63-06-06-008 | - 5. I’m Beginning To See The Light | ||||
63-06-06-009 | - 6. Sophisticated Lady | ||||
63-06-06-010 | - 7. Caravan | ||||
63-06-06-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-06-012 | - 9. I Got It Bad | ||||
63-06-06-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-06-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-06-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 07 June 1963 | |||
Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-07-001 | Take The “A” Train (theme) | DE6350a | |||
63-06-07-002 | Afro-Bossa | DE6350b | |||
63-06-07-003 | Perdido | DE6350c | |||
Medley | DE6350d | ||||
63-06-07-004 | - 1. Satin Doll | ||||
63-06-07-005 | - 2. Solitude | ||||
63-06-07-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-07-007 | - 4. Mood Indigo | ||||
63-06-07-008 | - 5. I’m Beginning To See The Light | ||||
63-06-07-009 | - 6. Sophisticated Lady | ||||
63-06-07-010 | - 7. Caravan | ||||
63-06-07-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-07-012 | - 9. I Got It Bad | ||||
63-06-07-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-07-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-07-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
63-06-07-016 | Take The “A” Train (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 08 June 1963 | |||
Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-08-001 | Take The “A” Train (theme) | DE6351a | |||
63-06-08-002 | Afro-Bossa | DE6351b | |||
63-06-08-003 | Perdido | DE6351c | |||
Medley | DE6351d | ||||
63-06-08-004 | - 1. Satin Doll | ||||
63-06-08-005 | - 2. Solitude | ||||
63-06-08-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-08-007 | - 4. Mood Indigo | ||||
63-06-08-008 | - 5. I’m Beginning To See The Light | ||||
63-06-08-009 | - 6. Sophisticated Lady | ||||
63-06-08-010 | - 7. Caravan | ||||
63-06-08-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-08-012 | - 9. I Got It Bad | ||||
63-06-08-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-08-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-08-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
63-06-08-016 | Take The “A” Train (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 08 June 1963 | |||
Dance datet, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-08-017 | Boo-Dah | DE6352a | |||
63-06-08-018 | Laura | MDD 002 | DE6352b | ||
63-06-08-019 | Main Stem | DE6352c | |||
63-06-08-020 | Take The “A” Train | MDD 002 | DE6352d | ||
SUITE THURSDAY | |||||
63-06-08-021 | - 1. Misfit Blues | MDD 002 | DE6352e | ||
63-06-08-022 | - 2. Schwiphti | MDD 002 | DE6352f | ||
63-06-08-023 | - 3. Zweet Zurzday | MDD 002 | DE6352g | ||
63-06-08-024 | - 4. Lay-By | MDD 002 | DE6352h | ||
63-06-08-025 | Deep Purple | DE6352i | |||
63-06-08-026 | Silk Lace | DE6352j | |||
63-06-08-027 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6352k | |||
63-06-08-028 | Tutti For Cootie | DE6352l | |||
63-06-08-029 | Star Crossed Lovers | DE6352m | |||
63-06-08-030 | Things Ain’t What They Used To Be | DE6352n | |||
63-06-08-031 | Piano Interlude | DE6352o | |||
63-06-08-032 | I Didn’t Know About You | MDD 002 | DE6352p | ||
63-06-08-033 | All Of Me | DE6352q | |||
63-06-08-034 | Jeep’s blues | MDD 002 | DE6352r | ||
63-06-08-035 | Rose Of The Rio Grande | MDD 002 | DE6352s | ||
63-06-08-036 | Black And Tan Fantasy | DE6352t | |||
63-06-08-037 | ¬ Kinda Dukish | MDD 002 | DE6352u | ||
63-06-08-038 | _| Rockin’ In Rhythm | MDD 002 | DE6352v | ||
63-06-08-039 | In A Sentimental Mood | MDD 002 | DE6352w | ||
63-06-08-040 | Mr. Gentle and Mr. Cool | MDD 002 | DE6352x | ||
63-06-08-041 | Lullabye Of Birdland | DE6352y | |||
63-06-08-042 | ¬ Mood Indigo | DE6352z | |||
63-06-08-043 | _| Sophisticated Lady | DE6352aa | |||
63-06-08-044 | ¬ I let A Song Go Out Of My Heart | MDD 002 | DE6352ab | ||
63-06-08-045 | _| Don’t Get Around Much Anymore - vRN | MDD 002 | DE6352ac | ||
63-06-08-046 | One More Once - vRN | DE6352ad | |||
63-06-08-047 | One More Once - vRN | DE6352ae | |||
63-06-08-048 | Entr’acte | MDD 002 | DE6352af | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 09 June 1963 | |||
1st Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-09-001 | Take The “A” Train (theme) | DE6353a | |||
63-06-09-002 | Afro-Bossa | MDD 002 | DE6353b | ||
63-06-09-003 | Perdido | DE6353c | |||
Medley | DE6353d | ||||
63-06-09-004 | - 1. Satin Doll | ||||
63-06-09-005 | - 2. Solitude | ||||
63-06-09-006 | - 3. Don’t Get Around Much Anymore | ||||
63-06-09-007 | - 4. Mood Indigo | ||||
63-06-09-008 | - 5. I’m Beginning To See The Light | ||||
63-06-09-009 | - 6. Sophisticated Lady | ||||
63-06-09-010 | - 7. Caravan | ||||
63-06-09-011 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-09-012 | - 9. I Got It Bad | ||||
63-06-09-013 | - 10. Just Squeeze Me - vRN | ||||
63-06-09-014 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-09-015 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
63-06-09-016 | Take The “A” Train (theme) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 09 June 1963 | |||
2nd Concert, Tivoli Grona Lund | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-09-017 | Take The “A” Train (theme) | DE6354a | |||
63-06-09-018 | Afro-Bossa | DE6354b | |||
63-06-09-019 | Perdido | DE6354c | |||
Medley | DE6354d | ||||
63-06-09-020 | - 1. Satin Doll | ||||
63-06-09-021 | - 2. Solitude | ||||
63-06-09-022 | - 3. Don’t Get Around Much Anymore | ||||
63-06-09-023 | - 4. Mood Indigo | ||||
63-06-09-024 | - 5. I’m Beginning To See The Light | ||||
63-06-09-025 | - 6. Sophisticated Lady | ||||
63-06-09-026 | - 7. Caravan | ||||
63-06-09-027 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-06-09-028 | - 9. I Got It Bad | ||||
63-06-09-029 | - 10. Just Squeeze Me - vRN | ||||
63-06-09-030 | - 11. It Don’t Mean A Thing - vRN | ||||
63-06-09-031 | - 12. I Let A Song Go & Don’t Get Around Much | ||||
63-06-09-032 | Take The “A” Train (theme) | DE6354e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Malmo, S | 19 June 1963 | |||
Swedish Broadcast | |||||
Cootie Williams, Rolf Ericson, Eddie Preston(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); JimmyHamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
63-06-19-001 | Take The “A” Train (theme) | DE6355a | |||
63-06-19-002 | C-Jam Blues | DE6355b | |||
63-06-19-003 | Volupté | DE6355c | |||
63-06-19-004 | ¬ Kinda Dukish | DE6355d | |||
63-06-19-005 | _| Rockin’ In Rhythm | DE6355e | |||
63-06-19-006 | For He’s A Jolly Good Fellow | DE6355f | |||
63-06-19-007 | Jeep’s Blues | DE6355g | |||
63-06-19-008 | Perdido | DE6355h | |||
63-06-19-009 | ¬ I let A Song Go Out Of My Heart | DE6355i | |||
63-06-19-010 | _| Don’t Get Around Much Anymore - vRN | DE6355j | |||
DUKE ELLINGTON WITH SKITCH HENDERSON ORCHESTRA | New York City, NY | 04 July 1963 | |||
NBC telecast | |||||
Duke Ellington(p) with the Skitch Henderson Orchestra | |||||
63-07-04-001 | Volupté | DE6356a | |||
63-07-04-002 | Action In Alexandria | DE6356b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 06 July 1963 | |||
Concert, Freebody Park | |||||
Cootie Williams, Rolf Ericson, Eddie Preston, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-07-06-001 | Take The “A” Train (theme) | DE6357a | |||
63-07-06-002 | Take The “A” Train - vES | DE6357b | |||
63-07-06-003 | Afro-Bossa | DE6357c | |||
63-07-06-004 | Eighth Veil | DE6357d | |||
63-07-06-005 | ¬ Kinda Dukish | DE6357e | |||
63-07-06-006 | _| Rockin’ In Rhythm | DE6357f | |||
63-07-06-007 | Silk Lace | DE6357g | |||
63-07-06-008 | Lullaby Of Birdland | DE6357h | |||
63-07-06-009 | ¬ Black And Tan Fantasy | DE6357i | |||
63-07-06-010 | - | Creole Love Call | DE6357j | |||
63-07-06-011 | _|The Mooch | DE6357k | |||
63-07-06-012 | Guitar Amour | DE6357l | |||
63-07-06-013 | Tutti For Cootie | DE6357m | |||
63-07-06-014 | I Got It Bad | DE6357n | |||
63-07-06-015 | Things Ain’t What They Used To Be | DE6357o | |||
63-07-06-016 | ¬ Diminuendo In Blue | DE6357p | |||
63-07-06-017 | _| Wailing Interval | DE6357q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 July 1963 | |||
Duke Ellington recording session | |||||
Cootie Williams, Rolf Ericson, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-07-18-001 | -1 | Action In Alexandria | DE6358a | ||
63-07-18-002 | -2 | Action In Alexandria | DE6358b | ||
63-07-18-003 | -3 | Action In Alexandria | DE6358c | ||
63-07-18-004 | Action In Alexandria | DE6358d | |||
63-07-18-005 | -4 | Action In Alexandria | LMR CD-83003 | DE6358e | |
63-07-18-006 | -5 | Action In Alexandria | DE6358f | ||
63-07-18-007 | -6 | Action In Alexandria | DE6358g | ||
63-07-18-008 | -7 | Action In Alexandria | DE6358h | ||
Add Eddie Preston (t) | |||||
63-07-18-009 | -1 | For He’s A Jolly Good Fellow (TAJM) | DE6358i | ||
63-07-18-010 | -3 | For He’s A Jolly Good Fellow (TAJM) | DE6358j | ||
63-07-18-011 | -4 | For He’s A Jolly Good Fellow (TAJM) | DE6358k | ||
63-07-18-012 | -5 | For He’s A Jolly Good Fellow (TAJM) | DE6358l | ||
63-07-18-013 | -6 | For He’s A Jolly Good Fellow (TAJM) | DE6358m | ||
63-07-18-014 | -7 | For He’s A Jolly Good Fellow (TAJM) | LMR CD-83003 | DE6358n | |
63-07-18-015 | -1 | Isfahan (ELF) | DE6358o | ||
63-07-18-016 | -2 | Isfahan (ELF) | DE6358p | ||
63-07-18-017 | -3 | Isfahan (ELF) | DE6358q | ||
63-07-18-018 | -4 | Isfahan (ELF) | LMR CD-83003 | DE6358r | |
63-07-18-019 | -1 | July 18th Blues | LMR CD-83003 | DE6358s | |
DUKE ELLINGTON | New York City, NY | 18 July 1963 | |||
CBS telecast | |||||
Duke Ellington (p) | |||||
63-07-18-020 | ¬ Banquet | DE6359a | |||
63-07-18-021 | _| Caravan | DE6359b | |||
DUKE ELLINGTON WITH CHARLES SANFORD ORCHESTRA | Same session | ||||
Duke Ellington (p) with the Charles Sanford Orchestra | |||||
63-07-18-022 | Satin Doll | DE6359c | |||
DUKE ELLINGTON | New York City, NY | 30 July 1963 | |||
NBC telecast | |||||
Johnny Hodges(as); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-07-30-001 | ¬ Caravan | DE9102a | |||
63-07-30-002 | _| I Got It Bad | DE9102b | |||
63-07-30-003 | C-Jam Blues | DE9102c | |||
Duke Ellington, Hugh Downs(tk} | |||||
63-07-30-004 | Interview By Downs | DE9102d | |||
Duke Ellington(p) | |||||
63-07-30-005 | Timon Of Athens | DE9102e | |||
DUKE ELLINGTON | Chicago, IL | July/August 1963 | |||
NBC broadcast | |||||
Duke Ellington, David Wayne(tk) | |||||
63-08-00-001 | Interview by Wayne | DE6360a | |||
DUKE ELLINGTON'S ORCHESTRA | Lambertville, NJ | 12 August 1963 | |||
Concert, Music Circus | |||||
Cootie Williams, Rolf Ericson, Cat Anderson(t); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-08-12-001 | Afro Bossa | DE6361a | |||
63-08-12-002 | Eighth Veil | DE6361b | |||
63-08-12-003 | Silk Lace | DE6361c | |||
63-08-12-004 | Lullaby Of Birdland | DE6361d | |||
63-08-12-005 | Guitar Amour | DE6361e | |||
63-08-12-006 | Tutti For Cootie | DE6361f | |||
63-08-12-007 | I Got It Bad | DE6361g | |||
63-08-12-008 | Things Ain’t What They Used To Be | DE6361h | |||
63-08-12-009 | Things Ain’t What They Used To Be | DE6361i | |||
Medley | DE6361j | ||||
63-08-12-010 | - 1. Sophisticated Lady | ||||
63-08-12-011 | - 2. Caravan | ||||
63-08-12-012 | - 3. Do Nothin’ Till You Hear From Me | ||||
63-08-12-013 | - 4. Just Squeeze Me - vRN | ||||
63-08-12-014 | - 5. It Don’t Mean A Thing - vRN | ||||
63-08-12-015 | - 6. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON'S MY PEOPLE ORIGINAL CAST | Chicago, IL | 20 August 1963 | |||
Duke Ellington recording session | |||||
Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance(t);Britt Woodman, Booty Wood, John Sanders(tb); Russell Procope, Rudy Powell (cl,as); Harold Ashby, Pete Clark (ts); Bob Freedman(cl,as,bar); Billy Strayhorn(p,cs); Joe Benjamin(sb,v); Louie Bellson(d); Juan Amalbert(co); Joya Sherrill, Jimmy McPhail, Jimmy Grissom, The Irving Bunton Singers(v) | |||||
MY PEOPLE | |||||
63-08-20-001 | (01) | - 04. Ain’t But The One - vJMP,IBS | DE6362a | ||
63-08-20-002 | (02) | - 04. Ain’t But The One - vJMP,IBS | DE6362b | ||
63-08-20-003 | (04) | - 04. Ain’t But The One - vJMP,IBS | DE6362c | ||
63-08-20-004 | (05) | - 04. Ain’t But The One - vJMP,IBS | Ct CM-1, Sv 101-8430(D) | DE6362d | |
63-08-20-005 | (06) | - 02. Will You Be There? - vIBS | DE6362e | ||
63-08-20-006 | (07) | - 02. Will You Be There? - vIBS | DE6362f | ||
63-08-20-007 | - 02. Will You Be There? - vIBS | DE6362g | |||
63-08-20-008 | (08) | - 02. ¬ Will You Be There? - vIBS | DE6362h | ||
63-08-20-009 | - 03. _| 99% Won’t Dp - vIBS | DE6362i | |||
63-08-20-010 | (09) | - 13. Blues At Sundown - vJG | DE6362j | ||
63-08-20-011 | (10) | - 13. Blues At Sundown - vJG | DE6362k | ||
63-08-20-012 | (13) | - 13. Blues At Sundown - vJG | DE6362l | ||
63-08-20-013 | (14) | - 13. Blues At Sundown - vJG | Sv 101-8430(D) | DE6362m | |
63-08-20-014 | (15) | - 01. Come Sunday - vIBS | DE6362n | ||
63-08-20-015 | (18) | - 01. Come Sunday - vIBS | DE6362o | ||
63-08-20-016 | (19) | - 01. Come Sunday - vIBS | DE6362p | ||
63-08-20-017 | (20) | - 01. Come Sunday - vIBS | DE6362q | ||
63-08-20-018 | (21) | - 01. Come Sunday - vIBS | DE6362r | ||
63-08-20-019 | (22) | - 01. Come Sunday - vJMP, IBS | Ct CM-1, Sv 101-8430(D) | DE6362s | |
63-08-20-020 | (23) | - 12. The Blues - vJS | DE6362t | ||
63-08-20-021 | (24) | - 12. The Blues | DE6362u | ||
63-08-20-022 | (25) | - 12. The Blues - vJS | DE6362v | ||
63-08-20-023 | (26) | - 12. The Blues | DE6362w | ||
63-08-20-024 | (27) | - 12. The Blues | DE6362x | ||
63-08-20-025 | (28) | - 12. The Blues - vJS | DE6362y | ||
63-08-20-026 | (29) | - 12. The Blues - vJS | DE6362z | ||
63-08-20-027 | (31) | - 12. The Blues - vJS | DE6362aa | ||
63-08-20-028 | (32) | - 12. The Blues - vJS | DE6362ab | ||
63-08-20-029 | (33) | - 12. The Blues - vJS | Ct CM-1, Sv 101-8430(D) | DE6362ac | |
63-08-20-030 | (35) | - 20. King Fit The Battle Of Alabam' | DE6362ad | ||
63-08-20-031 | (36) | - 20. King Fit The Battle Of Alabam’ - vIBS | DE6362ae | ||
63-08-20-032 | (38) | - 20. King Fit The Battle Of Alabam’ - vIBS | DE6362af | ||
63-08-20-033 | (39) | - 20. King Fit The Battle Of Alabam’ - vIBS | DE6362ag | ||
63-08-20-034 | (40) | - 20. King Fit The Battle Of Alabam’ - vIBS | DE6362ah | ||
63-08-20-035 | (42) | - 20. King Fit The Battle Of Alabam’ - vIBS | Ct CM-1, Sv 101-8430(D) | DE6362ai | |
63-08-20-036 | (44) | - 05. David Danced = Come Sunday - vIBS | DE6362aj | ||
63-08-20-037 | (46) | - 05. David Danced = Come Sunday - vIBS | DE6362ak | ||
63-08-20-038 | (47) | - 05. David Danced = Come Sunday - vIBS | DE6362al | ||
63-08-20-039 | (48) | - 05. David Danced = Come Sunday - vIBS | DE6362am | ||
Add Bunny Briggs(td) | |||||
63-08-20-040 | (49) | - 05. David Danced = Come Sunday - vIBS | Ct CM-1, Sv 101-8430(D) | DE6362an | |
Bunny Briggs out | |||||
63-08-20-041 | (51) | - 09. Light (Montage | Ct CM-1, Sv 101-8430(D) | DE6362ao | |
63-08-20-042 | (53) | - 06. My Mother, My Father And Love - vJS | Sv 101-8430(D) | DE6362ap | |
63-08-20-043 | - 06. My Mother, My Father And Love - vJS | DE6362aq | |||
63-08-20-044 | (54) | - 06. My Mother, My Father And Love | DE6362ar | ||
63-08-20-045 | (56) | - 06. My Mother, My Father And Love - vJS | DE6362as | ||
63-08-20-046 | (57) | - 06. My Mother, My Father And Love - vJS | DE6362at | ||
63-08-20-047 | (58) | - 06. My Mother, My Father And Love - vJS | Sv 101-8430*(D) | DE6362au | |
63-08-20-048 | (59) | - 19. Skillipoop (Jungle Triangle) | DE6362av | ||
63-08-20-049 | (60) | - 19. Skillipoop (Jungle Triangle) | Sv 101-8430(D) | DE6362aw | |
63-08-20-050 | (62) | - 19. Skillipoop (Jungle Triangle) | MFD G4RS-2536, Sv 101-8430(D) | DE6362ax | |
63-08-20-051 | (63) | - 10. Strange Feeling - vJG | DE6362ay | ||
63-08-20-052 | (65) | - 10. Strange Feeling - vJG | DE6362az | ||
63-08-20-053 | (66) | - 10. Strange Feeling | DE6362ba | ||
63-08-20-054 | (67) | - 10. Strange Feeling - vJG | DE6362bb | ||
63-08-20-055 | (68) | - 10. Strange Feeling - vJG | DE6362bc | ||
63-08-20-056 | (69) | - 10. Strange Feeling | DE6362bd | ||
63-08-20-057 | (70) | - 10. Strange Feeling | DE6362be | ||
63-08-20-058 | (71) | - 09. Light (Montage) | Sv 101-8430*(D) | DE6362bf | |
63-08-20-059 | (73) | - 09. Light (Montage) | DE6362bg | ||
63-08-20-060 | (74) | - 09. Light (Montage) | DE6362bh | ||
63-08-20-061 | (75) | - 10. Strange Feeling - vJG | DE6362bi | ||
63-08-20-062 | (77) | - 10. Strange Feeling - vJG | Sv 101-8430(D) | DE6362bj | |
63-08-20-063 | (78) | - 12. The Blues | DE6362bk | ||
63-08-20-064 | (79) | - 12. The Blues | DE6362bl | ||
63-08-20-065 | (80) | - 09. Light (Montage) | DE6362bm | ||
63-08-20-066 | (82) | - 09. Light (Montage) | DE6362bn | ||
63-08-20-067 | (83) | - 09. Light (Montage) | DE6362bo | ||
63-08-20-068 | (84) | - 09. Light (Montage) | DE6362bp | ||
Britt Woodman, (tb); Harold Ashby(ts); Jimmie Jones(ep); Joe Benjamin(sb,v); Louie Bellson(d); Jimmy Grissom(v) | |||||
63-08-20-069 | (87) | - 15. Jail Blues (Workin’ Blues) - vJG | DE6362bq | ||
63-08-20-070 | (88) | - 15. Piano Blues Overture = Jail Blues | Sv 101-8430(D) | DE6362br | |
63-08-20-071 | (90) | - 15. Jail Blues (Workin’ Blues) - vJG | DE6362bs | ||
63-08-20-072 | (91) | - 15. Jail Blues (Workin’ Blues) - vJG | Ct CM-1, Sv 101-8430(D) | DE6362bt | |
63-08-20-073 | (92) | - 17. Jail Blues - vJG | DE6362bu | ||
63-08-20-074 | (93) | - 17. Jail Blues - vJG | Ct CM-1, Sv 101-8430(D) | DE6362bv | |
Jimmy McPhail was dubbed on Come Sunday at a later date. | |||||
DUKE ELLINGTON'S MY PEOPLE ORIGINAL CAST | Chicago, IL | 21 August 1963 | |||
Duke Ellington recording session | |||||
Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance(t);Britt Woodman, Booty Wood, John Sanders(tb); Russell Procope, Rudy Powell (cl,as);Harold Ashby, Pete Clark (ts); Bob Freedman(cl,as,bar); Billy Strayhorn(p,cs); Joe Benjamin(sb,v); Louie Bellson(d); Juan Amalbert(co); Joya Sherrill, Jimmy Grissom, Jimmy McPhail, The Irving Bunton Singers(v) | |||||
MY PEOPLE | |||||
63-08-21-001 | (01) | - 08. After Bird Jungle | DE6363a | ||
63-08-21-002 | (02) | - 08. After Bird Jungle | DE6363b | ||
63-08-21-003 | (03) | - 08. After Bird Jungle | DE6363c | ||
63-08-21-004 | (04) | - 08. After Bird Jungle | Sv 101-8430(D) | DE6363d | |
63-08-21-005 | (05) | - 06. My Mother, My Father And Love - vJG | DE6363e | ||
63-08-21-006 | (06) | - 06. My Mother, My Father And Love - vJG | DE6363f | ||
63-08-21-007 | (07) | - 06. My Mother, My Father And Love - vJMP | DE6363g | ||
63-08-21-008 | (08) | - 06. My Mother, My Father And Love - vJMP | Ct CM-1, Sv 101-8430(D) | DE6363h | |
63-08-21-009 | (13) | - 02. Will You Be There? - vIBS | DE6363i | ||
63-08-21-010 | (14) | - 02. ¬ Will You Be There? - vIBS | Ct CM-1, Sv 101-8430(D) | DE6363j | |
63-08-21-011 | - 03. _| 99% Won’t Dp - vIBS | Ct CM-1, Sv 101-8430(D) | DE6363k | ||
63-08-21-012 | (15) | - 23. What Color Is Virtue? | DE6363l | ||
63-08-21-013 | (16) | - 23. What Color Is Virtue? - vJS | DE6363m | ||
63-08-21-014 | (18) | - 23. What Color Is Virtue? - vJS, IBS | Ct CM-1, Sv 101-8430(D) | DE6363n | |
63-08-21-015 | - 23. What Color Is Virtue? | DE6363o | |||
63-08-21-016 | - 23. What Color Is Virtue? - vJS, IBS | DE6363p | |||
63-08-21-017 | - 23. What Color Is Virtue? - vIBS | DE6363q | |||
63-08-21-018 | - 23. What Color Is Virtue? - vIBS | DE6363r | |||
63-08-21-019 | - 23. What Color Is Virtue? - vIBS | DE6363s | |||
63-08-21-020 | - 23. What Color Is Virtue? - vIBS | DE6363t | |||
63-08-21-021 | - 23. What Color Is Virtue? - vIBS | Ct CM-1*, Sv 101-8430*(D) | DE6363xa | ||
63-08-21-022 | (19) | - 01. Come Sunday - vJMP, IBS | DE6363u | ||
Duke Ellington, Irving Bunton(tk) | |||||
63-08-21-023 | (20) | - 11. My People | Ct CM-1, Sv 101-8430(D) | DE6363v | |
As before but Billy Strayhorn out. Add Jimmy Jones(p) | |||||
63-08-21-024 | (22) | - 20. King Fit The Battle Of Alabam' | DE6363w | ||
63-08-21-025 | (23) | - 20. King Fit The Battle Of Alabam' | DE6363x | ||
63-08-21-026 | (24) | - 20. King Fit The Battle Of Alabam' | Sv 101-8430(D) | DE6363y | |
Jimmy Jones out. Add Billy Strayhorn(p) | |||||
63-08-21-027 | - 06. My Mother, My Father And Love | DE6363z | |||
Purple People (track 20 on the Storyville CD) is by Joya Sherill (talking) only, recorded between 007 and 008 | |||||
DUKE ELLINGTON'S MY PEOPLE ORIGINAL CAST | Chicago, IL | 25 August 1963 | |||
Concert, Aerie Crown Theatre | |||||
Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance(t);Britt Woodman, Booty Wood, John Sanders(tb); Russell Procope, Rudy Powell (cl,as);Harold Ashby, Pete Clark (ts); Bob Freedman(cl,as,bar); Billy Strayhorn(p,cs); Joe Benjamin(sb,v); Louie Bellson(d); Juan Amalbert(co); Lil Greenwood, Joya Sherrill, Jimmy McPhail, The Irving Bunton Singers(v) | |||||
MY PEOPLE | |||||
63-08-25-001 | - 01. Come Sunday - vJMP,IBS | DE6364a | |||
63-08-25-002 | - 02. ¬ Will You Be There? - vIBS | DE6364b | |||
63-08-25-003 | - 03. _| 99% Won’t Dp - vIBS | DE6364c | |||
63-08-25-004 | - 04. Ain’t But The One - vJMP,IBS | DE6364d | |||
Add Bunny Briggs(td) | |||||
63-08-25-005 | - 05. David Danced = Come Sunday - vIBS | DE6364e | |||
Bunny Briggs out | |||||
63-08-25-006 | - 06. My Mother, My Father And Love - vJS | DE6364f | |||
63-08-25-007 | - 07. Guitar Amour | DE6364g | |||
63-08-25-008 | - 08. After Bird Jungle | DE6364h | |||
63-08-25-009 | - 06. My Mother, My Father And Love - vJS | DE6364i | |||
63-08-25-010 | - 09. Light (Montage) | DE6364j | |||
63-08-25-011 | - 02. Will You Be There? - vIBS | DE6364k | |||
63-08-25-012 | - 12. The Blues - vJS | DE6364l | |||
63-08-25-013 | - 13. Blues At Sundown - vLG,JS | DE6364m | |||
63-08-25-014 | - 14. Walkin’ And Singin’ The Blues - vLG | DE6364n | |||
63-08-25-015 | - 15. Jail Blues (Workin’ Blues) - vLG | DE6364o | |||
63-08-25-016 | - 16. My Man Sends Me - vLG | DE6364p | |||
63-08-25-017 | - 15. Jail Blues - vLG | DE6364q | |||
63-08-25-018 | - 18. I Love My Lovin’ Lover - vLG | DE6364r | |||
63-08-25-019 | - 19. Skillipoop (Jungle Triangle) | DE6364s | |||
63-08-25-020 | - 20. King Fit The Battle Of Alabam’ - vIBS | DE6364t | |||
63-08-25-021 | - 21. King Fit The Battle Of Alabam' | DE6364u | |||
63-08-25-022 | - 23. What Color Is Virtue? - vJS,IBS | DE6364v | |||
63-08-25-023 | - 23. What Color Is Virtue? - vJS | DE6364w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 26 August 1963 | |||
1st Concert, State Fair Grounds | |||||
Cootie Williams, Rolf Ericson, Cat Anderson, Willie Cook, Thad Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Hilton Jefferson (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-08-26-001 | Stompin’ At The Savoy | DE9075a | |||
63-08-26-002 | Silk Lace | DE9075b | |||
63-08-26-003 | Lullaby Of Birdland | DE9075c | |||
63-08-26-004 | ¬ Diminuendo In Blue | DE9075d | |||
63-08-26-005 | _| Wailing Interval | DE9075e | |||
63-08-26-006 | Medley | DE9075f | |||
63-08-26-007 | - 1. Satin Doll | ||||
63-08-26-008 | - 2. Solitude | ||||
63-08-26-009 | - 3. Don’t Get Around Much Anymore | ||||
63-08-26-010 | - 4. Mood Indigo | ||||
63-08-26-011 | - 5. I’m Beginning To See The Light | ||||
63-08-26-012 | - 6. Sophisticated Lady | ||||
63-08-26-013 | - 7. Caravan | ||||
63-08-26-014 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-08-26-015 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-08-26-016 | Tutti For Cootie | DE9075g | |||
63-08-26-017 | Skin Deep | DE9075h | |||
Add Chubby Kemp(v) | |||||
63-08-26-018 | Walking And Singing The Blues - vCK | DE9075i | |||
Chubby Kemp out | |||||
63-08-26-019 | I Got It Bad | DE9075j | |||
63-08-26-020 | Things Ain’t What They Used To Be | DE9075k | |||
63-08-26-021 | All Of Me | DE9075l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Detroit, MI | 26 August 1963 | |||
2nd Concert, State Fair Grounds | |||||
Cootie Williams, Rolf Ericson, Cat Anderson, Willie Cook, Thad Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Hilton Jefferson (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-08-26-022 | Take The “A” Train (theme) | DE6365a | |||
63-08-26-023 | Afro-Bossa | DE6365b | |||
63-08-26-024 | Eighth Veil | DE6365c | |||
63-08-26-025 | Stompin’ At The Savoy | DE6365d | |||
63-08-26-026 | Silk Lace | DE6365e | |||
63-08-26-027 | Lullaby Of Birdland | DE6365f | |||
Medley | DE6365g | ||||
63-08-26-028 | - 1. Satin Doll | ||||
63-08-26-029 | - 2. Solitude | ||||
63-08-26-030 | - 3. Don’t Get Around Much Anymore | ||||
63-08-26-031 | - 4. Mood Indigo | ||||
63-08-26-032 | - 5. I’m Beginning To See The Light | ||||
63-08-26-033 | - 6. Sophisticated Lady | ||||
63-08-26-034 | - 7. Caravan | ||||
63-08-26-035 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-08-26-036 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
Add Dinah Washington(v) | |||||
63-08-26-037 | Do Nothin’ Till You Hear From Me - vDW | MDD 004, Ro RR-1313 | DE6365h | ||
63-08-26-038 | Salty Papa Blues - vDW | MDD 004 | DE6365i | ||
Dinah Washington out | |||||
63-08-26-039 | Skin Deep | DE6365j | |||
63-08-26-040 | Jeep’s Blues | MJ 2MJP-1082 | DE6365k | ||
63-08-26-041 | Jam With Sam | MDD 004 | DE6365l | ||
DUKE ELLINGTON'S MY PEOPLE ORIGINAL CAST | Chicago, IL | 27 August 1963 | |||
Duke Ellington recording session | |||||
Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance(t);Britt Woodman, Booty Wood, John Sanders(tb); Russell Procope, Rudy Powell (cl,as) Harold Ashby, Pete Clark (ts); Bob Freedman(cl,as,bar);Joe Benjamin(sb,v); Louie Bellson(d); Juan Amalbert(co); Jimmy Grissom, Lil Greenwood(v) | |||||
MY PEOPLE | |||||
63-08-27-001 | (01) | - 22. Purple People (Section 1) | DE6366a | ||
63-08-27-002 | (01) | - 22. Purple People (Section 2) | DE6366b | ||
63-08-27-003 | (01) | - 22. Purple People (Section 3) | DE6366c | ||
63-08-27-004 | - 22. Purple People (Section 3) | DE6366d | |||
63-08-27-005 | - 22. Purple People (Section 3) | DE6366e | |||
63-08-27-006 | (02) | - 22. Purple People (Section 1) | DE6366f | ||
63-08-27-007 | (02) | - 22. Purple People (Section 2) | DE6366g | ||
63-08-27-008 | - 22. Purple People (Section 1) | DE6366h | |||
63-08-27-009 | - 22. Purple People (Section 2) | DE6366i | |||
63-08-27-010 | - 22. Purple People (Section 3) | DE6366j | |||
63-08-27-011 | - 22. Purple People (Section 3) | DE6366k | |||
63-08-27-012 | (03) | - 22. Purple People (Section 1) | Sv 101-8430(D) | DE6366l | |
63-08-27-013 | (03) | - 22. Purple People (Section 2) | Sv 101-8430(D) | DE6366m | |
63-08-27-014 | (03) | - 22. Purple People (Section 3) | Sv 101-8430(D) | DE6366n | |
63-08-27-015 | (04) | - 22. Purple People (Section 1) | DE6366o | ||
63-08-27-016 | (05) | - 22. Purple People | DE6366p | ||
63-08-27-017 | (06) | - 22. Purple People | DE6366q | ||
63-08-27-018 | (08) | - 14. Walkin’ And Singin’ The Blues - vLG | DE6366r | ||
63-08-27-019 | (09) | - 14. Walkin’ And Singin’ The Blues - vLG | DE6366s | ||
63-08-27-020 | (10) | - 14. Walkin’ And Singin’ The Blues - vLG | Sv 101-8430(D) | DE6366t | |
63-08-27-021 | (12) | - 16. My Man Sends Me | DE6366u | ||
63-08-27-022 | (13) | - 16. My Man Sends Me | DE6366v | ||
63-08-27-023 | (14) | - 16. My Man Sends Me - vLG | Ct CM-1, Sv 101-8430(D) | DE6366w | |
63-08-27-024 | (15) | - 18. I Love My Lovin’ Lover - vLG | DE6366x | ||
63-08-27-025 | (16) | - 18. I Love My Lovin’ Lover - vLG | DE6366y | ||
63-08-27-026 | (18) | - 18. I Love My Lovin’ Lover | DE6366z | ||
63-08-27-027 | (19) | - 18. I Love My Lovin’ Lover - vLG | Sv 101-8430(D) | DE6366aa | |
63-08-27-028 | (20) | - 18. I Love My Lovin’ Lover - vLG | Ct CM-1 | DE6366ab | |
63-08-27-029 | (21) | - 06. My Mother, My Father And Love - vJG | DE6366ac | ||
63-08-27-030 | (22) | - 06. My Mother, My Father And Love - vJG | DE6366ad | ||
63-08-27-031 | (24) | - 06. My Mother, My Father And Love - vJG | DE6366ae | ||
63-08-27-032 | (25) | - 06. My Mother, My Father And Love - vJG | DE6366af | ||
63-08-27-033 | (28) | - 06. My Mother, My Father And Love - vJG | DE6366ag | ||
63-08-27-034 | (29) | - 06. My Mother, My Father And Love - vJG | DE6366ah | ||
63-08-27-035 | (30) | - 06. My Mother, My Father And Love - vJG | DE6366ai | ||
63-08-27-036 | (32) | - 06. My Mother, My Father And Love - vLG | DE6366aj | ||
63-08-27-037 | (34) | - 06. My Mother, My Father And Love - vLG | DE6366ak | ||
63-08-27-038 | (36) | - 12. The Blues - vLG | DE6366al | ||
63-08-27-039 | - 12. The Blues - vLG | DE6366am | |||
63-08-27-040 | - 12. The Blues - vLG | DE6366an | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Damascus, SYR | 09 September 1963 | |||
Concert, Damascus Fair | |||||
Cootie Williams, Cat Anderson(t); Rolf Ericson(t,fh); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-09-09-001 | Take The “A” Train (theme) | DE6367a | |||
63-09-09-002 | Afro-Bossa | DE6367b | |||
63-09-09-003 | Eighth Veil | DE6367c | |||
63-09-09-004 | Rockin’ In Rhythm | DE6367d | |||
63-09-09-005 | Silk Lace | DE6367e | |||
63-09-09-006 | Lullaby Of Birdland | DE6367f | |||
63-09-09-007 | ¬ Black And Tan Fantasy | DE6367g | |||
63-09-09-008 | - | Creole Love Call | DE6367h | |||
63-09-09-009 | _|The Mooch | DE6367i | |||
63-09-09-010 | Skin Deep | DE6367j | |||
Medley | DE6367k | ||||
63-09-09-011 | - 1. Satin Doll | ||||
63-09-09-012 | - 2. Solitude | ||||
63-09-09-013 | - 3. Don’t Get Around Much Anymore | ||||
63-09-09-014 | - 4. Mood Indigo | ||||
63-09-09-015 | - 5. I’m Beginning To See The Light | ||||
63-09-09-016 | - 6. Sophisticated Lady | ||||
63-09-09-017 | - 7. Caravan | ||||
63-09-09-018 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-09-09-019 | - 9. Just Squeeze Me - vRN | ||||
63-09-09-020 | - 10. It Don’t Mean A Thing - vRN | ||||
63-09-09-021 | - 11. I Let A Song Go & Don’t Get Around Much | ||||
63-09-09-022 | Take The “A” Train (theme) | DE6367l | |||
63-09-09-023 | V.I.P. Boogie | DE6367m | |||
63-09-09-024 | Jam With Sam | DE6367n | |||
63-09-09-025 | I Got It Bad | DE6367o | |||
63-09-09-026 | Things Ain’t What They Used To Be | DE6367p | |||
63-09-09-027 | Do Nothin’ Till You Hear From Me (New Concerto For Cootie) | DE6367q | |||
63-09-09-028 | Tutti For Cootie | DE6367r | |||
63-09-09-029 | ¬ Diminuendo In Blue | DE6367s | |||
63-09-09-030 | _| Wailing Interval | DE6367t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Damascus, SYR | 11 September 1963 | |||
Concert, Damascus Fair | |||||
Cootie Williams, Cat Anderson(t); Rolf Ericson(t,fh); Ray Nance(t,vl,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-09-11-001 | Take The “A” Train (theme) | DE6368a | |||
63-09-11-002 | Afro-Bossa | DE6368b | |||
63-09-11-003 | Eighth Veil | DE6368c | |||
63-09-11-004 | ¬ Black And Tan Fantasy | DE6368d | |||
63-09-11-005 | - | Creole Love Call | DE6368e | |||
63-09-11-006 | _|The Mooch | DE6368f | |||
63-09-11-007 | Lullaby Of Birdland | DE6368g | |||
63-09-11-008 | Stompin’ At The Savoy | DE6368h | |||
63-09-11-009 | Silk Lace | DE6368i | |||
63-09-11-010 | Jam With Sam | DE6368j | |||
Medley | DE6368k | ||||
63-09-11-011 | - 1. Satin Doll | ||||
63-09-11-012 | - 2. Solitude | ||||
63-09-11-013 | - 3. Don’t Get Around Much Anymore | ||||
63-09-11-014 | - 4. Mood Indigo | ||||
63-09-11-015 | - 5. I’m Beginning To See The Light | ||||
63-09-11-016 | - 6. Sophisticated Lady | ||||
63-09-11-017 | - 7. Caravan | ||||
63-09-11-018 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-09-11-019 | - 9. Just Squeeze Me - vRN | ||||
63-09-11-020 | - 10. It Don’t Mean A Thing - vRN | ||||
63-09-11-021 | - 11. I Let A Song Go & Don’t Get Around Much | ||||
63-09-11-022 | Take The “A” Train (theme) | DE6368l | |||
63-09-11-023 | Skin Deep | DE6368m | |||
63-09-11-024 | I Got It Bad | DE6368n | |||
63-09-11-025 | Things Ain’t What They Used To Be | DE6368o | |||
63-09-11-026 | All Of Me | DE6368p | |||
63-09-11-027 | Tutti For Cootie | DE6368q | |||
63-09-11-028 | ¬ Diminuendo In Blue | DE6368r | |||
63-09-11-029 | _| Wailing Interval | DE6368s | |||
63-09-11-030 | One More Once - vRN | DE6368t | |||
63-09-11-031 | Take The “A” Train (theme) | DE6368u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Amman,JOR | 13 September 1963 | |||
Concert | |||||
Cootie Williams, Cat Anderson(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-09-13-001 | Take The “A” Train (theme) | DE6369a | |||
63-09-13-002 | Afro-Bossa | DE6369b | |||
63-09-13-003 | Eighth Veil | DE6369c | |||
63-09-13-004 | Rockin’ In Rhythm | DE6369d | |||
63-09-13-005 | Silk Lace | DE6369e | |||
63-09-13-006 | Lullaby Of Birdland | DE6369f | |||
63-09-13-007 | I Got It Bad | DE6369g | |||
63-09-13-008 | Things Ain’t What They Used To Be | DE6369h | |||
63-09-13-009 | Jam With Sam | DE6369i | |||
Medley | DE6369j | ||||
63-09-13-010 | - 1. Satin Doll | ||||
63-09-13-011 | - 2. Solitude | ||||
63-09-13-012 | - 3. Don’t Get Around Much Anymore | ||||
63-09-13-013 | - 4. Mood Indigo | ||||
63-09-13-014 | - 5. I’m Beginning To See The Light | ||||
63-09-13-015 | - 6. Sophisticated Lady | ||||
63-09-13-016 | - 7. Caravan | ||||
63-09-13-017 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-09-13-018 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-09-13-019 | Take The “A” Train - vES | DE6369k | |||
63-09-13-020 | Skin Deep | DE6369l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Delhi, IND | 24 September 1963 | |||
Concert, Vigyan Bhavan | |||||
Cootie Williams, Cat Anderson(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-09-24-001 | Duke Talking About Jazz Musicians | DE6370a | |||
63-09-24-002 | C-Jam Blues | DE6370b | |||
63-09-24-003 | ¬ Black And Tan Fantasy | DE6370c | |||
63-09-24-004 | - | Creole Love Call | DE6370d | |||
63-09-24-005 | _|The Mooch | DE6370e | |||
63-09-24-006 | Perdido | DE6370f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Delhi, IND | 26 September 1963 | |||
Concert, Delhi University | |||||
Cootie Williams, Cat Anderson, Patrick Blake(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb); Sam Woodyard(d) | |||||
Medley | DE6371a | ||||
63-09-26-001 | - 1. Satin Doll | ||||
63-09-26-002 | - 2. Solitude | ||||
63-09-26-003 | - 3. Don’t Get Around Much Anymore | ||||
63-09-26-004 | - 4. Mood Indigo | ||||
63-09-26-005 | - 5. I’m Beginning To See The Light | ||||
63-09-26-006 | - 6. Sophisticated Lady | ||||
63-09-26-007 | - 7. Caravan | ||||
63-09-26-008 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-09-26-009 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-09-26-010 | ¬ Diminuendo In Blue | DE6371b | |||
63-09-26-011 | _| Wailing Interval | DE6371c | |||
63-09-26-012 | Jones | DE6371d | |||
DUKE ELLINGTON | Bombay, IND | October 1963 | |||
Private Party | |||||
Duke Ellington(p) | |||||
63-10-00-001 | My Mother, My Father And Love | DE6372a | |||
63-10-00-002 | Take The “A” Train | DE6372b | |||
63-10-00-003 | Satin Doll | DE6372c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bombay, IND | 10 October 1963 | |||
Concert, Rang Bhavan | |||||
Cootie Williams, Cat Anderson, Patrick Blake(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Billy Strayhorn(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
63-10-10-001 | Take The “A” Train (theme) | DE6373a | |||
63-10-10-002 | Afro Bossa | DE6373b | |||
63-10-10-003 | Stompin’ At The Savoy | DE6373c | |||
63-10-10-004 | Lullaby Of Birdland | DE6373d | |||
63-10-10-005 | Silk Lace | DE6373e | |||
63-10-10-006 | Tutti For Cootie | DE6373f | |||
63-10-10-007 | I Got It Bad | DE6373g | |||
63-10-10-008 | Things Ain’t What They Used To Be | DE6373h | |||
63-10-10-009 | All Of Me | DE6373i | |||
63-10-10-010 | Eighth Veil | DE6373j | |||
63-10-10-011 | Jam With Sam | DE6373k | |||
63-10-10-012 | C-Jam Blues | DE6373l | |||
63-10-10-013 | Skin Deep | DE6373m | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
63-10-10-014 | Take The “A” Train (theme) | DE6373n | |||
Medley | DE6373o | ||||
63-10-10-015 | - 1. Satin Doll | ||||
63-10-10-016 | - 2. Solitude | ||||
63-10-10-017 | - 3. Don’t Get Around Much Anymore | ||||
63-10-10-018 | - 4. Mood Indigo | ||||
63-10-10-019 | - 5. I’m Beginning To See The Light | ||||
63-10-10-020 | - 6. Sophisticated Lady | ||||
63-10-10-021 | - 7. Caravan | ||||
63-10-10-022 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-10-10-023 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-10-10-024 | ¬ Diminuendo In Blue | DE6373p | |||
63-10-10-025 | _| Wailing Interval | DE6373q | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-10-10-026 | Take The “A” Train - vES | DE6373r | |||
63-10-10-027 | One More Once - vES | DE6373s | |||
63-10-10-028 | Take The “A” Train (theme) | DE6373t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bombayi, IND | 12 October 1963 | |||
Concert, Shri Shamukhananda Sabah | |||||
Cootie Williams, Cat Anderson(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-10-12-001 | Duke Talking About Jazz Musicians | DE6374a | |||
Paul Gonsalves(ts); Duke Ellington(p); Ernie Shepard(sb) only | |||||
63-10-12-002 | In A Sentimental Mood | DE6374b | |||
Full orchestra | |||||
63-10-12-003 | In A Mellow Tone | DE6374c | |||
63-10-12-004 | Jeep’s Blues | DE6374d | |||
63-10-12-005 | Harmony In Harlem | DE6374e | |||
63-10-12-006 | Tea For Two | DE6374f | |||
63-10-12-007 | Honeysuckle Rose | DE6374g | |||
63-10-12-008 | ¬ Black And Tan Fantasy | DE6374h | |||
63-10-12-009 | - | Creole Love Call | DE6374i | |||
63-10-12-010 | _|The Mooch | DE6374j | |||
63-10-12-011 | Guitar Amour | DE6374k | |||
63-10-12-012 | Tutti For Cootie | DE6374l | |||
63-10-12-013 | C-Jam Blues (Duke’s Place) - vES | DE6374m | |||
63-10-12-014 | Take The “A” Train (theme) | DE6374n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kandy, SRI | 24 October 1963 | |||
Concert, Perideniya University | |||||
Cat Anderson(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
63-10-24-001 | Take The “A” Train (theme) | DE6375a | |||
63-10-24-002 | Afro Bossa | DE6375b | |||
63-10-24-003 | Silk Lace | DE6375c | |||
63-10-24-004 | Perdido | DE6375d | |||
63-10-24-005 | Guitar Amour | DE6375e | |||
63-10-24-006 | ¬ Kinda Dukish | DE6375f | |||
63-10-24-007 | _| Rockin’ In Rhythm | DE6375g | |||
63-10-24-008 | Eighth Veil | DE6375h | |||
63-10-24-009 | Jam With Sam | DE6375i | |||
63-10-24-010 | Skin Deep | DE6375j | |||
Medley | DE6375k | ||||
63-10-24-011 | - 1. Satin Doll | ||||
63-10-24-012 | - 2. Solitude | ||||
63-10-24-013 | - 3. Don’t Get Around Much Anymore | ||||
63-10-24-014 | - 4. Mood Indigo | ||||
63-10-24-015 | - 5. I’m Beginning To See The Light | ||||
63-10-24-016 | - 6. Sophisticated Lady | ||||
63-10-24-017 | - 7. Caravan | ||||
63-10-24-018 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-10-24-019 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-10-24-020 | ¬ Diminuendo In Blue | DE6375l | |||
63-10-24-021 | _| Wailing Interval | DE6375m | |||
Billy Strayhorn(p) solo | |||||
63-10-24-022 | A Flower Is A Lovesome Thing | DE6375n | |||
As Before but Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-10-24-023 | Take The “A” Train - vES | DE6375o | |||
63-10-24-024 | One More Once - vES | DE6375p | |||
63-10-24-025 | Take The “A” Train (theme) | DE6375q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Karachi, PAK | 03 November 1963 | |||
Concert, Hotel Metropole | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
63-11-03-001 | Take The “A” Train (theme) | DE6376a | |||
63-11-03-002 | Afro Bossa | DE6376b | |||
63-11-03-003 | Silk Lace | DE6376c | |||
63-11-03-004 | Honeysuckle Rose | DE6376d | |||
63-11-03-005 | Perdido | DE6376e | |||
63-11-03-006 | Guitar Amour | DE6376f | |||
63-11-03-007 | Stompin’ At The Savoy | DE6376g | |||
63-11-03-008 | Do Nothin’ Till You Hear From Me (New Concerto for Cootie) | DE6376h | |||
63-11-03-009 | Tutti For Cootie | DE6376i | |||
63-11-03-010 | ¬ Kinda Dukish | DE6376j | |||
63-11-03-011 | _| Rockin’ In Rhythm | DE6376k | |||
63-11-03-012 | I Got It Bad | DE6376l | |||
63-11-03-013 | Things Ain’t What They Used To Be | DE6376m | |||
63-11-03-014 | All Of Me | DE6376n | |||
63-11-03-015 | Skin Deep | DE6376o | |||
Medley | DE6376p | ||||
63-11-03-016 | - 1. Satin Doll | ||||
63-11-03-017 | - 2. Solitude | ||||
63-11-03-018 | - 3. Don’t Get Around Much Anymore | ||||
63-11-03-019 | - 4. Mood Indigo | ||||
63-11-03-020 | - 5. I’m Beginning To See The Light | ||||
63-11-03-021 | - 6. Sophisticated Lady | ||||
63-11-03-022 | - 7. Caravan | ||||
63-11-03-023 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-11-03-024 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-11-03-025 | ¬ Diminuendo In Blue | DE6376q | |||
63-11-03-026 | _| Wailing Interval | DE6376r | |||
Billy Strayhorn(p) solo | |||||
63-11-03-027 | All Heart | DE6376s | |||
As Before but Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-11-03-028 | Take The “A” Train - vES | DE6376t | |||
63-11-03-029 | One More Once - vES | DE6376u | |||
63-11-03-030 | Jones | DE6376v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Baghdad, IRQ | 14 November 1963 | |||
Concert, Khuld Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
63-11-14-001 | Afro Bossa | DE9082a | |||
63-11-14-002 | Stompin’ At The Savoy | DE9082b | |||
63-11-14-003 | Guitar Amour | DE9082c | |||
63-11-14-004 | Perdido | DE9082d | |||
63-11-14-005 | Honeysuckle Rose | DE9082e | |||
63-11-14-006 | Tutti For Cootie | DE9082f | |||
63-11-14-007 | ¬ Kinda Dukish | DE9082g | |||
63-11-14-008 | _| Rockin’ In Rhythm | DE9082h | |||
63-11-14-009 | I Got It Bad | DE9082i | |||
63-11-14-010 | Things Ain’t What They Used To Be | DE9082j | |||
63-11-14-011 | Eighth Veil | DE9082k | |||
Medley | DE9082l | ||||
63-11-14-012 | - 1. Satin Doll | ||||
63-11-14-013 | - 2. Solitude | ||||
63-11-14-014 | - 3. Don’t Get Around Much Anymore | ||||
63-11-14-015 | - 4. Mood Indigo | ||||
63-11-14-016 | - 5. I’m Beginning To See The Light | ||||
63-11-14-017 | - 6. Sophisticated Lady | ||||
63-11-14-018 | - 7. Caravan | ||||
63-11-14-019 | - 8. Do Nothin’ Till You Hear From Me | ||||
63-11-14-020 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
63-11-14-021 | ¬ Diminuendo In Blue | DE9082m | |||
63-11-14-022 | _| Wailing Interval | DE9082n | |||
Billy Strayhorn(p) | |||||
63-11-14-023 | Lush Life | DE9082o | |||
As before but Duke Ellington out. Add Billy Strayhorn(p) | |||||
63-11-14-024 | Take The “A” Train | DE9082p | |||
DUKE ELLINGTON | New York City, NY | December 1963 | |||
NBC broadcast | |||||
Duke Ellington, Fred Robbins(tk) | |||||
63-21-00-001 | Interview by Robbins | DE6377a | |||
DUKE ELLINGTON GROUP | New York City | 09 January 1964 | |||
NBC telecast | |||||
Johnny Hodges(as); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb,v); Sam Woodyard(d) | |||||
64-01-09-001 | Satin Doll | En 1052 | DE6401a | ||
64-01-09-002 | Passion Flower | En 1052 | DE6401b | ||
Duke Ellington, Hugh Downs(tk) | |||||
64-01-09-003 | Interview by Downs | DE6401c | |||
As before | |||||
64-01-09-004 | Take The “A” Train | En 1052 | DE6401d | ||
64-01-09-005 | Sophisticated Lady | En 1052 | DE6401e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City | 14 January 1964 | |||
WNEW broadcast, Basin Street East | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-01-14-001 | Take The “A” Train (theme) | JB EBCD-2110-2, M&A CD-908 | DE6402a | ||
64-01-14-002 | Afro-Bossa | JB EBCD-2110-2, M&A CD-908 | DE6402b | ||
64-01-14-003 | Silk Lace | M&A CD-908 | DE6402c | ||
64-01-14-004 | ¬ Kinda Dukish | JB EBCD-2110-2, M&A CD-908 | DE6402d | ||
64-01-14-005 | _| Rockin’ In Rhythm | JB EBCD-2110-2, M&A CD-908 | DE6402e | ||
Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-01-14-006 | Single Petal Of A Rose | M&A CD-908 | DE6402f | ||
as before | |||||
64-01-14-007 | Tutti For Cootie | M&A CD-908 | DE6402g | ||
Billy Strayhorn(p,v); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-01-14-008 | Lush Life - vBS | MDD 006, MJ 2MJP-1055M&A-CD-908, RB AK-52760(D) | DE6402h | ||
as before | |||||
64-01-14-009 | Passion Flower | MJ 2MJP-1055M&A-CD-908, RB AK-52760(D) | DE6402i | ||
64-01-14-010 | Jam With Sam | M&A CD-908 | DE6402j | ||
64-01-14-011 | Jam With Sam | M&A CD-908 | DE6402k | ||
64-01-14-012 | Sophisticated Lady | M&A CD-908 | DE6402l | ||
64-01-14-013 | Satin Doll | M&A CD-908 | DE6402m | ||
64-01-14-014 | Rose Of The Rio Grande | M&A CD-908 | DE6402n | ||
64-01-14-015 | ¬ Diminuendo In Blue | M&A CD-908 | DE6402o | ||
64-01-14-016 | _| Wailing Interval | M&A CD-908 | DE6402p | ||
64-01-14-017 | East St. Louis Toodle-O | JB EBCD-2110-2, M&A CD-908 | DE6402q | ||
DUKE ELLINGTON | London, GB | 15 February 1964 | |||
BBC broadcast | |||||
Duke Ellington, Max Jones, Humphrey Lyttelton(tk) | |||||
64-02-15-001 | Interview by Jones and Lyttelton | DE6403a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 15 February 1964 | |||
2nd Concert, Royal Festival Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Tubby Hayes(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-15-002 | The Mooch | DE6404a | |||
64-02-15-003 | Perdido | DE6404b | |||
64-02-15-004 | Amad | DE6404c | |||
64-02-15-005 | Agra | DE6404d | |||
64-02-15-006 | Blue Bird Of Delhi | DE6404e | |||
64-02-15-007 | Depk | DE6404f | |||
64-02-15-008 | The Opener | DE6404g | |||
64-02-15-009 | The Opener | DE6404h | |||
64-02-15-010 | HARLEM | DE6404i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 16 February 1964 | |||
2nd Concert, Hamersmith Odeon | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-16-001 | Take The “A” Train (theme) | DE6405a | |||
64-02-16-002 | ¬ Black And Tan Fantasy | DE6405b | |||
64-02-16-003 | - | Creole Love Call | DE6405c | |||
64-02-16-004 | _|The Mooch | DE6405d | |||
64-02-16-005 | Perdido | DE6405e | |||
64-02-16-006 | Amad | DE6405f | |||
64-02-16-007 | Agra | DE6405g | |||
64-02-16-008 | Blue Bird Of Delhi | DE6405h | |||
64-02-16-009 | Depk | DE6405i | |||
64-02-16-010 | The Opener | DE6405j | |||
64-02-16-011 | Happy Reunion | DE6405k | |||
64-02-16-012 | HARLEM | DE6405l | |||
DUKE ELLINGTON | Bristol, GB | 18 February 1964 | |||
BBC broadcast | |||||
Duke Ellington, Michael Bowen(tk) | |||||
64-02-18-001 | Interview by Bowen | DE6406a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Croydon, GB | 19 February 1964 | |||
1st Concert, Fairfield Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-19-001 | Take The “A” Train (theme) | DE6407a | |||
64-02-19-002 | ¬ Black And Tan Fantasy | DE6407b | |||
64-02-19-003 | - | Creole Love Call | DE6407c | |||
64-02-19-004 | _|The Mooch | DE6407d | |||
64-02-19-005 | Perdido | DE6407e | |||
64-02-19-006 | Amad | DE6407f | |||
64-02-19-007 | Agra | DE6407g | |||
64-02-19-008 | Blue Bird Of Delhi | DE6407h | |||
64-02-19-009 | Depk | DE6407i | |||
64-02-19-010 | The Opener | DE6407j | |||
64-02-19-011 | Happy Reunion | DE6407k | |||
64-02-19-012 | Wailing Interval | DE6407l | |||
64-02-19-013 | HARLEM | DE6407m | |||
64-02-19-014 | Take The “A” Train (theme) | DE6407n | |||
64-02-19-015 | Caravan | DE6407o | |||
64-02-19-016 | Tutti For Cootie | DE6407p | |||
64-02-19-017 | Isfahan | DE6407q | |||
64-02-19-018 | Things Ain’t What They Used To Be | DE6407r | |||
64-02-19-019 | Banquet | DE6407s | |||
64-02-19-020 | Skillpoop | DE6407t | |||
64-02-19-021 | The Prowling Cat | DE6407u | |||
64-02-19-022 | ¬ Kinda Dukish | DE6407v | |||
64-02-19-023 | _| Rockin’ In Rhythm | DE6407w | |||
64-02-19-024 | Take The “A” Train - vES | DE6407x | |||
64-02-19-025 | Monologue | DE6407y | |||
64-02-19-026 | God Save The Queen | DE6407z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Croydon, GB | 19 February 1964 | |||
2nd Concert, Fairfield Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-19-027 | Take The “A” Train (theme) | DE6408a | |||
64-02-19-028 | ¬ Black And Tan Fantasy | DE6408b | |||
64-02-19-029 | - | Creole Love Call | DE6408c | |||
64-02-19-030 | _|The Mooch | DE6408d | |||
64-02-19-031 | Perdido | DE6408e | |||
64-02-19-032 | Amad | DE6408f | |||
64-02-19-033 | Agra | DE6408g | |||
64-02-19-034 | Blue Bird Of Delhi | DE6408h | |||
64-02-19-035 | Depk | DE6408i | |||
64-02-19-036 | The Opener | DE6408j | |||
64-02-19-037 | Happy Reunion | DE6408k | |||
64-02-19-038 | Wailing Interval | DE6408l | |||
64-02-19-039 | HARLEM | DE6408m | |||
64-02-19-040 | Take The “A” Train (theme) | DE6408n | |||
64-02-19-041 | Caravan | DE6408o | |||
64-02-19-042 | Tutti For Cootie | DE6408p | |||
64-02-19-043 | Isfahan | DE6408q | |||
64-02-19-044 | Things Ain’t What They Used To Be | DE6408r | |||
64-02-19-045 | Banquet | DE6408s | |||
64-02-19-046 | Skillpoop | DE6408t | |||
64-02-19-047 | The Prowling Cat | DE6408u | |||
64-02-19-048 | ¬ Kinda Dukish | DE6408v | |||
64-02-19-049 | _| Rockin’ In Rhythm | DE6408w | |||
64-02-19-050 | Take The “A” Train - vES | DE6408x | |||
64-02-19-051 | Monologue | DE6408y | |||
64-02-19-052 | God Save The Queen | DE6408z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 20 February 1964 | |||
BBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-20-001 | Take The “A” Train (theme) | MM 56106-2 | DE6409a | ||
64-02-20-002 | Perdido | MM 56106-2 | DE6409b | ||
64-02-20-003 | Take The “A” Train (theme) | DE6409c | |||
64-02-20-004 | Perdido | DE6409d | |||
64-02-20-005 | Caravan | MM 56106-2 | DE6409e | ||
64-02-20-006 | Isfahan | MM 56106-2 | DE6409f | ||
64-02-20-007 | The Opener | MM 56106-2 | DE6409g | ||
64-02-20-008 | HARLEM | MM 56106-2 | DE6409h | ||
64-02-20-009 | Take The “A” Train - vES | MM 56106-2 | DE6409i | ||
64-02-20-010 | Banquet | DE6409j | |||
64-02-20-011 | Skillipoop | DE6409k | |||
Duke Ellington(p) solo | |||||
64-02-20-012 | Fleurette Africaine (Little African Flower) | DE6409l | |||
As before | |||||
64-02-20-013 | ¬ Kinda Dukish | MM 56106-2 | DE6409m | ||
64-02-20-014 | _| Rockin’ In Rhythm | MM 56106-2 | DE6409n | ||
DUKE ELLINGTON | Bristol, GB | 21 February 1964 | |||
BBC broadcast | |||||
Duke Ellington, n/k(tk) | |||||
64-02-21-001 | Interview | DE6410a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 21 February 1964 | |||
BBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-21-002 | Take The “A” Train | DE6411a | |||
64-02-21-003 | Honeysuckle Rose | DE6411b | |||
64-02-21-004 | Afro-Bossa | DE6411c | |||
64-02-21-005 | Star-Crossed Lovers | DE6411d | |||
64-02-21-006 | Tutti For Cootie | DE6411e | |||
64-02-21-007 | Cotton Tail | DE6411f | |||
64-02-21-008 | In A Sentimental Mood | DE6411g | |||
64-02-21-009 | Jam With Sam | DE6411h | |||
Medley | DE6411i | ||||
64-02-21-010 | - 1. Satin Doll | ||||
64-02-21-011 | - 2. Solitude | ||||
64-02-21-012 | - 3. Don’t Get Around Much Anymore | ||||
64-02-21-013 | - 4. Mood Indigo | ||||
64-02-21-014 | - 5. I’m Beginning To See The Light | ||||
64-02-21-015 | - 6. Sophisticated Lady | ||||
64-02-21-016 | - 7. Caravan | ||||
64-02-21-017 | - 8. Do Nothin’ Till You Hear From Me | ||||
64-02-21-018 | - 9. I Got It Bad | ||||
64-02-21-019 | - 10. Just Squeeze Me - vES | ||||
64-02-21-020 | - 11. I Let A Song Go & Don’t Get Around Much | ||||
64-02-21-021 | Dancers In Love | ||||
64-02-21-022 | Take The “A” Train (theme) | DE6411j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 29 February 1964 | |||
Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-02-29-001 | Take The “A” Train | DE9066a | |||
64-02-29-002 | ¬ Black And Tan Fantasy | DE9066b | |||
64-02-29-003 | - | Creole Love Call | DE9066c | |||
64-02-29-004 | _|The Mooch | DE9066d | |||
64-02-29-005 | Perdido | DE9066e | |||
64-02-29-006 | Amad | DE9066f | |||
64-02-29-007 | Agra | DE9066g | |||
64-02-29-008 | Blue Bird Of Delhi | DE9066h | |||
64-02-29-009 | Depk | DE9066i | |||
64-02-29-010 | The Opener | DE9066j | |||
Paul Gonsalves(ts); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-02-29-011 | Happy Reunion | DE9066k | |||
As before | |||||
64-02-29-012 | Wailing Interval | DE9066l | |||
64-02-29-013 | HARLEM | DE9066m | |||
DUKE ELLINGTON | Probably London, GB | February 1964 | |||
BBC telecast | |||||
Duke Ellington, n/k(tk) | |||||
64-02-30-001 | Interview | DE6412a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 01 March 1964 | |||
1st Concert, New Victoria Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-03-01-001 | Stompy Jones | DE6413a | |||
64-03-01-002 | Caravan | DE6413b | |||
64-03-01-003 | Tutti For Cootie | DE6413c | |||
64-03-01-004 | Isfahan | DE6413d | |||
64-03-01-005 | Things Ain’t What They Used To Be | DE6413e | |||
64-03-01-006 | Banquet | DE6413f | |||
64-03-01-007 | Skillipoop | DE6413g | |||
64-03-01-008 | ¬ Kinda Dukish | DE6413h | |||
64-03-01-009 | _| Rockin’ In Rhythm | DE6413i | |||
64-03-01-010 | Take The “A” Train - vES | DE6413j | |||
64-03-01-011 | Monologue | DE6413k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 01 March 1964 | |||
2nd Concert, New Victoria Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-03-01-012 | Take The “A” Train (theme) | DE6414a | |||
64-03-01-013 | ¬ Black And Tan Fantasy | DE6414b | |||
64-03-01-014 | - | Creole Love Call | DE6414c | |||
64-03-01-015 | _|The Mooch | DE6414d | |||
64-03-01-016 | Perdido | DE6414e | |||
64-03-01-017 | Amad | DE6414f | |||
64-03-01-018 | Agra | DE6414g | |||
64-03-01-019 | Blue Bird Of Delhi | DE6414h | |||
64-03-01-020 | Depk | DE6414i | |||
64-03-01-021 | The Opener | DE6414j | |||
64-03-01-022 | Happy Reunion | DE6414k | |||
64-03-01-023 | Wailing Interval | DE6414l | |||
64-03-01-024 | HARLEM | DE6414m | |||
64-03-01-025 | Stompy Jones | DE6414n | |||
64-03-01-026 | Caravan | DE6414o | |||
64-03-01-027 | Isfahan | DE6414p | |||
64-03-01-028 | Things Ain’t What They Used To Be | DE6414q | |||
64-03-01-029 | Skillipoop | DE6414r | |||
64-03-01-030 | ¬ Kinda Dukish | DE6414s | |||
64-03-01-031 | _| Rockin’ In Rhythm | DE6414t | |||
64-03-01-032 | Take The “A” Train - vES | DE6414u | |||
64-03-01-033 | Monologue | DE6414v | |||
64-03-01-034 | God Save The Queen | DE6414w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stuttgart,D | 02 March 1964 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Ernie Shepard(sb, v); Sam Woodyard(d) | |||||
64-03-02-001 | Take The “A” Train (theme) | DE6415a | |||
64-03-02-002 | ¬ Black And Tan Fantasy | DE6415b | |||
64-03-02-003 | - | Creole Love Call | DE6415c | |||
64-03-02-004 | _|The Mooch | DE6415d | |||
64-03-02-005 | Perdido | DE6415e | |||
64-03-02-006 | Amad | DE6415f | |||
64-03-02-007 | Agra | DE6415g | |||
64-03-02-008 | Blue Bird Of Delhi | DE6415h | |||
64-03-02-009 | Depk | DE6415i | |||
64-03-02-010 | The Opener | DE6415j | |||
64-03-02-011 | Happy Reunion | DE6415k | |||
64-03-02-012 | Wailing Interval | DE6415l | |||
64-03-02-013 | HARLEM | DE6415m | |||
64-03-02-014 | Stompy Jones | DE6415n | |||
64-03-02-015 | Caravan | DE6415o | |||
64-03-02-016 | Tutti For Cootie | DE6415p | |||
64-03-02-017 | Isfahan | DE6415q | |||
64-03-02-018 | Things Ain’t What They Used To Be | DE6415r | |||
64-03-02-019 | Banquet | DE6415s | |||
64-03-02-020 | Skillipoop | DE6415t | |||
64-03-02-021 | ¬ Kinda Dukish | DE6415u | |||
64-03-02-022 | _| Rockin’ In Rhythm | DE6415v | |||
64-03-02-023 | Take The “A” Train - vES | DE6415w | |||
64-03-02-024 | C-Jam Blues | DE6415x | |||
64-03-02-025 | Cotton Tail | DE6415y | |||
64-03-02-026 | Satin Doll | DE6415z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 09 March 1964 | |||
1st Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-09-001 | Take The “A” Train (theme) | DE6416a | |||
64-03-09-002 | ¬ Creole Love Call | DE6416b | |||
64-03-09-003 | _|The Mooch | DE6416c | |||
64-03-09-004 | Perdido | DE6416d | |||
64-03-09-005 | Amad | DE6416e | |||
64-03-09-006 | Agra | DE6416f | |||
64-03-09-007 | Blue Bird Of Delhi | DE6416g | |||
64-03-09-008 | Depk | DE6416h | |||
64-03-09-009 | The Opener | DE6416i | |||
64-03-09-010 | Happy Reunion | DE6416j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Helsinki, Finland | 10 March 1964 | |||
Concert, House of Culture | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-10-001 | Take The “A” Train (theme) | DE6418a | |||
64-03-10-002 | ¬ Black And Tan Fantasy | DE6418b | |||
64-03-10-003 | - | Creole Love Call | DE6418c | |||
64-03-10-004 | _|The Mooch | DE6418d | |||
64-03-10-005 | Perdido | DE6418e | |||
64-03-10-006 | Amad | DE6418f | |||
64-03-10-007 | Agra | DE6418g | |||
64-03-10-008 | Blue Bird Of Delhi | DE6418h | |||
64-03-10-009 | Depk | DE6418i | |||
64-03-10-010 | The Opener | DE6418j | |||
64-03-10-011 | Happy Reunion | DE6418k | |||
64-03-10-012 | HARLEM | DE6418l | |||
64-03-10-013 | Caravan | DE6418m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Goteborg, S | 11 March 1964 | |||
Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-11-001 | Take The “A” Train (theme) | DE6419a | |||
64-03-11-002 | ¬ Black And Tan Fantasy | DE6419b | |||
64-03-11-003 | - | Creole Love Call | DE6419c | |||
64-03-11-004 | _|The Mooch | DE6419d | |||
64-03-11-005 | Perdido | DE6419e | |||
64-03-11-006 | Amad | DE6419f | |||
64-03-11-007 | Agra | MFD G4RS-2536 | DE6419g | ||
64-03-11-008 | Blue Bird Of Delhi | DE6419h | |||
64-03-11-009 | Depk | DE6419i | |||
64-03-11-010 | The Opener | Pb 2308-245 | DE6419j | ||
Paul Gonsalves(ts); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-11-011 | Happy Reunion | MFD G4RS-2536, Pb 2308-245 | DE6419k | ||
As before | |||||
64-03-11-012 | Wailing Interval | Pb 2308-245 | DE6419l | ||
64-03-11-013 | HARLEM | Pb 2308-245 | DE6419m | ||
64-03-11-014 | Caravan | MFD G4RS-2536, Pb 2308-245 | DE6419n | ||
64-03-11-015 | Tutti For Cootie | Pb 2308-245 | DE6419xa | ||
64-03-11-016 | Isfahan | MFD G4RS-2536 | DE6419o | ||
64-03-11-017 | Things Ain’t What They Used To Be | Pb 2308-245 | DE6419xb | ||
64-03-11-018 | All Of Me | Pb 2308-245 | DE6419xc | ||
64-03-11-019 | The Prowling Cat | Pb 2308-245 | DE6419p | ||
64-03-11-020 | ¬ Kinda Dukish | DE6419q | |||
64-03-11-021 | _| Rockin’ In Rhythm | DE6419r | |||
64-03-11-022 | Satin Doll | Pb 2308-245 | DE6419xd | ||
64-03-11-023 | Jones | DE6419s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 13 March 1964 | |||
1st Concert, Tivoli Konsertsal | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-13-001 | Take The “A” Train (theme) | DE6420a | |||
64-03-13-002 | ¬ Black And Tan Fantasy | DE6420b | |||
64-03-13-003 | - | Creole Love Call | DE6420c | |||
64-03-13-004 | _|The Mooch | DE6420d | |||
64-03-13-005 | Perdido | DE6420e | |||
64-03-13-006 | Amad | DE6420f | |||
64-03-13-007 | Agra | DE6420g | |||
64-03-13-008 | Blue Bird Of Delhi | DE6420h | |||
64-03-13-009 | Depk | DE6420i | |||
64-03-13-010 | The Opener | DE6420j | |||
64-03-13-011 | Happy Reunion | DE6420k | |||
64-03-13-012 | Wailing Interval | DE6420l | |||
64-03-13-013 | HARLEM | DE6420m | |||
64-03-13-014 | Stompy Jones | DE6420n | |||
64-03-13-015 | The Prowling Cat | DE6420o | |||
64-03-13-016 | Isfahan | DE6420p | |||
64-03-13-017 | Things Ain’t What They Used To Be | DE6420q | |||
64-03-13-018 | Banquet | DE6420r | |||
64-03-13-019 | Skillipoop | DE6420s | |||
64-03-13-020 | ¬ Kinda Dukish | DE6420t | |||
64-03-13-021 | _| Rockin’ In Rhythm | DE6420u | |||
64-03-13-022 | Satin Doll | DE6420v | |||
64-03-13-023 | Jones | DE6420w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 13 March 1964 | |||
2nd Concert, Tivoli Konsertsal | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-13-024 | Take The “A” Train (theme) | DE6421a | |||
64-03-13-025 | ¬ Black And Tan Fantasy | DE6421b | |||
64-03-13-026 | - | Creole Love Call | DE6421c | |||
64-03-13-027 | _|The Mooch | DE6421d | |||
64-03-13-028 | Perdido | DE6421e | |||
64-03-13-029 | Amad | DE6421f | |||
64-03-13-030 | Agra | DE6421g | |||
64-03-13-031 | Blue Bird Of Delhi | DE6421h | |||
64-03-13-032 | Depk | DE6421i | |||
64-03-13-033 | The Opener | DE6421j | |||
64-03-13-034 | Happy Reunion | DE6421k | |||
64-03-13-035 | Wailing Interval | DE6421l | |||
64-03-13-036 | HARLEM | DE6421m | |||
64-03-13-037 | Stompy Jones | DE6421n | |||
64-03-13-038 | The Prowling Cat | DE6421o | |||
64-03-13-039 | Tutti For Cootie | DE6421p | |||
64-03-13-040 | Isfahan | DE6421q | |||
64-03-13-041 | Things Ain’t What They Used To Be | DE6421r | |||
64-03-13-042 | Banquet | DE6421s | |||
64-03-13-043 | Skillipoop | DE6421t | |||
64-03-13-044 | ¬ Kinda Dukish | DE6421u | |||
64-03-13-045 | _| Rockin’ In Rhythm | DE6421v | |||
64-03-13-046 | Satin Doll | DE6421w | |||
64-03-13-047 | C-Jam Blues | DE6421x | |||
64-03-13-048 | Jones | DE6421y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 15 March 1964 | |||
Concert, Sportpalast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-15-001 | Take The “A” Train (theme) | DE6422a | |||
64-03-15-002 | ¬ Black And Tan Fantasy | DE6422b | |||
64-03-15-003 | - | Creole Love Call | DE6422c | |||
64-03-15-004 | _|The Mooch | DE6422d | |||
64-03-15-005 | Perdido | DE6422e | |||
64-03-15-006 | Amad | DE6422f | |||
64-03-15-007 | Agra | DE6422g | |||
64-03-15-008 | Blue Bird Of Delhi | DE6422h | |||
64-03-15-009 | Depk | DE6422i | |||
64-03-15-010 | The Opener | DE6422j | |||
64-03-15-011 | The Opener | DE6422k | |||
64-03-15-012 | Happy Reunion | DE6422l | |||
64-03-15-013 | Wailing Interval | DE6422m | |||
64-03-15-014 | HARLEM | DE6422n | |||
64-03-15-015 | Stompy Jones | DE6422o | |||
64-03-15-016 | Caravan | DE6422p | |||
64-03-15-017 | Tutti For Cootie | DE6422q | |||
64-03-15-018 | Isfahan | DE6422r | |||
64-03-15-019 | Things Ain’t What They Used To Be | DE6422s | |||
64-03-15-020 | Banquet | DE6422t | |||
64-03-15-021 | Skillipoop | DE6422u | |||
64-03-15-022 | The Prowling Cat | DE6422v | |||
64-03-15-023 | ¬ Kinda Dukish | DE6422w | |||
64-03-15-024 | _| Rockin’ In Rhythm | DE6422x | |||
64-03-15-025 | Satin Doll | DE6422y | |||
64-03-15-026 | C-Jam Blues | DE6422z | |||
64-03-15-027 | Jam With Sam | DE6422aa | |||
64-03-15-028 | Jones | DE6422ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 20 March 1964 | |||
Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jimmy Woode(sb); Sam Woodyard(d) | |||||
64-03-20-001 | Take The “A” Train (theme) | MDD 003 | DE6423a | ||
64-03-20-002 | ¬ Black And Tan Fantasy | DE6423b | |||
64-03-20-003 | - | Creole Love Call | DE6423c | |||
64-03-20-004 | _|The Mooch | DE6423d | |||
64-03-20-005 | Perdido | DE6423e | |||
64-03-20-006 | Amad | MDD 003 | DE6423f | ||
64-03-20-007 | Agra | MDD 003 | DE6423g | ||
64-03-20-008 | Blue Bird Of Delhi | MDD 003 | DE6423h | ||
64-03-20-009 | Depk | MDD 003 | DE6423i | ||
64-03-20-010 | The Opener | MDD 003 | DE6423j | ||
64-03-20-011 | Happy Reunion | MDD 003 | DE6423k | ||
64-03-20-012 | Wailing Interval | MDD 003 | DE6423l | ||
64-03-20-013 | HARLEM | DE6423m | |||
64-03-20-014 | Harmony In Harlem | MDD 003 | DE6423n | ||
64-03-20-015 | Stompy Jones | MDD 003 | DE6423o | ||
64-03-20-016 | Caravan | MDD 003 | DE6423p | ||
64-03-20-017 | Tutti For Cootie | MDD 003 | DE6423q | ||
64-03-20-018 | Isfahan | MDD 003 | DE6423r | ||
64-03-20-019 | Things Ain’t What They Used To Be | MDD 003 | DE6423s | ||
64-03-20-020 | Banquet | MDD 003 | DE6423t | ||
64-03-20-021 | Skillipoop | MDD 003 | DE6423u | ||
64-03-20-022 | Satin Doll | MDD 003 | DE6423v | ||
64-03-20-023 | The Prowling Cat | DE6423w | |||
DUKE ELLINGTON | Paris, F | 21 March 1964 | |||
ORTF telecast | |||||
Duke Ellington(p) | |||||
64-03-21-001 | Take The “A” Train | DE6424a | |||
DUKE ELLINGTON | Paris, F | 21 March 1964 | |||
Radio Monte Carlo broadcast | |||||
Duke Ellington, Line Renaud(tk) | |||||
64-03-21-002 | Interview by Renaud | DE6425a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 21 March 1964 | |||
Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Gilbert Rovere(sb); Sam Woodyard(d) | |||||
64-03-21-003 | ¬ Black And Tan Fantasy | DE6426a | |||
64-03-21-004 | - | Creole Love Call | DE6426b | |||
64-03-21-005 | _|The Mooch | DE6426c | |||
64-03-21-006 | Amad | DE6426d | |||
64-03-21-007 | Agra | DE6426e | |||
64-03-21-008 | Blue Bird Of Delhi | DE6426f | |||
64-03-21-009 | Depk | DE6426g | |||
64-03-21-010 | The Opener | DE6426h | |||
64-03-21-011 | Happy Reunion | DE6426i | |||
64-03-21-012 | Wailing Interval | DE6426j | |||
64-03-21-013 | Caravan | RTE CA-80550317 | DE6426k | ||
64-03-21-014 | Jeep Is Jumpin' | DE6426l | |||
64-03-21-015 | Things Ain’t What They Used To Be | DE6426m | |||
64-03-21-016 | Skillipoop | DE6426n | |||
64-03-21-017 | The Prowling Cat | DE6426o | |||
64-03-21-018 | ¬ Kinda Dukish | DE6426p | |||
64-03-21-019 | _| Rockin’ In Rhythm | DE6426q | |||
64-03-21-020 | Satin Doll | DE6426r | |||
64-03-21-021 | Sophisticated Lady | DE6426s | |||
64-03-21-022 | Happy Go Lucky Local | DE6426t | |||
64-03-21-023 | Take The “A” Train (theme) | DE6426u | |||
DUKE ELLINGTON'S GIANTS GROUP | San Remo, I | 22 March 1964 | |||
Concert, Teatro Ariston | |||||
Rolf Ericson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Gilbert Rovere(sb); Sam Woodyard(d) | |||||
64-03-22-001 | Take The “A” Train (theme) | Ca CAR-430 | DE6427a | ||
64-03-22-002 | C-Jam Blues | Ca CAR-430 | DE6427b | ||
64-03-22-003 | On The Sunny Side Of The Street | Ca CAR-430 | DE6427c | ||
64-03-22-004 | Caravan | Ca CAR-430 | DE6427d | ||
64-03-22-005 | I Got It Bad | Ca CAR-430 | DE6427e | ||
64-03-22-006 | Solitude | Ca CAR-430 | DE6427f | ||
64-03-22-007 | ¬ Kinda Dukish | Ca CAR-430 | DE6427g | ||
64-03-22-008 | _| Rockin’ In Rhythm | Ca CAR-430 | DE6427h | ||
64-03-22-009 | Sophisticated Lady | Ca CAR-430 | DE6427i | ||
64-03-22-010 | ¬ I Let A Song Go Out Of My Heart | Ca CAR-430 | DE6427j | ||
64-03-22-011 | _| Don’t Get Around Much Anymore | Ca CAR-430 | DE6427k | ||
Complete recording at Past Daily | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 March 1964 | |||
Concert, Carnegie Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-03-29-001 | Take The “A” Train (theme) | NSP JU-322 | DE6428a | ||
64-03-29-002 | ¬ Black And Tan Fantasy | NSP JU-322 | DE6428b | ||
64-03-29-003 | - | Creole Love Call | NSP JU-322 | DE6428c | ||
64-03-29-004 | _|The Mooch | NSP JU-322 | DE6428d | ||
64-03-29-005 | Perdido | NSP JU-322 | DE6428e | ||
64-03-29-006 | Amad | NSP JU-322 | DE6428f | ||
64-03-29-007 | Agra | NSP JU-322 | DE6428g | ||
64-03-29-008 | Blue Bird Of Delhi | NSP JU-322 | DE6428h | ||
64-03-29-009 | Depk | NSP JU-322 | DE6428i | ||
64-03-29-010 | The Opener | NSP JU-322 | DE6428j | ||
64-03-29-011 | Happy Reunion | NSP JU-322 | DE6428k | ||
64-03-29-012 | Wailing Interval | NSP JU-322 | DE6428l | ||
64-03-29-013 | HARLEM | NSP JU-322 | DE6428m | ||
64-03-29-014 | Stompy Jones | NSP JU-323 | DE6428n | ||
64-03-29-015 | Take The “A” Train (theme) | NSP JU-323 | DE6428o | ||
64-03-29-016 | Caravan | NSP JU-323 | DE6428p | ||
64-03-29-017 | Tutti For Cootie | NSP JU-323 | DE6428q | ||
64-03-29-018 | Isfahan | NSP JU-323 | DE6428r | ||
64-03-29-019 | Things Ain’t What They Used To Be | NSP JU-323 | DE6428s | ||
64-03-29-020 | Banquet | NSP JU-323 | DE6428t | ||
64-03-29-021 | Skillipoop | NSP JU-323 | DE6428u | ||
64-03-29-022 | The Prowling Cat | NSP JU-323 | DE6428v | ||
64-03-29-023 | ¬ Kinda Dukish | NSP JU-323 | DE6428w | ||
64-03-29-024 | _| Rockin’ In Rhythm | NSP JU-323 | DE6428x | ||
64-03-29-025 | Satin Doll | NSP JU-323 | DE6428y | ||
64-03-29-026 | Monologue | NSP JU-323 | DE6428z | ||
64-03-29-027 | Jam With Sam | NSP JU-323 | DE6428aa | ||
64-03-29-028 | Jones | NSP JU-323 | DE6428ab | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | April 1964 | |||
Concert, Conrad Hilton Hotel | |||||
Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-05-001 | Take The “A” Train | DE6429a | |||
64-04-05-002 | Single Petal Of A Rose | DE6429b | |||
64-04-05-003 | Satin Doll | DE6429c | |||
Add Harry Carney(bar) | |||||
64-04-05-004 | Sophisticated Lady | DE6429d | |||
64-04-05-005 | I Let A Song Go Out Of My Heart | DE6429e | |||
Harry Carney out. Add Jimmy Hamilton(cl) | |||||
64-04-05-006 | Tenderly | DE6429f | |||
64-04-05-007 | Honeysuckle Rose | DE6429g | |||
Add Cootie Williams(t); Paul Gonsalves(ts); Harry Carney(bar) | |||||
64-04-05-008 | ¬ Mood Indigo | DE6429h | |||
64-04-05-009 | _| Solitude | DE6429i | |||
64-04-05-010 | Fat Mouth | DE6429j | |||
64-04-05-011 | Caravan | DE6429k | |||
64-04-05-012 | Tutti For Cootie | DE6429l | |||
Cootie Williams, Harry Carney out | |||||
64-04-05-013 | Body And Soul | DE6429m | |||
Add Cootie Williams(t); Jimmy Hamilton(c); Harry Carney(bar) | |||||
64-04-05-014 | Wailing Interval | DE6429n | |||
Cootie Williams, Jimmy Hamilton, Paul Gonsalves, Harry Carney out | |||||
64-04-05-015 | Dancers In Love | DE6429o | |||
Add Cootie Williams(t); Jimmy Hamilton(cl); Paul Gonsalves(ts); Harry Carney(bar) | |||||
64-04-05-016 | Jones | DE6429p | |||
Cootie Williams, Jimmy Hamilton, Paul Gonsalves, Harry Carney out. Add Johnny Hodges(as) | |||||
64-04-05-017 | It Shouldn’t Happen To A Dream | DE6429q | |||
64-04-05-018 | Jeep Is Jumpin' | DE6429r | |||
64-04-05-019 | I Got It Bad | DE6429s | |||
Add Lawrence Brown(tb) | |||||
64-04-05-020 | Things Ain’t What They Used To be | DE6429t | |||
Lawrence Brown, Johnny Hodges out. | |||||
64-04-05-021 | Dancers In Love | DE6429u | |||
64-04-05-022 | Mood Indigo | DE6429v | |||
DUKE ELLINGTON GROUP | Chicago, IL | April 1964 | |||
Concert, Conrad Hilton Hotel | |||||
Duke Ellington(p); Major Holley(sb); Johnny Hodges Jr.(d) | |||||
Medley | DE6430a | ||||
64-04-08-001 | - 1. Solitude | ||||
64-04-08-002 | - 2. Don’t Get Around Much Anymore | ||||
64-04-08-003 | - 3. Mood Indigo | ||||
64-04-08-004 | - 4. I’m Beginning To See The Light | ||||
64-04-08-005 | - 5. Sophisticated Lady | ||||
64-04-08-006 | - 6. Caravan | ||||
64-04-08-007 | Take The “A” Train | DE6430b | |||
64-04-08-008 | Single Petal Of A Rose | DE6430c | |||
64-04-08-009 | Satin Doll | DE6430d | |||
Add Lawrence Brown(tb) | |||||
64-04-08-010 | Rose Of The Rio Grande | DE6430e | |||
64-04-08-011 | Do Nothin’ Till You Hear From Me | DE6430f | |||
Lawrence Brown out. Add Johnny Hodges(ts) | |||||
64-04-08-012 | I Got It Bad | DE6430g | |||
64-04-08-013 | On The Sunny Side Of The Street | DE6430h | |||
64-04-08-014 | Passion Flower | DE6430i | |||
Add Lawrence Brown(tb) | |||||
64-04-08-015 | Things Ain’t What They Used To Be | DE6430j | |||
64-04-08-016 | The Drum And The Blues | DE6430k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 April 1964 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-15-001 | Hello Dolly! | DE6431a | |||
64-04-15-002 | Call Me Irresponsible | Ms MD5-193, Re R-6122 | DE6431b | ||
64-04-15-003 | The Second Time Around | Ms MD5-193, Re R-6122 | DE6431c | ||
64-04-15-004 | Never On A Sunday | Ms MD5-193, Re R-6122 | DE6431d | ||
64-04-15-005 | Blowin’ In The Wind | Ms MD5-193, Re R-6122 | DE6431e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 April 1964 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-16-001 | Fly Me To The Moon | Ms MD5-193, Re R-6122 | DE6432a | ||
64-04-16-002 | So Little Time | Ms MD5-193, Re R-6122 | DE6432b | ||
64-04-16-003 | Danke Schoen | DE6432c | |||
64-04-16-004 | More | Ms MD5-193, Re R-6122 | DE6432d | ||
64-04-16-005 | Stranger On The Shore | Ms MD5-193, Re R-6122 | DE6432e | ||
64-04-16-006 | Maria | DE6432f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Montreal, CDN | 20 April 1964 | |||
French Canadian telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-20-001 | Boo-Dah | DE6433a | |||
64-04-20-002 | Take The “A” Train (theme) | DE6433b | |||
64-04-20-003 | Afro-Bossa | DE6433c | |||
64-04-20-004 | Perdido | DE6433d | |||
64-04-20-005 | Never On Sunday | DE6433e | |||
Paul Gonsalves(ts); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-20-006 | Happy Reunion | DE6433xa | |||
As before | |||||
64-04-20-007 | Wailing Interval | DE6433f | |||
64-04-20-008 | Caravan | DE6433g | |||
64-04-20-009 | Banquet | DE6433h | |||
64-04-20-010 | Things Ain’t What They Used To Be | DE6433i | |||
64-04-20-011 | Skillipoop | DE6433j | |||
64-04-20-012 | The Prowling Cat | DE6433k | |||
Medley | DE6433l | ||||
64-04-20-013 | - 1. Satin Doll | ||||
64-04-20-014 | - 2. Solitude | ||||
64-04-20-015 | - 3. Don’t Get Around Much Anymore | ||||
64-04-20-016 | - 4. Mood Indigo | ||||
64-04-20-017 | - 5. I’m Beginning To See The Light | ||||
64-04-20-018 | - 6. Sophisticated Lady | ||||
64-04-20-019 | - 7. It Don’t Mean A Thing | ||||
64-04-20-020 | - 8. Do Nothin’ Till You Hear From Me | ||||
64-04-20-021 | - 9. I Let A Song Go & Don’t Get Around Much | ||||
64-04-20-022 | Take The “A” Train (theme) | DE6433m | |||
DUKE ELLINGTON | Montreal, CDN | 21 April 1964 | |||
CBC broadcst | |||||
Duke Ellington, Kate Vita Marson(tk) | |||||
64-04-21-001 | Interview by Marson | DE6434a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 April 1964 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-27-001 | Hello Dolly! | Ms MD5-193, Re R-6122 | DE6435a | ||
64-04-27-002 | Danke Schoen | Ms MD5-193, Re R-6122 | DE6435b | ||
64-04-27-003 | I Left My Heart In San Francisco | Ms MD5-193, Re R-6122 | DE6435c | ||
64-04-27-004 | Maria | DE6435d | |||
Duke Ellington Out. Add Billy Strayhorn(p) | |||||
64-04-27-005 | Take Five | DE6435e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28-29 April 1964 | |||
Pre recording for WNEW telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-04-28-001 | Take The “A” Train | IMDJ MJ-1004-1 | DE6436a | ||
64-04-28-002 | ¬ Black And Tan Fantasy | IMDJ MJ-1004-1 | DE6436b | ||
64-04-28-003 | - | Creole Love Call | IMDJ MJ-1004-1 | DE6436c | ||
64-04-28-004 | _|The Mooch | IMDJ MJ-1004-1 | DE6436d | ||
64-04-28-005 | The Opener | IMDJ MJ-1004-1 | DE6436e | ||
64-04-28-006 | HARLEM | IMDJ MJ-1004-1 | DE6436f | ||
64-04-28-007 | Metromedia | IMDJ MJ-1004-1 | DE6436g | ||
64-04-28-008 | Jam With Sam | IMDJ MJ-1004-1 | DE6436h | ||
64-04-28-009 | Passion Flower | IMDJ MJ-1004-1 | DE6436i | ||
64-04-28-010 | Things Ain’t What They Used To Be | IMDJ MJ-1004-1 | DE6436j | ||
64-04-28-011 | ¬ Kinda Dukish | IMDJ MJ-1004-1 | DE6436k | ||
64-04-28-012 | _| Rockin’ In Rhythm | IMDJ MJ-1004-1 | DE6436l | ||
64-04-28-013 | Take The “A” Train (theme) | IMDJ MJ-1004-1 | DE6436m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 May 1964 | |||
Independent Television telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Major Holley(sb); Sam Woodyard(d) | |||||
64-05-14-001 | Things Ain’t What They Used To Be | DE6337a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 May 1964 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-05-19-001 | Charade | Ms MD5-193, Re R-6542 | DE6438a | ||
64-05-19-002 | The Good Life | Ms MD5-193, Re R-6542 | DE6438b | ||
64-05-19-003 | People | Ms MD5-193, Re R-6542 | DE6438c | ||
64-05-19-004 | I Can’t Stop Loving You | DE6438d | |||
64-05-19-005 | I Can’t Stop Loving You | Ms MD5-193, Re R-6542 | DE6438e | ||
DUKE ELLINGTON | New York City, NY | 20 May 1964 | |||
Recital Wollman Auditorium, Columbia University | |||||
Duke Ellington(p) | |||||
64-05-20-001 | ¬ New York City Blues | Fo 9001, MM 65122-2 | DE6439a | ||
64-05-20-002 | - | Melancholia | Fo 9001, MM 65122-2 | DE6439b | ||
64-05-20-003 | _|Reflections In D | Fo 9001, MM 65122-2 | DE6439c | ||
64-05-20-004 | Fleurette Africaine (Little African Flower) | Fo 9001, MM 65122-2 | DE6439d | ||
64-05-20-005 | Bird Of Paradise | Fo 9001, MM 65122-2 | DE6439e | ||
64-05-20-006 | Single Petal Of A Rose | Fo 9001, MM 65122-2 | DE6439f | ||
64-05-20-007 | NEW WORLD A-COMIN' | Fo 9001 | DE6439g | ||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-05-20-008 | Take The “A” Train | Fo 9001, MM 65122-2 | DE6439h | ||
64-05-20-009 | Satin Doll | Fo 9001, MM 65122-2 | DE6439i | ||
64-05-20-010 | Caravan | MM 65122-2 | DE6439j | ||
64-05-20-011 | Banquet | DE6439k | |||
64-05-20-012 | Skillipoop | Fo 9001, MM 65122-2 | DE6439l | ||
Duke Ellington(tk) | |||||
64-05-20-013 | Into Each Life Some Jazz Must Fall | MM 65122-2 | DE6439m | ||
As before | |||||
Medley | DE6439n | ||||
64-05-20-014 | - 1. Solitude | Fo 9001 | |||
64-05-20-015 | - 2. Don’t Get Around Much Anymore | Fo 9001 | |||
64-05-20-016 | - 3. Mood Indigo | Fo 9001 | |||
64-05-20-017 | - 4. I Got It Bad | Fo 9001 | |||
64-05-20-018 | - 5. Sophisticated Lady | Fo 9001 | |||
64-05-20-019 | - 6. Just Squeeze Me | Fo 9001 | |||
64-05-20-020 | - 7. In A Sentimental Mood | Fo 9001 | |||
64-05-20-021 | - 8. Do Nothin’ Till You Hear From Me | Fo 9001 | |||
64-05-20-022 | - 9. It Don’t Mean A Thing | Fo 9001 | |||
64-05-20-023 | - 10. Mood Indigo | ||||
Blues Medley | DE6439o | ||||
64-05-20-024 | - 1. Happy Go Lucky Local | MM 65122-2 | |||
64-05-20-025 | - 2. E and D Blues | MM 65122-2 | |||
64-05-20-026 | - 3. Happy Go Lucky Local | MM 65122-2 | |||
64-05-20-027 | - 4. C-Jam Blues | MM 65122-2 | |||
64-05-20-028 | - 5. Stevie | MM 65122-2 | |||
64-05-20-029 | - 6. E and D Blues | MM 65122-2 | |||
Add Billy Strayhorn(p) | |||||
64-05-20-030 | Tonk | MM 65122-2 | DE6439p | ||
BILLY STRAYHORN | Same session | ||||
Billy Strayhorn(p,v) | |||||
64-05-20-031 | Lush Life - vBS | DE6439q | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Billy Strayhorn(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-05-20-032 | Things Ain’t What They Used To Be | MM 65122-2 | DE6439r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 May 1964 | |||
CBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-05-24-001 | Satin Doll | X-YT 7(YT) | DE6440h | ||
64-05-24-002 | Things Ain’t What They Used To Be | X-YT 7(YT) | DE6440i | ||
64-05-24-003 | Jam With Sam | X-YT 6(YT) | DE6440j | ||
64-05-24-004 | Take The “A” Train (theme) | X-YT 6(YT) | DE6440k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 May 1964 | |||
NBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Rolf Ericson(t,fh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d); Ella Fitzgerald, Terri Thornton(v) | |||||
64-05-26-001 | Take The “A” Train (theme) | DE6441a | |||
64-05-26-002 | Afro-Bossa | DE6441b | |||
64-05-26-003 | I’m Beginning To See The Light - vEF | DE6441c | |||
64-05-26-004 | Satin Doll - vEF | DE6441d | |||
64-05-26-005 | Happy Go Lucky Local | DE6441e | |||
64-05-26-006 | Satin Doll | DE6441f | |||
64-05-26-007 | Misriff | DE6441g | |||
Billy Strayhorn(p); Peck Morrison(sb); Sam Woodyard(d); Terri Thornton(v) | |||||
64-05-26-008 | Sophisticated Lady - vTTh | DE6441h | |||
as before | |||||
64-05-26-009 | Blue Bird Of Delhi | DE6441i | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
64-05-26-010 | I Let A Song Go Out Of My Heart - TTh(v) | DE6441j | |||
Billy Strayhorn(p); Peck Morrison(sb); Terri Thornton(v) | |||||
64-05-26-011 | I Got It Bad - vTTh | DE6441k | |||
Duke Ellington, Hugh Downs(tk) | |||||
64-05-26-012 | Interview With Downs | DE6441l | |||
as before but Ella Fitzgerald out. | |||||
64-05-26-013 | C-Jam Blues | DE6441m | |||
64-05-26-014 | ¬ Black And Tan Fantasy | DE6441n | |||
64-05-26-015 | _|The Mooch | DE6441o | |||
64-05-26-016 | Take The “A” Train (theme) | DE6441p | |||
64-05-26-017 | Mood Indigo - vTTh | DE6441q | |||
64-05-26-018 | Take The “A” Train (theme) | DE6441r | |||
64-05-26-019 | Things Aint What They Used To Be | DE6441s | |||
Duke Ellington, Hugh Downs(tk) | |||||
64-05-26-020 | Interview With Downs | DE6441t | |||
Duke Ellington, Billy Strayhorn(p) | |||||
64-05-26-021 | Tonk | DE6441u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 May 1964 | |||
Dance date, Holiday Ballroom | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-05-31-001 | The Second Time Around | DE6442a | |||
64-05-31-002 | I Left My Heart In San Francisco | DE6442b | |||
64-05-31-003 | Hello, Dolly! | DE6442c | |||
64-05-31-004 | Hello, Dolly! | DE6442d | |||
64-05-31-005 | Mood Indigo | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442e | ||
64-05-31-006 | Satin Doll | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442f | ||
64-05-31-007 | Do Nothin’ Till You Hear From Me | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442g | ||
64-05-31-008 | Silk Lace | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442h | ||
64-05-31-009 | Dance No. 3 | DE6442i | |||
64-05-31-010 | I Got It Bad | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442j | ||
64-05-31-011 | Isfahan | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442k | ||
64-05-31-012 | Banquet | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442l | ||
64-05-31-013 | S killipoop | DE6442m | |||
64-05-31-014 | Tutti For Cootie | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442n | ||
64-05-31-015 | Summertime | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442o | ||
64-05-31-016 | C-Jam Blues | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442p | ||
64-05-31-017 | Happy Go Lucky Local | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442q | ||
64-05-31-018 | Things Ain’t What They Used To Be | DE6442r | |||
64-05-31-019 | Things Ain’t What They Used To Be | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442s | ||
64-05-31-020 | Guitar Amour | DE6442t | |||
64-05-31-021 | Danke Schoen | DE6442u | |||
64-05-31-022 | Cotton Tail | DE6442v | |||
64-05-31-023 | Stompin’ At The Savoy | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442w | ||
64-05-31-024 | Jeep’s Blues | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442x | ||
64-05-31-025 | I Can’t Stop Loving You | DJ W2X-40012 | DE6442y | ||
64-05-31-026 | ¬ Diminuendo In Blue | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442z | ||
64-05-31-027 | _| Wailing Interval | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442aa | ||
64-05-31-028 | Satin Doll | COL CD-6657, DJ W2X-40012, Si AKG-40012(D) | DE6442ab | ||
DUKE ELLINGTON | Los Angeles, CA | Jun 1964 | |||
Recording for KTLA telecast | |||||
Duke Ellington, n/k(tk) | |||||
64-06-00-001 | Interview | DE6443a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 12 June 1964 | |||
Concert, Disneyland | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-12-001 | Take The “A” Train (theme) | DE6444a | |||
64-06-12-002 | Take The “A” Train (theme) | DE6444b | |||
64-06-12-003 | Satin Doll | DE6444c | |||
64-06-12-004 | Things Ain’t What They Used To Be | DE6444d | |||
64-06-12-005 | V.I.P. Boogie | DE6444e | |||
64-06-12-006 | Jam With Sam | DE6444f | |||
64-06-12-007 | Satin Doll | DE6444g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kyoto, J | 24 June 1964 | |||
Concert, Daiichi Kaikan | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-24-001 | Take The “A” Train | DE6445a | |||
64-06-24-002 | ¬ Black And Tan Fantasy | DE6445b | |||
64-06-24-003 | - | Creole Love Call | DE6445c | |||
64-06-24-004 | _|The Mooch | DE6445d | |||
64-06-24-005 | Amad | DE6445e | |||
64-06-24-006 | Agra | DE6445f | |||
64-06-24-007 | Blue Bird Of Delhi | DE6445g | |||
64-06-24-008 | Depk | DE6445h | |||
64-06-24-009 | The Opener | DE6445i | |||
Paul Gonsalves(ts); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-24-010 | Happy Reunion | DE6445j | |||
As before | |||||
64-06-24-011 | Wailing Interval | DE6445k | |||
64-06-24-012 | HARLEM | DE6445l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 26 June 1964 | |||
Concert, Koseinenkin Kaikan | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-26-001 | Take The “A” Train | DE6446a | |||
64-06-26-002 | Smada | DE6446b | |||
64-06-26-003 | ¬ Black And Tan Fantasy | DE6446c | |||
64-06-26-004 | - | Creole Love Call | DE6446d | |||
64-06-26-005 | _|The Mooch | DE6446e | |||
64-06-26-006 | Amad | DE6446f | |||
64-06-26-007 | Agra | DE6446g | |||
64-06-26-008 | Blue Bird Of Delhi | DE6446h | |||
64-06-26-009 | Depk | DE6446i | |||
64-06-26-010 | The Opener | DE6446j | |||
Paul Gonsalves(ts); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-26-011 | Happy Reunion | DE6446j | |||
As before | |||||
64-06-26-012 | Wailing Interval | DE6446k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 28 June 1964 | |||
NHK telecast | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-06-28-001 | ¬ Black And Tan Fantasy | DE6447a | |||
64-06-28-002 | - | Creole Love Call | DE6447b | |||
64-06-28-003 | _|The Mooch | DE6447c | |||
64-06-28-004 | I Got It Bad | DE6447d | |||
64-06-28-005 | Perdido | DE6447e | |||
Medley | DE6447f | ||||
64-06-28-006 | - 1. Satin Doll | ||||
64-06-28-007 | - 2. Solitude | ||||
64-06-28-008 | - 3. Don’t Get Around Much Anymore | ||||
64-06-28-009 | - 4. Mood Indigo | ||||
64-06-28-010 | - 5. I’m Beginning to See The Light | ||||
64-06-28-011 | - 6. Sophisticated Lady | ||||
64-06-28-012 | - 7. Caravan | ||||
64-06-28-013 | - 8. Do Nothin’ Till You Hear From Me | ||||
64-06-28-014 | - 9. I Let A Song and Don’t Get Around Much | ||||
64-06-28-015 | HARLEM | DE6447g | |||
64-06-28-016 | Things Ain’t What They Used To Be | DE6447h | |||
DUKE ELLINGTON | Tokyo, J | 29 June 1964 | |||
Broadcast, Golden Alaska Night Club | |||||
Duke Ellington, Billy Strayhorn, Harry Carney, n/k(tk) | |||||
64-06-29-001 | Interview | DE9046a | |||
DUKE ELLINGTON | Tokyo, J | June/July 1964 | |||
Duke Ellington, n/k(tk) | |||||
64-06-31-001 | Interview | DE6448a | |||
DUKE ELLINGTON | Tokyo, J | June/July 1964 | |||
Recording for CBS telecast | |||||
Duke Ellington(p) | |||||
64-07-00-001 | Piano Interlude | DE6449a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Japan | June/July 1964 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-07-00-002 | Take The “A” Train (theme) | DE6450a | |||
64-07-00-003 | Depk | DE6450b | |||
64-07-00-004 | ¬ Black And Tan Fantasy | DE6450c | |||
64-07-00-005 | - | Creole Love Call | DE6450d | |||
64-07-00-006 | _|The Mooch | DE6450e | |||
64-07-00-007 | I Got It Bad | DE6450f | |||
64-07-00-008 | Amad | DE6450g | |||
64-07-00-009 | HARLEM | DE6450h | |||
Medley | DE6450i | ||||
64-07-00-010 | - 1. Satin Doll | ||||
64-07-00-011 | - 2. Solitude | ||||
64-07-00-012 | - 3. Mood Indigo | ||||
64-07-00-013 | - 4. Sophisticated Lady | ||||
64-07-00-014 | Things Ain’t What They Used To Be | DE6450j | |||
DUKE ELLINGTON | Tokyo, J | 01 July 1964 | |||
Duke Ellington(p) | |||||
64-07-01-001 | Nagoya | Sv 101-8399 | DE6451a | ||
64-07-01-002 | Unidentified “K” | Sv 101-8399 | DE6451b | ||
64-07-01-003 | Fleurette Africaine | Sv 101-8399 | DE6451c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 03 July 1964 | |||
TBS telecast | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-07-03-001 | Take The “A” Train (theme) | DE6452a | |||
64-07-03-002 | Satin Doll | DE6452b | |||
64-07-03-003 | Caravan | DE6452c | |||
64-07-03-004 | Jam With Sam | DE6452d | |||
64-07-03-005 | ¬ Black And Tan Fantasy | DE6452e | |||
64-07-03-006 | - | Creole Love Call | DE6452f | |||
64-07-03-007 | _|The Mooch | DE6452g | |||
64-07-03-008 | Rockin’ In Rhythm | DE6452h | |||
64-07-03-009 | Rockin’ In Rhythm | DE6452i | |||
64-07-03-010 | Passion Flower | DE6452j | |||
64-07-03-011 | Happy Go Lucky Local | DE6452k | |||
64-07-03-012 | Things Ain’t What They Used To Be | DE6452l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City,NJ | July 1964 | |||
Dance date, Marine Ballroom, Steel Pier | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges, Gregory Herbert(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-07-20-001 | Take The “A” Train (theme) | Jo 1077 | DE6453a | ||
64-07-20-002 | Things Ain’t What They Used To Be | Jo 1077 | DE6453b | ||
64-07-20-003 | More | Jo 1077 | DE6453c | ||
64-07-20-004 | Never On A Sunday | Jo 1077 | DE6453d | ||
64-07-20-005 | Stranger On The Shore | Jo 1077 | DE6453e | ||
64-07-20-006 | Tutti For Cootie | Jo 1077 | DE6453f | ||
64-07-20-007 | Satin Doll | Jo 1077 | DE6453g | ||
64-07-20-008 | Happy Go Lucky Local | Jo 1077 | DE6453h | ||
64-07-20-009 | Take The “A” Train (theme) | Jo 1077 | DE6453i | ||
64-07-20-010 | Afro Bossa | Jo 1077 | DE6453j | ||
64-07-20-011 | Call Me Irresponsible | Jo 1077 | DE6453k | ||
64-07-20-012 | Hello, Dolly! | Jo 1077 | DE6453l | ||
64-07-20-013 | Danke Schoen | Jo 1077 | DE6453m | ||
64-07-20-014 | The Second Time Around | DE6453n | |||
64-07-20-015 | Jam With Sam | DE6453o | |||
64-07-20-016 | Satin Doll | DE6453p | |||
64-07-20-017 | I Left My Heart In San Francisco | DE6453q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City,NJ | 17 August 1964 | |||
WNEW broadcast, Basin Street East | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Peck Morrison(sb); Sam Woodyard(d) | |||||
64-08-17-001 | Take The “A” Train (theme) | DE6454a | |||
64-08-17-002 | Afro Bossa | DE6454b | |||
64-08-17-003 | ¬ Kinda Dukeish | DE6454c | |||
64-08-17-004 | _|Rockin’ In Rhythm | DE6454d | |||
64-08-17-005 | Call Me Irresponsible | DE6454e | |||
64-08-17-006 | Hello, Dolly | DE6454f | |||
64-08-17-007 | Never on Sunday | DE6454g | |||
64-08-17-008 | The Second Time Around | DE6454h | |||
64-08-17-009 | Things Ain’t What They Used To Be | DE6454i | |||
64-08-17-010 | Satin Doll | DE6454j | |||
64-08-17-011 | East St. Louis Toodle-O | DE6454k | |||
64-08-17-012 | The Prowling Cat | DE6454l | |||
64-08-17-013 | Stranger on The Shore | DE6454m | |||
64-08-17-014 | Happy Go Lucky Local | DE6454n | |||
64-08-17-015 | Take The “A” Train (theme) | DE6454o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City,NJ | 26 August 1964 | |||
American Airlines film soundtrack | |||||
Cootie Williams, Cat Anderson, Nat Woodard(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges, Gregory Herbert(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
SUITE FOR SWINGING | |||||
64-08-26-001 | - 6. Spon | DE6455a | |||
64-08-26-002 | - 6. Spon | DE6455b | |||
64-08-26-003 | - 6. Spon | DE6455c | |||
64-08-26-004 | - 6. Spon | DE6455d | |||
64-08-26-005 | - 6. Spon | DE6455e | |||
64-08-26-006 | - 6. Spon | DE6455f | |||
64-08-26-007 | - 6. Spon | DE6455g | |||
64-08-26-008 | - 6. Spon | DE6455h | |||
64-08-26-009 | - 6. Spon | DE6455i | |||
64-08-26-010 | - 6. Spon | DE6455j | |||
64-08-26-011 | - 6. Spon | DE6455k | |||
64-08-26-012 | - 6. Spon | DE6455l | |||
64-08-26-013 | - 6. Spon | DE6455m | |||
64-08-26-014 | -1 | - 6. Spon | DE6455n | ||
64-08-26-015 | - 6. Spon | DE6455o | |||
64-08-26-016 | -2 | - 6. Spon | DE6455p | ||
64-08-26-017 | -1 | - 3. Volupté | ER LP-1008 | DE6455q | |
64-08-26-018 | -1 | - 1. Igoo | ER LP-1008‡ | DE6455r | |
64-08-26-019 | -2 | - 1. Igoo | DE6455s | ||
64-08-26-020 | -3 | - 1. Igoo | ER 1008, ER LP-1008 | DE6455t | |
64-08-26-021 | -4 | - 5. Igoo | ER 1008, ER LP-1008 | DE6455u | |
64-08-26-022 | - 2. Shufflelady | DE6455v | |||
64-08-26-023 | - 2. Shufflelady | DE6455w | |||
64-08-26-024 | -1 | - 2. Shufflelady | DE6455x | ||
64-08-26-025 | -2 | - 2. Shufflelady | ER 1008, ER LP-1008 | DE6455y | |
64-08-26-026 | - 2. Shufflelady | DE6455z | |||
64-08-26-027 | - 2. Shufflelady | DE6455aa | |||
64-08-26-028 | - 2. Shufflelady | DE6455ab | |||
64-08-26-029 | - 4. Soul Train | DE6455ac | |||
64-08-26-030 | - 4. Soul Train | DE6455ad | |||
64-08-26-031 | - 4. Soul Train | DE6455ae | |||
64-08-26-032 | - 4. Soul Train | DE6455af | |||
64-08-26-033 | - 4. Soul Train | DE6455ag | |||
64-08-26-034 | - 4. Soul Train | DE6455ah | |||
64-08-26-035 | - 4. Soul Train | DE6455ai | |||
64-08-26-036 | - 4. Soul Train | DE6455aj | |||
64-08-26-037 | - 4. Soul Train | DE6455ak | |||
64-08-26-038 | - 4. Soul Train | DE6455al | |||
64-08-26-039 | -1 | - 4. Soul Train | ER LP-1008‡ | DE6455am | |
64-08-26-040 | - 4. Soul Train | DE6455an | |||
64-08-26-041 | -2 | - 4. Soul Train | DE6455ao | ||
64-08-26-042 | -3 | - 4. Soul Train | ER 1008, ER LP-1008 | DE6455ap | |
64-08-26-043 | -4 | - 4. Soul Train | DE6455aq | ||
64-08-26-044 | - 7. Shufflelady | DE6455ar | |||
64-08-26-045 | -5 | - 7. Shufflelady | ER 1008, ER LP-1008 | DE6455as | |
64-08-26-046 | -6 | - 7. Shufflelady | DE6455at | ||
64-08-26-047 | -3 | - 6. Spon | ER LP-1008‡ | DE6455au | |
64-08-26-048 | -4 | - 6. Spon | DE6455av | ||
64-08-26-049 | -5 | - 6. Spon | ER 1008, ER LP-1008 | DE6455aw | |
64-08-26-050 | - 7. Igoo | DE6455ax | |||
64-08-26-051 | - 7. Igoo | DE6455ay | |||
DUKE ELLINGTON | Toronto, CDN | 02 September 1964 | |||
CBC telecast | |||||
Duke Ellington, Byng Whittaker(tk) | |||||
64-09-02-001 | Interview by Whittaker | DE6456a | |||
DUKE ELLINGTON AND HIS RHYTHM | Toronto, CDN | Same session | |||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
64-09-02-002 | My Mother, My Father and Love | DE6456b | |||
64-09-02-003 | Soda Fountain Rag | Rt 29 | DE6456c | ||
64-09-02-004 | What You Gonna Do When the Bed Breaks Down? | Rt 29 | DE6456d | ||
64-09-02-005 | My Mother, My Father and Love | Rt 29 | DE6456e | ||
64-09-02-006 | East St. Louis Toodle-O | DE6456f | |||
64-09-02-007 | Piano Interlude | DE6456g | |||
64-09-02-008 | Blue Tune | DE6456h | |||
64-09-02-009 | Sophisticated Lady | DE6456i | |||
64-09-02-010 | ¬ Don’t You Know I Care | DE6456j | |||
64-09-02-011 | - | Prelude To A Kiss | DE6456k | |||
64-09-02-012 | - | Someone | DE6456l | |||
64-09-02-013 | - | Do Nothin’ Till You Hear From Me | DE6456m | |||
64-09-02-014 | _|I’m Just A Lucky So And So | DE6456n | |||
64-09-02-015 | ¬ Happy Go Lucky Local | DE6456o | |||
64-09-02-016 | _|I’m Beginning To See The Light | DE6456p | |||
64-09-02-017 | Blues No. 9 | DE6456q | |||
64-09-02-018 | Take The “A” Train | Rt 29 | DE6456r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 03 & 04 September 1964 | |||
Pre-recording for CBC telecast | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
64-09-03-001 | Happy Go Lucky Local | Rt 29 | DE6457b | ||
Duke Ellington(tk) only | |||||
64-09-03-002 | My People | Rt 29 | DE6457c | ||
As before | |||||
64-09-03-003 | The Blues - vJS | Rt 29 | DE6457d | ||
64-09-03-004 | ¬ Kinda Dukish | Rt 29 | DE6457e | ||
64-09-03-005 | _|Rockin’ In Rhythm | Rt 29 | DE6457f | ||
64-09-03-006 | Blue Bird Of Delhi | Rt 29 | DE6457g | ||
64-09-03-007 | Agra | Rt 29 | DE6457h | ||
64-09-03-008 | Amad | Rt 29 | DE6457i | ||
64-09-03-009 | My Mother, My Father and Love | Rt 29 | DE6457j | ||
Add Bunny Briggs(td) Emma Kemp(v) | |||||
64-09-03-010 | Come Sunday - vEK | Rt 29 | DE6457k | ||
As before | |||||
64-09-03-011 | Banquet | Rt 29 | DE6457l | ||
Add Fred Stone (t) | |||||
64-09-03-012 | Skillipoop | Rt 29 | DE6457m | ||
Fred Stone out. | |||||
64-09-03-013 | Jam With Sam | Rt 29 | DE6457n | ||
Duke Ellington(tk,p) only | |||||
64-09-03-014 | Into Each Life Some Jazz must Fall | Rt 29 | DE6457o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 06, 08 & 09 September 1964 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
64-09-06-001 | A Spoonful Of Sugar | Ms MD5-193, Re R-6141 | DE6458a | ||
64-09-06-002 | Stay Awake | Ms MD5-193, Re R-6141 | DE6458b | ||
64-09-06-003 | Feed The Birds | Ms MD5-193, Re R-6141 | DE6458c | ||
64-09-06-004 | Supercalifragilisticexpialidocious | Ms MD5-193, Re R-6141 | DE6458d | ||
64-09-06-005 | Let’s Go Fly A Kite | Ms MD5-193, Re R-6141 | DE6458e | ||
64-09-06-006 | Chim Chim Cheree | Ms MD5-193, Re R-6141 | DE6458f | ||
64-09-06-007 | Sister Sufragette | Ms MD5-193, Re R-6141 | DE6458g | ||
64-09-06-008 | The Perfect Nanny | Ms MD5-193, Re R-6141 | DE6458h | ||
64-09-06-009 | I Love To Laugh | Ms MD5-193, Re R-6141 | DE6458i | ||
64-09-06-010 | The Life I Lead | Ms MD5-193, Re R-6141 | DE6458j | ||
64-09-06-011 | Step In Time | Ms MD5-193, Re R-6141 | DE6458k | ||
64-09-06-012 | Jolly Holiday | Ms MD5-193, Re R-6141 | DE6458l | ||
DUKE ELLINGTON | Houston, TX | 11 September 1964 | |||
Broadcast, Cullum Auditorium, University of Houston | |||||
Duke Ellington, Ed Case(tk) | |||||
64-09-11-001 | Interview by Case | DE6459a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Long Beach, CA | 30 September 1964 | |||
Concert, City College Auditorium | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
64-09-30-001 | Take The “A” Train | DE6460a | |||
64-09-30-002 | ¬ Black And Tan Fantasy | DE6460b | |||
64-09-30-003 | - | Creole Love Call | DE6460c | |||
64-09-30-004 | _|The Mooch | DE6460d | |||
64-09-30-005 | Amad | DE6460e | |||
64-09-30-006 | Agra | DE6460f | |||
64-09-30-007 | Blue Bird Of Delhi | DE6460g | |||
64-09-30-008 | Depk | DE6460h | |||
64-09-30-009 | The Opener | DE6460i | |||
64-09-30-010 | In A Sentimental Mood | DE6460j | |||
64-09-30-011 | Wailing Interval | DE6460k | |||
Medley | DE6460l | ||||
64-09-30-012 | - 1. Satin Doll | ||||
64-09-30-013 | - 2. Solitude | ||||
64-09-30-014 | - 3. Don’t Get Around Much Anymore | ||||
64-09-30-015 | - 4. Mood Indigo | ||||
64-09-30-016 | - 5. I’m Beginning to See The Light | ||||
64-09-30-017 | - 6. Sophisticated Lady | ||||
64-09-30-018 | - 7. Caravan | ||||
64-09-30-019 | - 8. Do Nothin’ Till You Hear From Me | ||||
64-09-30-020 | - 9. I Let A Song and Don’t Get Around Much | ||||
64-09-30-021 | C-Jam Blues | DE6460m | |||
64-09-30-022 | Never On A Sunday | DE6460n | |||
64-09-30-023 | I Left My Heart In San Francisco | DE6460o | |||
64-09-30-024 | Take The “A” Train (theme) | DE6460p | |||
64-09-30-025 | Take The “A” Train (theme) | DE6460q | |||
64-09-30-026 | Tutti For Cootie | DE6460r | |||
64-09-30-027 | Skillipoop | DE6460s | |||
64-09-30-028 | The Prowling Cat | DE6460t | |||
64-09-30-029 | ¬ Kinda Dukish | DE6460u | |||
64-09-30-030 | _|Rockin’ In Rhythm | DE6460v | |||
64-09-30-031 | Monologue | DE6460w | |||
64-09-30-032 | Fly Me To The Moon | DE6460x | |||
64-09-30-033 | Happy Go Lucky Local | DE6460y | |||
64-09-30-034 | Things Ain’t What They Used To Be | DE6460z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 13 December 1964 | |||
Dance date, Bolling AFB | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Johnny Hodges Junior(d); Jimmy McPhail(v) | |||||
64-12-13-001 | Mood Indigo | DE6461a | |||
64-12-13-002 | Happy Go Lucky Local | DE6461b | |||
64-12-13-003 | Autumn Leaves | DE6461c | |||
64-12-13-004 | Take The “A” Train | DE6461d | |||
64-12-13-005 | Afro-Bossa | DE6461e | |||
64-12-13-006 | Caravan | DE6461f | |||
64-12-13-007 | Summertime | DE6461g | |||
64-12-13-008 | Sophisticated Lady | DE6461h | |||
64-12-13-009 | I Left My Heart In San Francisco | DE6461i | |||
64-12-13-010 | Do Nothin’ Till You Hear From Me | DE6461j | |||
64-12-13-011 | Never On Sunday | DE6461k | |||
64-12-13-012 | ¬ I Let A Sing Go Out Of My Heart | DE6461l | |||
64-12-13-013 | _|Don’t Get Around Much Anymore | DE6461m | |||
64-12-13-014 | I Got It Bad | DE6461n | |||
64-12-13-015 | Things Ain’t What They Used To Be | DE6461o | |||
64-12-13-016 | Solitude - vJMP | DE6461p | |||
64-12-13-017 | Love You Madly - vJMP | DE6461q | |||
64-12-13-018 | Call Me Irresponsible | DE6461r | |||
64-12-13-019 | Satin Doll | DE6461s | |||
64-12-13-020 | A Spoonful Of Sugar | DE6461t | |||
64-12-13-021 | Black And Tan Fantasy | DE6461u | |||
64-12-13-022 | Fly Me To The Moon | DE6461v | |||
64-12-13-023 | In A Mellow Tone | DE6461w | |||
64-12-13-024 | The Second Time Around | DE6461x | |||
64-12-13-025 | Danke Schoen | DE6461y | |||
64-12-13-026 | Mademoiselle De Paris | DE6461z | |||
64-12-13-027 | Warm Valley | DE6461aa | |||
64-12-13-028 | On The Sunny Side Of The Street | DE6461ab | |||
64-12-13-029 | Two Pros | DE6461ac | |||
64-12-13-030 | The Mooch | DE6461ad | |||
64-12-13-031 | ¬ Kinda Dukish | DE6461ae | |||
64-12-13-032 | _|Rockin’ In Rhythm | DE6461af | |||
Duke Ellington(p); John Lamb(sb); Johnny Hodges Junior(d) | |||||
64-12-13-033 | C-Jam Blues | DE6461ag | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 December 1964 | |||
CBS and NBC broadcasts, Basin Street East | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
64-12-31-001 | Take The “A” Train (theme) | DE6462a | |||
64-12-31-002 | Afro-Bossa | DE6462b | |||
64-12-31-003 | Silk Lace | DE6462c | |||
64-12-31-004 | Jam With Sam | DE6462d | |||
64-12-31-005 | Passion Flower | DE6462e | |||
64-12-31-006 | Fly Me To The Moon | DE6462f | |||
64-12-31-007 | ¬ Diminuendo In Blue | DE6462g | |||
64-12-31-008 | _|Wailing Interval | DE6462h | |||
64-12-31-009 | Satin Doll | DE6462i | |||
64-12-31-010 | C-Jam Blues | DE6462j | |||
64-12-31-011 | I Got It Bad | DE6462k | |||
64-12-31-012 | Things Ain’t What They Used To Be | DE6462l | |||
64-12-31-013 | Things Ain’t What They Used To Be | DE6462m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 January 1965 | |||
NBC telecast | |||||
Cootie Williams, Cat Anderson, Nat Woodard, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Ethel Ennis(v) | |||||
Medley | DE6501a | ||||
65-01-05-001 | - 1. Satin Doll | ||||
65-01-05-002 | - 2. Sophisticated Lady | ||||
65-01-05-003 | - 3. Don’t Get Around Much Anymore | ||||
65-01-05-004 | - 4. I Got It Bad | ||||
65-01-05-005 | - 5. I’m Beginning to See The Light | ||||
Duke Ellington(p) only | |||||
65-01-05-006 | Dancers In Love | DE6501b | |||
As before | |||||
65-01-05-007 | Love You Madly - vEE | DE6501c | |||
65-01-05-008 | Mood Indigo | DE6501d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 12 January 1965 | |||
20th Century Fox soundtrack, Universal Studios | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Herbie Jones(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-12-001 | Take The “A” Train (theme) | Af CD-AFS-1000 | DE6502a | ||
65-01-12-002 | Rockin’ In Rhythm | Af CD-AFS-1000 | DE6502b | ||
65-01-12-003 | Step In Time | Af CD-AFS-1000 | DE6502c | ||
65-01-12-004 | Supercalifragilisticexpialidocious | Af CD-AFS-1000 | DE6502d | ||
65-01-12-005 | Tutti For Cootie | Af CD-AFS-1000 | DE6502e | ||
Medley | DE6502f | ||||
65-01-12-006 | - 1. Caravan | Af CD-AFS-1000 | |||
65-01-12-007 | - 2. I Got It Bad | Af CD-AFS-1000 | |||
65-01-12-008 | - 3. Don’t Get Around Much Anymore | Af CD-AFS-1000 | |||
65-01-12-009 | - 4. Mood Indigo | Af CD-AFS-1000 | |||
65-01-12-010 | - 5. I’m Beginning to See The Light | Af CD-AFS-1000 | |||
65-01-12-011 | - 6. Sophisticated Lady | Af CD-AFS-1000 | |||
65-01-12-012 | Do Nothin’ Till You Hear From Me | Af CD-AFS-1000 | DE6502g | ||
65-01-12-013 | Jam With Sam | DE6502h | |||
65-01-12-014 | Things Ain’t What They Used to Be | DE6502i | |||
65-01-12-015 | Take The “A” Train (theme) | Af CD-AFS-1000 | DE6502j | ||
65-01-12-016 | Afro-Bosa | Af CD-AFS-1000 | DE6502k | ||
65-01-12-017 | Satin Doll | Af CD-AFS-1000 | DE6502l | ||
65-01-12-018 | The Prowling Cat | Af CD-AFS-1000 | DE6502m | ||
65-01-12-019 | Cotton Tail | Af CD-AFS-1000 | DE6502n | ||
65-01-12-020 | Never On Sunday | Af CD-AFS-1000 | DE6502o | ||
65-01-12-021 | Fly Me To The Moon | Af CD-AFS-1000 | DE6502p | ||
65-01-12-022 | Banquet | Af CD-AFS-1000 | DE6502q | ||
65-01-12-023 | Skillipoop | Af CD-AFS-1000 | DE6502r | ||
65-01-12-024 | Things Ain’t What They Used to Be | DE6502s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 January 1965 | |||
Reprise recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-19-001 | Moon River | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6503a | ||
65-01-19-002 | All My Loving | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6503b | ||
65-01-19-003 | Days Of Wine And Roses | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6503c | ||
65-01-19-004 | Satin Doll | At 304-2, Ms MD5-193, Re R-6154, Re R-6234, Re RVS-6037 | DE6503d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 January 1965 | |||
Reprise recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-21-001 | Red Roses For A Blue Lady | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6504a | ||
65-01-21-002 | I Want To Hold Your Hand | DE6504b | |||
65-01-21-003 | I Want To Hold Your Hand | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6504c | ||
65-01-21-004 | I Want To Hold Your Hand | DE6504d | |||
65-01-21-005 | A Beautiful Friendship | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6504e | ||
65-01-21-006 | A Beautiful Friendship | DE6504f | |||
65-01-21-007 | Ellington ‘66 | Ms MD5-193, Re R-6154, Re RVS-6037 | DE6504g | ||
65-01-21-008 | Ellington ‘66 | DE6504h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 26 January 1965 | |||
France Inter broadcast | |||||
Duke Ellington(p) | |||||
65-01-26-001 | Nagoya | DE6505a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 29 January 1965 | |||
Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-29-001 | Midriff | La 36131(D) | DE6506xa | ||
65-01-29-002 | Happy Go Lucky Local | La 36131(D), RTE 710433(D) | DE6506a | ||
BLACK | |||||
65-01-29-003 | - 01. Worksong | DE6506b | |||
65-01-29-004 | - 02. Come Sunday | DE6506c | |||
65-01-29-005 | Take The “A” Train (theme) | La 36131(D), RTE 710434(D) | DE6506d | ||
65-01-29-006 | Rockin’ In Rhythm | RTE CA-80550317 | DE6506e | ||
65-01-29-007 | Jam With Sam | La 36131(D), RTE 710434(D) | DE6506f | ||
65-01-29-008 | C-Jam Blues | La 36131(D), RTE 710434(D) | DE6506g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 30 January 1965 | |||
1st Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-30-001 | Take The “A” Train (theme) | DE6507a | |||
65-01-30-002 | Midriff | DE6507b | |||
65-01-30-003 | Afro-Bossa | DE6507c | |||
AD LIB ON NIPPON | |||||
65-01-30-004 | - 1. Fugi | DE6507d | |||
65-01-30-005 | - 2. Igoo | DE6507e | |||
65-01-30-006 | - 3. Nagoya | DE6507f | |||
65-01-30-007 | - 4. Tokyo | DE6507g | |||
65-01-30-008 | The Opener | DE6507h | |||
65-01-30-009 | Chelsea Bridge | MDD 006 | DE6507i | ||
65-01-30-010 | Wailing Interval | DE6507j | |||
BLACK | |||||
65-01-30-011 | - 01. Worksong | DE6507k | |||
65-01-30-012 | - 02. Come Sunday | DE6507l | |||
65-01-30-013 | - 03. Light (Montage) | DE6507m | |||
65-01-30-014 | Take The “A” Train (theme) | JCl 124 | DE6507n | ||
65-01-30-015 | ¬ Satin Doll | JCl 124 | DE6507o | ||
65-01-30-016 | _|Sophisticated Lady | JCl 124 | DE6507p | ||
65-01-30-017 | Jungle Kitty (Meow) | JCl 124 | DE6507q | ||
65-01-30-018 | Jungle Kitty (Meow) | JCl 124 | DE6507r | ||
65-01-30-019 | I Got It Bad | JCl 124 | DE6507s | ||
65-01-30-020 | Harmony In Harlem | JCl 124 | DE6507t | ||
65-01-30-021 | Things Ain’t What They Used To Be | JCl 124 | DE6507u | ||
65-01-30-022 | Perdido | JCl 124 | DE6507v | ||
65-01-30-023 | Tutti For Cootie | JCl 124 | DE6507w | ||
65-01-30-024 | ¬ Carolina Shout | JCl 124, La 36131(D), RTE 710434(D) | DE6507x | ||
65-01-30-025 | _|Rockin’ In Rhythm | JCl 124, La 36131(D), RTE 710434(D) | DE6507y | ||
65-01-30-026 | Jump For Joy - vRN | La 36131(D), RTE 710434(D) | DE6507z | ||
65-01-30-027 | He Huffed ’n’ He Puffed - vRN | La 36131(D), RTE 710434(D) | DE6507aa | ||
65-01-30-028 | Take The “A” Train (theme) | JCl 124 | DE6507ab | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 30 January 1965 | |||
2nd Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-30-029 | Boo-Dah | La 36131(D), RTE 710433(D) | DE6508a | ||
65-01-30-030 | Afro-Bossa | La 36131(D), RTE 710433(D) | DE6508b | ||
AD LIB ON NIPPON | |||||
65-01-30-031 | - 1. Fugi | La 36131(D), RTE 710433(D) | DE6508c | ||
65-01-30-032 | - 2. Igoo | La 36131(D), RTE 710433(D) | DE6508d | ||
65-01-30-033 | - 3. Nagoya | La 36131(D), RTE 710433(D) | DE6508e | ||
65-01-30-034 | - 4. Tokyo | La 36131(D), RTE 710433(D) | DE6508f | ||
65-01-30-035 | The Opener | La 36131(D), RTE 710433(D) | DE6508g | ||
65-01-30-036 | Chelsea Bridge | La 36131(D), RTE 710433(D) | DE6508h | ||
65-01-30-037 | Happy Go Lucky Local | DE6508i | |||
BLACK | |||||
65-01-30-038 | - 01. Worksong | La 36131(D), RTE 710433(D) | DE6508j | ||
65-01-30-039 | - 02. Come Sunday | La 36131(D), RTE 710433(D) | DE6508k | ||
65-01-30-040 | - 03. Light (Montage) | La 36131(D), RTE 710433(D) | DE6508l | ||
65-01-30-041 | Satin Doll | La 36131(D), RTE 710433(D) | DE6508m | ||
65-01-30-042 | Sophisticated Lady | La 36131(D), RTE 710433(D) | DE6508n | ||
65-01-30-043 | Jungle Kitty (Meow) | La 36131(D), RTE 710434(D) | DE6508o | ||
65-01-30-044 | Jungle Kitty (Meow) | La 36131(D), RTE 710434(D) | DE6508p | ||
65-01-30-045 | Passion Flower | La 36131(D), RTE 710434(D) | DE6508q | ||
65-01-30-046 | Things Ain’t What They Used To Be | La 36131(D), RTE 710434(D) | DE6508r | ||
65-01-30-047 | Jeep’s Blues | La 36131(D), RTE 710434(D) | DE6508s | ||
65-01-30-048 | Perdido | La 36131(D), RTE 710434(D) | DE6508t | ||
65-01-30-049 | Tutti For Cootie | La 36131(D), RTE 710434(D) | DE6508u | ||
65-01-30-050 | East St. Louis Toodle-O | La 36131(D), RTE 710434(D) | DE6508v | ||
65-01-30-051 | ¬ Soda Fountain Rag | DE6508w | |||
65-01-30-052 | _|Rockin’ In Rhythm | DE6508x | |||
65-01-30-053 | Just Squeeze Me - vRN | La 36131(D), RTE 710434(D) | DE6508y | ||
65-01-30-054 | Just A-Sittin’ And A-Rockin’ - vRN | La 36131(D), RTE 710434(D) | DE6508z | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 31 January 1965 | |||
Concert, Falkoner Teatret | |||||
Duke Ellington, Per Moller Hansen(tk) | |||||
65-01-31-001 | Interview by Hansen | DE9039a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 31 January 1965 | |||
Concert, Falkoner Teatret | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-01-31-002 | Take The “A” Train (theme) | DE6509a | |||
65-01-31-003 | Midriff | DE6509b | |||
65-01-31-004 | Afro-Bossa | DE6509c | |||
AD LIB ON NIPPON | |||||
65-01-31-005 | - 1. Fugi | DE6509d | |||
65-01-31-006 | - 2. Igoo | DE6509e | |||
65-01-31-007 | - 3. Nagoya | DE6509f | |||
65-01-31-008 | - 4. Tokyo | DE6509g | |||
65-01-31-009 | The Opener | DE6509h | |||
65-01-31-010 | Chelsea Bridge | DE6509i | |||
65-01-31-011 | Wailing Interval | DE6509j | |||
BLACK | |||||
65-01-31-012 | - 01. Worksong | DE6509k | |||
65-01-31-013 | - 02. Come Sunday | DE6509l | |||
65-01-31-014 | - 03. Light (Montage) | DE6509m | |||
65-01-31-015 | Take The “A” Train (theme) | MDD 006 | DE6509n | ||
65-01-31-016 | ¬ Satin Doll | DE6509o | |||
65-01-31-017 | _|Sophisticated Lady | DE6509p | |||
65-01-31-018 | Jungle Kitty (Meow) | DE6509q | |||
65-01-31-019 | Jungle Kitty (Meow) | DE6509r | |||
65-01-31-020 | Passion Flower | DE6509s | |||
65-01-31-021 | Things Ain’t What They Used To Be | DE6509t | |||
65-01-31-022 | Jeep’s Blues | DE6509u | |||
65-01-31-023 | Perdido | DE6509v | |||
65-01-31-024 | Tutti For Cootie | DE6509w | |||
65-01-31-025 | ¬ Kinda Dukish | DE6509x | |||
65-01-31-026 | _|Rockin’ In Rhythm | DE6509y | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
65-01-31-027 | Take The “A” Train | DE6509z | |||
As before | |||||
65-01-31-028 | He Huffed ’n’ He Puffed - vRN | DE6509aa | |||
65-01-31-029 | Jam With Sam | DE6509ab | |||
65-01-31-030 | Take The “A” Train (theme) | DE6509ac | |||
Duke Ellington(p); John Lamb(sb) only | |||||
65-01-31-031 | Dancers In Love | DE6509ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 02 February 1965 | |||
Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-02-001 | Take The “A” Train (theme) | DE6510a | |||
65-02-02-002 | Afro-Bossa | DE6510b | |||
65-02-02-003 | The Opener | DE6510c | |||
65-02-02-004 | Chelsea Bridge | DE6510d | |||
BLACK | |||||
65-02-02-005 | - 01. Worksong | DE6510e | |||
65-02-02-006 | - 02. Come Sunday | DE6510f | |||
65-02-02-007 | - 03. Light (Montage) | DE6510g | |||
65-02-02-008 | Passion Flower | DE6510h | |||
65-02-02-009 | Things Ain’t What They Used To Be | DE6510i | |||
65-02-02-010 | Tutti For Cootie | DE6510j | |||
65-02-02-011 | Take The “A” Train (theme) | DE6510k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 03 February 1965 | |||
Concert, Philharmonie | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-03-001 | Take The “A” Train (theme) | DE6511a | |||
65-02-03-002 | Midriff | DE6511b | |||
AD LIB ON NIPPON | |||||
65-02-03-003 | - 1. Fugi | DE6511c | |||
65-02-03-004 | - 2. Igoo | DE6511d | |||
65-02-03-005 | - 3. Nagoya | DE6511e | |||
65-02-03-006 | - 4. Tokyo | DE6511f | |||
65-02-03-007 | The Opener | DE6511g | |||
65-02-03-008 | Afro-Bossa | DE6511h | |||
65-02-03-009 | Chelsea Bridge | DE6511i | |||
65-02-03-010 | Happy Go Lucky Local | DE6511j | |||
65-02-03-011 | ¬ Satin Doll | DE6511k | |||
65-02-03-012 | _|Sophisticated Lady | DE6511l | |||
65-02-03-013 | Jungle Kitty (Meow) | DE6511m | |||
65-02-03-014 | Passion Flower | DE6511n | |||
65-02-03-015 | Harmony In Harlem | DE6511o | |||
65-02-03-016 | Things Ain’t What They Used To Be | DE6511p | |||
65-02-03-017 | Perdido | DE6511q | |||
65-02-03-018 | Tutti For Cootie | DE6511r | |||
65-02-03-019 | ¬ Kinda Dukish | DE6511s | |||
65-02-03-020 | _|Rockin’ In Rhythm | DE6511t | |||
65-02-03-021 | C-Jam Blues | DE6511u | |||
65-02-03-022 | The Nearness Of You | DE6511v | |||
65-02-03-023 | Blues No.10 | DE6511w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stuttgart, D | 09 February 1965 | |||
Concert, Liederhalle | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-09-001 | Take The “A” Train (theme) | DE6512a | |||
65-02-09-002 | Midriff | DE6512b | |||
65-02-09-003 | Afro-Bossa | DE6512c | |||
AD LIB ON NIPPON | |||||
65-02-09-004 | - 1. Fugi | DE6512d | |||
65-02-09-005 | - 2. Igoo | DE6512e | |||
65-02-09-006 | - 3. Nagoya | DE6512f | |||
65-02-09-007 | - 4. Tokyo | DE6512g | |||
65-02-09-008 | The Opener | DE6512h | |||
65-02-09-009 | Chelsea Bridge | DE6512i | |||
65-02-09-010 | Wailing Interval | DE6512j | |||
BLACK | |||||
65-02-09-011 | - 1. Worksong | DE6512k | |||
65-02-09-012 | - 2. Come Sunday | DE6512xa | |||
65-02-09-013 | - 3. Light (Montage) | DE6512xb | |||
65-02-09-014 | Stompy Jones | DE6512l | |||
65-02-09-015 | ¬ Satin Doll | DE6512m | |||
65-02-09-016 | _|Sophisticated Lady | DE6512n | |||
65-02-09-017 | Jungle Kitty (Meow) | DE6512o | |||
65-02-09-018 | Jungle Kitty (Meow) | DE6512p | |||
65-02-09-019 | Passion Flower | DE6512q | |||
65-02-09-020 | Things Ain’t What They Used To Be | DE6512r | |||
65-02-09-021 | Harmony In Harlem | DE6512s | |||
65-02-09-022 | Jeep’s Blues | DE6512t | |||
65-02-09-023 | Perdido | DE6512u | |||
65-02-09-024 | Tutti For Cootie | DE6512v | |||
65-02-09-025 | ¬ Kinda Dukish | DE6512w | |||
65-02-09-026 | _|Rockin’ In Rhythm | DE6512x | |||
65-02-09-027 | Take The “A” Train - vRN | DE6512y | |||
65-02-09-028 | Just A-Sittin’ And A-Rockin’ - vRN | DE6512z | |||
65-02-09-029 | C-Jam Blues | DE6512aa | |||
65-02-09-030 | Jam With Sam | DE6512ab | |||
65-02-09-031 | Take The “A” Train (theme) | DE6512ac | |||
DUKE ELLINGTON AND HIS RHYTHM | Villingen, D | 10 February 1965 | |||
Recording session, Georg Brunner-Schwer Home | |||||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-10-001 | Take The “A” Train | MPS 0666-719 | DE6513a | ||
65-02-10-002 | Prelude To A Kiss | DE6513b | |||
DUKE ELLINGTON AND HIS RHYTHM | Munchen, D | 12 February 1965 | |||
AFN broadcast | |||||
Duke Ellington, Pat Patrick(tk) | |||||
65-02-12-001 | Interview by Patrick | DE6514a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Munchen, D | 12 February 1965 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-12-002 | Midriff | DE6515a | |||
65-02-12-003 | Afro-Bossa | DE6515b | |||
AD LIB ON NIPPON | |||||
65-02-12-004 | - 1. Fugi | DE6515c | |||
65-02-12-005 | - 2. Igoo | DE6515d | |||
65-02-12-006 | - 3. Nagoya | DE6515e | |||
65-02-12-007 | - 4. Tokyo | DE6515f | |||
65-02-12-008 | The Opener | DE6515g | |||
65-02-12-009 | Chelsea Bridge | DE6515h | |||
65-02-12-010 | Wailing Interval | DE6515i | |||
BLACK | |||||
65-02-12-011 | - 01. Worksong | DE6515j | |||
65-02-12-012 | - 02. Come Sunday | DE6515k | |||
65-02-12-013 | - 03. Light (Montage) | DE6515l | |||
65-02-12-014 | Take The “A” Train (theme) | DE6515m | |||
65-02-12-015 | ¬ Satin Doll | DE6515n | |||
65-02-12-016 | _|Sophisticated Lady | DE6515o | |||
65-02-12-017 | Jungle Kitty (Meow) | DE6515p | |||
65-02-12-018 | Passion Flower | DE6515q | |||
65-02-12-019 | Prelude To A Kiss | DE6515r | |||
65-02-12-020 | Harmony In Harlem | DE6515s | |||
65-02-12-021 | Tutti For Cootie | DE6515t | |||
65-02-12-022 | ¬ Kinda Dukish | DE6515u | |||
65-02-12-023 | _|Rockin’ In Rhythm | DE6515v | |||
65-02-12-024 | Black And Tan fantasy | DE6515w | |||
65-02-12-025 | Tell Me It’s The Truth | DE6515x | |||
65-02-12-026 | Jam With Sam | DE6515y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 13 February 1965 | |||
1st Concert, Royal Festival Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-13-001 | Take The “A” Train (theme) | DE6516a | |||
65-02-13-002 | Afro-Bossa | DE6516b | |||
AD LIB ON NIPPON | |||||
65-02-13-003 | - 1. Fugi | DE6516c | |||
65-02-13-004 | - 2. Igoo | DE6516d | |||
65-02-13-005 | - 3. Nagoya | DE6516e | |||
65-02-13-006 | - 4. Tokyo | DE6516f | |||
65-02-13-007 | The Opener | DE6516g | |||
65-02-13-008 | Chelsea Bridge | DE6516h | |||
BLACK | |||||
65-02-13-009 | - 01. Worksong | DE6516i | |||
65-02-13-010 | - 02. Come Sunday | DE6516j | |||
65-02-13-011 | - 03. Light (Montage) | DE6516k | |||
65-02-13-012 | Take The “A” Train (theme) | DE6516l | |||
65-02-13-013 | ¬ Satin Doll | DE6516m | |||
65-02-13-014 | _|Sophisticated Lady | DE6516n | |||
65-02-13-015 | Tutti For Cootie | DE6516o | |||
65-02-13-016 | Prelude To A Kiss | DE6516p | |||
65-02-13-017 | Harmony In Harlem | DE6516q | |||
65-02-13-018 | Jungle Kitty (Meow) | DE6516r | |||
65-02-13-019 | ¬ Blues No. 11 | DE6516s | |||
65-02-13-020 | _|Rockin’ In Rhythm | DE6516t | |||
65-02-13-021 | C-Jam Blues | DE6516u | |||
65-02-13-022 | Take The “A” Train - vRN | DE6516v | |||
65-02-13-023 | Just A-Sittin’ And A-Rockin’ - vRN | DE6516w | |||
65-02-13-024 | Jam With Sam | DE6516x | |||
65-02-13-025 | God Save The Queen | DE6516y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 13 February 1965 | |||
2nd Concert, Royal Festival Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-13-026 | Take The “A” Train (theme) | DE6517a | |||
65-02-13-027 | Midriff | DE6517b | |||
65-02-13-028 | Afro-Bossa | DE6517c | |||
AD LIB ON NIPPON | |||||
65-02-13-029 | - 1. Fugi | DE6517d | |||
65-02-13-030 | - 2. Igoo | DE6517e | |||
65-02-13-031 | - 3. Nagoya | DE6517f | |||
65-02-13-032 | - 4. Tokyo | DE6517g | |||
65-02-13-033 | The Opener | DE6517h | |||
65-02-13-034 | Chelsea Bridge | DE6517i | |||
65-02-13-035 | Wailing Interval | DE6517j | |||
BLACK | |||||
65-02-13-036 | - 01. Worksong | DE6517k | |||
65-02-13-037 | - 02. Come Sunday | DE6517l | |||
65-02-13-038 | - 03. Light (Montage) | DE6517m | |||
65-02-13-039 | Stompy Jones | DE6517n | |||
65-02-13-040 | ¬ Satin Doll | DE6517o | |||
65-02-13-041 | _|Sophisticated Lady | DE6517p | |||
65-02-13-042 | Tutti For Cootie | DE6517q | |||
65-02-13-043 | Prelude To A Kiss | DE6517r | |||
65-02-13-044 | Harmony In Harlem | DE6517s | |||
65-02-13-045 | Jeep’s Blues | DE6517t | |||
65-02-13-046 | Jungle Kitty (Meow) | DE6517u | |||
65-02-13-047 | Jungle Kitty (Meow) | DE6517v | |||
65-02-13-048 | ¬ Blues No. 11 | DE6517w | |||
65-02-13-049 | - |Carolina Shout | DE6517x | |||
65-02-13-050 | _|Rockin’ In Rhythm | DE6517y | |||
65-02-13-051 | C-Jam Blues | DE6517z | |||
65-02-13-052 | Take The “A” Train - vRN | DE6517aa | |||
65-02-13-053 | Just A-Sittin’ And A-Rockin’ - vRN | DE6517ab | |||
65-02-13-054 | Jam With Sam | DE6517ac | |||
65-02-13-055 | God Save The Queen | DE6517ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 14 February 1965 | |||
1st Concert, Hammersmith Odeon Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-14-001 | Take The “A” Train (theme) | DE6518a | |||
65-02-14-002 | Midriff | DE6518b | |||
65-02-14-003 | Afro-Bossa | DE6518c | |||
AD LIB ON NIPPON | |||||
65-02-14-004 | - 1. Fugi | DE6518d | |||
65-02-14-005 | - 2. Igoo | DE6518e | |||
65-02-14-006 | - 3. Nagoya | DE6518f | |||
65-02-14-007 | - 4. Tokyo | DE6518g | |||
65-02-14-008 | The Opener | DE6518h | |||
65-02-14-009 | Chelsea Bridge | DE6518i | |||
65-02-14-010 | Wailing Interval | DE6518j | |||
BLACK | |||||
65-02-14-011 | - 01. Worksong | DE6518k | |||
65-02-14-012 | - 02. Come Sunday | DE6518l | |||
65-02-14-013 | - 03. Light (Montage) | DE6518m | |||
65-02-14-014 | Stompy Jones | DE6518n | |||
65-02-14-015 | ¬ Satin Doll | DE6518o | |||
65-02-14-016 | _|Sophisticated Lady | DE6518p | |||
65-02-14-017 | Tutti For Cootie | DE6518q | |||
65-02-14-018 | Prelude To A Kiss | DE6518r | |||
65-02-14-019 | Harmony In Harlem | DE6518s | |||
65-02-14-020 | Jungle Kitty (Meow) | DE6518t | |||
65-02-14-021 | ¬ Blues No. 11 | DE6518u | |||
65-02-14-022 | _|Rockin’ In Rhythm | DE6518v | |||
65-02-14-023 | C-Jam Blues | DE6518w | |||
65-02-14-024 | Take The “A” Train - vRN | DE6518x | |||
65-02-14-025 | God Save The Queen | DE6518y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 14 February 1965 | |||
2nd Concert, Hammersmith Odeon Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-14-026 | Take The “A” Train (theme) | DE6519a | |||
65-02-14-027 | Midriff | DE6519b | |||
65-02-14-028 | Afro-Bossa | DE6519c | |||
AD LIB ON NIPPON | |||||
65-02-14-029 | - 1. Fugi | DE6519d | |||
65-02-14-030 | - 2. Igoo | DE6519e | |||
65-02-14-031 | - 3. Nagoya | DE6519f | |||
65-02-14-032 | - 4. Tokyo | DE6519g | |||
65-02-14-033 | The Opener | DE6519h | |||
65-02-14-034 | Chelsea Bridge | DE6519i | |||
65-02-14-035 | Wailing Interval | DE6519j | |||
BLACK | |||||
65-02-14-036 | - 01. Worksong | DE6519k | |||
65-02-14-037 | - 02. Come Sunday | DE6519l | |||
65-02-14-038 | - 03. Light (Montage) | DE6519m | |||
65-02-14-039 | Stompy Jones | DE6519n | |||
65-02-14-040 | Tutti For Cootie | DE6519o | |||
65-02-14-041 | ¬ Satin Doll | DE6519p | |||
65-02-14-042 | _|Sophisticated Lady | DE6519q | |||
65-02-14-043 | Prelude To A Kiss | DE6519r | |||
65-02-14-044 | Harmony In Harlem | DE6519s | |||
65-02-14-045 | Jeep’s Blues | DE6519t | |||
65-02-14-046 | Jungle Kitty (Meow) | DE6519u | |||
65-02-14-047 | Jungle Kitty (Meow) | DE6519v | |||
65-02-14-048 | Skin Deep | DE6519w | |||
65-02-14-049 | ¬ Kinda Dukish | DE6519x | |||
65-02-14-050 | _|Rockin’ In Rhythm | DE6519y | |||
65-02-14-051 | C-Jam Blues | DE6519z | |||
65-02-14-052 | Take The “A” Train - vRN | DE6519aa | |||
65-02-14-053 | Just A-Sittin’ And A-Rockin’ - vRN | DE6519ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 16 February 1965 | |||
Rehearsal session, BBC2 TV studio | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
AD LIB ON NIPPON | |||||
65-02-16-001 | - 2. Igoo | ||||
65-02-16-002 | - 3. Nagoya | DE9035b | |||
65-02-16-003 | - 4. Tokyo | DE9035c | |||
65-02-16-004 | The Opener | DE9035d | |||
65-02-16-005 | Chelsea Bridge | DE9035e | |||
65-02-16-006 | Mood Indigo | DE9035f | |||
65-02-16-007 | Mood Indigo | DE9035g | |||
65-02-16-008 | Mood Indigo | DE9035h | |||
65-02-16-009 | Mood Indigo | DE9035i | |||
65-02-16-010 | Mood Indigo | DE9035j | |||
65-02-16-011 | Mood Indigo | DE9035k | |||
65-02-16-012 | Mood Indigo | DE9035l | |||
65-02-16-013 | Mood Indigo | DE9035m | |||
65-02-16-014 | Mood Indigo | DE9035n | |||
65-02-16-015 | Mood Indigo | DE9035o | |||
65-02-16-016 | The Prowling Cat | DE9035p | |||
65-02-16-017 | Tell Me It’s The Truth | DE9035q | |||
65-02-16-018 | The Prowling Cat | DE9035r | |||
65-02-16-019 | The Prowling Cat | DE9035s | |||
65-02-16-020 | Tell Me It’s The Truth | DE9035t | |||
Cootie Williams out | |||||
65-02-16-021 | Passion Flower | DE9035u | |||
65-02-16-022 | Jump For Joy - vRN | DE9035v | |||
65-02-16-023 | Jump For Joy - vRN | DE9035w | |||
Duke Ellington(p) | |||||
65-02-16-024 | ¬ Jump For Joy | DE9035x | |||
65-02-16-025 | _| Bird Of Paradise | DE9035y | |||
As before | |||||
65-02-16-026 | Jump For Joy | DE9035z | |||
65-02-16-027 | Mood Indigo | DE9035xa | |||
65-02-16-028 | Take The “A” Train | DE9035xb | |||
65-02-16-029 | Midriff | DE9035xc | |||
65-02-16-030 | Afro-Bossa | DE9035xd | |||
AD LIB ON NIPPON | |||||
65-02-16-031 | - 1. Fugi | DE9035xe | |||
65-02-16-032 | - 2. Igoo | DE9035xf | |||
65-02-16-033 | - 3. Nagoya | DE9035xg | |||
65-02-16-034 | - 4. Tokyo | DE9035xh | |||
65-02-16-035 | The Opener | DE9035xi | |||
65-02-16-036 | Chelsea Bridge | DE9035xj | |||
65-02-16-037 | Mood Indigo | DE9035xk | |||
65-02-16-038 | The Prowling Cat | DE9035xl | |||
65-02-16-039 | Passion Flower | DE9035xm | |||
65-02-16-040 | Jump For Joy - vRN | DE9035xn | |||
65-02-16-041 | Take The “A” Train | DE9035xo | |||
65-02-16-042 | Take The “A” Train | DE9035xp | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 16 February 1965 | |||
BBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-16-043 | Midriff | DE6520a | |||
65-02-16-044 | Afro-Bossa | DE6520b | |||
65-02-16-045 | The Opener | DE6520c | |||
AD LIB ON NIPPON | |||||
65-02-16-046 | - 1. Fugi | DE6520d | |||
65-02-16-047 | - 2. Igoo | DE6520e | |||
65-02-16-048 | - 3. Nagoya | DE6520f | |||
65-02-16-049 | - 4. Tokyo | DE6520g | |||
65-02-16-050 | Chelsea Bridge | DE6520h | |||
65-02-16-051 | Mood Indigo | DE6520i | |||
65-02-16-052 | The Prowling Cat | DE6520j | |||
65-02-16-053 | Passion Flower | DE6520k | |||
65-02-16-054 | Jump For Joy - vRN | DE6520l | |||
65-02-16-055 | Take The “A” Train | DE6520m | |||
DUKE ELLINGTON | London, GB | February 1965 | |||
BBC telecast | |||||
Duke Ellington, Michael Dean(tk) | |||||
65-02-17-001 | Interview by Dean | DE6521a | |||
Duke Ellington(p) | |||||
65-02-17-002 | ¬ Sophisticated Lady | DE6521b | |||
65-02-17-003 | _|Satin Doll | DE6521c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 18 February 1965 | |||
BBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-18-001 | Take The “A” Train (theme) | DE6522a | |||
65-02-18-002 | Worksong | DE6522b | |||
Duke Ellington out. Add Billy Strayhorn(p) | |||||
65-02-18-003 | Taffy Twist | DE6522e | |||
Billy Strayhorn out. Add Duke Ellington(p) | |||||
65-02-18-004 | Come Sunday | DE6522c | |||
65-02-18-005 | Tell Me It’s The Truth | DE6522f | |||
65-02-18-006 | Light (Montage) | DE6522d | |||
Duke Ellington(p) solo | |||||
65-02-18-007 | Le Sucrier Velour | DE6522g | |||
As before | |||||
65-02-18-008 | Happy Go Lucky Local | DE6522h | |||
65-02-18-009 | Take The “A” Train | DE6522i | |||
65-02-18-010 | Satin Doll | DE6522j | |||
DUKE ELLINGTON | London, GB | February 1965 | |||
BBC telecast | |||||
Duke Ellington(tk) | |||||
65-02-20-001 | Duke talking about some commercial recordings | DE6523a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Prob. England, GB | February 1965 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-25-001 | Midriff | DE6524a | |||
65-02-25-002 | Afro-Bossa | DE6524b | |||
AD LIB ON NIPPON | |||||
65-02-25-003 | - 1. Fugi | DE6524c | |||
65-02-25-004 | - 2. Igoo | DE6524d | |||
65-02-25-005 | - 3. Nagoya | DE6524e | |||
65-02-25-006 | - 4. Tokyo | DE6524f | |||
65-02-25-007 | The Opener | DE6524g | |||
65-02-25-008 | Chelsea Bridge | DE6524h | |||
65-02-25-009 | Wailing Interval | DE6524i | |||
BLACK | |||||
65-02-25-010 | - 01. Worksong | DE6524j | |||
65-02-25-011 | - 02. Come Sunday | DE6524k | |||
65-02-25-012 | - 03. Light (Montage) | DE6524l | |||
65-02-25-013 | Take The “A” Train (theme) | DE6524m | |||
65-02-25-014 | ¬ Satin Doll | DE6524n | |||
65-02-25-015 | _|Sophisticated Lady | DE6524o | |||
65-02-25-016 | Passion Flower | DE6524p | |||
65-02-25-017 | Harmony In Harlem | DE6524q | |||
65-02-25-018 | Pass Out Blues | DE6524r | |||
65-02-25-019 | Jungle Kitty (Meow) | DE6524s | |||
65-02-25-020 | Jungle Kitty (Meow) | DE6524t | |||
65-02-25-021 | ¬ Kinda Dukish | DE6524u | |||
65-02-25-022 | _|Rockin’ In Rhythm | DE6524v | |||
65-02-25-023 | Tell Me It’s The Truth | DE6524w | |||
65-02-25-024 | Take The “A” Train - vRN | DE6524x | |||
65-02-25-025 | Jam With Sam | DE6524y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 27 February 1965 | |||
1st Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-27-001 | Midriff | DE9067a | |||
65-02-27-002 | Afro-Bossa | DE9067b | |||
AD LIB ON NIPPON | |||||
65-02-27-003 | - 1. Fugi | DE9067c | |||
65-02-27-004 | - 2. Igoo | DE9067d | |||
65-02-27-005 | - 3. Nagoya | DE9067e | |||
65-02-27-006 | - 4. Tokyo | DE9067f | |||
65-02-27-007 | The Opener | DE9067g | |||
65-02-27-008 | Chelsea Bridge | DE9067h | |||
65-02-27-009 | Wailing Interval | DE9067i | |||
BLACK | |||||
65-02-27-010 | - 01. Worksong | DE9067j | |||
65-02-27-011 | - 02. Come Sunday | DE9067k | |||
65-02-27-012 | - 03. Light (Montage) | DE9067l | |||
65-02-27-013 | Take The “A” Train (theme) | DE9067m | |||
65-02-27-014 | ¬ Satin Doll | DE9067n | |||
65-02-27-015 | _|Sophisticated Lady | DE9067o | |||
65-02-27-016 | Tutti For Cootie | DE9067p | |||
65-02-27-017 | Prelude To A Kiss | DE9067q | |||
65-02-27-018 | Harmony In Harlem | DE9067r | |||
65-02-27-019 | Jungle Kitty (Meow) | DE9067s | |||
65-02-27-020 | ¬ Kinda Dukish | DE9067t | |||
65-02-27-021 | _|Rockin’ In Rhythm | DE9067u | |||
65-02-27-022 | Black And Tan Fantasy | DE9067v | |||
65-02-27-023 | Take The “A” Train - vRN | DE9067w | |||
65-02-27-024 | God Save The Queen | DE9067x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 28 February 1965 | |||
1st Concert, New Victoria | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-28-001 | Midriff | DE6525a | |||
65-02-28-002 | Afro-Bossa | DE6525b | |||
AD LIB ON NIPPON | |||||
65-02-28-003 | - 1. Fugi | DE6525c | |||
65-02-28-004 | - 2. Igoo | DE6525d | |||
65-02-28-005 | - 3. Nagoya | DE6525e | |||
65-02-28-006 | - 4. Tokyo | DE6525f | |||
65-02-28-007 | The Opener | DE6525g | |||
65-02-28-008 | Chelsea Bridge | DE6525h | |||
65-02-28-009 | Wailing Interval | DE6525i | |||
BLACK | |||||
65-02-28-010 | - 01. Worksong | DE6525j | |||
65-02-28-011 | - 02. Come Sunday | DE6525k | |||
65-02-28-012 | - 03. Light (Montage) | DE6525l | |||
65-02-28-013 | Take The “A” Train (theme) | DE6525m | |||
65-02-28-014 | ¬ Satin Doll | DE6525n | |||
65-02-28-015 | _|Sophisticated Lady | DE6525o | |||
65-02-28-016 | Tutti For Cootie | DE6525p | |||
65-02-28-017 | I Got It Bad | DE6525q | |||
65-02-28-018 | Harmony In Harlem | DE6525r | |||
65-02-28-019 | Jungle Kitty (Meow) | DE6525s | |||
65-02-28-020 | ¬ Kinda Dukish | DE6525t | |||
65-02-28-021 | _|Rockin’ In Rhythm | DE6525u | |||
65-02-28-022 | Mood Indigo | DE6525v | |||
65-02-28-023 | Take The “A” Train - vRN | DE6525w | |||
65-02-28-024 | God Save The Queen | DE6525x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 28 February 1965 | |||
2nd Concert, New Victoria | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-02-28-025 | Afro-Bossa | DE6526a | |||
AD LIB ON NIPPON | DE6526b | ||||
65-02-28-026 | - 1. Fugi | ||||
65-02-28-027 | - 2. Igoo | DE6526c | |||
65-02-28-028 | - 3. Nagoya | DE6526d | |||
65-02-28-029 | - 4. Tokyo | DE6526e | |||
65-02-28-030 | The Opener | DE6526f | |||
65-02-28-031 | Chelsea Bridge | DE6526g | |||
65-02-28-032 | Wailing Interval | DE6526h | |||
BLACK | |||||
65-02-28-033 | - 01. Worksong | DE6526i | |||
65-02-28-034 | - 02. Come Sunday | DE6526j | |||
65-02-28-035 | - 03. Light (Montage) | DE6526k | |||
65-02-28-036 | Take The “A” Train (theme) | DE6526l | |||
65-02-28-037 | ¬ Satin Doll | DE6526m | |||
65-02-28-038 | _|Sophisticated Lady | DE6526n | |||
65-02-28-039 | Tutti For Cootie | DE6526o | |||
65-02-28-040 | Passion Flower | DE6526p | |||
65-02-28-041 | Harmony In Harlem | DE6526q | |||
65-02-28-042 | Pass Out Blues | DE6526r | |||
65-02-28-043 | Jungle Kitty (Meow) | DE6526s | |||
65-02-28-044 | ¬ Kinda Dukish | DE6526t | |||
65-02-28-045 | _|Rockin’ In Rhythm | DE6526u | |||
65-02-28-046 | Tell Me It’s The Truth | DE6526v | |||
65-02-28-047 | Harlem Air-Shaft | DE6526w | |||
65-02-28-048 | Take The “A” Train - vRN | DE6526x | |||
65-02-28-049 | Jam With Sam | DE6526y | |||
65-02-28-050 | God Save The Queen | DE6526z | |||
DUKE ELLINGTON | New York City, NY | 03 March 1965 | |||
Pre-recording for CBC broadcast | |||||
Duke Ellington, Henry Whiston(tk) | |||||
65-03-03-001 | Interview by Whiston | DE6527a | |||
DUKE ELLINGTON | New York City, NY | 04 March 1965 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
AD LIB ON NIPPON | |||||
65-03-04-001 | -1 | - 2. Igoo | DE6528a | ||
65-03-04-002 | - 2. Igoo | DE6528b | |||
65-03-04-003 | -2 | - 2. Igoo | DE6528c | ||
65-03-04-004 | -2 | - 3. Nagoya | DE6528d | ||
65-03-04-005 | -2 | - 4. Tokyo | DE6528e | ||
65-03-04-006 | -3 | - 1. Fugi | KAZ CD-508, Sa 91234-2 | DE6528f | |
65-03-04-007 | -3 | - 2. Igoo | KAZ CD-508, Sa 91234-2 | DE6528g | |
65-03-04-008 | -3 | - 3. Nagoya | KAZ CD-508, Sa 91234-2 | DE6528h | |
65-03-04-009 | -3 | - 4. Tokyo | KAZ CD-508, Sa 91234-2 | DE6528i | |
65-03-04-010 | -1 | Chelsea Bridge | Re R-6185 | DE6528j | |
BLACK, BROWN AND BEIGE | |||||
BLACK | |||||
65-03-04-011 | - 02. Come Sunday | DE6528k | |||
65-03-04-012 | -2 | - 02. Come Sunday | KAZ CD-508, Sa 91234-2 | DE6528l | |
65-03-04-013 | -1 | - 01. Worksong | KAZ CD-508, Sa 91234-2 | DE6528m | |
65-03-04-014 | -1 | - 03. Light (Montage) | DE6528n | ||
65-03-04-015 | -2 | - 03. Light (Montage) | DE6528o | ||
65-03-04-016 | -3 | - 03. Light (Montage) | KAZ CD-508, Sa 91234-2 | DE6528p | |
65-03-04-017 | -1 | Tutti For Cootie (fade up) | DE6528q | ||
65-03-04-018 | -2 | Tutti For Cootie (fade up) | Re R-6185 | DE6528r | |
65-03-04-019 | -1 | The Opener | Re R-6185 | DE6528s | |
DUKE ELLINGTON | New York City, NY | 07 March 1965 | |||
CBS telecast, CBS-TV Studio 51, Maxine Elliott Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
65-03-07-001 | It Don’t Mean A Thing -vEF | DE6529a | |||
65-03-07-002 | The Opener -vEF | DE6529b | |||
Medley | DE6529c | ||||
65-03-07-003 | - 1. Do Nothing Till You Hear From Me -vEF (YT) | ||||
65-03-07-004 | - 2. I’m Beginning to See The Light -vEF | X-YT 5(YT) | |||
65-03-07-005 | - 3. I Got It Bad -vEF | X-YT 5(YT) | |||
65-03-07-006 | - 4. Don’t Get Around Much Anymore -vEF | X-YT 5(YT) | |||
65-03-07-007 | - 5. Mood Indigo -vEF | X-YT 5(YT) | |||
65-03-07-008 | - 6. Cotton Tail -vEF | X-YT 5(YT) | |||
DUKE ELLINGTON | New York City, NY | 17 March 1965 | |||
Duke Ellington recording session | |||||
Howard McGhee, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-03-17-001 | -1 | Depk | DE6530a | ||
65-03-17-002 | -3 | Depk | DE6530b | ||
65-03-17-003 | -4 | Depk | DE6530c | ||
65-03-17-004 | -5 | Depk | DE6530d | ||
65-03-17-005 | -1 | Isfahan | DE6530e | ||
65-03-17-006 | -2 | Isfahan | DE6530f | ||
65-03-17-007 | -1 | The Prowling Cat | DE6530g | ||
65-03-17-008 | -2 | The Prowling Cat | DE6530h | ||
VIRGIN ISLAND SUITE | |||||
65-03-17-009 | -1 | - 04. Jungle Kitty | Re R-6185‡ | DE6530i | |
65-03-17-010 | -2 | - 04. Jungle Kitty | DE6530j | ||
65-03-17-011 | -3 | - 04. Jungle Kitty | DE6530k | ||
65-03-17-012 | -4 | - 04. Jungle Kitty | DE6530l | ||
65-03-17-013 | -5 | - 04. Jungle Kitty | DE6530m | ||
65-03-17-014 | - 04. Jungle Kitty | DE6530n | |||
65-03-17-015 | -8 | - 04. Jungle Kitty | Re R-6185 | DE6530o | |
65-03-17-016 | -1 | Banquet (Counter Theme) | DE6530p | ||
65-03-17-017 | -2 | Banquet (Counter Theme) | DE6530q | ||
65-03-17-018 | -3 | Banquet (Counter Theme) | KAZ CD-505, Sa 91232-2(D)(S)(T) | DE6530r | |
65-03-17-019 | -2 | Pass Out Blues | DE6530s | ||
65-03-17-020 | -3 | Pass Out Blues | DE6530t | ||
65-03-17-021 | -4 | Pass Out Blues | DE6530u | ||
65-03-17-022 | -1 | Skillipoop | DE6530v | ||
65-03-17-023 | -3 | Skillipoop | KAZ CD-505, Sa 91232-2(D)(S)(T) | DE6530w | |
65-03-17-024 | -1 | Things Ain’t What They Used To Be | Re R-6185 | DE6530x | |
65-03-17-025 | -1 | Amad | DE6530y | ||
65-03-17-026 | -2 | Amad | DE6530z | ||
65-03-17-027 | -3 | Amad | DE6530aa | ||
65-03-17-028 | -4 | Amad | DE6530ab | ||
Duke Ellington(tk) acc. by Jimmy Hamilton(cl); Russell Procope (cl); Harry Carney(bcl) | |||||
65-03-17-029 | -1 | Monologue | DE6530ac | ||
65-03-17-030 | -2 | Monologue | DE6530ad | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 March 1965 | |||
Pre-recording for the Mike Douglas Show | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Mike Douglas, Joya Sherrill(v) | |||||
65-03-26-001 | Take The “A” Train | DE3532a | |||
65-03-26-002 | The Opener | DE3532b | |||
65-03-26-003 | Tutti For Cootie | DE3532c | |||
65-03-26-004 | Satin Doll | DE3532d | |||
65-03-26-005 | Solitude - vMD | DE3532e | |||
65-03-26-006 | Just Squeeze Me - vJS | DE3532f | |||
65-03-26-007 | Take The “A” Train | DE3532g | |||
Previously listed as April 1965. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 31 March 1965 | |||
Reprise recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
BLACK, BROWN AND BEIGE | |||||
B. BROWN | |||||
65-03-31-001 | - 04. West Indian Dance | DE6531a | |||
65-03-31-002 | - 05. Emancipation Celebration | DE6531b | |||
65-03-31-003 | The Prowling Cat | DE6531c | |||
65-03-31-004 | C-Jam Blues | DE6531d | |||
65-03-31-005 | Amad | DE6531e | |||
65-03-31-006 | Agra | DE6531f | |||
65-03-31-007 | Blue Bird Of Delhi | DE6531g | |||
65-03-31-008 | Isfahan | DE6531h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 14 April 1965 | |||
Duke Ellington recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Richard Williams(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-04-14-001 | -1 | Mysterious Chick | DE6533a | ||
65-04-14-002 | -2 | Mysterious Chick | DE6533b | ||
65-04-14-003 | -3 | Mysterious Chick | DE6533c | ||
65-04-14-004 | -4 | Mysterious Chick | Re R-6185 | DE6533d | |
65-04-14-005 | -1 | Barefoot Stomper | DE6533e | ||
65-04-14-006 | -3 | Barefoot Stomper | DE6533f | ||
65-04-14-007 | Barefoot Stomper | DE6533g | |||
65-04-14-008 | -4 | Barefoot Stomper | DE6533h | ||
65-04-14-009 | Barefoot Stomper | DE6533i | |||
65-04-14-010 | -5 | Barefoot Stomper | DE6533j | ||
65-04-14-011 | -6 | Barefoot Stomper | DE6533k | ||
65-04-14-012 | -7 | Barefoot Stomper | DE6533l | ||
65-04-14-013 | -8 | Barefoot Stomper | Re R-6185 | DE6533m | |
65-04-14-014 | -1 | Rod La Rocque | DE6533n | ||
65-04-14-015 | -2 | Rod La Rocque | DE6533o | ||
65-04-14-016 | -3 | Rod La Rocque | DE6533p | ||
65-04-14-017 | -4 | Rod La Rocque | KAZ CD-505, MDD 006, Sa 91232-2(D)(S)(T) | DE6533q | |
65-04-14-018 | -2 | Limbo Jazz | DE6533r | ||
VIRGIN ISLAND SUITE | |||||
65-04-14-019 | -2 | - 01. Island Virgin | DE6533s | ||
65-04-14-020 | -3 | - 01. Island Virgin | Re R-6185 | DE6533t | |
65-04-14-021 | -1 | - 02. Virgin Jungle | DE6533u | ||
65-04-14-022 | -2 | - 02. Virgin Jungle | Re R-6185 | DE6533v | |
65-04-14-023 | - 02. Virgin Jungle | DE6533w | |||
65-04-14-024 | -1 | - 03. Fiddler On The Diddle | Re R-6185‡ | DE6533x | |
65-04-14-025 | -2 | - 03. Fiddler On The Diddle | DE6533y | ||
65-04-14-026 | -1 | Making That Scene | DE6533z | ||
65-04-14-027 | -2 | Making That Scene | KAZ CD-505, Sa 91232-2(D)(S)(T) | DE6533aa | |
65-04-14-028 | -1 | Big Fat Alice’s Blues (Rhythm Section Blues) | KAZ CD-505, Sa 91232-2(D)(S)(T) | DE6533ab | |
65-04-14-029 | -2 | Big Fat Alice’s Blues | DE6533ac | ||
65-04-14-030 | -3 | Big Fat Alice’s Blues | Re R-6185 | DE6533ad | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 18 May 1965 | |||
Duke Ellington recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Paul Serrano(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
BLACK, BROWN AND BEIGE | |||||
C. BEIGE | |||||
65-05-18-001 | (04) | - 07. A View From Central Park | DE6534a | ||
65-05-18-002 | (12) | - 08. Cy Runs Rock Waltz | KAZ CD-508, Sa 91234-2 | DE6534b | |
65-05-18-003 | (13) | - 09. Interlude=Cy Runs Rock Waltz | DE6534c | ||
65-05-18-004 | (19) | - 09. Interlude=Cy Runs Rock Waltz | KAZ CD-508, Sa 91234-2 | DE6534d | |
65-05-18-005 | (25) | - 10. Sugar Hill Penthouse | KAZ CD-508, Sa 91234-2 | DE6534e | |
65-05-18-006 | (29) | Mood Indigo | DJ FW-40359 | DE6534f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 May 1965 | |||
Duke Ellington recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Paul Serrano(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-05-20-001 | Cool Rock | La 15782 | DE6535a | ||
65-05-20-002 | P.S. 170 | La 15782 | DE6535b | ||
65-05-20-003 | The Twitch | La 15782 | DE6535c | ||
65-05-20-004 | Hi, June | La 15782 | DE6535d | ||
65-05-20-005 | Hi, June (Hi, Jane) | La 15782 | DE6535e | ||
Ray Nance(t); Jimmy Hamilton(ts); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-05-20-006 | Anatomy Of A Murder | La 15782 | DE6535f | ||
DUKE ELLINGTON | Waukesha, WI | 28 May 1965 | |||
Broadcast, Waukesha South High School | |||||
Duke Ellington, n/k(tk) | |||||
65-05-28-001 | Interview | DE6536a | |||
DUKE ELLINGTON | Washington, DC | 04 June 1965 | |||
Broadcast,Voice of America | |||||
Duke Ellington, Willis Conover(tk) | |||||
65-06-04-001 | Interview by Conover | DE6537a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 14 June 1965 | |||
Concert, White House | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Richard Williams(t); Ray Nance(t,v); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-06-14-001 | Take The “A” Train (theme) | DE6538a | |||
65-06-14-002 | Amad | DE6538b | |||
65-06-14-003 | Agra | DE6538c | |||
65-06-14-004 | Blue Bird Of Delhi | DE6538d | |||
BLACK | |||||
65-06-14-005 | - 01. Worksong | DE6538e | |||
65-06-14-006 | - 02. Come Sunday | DE6538f | |||
65-06-14-007 | - 03. Light (Montage) | DE6538g | |||
65-06-14-008 | Satin Doll | DE6538h | |||
Medley | DE6538i | ||||
65-06-14-009 | - 1. Solitude | ||||
65-06-14-010 | - 2. I Got It Bad | ||||
65-06-14-011 | - 3. Don’t Get Around Much Anymore | ||||
65-06-14-012 | - 4. Mood Indigo | ||||
65-06-14-013 | - 5. I’m Beginning to See The Light | ||||
65-06-14-014 | - 6. Sophisticated Lady | ||||
65-06-14-015 | - 7. Caravan | ||||
JAZZ PIANO WORKSHOP | Pittsburgh, PA | 20 June 1965 | |||
Concert, Civic Arena | |||||
Duke Ellington(p); Larry Gales(sb); Ben Riley(d) | |||||
65-06-20-001 | TPA5-3362 | Take The “A” Train | Bb 09026-63953-2, Bb 2178-2-RB, RCA 09026-63386-2(D) | DE6539a | |
Duke Ellington, Earl Hines, Billy Taylor(p) | |||||
65-06-20-002 | Sweet Lorraine | RCA LPM-3499 | DE6539b | ||
Duke Ellington, Earl Hines(p); Larry Gales(sb); Ben Riley(d) | |||||
65-06-20-003 | TPA5-3356 | House Of Lords | Bb 09026-63953-2, Bb 2178-2-RB, RCA 09026-63386-2(D), RCA LPM-3499 | DE6539c | |
Duke Ellington(p) | |||||
65-06-20-004 | TPA5-3353 | The Second Portrait Of The Lion | Bb 09026-63953-2, Bb 2178-2-RB, RCA 09026-63386-2(D), RCA LPM-3499 | DE6539d | |
BILLY STRAYHORN COMBO | New York City, NY | 30 June 1965 | |||
Duke Ellington recording Session | |||||
Clark Terry(t); Bob Wilbur(ss); Duke Ellington, Billy Strayhorn(p); Wendell Marshall(sb); Dave Bailey(d) | |||||
65-06-30-001 | Smada | RB AK-52760(D) | DE6540a | ||
BILLY STRAYHORN COMBO | New York City, NY | 02 July 1965 | |||
Duke Ellington recording Session | |||||
Clark Terry(t); Willie Ruff(fh); Bob Wilbur(ss); Duke Ellington, Billy Strayhorn(p); Wendell Marshall(sb); Dave Bailey(d) | |||||
65-07-02-001 | -1 | Pig Sty | RB AK-52760(D) | DE6541a | |
65-07-02-002 | -2 | Pig Sty | RB AK-52760(D) | DE6541b | |
65-07-02-003 | -1 | Oink | RB AK-52760(D) | DE6541c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 July 1965 | |||
NBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Johnny Hodges Junior(d) | |||||
65-07-09-001 | Never On Sunday | DE6542a | |||
65-07-09-002 | Red Roses For A Blue Lady | DE6542b | |||
65-07-09-003 | Cool Rock | DE6542c | |||
65-07-09-004 | Satin Doll | DE6542d | |||
65-07-09-005 | Sophisticated Lady | DE6542e | |||
65-07-09-006 | Things Ain’t What They Used To Be | DE6542f | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, n/k(tk) | |||||
65-07-09-007 | Interview | DE6542g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stamford, CT | 10 July 1965 | |||
Concert, Exio Pinza Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
65-07-10-001 | Take The “A” Train (theme) | DE6543a | |||
Add Benny Goodman(cl) | |||||
65-07-10-002 | Let’s Dance | DE6543b | |||
65-07-10-003 | The Nature Museum Blues | DE6543c | |||
Benny Goodman out | |||||
65-07-10-004 | Tutti For Cootie | DE6543d | |||
65-07-10-005 | I Got It Bad | DE6543e | |||
65-07-10-006 | Things Ain’t What They Used To Be | DE6543f | |||
65-07-10-007 | Day Dream | DE6543g | |||
65-07-10-008 | The Prowling Cat | DE6543h | |||
Medley | DE6543i | ||||
65-07-10-009 | - 1. Satin Doll | ||||
65-07-10-010 | - 2. Solitude | ||||
65-07-10-011 | - 3. Don’t Get Around Much Anymore | ||||
65-07-10-012 | - 4. Mood Indigo | ||||
65-07-10-013 | - 5. I’m Beginning to See The Light | ||||
65-07-10-014 | - 6. Sophisticated Lady | ||||
65-07-10-015 | - 7. Caravan | ||||
65-07-10-016 | - 8. Do Nothin’ Till You Hear From Me | ||||
65-07-10-017 | - 9. I Let A Song & Don’t Get Around Much | ||||
65-07-10-018 | Single Petal Of A Rose (Rhythm section only) | DE6543j | |||
65-07-10-019 | Never On Sunday | DE6543k | |||
65-07-10-020 | Red Roses For A Blue Lady | DE6543l | |||
65-07-10-021 | Jam With Sam | DE6543m | |||
65-07-10-022 | Things Ain’t What They Used To Be | DE6543n | |||
DUKE ELLINGTON AND WITH ARTHUR FIEDLER AND THE BOSTON POPS ORCH. | Tanglewood, MA | 28 July 1965 | |||
Rehearsal Session, Music Barn | |||||
Duke Ellington(p); John Lamb(sb); Louie Bellson(d); The Boston Pops Orchestra conducted by Arthur Fiedler | |||||
65-07-28-001 | The Mooch | Bb 09026-63953-2, Bb 0902663953-2 | DE9028a | ||
65-07-28-002 | The Mooch | Bb 09026-63953-2, Bb 0902663953-2 | DE9028b | ||
65-07-28-003 | Making That Scene (Love Scene) | Bb 09026-63953-2, Bb 0902663953-2 | DE9028c | ||
65-07-28-004 | Making That Scene (Love Scene) | Bb 09026-63953-2, Bb 0902663953-2 | DE9028d | ||
65-07-28-005 | I’m Beginning To See TheLight | Bb 09026-63953-2, Bb 0902663953-2 | DE9028e | ||
65-07-28-006 | Do Nothin’ Till You Hear From Me | Bb 09026-63953-2, Bb 0902663953-2 | DE9028f | ||
65-07-28-007 | Satin Doll | Bb 09026-63953-2, Bb 0902663953-2 | DE9028g | ||
65-07-28-008 | Satin Doll | Bb 09026-63953-2, Bb 0902663953-2 | DE9028h | ||
DUKE ELLINGTON AND WITH ARTHUR FIEDLER AND THE BOSTON POPS ORCH. | Tanglewood, MA | 28 July 1965 | |||
Concert, Music Barn | |||||
Duke Ellington(p); John Lamb(sb); Louie Bellson(d); The Boston Pops Orchestra conducted by Arthur Fiedler | |||||
65-07-28-009 | Caravan | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544a | ||
65-07-28-010 | Mood Indigo | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544b | ||
65-07-28-011 | The Mooch | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544c | ||
65-07-28-012 | Making That Scene (Love Scene) | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544d | ||
65-07-28-013 | I Let A Song Go Out Of My Heart | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544e | ||
65-07-28-014 | I’m Beginning To See TheLight | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544f | ||
65-07-28-015 | Do Nothin’ Till You Hear From Me | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544g | ||
65-07-28-016 | Sophisticated Lady | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544h | ||
65-07-28-017 | Solitude | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544i | ||
65-07-28-018 | I Got It Bad | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544j | ||
65-07-28-019 | Satin Doll | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA LM-2857 | DE6544k | ||
Duke Ellington(p) | |||||
65-07-28-020 | Single Petal Of A Rose | Bb 09026-63953-2, RCA 09026-63386-2(D) | DE6544xa | ||
DUKE ELLINGTON AND WITH ARTHUR FIEDLER AND THE BOSTON POPS ORCH. | New York City, NY | 31 July 1965 | |||
Concert, Music Barn | |||||
Duke Ellington(p); John Lamb(sb); Louie Bellson(d); The Boston Pops Orchestra conducted by Arthur Fiedler | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
65-07-31-001 | - 1. The Golden Broom | DE6545a | |||
65-07-31-002 | - 2. The Green Apple | DE6545b | |||
65-07-31-003 | - 3. The Handsome Traffic Policeman | DE6545c | |||
65-07-31-004 | NEW WORLD A-COMIN' | DE6545d | |||
Duke Ellington(tk); New York Philharmonic Orchestra cond. Lucas Foss | |||||
65-07-31-005 | Duke talking bout Aaron Copeland’s “Preamble For A Solemn Occasion | DE6545e | |||
DUKE ELLINGTON | New York City, NY | July/August 1965 | |||
CBS pre-recording | |||||
Duke Ellington(tk) | |||||
65-08-00-001 | Duke talking about some Reprise recordings | DE6546a | |||
DUKE ELLINGTON | New York City, NY | 02 August 1965 | |||
WPIX telecast, City Hall Park | |||||
Duke Ellington, n/k(tk) | |||||
65-08-02-001 | Interview | DE6547a | |||
DUKE ELLINGTON | New York City, NY | 02 August 1965 | |||
NBC telecast | |||||
Duke Ellington(p,tk); Joey Bishop, Skitch Henderson(tk) | |||||
65-08-02-002 | Interview by Bishop and Henderson | DE9056a | |||
65-08-02-003 | Single Petal Of A Rose | DE9056b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 25 August 1965 | |||
Concert, Basin Street West | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-08-25-001 | Take The “A” Train | DE6548a | |||
65-08-25-002 | Amad | DE6548b | |||
65-08-25-003 | Agra | DE6548c | |||
65-08-25-004 | Blue Bird Of Delhi | DE6548d | |||
65-08-25-005 | The Opener | DE6548e | |||
65-08-25-006 | Isfahan | DE6548f | |||
65-08-25-007 | Things Ain’t What They Used To Be | DE6548g | |||
65-08-25-008 | ¬ Kinda Dukish | DE6548h | |||
65-08-25-009 | _|Rockin’ In Rhythm | DE6548i | |||
65-08-25-010 | Chelsea Bridge | DE6548j | |||
65-08-25-011 | Skin Deep | DE6548k | |||
65-08-25-012 | Jeep’s Blues | DE6548l | |||
65-08-25-013 | Cotton Tail | DE6548m | |||
65-08-25-014 | Things Ain’t What They Used To Be | DE6548n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 26 August 1965 | |||
Concert, Basin Street West | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
AD LIB ON NIPPON | |||||
65-08-26-001 | - 1. Fugi | DE6549a | |||
65-08-26-002 | - 2. Igoo | DE6549b | |||
65-08-26-003 | - 3. Nagoya | DE6549c | |||
65-08-26-004 | - 4. Tokyo | DE6549d | |||
65-08-26-005 | Monologue | DE6549e | |||
Duke Ellington(p) | |||||
65-08-26-006 | ¬ Unidentified “L” | DE6549f | |||
65-08-26-007 | _|As Time Goes By | DE6549g | |||
As before | |||||
65-08-26-008 | Take The “A” Train | DE6549h | |||
65-08-26-009 | Amad | DE6549i | |||
65-08-26-010 | Agra | DE6549j | |||
65-08-26-011 | Blue Bird Of Delhi | DE6549k | |||
65-08-26-012 | The Prowling Cat | DE6549l | |||
65-08-26-013 | Isfahan | DE6549m | |||
Medley | DE6549n | ||||
65-08-26-014 | - 1. Satin Doll | ||||
65-08-26-015 | - 2. Solitude | ||||
65-08-26-016 | - 3. Don’t Get Around Much Anymore | ||||
65-08-26-017 | - 4. Mood Indigo | ||||
65-08-26-018 | - 5. I’m Beginning to See The Light | ||||
65-08-26-019 | - 6. Sophisticated Lady | ||||
65-08-26-020 | - 7. Caravan | ||||
65-08-26-021 | - 8. Do Nothin’ Till You Hear From Me | ||||
65-08-26-022 | - 9. In A Sentimental Mood | ||||
65-08-26-023 | - 10. I Let A Song & Don’t Get Around Much | ||||
65-08-26-024 | Take The “A” Train (theme) | DE6549o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 30 August 1965 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Nat Adderley, Alan Smith(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-08-30-001 | -1 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6550a | ||
65-08-30-002 | -2 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6550b | ||
65-08-30-003 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6550c | |||
65-08-30-004 | -3 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6550d | ||
65-08-30-005 | -5 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | MM 5041-2C(D) | DE6550e | |
65-08-30-006 | -6 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6550f | ||
65-08-30-007 | -1 | El Viti | DE6550g | ||
65-08-30-008 | -2 | El Viti | DE6550h | ||
65-08-30-009 | -3 | El Viti | DE6550i | ||
65-08-30-010 | -4 | El Viti | MM 5041-2C(D) | DE6550j | |
65-08-30-011 | El Viti | DE6550k | |||
65-08-30-012 | El Viti | DE6550l | |||
65-08-30-013 | -1 | Soul Call (Countdown) | DE6550m | ||
65-08-30-014 | -2 | Soul Call (Countdown) | DE6550n | ||
65-08-30-015 | -3 | Soul Call (Countdown) | DE6550o | ||
65-08-30-016 | -4 | Soul Call (Countdown) | MM 5041-2C(D) | DE6550p | |
65-08-30-017 | -1 | Trombone Buster | DE6550q | ||
65-08-30-018 | -2 | Trombone Buster | DE6550r | ||
65-08-30-019 | -3 | Trombone Buster | DE6550s | ||
65-08-30-020 | -4 | Trombone Buster | DE6550t | ||
65-08-30-021 | -5 | Trombone Buster | DE6550u | ||
65-08-30-022 | -6 | Trombone Buster | DE6550v | ||
65-08-30-023 | -7 | Trombone Buster | DE6550w | ||
65-08-30-024 | Trombone Buster | MM 5041-2C(D) | DE6550x | ||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 16 September 1965 | |||
Sacred Concert, Grace Cathedral | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d); Esther Marrow, Jimmy McPhail, Jon Hendricks, Herman McCoy Choir, Grace Cathedral Choir | |||||
CONCERT OF SACRED MUSIC | |||||
65-09-16-001 | - 01. Come Sunday | DE6551a | |||
65-09-16-002 | - 02. Light (Montage) | DE6551b | |||
65-09-16-003 | - 03. Tell Me It’s The Truth | DE6551c | |||
65-09-16-004 | - 04. We Shall Walk This Lonesome Valley | DE6551d | |||
65-09-16-005 | - 05. Only Joyful | DE6551e | |||
65-09-16-006 | - 06. In The Beginning God | Ss DSTS-1015 | DE6551f | ||
65-09-16-007 | - 09. Will You Be There? | Ss DSTS-1015 | DE6551g | ||
65-09-16-008 | - 10. 99% Won’t Do | Ss DSTS-1015 | DE6551h | ||
65-09-16-009 | - 11. Ain’t But The One | Ss DSTS-1015 | DE6551i | ||
65-09-16-010 | - 08. NEW WORLD A-COMIN' | Ss DSTS-1015 | DE6551j | ||
65-09-16-011 | - 18. In The Beginning God | Ss DSTS-1015 | DE6551k | ||
65-09-16-012 | - 12. My Mother, My Father And Love | Ss DSTS-1015 | DE6551l | ||
65-09-16-013 | - 15. The Lord’s Prayer | Ss DSTS-1015 | DE6551m | ||
65-09-16-014 | - 14.Come Sunday | Ss DSTS-1015 | DE6551n | ||
Add bunny Briggs(td) | |||||
65-09-16-015 | - 16. David Danced=Come Sunday | Ss DSTS-1015 | DE6551o | ||
Toney Watkins(v) solo | |||||
65-09-16-016 | The Preacher’s Song - vTW | Ss DSTS-1015 | DE6551p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Monterey, CA | 18 September 1965 | |||
Concert, Festival Grounds | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-09-18-001 | Take The “A” Train | DE6552a | |||
AD LIB ON NIPPON | |||||
65-09-18-002 | - 1. Fugi | IGDJ GJ-64 | DE6552b | ||
65-09-18-003 | - 2. Igoo | IGDJ GJ-64 | DE6552c | ||
65-09-18-004 | - 3. Nagoya | IGDJ GJ-64 | DE6552d | ||
65-09-18-005 | - 4. Tokyo | IGDJ GJ-64 | DE6552e | ||
65-09-18-006 | Chelsea Bridge | IGDJ GJ-79 | DE6552f | ||
65-09-18-007 | In The Beginning God (Olds) | IGDJ GJ-79 | DE6552g | ||
65-09-18-008 | El Viti | DE6552h | |||
65-09-18-009 | Trombone Buster (El Busto) | DE6552i | |||
65-09-18-010 | Imagine My Frustration (When I’m Feelin’ Kinda Blue) | DE6552j | |||
65-09-18-011 | Things Ain’t What They Used To Be | DE6552k | |||
65-09-18-012 | Things Ain’t What They Used To Be | DE6552l | |||
65-09-18-013 | Harmony In Harlem | DE6552m | |||
65-09-18-014 | Skin Deep | DE6552n | |||
Add Esther Marrow(v) | |||||
65-09-18-015 | Tell Me It’s The Truth - vEM | DE6552o | |||
65-09-18-016 | Come Sunday - vEM | DE6552p | |||
65-09-18-017 | The Lord’s Prayer - vEM | DE6552q | |||
Esther Marrow out. Add Bunny Briggs (td,v) | |||||
65-09-18-018 | Tulip Or Turnip - vBBr | DE6552r | |||
65-09-18-019 | Come Sunday (David Danced) - vBBr | DE6552s | |||
65-09-18-020 | Honeysuckle Rose | DE6552t | |||
As Before | |||||
65-09-18-021 | ¬ Satin Doll | DE6552u | |||
65-09-18-022 | _|Sophisticated Lady | DE6552v | |||
65-09-18-023 | Tutti For Cootie | DE6552w | |||
65-09-18-024 | ¬ Kinda Dukish | DE6552x | |||
65-09-18-025 | _|Rockin’ In Rhythm | DE6552y | |||
DUKE ELLINGTON | San Francisco, CA | 20 September 1965 | |||
Fairmont Hotel | |||||
Duke Ellington, Ralph Gleason(tk) | |||||
65-09-20-001 | Interview by Gleason | DE6553a | |||
Duke Ellington(ep) | |||||
65-09-20-002 | Piano Interlude | DE6553b | |||
65-09-20-003 | ¬ Blue Too | DE6553c | |||
65-09-20-004 | - |Take It Slow | DE6553d | |||
65-09-20-005 | _|Tune Up | DE6553e | |||
65-09-20-006 | Sugar Hill Penthouse | DE6553f | |||
65-09-20-007 | Unidentified “L” | DE6553g | |||
DUKE ELLINGTON AND BILLY STRAYHORN | Same session | ||||
Billy Strayhorn(p); Duke Ellington(tk) | |||||
65-09-20-008 | Love Came | DE6553h | |||
Note: The Strayhorn performance was pre-recorded on 14 August 1965 | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 20 September 1965 | |||
Rehearsal session, Coast Recorders Studio | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d); Jon Hendricks(v) | |||||
65-09-20-009 | In The Beginning God - vJHe | DE6554a | |||
65-09-20-010 | In The Beginning God | DE6554b | |||
65-09-20-011 | In The Beginning God | DE6554c | |||
65-09-20-012 | In The Beginning God | DE6554d | |||
65-09-20-013 | In The Beginning God | DE6554e | |||
65-09-20-014 | In The Beginning God | DE6554f | |||
65-09-20-015 | In The Beginning God | DE6554g | |||
65-09-20-016 | In The Beginning God (Olds) | DE6554h | |||
65-09-20-017 | In The Beginning God (Olds) | DE6554i | |||
65-09-20-018 | In The Beginning God (Olds) | DE6554j | |||
DUKE ELLINGTON | San Francisco, CA | September 1965 | |||
Pre-recording for N.E.T. telecast | |||||
Duke Ellington, Ralph Gleason(tk) | |||||
65-09-25-001 | Interview by Gleason | DE6555a | |||
Note: Musical excerpts come from previous performances; 25, 26 Aug; 16,18, 20 Sep; | |||||
DUKE ELLINGTON | Vancouver, CDN | September 1965 | |||
CBC broadcast | |||||
Duke Ellington, Bob Smith(tk) | |||||
65-09-30-001 | Interview by Smith | DE6556a | |||
DUKE ELLINGTON | New York City, NY | Autumn 1965 | |||
Duke Ellington(tk) | |||||
65-10-00-001 | Duke Talking About “The Duke At Tanglewood” | Bb 09026-63953-2, RCA SP-330394 | DE9029a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 18, 19, 20 October 1965 | |||
Verve recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Jimmy Jones(p); John Lamb(sb); Louie Bellson(d); Ella Fitzgerald(v) | |||||
65-10-18-001 | -5 | A Flower Is A Lovesome Thing - vEF | Ve V-4070 | DE6557a | |
65-10-18-002 | -9 | Something To Live For - vEF | Ve V-4070 | DE6557b | |
Jimmy Jones out. Add Duke Ellington(p) | |||||
65-10-18-003 | -8 | Azure - vEF | Ve V-4070 | DE6557c | |
Duke Ellington out. Add Jimmy Jones(p) | |||||
65-10-18-004 | -10 | I Like The Sunrise - vEF | Ve V-4070 | DE6557d | |
65-10-18-005 | -15 | Passion Flower - vEF | DE6557e | ||
65-10-18-006 | -17 | Passion Flower - vEF | Ve V-4070 | DE6557f | |
Add Duke Ellington(p) | |||||
65-10-18-007 | -7 | Cotton Tail - vEF | Ve V-4070 | DE6557g | |
Jimmy Jones out. | |||||
65-10-18-008 | -2 | Imagine My Frustration - vEF | DE6557h | ||
65-10-18-009 | -4 | Imagine My Frustration - vEF | Ve V-4070 | DE6557i | |
65-10-18-010 | -5 | Imagine My Frustration - vEF | DE6557j | ||
65-10-18-011 | -3 | What Am I Here For? - vEF | Ve V-4070 | DE6557k | |
65-10-18-012 | -3 | C-Jam Blues (Duke’s Place) - vEF | Ve 314547265-2 | DE6557l | |
65-10-18-013 | -6 | C-Jam Blues (Duke’s Place) - vEF | Ve V-4070 | DE6557m | |
Duke Ellington out. Add Jimmy Jones(p) | |||||
65-10-18-014 | -6 | Brown Skin Gal - vEF | DE6557n | ||
65-10-18-015 | Brown Skin Gal - vEF | Ve V-4070 | DE6557o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 24 October 1965 | |||
Verve recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-10-24-001 | The Opener | Rt 22 | DE6558a | ||
Medley | |||||
65-10-24-002 | - 1. Do Nothin’ Till You Hear From Me | DE6558b | |||
65-10-24-003 | - 2. Don’t Get Around Much Anymore | ||||
65-10-24-004 | - 3. Caravan | ||||
65-10-24-005 | - 4. Satin Doll | ||||
65-10-24-006 | Take The “A” Train | DE6558c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stanford, CA | 31 October 1965 | |||
Concert, Frost Ampitheatre, Stanford University | |||||
Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-10-31-001 | Take The “A” Train (theme) | DE6559a | |||
AD LIB ON NIPPON | |||||
65-10-31-002 | - 1. Fugi | DE6559b | |||
65-10-31-003 | - 2. Igoo | DE6559c | |||
65-10-31-004 | - 3. Nagoya | DE6559d | |||
65-10-31-005 | - 4. Tokyo | DE6559e | |||
65-10-31-006 | Chelsea Bridge | DE6559f | |||
65-10-31-007 | Wailing Interval | DE6559g | |||
65-10-31-008 | El Viti | DE6559h | |||
65-10-31-009 | The Opener | DE6559i | |||
65-10-31-010 | Passion Flower | DE6559j | |||
65-10-31-011 | Things Ain’t What They Used To Be | DE6559k | |||
65-10-31-012 | Things Ain’t What They Used To Be | DE6559l | |||
Medley | DE6559m | ||||
65-10-31-013 | - 1. Satin Doll | ||||
65-10-31-014 | - 2. Solitude | ||||
65-10-31-015 | - 3. In A Sentimental mod | ||||
65-10-31-016 | - 4. Don’t Get Around Much Anymore | ||||
65-10-31-017 | - 5. Mood Indigo | ||||
65-10-31-018 | - 6. I’m Beginning to See The Light | ||||
65-10-31-019 | - 7. Sophisticated Lady | ||||
65-10-31-020 | - 8. Caravan | ||||
65-10-31-021 | - 9. Do Nothin’ Till You Hear From Me | ||||
65-10-31-022 | - 10. I Let A Song & Don’t Get Around Much | ||||
65-10-31-023 | Things Ain’t What They Used To Be | DE6559n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 December 1965 | |||
NBC broadcast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d); Dinah Shore(v) | |||||
65-12-05-001 | Stormy Weather | DE6560a | |||
65-12-05-002 | Between The Devil And The Deep Blue Sea | DE6560b | |||
65-12-05-003 | Blues In The Night - vDSh | DE6560c | |||
DUKE ELLINGTON | New York City, NY | 10 December 1965 | |||
CBS broadcast | |||||
Duke Ellington, Jim Fawcett(tk) | |||||
65-12-10-001 | Interview by Fawcett | DE6561a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | December 1965 | |||
Pre-recording for CBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-12-15-001 | Mood Indigo | DE6562a | |||
65-12-15-002 | Rockin’ In Rhythm | DE6562b | |||
The telecast title is “The Strollin’ 20’s”, on the air on February 21, 1966. During the telecast the Ellington orchestra was overdubbed by a studio group. The telecast includes also “It Don’t Mean A Thing”, performed by a studio orchestra only. | |||||
DUKE ELLINGTON | New York City, NY | December 1965 | |||
Pre-recording for RAI telecast | |||||
Duke Ellington, Ruggero Orlando(tk) | |||||
65-12-20-001 | Interview by Orlando | DE6563a | |||
Duke Ellington(p) | |||||
65-12-20-002 | Take The “A” Train | DE6563b | |||
65-12-20-003 | In The Beginning God | DE6563c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 December 1965 | |||
1st Sacred Concert. Fifth Avenue Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb, James McKeever(sb); Louie Bellson(d); Esther Marrow, Jimmy McPhail, Brock Peters, Herman McCoy Choir(v) | |||||
CONCERT OF SACRED MUSIC | |||||
65-12-26-001 | - 01. Come Sunday | MSS (un-numbered) | DE6564a | ||
65-12-26-002 | - 03. Tell Me It’s The Truth | MSS (un-numbered) | DE6564b | ||
65-12-26-003 | - 03. Tell Me It’s The Truth - vEM | MSS (un-numbered), RCA 09026-63386-2(D), RCA LPM-3582 | DE6564c | ||
65-12-26-004 | - 06. In The Beginning God - vBPe,HMC | MSS (un-numbered) | DE6564d | ||
Billy Strayhorn(p); Lena Horne(v) | |||||
65-12-26-005 | - 07. Christmas Surprise - vLH | MSS (un-numbered), RCA 09026-63386-2(D) | DE6564e | ||
As before | |||||
65-12-26-006 | - 08. NEW WORLD A-COMIN' | MSS (un-numbered), RCA 09026-63386-2(D) | DE6564f | ||
65-12-26-007 | - 09. Will You Be There? - vHMC | MSS (un-numbered) | DE6564g | ||
65-12-26-008 | - 10. 99% Won’t Do - vJMP, HMC | MSS (un-numbered), RCA 09026-63386-2(D) | DE6564h | ||
65-12-26-009 | - 11. Ain’t But The One - vJMP, HMC | MSS (un-numbered) | DE6564i | ||
65-12-26-010 | - 14.Come Sunday | MSS (un-numbered) | DE6564j | ||
65-12-26-011 | - 15. The Lord’s Prayer | MSS (un-numbered) | DE6564k | ||
Add Bunny Briggs(td) | |||||
65-12-26-012 | - 16. David Danced=Come Sunday - vHMC | MSS (un-numbered) | DE6564l | ||
Toney Watkins(v) solo | |||||
65-12-26-013 | - 17. The Preacher’s Song - vTW | MSS (un-numbered) | DE6564m | ||
Duke Ellington(p); Herman McCoy Choir(v) | |||||
65-12-26-014 | - 18. In The Beginning God - vHMC | MSS (un-numbered) | DE6564n | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 December 1965 | |||
1st Sacred Concert. Fifth Avenue Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, Quentin Jackson(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d); Esther Marrow, Jimmy McPhail, Brock Peters, Herman McCoy Choir(v) | |||||
CONCERT OF SACRED MUSIC | |||||
65-12-26-015 | - 01. Come Sunday | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565a | ||
Billy Strayhorn(p); Lena Horne(v) | |||||
65-12-26-016 | - 07. Christmas Surprise - vLH | RCA 09026-63386-2(D) | DE6565b | ||
As before | |||||
65-12-26-017 | - 03. Tell Me It’s The Truth - vEM | DE6565c | |||
65-12-26-018 | - 06. In The Beginning God - vBPe,HMC | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565d | ||
65-12-26-019 | - 08. NEW WORLD A-COMIN' | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565e | ||
65-12-26-020 | - 09. Will You Be There? - vHMC | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565f | ||
65-12-26-021 | - 10. 99% Won’t Do - vJMP, HMC | DE6565g | |||
65-12-26-022 | - 11. Ain’t But The One - vJMP, HMC | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565h | ||
65-12-26-023 | - 12. My Mother, My Father And Love | RCA 09026-63386-2(D) | DE6565i | ||
65-12-26-024 | - 14.Come Sunday | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565j | ||
65-12-26-025 | - 15. The Lord’s Prayer | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565k | ||
Add Bunny Briggs(td) | |||||
65-12-26-026 | - 16. David Danced=Come Sunday - vHMC | RCA 09026-63386-2(D), RCA LPM-3582 | DE6565l | ||
Toney Watkins(v) solo | |||||
65-12-26-027 | - 17. The Preacher’s Song - vTW | DE6565m | |||
Duke Ellington(p); Herman McCoy Choir(v) | |||||
65-12-26-028 | - 18. In The Beginning God - vHMC | DE6565n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Worcester, MA | 31 December 1965 | |||
NBC broadcast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
65-12-31-001 | Take The “A” Train (theme) | DE6566a | |||
65-12-31-002 | Satin Doll | DE6566b | |||
65-12-31-003 | Soul Call | DE6566c | |||
65-12-31-004 | Azure | DE6566d | |||
65-12-31-005 | Things Ain’t What They Used To Be | DE6566e | |||
65-12-31-006 | Sophisticated Lady | DE6566f | |||
DUKE ELLINGTON | USA | probably January 1966 | |||
ABC telecast | |||||
Duke Ellington, n/k(tk) | |||||
66-01-00-001 | Interview | DE6601a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 19, 20 January 1966 | |||
Paramount film soundtrack "Assault On A Queen" | |||||
Cootie Williams, Cat Anderson, Conte Candoli, Al Porcino, Ray Triscari(t); Murray McEachern, Milt Bernhart, Hoyt Bohannon, Ken Shroyer(tb); Jimmy Hamilton(cl,ts); Buddy Collette(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Bud Shank (f); Catherine Gothoffer(ha); Duke Ellington(p); John Lamb(sb); Louie Bellson(d) | |||||
66-01-19-001 | Mama Bahama | DE6602a | |||
66-01-19-002 | Beautiful Woman Walks Well | DE6602b | |||
Add studio orchestra. Nathan Van Cleave cond. | |||||
66-01-19-003 | The First Dive | DE6602c | |||
Studio orchestra out | |||||
66-01-19-004 | Beautiful Woman Walks Well | DE6602d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 January 1966 | |||
CBS telecast, "The Ed Sullivan Show" | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Skeets Marsh(d); Marie Ellington(v) | |||||
Medley | DE6603a | ||||
66-01-23-001 | - 1. Things Ain’t What They Used To Be | X-YT 3(YT) | |||
66-01-23-002 | - 2. I Got It Bad | X-YT 3(YT) | |||
66-01-23-003 | - 3. Cotton Tail | X-YT 3(YT) | |||
66-01-23-004 | - 4. Jam With Sam | X-YT 3(YT) | |||
66-01-23-005 | There Will Never Be Another You - vME | DE6603b | |||
66-01-23-006 | Satin Doll | DE6603c | |||
DUKE ELLINGTON | Frankfurt, D | 28 January 1966 | |||
AFN broadcast | |||||
Duke Ellington, n/k(tk) | |||||
66-01-28-001 | Interview | DE6604a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Frankfurt, D | 28 January 1966 | |||
Concert, Jahrhunderthalle | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Elvin Jones, Skeets Marsh(d) | |||||
66-01-28-002 | ¬ Black And Tan Fantasy | DE6605a | |||
66-01-28-003 | - |Creole Love Call | DE6605b | |||
66-01-28-004 | _|The Mooch | DE6605c | |||
66-01-28-005 | Stompy Jones | DE6605d | |||
66-01-28-006 | The Opener | DE6605e | |||
66-01-28-007 | Chelsea Bridge | DE6605f | |||
AD LIB ON NIPPON | |||||
66-01-28-008 | - 1. Fugi | MDD 007 | DE6605g | ||
66-01-28-009 | - 2. Igoo | MDD 007 | DE6605h | ||
66-01-28-010 | - 3. Nagoya | MDD 007 | DE6605i | ||
66-01-28-011 | - 4. Tokyo | MDD 007 | DE6605j | ||
66-01-28-012 | Sophisticated Lady | DE6605k | |||
66-01-28-013 | ¬ Kinda Dukish | DE6605l | |||
66-01-28-014 | _|Rockin’ In Rhythm | DE6605m | |||
66-01-28-015 | Passion Flower | DE6605n | |||
66-01-28-016 | Things Ain’t What They Used To Be | DE6605o | |||
66-01-28-017 | Wings And Things | DE6605p | |||
66-01-28-018 | Jam With Sam | DE6605q | |||
John Lamb, Elvin Jones, Skeets Marsh out. Add Joe Comfort (sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-01-28-019 | Cotton Tail - vEF | DE6605r | |||
66-01-28-020 | C-Jam Blues (Duke’s Place) - vEF | DE6605s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 29 January 1966 | |||
1st Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Elvin Jones, Skeets Marsh(d) | |||||
66-01-29-001 | La Plus Belle Africaine | DE6606a | |||
66-01-29-002 | Take The “A” Train | MDD 007 | DE6606b | ||
66-01-29-003 | Passion Flower | DE6606c | |||
66-01-29-004 | Things Ain’t What They Used To Be | DE6606d | |||
66-01-29-005 | Wings And Things | DE6606e | |||
66-01-29-006 | Wings And Things | DE6606f | |||
66-01-29-007 | Jam With Sam | DE6606g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 29 January 1966 | |||
2nd Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Elvin Jones, Skeets Marsh(d) | |||||
66-01-29-008 | Take The “A” Train (theme) | MDD 007 | DE6607a | ||
66-01-29-009 | ¬ Black And Tan Fantasy | MDD 007 | DE6607b | ||
66-01-29-010 | - |Creole Love Call | MDD 007 | DE6607c | ||
66-01-29-011 | _|The Mooch | MDD 007 | DE6607d | ||
66-01-29-012 | Soul Call | DE6607e | |||
66-01-29-013 | Chelsea Bridge | MDD 007 | DE6607f | ||
66-01-29-014 | El Viti | MDD 007 | DE6607g | ||
66-01-29-015 | The Opener | DE6607h | |||
66-01-29-016 | La Plus Belle Africaine | MDD 007 | DE6607i | ||
66-01-29-017 | Trombone Buster (El Viti) | MDD 007 | DE6607j | ||
66-01-29-018 | Passion Flower | MDD 007 | DE6607k | ||
66-01-29-019 | Things Ain’t What They Used To Be | MDD 007 | DE6607l | ||
66-01-29-020 | Wings And Things | MDD 007 | DE6607m | ||
66-01-29-021 | Sophisticated Lady | DE6607n | |||
66-01-29-022 | Jam With Sam | DE6607o | |||
John Lamb(sb); Elvin Jones, Skeets Marsh(d) out. Add Joe Comfort (sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-01-29-023 | Cotton Tail - vEF | DE6607p | |||
66-01-29-024 | Imagine My Frustration - vEF | DE6607q | |||
66-01-29-025 | C-Jam Blues (Duke’s Place) - vEF | DE6607r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 30 January 1966 | |||
Concert Teatro Lirico | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Elvin Jones, Skeets Marsh(d) | |||||
66-01-30-001 | Take The “A” Train (theme) | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608a | ||
66-01-30-002 | ¬ Black And Tan Fantasy | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608b | ||
66-01-30-003 | - |Creole Love Call | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608c | ||
66-01-30-004 | _|The Mooch | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608d | ||
66-01-30-005 | Soul Call | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608e | ||
66-01-30-006 | Chelsea Bridge | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608f | ||
66-01-30-007 | El Viti | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608g | ||
66-01-30-008 | The Opener | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608h | ||
Ad Lib On Nippon | Rai (Unknown-1)(YT) | ||||
66-01-30-009 | - 1. Fugi | Rai (Unknown-1)(YT) | |||
66-01-30-010 | - 2. Igoo | Rai (Unknown-1)(YT) | |||
66-01-30-011 | - 3. Nagoya | Rai (Unknown-1)(YT) | |||
66-01-30-012 | - 4. Tokyo | Rai (Unknown-1)(YT) | |||
66-01-30-013 | Sophisticated Lady | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608i | ||
66-01-30-014 | Take The “A” Train | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608j | ||
66-01-30-015 | Passion Flower | CCo JBS-92B02B(YT) | DE6608k | ||
66-01-30-016 | Things Ain’t What They Used To Be | CCo JBS-92B02B(YT) | DE6608l | ||
66-01-30-017 | Wings And Things | CCo JBS-92B02B(YT) | DE6608m | ||
66-01-30-018 | Jam With Sam | CCo JBS-92B02B(YT), Rai (Unknown-1)(YT) | DE6608n | ||
Duke Ellington(p); John Lamb(sb); Elvin Jones, Skeets Marsh(d) out. Add Jimmy Jones(p), Joe Comfort (sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-01-30-019 | Satin Doll -vEF | Rai (Unknown-1)(YT) | |||
66-01-30-020 | Wives And Lovers -vEF | Rai (Unknown-1)(YT) | |||
66-01-30-021 | Something To Live For -vEF | Rai (Unknown-1)(YT) | |||
66-01-30-022 | Let’s Do It -vEF | Rai (Unknown-1)(YT) | |||
66-01-30-023 | Sweet Georgia Brown -vEF | Rai (Unknown-1)(YT) | |||
Jimmy Jones(p) out. Add Duke Ellington(p) | |||||
66-01-30-024 | Cotton Tail - vEF | CCo JBS-92B02B(YT) | DE6608o | ||
Duke Ellington accompanying recitation by Vittorio Gassman | |||||
Duke Ellington(p); Vittorio Gassman(v) | |||||
66-01-30-025 | Such Sweet Thunder -vVG (YT) | Rai (Unknown-1)(YT) | |||
Duke Ellington(p); Ella Fitzgerald(v) | |||||
66-01-30-026 | I’m Just A Lucky So And So | Rai (Unknown-1)(YT) | |||
See Blog In Jazz. RAI lists the concert here. Performances of the Ella Fitzgerald trio alone are not included above. | |||||
DUKE ELLINGTON | Milano, I | 30 January 1966 | |||
RAI telecast | |||||
Duke Ellington, Jim Fawcett(tk) | |||||
66-01-30-027 | Such Sweet Thunder | DE6609a | |||
DUKE ELLINGTON AND ELLA FITZGERALD | Same session | ||||
Duke Ellington(p); Ella Fitzgerald(v) | |||||
66-01-30-028 | I’m Just A Lucky So And So - vEF | DE6609b | |||
Vittorio Gassman recites Hamlet's monologue | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Basel, CH | 03 February 1966 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-03-001 | The Mooch | DE6610a | |||
66-02-03-002 | What Am I Here For? | DE6610b | |||
66-02-03-003 | Soul Call | DE6610c | |||
66-02-03-004 | Happy Reunion | DE6610d | |||
66-02-03-005 | The Opener | DE6610e | |||
66-02-03-006 | ¬ Kinda Dukish | DE6610f | |||
66-02-03-007 | _|Rockin’ In Rhythm | DE6610g | |||
66-02-03-008 | El Viti | DE6610h | |||
66-02-03-009 | Mood Indigo | DE6610i | |||
66-02-03-010 | Tutti For Cootie | DE6610j | |||
66-02-03-011 | Passion Flower | DE6610k | |||
66-02-03-012 | Things Ain’t What They Used To Be | DE6610l | |||
66-02-03-013 | Magenta Haze | DE6610m | |||
66-02-03-014 | Wings And Things | DE6610n | |||
66-02-03-015 | ¬ Satin Doll | DE6610o | |||
66-02-03-016 | _|Sophisticated Lady | DE6610p | |||
66-02-03-017 | Jam With Sam | DE6610q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobnhavn, DK | 06 February 1966 | |||
1st Concert, Falkoner Teatret | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-06-001 | ¬ Black And Tan Fantasy | DE6611a | |||
66-02-06-002 | - |Creole Love Call | DE6611b | |||
66-02-06-003 | _|The Mooch | DE6611c | |||
66-02-06-004 | Soul Call | DE6611d | |||
66-02-06-005 | Chelsea Bridge | DE6611e | |||
66-02-06-006 | West Indian Pancake | DE6611f | |||
66-02-06-007 | El Viti | DE6611g | |||
66-02-06-008 | The Opener | DE6611h | |||
66-02-06-009 | La Plus Belle Africaine | DE6611i | |||
66-02-06-010 | Magenta Haze | DE6611j | |||
66-02-06-011 | Things Ain’t What They Used To Be | DE6611k | |||
66-02-06-012 | Wings And Things | DE6611l | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-06-013 | Cotton Tail - vEF | DE6611m | |||
66-02-06-014 | Imagine My Frustration - vEF | DE6611n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobnhavn, DK | 06 February 1966 | |||
2nd Concert, Falkoner Teatret | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-06-015 | Take The “A” Train (theme) | DE6612a | |||
66-02-06-016 | What Am I Here For? | DE6612b | |||
66-02-06-017 | Happy Reunion | DE6612c | |||
66-02-06-018 | West Indian Pancake | DE6612d | |||
66-02-06-019 | Soul Call | DE6612e | |||
66-02-06-020 | El Viti | DE6612f | |||
66-02-06-021 | The Opener | DE6612g | |||
66-02-06-022 | La Plus Belle Africaine | DE6612h | |||
66-02-06-023 | ¬ Kinda Dukish | DE6612i | |||
66-02-06-024 | _|Rockin’ In Rhythm | DE6612j | |||
66-02-06-025 | Magenta Haze | DE6612k | |||
66-02-06-026 | Things Ain’t What They Used To Be | DE6612l | |||
66-02-06-027 | Wings And Things | DE6612m | |||
66-02-06-028 | Things Ain’t What They Used To Be | DE6612n | |||
Duke Ellington (p) solo. | |||||
66-02-06-029 | Dancers In Love | DE6612o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 07 February 1966 | |||
1st Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-07-001 | Take The “A” Train (theme) | DE6613xa | |||
66-02-07-002 | Soul Call | DE6613xb | |||
66-02-07-003 | West Indian Pancake | DE6613xc | |||
66-02-07-004 | El Viti | MFD G4RA-2536 | DE6613a | ||
66-02-07-005 | La Plus Belle Africaine | MFD G4RA-2536 | DE6613b | ||
66-02-07-006 | The Opener | DE6613xd | |||
66-02-07-007 | Veldt-Amor | DE6613xe | |||
66-02-07-008 | Magenta Haze | MFD G4RA-2536 | DE6613c | ||
66-02-07-009 | Things Ain’t What They Used To Be | DE6613xf | |||
66-02-07-010 | Wings And Things | DE6613xg | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-07-011 | Cotton Tail - vEF | DE6613xh | |||
66-02-07-012 | Imagine My Frustration - vEF | DE6613xi | |||
66-02-07-013 | C-Jam Blues (Duke’s Place) | DE6613xj | |||
66-02-07-014 | Azure | DE6613xk | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 07 February 1966 | |||
2nd Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-07-015 | Take The “A” Train (theme) | DE6614a | |||
66-02-07-016 | ¬ Black And Tan Fantasy | DE6614b | |||
66-02-07-017 | - |Creole Love Call | DE6614c | |||
66-02-07-018 | _|The Mooch | DE6614d | |||
66-02-07-019 | Soul Call | DE6614e | |||
66-02-07-020 | West Indian Pancake | DE6614f | |||
66-02-07-021 | El Viti | DE6614g | |||
66-02-07-022 | The Opener | DE6614h | |||
66-02-07-023 | La Plus Belle Africaine | DE6614i | |||
66-02-07-024 | Veldt-Amor | DE6614j | |||
66-02-07-025 | Magenta Haze | DE6614k | |||
66-02-07-026 | Things Ain’t What They Used To Be | DE6614l | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-07-027 | Cotton Tail - vEF | DE6614m | |||
66-02-07-028 | Imagine My Frustration - vEF | DE6614n | |||
DUKE ELLINGTON | Stockholm, S | 08 February 1966 | |||
Rehearsal Session | |||||
Duke Ellington(p) | |||||
66-02-08-001 | Looking Glass | DE6615a | |||
66-02-08-002 | Looking Glass | DE6615b | |||
Add John Lanb(sb) | |||||
66-02-08-003 | Marcia Regina (The Queen’s Guard) | DE6615c | |||
66-02-08-004 | Marcia Regina (The Queen’s Guard) | DE6615d | |||
66-02-08-005 | Serenade to Sweden | DE6615e | |||
66-02-08-006 | Serenade to Sweden | DE6615f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-08-007 | Take The “A” Train | DE6616g | |||
66-02-08-008 | West Indian Pancake | DE6616h | |||
66-02-08-009 | Rockin’ In Rhythm | DE6616i | |||
66-02-08-010 | Rockin’ In Rhythm | DE6616j | |||
66-02-08-011 | La Plus Belle Africaine | DE6616k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 08 February 1966 | |||
Pre-recording for SR telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-08-012 | Take The “A” Train (theme) | DE6616a | |||
66-02-08-013 | West Indian Pancake | DE6616b | |||
66-02-08-014 | Rockin’ In Rhythm | DE6616c | |||
66-02-08-015 | La Plus Belle Africaine | DE6616d | |||
66-02-08-016 | The Opener | DE6616e | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-08-017 | Imagine My Frustration - vEF | DE6616f | |||
Add jimmy Jones(p) | |||||
66-02-08-018 | C-Jam Blues (Duke’s Place) - vEF | DE6616g | |||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-08-019 | Take The “A” Train (theme) | DE6616h | |||
66-02-08-020 | Black And Tan Fantasy | DE6616i | |||
66-02-08-021 | Soul Call | DE6616j | |||
66-02-08-022 | Wings And Things | DE6616k | |||
66-02-08-023 | Jam With Sam | DE6616l | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-08-024 | Cotton Tail - vEF | DE6616m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | Probably 08 February 1966 | |||
Concert, Konserthuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-08-025 | Take The “A” Train (theme) | DE6617a | |||
66-02-08-026 | Take The “A” Train | DE6617b | |||
66-02-08-027 | Sophisticated Lady | DE6617c | |||
66-02-08-028 | The Opener | DE6617d | |||
66-02-08-029 | Wings And Things | DE6617e | |||
66-02-08-030 | Things Ain’t What They Used To Be | DE6617f | |||
66-02-08-031 | Soul Call | DE6617g | |||
66-02-08-032 | West Indian Pancake | DE6617h | |||
66-02-08-033 | Veldt-Amor | DE6617i | |||
66-02-08-034 | Perdido | DE6617j | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-08-035 | Imagine My Frustration - vEF | DE6617k | |||
66-02-08-036 | C-Jam Blues (Duke’s Place) - vEF | DE6617l | |||
66-02-08-037 | Cotton Tail - vEF | DE6617m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 11 February 1966 | |||
1st Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-11-001 | ¬ Black And Tan Fantasy | DE6618a | |||
66-02-11-002 | - |Creole Love Call | DE6618b | |||
66-02-11-003 | _|The Mooch | DE6618c | |||
66-02-11-004 | Soul Call | DE6618d | |||
66-02-11-005 | West Indian Pancake | DE6618e | |||
66-02-11-006 | El Viti | DE6618f | |||
66-02-11-007 | The Opener | DE6618g | |||
66-02-11-008 | La Plus Belle Africaine | DE6618h | |||
66-02-11-009 | Magenta Haze | DE6618i | |||
66-02-11-010 | Things Ain’t What They Used To Be | DE6618j | |||
66-02-11-011 | Wings And Things | DE6618k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 11 February 1966 | |||
2nd Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-11-012 | Take The “A” Train (theme) | DE6619a | |||
66-02-11-013 | ¬ Black And Tan Fantasy | DE6619b | |||
66-02-11-014 | - |Creole Love Call | DE6619c | |||
66-02-11-015 | _|The Mooch | DE6619d | |||
66-02-11-016 | Soul Call | DE6619e | |||
66-02-11-017 | West Indian Pancake | DE6619f | |||
66-02-11-018 | El Viti | DE6619g | |||
66-02-11-019 | The Opener | DE6619h | |||
66-02-11-020 | La Plus Belle Africaine | DE6619i | |||
66-02-11-021 | Veldt-Amor | DE6619j | |||
66-02-11-022 | Magenta Haze | DE6619k | |||
66-02-11-023 | Things Ain’t What They Used To Be | DE6619l | |||
66-02-11-024 | Wings And Things | DE6619m | |||
66-02-11-025 | Jam With Sam | DE6619n | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-11-026 | Cotton Tail - vEF | DE6619o | |||
66-02-11-027 | Imagine My Frustration - vEF | DE6619p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 12 February 1966 | |||
2nd Concert, Royal Festival Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-12-001 | Take The “A” Train (theme) | DE6620a | |||
66-02-12-002 | ¬ Black And Tan Fantasy | DE6620b | |||
66-02-12-003 | - |Creole Love Call | DE6620c | |||
66-02-12-004 | _|The Mooch | DE6620d | |||
66-02-12-005 | Soul Call | DE6620e | |||
66-02-12-006 | West Indian Pancake | DE6620f | |||
66-02-12-007 | El Viti | DE6620g | |||
66-02-12-008 | Veldt-Amor | DE6620h | |||
66-02-12-009 | The Opener | DE6620i | |||
66-02-12-010 | La Plus Belle Africaine | DE6620j | |||
66-02-12-011 | ¬ Kinda Dukish | DE6620k | |||
66-02-12-012 | _|Rockin’ In Rhythm | DE6620l | |||
66-02-12-013 | Magenta Haze | DE6620m | |||
66-02-12-014 | Things Ain’t What They Used To Be | DE6620n | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-12-015 | Cotton Tail - vEF | DE6620o | |||
66-02-12-016 | Imagine My Frustration - vEF | DE6620p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 13 February 1966 | |||
1st Concert, Hammersmith Odeon, Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-13-001 | Take The “A” Train (theme) | DE6621a | |||
66-02-13-002 | ¬ Black And Tan Fantasy | DE6621b | |||
66-02-13-003 | - |Creole Love Call | DE6621c | |||
66-02-13-004 | _|The Mooch | DE6621d | |||
66-02-13-005 | Soul Call | DE6621e | |||
66-02-13-006 | West Indian Pancake | DE6621f | |||
66-02-13-007 | El Viti | DE6621g | |||
66-02-13-008 | Veldt-Amor | DE6621h | |||
66-02-13-009 | The Opener | DE6621i | |||
66-02-13-010 | La Plus Belle Africaine | DE6621j | |||
66-02-13-011 | ¬ Kinda Dukish | DE6621k | |||
66-02-13-012 | _|Rockin’ In Rhythm | DE6621l | |||
66-02-13-013 | Magenta Haze | DE6621m | |||
66-02-13-014 | Things Ain’t What They Used To Be | DE6621n | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb): Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-13-015 | Cotton Tail - vEF | DE6621o | |||
66-02-13-016 | Imagine My Frustration - vEF | DE6621p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 13 February 1966 | |||
2nd Concert, Hammersmith Odeon, Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-13-017 | Take The “A” Train (theme) | DE6622a | |||
66-02-13-018 | ¬ Black And Tan Fantasy | DE6622b | |||
66-02-13-019 | - |Creole Love Call | DE6622c | |||
66-02-13-020 | _|The Mooch | DE6622d | |||
66-02-13-021 | Soul Call | DE6622e | |||
66-02-13-022 | West Indian Pancake | DE6622f | |||
66-02-13-023 | El Viti | DE6622g | |||
66-02-13-024 | Veldt-Amor | DE6622h | |||
66-02-13-025 | The Opener | DE6622i | |||
66-02-13-026 | La Plus Belle Africaine | DE6622j | |||
66-02-13-027 | Trombone Buster (El Busto) | DE6622k | |||
66-02-13-028 | Magenta Haze | DE6622l | |||
66-02-13-029 | Things Ain’t What They Used To Be | DE6622m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Southend-On-Sea, GB | 14 February 1966 | |||
1st Concert, Cliffs Pavillion | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-14-001 | Take The “A” Train (theme) | DE6623a | |||
66-02-14-002 | ¬ Black And Tan Fantasy | DE6623b | |||
66-02-14-003 | - |Creole Love Call | DE6623c | |||
66-02-14-004 | _|The Mooch | DE6623d | |||
66-02-14-005 | Soul Call | DE6623e | |||
66-02-14-006 | Chelsea Bridge | DE6623f | |||
66-02-14-007 | West Indian Pancake | DE6623g | |||
66-02-14-008 | El Viti | DE6623h | |||
66-02-14-009 | Veldt-Amor | DE6623i | |||
66-02-14-010 | The Opener | DE6623j | |||
66-02-14-011 | La Plus Belle Africaine | DE6623k | |||
66-02-14-012 | ¬ Kinda Dukish | DE6623l | |||
66-02-14-013 | _|Rockin’ In Rhythm | DE6623m | |||
66-02-14-014 | Take The “A” Train (theme) | DE6623n | |||
66-02-14-015 | Take The “A” Train | DE6623o | |||
66-02-14-016 | Trombone Buster (El Busto) | DE6623p | |||
66-02-14-017 | Magenta Haze | DE6623q | |||
66-02-14-018 | Things Ain’t What They Used To Be | DE6623r | |||
66-02-14-019 | Wings And Things | DE6623s | |||
Medley | DE6623t | ||||
66-02-14-020 | - 1. Satin Doll | ||||
66-02-14-021 | - 2. Solitude | ||||
66-02-14-022 | - 3. Don’t Get Around Much Anymore | ||||
66-02-14-023 | - 4. Mood Indigo | ||||
66-02-14-024 | - 5. I’m Beginning to See The Light | ||||
66-02-14-025 | - 6. Sophisticated Lady | ||||
66-02-14-026 | - 7. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Southend-On-Sea, GB | 14 February 1966 | |||
2nd Concert, Cliffs Pavillion | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-14-027 | Take The “A” Train (theme) | DE6624a | |||
66-02-14-028 | ¬ Black And Tan Fantasy | DE6624b | |||
66-02-14-029 | - |Creole Love Call | DE6624c | |||
66-02-14-030 | _|The Mooch | DE6624d | |||
66-02-14-031 | Soul Call | DE6624e | |||
66-02-14-032 | Chelsea Bridge | DE6624f | |||
66-02-14-033 | West Indian Pancake | DE6624g | |||
66-02-14-034 | El Viti | DE6624h | |||
66-02-14-035 | Veldt-Amor | DE6624i | |||
66-02-14-036 | The Opener | DE6624j | |||
66-02-14-037 | La Plus Belle Africaine | DE6624k | |||
66-02-14-038 | ¬ Kinda Dukish | DE6624l | |||
66-02-14-039 | _|Rockin’ In Rhythm | DE6624m | |||
66-02-14-040 | Take The “A” Train (theme) | DE6624n | |||
66-02-14-041 | Take The “A” Train | DE6624o | |||
66-02-14-042 | Trombone Buster (El Busto) | DE6624p | |||
66-02-14-043 | Magenta Haze | DE6624q | |||
66-02-14-044 | Things Ain’t What They Used To Be | DE6624r | |||
66-02-14-045 | Wings And Things | DE6624s | |||
66-02-14-046 | ¬ I Let A Song Go Out Of My Heart | DE6624t | |||
66-02-14-047 | _|Don’t Get Around Much Anymore | DE6624u | |||
66-02-14-048 | Jam With Sam | DE6624v | |||
66-02-14-049 | Satin Doll | DE6624w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Liverpool, GB | 17 February 1966 | |||
Concert, University of Liverpool | |||||
Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-17-001 | Take The “A” Train (theme) | DE6625a | |||
66-02-17-002 | ¬ Black And Tan Fantasy | DE6625b | |||
66-02-17-003 | - |Creole Love Call | DE6625c | |||
66-02-17-004 | _|The Mooch | DE6625d | |||
66-02-17-005 | Soul Call | DE6625e | |||
66-02-17-006 | Chelsea Bridge | DE6625f | |||
66-02-17-007 | West Indian Pancake | DE6625g | |||
66-02-17-008 | El Viti | DE6625h | |||
66-02-17-009 | Veldt-Amor | DE6625i | |||
66-02-17-010 | The Opener | DE6625j | |||
66-02-17-011 | La Plus Belle Africaine | DE6625k | |||
66-02-17-012 | Carolina Shout | DE6625l | |||
66-02-17-013 | Come Sunday | DE6625m | |||
66-02-17-014 | Light (Montage) | DE6625n | |||
66-02-17-015 | Magenta Haze | DE6625o | |||
66-02-17-016 | Things Ain’t What They Used To Be | DE6625p | |||
66-02-17-017 | Wings And Things | DE6625q | |||
Medley | DE6625r | ||||
66-02-17-018 | - 1. Satin Doll | ||||
66-02-17-019 | - 2. Solitude | ||||
66-02-17-020 | - 3. Don’t Get Around Much Anymore | ||||
66-02-17-021 | - 4. Mood Indigo | ||||
66-02-17-022 | - 5. I’m Beginning to See The Light | ||||
66-02-17-023 | - 6. Sophisticated Lady | ||||
66-02-17-024 | - 7. Caravan | ||||
66-02-17-025 | - 8. Do Nothin’ Till You Hear From Me | ||||
66-02-17-026 | Things Ain’t What They Used To Be | DE6625s | |||
66-02-17-027 | God Save The Queen | DE6625t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 19 February 1966 | |||
1st Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-19-001 | Take The “A” Train | DE6627xa | |||
66-02-19-002 | Main Stem | DE6627a | |||
66-02-19-003 | Soul Call | DE6627b | |||
66-02-19-004 | West Indian Pancake | DE6627c | |||
66-02-19-005 | El Viti | DE6627d | |||
66-02-19-006 | Veldt - Amor | DE6627e | |||
66-02-19-007 | The Opener | DE6627f | |||
66-02-19-008 | La Plus Belle Africaine | DE6627g | |||
Duke Ellington(p) | |||||
66-02-19-009 | Carolina Shout | DE6627h | |||
As before | |||||
66-02-19-010 | Magenta Haze | DE6627i | |||
66-02-19-011 | Things Ain’t What They Used To Be | DE6627j | |||
66-02-19-012 | Wings And Things | DE6627k | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-19-013 | Cotton Tail - vEF | DE6627xb | |||
66-02-19-014 | God Save The Queen | DE6627xc | |||
DUKE ELLINGTON AND HIS ORCHESTRA | England, GB | 19 February 1966 | |||
2nd Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-19-015 | Main Stem | DE6626a | |||
66-02-19-016 | Soul Call | DE6626b | |||
66-02-19-017 | West Indian Pancake | DE6626c | |||
66-02-19-018 | El Viti | DE6626d | |||
66-02-19-019 | Veldt - Amor | DE6626e | |||
66-02-19-020 | The Opener | DE6626f | |||
66-02-19-021 | La Plus Belle Africaine | DE6626g | |||
66-02-19-022 | ¬ Piano Tinkle | DE6626h | |||
66-02-19-023 | _|Rockin’ In Rhythm | DE6626i | |||
66-02-19-024 | Magenta Haze | DE6626j | |||
66-02-19-025 | Things Ain’t What They Used To Be | DE6626k | |||
66-02-19-026 | Wings And Things | DE6626l | |||
66-02-19-027 | Jam With Sam | DE6626m | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-19-028 | Cotton Tail - vEF | DE6626n | |||
66-02-19-029 | Imagine My Frustration - vEF | DE6626o | |||
66-02-19-030 | God Save The Queen | DE6626p | |||
DUKE ELLINGTON | Manchester, GB | 20 February 1966 | |||
Pre-recording for ITV telecast | |||||
Duke Ellington, Derek Jewell(tk) | |||||
66-02-20-001 | Interview by Jewell | DE6628a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 20 February 1966 | |||
1st Concert, Hammersmith Odeon, Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-20-002 | Stompy Jones | DE6629a | |||
66-02-20-003 | Take The “A” Train | DE6629b | |||
66-02-20-004 | Black And Tan Fantasy | DE6629c | |||
66-02-20-005 | Soul Call | DE6629d | |||
66-02-20-006 | West Indian Pancake | DE6629e | |||
66-02-20-007 | El Viti | DE6629f | |||
66-02-20-008 | Veldt-Amor | DE6629g | |||
66-02-20-009 | The Opener | DE6629h | |||
66-02-20-010 | La Plus Belle Africaine | DE6629i | |||
66-02-20-011 | ¬ Piano Tinkle | DE6629j | |||
66-02-20-012 | _|Rockin’ In Rhythm | DE6629k | |||
66-02-20-013 | Magenta Haze | DE6629l | |||
66-02-20-014 | Things Ain’t What They Used To Be | DE6629m | |||
66-02-20-015 | Wings And Things | DE6629n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 20 February 1966 | |||
2nd Concert, Hammersmith Odeon, Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-20-016 | Stompy Jones | DE6630a | |||
66-02-20-017 | Soul Call | DE6630b | |||
66-02-20-018 | West Indian Pancake | DE6630c | |||
66-02-20-019 | El Viti | DE6630d | |||
66-02-20-020 | Veldt-Amor | DE6630e | |||
66-02-20-021 | The Opener | DE6630f | |||
66-02-20-022 | La Plus Belle Africaine | DE6630g | |||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) only. | |||||
66-02-20-023 | Carolina Shout | DE6630h | |||
As before. | |||||
66-02-20-024 | Magenta Haze | DE6630i | |||
66-02-20-025 | Things Ain’t What They Used To Be | DE6630j | |||
66-02-20-026 | Wings And Things | DE6630k | |||
66-02-20-027 | Jam With Sam | DE6630l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Coventry, GB | 21 February 1966 | |||
Coventry Cathedral. Rehearsal session. | |||||
Duke Ellington(p) | |||||
66-02-21-001 | Tingling Is A Happiness | DE6631a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Coventry, GB | 21 February 1966 | |||
Coventry Cathedral | |||||
Duke Ellington(p) | |||||
66-02-21-002 | NEW WORLD A-COMIN' | Sv 1018448 | DE6632a | ||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); George Webb, Cliff Adams Singers(v) | |||||
66-02-21-003 | Come Sunday | Sv 1018448 | DE6632b | ||
66-02-21-004 | Light (Montage) | Sv 1018448 | DE6632c | ||
66-02-21-005 | Come Easter | Sv 1018448 | DE6632d | ||
66-02-21-006 | Tell Me It’s The Truth | Sv 1018448 | DE6632e | ||
66-02-21-007 | In The Beginning God - vGW, CAS | Sv 1018448 | DE6632f | ||
66-02-21-008 | West Indian Pancake | Sv 1018448 | DE6632g | ||
66-02-21-009 | La Plus Belle Africaine | Sv 1018448 | DE6632h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Brussels, B | 22 February 1966 | |||
Concert, Theatre Americain | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-02-22-001 | Take The “A” Train (theme) | DE6633a | |||
66-02-22-002 | ¬ Black And Tan Fantasy | DE6633b | |||
66-02-22-003 | - |Creole Love Call | DE6633c | |||
66-02-22-004 | _|The Mooch | DE6633d | |||
66-02-22-005 | Soul Call | DE6633e | |||
66-02-22-006 | West Indian Pancake | DE6633f | |||
66-02-22-007 | El Viti | DE6633g | |||
66-02-22-008 | The Opener | DE6633h | |||
66-02-22-009 | Things Ain’t What They Used To Be | DE6633i | |||
66-02-22-010 | Wings And Things | DE6633j | |||
66-02-22-011 | Sophisticated Lady | DE6633k | |||
66-02-22-012 | Take The “A” Train | DE6633l | |||
66-02-22-013 | Things Ain’t What They Used To Be | DE6633m | |||
John Lamb, Sam Woodyard out. Add Joe Comfort(sb); Gus Johnson(d); Ella Fitzgerald(v) | |||||
66-02-22-014 | Cotton Tail - vEF | DE6633n | |||
66-02-22-015 | Imagine My Frustration - vEF | DE6633o | |||
DUKE ELLINGTON | Manchester, GB | 25 February 1966 | |||
Recital, Chateau De Goutelas | |||||
Duke Ellington(p) | |||||
66-02-25-001 | NEW WORLD A-COMIN' | JBP 91 | DE6634a | ||
Medley | DE6634b | ||||
66-02-25-002 | - 1. It Don’t Mean A Thing | JBP 91 | |||
66-02-25-003 | - 2. Satin Doll | JBP 91 | |||
66-02-25-004 | - 3. Solitude | JBP 91 | |||
66-02-25-005 | - 4. I Got It Bad | JBP 91 | |||
66-02-25-006 | - 5. Don’t Get Around Much Anymore | JBP 91 | |||
66-02-25-007 | - 6. Mood Indigo | JBP 91 | |||
66-02-25-008 | - 7. I’m Beginning to See The Light | JBP 91 | |||
66-02-25-009 | - 8. Sophisticated Lady | JBP 91 | |||
66-02-25-010 | - 9. Caravan | JBP 91 | |||
DUKE ELLINGTON | Toronto, CDN | 15 March 1966 | |||
CKFH broadcast | |||||
Duke Ellington, Helen McNamara(tk) | |||||
66-03-15-001 | Interview by McNamara | DE6635a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 March 1966 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-03-29-001 | -1 | Take The “A” Train | DE6636a | ||
66-03-29-002 | -2 | Take The “A” Train | DE6636b | ||
66-03-29-003 | -3 | Take The “A” Train | DE6636c | ||
66-03-29-004 | -1 | West Indian Pancake | DE6636d | ||
66-03-29-005 | -2 | West Indian Pancake | DJ FW-40359 | DE6636e | |
66-03-29-006 | -1 | El Viti | Sv 101-8390 | DE6636f | |
66-03-29-007 | El Viti | DE6636g | |||
66-03-29-008 | El Viti | DE6636h | |||
66-03-29-009 | -1 | Velt-Amor | DE6636i | ||
66-03-29-010 | -3 | Velt-Amor | DJ FW-40359 | DE6636j | |
66-03-29-011 | -1 | La Plus Belle Africaine | DE6636k | ||
66-03-29-012 | -1 | Wings And Things | DE6636l | ||
66-03-29-013 | -2 | Wings And Things | DJ FW-40359 | DE6636m | |
DUKE ELLINGTON AND HIS ORCHESTRA | Dakar, SN | April 1966 | |||
Concert, Theatre Daniel Sorano | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-04-00-001 | The Opener | DE6637a | |||
Medley | DE6637b | ||||
66-04-00-002 | - 1. I’m Beginning to See The Light | ||||
66-04-00-003 | - 2. Sophisticated Lady | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Dakar, SN | 09 April 1966 | |||
Concert, Theatre Daniel Sorano | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-04-09-001 | Take The “A” Train (theme) | DE6638a | |||
66-04-09-002 | ¬ Black And Tan Fantasy | DE6638b | |||
66-04-09-003 | - |Creole Love Call | DE6638c | |||
66-04-09-004 | _|The Mooch | DE6638d | |||
66-04-09-005 | Soul Call | DE6638e | |||
66-04-09-006 | West Indian Pancake | DE6638f | |||
66-04-09-007 | El Viti | DE6638g | |||
66-04-09-008 | The Opener | DE6638h | |||
66-04-09-009 | La Plus Belle Africaine | DE6638i | |||
66-04-09-010 | Trombone Buster | DE6638j | |||
Medley | DE6638k | ||||
66-04-09-011 | - 1. Satin Doll | ||||
66-04-09-012 | - 2. Solitude | ||||
66-04-09-013 | - 3. Just Squeeze Me | ||||
66-04-09-014 | - 4. I Got It Bad | ||||
66-04-09-015 | - 5. Don’t Get Around Much Anymore | ||||
66-04-09-016 | - 6. Mood Indigo | ||||
66-04-09-017 | - 7. I’m Beginning to See The Light | ||||
66-04-09-018 | - 8. Sophisticated Lady | ||||
66-04-09-019 | - 9. Caravan | ||||
66-04-09-020 | - 10. Do Nothin’ Till You Hear From Me | ||||
66-04-09-021 | - 11. I Let A Song & Don’t Get Around Much | ||||
66-04-09-022 | Things Ain’t What They Used To Be | DE6638l | |||
66-04-09-023 | Dancers In Love | DE6638m | |||
66-04-09-024 | Jam With Sam | DE6638n | |||
DUKE ELLINGTON | Cincinnati, OH | 13 April 1966 | |||
Wilson Music Hall, University of Cincinnati | |||||
Duke Ellington(tk) | |||||
66-04-13-001 | Ellington’s Masterclass | DE6639a | |||
DUKE ELLINGTON AND SAM WOODYARD | Same session | ||||
Duke Ellington(p); Sam Woodyard(d) | |||||
66-04-13-002 | Single Petal Of A Rose | DE6639b | |||
66-04-13-003 | Le Sucrier Velour | DE6639c | |||
66-04-13-004 | Satin Doll | DE6639d | |||
66-04-13-005 | Sophisticated Lady | DE6639e | |||
66-04-13-006 | There Was Nobody Loking | DE6639f | |||
Medley | DE6639g | ||||
66-04-13-007 | - 1. Don’t Get Around Much Anymore | ||||
66-04-13-008 | - 2. Ellington ‘66 | ||||
66-04-13-009 | - 3. Don’t Get Around Much Anymore | ||||
66-04-13-010 | - 4. Ellington ‘66 | ||||
66-04-13-011 | Take The “A” Train | DE6639h | |||
66-04-13-012 | Mood Indigo | DE6639i | |||
66-04-13-013 | Dancers In Love | DE6639j | |||
DUKE ELLINGTON WITH THE CINCINNATI SYMPHONY ORCHESTRA | Cincinnati, OH | 16 April 1966 | |||
Wilson Music Hall, University of Cincinnati | |||||
Duke Ellington(p) with the Cincinnati Symphony Orchestra. Cond. Erich Kunzel and featuring Marie Peziale(t); Richard Waller(cl); Dave Frerichs(d) | |||||
66-04-16-001 | NEW WORLD A-COMIN' | DE6640a | |||
Duke Ellington(p) | |||||
66-04-16-002 | ¬ Prelude To A Kiss | DE6640b | |||
66-04-16-003 | _|In A Sentimental Mood | DE6640c | |||
66-04-16-004 | Single Petal Of A Rose | DE6640d | |||
As before. Add Joe Benjamin(sb); Sam Woodyard(d) | |||||
Medley | DE6640e | ||||
66-04-16-005 | - 1. I Got It Bad | ||||
66-04-16-006 | - 2. Just Squeeze Me | ||||
66-04-16-007 | - 3. Don’t Get Around Much Anymore | ||||
66-04-16-008 | - 4. Mood Indigo | ||||
66-04-16-009 | - 5. I’m Beginning to See The Light | ||||
66-04-16-010 | - 6. Sophisticated Lady | ||||
66-04-16-011 | - 7. Caravan | ||||
66-04-16-012 | - 8. It Don’t Mean A Thing | ||||
66-04-16-013 | - 9. Solitude | ||||
66-04-16-014 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); Joe Benjamin(sb); Sam Woodyard(d) | |||||
66-04-16-015 | Satin Doll | DE6640f | |||
66-04-16-016 | La Plus Belle Africaine | DE6640g | |||
66-04-16-017 | Take The “A” Train | DE6640h | |||
Add Dave Frerichs(d) | |||||
66-04-16-018 | Tea For Two | DE6640i | |||
Same session Dave Frerichs out. Add Richard Waller(cl) | |||||
66-04-16-019 | Body And Soul | DE6640j | |||
Same session Richard Waller out. Add Marie Peziale(t) | |||||
66-04-16-020 | Blues No. 12 | DE6640k | |||
Same session Add Richard Waller(cl) | |||||
66-04-16-021 | Things Ain’t What They Used To Be | DE6640l | |||
Same session Marie Peziale, Richard Waller out | |||||
66-04-16-022 | Dancers In Love | DE6640m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 24 April 1966 | |||
Dance, Bolling Field Air Force Base | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); June Norton, Jimmy McPhail(v) | |||||
66-04-24-001 | Take The “A” Train | DE6641a | |||
66-04-24-002 | Happy Birthday To You | DE6641b | |||
66-04-24-003 | Mood Indigo - vJN | DE6641c | |||
66-04-24-004 | Bill Bailey Won’t You Please Come Home - vJN | DE6641d | |||
66-04-24-005 | Azure | DE6641e | |||
66-04-24-006 | Sophisticated Lady | DE6641f | |||
Duke Ellington(p); June Norton(v) | |||||
66-04-24-007 | Sophisticated Lady - vJN | DE6641g | |||
As before | |||||
66-04-24-008 | Fly Me To The Moon - vJN | DE6641h | |||
66-04-24-009 | Fly Me To The Moon | DE6641i | |||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-04-24-010 | Beautiful Woman Walks Well | DE6641j | |||
As before | |||||
66-04-24-011 | The Opener | DE6641k | |||
66-04-24-012 | Satin Doll - vJMP | DE6641l | |||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Jimmy McPhail(v) | |||||
66-04-24-013 | Solitude - vJMP | DE6641m | |||
As before | |||||
66-04-24-014 | Things Ain’t What They Used To Be | DE6641n | |||
66-04-24-015 | Love You Madly - vJMP | DE6641o | |||
Buster Cooper(tb); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Jimmy McPhail(v) | |||||
66-04-24-016 | Jail Blues (Workin’ Blues) - vJMP | DE6641p | |||
As before | |||||
66-04-24-017 | ¬ Diminuendo In Blue | DE6641q | |||
66-04-24-018 | _|Wailing Interval | DE6641r | |||
66-04-24-019 | Passion Flower | DE6641s | |||
66-04-24-020 | Things Ain’t What They Used To Be | DE6641t | |||
66-04-24-021 | Happy Birthday To You - vDE | DE6641u | |||
66-04-24-022 | Wings And Things | DE6641v | |||
Russell Procope(cl); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-04-24-023 | Rose Room | DE6641w | |||
As before | |||||
66-04-24-024 | Tenderly | DE6641x | |||
66-04-24-025 | Tutti For Cootie | DE6641y | |||
66-04-24-026 | Afro-Bossa | DE6641z | |||
Lawrence Brown(tb)); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-04-24-027 | My Little Brown Book | DE6641aa | |||
As before | |||||
66-04-24-028 | Satin Doll | DE6641ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 April 1966 | |||
Pre-recording for NBC television | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Tony Bennett(v) | |||||
66-04-26-001 | Take The “A” Train (theme) | DE6642a | |||
66-04-26-002 | Satin Doll | DE6642b | |||
66-04-26-003 | Don’t Get Around Much Anymore - vTB | DE6642c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 May 1966 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-05-09-001 | TPA-3927-3 | Take The “A” Train | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6643a | |
66-05-09-002 | TPA-3928-5 | The Mooch | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6643b | |
66-05-09-003 | TPA-3929-1 | I Got It Bad | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6643c | |
66-05-09-004 | TPA-3930- | Do Nothin’ Till You Hear From Me | DE6643d | ||
66-05-09-005 | TPA-3931-3 | Caravan | RCA 09026-63386-2(D), RCA 09026-68705-2 | DE6643e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 10 May 1966 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-05-10-001 | TPA-3932-4 | Black And Tan Fantasy | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6644a | |
66-05-10-002 | TPA-3933-7 | Sophisticated Lady | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6644b | |
66-05-10-003 | TPA-3934-5 | The Twitch | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6644c | |
66-05-10-004 | TPA-3935-3 | Creole Love Call | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6644d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 11 May 1966 | |||
RCA recording session | |||||
Wilbur Brisbois, Cat Anderson, Mercer Ellington(t); Herbie Jones(t,f); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-05-11-001 | TPA-3936-2 | Wings And Things | RCA 09026-63386-2(D) | DE6645a | |
66-05-11-002 | TPA-3930- | Do Nothin’ Till You Hear From Me | RCA 09026-63386-2(D) | DE6645xa | |
66-05-11-003 | TPA-3930-9 | Do Nothin’ Till You Hear From Me | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6645b | |
66-05-11-004 | TPA-3937-8 | Perdido | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6645c | |
66-05-11-005 | TPA-3938-3 | Mood Indigo | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6645d | |
66-05-11-006 | TPA-3866-6 | Solitude | RCA 09026-63386-2(D), RCA 09026-68705-2, RCA LPM-3576 | DE6645e | |
DUKE ELLINGTON | Tokyo, J | 13 May 1966 | |||
Satin Doll Yotsura | |||||
Duke Ellington(p); Masanga Harada(sb); Masahiko Togashi(d) | |||||
66-05-13-001 | Caravan | DE6646a | |||
66-05-13-002 | Take The “A” Train | DE6646b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 16 May 1966 | |||
TBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-05-16-001 | Take The “A” Train | DE6647a | |||
66-05-16-002 | Perdido | DE6647 | |||
Duke Ellington, n/k(tk) | |||||
66-05-16-003 | Interview | DE6647c | |||
As before | |||||
66-05-16-004 | Soul Call | DE6647d | |||
66-05-16-005 | El Viti | DE6647e | |||
66-05-16-006 | Mood Indigo | DE6647f | |||
66-05-16-007 | Caravan | DE6647g | |||
66-05-16-008 | Satin Doll | DE6647h | |||
66-05-16-009 | Take The “A” Train | DE6647i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kyoto, J | 20 May 1966 | |||
Concert, Kyoto Kaikan | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-05-20-001 | Take The “A” Train (theme) | DE6648a | |||
66-05-20-002 | ¬ Black And Tan Fantasy | DE6648b | |||
66-05-20-003 | - |Creole Love Call | DE6648c | |||
66-05-20-004 | _|The Mooch | DE6648d | |||
66-05-20-005 | Soul Call | DE6648e | |||
66-05-20-006 | West Indian Pancake | DE6648f | |||
66-05-20-007 | El Viti | DE6648g | |||
66-05-20-008 | The Opener | DE6648h | |||
AD LIB ON NIPPON | |||||
66-05-20-009 | - 1. Fugi | DE6648i | |||
66-05-20-010 | - 2. Igoo | DE6648j | |||
66-05-20-011 | - 3. Nagoya | DE6648k | |||
66-05-20-012 | - 4. Tokyo | DE6648l | |||
Medley | DE6648m | ||||
66-05-20-013 | - 1. Satin Doll | ||||
66-05-20-014 | - 2. Solitude | ||||
66-05-20-015 | - 3. In A Sentimental Mood | ||||
66-05-20-016 | - 4. Don’t Get Around Much Anymore | ||||
66-05-20-017 | - 5. Mood Indigo | ||||
66-05-20-018 | - 6. I’m Beginning to See The Light | ||||
66-05-20-019 | - 7. Sophisticated Lady | ||||
66-05-20-020 | - 8. Caravan | ||||
66-05-20-021 | - 9. Do Nothing Till You Hear From Me | ||||
66-05-20-022 | - 10. I Let A Song & Don’t Get Around Much | ||||
66-05-20-023 | Take The “A” Train (theme) | DE6648n | |||
66-05-20-024 | Take The “A” Train | DE6648o | |||
66-05-20-025 | Tutti For Cootie | DE6648p | |||
66-05-20-026 | Skin Deep | DE6648q | |||
66-05-20-027 | Passion Flower | DE6648r | |||
66-05-20-028 | Things Ain’t What They Used To Be | DE6648s | |||
66-05-20-029 | Wings And Things | DE6648t | |||
66-05-20-030 | I Got It Bad | DE6648u | |||
66-05-20-031 | ¬ Kinda Dukish | DE6648v | |||
66-05-20-032 | _|Rockin’ In Rhythm | DE6648w | |||
66-05-20-033 | Satin Doll | DE6648x | |||
66-05-20-034 | Never On Sunday | DE6648y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Pittsburgh, PA | 30 May 1966 | |||
Concert, Kyoto Kaikan | |||||
Duke Ellington(p,tk) | |||||
66-05-30-001 | Duke talking about “Duke” Beer | DE9096a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Norwalk, CA | 02 June 1966 | |||
Dance, Golden West Ballroom | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-06-02-001 | Boo-Dah | DE6649a | |||
66-06-02-002 | Laura | DE6649b | |||
66-06-02-003 | Smada | DE6649c | |||
66-06-02-004 | Stardust | DE6649d | |||
66-06-02-005 | In A Mellow Tone | DE6649e | |||
66-06-02-006 | Take The “A” Train | DE6649f | |||
66-06-02-007 | Take The “A” Train | DE6649g | |||
66-06-02-008 | More | DE6649h | |||
66-06-02-009 | Stranger On The Shore | DE6649i | |||
66-06-02-010 | Call Me Irresponsible | DE6649j | |||
66-06-02-011 | Days Of Wine And Roses | DE6649k | |||
66-06-02-012 | Azure | DE6649l | |||
66-06-02-013 | Perdido | DE6649m | |||
Lawrence Brown(tb); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-06-02-014 | Flamingo | DE6649n | |||
As before | |||||
66-06-02-015 | ¬ Diminuendo In Blue | DE6649o | |||
66-06-02-016 | _|Wailing Interval | DE6649p | |||
66-06-02-017 | Mood Indigo | DE6649q | |||
66-06-02-018 | I Got It Bad | DE6649r | |||
66-06-02-019 | On The Sunny Side Of The Street | DE6649s | |||
66-06-02-020 | Things Ain’t What They Used To Be | DE6649t | |||
66-06-02-021 | Wings And things | DE6649u | |||
66-06-02-022 | Ellington ‘66 | DE6649v | |||
66-06-02-023 | Passion Flower | DE6649w | |||
66-06-02-024 | All Of Me | DE6649x | |||
66-06-02-025 | Summertime | DE6649y | |||
66-06-02-026 | Jam With Sam | DE6649z | |||
66-06-02-027 | Chelsea Bridge | DE6649aa | |||
66-06-02-028 | What Am I Here For? | DE6649ab | |||
66-06-02-029 | Caravan | DE6649ac | |||
66-06-02-030 | ¬ I Let A Song Go Out Of My Heart | DE6649ad | |||
66-06-02-031 | _|Don’t Get Around Much Anymore | DE6649ae | |||
66-06-02-032 | C-Jam Blues | DE6649af | |||
66-06-02-033 | C-Jam Blues | DE6649ag | |||
66-06-02-034 | Sophisticated Lady | DE6649ah | |||
66-06-02-035 | Satin Doll | DE6649ai | |||
66-06-02-036 | Skin Deep | DE6649aj | |||
Duke Ellington(p); John Lamb(sb) | |||||
66-06-02-037 | ¬ Harlem Air-Shaft | DE6649ak | |||
66-06-02-038 | _|It’s Freedom | DE6649al | |||
As before but add Jules Ross(ts) | |||||
66-06-02-039 | Blues No. 13 | DE6649am | |||
Jules Ross out | |||||
66-06-02-040 | Ginza Blues | DE6649an | |||
66-06-02-041 | Birth Of The blues | DE6649ao | |||
66-06-02-042 | Take The “A” Train | DE6649ap | |||
66-06-02-043 | Tutti For Cootie | DE6649aq | |||
66-06-02-044 | Things Ain’t What They Used To Be | DE6649ar | |||
DUKE ELLINGTON WITH ORCHESTRA | Los Angeles, CA | 26 June 1966 | |||
Pre-recording for NBC telecast | |||||
Duke Ellington(p) acc. By studi orchestra. Cond. Les Brown | |||||
Medley | DE6650a | ||||
66-06-26-001 | - 1. Do Nothing Till You Hear From Me | GRE DVCOV-022 | |||
66-06-26-002 | - 2. Don’t Get Around Much Anymore | GRE DVCOV-022 | |||
66-06-26-003 | - 3. Mood Indigo | GRE DVCOV-022 | |||
66-06-26-004 | - 4. Caravan | GRE DVCOV-022 | |||
66-06-26-005 | - 5. Satin Doll | GRE DVCOV-022 | |||
Add Dean Martin, Andrews Sisters, Lainie Kazan, Tim Conway, Frank Corshin(v) | |||||
66-06-26-006 | Swinging Down The Lane - vVG | DE6650b | |||
DUKE ELLINGTON | Milwaukee, WI | 02 July 1966 | |||
Pre-recording for NBC telecast | |||||
Duke Ellington, Leonard Bernstein, Bob Knudsen(tk) | |||||
66-07-02-001 | Interview by Knudsen | DE6651a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 03 July 1966 | |||
Concert, Freebody Park | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-03-001 | Take The “A” Train | IGDJ GJ-12 | DE6652a | ||
66-07-03-002 | ¬ Black And Tan Fantasy | IGDJ GJ-12 | DE6652b | ||
66-07-03-003 | - |Creole Love Call | IGDJ GJ-12 | DE6652c | ||
66-07-03-004 | _|The Mooch | IGDJ GJ-12 | DE6652d | ||
66-07-03-005 | Soul Call | IGDJ GJ-12 | DE6652e | ||
66-07-03-006 | West Indian Pancake | IGDJ GJ-12 | DE6652f | ||
66-07-03-007 | El Viti | IGDJ GJ-12 | DE6652g | ||
66-07-03-008 | The Opener | IGDJ GJ-12 | DE6652h | ||
66-07-03-009 | La Plus Belle Africaine | DE6652i | |||
66-07-03-010 | ¬ Kinda Dukish | IGDJ GJ-12 | DE6652j | ||
66-07-03-011 | _|Rockin’ In Rhythm | IGDJ GJ-12 | DE6652k | ||
66-07-03-012 | I Got It Bad | IGDJ GJ-12 | DE6652l | ||
66-07-03-013 | Things Ain’t What They Used To Be | DE6652m | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Ella Fitzgerald(v) | |||||
66-07-03-014 | Cotton Tail - vEF | DE6652n | |||
66-07-03-015 | Imagine My Frustration - vEF | DE6652o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 04 July 1966 | |||
Concert, Carter Barron Ampitheatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-04-001 | Take The “A” Train (theme) | DE6653a | |||
66-07-04-002 | ¬ Black And Tan Fantasy | DE6653b | |||
66-07-04-003 | - |Creole Love Call | DE6653c | |||
66-07-04-004 | _|The Mooch | DE6653d | |||
66-07-04-005 | Soul Call | DE6653e | |||
66-07-04-006 | West Indian Pancake | DE6653f | |||
66-07-04-007 | Wailing Interval | DE6653g | |||
66-07-04-008 | El Viti | DE6653h | |||
66-07-04-009 | The Opener | DE6653i | |||
66-07-04-010 | La Plus Belle Africaine | DE6653j | |||
66-07-04-011 | Take The “A” Train | DE6653k | |||
66-07-04-012 | I Got It Bad | DE6653l | |||
66-07-04-013 | Things Ain’t What They Used To Be | DE6653m | |||
66-07-04-014 | Wings And Things | DE6653n | |||
Medley | DE6653o | ||||
66-07-04-015 | - 1. Solitude | ||||
66-07-04-016 | - 2. Don’t Get Around Much Anymore | ||||
66-07-04-017 | - 3. Mood Indigo | ||||
66-07-04-018 | - 4. I’m Beginning to See The Light | ||||
66-07-04-019 | - 5. Sophisticated Lady | ||||
66-07-04-020 | - 6. Caravan | ||||
66-07-04-021 | - 7. Do Nothing Till You Hear From Me | ||||
66-07-04-022 | - 8. I Let A Song & Don’t Get Around Much | ||||
66-07-04-023 | Things Ain’t What They Used To Be | DE6653p | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Ella Fitzgerald(v) | |||||
66-07-04-024 | Cotton Tail - vEF | DE6653q | |||
66-07-04-025 | Imagine My Frustration - vEF | DE6653r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 06 July 1966 | |||
Concert, Carter Barron Ampitheatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-06-001 | Take The “A” Train (theme) | DE6654a | |||
66-07-06-002 | Soul Call | DE6654b | |||
66-07-06-003 | West Indian Pancake | DE6654c | |||
66-07-06-004 | El Viti | DE6654d | |||
66-07-06-005 | The Opener | DE6654e | |||
66-07-06-006 | I Got It Bad | DE6654f | |||
66-07-06-007 | Things Ain’t What They Used To Be | DE6654g | |||
66-07-06-008 | Wings And Things | DE6654h | |||
Medley | DE6654i | ||||
66-07-06-009 | - 1. Solitude | ||||
66-07-06-010 | - 2. Don’t Get Around Much Anymore | ||||
66-07-06-011 | - 3. Sophisticated Lady | ||||
66-07-06-012 | - 4. Caravan | ||||
66-07-06-013 | - 5. Do Nothing Till You Hear From Me | ||||
66-07-06-014 | - 6. I Let A Song & Don’t Get Around Much | ||||
66-07-06-015 | Things Ain’t What They Used To Be | DE6654j | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Ella Fitzgerald(v) | |||||
66-07-06-016 | Cotton Tail - vEF | DE6654k | |||
66-07-06-017 | Imagine My Frustration - vEF | DE6654l | |||
66-07-06-018 | Take The “A” Train (theme) | DE6654m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 08 July 1966 | |||
Concert, Carter Barron Ampitheatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-08-001 | Take The “A” Train (theme) | DE6655a | |||
66-07-08-002 | Soul Call | DE6655b | |||
66-07-08-003 | West Indian Pancake | DE6655c | |||
66-07-08-004 | El Viti | DE6655d | |||
66-07-08-005 | The Opener | DE6655e | |||
66-07-08-006 | La Plus Belle Africaine | DE6655f | |||
66-07-08-007 | Take The “A” Train | DE6655g | |||
66-07-08-008 | I Got It Bad | DE6655h | |||
66-07-08-009 | Things Ain’t What They Used To Be | DE6655i | |||
Medley | DE6655j | ||||
66-07-08-010 | - 1. Solitude | ||||
66-07-08-011 | - 2. Don’t Get Around Much Anymore | ||||
66-07-08-012 | - 3. Mood Indigo | ||||
66-07-08-013 | - 4. I’m Beginning to See The Light | ||||
66-07-08-014 | - 5. Sophisticated Lady | ||||
66-07-08-015 | - 6. Caravan | ||||
66-07-08-016 | - 7. Do Nothing Till You Hear From Me | ||||
66-07-08-017 | - 8. I Let A Song & Don’t Get Around Much | ||||
66-07-08-018 | Things Ain’t What They Used To Be | DE6655k | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Ella Fitzgerald(v) | |||||
66-07-08-019 | Cotton Tail - vEF | DE6655l | |||
66-07-08-020 | Imagine My Frustration - vEF | DE6655m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 10 July 1966 | |||
Concert, Carter Barron Ampitheatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-10-001 | Take The “A” Train (theme) | DE6656a | |||
66-07-10-002 | Soul Call | DE6656b | |||
66-07-10-003 | West Indian Pancake | DE6656c | |||
66-07-10-004 | El Viti | DE6656d | |||
66-07-10-005 | The Opener | DE6656e | |||
66-07-10-006 | La Plus Belle Africaine | DE6656f | |||
66-07-10-007 | Take The “A” Train | DE6656g | |||
66-07-10-008 | I Got It Bad | DE6656h | |||
66-07-10-009 | Things Ain’t What They Used To Be | DE6656i | |||
Medley | DE6656j | ||||
66-07-10-010 | - 1. Solitude | ||||
66-07-10-011 | - 2. Don’t Get Around Much Anymore | ||||
66-07-10-012 | - 3. Mood Indigo | ||||
66-07-10-013 | - 4. I’m Beginning to See The Light | ||||
66-07-10-014 | - 5. Sophisticated Lady | ||||
66-07-10-015 | - 6. Caravan | ||||
66-07-10-016 | - 7. Do Nothing Till You Hear From Me | ||||
66-07-10-017 | - 8. I Let A Song & Don’t Get Around Much | ||||
66-07-10-018 | Things Ain’t What They Used To Be | DE6656k | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Ella Fitzgerald(v) | |||||
66-07-10-019 | Cotton Tail - vEF | DE6656l | |||
66-07-10-020 | Imagine My Frustration - vEF | DE6656m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 July 1966 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-15-001 | Take The “A” Train (theme) | DE6657a | |||
66-07-15-002 | ¬ Black And Tan Fantasy | DE6657b | |||
66-07-15-003 | - |Creole Love Call | DE6657c | |||
66-07-15-004 | _|The Mooch | DE6657d | |||
66-07-15-005 | Soul Call | DE6657e | |||
66-07-15-006 | West Indian Pancake | DE6657f | |||
66-07-15-007 | El Viti | DE6657g | |||
66-07-15-008 | The Opener | DE6657h | |||
66-07-15-009 | La Plus Belle Africaine | DE6657i | |||
66-07-15-010 | Take The “A” Train | DE6657j | |||
66-07-15-011 | I Got It Bad | DE6657k | |||
66-07-15-012 | Things Ain’t What They Used To Be | DE6657l | |||
66-07-15-013 | Wings And Things | DE6657m | |||
66-07-15-014 | Rockin’ In Rhythm | DE6657n | |||
Medley | DE6657o | ||||
66-07-15-015 | - 1. Satin Doll | ||||
66-07-15-016 | - 2. Solitude | ||||
66-07-15-017 | - 3. In A Sentimental Mood | ||||
66-07-15-018 | - 4. Don’t Get Around Much Anymore | ||||
66-07-15-019 | - 5. Mood Indigo | ||||
66-07-15-020 | - 6. I’m Beginning to See The Light | ||||
66-07-15-021 | - 7. Sophisticated Lady | ||||
66-07-15-022 | - 8. Caravan | ||||
66-07-15-023 | - 9. Do Nothing Till You Hear From Me | ||||
66-07-15-024 | - 10. I Let A Song & Don’t Get Around Much | ||||
66-07-15-025 | Things Ain’t What They Used To Be | DE6657p | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 18 July 1966 | |||
Duke Ellington recording session | |||||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-18-001 | The Shepherd | DE6658a | |||
66-07-18-002 | The Shepherd | FEEC AR-1705 | DE6658b | ||
66-07-18-003 | -2 | The Shepherd | Fa F-9462 | DE6658c | |
66-07-18-004 | -3 | The Shepherd | Fa F-9462 | DE6658d | |
66-07-18-005 | Don Juan | DE6658e | |||
66-07-18-006 | Don Juan | DE6658f | |||
66-07-18-007 | Don Juan | Fa F-9462 | DE6658g | ||
66-07-18-008 | Sam Woodyard’s Blues | Fa F-9462 | DE6658h | ||
66-07-18-009 | -3 | Tap Dancer’s Blues | Fa F-9462 | DE6658i | |
66-07-18-010 | Slow blues | Fa F-9462 | DE6658j | ||
66-07-18-011 | Looking Glass | Fa F-9462 | DE6658k | ||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p,tk) | |||||
66-07-18-012 | -1 | Tingling Is A Happiness | DE6658l | ||
66-07-18-013 | Tingling Is A Happiness | FEEC AR-1705 | DE6658m | ||
66-07-18-014 | Duke Talking About Field Enterprises | DE6658n | |||
66-07-18-015 | Duke Talking About Field Enterprises | FEEC AR-1705 | DE6658o | ||
66-07-18-016 | Dancers In Love | DE6658p | |||
66-07-18-017 | -2 | Dancers In Love | DE6658q | ||
66-07-18-018 | Dancers In Love | FEEC AR-1705 | DE6658r | ||
DUKE ELLINGTON | Juan-les-Pins, F | 26 July 1966 | |||
Duke Ellington,n/k(tk) | |||||
66-07-26-001 | Interview | DE6659a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Juan-les-Pins, F | 26 July 1966 | |||
Concert, Square Frank Jay Gould | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-26-002 | Smada | STJ SJ-1018 | DE6660a | ||
66-07-26-003 | Take The “A” Train (theme) | STJ SJ-1018 | DE6660b | ||
66-07-26-004 | ¬ Black And Tan Fantasy | STJ SJ-1018 | DE6660c | ||
66-07-26-005 | - |Creole Love Call | STJ SJ-1018 | DE6660d | ||
66-07-26-006 | _|The Mooch | STJ SJ-1018 | DE6660e | ||
66-07-26-007 | Soul Call | STJ SJ-1018 | DE6660f | ||
66-07-26-008 | West Indian Pancake | STJ SJ-1018 | DE6660g | ||
66-07-26-009 | El Viti | STJ SJ-1018 | DE6660h | ||
66-07-26-010 | The Opener | STJ SJ-1018 | DE6660i | ||
66-07-26-011 | La Plus Belle Africaine | STJ SJ-1018 | DE6660j | ||
66-07-26-012 | Azure | STJ SJ-1018 | DE6660k | ||
66-07-26-013 | Take The “A” Train | STJ SJ-1018 | DE6660l | ||
66-07-26-014 | Satin Doll | STJ SJ-1018 | DE6660m | ||
66-07-26-015 | ¬ Diminuendo In Blue | STJ SJ-1018, Ve 314539030-2, Ve 314539033-2, Ve V-4072-2 | DE6660n | ||
66-07-26-016 | _|Wailing Interval | STJ SJ-1018, Ve 314539030-2, Ve 314539033-2, Ve V-4072-2 | DE6660o | ||
66-07-26-017 | Take The “A” Train (theme) | DE6660p | |||
66-07-26-018 | Caravan | STJ SJ-1018 | DE6660q | ||
66-07-26-019 | Rose Of The Rio Grande | Ve 314539030-2, Ve 314539033-2, Ve V-4072-2 | DE6660r | ||
66-07-26-020 | Tutti For Cootie | MJ MJCD-1101, Ve 314539033-2 | DE6660s | ||
66-07-26-021 | Skin Deep | Ve 314539033-2 | DE6660t | ||
66-07-26-022 | Passion Flower | MJ MCD-074-2, Ve 314539033-2 | DE6660u | ||
66-07-26-023 | Things Ain’t What They Used To Be | MJ MCD-074-2, Ve 314539033-2 | DE6660v | ||
66-07-26-024 | Wings And Things | MJ MCD-074-2, Ve 314539033-2 | DE6660w | ||
66-07-26-025 | Star-Crossed Lovers | Ve 314539033-2 | DE6660x | ||
66-07-26-026 | Such Sweet Thunder | Ve 314539033-2 | DE6660y | ||
66-07-26-027 | Madness In Great Ones | Ve 314539033-2 | DE6660z | ||
66-07-26-028 | ¬ Kinda Dukish | Ve 314539033-2 | DE6660aa | ||
66-07-26-029 | _|Rockin’ In Rhythm | Ve 314539033-2 | DE6660ab | ||
66-07-26-030 | Things Ain’t What They Used To Be | Ve 314539033-2 | DE6660ac | ||
DUKE ELLINGTON | St. Paul de Vence, F | 27 July 1966 | |||
Foundation Maeght | |||||
Duke Ellington (p) | |||||
66-07-27-001 | Tingling Is A Happiness | Ve 314539033-2 | DE6661a | ||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-27-002 | The Shepherd | Pb 2308-247 | DE6661b | ||
66-07-27-003 | The Shepherd | Pb 2308-247 | DE6661c | ||
66-07-27-004 | Kinda Dukeish | Pb 2308-247 | DE6661d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Juan-les-Pins, F | 27 July 1966 | |||
Concert, Square Frank Jay Gould | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-27-005 | Main Stem | Ve 314539033-2 | DE6662a | ||
66-07-27-006 | ¬ Black And Tan Fantasy | Ve 314539033-2 | DE6662b | ||
66-07-27-007 | - |Creole Love Call | Ve 314539033-2 | DE6662c | ||
66-07-27-008 | _|The Mooch | Ve 314539033-2 | DE6662d | ||
66-07-27-009 | Soul Call | DE6662e | |||
66-07-27-010 | West Indian Pancake | Ve 314539033-2, Ve 8701 | DE6662f | ||
66-07-27-011 | El Viti | Ve 314539030, Ve 314539033-2, Ve V-4072-2 | DE6662g | ||
66-07-27-012 | The Opener | Ve 314539033-2 | DE6662h | ||
66-07-27-013 | La Plus Belle Africaine | MR MCD-074-2, Ve 314539033-2 | DE6662i | ||
66-07-27-014 | Azure | MR MCD-074-2, Ve 314539033-2 | DE6662j | ||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Grady Tate(d); Ella Fitzgerald(v) | |||||
66-07-27-015 | Cotton Tail | Ve 314539033-2 | DE6662k | ||
As before | |||||
66-07-27-016 | Take The “A” Train | MR MCD-074-2, Ve 314539033-2 | DE6662l | ||
66-07-27-017 | Take The “A” Train (theme) | Ve 314539033-2 | DE6662m | ||
66-07-27-018 | Take The “A” Train (theme) | Ve 314539033-2 | DE6662n | ||
66-07-27-019 | Such Sweet Thunder | MR MCD-074-2, Ve 314539033-2 | DE6662o | ||
66-07-27-020 | Half The Fun | MR MCD-074-2, Ve 314539033-2 | DE6662p | ||
66-07-27-021 | Madness In Great Ones | MR MCD-074-2, Ve 314539033-2 | DE6662q | ||
66-07-27-022 | Star-Crossed Lovers | MR MCD-074-2, Ve 314539033-2 | DE6662r | ||
66-07-27-023 | I Got It Bad | Ve 314539033-2 | DE6662s | ||
66-07-27-024 | Things Ain’t What They Used To Be | Ve 314539030, Ve 314539033-2 | DE6662t | ||
66-07-27-025 | Wings And Things | Ve 314539033-2 | DE6662u | ||
66-07-27-026 | ¬ Kinda Dukish | MR MCD-074-2, Ve 314539033-2 | DE6662v | ||
66-07-27-027 | _|Rockin’ In Rhythm | MR MCD-074-2, Ve 314539033-2 | DE6662w | ||
66-07-27-028 | Chelsea Bridge | MR MCD-074-2, Ve 314539033-2 | DE6662x | ||
66-07-27-029 | Skin Deep | Ve 314539033-2, Ve 8701 | DE6662y | ||
66-07-27-030 | Sophisticated Lady | Ve 314539033-2 | DE6662z | ||
66-07-27-031 | Jam With Sam | Ve 314539033-2, Ve 8701 | DE6662aa | ||
66-07-27-032 | Things Ain’t What They Used To Be | Ve 314539033-2 | DE6662ab | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Juan-les-Pins, F | 28 July 1966 | |||
Rehearsal session, Square Frank Jay Gould | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-28-001 | The Old Circus Train | DE6663a | |||
66-07-28-002 | The Old Circus Train | DE6663b | |||
66-07-28-003 | The Old Circus Train | DE6663c | |||
66-07-28-004 | The Old Circus Train | Ve 314539033-2 | DE6663d | ||
66-07-28-005 | The Old Circus Train | Ve 314539033-2 | DE6663e | ||
66-07-28-006 | The Old Circus Train | Ve 314539033-2 | DE6663f | ||
66-07-28-007 | The Old Circus Train | Ve 314539033-2 | DE6663g | ||
66-07-28-008 | The Old Circus Train | Ve 314539033-2 | DE6663h | ||
66-07-28-009 | The Old Circus Train | Ve 314539033-2 | DE6663i | ||
Add Jimmy Jones(p) | |||||
66-07-28-010 | The Old Circus Train | Ve 314539033-2 | DE6663j | ||
66-07-28-011 | Blue Fuse No. 2 | Ve 314539033-2 | DE6663k | ||
66-07-28-012 | Blue Fuse No. 1 | Ve 314539033-2 | DE6663l | ||
66-07-28-013 | Blue Fuse No. 1 | Ve 314539033-2 | DE6663m | ||
66-07-28-014 | Blue Fuse No. 1 | Ve 314539033-2 | DE6663n | ||
66-07-28-015 | Blue Fuse No. 1 | Ve 314539033-2 | DE6663o | ||
66-07-28-016 | Blue Fuse No. 1 | DE6663p | |||
Jimmy Jones out | |||||
66-07-28-017 | The Shepherd | Ve 314539033-2 | DE6663q | ||
66-07-28-018 | The Shepherd | Ve 314539033-2 | DE6663r | ||
Add Jimmy Jones(p) | |||||
66-07-28-019 | The Old Circus Train | Ve 314539033-2 | DE6663s | ||
66-07-28-020 | The Old Circus Train | Ve 314539033-2 | DE6663t | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Juan-les-Pins, F | 28 July 1966 | |||
Concert, Square Frank Jay Gould | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-28-021 | In A Mellow Tone | DE6664a | |||
66-07-28-022 | Main Stem | DE6664b | |||
66-07-28-023 | ¬ Black And Tan Fantasy | DE6664c | |||
66-07-28-024 | - |Creole Love Call | DE6664d | |||
66-07-28-025 | _|The Mooch | DE6664e | |||
66-07-28-026 | Soul Call | Ve 314539033-2, Ve V-8710 | DE6664f | ||
66-07-28-027 | West Indian Pancake | Ve 314539033-2 | DE6664g | ||
66-07-28-028 | El Viti | Ve 314539033-2 | DE6664h | ||
66-07-28-029 | The Opener | Ve 314539033-2 | DE6664i | ||
66-07-28-030 | La Plus Belle Africaine | Ve 314539033-2, Ve V-8701 | DE6664j | ||
66-07-28-031 | Take The “A” Train | Ve 314539033-2 | DE6664k | ||
66-07-28-032 | Trombone Buster | Ve 314539030, Ve 314539033-2, Ve 4072-2 | DE6664l | ||
66-07-28-033 | Such Sweet Thunder | Ve 314539033-2 | DE6664m | ||
66-07-28-034 | Half The Fun | Ve 314539033-2 | DE6664n | ||
66-07-28-035 | Madness In Great Ones | Ve 314539033-2 | DE6664o | ||
66-07-28-036 | Star-Crossed Lovers | Ve 314539033-2 | DE6664p | ||
66-07-28-037 | Prelude To A Kiss | Ve 314539033-2 | DE6664q | ||
66-07-28-038 | Things Ain’t What They Used To Be | Ve 314539033-2 | DE6664r | ||
66-07-28-039 | The Old Circus Train | Ve 314539030, Ve 314539033-2, Ve 4072-2 | DE6664s | ||
66-07-28-040 | Skin Deep | DE6664t | |||
66-07-28-041 | Things Ain’t What They Used To Be | DE6664u | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Grady Tate(d); Ella Fitzgerald(v) | |||||
66-07-28-042 | Cotton Tail - vEF | DE6664v | |||
66-07-28-043 | Imagine My Frustration - vEF | DE6664w | |||
Some takes (including various not present on CD/DVD) are available from Radio France here and here. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Juan-les-Pins, F | 29 July 1966 | |||
Concert, Square Frank Jay Gould | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-07-29-001 | Take The “A” Train (theme) | DE6665a | |||
66-07-29-002 | ¬ Black And Tan Fantasy | Ve 314539033-2 | DE6665b | ||
66-07-29-003 | - |Creole Love Call | Ve 314539033-2 | DE6665c | ||
66-07-29-004 | _|The Mooch | Ve 314539033-2 | DE6665d | ||
66-07-29-005 | Soul Call | Ve 314539033-2 | DE6665e | ||
66-07-29-006 | West Indian Pancake | Ve 314539033-2 | DE6665f | ||
66-07-29-007 | El Viti | Ve 314539033-2 | DE6665g | ||
66-07-29-008 | The Opener | DE6665h | |||
66-07-29-009 | La Plus Belle Africaine | Ve 314539033-2 | DE6665i | ||
66-07-29-010 | Such Sweet Thunder | Ve 314539033-2 | DE6665j | ||
66-07-29-011 | Half The Fun | Ve 314539033-2 | DE6665k | ||
66-07-29-012 | Madness In Great Ones | Ve 314539033-2 | DE6665l | ||
66-07-29-013 | Star-Crossed Lovers | Ve 314539033-2 | DE6665m | ||
66-07-29-014 | Things Ain’t What They Used To Be | DE6665n | |||
66-07-29-015 | Wings And Things | Ve 314539033-2 | DE6665o | ||
66-07-29-016 | Things Ain’t What They Used To Be | Ve 314539033-2 | DE6665p | ||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Grady Tate(d); Ella Fitzgerald(v) | |||||
66-07-29-017 | Cotton Tail - vEF | Ve 314539033-2 | DE6665q | ||
As before but add Ray Nance(t,vl,v); Ben Webster(ts) | |||||
66-07-29-018 | In A Mellow Tone | DE6665r | |||
Cootie Williams out. | |||||
66-07-29-019 | The Trip | Ve 314539030, Ve 314539033-2 | DE6665s | ||
66-07-29-020 | Motel | DE6665t | |||
66-07-29-021 | Jive Jam | DE6665u | |||
66-07-29-022 | Jive Jam | Ve 314539030, Ve 314539033-2 | DE6665v | ||
66-07-29-023 | All Too Soon | Ve 314539030, Ve 314539033-2, Ve 4072-2 | DE6665w | ||
66-07-29-024 | Motel | DE6665x | |||
66-07-29-025 | The Old Circus Train | MR MCD-070-2, Ve 314539033-2 | DE6665y | ||
66-07-29-026 | Take The “A” Train (theme) | DE6665z | |||
Johnny Hodges out. Add Ella Fitzgerald(v) | |||||
66-07-29-027 | It Don’t Mean A Thing - vEF,RN | Ve 314539030, Ve 314539033-2, Ve 4072-2 | DE6665aa | ||
Ray Nance(t,vl,v); Lawrence Brown(tb); Chuck Connors(btb); Ben Webster, Paul Gonsalves(ts); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) Ella Fitzgerald(v) only | |||||
66-07-29-028 | Just Squeeze Me - vEF,RN | Ve 314539030, Ve 314539033-2, Ve 4072-2 | DE6665ab | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 August 1966 | |||
Concert, Wollman Memorial Ice Rink | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-08-15-001 | Take The “A” Train (theme) | DE6666a | |||
66-08-15-002 | Satin Doll | DE6666b | |||
66-08-15-003 | Soul Call | DE6666c | |||
66-08-15-004 | West Indian Pancake | DE6666d | |||
66-08-15-005 | El Viti | DE6666e | |||
66-08-15-006 | The Opener | DE6666f | |||
Medley | DE6666g | ||||
66-08-15-007 | - 1. Solitude | ||||
66-08-15-008 | - 2. Don’t Get Around Much Anymore | ||||
66-08-15-009 | - 3. Mood Indigo | ||||
66-08-15-010 | - 4. I’m Beginning to See The Light | ||||
66-08-15-011 | - 5. Sophisticated Lady | ||||
66-08-15-012 | - 6. Caravan | ||||
66-08-15-013 | - 7. Do Nothing Till You Hear From Me | ||||
66-08-15-014 | - 8. I Let A Song & Don’t Get Around Much | ||||
66-08-15-015 | Take The “A” Train | DE6666h | |||
66-08-15-016 | I Got It Bad | DE6666i | |||
66-08-15-017 | Things Ain’t What They Used To Be | DE6666j | |||
66-08-15-018 | Things Ain’t What They Used To Be | DE6666k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 August 1966 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-08-18-001 | HARLEM | KAZ CD-508, Sa 91234-2 | DE6667a | ||
66-08-18-002 | HARLEM | DE6667b | |||
66-08-18-003 | -1 | Mellow Ditty | DE6667c | ||
66-08-18-004 | -2 | Mellow Ditty | DE6667d | ||
66-08-18-005 | -4 | Mellow Ditty | DE6667e | ||
66-08-18-006 | -5 | Mellow Ditty | MM 5041-2C(D) | DE6667f | |
66-08-18-007 | -1 | The Old Circus Train | DE6667g | ||
66-08-18-008 | -2 | The Old Circus Train | DE6667h | ||
66-08-18-009 | -3 | The Old Circus Train | DE6667i | ||
66-08-18-010 | -4 | The Old Circus Train | DE6667j | ||
66-08-18-011 | -5 | The Old Circus Train | MM 5041-2C(D) | DE6667k | |
66-08-18-012 | Tin Soldier | Sv 101-8390 | DE6667l | ||
DUKE ELLINGTON WITH THE LOS ANGELES PHILHARMONIC ORCHESTRA | Los Angeles, CA | 25 August 1966 | |||
Concert, Hollywood Bowl | |||||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Los Angeles Symphony Orchestra. Cond. Willam Kraft | |||||
66-08-25-001 | NEW WORLD A-COMIN' | DE6668a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
66-08-25-002 | ¬Prelude To A Kiss | DE6668b | |||
66-08-25-003 | - |In A Sentimental Mood | DE6668c | |||
66-08-25-004 | _|Prelude To A Kiss | DE6668d | |||
66-08-25-005 | Single Petal Of A Rose | DE6668e | |||
DUKE ELLINGTON WITH THE LOS ANGELES PHILHARMONIC ORCHESTRA | Same session | ||||
As before | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
66-08-25-006 | - 1. The Golden Broom | DE6668f | |||
66-08-25-007 | - 2. The Green Apple | DE6668g | |||
66-08-25-008 | - 3. The Handsome Traffic Policeman | DE6668h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-08-25-009 | ¬ Black And Tan Fantasy | DE6668i | |||
66-08-25-010 | - |Creole Love Call | DE6668j | |||
66-08-25-011 | _|The Mooch | DE6668k | |||
66-08-25-012 | Soul Call | DE6668l | |||
66-08-25-013 | West Indian Pancake | DE6668m | |||
66-08-25-014 | El Viti | DE6668n | |||
66-08-25-015 | The Opener | DE6668o | |||
66-08-25-016 | La Plus Belle Africaine | DE6668p | |||
66-08-25-017 | I Got It Bad | DE6668q | |||
66-08-25-018 | Things Ain’t What They Used To Be | DE6668r | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE LOS ANGELES PHILHARMONIC ORCHESTRA | Same session | ||||
Add The Los Angeles Philharmonic Orchestra. | |||||
66-08-25-019 | HARLEM | DE6679a | |||
Medley | DE6679b | ||||
66-08-25-020 | - 1. Do Nothing Till You Hear From Me | ||||
66-08-25-021 | - 2. Don’t Get Around Much Anymore | ||||
66-08-25-022 | - 3. Mood Indigo | ||||
66-08-25-023 | - 4. I’m Beginning to See The Light | ||||
66-08-25-024 | - 5. Sophisticated Lady | ||||
66-08-25-025 | - 6. Caravan | ||||
66-08-25-026 | - 7. It Don’t Mean A Thing | ||||
66-08-25-027 | - 8. Solitude | ||||
66-08-25-028 | - 9. I Let A Song & Don’t Get Around Much | ||||
66-08-25-029 | Satin Doll | DE6679c | |||
66-08-25-030 | Take The “A” Train (theme) | DE6679d | |||
DUKE ELLINGTON | New York City, NY | 02 September 1966 | |||
Duke Ellington(p) | |||||
66-09-02-001 | Meditation | DE6669a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Monterey, CA | 18 September 1966 | |||
Concert, Festival Grounds | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-09-18-001 | ¬ Black And Tan Fantasy | DE6670a | |||
66-09-18-002 | - |Creole Love Call | DE6670b | |||
66-09-18-003 | _|The Mooch | DE6670c | |||
66-09-18-004 | Take The “A” Train | DE6670d | |||
66-09-18-005 | Soul Call | DE6670e | |||
66-09-18-006 | West Indian Pancake | DE6670f | |||
66-09-18-007 | El Viti | DE6670g | |||
66-09-18-008 | The Opener | DE6670h | |||
66-09-18-009 | La Plus Belle Africaine | DE6670i | |||
66-09-18-010 | The Old Circus Train | DE6670j | |||
66-09-18-011 | ¬ Kinda Dukish | DE6670k | |||
66-09-18-012 | _|Rockin’ In Rhythm | DE6670l | |||
Add Bunny Briggs(td); Toney Watkins(v) | |||||
66-09-18-013 | Come Sunday (David Danced) - vTW | DE6670m | |||
Toney Watkins out | |||||
66-09-18-014 | Honeysuckle Rose | DE6670n | |||
Bunny Briggs out | |||||
66-09-18-015 | I Got It Bad | DE6670o | |||
66-09-18-016 | Things Ain’t What They Used To Be | DE6670p | |||
66-09-18-017 | Wings And Things | DE6670q | |||
66-09-18-018 | Things Ain’t What They Used To Be | DE6670r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 23 September 1966 | |||
Concert, Greek Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jim Hughart(sb): Ed Thigpen(d); Bunny Briggs(td) | |||||
66-09-23-001 | Tap Dancer’s Blues | Ss DSTS-1013 | DE6671a | ||
66-09-23-002 | Tap Dancer’s Blues | Ss DSTS-1013 | DE6671b | ||
Bunny Briggs out. Add Ella Fitzgerald(v) | |||||
66-09-23-003 | Cotton Tail - vEF | Ss DSTS-1013 | DE6671c | ||
66-09-23-004 | Things Ain’t What They Used To Be | Ss DSTS-1013 | DE6671d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 24 September 1966 | |||
Concert, Greek Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-09-24-001 | Take The “A” Train (theme) | Ss DSTS-1013 | DE6672a | ||
66-09-24-002 | Take The “A” Train | Ss DSTS-1013 | DE6672b | ||
66-09-24-003 | Soul Call | Ss DSTS-1013 | DE6672c | ||
66-09-24-004 | In A Sentimental Mood | Ss DSTS-1013 | DE6672d | ||
66-09-24-005 | The Prowling Cat | Ss DSTS-1013 | DE6672e | ||
66-09-24-006 | La Plus Belle Africaine | Ss DSTS-1013 | DE6672f | ||
66-09-24-007 | The Old Circus Train | Ss DSTS-1013 | DE6672g | ||
Add Bunny Briggs(td) | |||||
66-09-24-008 | Tulip Or Turnip - vBBr | DE6672h | |||
66-09-24-009 | Come Sunday (David Danced) | DE6672i | |||
66-09-24-010 | Honeysuckle Rose | DE6672j | |||
Bunny Briggs out | |||||
66-09-24-011 | I Got It Bad | DE6672k | |||
66-09-24-012 | Things Ain’t What They Used To Be | DE6672l | |||
66-09-24-013 | Monologue | DE6672m | |||
66-09-24-014 | Things Ain’t What They Used To Be | DE6672n | |||
John Lamb, Sam Woodyard out. Add Jim Hughart(sb): Ed Thigpen(d); Bunny Briggs(td) | |||||
66-09-24-015 | Tap Dancer’s Blues | DE6672o | |||
Bunny Briggs out.Add Ella Fitzgerald(v) | |||||
66-09-24-016 | Cotton Tail - vEF | DE6672p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 October 1966 | |||
CBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Bunny Briggs(td); Studio choir(v) | |||||
66-10-23-001 | In The Beginning God | DE6673a | |||
66-10-23-002 | Come Sunday (David Danced) - vChoir | DE6673b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Westbury, NY | 23 October 1966 | |||
Concert, Westbury Music Fair | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-10-23-003 | Take The “A” Train (theme) | DE6674a | |||
66-10-23-004 | ¬ Black And Tan Fantasy | DE6674b | |||
66-10-23-005 | - |Creole Love Call | DE6674c | |||
66-10-23-006 | _|The Mooch | DE6674d | |||
66-10-23-007 | Soul Call | DE6674e | |||
66-10-23-008 | West Indian Pancake | DE6674f | |||
66-10-23-009 | El Viti | DE6674g | |||
66-10-23-010 | The Opener | DE6674h | |||
66-10-23-011 | La Plus Belle Africaine | DE6674i | |||
66-10-23-012 | Take The “A” Train | DE6674j | |||
66-10-23-013 | I Got It Bad | DE6674k | |||
66-10-23-014 | Things Ain’t What They Used To Be | DE6674l | |||
66-10-23-015 | Wings And Things | DE6674m | |||
Add Bunny Briggs(td) | |||||
66-10-23-016 | Tulip Or Turnip - vBBr | DE6674n | |||
66-10-23-017 | Come Sunday (David Danced) | DE6674o | |||
66-10-23-018 | Honeysuckle Rose | DE6674p | |||
Bunny Briggs out | |||||
66-10-23-019 | Monologue | DE6674q | |||
66-10-23-020 | Things Ain’t What They Used To Be | DE6674r | |||
John Lamb, Sam Woodyard out. Add Milt Hintont(sb): Ed Thigpen(d); Ella fitzgerald(v) | |||||
66-10-23-021 | Cotton Tail - vEF | DE6674s | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 02 November 1966 | |||
Kine soundtrack | |||||
Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-11-02-001 | C-Jam Blues | DE6675a | |||
66-11-02-002 | Take The “A” Train | DE6675b | |||
66-11-02-003 | Dancers In Love | DE6675c | |||
DUKE ELLINGTON WITH ORCHESTRA | Same session | ||||
Duke Ellington(p) with studio orchestra and choir; Barbara McNair(v) | |||||
Medley | |||||
66-11-02-004 | - 1. Solitude - vBMN | DE6675a | |||
66-11-02-005 | - 2. I’m Beginning to See The Light - vBMN | DE6675b | |||
66-11-02-006 | - 3. Mood Indigo - vBMN | DE6675c | |||
66-11-02-007 | - 4. Do Nothing Till You Hear From Me - vBMN,DE | DE6675d | |||
66-11-02-008 | - 5. Satin Doll - vChoir | DE6675e | |||
66-11-02-009 | - 6. I Got It Bad - vBMN, Choir | DE6675f | |||
66-11-02-010 | - 7. Don’t Get Around Much Anymore | DE6675g | |||
66-11-02-011 | - 8. Sophisticated Lady - vBMN, Choir | DE6675h | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 03 November 1966 | |||
WDR broadcast | |||||
Duke Ellington, Jack O'Brien(tk) | |||||
66-11-03-001 | Interview by O’Brien | DE6676a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Maiami Beach, FL | 05 November 1966 | |||
Pre-recording for CBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-11-05-001 | ¬ Satin Doll | DE6677a | |||
66-11-05-002 | _|Take The “A” Train | DE6677b | |||
66-11-05-003 | Jam With Sam | DE6677c | |||
66-11-05-004 | Things Ain’t What They Used To Be | DE6677d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 November 1966 | |||
Concert, Temple Emanuel, Beverly Hills | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
CONCERT OF SACRED MUSIC | |||||
66-11-15-001 | - 01. Come Sunday | DE9054a | |||
66-11-15-002 | - 02. Light (Montage) | DE9054b | |||
66-11-15-003 | - 12. My Mother, My Father And Love - vJMP | DE9054c | |||
66-11-15-004 | - 13. Soul Call | DE9054d | |||
66-11-15-005 | - 03. Tell Me It’s The Truth - vEM | DE9054e | |||
66-11-15-006 | - 06. In The Beginning God - vTW, Choir | DE9054f | |||
66-11-15-007 | - 08. NEW WORLD A-COMIN' | DE9054g | |||
66-11-15-008 | - 09. Will You Be There? - v Choir | DE9054h | |||
66-11-15-009 | - 10. 99% Won’t Do - vJMP, Choir | DE9054i | |||
66-11-15-010 | - 11. Ain’t But The One - vJMP, Choir | DE9054j | |||
66-11-15-011 | - 14.Come Sunday - vEM | DE9054k | |||
66-11-15-012 | - 15. The Lord’s Prayer - vEM | DE9054l | |||
66-11-15-013 | - 19.Come Sunday - vEM, Choir | DE9054m | |||
Add n/k(td) | |||||
66-11-15-014 | - 16.David Danced Before The Lord = Come Sunday | DE9054n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Diego, CA | 16 November 1966 | |||
Concert, Civic Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Toney Watkins(v) | |||||
66-11-16-001 | Take The “A” Train (theme) | DE6678a | |||
66-11-16-002 | ¬ Black And Tan Fantasy | DE6678b | |||
66-11-16-003 | - |Creole Love Call | DE6678c | |||
66-11-16-004 | _|The Mooch | DE6678d | |||
66-11-16-005 | Harmony In Harlem | DE6678e | |||
66-11-16-006 | I Got It Bad | DE6678f | |||
66-11-16-007 | Things Ain’t What They Used To Be | DE6678g | |||
66-11-16-008 | Wings And Things | DE6678h | |||
Add Leon Petties(d) | |||||
Medley | DE6678i | ||||
66-11-16-009 | - 1. In A Sentimental Mood | ||||
66-11-16-010 | - 2. Don’t Get Around Much Anymore | ||||
66-11-16-011 | - 3. Mood Indigo | ||||
66-11-16-012 | - 4. I’m Beginning to See The Light | ||||
66-11-16-013 | - 5. Sophisticated Lady | ||||
66-11-16-014 | - 6. Caravan | ||||
66-11-16-015 | - 7. Do Nothing Till You Hear From Me | ||||
66-11-16-016 | - 8. Don’t You Know I Care | ||||
66-11-16-017 | - 9. I’m Just A Lucky So And So | ||||
66-11-16-018 | - 10. I Let A Song & Don’t Get Around Much | ||||
66-11-16-019 | La Plus Belle Africaine | DE6678j | |||
66-11-16-020 | Take The “A” Train | DE6678k | |||
66-11-16-021 | Soul Call | DE6678l | |||
66-11-16-022 | In The Beginning God - vTW | DE6678m | |||
66-11-16-023 | West Indian Pancake | DE6678n | |||
66-11-16-024 | El Viti | DE6678o | |||
66-11-16-025 | ¬ Kinda Dukish | DE6678p | |||
66-11-16-026 | _|Rockin’ In Rhythm | DE6678q | |||
Duke Ellington(p) | |||||
66-11-16-027 | Dancers In Love | DE6678r | |||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
66-11-16-028 | Monologue | DE6678s | |||
As before | |||||
66-11-16-029 | Jam With Sam | DE6678t | |||
66-11-16-030 | Things Ain’t What They Used To Be | DE6678u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Westwood, CA | 19 November 1966 | |||
Concert, Royce Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d); Esther Marrow, Toney Watkins(v) | |||||
66-11-19-001 | Take The “A” Train (theme) | DE6680a | |||
66-11-19-002 | ¬ Black And Tan Fantasy | DE6680b | |||
66-11-19-003 | - |Creole Love Call | DE6680c | |||
66-11-19-004 | _|The Mooch | DE6680d | |||
66-11-19-005 | Soul Call | DE6680e | |||
66-11-19-006 | West Indian Pancake | DE6680f | |||
66-11-19-007 | El Viti | DE6680g | |||
66-11-19-008 | The Opener | DE6680h | |||
66-11-19-009 | La Plus Belle Africaine | DE6680i | |||
Medley | DE6680j | ||||
66-11-19-010 | - 1. Satin Doll | ||||
66-11-19-011 | - 2. Solitude | ||||
66-11-19-012 | - 3. In A Sentimental Mood | ||||
66-11-19-013 | - 4. Don’t Get Around Much Anymore | ||||
66-11-19-014 | - 5. Mood Indigo | ||||
66-11-19-015 | - 6. I’m Beginning to See The Light | ||||
66-11-19-016 | - 7. Sophisticated Lady | ||||
66-11-19-017 | - 8. Caravan | ||||
66-11-19-018 | - 9. Do Nothing Till You Hear From Me | ||||
66-11-19-019 | - 10. I Let A Song & Don’t Get Around Much | ||||
66-11-19-020 | Take The “A” Train (theme) | DE6680k | |||
66-11-19-021 | Take The “A” Train | DE6680l | |||
66-11-19-022 | Passion Flower | DE6680m | |||
66-11-19-023 | Things Ain’t What They Used To Be | DE6680n | |||
66-11-19-024 | In The Beginning God - vTW | DE6680o | |||
66-11-19-025 | ¬ Kinda Dukish | DE6680p | |||
66-11-19-026 | _|Rockin’ In Rhythm | DE6680q | |||
66-11-19-027 | Never On Sunday | DE6680r | |||
66-11-19-028 | Red Roses For A Blue Lady | DE6680s | |||
66-11-19-029 | The Lord’s Prayer - vEM | DE6680t | |||
66-11-19-030 | Jam With Sam | DE6680u | |||
66-11-19-031 | Things Ain’t What They Used To Be | DE6680v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 November 1966 | |||
WNEW broadcast, Mark Twain Riverboat | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-11-21-001 | Take The “A” Train (theme) | DE6681a | |||
66-11-21-002 | The Old Circus Train | DE6681b | |||
66-11-21-003 | Sophisticated Lady | DE6681c | |||
66-11-21-004 | Satin Doll | DE6681d | |||
66-11-21-005 | Tutti For Cootie (Fade Up) | DE6681e | |||
66-11-21-006 | Mood Indigo | DE6681f | |||
66-11-21-007 | The Opener | DE6681g | |||
66-11-21-008 | Passion Flower | DE6681h | |||
66-11-21-009 | Things Ain’t What They Used To Be | DE6681i | |||
66-11-21-010 | Wings And Things | DE6681j | |||
66-11-21-011 | Jam With Sam | DE6681k | |||
66-11-21-012 | Satin Doll | DE6681l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 November 1966 | |||
CBS broadcast, Mark Twain Riverboat | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Sam Woodyard(d) | |||||
66-11-25-001 | Take The “A” Train (theme) | DE6682a | |||
66-11-25-002 | Satin Doll | DE6682b | |||
66-11-25-003 | Tutti For Cootie (Fade Up) | DE6682c | |||
66-11-25-004 | Trombone Buster | DE6682d | |||
66-11-25-005 | ¬ I Let A Song Go Out Of My Heart | DE6682e | |||
66-11-25-006 | _|Don’t Get Around Much Any More | DE6682f | |||
66-11-25-007 | Mood Indigo | DE6682g | |||
66-11-25-008 | Things Ain’t What They Used To Be | DE6682h | |||
66-11-25-009 | Come Sunday (David Danced) | DE6682i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 November 1966 | |||
NBC broadcast, Mark Twain Riverboat | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Gus Johnson(d) | |||||
66-11-29-001 | Take The “A” Train (theme) | DE6683a | |||
66-11-29-002 | Mellow Dutty | DE6683b | |||
Duke Ellington, n/k(tk) | |||||
66-11-29-003 | Interview | DE6683c | |||
As before | |||||
66-11-29-004 | Mount Harissa | DE6683d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | December 1966 | |||
CBS broadcast, Mark Twain Riverboat | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
66-12-00-001 | Take The “A” Train (theme) | DE6684a | |||
66-12-00-002 | ¬ Satin Doll | DE6684b | |||
66-12-00-003 | - |Mood Indigo | DE6684c | |||
66-12-00-004 | _|Do Nothing Till You Hear From Me | DE6684d | |||
66-12-00-005 | ¬ I Let A Song Go Out Of My Heart | DE6684e | |||
66-12-00-006 | _|Don’t Get Around Much Any More | DE6684f | |||
66-12-00-007 | Things Ain’t What They Used To Be | DE6684g | |||
66-12-00-008 | Birth Of The Blues | DE6684h | |||
66-12-00-009 | Sophisticated Lady | DE6684i | |||
66-12-00-010 | The Old Circus Train | DE6684j | |||
66-12-00-011 | Caravan | DE6684k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 05 December 1966 | |||
Sacred Concert, Constitution Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Esther Marrow, Toney Watkins, Jimmy McPhail, Choir(v) | |||||
CONCERT OF SACRED MUSIC | |||||
66-12-05-001 | - 01. Come Sunday | DE6685a | |||
66-12-05-002 | - 02. Light (Montage) | DE6685b | |||
66-12-05-003 | - 12. My Mother, My Father And Love - vJMP | DE6685c | |||
66-12-05-004 | - 13. Soul Call | DE6685d | |||
66-12-05-005 | - 03. Tell Me It’s The Truth - vEM | DE6685e | |||
66-12-05-006 | - 06. In The Beginning God - vTW, Choir | DE6685f | |||
66-12-05-007 | - 08. NEW WORLD A-COMIN' | DE6685g | |||
66-12-05-008 | - 09. Will You Be There? - v Choir | DE6685h | |||
66-12-05-009 | - 10. 99% Won’t Do - vJMP, Choir | DE6685i | |||
66-12-05-010 | - 11. Ain’t But The One - vJMP, Choir | DE6685j | |||
66-12-05-011 | - 14.Come Sunday - vEM | DE6685k | |||
66-12-05-012 | - 15. The Lord’s Prayer - vEM | DE6685l | |||
Add bunny Briggs(td) | |||||
66-12-05-013 | - 16. David Danced=Come Sunday - v Choir | DE6685m | |||
Toney Watkins(v) solo | |||||
66-12-05-014 | - 17. The Preacher’s Song - vTW | DE6685n | |||
As before | |||||
66-12-05-015 | - 18. In The Beginning God - v Choir | DE6685o | |||
DUKE ELLINGTON WITH THE BALTIMORE SYMPHONY ORCHESTRA | Baltimore, MD | 17 December 1966 | |||
Concert, Lyric Theatre | |||||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d); the Baltimore Symphony Orchestra. Cond. Elyakum Shapiro | |||||
66-12-17-001 | NEW WORLD A-COMIN' | DE6686a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
66-12-17-002 | ¬Preude To A Kiss | DE6686b | |||
66-12-17-003 | - |In A Sentimental Mood | DE6686c | |||
66-12-17-004 | - |Don’t You Know I Care | DE6686d | |||
66-12-17-005 | _|Preude To A Kiss | DE6686e | |||
66-12-17-006 | Single Petal Of A Rose | DE6686f | |||
DUKE ELLINGTON WITH THE BALTIMORE SYMPHONY ORCHESTRA | Same session | ||||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d); the Baltimore Symphony Orchestra. Cond. Elyakum Shapiro | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
66-12-17-007 | - 1. The Golden Broom | DE6686g | |||
66-12-17-008 | - 2. The Green Apple | DE6686h | |||
66-12-17-009 | - 3. The Handsome Traffic Policeman | DE6686i | |||
Medley | DE6686j | ||||
66-12-17-010 | - 1. I Got It Bad | ||||
66-12-17-011 | - 2. Do Nothing Till You Hear From Me | ||||
66-12-17-012 | - 3. Don’t Get Around Much Anymore | ||||
66-12-17-013 | - 4. Mood Indigo | ||||
66-12-17-014 | - 5. I’m Beginning to See The Light | ||||
66-12-17-015 | - 6. Sophisticated Lady | ||||
66-12-17-016 | - 7. Caravan | ||||
66-12-17-017 | - 8. It Don’t Mean A Thing | ||||
66-12-17-018 | - 9. Solitude | ||||
66-12-17-019 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Same Session | |||||
AD LIB ON NIPPON | |||||
66-12-17-020 | - 1. Fugi | DE6686k | |||
66-12-17-021 | - 2. Igoo | DE6686l | |||
66-12-17-022 | - 3. Nagoya | DE6686m | |||
66-12-17-023 | - 2. Igoo | DE6686n | |||
DUKE ELLINGTON WITH THE BALTIMORE SYMPHONY ORCHESTRA | Same session | ||||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d); the Baltimore Symphony Orchestra. Cond. Elyakum Shapiro | |||||
66-12-17-024 | Satin Doll | DE6686o | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Toney Watkins(v) | |||||
66-12-17-025 | Take The “A” Train | DE6686p | |||
66-12-17-026 | In The Beginning God - vTW | DE6686q | |||
66-12-17-027 | Things Ain’t What They Used To Be | DE6686r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 December 1966 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
FAR EAST SUITE | |||||
66-12-19-001 | TPA1-9147-4 | - 1. Tourist Point Of View | Bb 07863-66551-2, Bb 82876-55614-2 | DE6687xa | |
66-12-19-002 | TPA1-9147-5 | - 1. Tourist Point Of View | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D) | DE6687a | |
66-12-19-003 | TPA1-9147-7 | - 1. Tourist Point Of View | Bb 07863-66551-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6687b | |
66-12-19-004 | TPA1-9148-3 | - 8. Amad | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6687c | |
66-12-19-005 | TPA1-9148-5 | - 8. Amad | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D) | DE6687d | |
66-12-19-006 | TPA1-9148-7 | - 8. Amad | Bb 07863-66551-2, Bb 82876-55614-2 | DE6687xb | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 December 1966 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
FAR EAST SUITE | |||||
66-12-20-001 | TPA1-9149 | - 7. Agra | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688a | |
66-12-20-002 | TPA1-9150 | - 2. Blue Bird Of Delhi | DE6688b | ||
66-12-20-003 | TPA1-9151- | - 9. Fugi (Ad Lib On Nippon) | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688c | |
66-12-20-004 | TPA1-9151- | - 9. Igoo (Ad Lib On Nippon) | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688d | |
66-12-20-005 | TPA1-9151- | - 9. Nagoya (Ad Lib On Nippon) | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688e | |
66-12-20-006 | TPA1-9151- | - 9. Tokyo (Ad Lib On Nippon) | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688f | |
66-12-20-007 | TPA1-9151- | - 9. Tokyo (Ad Lib On Nippon) | Bb 07863-66551-2*, RCA 09026-63386-2*(D), RCA LPM-3782*(D)(S)(T) | DE6688xa | |
66-12-20-008 | TPA1-9152- | - 3. Isfahan | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6688g | |
66-12-20-009 | TPA1-9152- | - 3. Isfahan | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D) | DE6688h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 21 December 1966 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
FAR EAST SUITE | |||||
66-12-21-001 | TPA1-9153- | - 4. Depk | Bb 82876-55614-2 | DE6689xa | |
66-12-21-002 | TPA1-9153- | - 4. Depk | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6689a | |
66-12-21-003 | TPA1-9154- | - 5. Mount Harissa | Bb 82876-55614-2, RCA 09026-63386-2(D) | DE6689b | |
66-12-21-004 | TPA1-9154- | - 5. Mount Harissa | Bb 07863-66551-2, Bb 82876-55614-2, RCA LPM-3782(D)(S)(T) | DE6689xb | |
66-12-21-005 | TPA1-9150- | - 2. Blue Bird Of Delhi | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D) | DE6689c | |
66-12-21-006 | TPA1-9150- | - 2. Blue Bird Of Delhi | Bb 82876-55614-2 | DE6689xc | |
66-12-21-007 | TPA1-9150- | - 2. Blue Bird Of Delhi | Bb 07863-66551-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6689d | |
66-12-21-008 | TPA1-9155- | - 6. Blue Pepper | Bb 07863-66551-2, Bb 82876-55614-2, RCA 09026-63386-2(D), RCA LPM-3782(D)(S)(T) | DE6689e | |
DUKE ELLINGTON | New York City, NY | 28 December 1966 | |||
Duke Ellington recording session | |||||
Duke Ellington(p) | |||||
66-12-28-001 | Meditation | Sv 101-8399 | DE6690a | ||
66-12-28-002 | Piano Interlude | DE6690b | |||
66-12-28-003 | Beautiful Woman Walks Well | DE6690c | |||
66-12-28-004 | Piano Interlude | DE6690d | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cootie Williams, Cat Anderson(t); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
66-12-28-005 | I’m Beginning To See The Light | DE6690e | |||
66-12-28-006 | -1 | I’m Beginning To See The Light | DE6690f | ||
66-12-28-007 | I’m Beginning To See The Light | DE6690g | |||
66-12-28-008 | I’m Beginning To See The Light | DE6690h | |||
66-12-28-009 | I’m Beginning To See The Light | DE6690i | |||
66-12-28-010 | -2 | I’m Beginning To See The Light | DE6690j | ||
66-12-28-011 | I’m Beginning To See The Light | DE6690k | |||
66-12-28-012 | I’m Beginning To See The Light | DE6690l | |||
66-12-28-013 | I’m Beginning To See The Light | DE6690m | |||
66-12-28-014 | I’m Beginning To See The Light | DE6690n | |||
66-12-28-015 | Draggin Blues | DE6690o | |||
66-12-28-016 | Draggin Blues | DE6690p | |||
66-12-28-017 | -2 | Draggin Blues | DE6690q | ||
66-12-28-018 | Draggin Blues | DE6690r | |||
66-12-28-019 | -3 | Draggin Blues | Sa 91232-2(D)(S)(T) | DE6690s | |
66-12-28-020 | Now Ain’t It | DE6690t | |||
66-12-28-021 | Now Ain’t It | DE6690u | |||
66-12-28-022 | Now Ain’t It | DE6690v | |||
66-12-28-023 | Now Ain’t It | DE6690w | |||
66-12-28-024 | -1 | Now Ain’t It | DE6690x | ||
66-12-28-025 | -2 | Now Ain’t It | DE6690y | ||
66-12-28-026 | Now Ain’t It | DE6690z | |||
66-12-28-027 | -3 | Now Ain’t It | DE6690aa | ||
66-12-28-028 | -4 | Now Ain’t It | Sa 91232-2(D)(S)(T) | DE6690ab | |
66-12-28-029 | -2 | Cotton Head | Sa 91232-2(D)(S)(T) | DE6690ac | |
66-12-28-030 | Cotton Head | DE6690ad | |||
66-12-28-031 | Cotton Head | DE6690ae | |||
66-12-28-032 | Last Time Around (The Last Go-Round) | DE6690af | |||
66-12-28-033 | -1 | Last Time Around (The Last Go-Round) | DE6690ag | ||
66-12-28-034 | -2 | Last Time Around (The Last Go-Round) | DE6690ah | ||
66-12-28-035 | -3 | Last Time Around (The Last Go-Round) | Sa 91232-2(D)(S)(T) | DE6690ai | |
66-12-28-036 | Blues No. 15 | DE6690aj | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 December 1966 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, Benny Powell(tb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Toney Watkins(v) | |||||
66-12-29-001 | I’m Just A Lucky So And So - vTW | DE6691a | |||
66-12-29-002 | -2 | I’m Just A Lucky So And So - vTW | DE6691b | ||
66-12-29-003 | -3 | I’m Just A Lucky So And So - vTW | DE6691c | ||
66-12-29-004 | -4 | I’m Just A Lucky So And So - vTW | DE6691d | ||
66-12-29-005 | -5 | I’m Just A Lucky So And So | DE6691e | ||
66-12-29-006 | -2 | Blues At Sundown - vTW | DE6691f | ||
66-12-29-007 | -3 | Blues At Sundown - vTW | DE6691g | ||
66-12-29-008 | -4 | Blues At Sundown - vTW | DE6691h | ||
66-12-29-009 | -6 | Blues At Sundown - vTW | DE6691i | ||
66-12-29-010 | -7 | Blues At Sundown - vTW | DE6691j | ||
66-12-29-011 | -8 | Blues At Sundown - vTW | DE6691k | ||
66-12-29-012 | -9 | Blues At Sundown | DE6691l | ||
66-12-29-013 | -1 | The Lonely Ones - vTW | DE6691m | ||
66-12-29-014 | -2 | The Lonely Ones - vTW | DE6691n | ||
66-12-29-015 | -3 | The Lonely Ones - vTW | DE6691o | ||
66-12-29-016 | -4 | The Lonely Ones - vTW | DE6691p | ||
DUKE ELLINGTON GROUP | Locations not known | Probably 1966-1967 | |||
Concerts | |||||
Johnny Hodges(as); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-00-00-001 | I Didn’t Know About You (Sentimental Lady) | MFD G4RS-2536 | DE6692a | ||
Johnny Hodges out | |||||
67-00-00-002 | Dancers In Love | MFD G4RS-2536 | DE6692b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 January 1967 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Melba Liston(p); John Lamb(sb); Rufus Jones(d); Toney Watkins(v) | |||||
67-01-07-001 | -1 | I’m Just A Lucky So And So - vTW | DE6701a | ||
67-01-07-002 | -2 | I’m Just A Lucky So And So - vTW | DE6701b | ||
67-01-07-003 | -3 | I’m Just A Lucky So And So - vTW | DE6701c | ||
67-01-07-004 | -4 | I’m Just A Lucky So And So - vTW | DE6701d | ||
67-01-07-005 | -2 | The Lonely Ones | DE6701e | ||
67-01-07-006 | -1 | Jump For Joy | DE6701f | ||
67-01-07-007 | -2 | Jump For Joy | DE6701g | ||
67-01-07-008 | -3 | Jump For Joy | DE6701h | ||
67-01-07-009 | -4 | Jump For Joy | DE6701i | ||
67-01-07-010 | -5 | Jump For Joy | DE6701j | ||
67-01-07-011 | -6 | Jump For Joy - vTW | DE6701k | ||
67-01-07-012 | -7 | Jump For Joy - vTW | DE6701l | ||
67-01-07-013 | Jump For Joy | DE6701m | |||
67-01-07-014 | Jump For Joy - vTW | DE6701n | |||
67-01-07-015 | Jump For Joy - vTW | DE6701o | |||
67-01-07-016 | -1 | I Like The Sunrise | DE6701p | ||
67-01-07-017 | -2 | I Like The Sunrise - vTW | DE6701q | ||
67-01-07-018 | -3 | I Like The Sunrise - vTW | DE6701r | ||
67-01-07-019 | -4 | I Like The Sunrise - vTW | DE6701s | ||
67-01-07-020 | -5 | I Like The Sunrise - vTW | DE6701t | ||
67-01-07-021 | -8 | I Like The Sunrise - vTW | DE6701u | ||
67-01-07-022 | -9 | I Like The Sunrise - vTW | DE6701v | ||
67-01-07-023 | I Like The Sunrise - vTW | DE6701w | |||
67-01-07-024 | -11 | I Like The Sunrise - vTW | DE6701x | ||
67-01-07-025 | -13 | I Like The Sunrise - vTW | DE6701y | ||
67-01-07-026 | -14 | I Like The Sunrise - vTW | DE6701z | ||
67-01-07-027 | -1 | Rocks In My Bed | DE6701aa | ||
67-01-07-028 | -3 | Rocks In My Bed - vTW | DE6701ab | ||
67-01-07-029 | Rocks In My Bed - vTW | DE6701ac | |||
67-01-07-030 | -6 | Rocks In My Bed - vTW | DE6701ad | ||
67-01-07-031 | -1 | Don’t You Know I Care - vTW | DE6701ae | ||
67-01-07-032 | -2 | Don’t You Know I Care | DE6701af | ||
67-01-07-033 | -3 | Don’t You Know I Care - vTW | DE6701ag | ||
67-01-07-034 | -1 | Brown Skin Gal - vTW | DE6701ah | ||
67-01-07-035 | -3 | Brown Skin Gal - vTW | DE6701ai | ||
67-01-07-036 | -4 | Brown Skin Gal - vTW | DE6701aj | ||
67-01-07-037 | -5 | Brown Skin Gal - vTW | DE6701ak | ||
67-01-07-038 | -6 | Brown Skin Gal - vTW | DE6701al | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 January 1967 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Melba Liston(p); John Lamb(sb); Rufus Jones(d); Toney Watkins(v) | |||||
67-01-09-001 | Everything But You | DE6702a | |||
67-01-09-002 | -1 | Everything But You | DE6702b | ||
67-01-09-003 | -2 | Everything But You - vTW | DE6702c | ||
67-01-09-004 | -3 | Everything But You - vTW | DE6702d | ||
67-01-09-005 | -4 | Everything But You - vTW | DE6702e | ||
67-01-09-006 | -6 | Everything But You - vTW | DE6702f | ||
67-01-09-007 | -7 | Everything But You - vTW | DE6702g | ||
67-01-09-008 | -8 | Everything But You - vTW | DE6702h | ||
67-01-09-009 | -1 | Things Ain’t What They Used To Be (Time’s A Wastin’) - vTW | DE6702i | ||
67-01-09-010 | -2 | Things Ain’t What They Used To Be (Time’s A Wastin’) - vTW | DE6702j | ||
67-01-09-011 | -3 | Things Ain’t What They Used To Be (Time’s A Wastin’) - vTW | DE6702k | ||
67-01-09-012 | -4 | Things Ain’t What They Used To Be (Time’s A Wastin') | DE6702l | ||
67-01-09-013 | -5 | Things Ain’t What They Used To Be (Time’s A Wastin’) - vTW | DE6702m | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 January 1967 | |||
Rehearsal session, Studio Zanibelli | |||||
Cat Anderson, Harold "Money" Johnson, Oscar Valdambrini(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-14-001 | Rue Bleu | DE6703a | |||
67-01-14-002 | Rue Bleu | DE6703b | |||
67-01-14-003 | Rue Bleu | DE6703c | |||
67-01-14-004 | Rue Bleu | DE6703d | |||
67-01-14-005 | Rue Bleu | DE6703e | |||
67-01-14-006 | Rue Bleu | DE6703f | |||
67-01-14-007 | Rue Bleu | DE6703g | |||
67-01-14-008 | Rue Bleu | DE6703h | |||
67-01-14-009 | Rue Bleu | DE6703i | |||
67-01-14-010 | Rue Bleu | DE6703j | |||
67-01-14-011 | Rue Bleu | DE6703k | |||
67-01-14-012 | Rue Bleu | DE6703l | |||
67-01-14-013 | Rue Bleu | DE6703m | |||
67-01-14-014 | Rue Bleu | DE6703n | |||
67-01-14-015 | Rue Bleu | DE6703o | |||
67-01-14-016 | Rue Bleu | DE6703p | |||
67-01-14-017 | Rue Bleu | DE6703q | |||
Add Cootie Williams, Herbie Jones(t) | |||||
67-01-14-018 | Beautiful Woman Walks Well | DE6703r | |||
67-01-14-019 | Beautiful Woman Walks Well | DE6703s | |||
67-01-14-020 | Beautiful Woman Walks Well | DE6703t | |||
67-01-14-021 | Beautiful Woman Walks Well | DE6703u | |||
67-01-14-022 | Beautiful Woman Walks Well | DE6703v | |||
67-01-14-023 | Beautiful Woman Walks Well | DE6703w | |||
67-01-14-024 | Beautiful Woman Walks Well | DE6703x | |||
67-01-14-025 | Beautiful Woman Walks Well | DE6703y | |||
67-01-14-026 | Beautiful Woman Walks Well | DE6703z | |||
67-01-14-027 | Beautiful Woman Walks Well | DE6703aa | |||
67-01-14-028 | Beautiful Woman Walks Well | DE6703ab | |||
67-01-14-029 | Beautiful Woman Walks Well | DE6703ac | |||
67-01-14-030 | Beautiful Woman Walks Well | DE6703ad | |||
67-01-14-031 | Beautiful Woman Walks Well | DE6703ae | |||
67-01-14-032 | Beautiful Woman Walks Well | DE6703af | |||
67-01-14-033 | Beautiful Woman Walks Well | DE6703ag | |||
67-01-14-034 | Beautiful Woman Walks Well | DE6703ah | |||
67-01-14-035 | Beautiful Woman Walks Well | DE6703ai | |||
67-01-14-036 | Beautiful Woman Walks Well | DE6703aj | |||
67-01-14-037 | Wild Onions | DE6703ak | |||
67-01-14-038 | Wild Onions | DE6703al | |||
67-01-14-039 | Wild Onions | DE6703am | |||
67-01-14-040 | Wild Onions | DE6703an | |||
67-01-14-041 | Wild Onions | DE6703ao | |||
67-01-14-042 | Wild Onions | DE6703ap | |||
67-01-14-043 | Wild Onions | DE6703aq | |||
67-01-14-044 | Wild Onions | DE6703ar | |||
67-01-14-045 | Wild Onions | DE6703as | |||
67-01-14-046 | Wild Onions | DE6703at | |||
67-01-14-047 | Wild Onions | DE6703au | |||
67-01-14-048 | Wild Onions | DE6703av | |||
67-01-14-049 | Wild Onions | DE6703aw | |||
67-01-14-050 | Wild Onions | DE6703ax | |||
67-01-14-051 | Wild Onions | DE6703ay | |||
67-01-14-052 | Wild Onions | DE6703az | |||
67-01-14-053 | Wild Onions | DE6703ba | |||
67-01-14-054 | Wild Onions | DE6703bb | |||
67-01-14-055 | Wild Onions | DE6703bc | |||
67-01-14-056 | Wild Onions | DE6703bd | |||
Johnny Hodges out | |||||
67-01-14-057 | Wild Onions | DE6703be | |||
67-01-14-058 | ¬Johnny Come Lately | DE6703bf | |||
67-01-14-059 | _|Johnny Come Lately | DE6703bg | |||
67-01-14-060 | Girdle Hurdle | DE6703bh | |||
67-01-14-061 | Girdle Hurdle | DE6703bi | |||
67-01-14-062 | The Shepherd | DE6703bj | |||
67-01-14-063 | The Shepherd | DE6703bk | |||
67-01-14-064 | The Shepherd | DE6703bl | |||
67-01-14-065 | The Shepherd | DE6703bm | |||
67-01-14-066 | The Shepherd | DE6703bn | |||
67-01-14-067 | The Shepherd | DE6703bo | |||
67-01-14-068 | The Shepherd | DE6703bp | |||
67-01-14-069 | The Shepherd | DE6703bq | |||
67-01-14-070 | The Shepherd | DE6703br | |||
67-01-14-071 | Swamp Goo | DE6703bs | |||
67-01-14-072 | Swamp Goo | DE6703bt | |||
67-01-14-073 | Swamp Goo | DE6703bu | |||
67-01-14-074 | Swamp Goo | DE6703bv | |||
67-01-14-075 | Swamp Goo | DE6703bw | |||
67-01-14-076 | Swamp Goo | DE6703bx | |||
67-01-14-077 | Swamp Goo | DE6703by | |||
67-01-14-078 | Swamp Goo | DE6703bz | |||
67-01-14-079 | Up Jump | DE6703ca | |||
67-01-14-080 | Chromatic Love Affair | DE6703cb | |||
67-01-14-081 | Up Jump | DE6703cc | |||
67-01-14-082 | Up Jump | DE6703cd | |||
67-01-14-083 | Up Jump | DE6703ce | |||
67-01-14-084 | Up Jump | DE6703cf | |||
67-01-14-085 | Blessings Of The Night | DE6703cg | |||
67-01-14-086 | Blessings Of The Night | DE6703ch | |||
67-01-14-087 | Blessings Of The Night | DE6703ci | |||
67-01-14-088 | Blessings Of The Night | DE6703cj | |||
67-01-14-089 | Blessings Of The Night | DE6703ck | |||
67-01-14-090 | Rue Bleu | DE6703cl | |||
67-01-14-091 | Rue Bleu | DE6703cm | |||
67-01-14-092 | Rue Bleu | DE6703cn | |||
67-01-14-093 | Rue Bleu | DE6703co | |||
67-01-14-094 | Rue Bleu | DE6703cp | |||
67-01-14-095 | Wild Onions | DE6703cq | |||
67-01-14-096 | Wild Onions | DE6703cr | |||
67-01-14-097 | Wild Onions | DE6703cs | |||
67-01-14-098 | Wild Onions | DE6703ct | |||
67-01-14-099 | Wild Onions | DE6703cu | |||
67-01-14-100 | ¬Swamp Goo | DE6703cv | |||
67-01-14-101 | _|Johnny Come Lately | DE6703cw | |||
67-01-14-102 | Swamp Goo | DE6703cx | |||
67-01-14-103 | Mara Gold | DE6703cy | |||
67-01-14-104 | Mara Gold | DE6703cz | |||
67-01-14-105 | Mara Gold | DE6703da | |||
67-01-14-106 | Chromatic Love Affair | DE6703db | |||
67-01-14-107 | Chromatic Love Affair | DE6703dc | |||
67-01-14-108 | Chromatic Love Affair | DE6703dd | |||
67-01-14-109 | Chromatic Love Affair | DE6703de | |||
67-01-14-110 | Chromatic Love Affair | DE6703df | |||
67-01-14-111 | Chromatic Love Affair | DE6703dg | |||
67-01-14-112 | Chromatic Love Affair | DE6703dh | |||
67-01-14-113 | Chromatic Love Affair | DE6703di | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 15 January 1967 | |||
1st concert, Teatro Lirico | |||||
Herbie Jones, Harold "Money" Johnson, Oscar Valdambrini(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-15-001 | C-Jam Blues | DE6704a | |||
67-01-15-002 | Perdido | DE6704b | |||
Jimmy Jones out. Add Harry Carney(cl,bcl,as,bar); Duke Ellington(p) | |||||
67-01-15-003 | Take The “A” Train | DE6704c | |||
67-01-15-004 | I Didn’t Know About You (Sentimental Lady) | DE6704d | |||
67-01-15-005 | All Of Me | DE6704e | |||
67-01-15-006 | Harmony In Harlem | DE6704f | |||
Add Cat Anderson(t) | |||||
67-01-15-007 | Swamp Goo | DE6704g | |||
Bob Cranshaw out. Add John Lamb(sb) | |||||
Blessings Of The Night | |||||
Add Cootie Williams(t); Paul Gonsalves(ts) | |||||
67-01-15-008 | Mount Harissa | DE6704h | |||
67-01-15-009 | Wild Onions | DE6704i | |||
67-01-15-010 | Rue Bleu | DE6704j | |||
67-01-15-011 | Mara Gold | DE6704k | |||
67-01-15-012 | The Shepherd | DE6704l | |||
67-01-15-013 | Harlem Air-Shaft | DE6704m | |||
67-01-15-014 | Things Ain’t What They Used To Be | DE6704n | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-15-015 | Cotton Tail - vEF | DE6704o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 15 January 1967 | |||
2nd concert, Teatro Lirico | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Oscar Valdambrini(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-15-016 | Take The “A” Train | DE6705a | |||
67-01-15-017 | The Shepherd | DE6705b | |||
67-01-15-018 | Harlem Air-Shaft | DE6705c | |||
67-01-15-019 | Blessings Of The Night | DE6705d | |||
67-01-15-020 | Johnny Come Lately | DE6705e | |||
67-01-15-021 | Mount Harissa | DE6705f | |||
67-01-15-022 | Up Jump | DE6705g | |||
67-01-15-023 | Swamp Goo | DE6705h | |||
67-01-15-024 | Wild Onions | DE6705i | |||
67-01-15-025 | Birth Of The Blues | DE6705j | |||
67-01-15-026 | Rue Bleu | DE6705k | |||
67-01-15-027 | Mara Gold | DE6705l | |||
67-01-15-028 | Beautiful Woman Walks Well | DE6705m | |||
67-01-15-029 | All Of Me | DE6705n | |||
67-01-15-030 | Harmony In Harlem | DE6705o | |||
67-01-15-031 | Star-Crossed Lovers | DE6705p | |||
67-01-15-032 | Things Ain’t What They Used To Be | DE6705q | |||
67-01-15-033 | Things Ain’t What They Used To Be | DE6705r | |||
DUKE ELLINGTON | Milano, I | 15 January 1967 | |||
Teatro Lirico | |||||
Duke Ellington, Lilian Terry(tk) | |||||
67-01-15-034 | Interview by Terry | DE6506a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 22 January 1967 | |||
1st concert, Falkoner Teatret | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-22-001 | Open Ears | DE6707a | |||
67-01-22-002 | Johnny Come Lately | DE6707b | |||
67-01-22-003 | Swamp Goo | DE6707c | |||
67-01-22-004 | Take The “A” Train | DE6707d | |||
67-01-22-005 | The Shepherd | DE6707e | |||
67-01-22-006 | Raincheck | DE6707f | |||
67-01-22-007 | Chromatic Love Affair | DE6707g | |||
67-01-22-008 | Mount Harissa | DE6707h | |||
67-01-22-009 | Up Jump | DE6707i | |||
67-01-22-010 | Rue Bleu | DE6707j | |||
67-01-22-011 | Wild Onions | DE6707k | |||
67-01-22-012 | I Didn’t Know About You (Sentimental Lady) | DE6707l | |||
67-01-22-013 | Harmony In Harlem | DE6707m | |||
67-01-22-014 | Drag | DE6707n | |||
67-01-22-015 | Things Ain’t What They Used To Be | DE6707o | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-22-016 | Cotton Tail - vEF | DE6707p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 22 January 1967 | |||
2nd concert, Falkoner Teatret | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-22-017 | Take The “A” Train | DE6708a | |||
67-01-22-018 | The Shepherd | DE6708b | |||
67-01-22-019 | Raincheck | DE6708c | |||
67-01-22-020 | ¬ Kinda Dukish | DE6708d | |||
67-01-22-021 | _| Rockin’ In Rhythm | DE6708e | |||
67-01-22-022 | Chromatic Love Affair | DE6708f | |||
67-01-22-023 | Swamp Goo | DE6708g | |||
67-01-22-024 | Mount Harissa | DE6708h | |||
67-01-22-025 | Up Jump | DE6708i | |||
67-01-22-026 | Rue Bleu | DE6708j | |||
67-01-22-027 | Wild Onions | DE6708k | |||
67-01-22-028 | Beautiful Woman Walks Well | DE6708l | |||
67-01-22-029 | Harmony In Harlem | DE6708m | |||
67-01-22-030 | Things Ain’t What They Used To Be | DE6708n | |||
67-01-22-031 | Things Ain’t What They Used To Be | DE6708o | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-22-032 | Cotton Tail - vEF | DE6708p | |||
DUKE ELLINGTON GROUP | Kobenhavn, DK | 23 January 1967 | |||
Pre-recording for DR telecast | |||||
Duke Ellington(p) | |||||
67-01-23-001 | Le Sucrier Velour | DE6709a | |||
67-01-23-002 | Lotus Blossom | DE6709b | |||
67-01-23-003 | Meditation | DE6709c | |||
Duke Ellington(p); Rufus Jones(d) | |||||
67-01-23-004 | The Second Portrait Of The Lion | DE6709d | |||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-23-005 | Eggo (On The Fringe Of The Jungle) | DE6709e | |||
67-01-23-006 | Mood Indigo | DE6709f | |||
67-01-23-007 | Take The “A” Train | DE6709g | |||
Johnny Hodges(as); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-23-008 | Passion Flower | DE6709h | |||
Paul Gonsalves(ts); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-23-009 | Happy Reunion | DE6709i | |||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-23-010 | Take The “A” Train (theme) | DE6709j | |||
67-01-23-011 | Jeep Is Jumpin' | DE6709k | |||
67-01-23-012 | Sophisticated Lady | DE6709l | |||
67-01-23-013 | Tippin’ And Whisperin' | DE6709m | |||
67-01-23-014 | Satin Doll | DE6709n | |||
67-01-23-015 | Jam With Sam | DE6709o | |||
67-01-23-016 | Things Ain’t What They Used To Be | DE6709p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 24 January 1967 | |||
1st concert, Konsethuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-24-001 | Take The “A” Train (theme) | DE6710a | |||
67-01-24-002 | Johnny Come Lately | DE6710b | |||
67-01-24-003 | Swamp Goo | DE6710c | |||
67-01-24-004 | Mount Harissa | DE6710d | |||
67-01-24-005 | Up Jump | DE6710e | |||
67-01-24-006 | Rue Bleu | DE6710f | |||
67-01-24-007 | Chromatic Love Affair | DE6710g | |||
67-01-24-008 | Salomé | DE6710h | |||
67-01-24-009 | Wild Onions | DE6710i | |||
67-01-24-010 | Take The “A” Train | DE6710j | |||
67-01-24-011 | The Shepherd | DE6710k | |||
67-01-24-012 | Mara Gold | DE6710l | |||
67-01-24-013 | Beautiful Woman Walks Well | DE6710m | |||
67-01-24-014 | I Got It Bad | DE6710n | |||
67-01-24-015 | Drag | DE6710o | |||
67-01-24-016 | Things Ain’t What They Used To Be | DE6710p | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-24-017 | Cotton Tail - vEF | DE6710q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 24 January 1967 | |||
2nd concert, Konsethuset | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-24-018 | Johnny Come Lately | DE6711a | |||
67-01-24-019 | Swamp Goo | DE6711b | |||
67-01-24-020 | Up Jump | DE6711c | |||
67-01-24-021 | The Shepherd | DE6711d | |||
67-01-24-022 | ¬ Kinda Dukish | DE6711e | |||
67-01-24-023 | _| Rockin’ In Rhythm | DE6711f | |||
67-01-24-024 | Rue Bleu | DE6711g | |||
67-01-24-025 | Chromatic Love Affair | DE6711h | |||
67-01-24-026 | Wild Onions | DE6711i | |||
Johnny Hodges(as); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-24-027 | I Didn’t Know About You (Sentimental Lady) | MFD G4RS-2536 | DE6711j | ||
As before | |||||
67-01-24-028 | Jeep Is Jumpin' | DE6711k | |||
67-01-24-029 | Things Ain’t What They Used To Be | DE6711l | |||
67-01-24-030 | Mara Gold | DE6711m | |||
67-01-24-031 | Things Ain’t What They Used To Be | DE6711n | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-24-032 | Cotton Tail - vEF | DE6711o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oslo, N | 25 January 1967 | |||
1st concert, Niardhallen | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-25-001 | Take The “A” Train | DE6712a | |||
67-01-25-002 | Rue Bleu | DE6712b | |||
67-01-25-003 | Wild Onions | DE6712c | |||
67-01-25-004 | Mara Gold | DE6712d | |||
67-01-25-005 | Beautiful Woman Walks Well | DE6712e | |||
67-01-25-006 | Jeep Is Jumpin' | DE6712f | |||
67-01-25-007 | I Got It Bad | DE6712g | |||
67-01-25-008 | Things Ain’t What They Used To Be | DE6712h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oslo, N | 25 January 1967 | |||
1st concert, Niardhallen | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Toney Watkins(v) | |||||
67-01-25-009 | Take The “A” Train (theme) | DE6713a | |||
67-01-25-010 | Johnny Come Lately | DE6713b | |||
67-01-25-011 | Swamp Goo | DE6713c | |||
67-01-25-012 | Up Jump | DE6713d | |||
67-01-25-013 | The Shepherd | DE6713e | |||
67-01-25-014 | Chromatic Love Affair | DE6713f | |||
67-01-25-015 | ¬ Kinda Dukish | DE6713g | |||
67-01-25-016 | _| Rockin’ In Rhythm | DE6713h | |||
67-01-25-017 | La Plus Belle Africaine | DE6713i | |||
67-01-25-018 | Wild Onions | DE6713j | |||
67-01-25-019 | I Got It Bad | DE6713k | |||
67-01-25-020 | Things Ain’t What They Used To Be | DE6713l | |||
67-01-25-021 | In The Beginning God - vTW | DE6713m | |||
DUKE ELLINGTON | Oslo, N | 25 January 1967 | |||
Private Party, Downtown Key Club | |||||
Duke Ellington(tk) | |||||
67-01-25-022 | Duke Talking About His Host | DE6714a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Rotterdam, NL | 28 January 1967 | |||
Concert, De Doelen | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-28-001 | Take The “A” Train (theme) | MJ MJCD-1099 | DE6715a | ||
67-01-28-002 | Johnny Come Lately | MJ MJCD-1099 | DE6715b | ||
67-01-28-003 | Swamp Goo | MJ MJCD-1099 | DE6715c | ||
67-01-28-004 | Up Jump | MJ MJCD-1099 | DE6715d | ||
67-01-28-005 | The Shepherd | MJ MJCD-1099 | DE6715e | ||
67-01-28-006 | Take The “A” Train | MJ MJCD-1099 | DE6715f | ||
67-01-28-007 | Chromatic Love Affair | MJ MJCD-1099 | DE6715g | ||
67-01-28-008 | Rue Bleu | MJ MJCD-1099 | DE6715h | ||
67-01-28-009 | Wild Onions | MJ MJCD-1099 | DE6715i | ||
67-01-28-010 | Mara Gold | MJ MJCD-1099 | DE6715j | ||
67-01-28-011 | Beautiful Woman Walks Well | MJ MJCD-1099 | DE6715k | ||
67-01-28-012 | Things Ain’t What They Used To Be | DE6715l | |||
67-01-28-013 | Things Ain’t What They Used To Be | DE6715m | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-28-014 | Cotton Tail - vEF | MJ MJCD-1099 | DE6715n | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 31 January 1967 | |||
1st concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-31-001 | The Shepherd | DE6716a | |||
67-01-31-002 | Mara Gold | DE6716b | |||
67-01-31-003 | Beautiful Woman Walks Well | DE6716c | |||
67-01-31-004 | Drag | DE6716d | |||
67-01-31-005 | I Got It Bad | DE6716e | |||
67-01-31-006 | Things Ain’t What They Used To Be | DE6716f | |||
67-01-31-007 | Satin Doll | DE6716g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 31 January 1967 | |||
2nd concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-01-31-008 | Take The “A” Train (theme) | DE6717a | |||
67-01-31-009 | Johnny Come Lately | DE6717b | |||
67-01-31-010 | Chelsea Bridge | DE6717c | |||
67-01-31-011 | Swamp Goo | DE6717d | |||
67-01-31-012 | Salomé | DE6717e | |||
67-01-31-013 | Rue Bleu | DE6717f | |||
67-01-31-014 | Mara Gold | DE6717g | |||
67-01-31-015 | The Shepherd | DE6717h | |||
67-01-31-016 | Take The “A” Train | DE6717i | |||
67-01-31-017 | Beautiful Woman Walks Well | DE6717j | |||
67-01-31-018 | Drag | DE6717k | |||
67-01-31-019 | I Got It Bad | DE6717l | |||
67-01-31-020 | Things Ain’t What They Used To Be | DE6717m | |||
67-01-31-021 | Things Ain’t What They Used To Be | DE6717n | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-01-31-022 | Cotton Tail - vEF | DE6717o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 01 February 1967 | |||
2nd concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Harold "Money" Johnson, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-01-001 | Up Jump | DE6718a | |||
67-02-01-002 | The Shepherd | DE6718b | |||
67-02-01-003 | Chromatic Love Affair | DE6718c | |||
67-02-01-004 | Mara Gold | DE6718d | |||
67-02-01-005 | Drag | DE6718e | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-02-01-006 | Cotton Tail - vEF | DE6718f | |||
67-02-01-007 | C-Jam Blues (Duke’s Place) - vEF | DE6718g | |||
67-02-01-008 | Imagine My Frustration - vEF | DE6718h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Portsmouth, GB | 05 February 1967 | |||
1st concert, Guildhall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-05-001 | Take The “A” Train (theme) | DE6719a | |||
67-02-05-002 | Harlem Air Shaft | DE6719b | |||
67-02-05-003 | Drop Me Off In Harlem | DE6719c | |||
67-02-05-004 | Swamp Goo | DE6719d | |||
67-02-05-005 | Mount Harissa | DE6719e | |||
67-02-05-006 | Up Jump | DE6719f | |||
67-02-05-007 | Rue Bleu | DE6719g | |||
67-02-05-008 | Chromatic Love Affair | DE6719h | |||
67-02-05-009 | Salomé | DE6719i | |||
67-02-05-010 | Wild Onions | DE6719j | |||
67-02-05-011 | La Plus Belle Africaine | DE6719k | |||
67-02-05-012 | The Second Portrait Of The Lion | DE6719l | |||
67-02-05-013 | Take The “A” Train (theme) | DE6719m | |||
67-02-05-014 | The Shepherd | DE6719n | |||
67-02-05-015 | Tutti For Cootie | DE6719o | |||
67-02-05-016 | Mara Gold | DE6719p | |||
67-02-05-017 | Beautiful Woman Walks Well | DE6719q | |||
67-02-05-018 | Drag | DE6719r | |||
67-02-05-019 | I Got It Bad | DE6719s | |||
67-02-05-020 | Things Ain’t What They Used To Be | DE6719t | |||
67-02-05-021 | Things Ain’t What They Used To Be | DE6719u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Portsmouth, GB | 05 February 1967 | |||
2nd concert, Guildhall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-05-022 | Take The “A” Train (theme) | DE6720a | |||
67-02-05-023 | Johnny Come Lately | DE6720b | |||
67-02-05-024 | Swamp Goo | DE6720c | |||
67-02-05-025 | Mount Harissa | DE6720d | |||
67-02-05-026 | Up Jump | DE6720e | |||
67-02-05-027 | Rue Bleu | DE6720f | |||
67-02-05-028 | Chromatic Love Affair | DE6720g | |||
67-02-05-029 | Salomé | DE6720h | |||
67-02-05-030 | Wild Onions | DE6720i | |||
67-02-05-031 | La Plus Belle Africaine | DE6720j | |||
67-02-05-032 | The Second Portrait Of The Lion | DE6720k | |||
67-02-05-033 | Take The “A” Train (theme) | DE6720l | |||
67-02-05-034 | Take The “A” Train | DE6720m | |||
67-02-05-035 | The Shepherd | DE6720n | |||
67-02-05-036 | Tutti For Cootie | DE6720o | |||
67-02-05-037 | Mara Gold | DE6720p | |||
67-02-05-038 | Beautiful Woman Walks Well | DE6720q | |||
67-02-05-039 | Drag | DE6720r | |||
67-02-05-040 | I Got It Bad | DE6720s | |||
67-02-05-041 | Things Ain’t What They Used To Be | DE6720t | |||
67-02-05-042 | Things Ain’t What They Used To Be | DE6720u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 10 February 1967 | |||
Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-10-001 | Take The “A” Train (theme) | DE6721xa | |||
67-02-10-002 | Johnny Come Lately | DE6721a | |||
67-02-10-003 | Swamp Goo | DE6721b | |||
67-02-10-004 | Mount Harissa | DE6721c | |||
67-02-10-005 | Up Jump | DE6721d | |||
67-02-10-006 | Rue Bleu | DE6721e | |||
67-02-10-007 | Chromatic Love Affair | DE6721f | |||
67-02-10-008 | Salomé | DE6721g | |||
67-02-10-009 | Wild Onions | DE6721h | |||
67-02-10-010 | Take The “A” Train | DE6721xb | |||
67-02-10-011 | The Shepherd | DE6721xc | |||
67-02-10-012 | Mara Gold | DE6721xd | |||
67-02-10-013 | Beautiful Woman Walks Well | DE6721i | |||
67-02-10-014 | I Got It Bad | DE6721xe | |||
67-02-10-015 | Drag | DE6721xf | |||
67-02-10-016 | Things Ain’t What They Used To Be | DE6721xg | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-02-10-017 | Cotton Tail - vEF | DE6721xh | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 11 February 1967 | |||
2nd concert, Royal Festival Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-11-001 | Open Ears | DE6722a | |||
67-02-11-002 | Johnny Come Lately | DE6722b | |||
67-02-11-003 | Swamp Goo | DE6722c | |||
67-02-11-004 | Mount Harissa | DE6722d | |||
67-02-11-005 | Up Jump | DE6722e | |||
67-02-11-006 | Rue Bleu | DE6722f | |||
67-02-11-007 | Chromatic Love Affair | DE6722g | |||
67-02-11-008 | Salomé | DE6722h | |||
67-02-11-009 | Wild Onions | DE6722i | |||
67-02-11-010 | Take The “A” Train | DE6722j | |||
67-02-11-011 | The Shepherd | DE6722k | |||
67-02-11-012 | Mara Gold | DE6722l | |||
67-02-11-013 | Beautiful Woman Walks Well | DE6722m | |||
67-02-11-014 | I Got It Bad | DE6722n | |||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-02-11-015 | Cotton Tail - vEF | DE6722o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 12 February 1967 | |||
2nd concert, Hammersmith Odeon Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-12-001 | Johnny Come Lately | DE6723a | |||
67-02-12-002 | Swamp Goo | DE6723b | |||
67-02-12-003 | Mount Harissa | DE6723c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Liverpool, GB | 13 February 1967 | |||
Concert, Philharmonic Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-13-001 | Johnny Come Lately | DE6724a | |||
67-02-13-002 | Mount Harissa | DE6724b | |||
67-02-13-003 | La Plus Belle Africaine | DE6724c | |||
67-02-13-004 | The Shepherd | DE6724d | |||
67-02-13-005 | Tutti For Cootie | DE6724e | |||
67-02-13-006 | Beautiful Woman Walks Well | DE6724f | |||
67-02-13-007 | I Got It Bad | DE6724g | |||
67-02-13-008 | Things Ain’t What They Used To Be | DE6724h | |||
67-02-13-009 | Drag | DE6724i | |||
DUKE ELLINGTON | London, GB | Probably 18 February 1967 | |||
BBC telecast, Dorchester Hotel | |||||
Duke Ellington, Michael Dean(tk) | |||||
67-02-18-001 | Interview by Dean | DE6725a | |||
DUKE ELLINGTON WITH THE LONDON PHILHARMONIC ORCHESTRA | London, GB | 19 February 1967 | |||
Concert, Royal Albert Hall | |||||
Duke Ellington(p) with The London Philharmonic Orchestra cond. John Pritchard | |||||
67-02-19-001 | NEW WORLD A-COMIN' | DE6726a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
67-02-19-002 | Single Petal Of A Rose | DE6726b | |||
THE LONDON PHILHARMONIC ORCHESTRA | Same session | ||||
The London Philharmonic Orchestra cond. Duke Ellington | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
67-02-19-003 | - 1. The Golden Broom | DE6726c | |||
67-02-19-004 | - 2. The Green Apple | DE6726d | |||
67-02-19-005 | - 3. The Handsome Traffic Policeman | DE6726e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-19-006 | Take The “A” Train | DE6726f | |||
67-02-19-007 | The Shepherd | DE6726g | |||
67-02-19-008 | Up Jump | DE6726h | |||
67-02-19-009 | I Got It Bad | DE6726i | |||
67-02-19-010 | Things Ain’t What They Used To Be | DE6726j | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE LONDON PHILHARMONIC ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); The London Philharmonic Orchestra cond. John Pritchard | |||||
67-02-19-011 | HARLEM | DE6726k | |||
Medley | DE6726l | ||||
67-02-19-012 | - 1. Do Nothin’ Till You Hear From Me | ||||
67-02-19-013 | - 2. In A Sentimental Mood | ||||
67-02-19-014 | - 3. Don’t Get Around Much Anymore | ||||
67-02-19-015 | - 4. Mood Indigo | ||||
67-02-19-016 | - 5. I’m Beginning To See The Light | ||||
67-02-19-017 | - 6. Sophisticated Lady | ||||
67-02-19-018 | - 7. Caravan | ||||
67-02-19-019 | - 8. It Don’t Mean A Thing | ||||
67-02-19-020 | - 9. Solitude | ||||
67-02-19-021 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON WITH THE LONDON PHILHARMONIC ORCHESTRA | Same session | ||||
Duke Ellington(p) with The London Philharmonic Orchestra cond. John Pritchard | |||||
67-02-19-022 | Satin Doll | DE6726m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-19-023 | Mara Gold | DE6726n | |||
67-02-19-024 | Things Ain’t What They Used To Be | DE6726o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Roma, I | 22 February 1967 | |||
1st concert, Teatro Sistina | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-22-001 | Johnny Come Lately | NSP JU-305 | DE6727a | ||
67-02-22-002 | Swamp Goo | DE6727b | |||
67-02-22-003 | Mount Harissa | DE6727c | |||
67-02-22-004 | Up Jump | DE6727d | |||
67-02-22-005 | Rue Bleu | DE6727e | |||
67-02-22-006 | Chromatic Love Affair | DE6727f | |||
67-02-22-007 | Salomé | DE6727g | |||
67-02-22-008 | Wild Onions | DE6727h | |||
67-02-22-009 | La Plus Belle Africaine | DE6727i | |||
67-02-22-010 | The Second Portrait Of The Lion | DE6727j | |||
67-02-22-011 | Take The “A” Train (theme) | DE6727k | |||
67-02-22-012 | Take The “A” Train | DE6727l | |||
67-02-22-013 | The Shepherd | DE6727m | |||
67-02-22-014 | Tutti For Cootie | DE6727n | |||
67-02-22-015 | Mara Gold | DE6727o | |||
67-02-22-016 | Star-Crossed Lovers | NSP JU-305 | DE6727p | ||
67-02-22-017 | Things Ain’t What They Used To Be | NSP JU-305 | DE6727q | ||
67-02-22-018 | Drag | NSP JU-305 | DE6727r | ||
67-02-22-019 | Things Ain’t What They Used To Be | NSP JU-305 | DE6727s | ||
67-02-22-020 | Jam With Sam | DE6727t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Roma, I | 22 February 1967 | |||
2nd concert, Teatro Sistina | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-22-021 | Take The “A” Train (theme0 | NSP JU-305 | DE6728a | ||
67-02-22-022 | The Twitch | NSP JU-305 | DE6728b | ||
67-02-22-023 | Swamp Goo | NSP JU-305 | DE6728c | ||
67-02-22-024 | Mount Harissa | NSP JU-305 | DE6728d | ||
67-02-22-025 | Up Jump | NSP JU-305 | DE6728e | ||
67-02-22-026 | Rue Bleu | NSP JU-305 | DE6728f | ||
67-02-22-027 | Chromatic Love Affair | NSP JU-305 | DE6728g | ||
67-02-22-028 | Salomé | NSP JU-305 | DE6728h | ||
67-02-22-029 | Wild Onions | NSP JU-305 | DE6728i | ||
67-02-22-030 | La Plus Belle Africaine | DE6728j | |||
67-02-22-031 | The Second Portrait Of The Lion | NSP JU-305 | DE6728k | ||
67-02-22-032 | Stompy Jones | NSP JU-305 | DE6728l | ||
67-02-22-033 | Take The “A” Train (theme) | NSP JU-305 | DE6728m | ||
67-02-22-034 | Take The “A” Train | NSP JU-305 | DE6728n | ||
67-02-22-035 | The Shepherd | NSP JU-305 | DE6728o | ||
67-02-22-036 | Tutti For Cootie | NSP JU-305 | DE6728p | ||
67-02-22-037 | Mara Gold | NSP JU-305 | DE6728q | ||
67-02-22-038 | Star-Crossed Lovers | NSP JU-305 | DE6728r | ||
67-02-22-039 | Harmony In Harlem | NSP JU-305 | DE6728s | ||
67-02-22-040 | Magenta Haze | NSP JU-305 | DE6728t | ||
67-02-22-041 | Drag | NSP JU-305 | DE6728u | ||
67-02-22-042 | ¬ Kinda Dukish | NSP JU-305 | DE6728v | ||
67-02-22-043 | _| Rockin’ In Rhythm | NSP JU-305 | DE6728w | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Prato, I | 24 February 1967 | |||
1st concert, Teatro Metastasio | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-24-001 | Wild Onions | DE6729a | |||
67-02-24-002 | La Plus Belle Africaine | DE6729b | |||
Medley | DE6729c | ||||
67-02-24-003 | - 1. Satin Doll | ||||
67-02-24-004 | - 2. Solitude | ||||
67-02-24-005 | - 3. In A Sentimental Mood | ||||
67-02-24-006 | - 4. Don’t Get Around Much Anymore | ||||
67-02-24-007 | - 5. Mood Indigo | ||||
67-02-24-008 | Take The “A” Train | DE6729d | |||
67-02-24-009 | The Shepherd | DE6729e | |||
67-02-24-010 | Tutti For Cootie | DE6729f | |||
67-02-24-011 | Mara Gold | DE6729g | |||
67-02-24-012 | Beautiful Woman Walks Well | DE6729h | |||
67-02-24-013 | Harmony In Harlem | DE6729i | |||
67-02-24-014 | Prelude To A Kiss | DE6729j | |||
67-02-24-015 | Things Ain’t What They Used To Be | DE6729k | |||
67-02-24-016 | Drag | DE6729l | |||
67-02-24-017 | ¬ Kinda Dukish | DE6729m | |||
67-02-24-018 | _| Rockin’ In Rhythm | DE6729n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Prato, I | 24 February 1967 | |||
2nd concert, Teatro Metastasio | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-24-019 | Take The “A” Train (theme) | DE6730a | |||
67-02-24-020 | Johnny Come Lately | DE6730b | |||
67-02-24-021 | Swamp Goo | DE6730c | |||
67-02-24-022 | Mount Harissa | DE6730d | |||
67-02-24-023 | Up Jump | DE6730e | |||
67-02-24-024 | Rue Bleu | DE6730f | |||
67-02-24-025 | Chromatic Love Affair | DE6730g | |||
67-02-24-026 | Salomé | DE6730h | |||
67-02-24-027 | Days Of Wine And Roses | DE6730i | |||
67-02-24-028 | Wild Onions | DE6730j | |||
67-02-24-029 | La Plus Belle Africaine | DE6730k | |||
67-02-24-030 | What Am I Here For? | DE6730l | |||
67-02-24-031 | Take The “A” Train | DE6730m | |||
67-02-24-032 | The Shepherd | DE6730n | |||
67-02-24-033 | Tutti For Cootie | DE6730o | |||
67-02-24-034 | Mara Gold | DE6730p | |||
67-02-24-035 | Beautiful Woman Walks Well | DE6730q | |||
67-02-24-036 | Harmony In Harlem | DE6730r | |||
67-02-24-037 | Things Ain’t What They Used To Be | DE6730s | |||
67-02-24-038 | Drag | DE6730t | |||
Medley | DE6730u | ||||
67-02-24-039 | - 1. Satin Doll | ||||
67-02-24-040 | - 2. Don’t Get Around Much Anymore | ||||
67-02-24-041 | - 3. Mood Indigo | ||||
67-02-24-042 | - 4. I’m Beginning To See The Light | ||||
67-02-24-043 | - 5. Sophisticated Lady | ||||
67-02-24-044 | - 6. Caravan | ||||
67-02-24-045 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-02-24-046 | - 8. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 25 February 1967 | |||
Rehearsal session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-25-001 | Girdle Hurdle | DE6731a | |||
67-02-25-002 | Girdle Hurdle | DE6731b | |||
67-02-25-003 | Girdle Hurdle | DE6731c | |||
67-02-25-004 | Girdle Hurdle | DE6731d | |||
67-02-25-005 | Girdle Hurdle | DE6731e | |||
67-02-25-006 | Girdle Hurdle | DE6731f | |||
67-02-25-007 | Girdle Hurdle | DE6731g | |||
67-02-25-008 | Girdle Hurdle | DE6731h | |||
67-02-25-009 | Girdle Hurdle | DE6731i | |||
Johnny Hodges(as); Duke Ellington(p) | |||||
67-02-25-010 | Blood Count (Freakish Light) | DE6731j | |||
67-02-25-011 | Blood Count (Freakish Light) | DE6731k | |||
67-02-25-012 | Blood Count (Freakish Light) | DE6731l | |||
67-02-25-013 | Blood Count (Freakish Light) | DE6731m | |||
As before | |||||
67-02-25-014 | Blood Count (Freakish Light) | DE6731n | |||
67-02-25-015 | Blood Count (Freakish Light) | DE6731o | |||
67-02-25-016 | Blood Count (Freakish Light) | DE6731p | |||
67-02-25-017 | Blood Count (Freakish Light) | DE6731q | |||
67-02-25-018 | Blood Count (Freakish Light) | DE6731r | |||
67-02-25-019 | Blood Count (Freakish Light) | DE6731s | |||
67-02-25-020 | Blood Count (Freakish Light) | DE6731t | |||
67-02-25-021 | Blood Count (Freakish Light) | DE6731u | |||
67-02-25-022 | Blood Count (Freakish Light) | DE6731v | |||
67-02-25-023 | The Biggest (Traffic Jam) | DE6731w | |||
67-02-25-024 | The Biggest (Traffic Jam) | DE6731x | |||
67-02-25-025 | The Biggest (Traffic Jam) | DE6731y | |||
67-02-25-026 | The Biggest (Traffic Jam) | DE6731z | |||
67-02-25-027 | The Biggest (Traffic Jam) | DE6731aa | |||
67-02-25-028 | The Biggest (Traffic Jam) | DE6731ab | |||
67-02-25-029 | The Biggest (Traffic Jam) | DE6731ac | |||
67-02-25-030 | The Biggest (Traffic Jam) | DE6731ad | |||
67-02-25-031 | The Biggest (Traffic Jam) | DE6731ae | |||
67-02-25-032 | The Biggest (Traffic Jam) | DE6731af | |||
67-02-25-033 | The Biggest (Traffic Jam) | DE6731ag | |||
67-02-25-034 | The Biggest (Traffic Jam) | DE6731ah | |||
67-02-25-035 | The Biggest (Traffic Jam) | DE6731ai | |||
67-02-25-036 | The Biggest (Traffic Jam) | DE6731aj | |||
67-02-25-037 | The Biggest (Traffic Jam) | DE6731ak | |||
67-02-25-038 | The Biggest (Traffic Jam) | DE6731al | |||
67-02-25-039 | The Biggest (Traffic Jam) | DE6731am | |||
67-02-25-040 | The Biggest (Traffic Jam) | DE6731an | |||
67-02-25-041 | The Biggest (Traffic Jam) | DE6731ao | |||
67-02-25-042 | The Biggest (Traffic Jam) | DE6731ap | |||
67-02-25-043 | The Biggest (Traffic Jam) | DE6731aq | |||
67-02-25-044 | The Biggest (Traffic Jam) | DE6731ar | |||
67-02-25-045 | The Biggest (Traffic Jam) | DE6731as | |||
67-02-25-046 | The Biggest (Traffic Jam) | DE6731at | |||
67-02-25-047 | Eggo | DE6731au | |||
67-02-25-048 | Eggo | DE6731av | |||
67-02-25-049 | Eggo | DE6731aw | |||
67-02-25-050 | Eggo | DE6731ax | |||
67-02-25-051 | Eggo | DE6731ay | |||
67-02-25-052 | Eggo | DE6731az | |||
67-02-25-053 | Eggo | DE6731ba | |||
67-02-25-054 | Eggo | DE6731bb | |||
67-02-25-055 | Eggo | DE6731bc | |||
67-02-25-056 | Eggo | DE6731bd | |||
67-02-25-057 | Eggo | DE6731be | |||
67-02-25-058 | Eggo | DE6731bf | |||
67-02-25-059 | Eggo | DE6731bg | |||
67-02-25-060 | Eggo | DE6731bh | |||
67-02-25-061 | Eggo | DE6731bi | |||
67-02-25-062 | Eggo | DE6731bj | |||
67-02-25-063 | Litle Purple Flower | DE6731bk | |||
67-02-25-064 | Litle Purple Flower | DE6731bl | |||
67-02-25-065 | Litle Purple Flower | DE6731bm | |||
67-02-25-066 | Litle Purple Flower | DE6731bn | |||
67-02-25-067 | Litle Purple Flower | DE6731bo | |||
67-02-25-068 | Litle Purple Flower | DE6731bp | |||
Duke Ellington(p) | |||||
67-02-25-069 | Piano Tinkle | DE6731bq | |||
67-02-25-070 | Carolina Shout | DE6731br | |||
67-02-25-071 | Meditation | DE6731bs | |||
Paul Gosalves(ts); Duke Ellington(p) | |||||
67-02-25-072 | Single Petal Of A Rose | DE6731bt | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Dusseldorf, D | 25 February 1967 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-25-073 | Mount Harissa | DE6732a | |||
67-02-25-074 | Up Jump | DE6732b | |||
67-02-25-075 | Rue Bleu | DE6732c | |||
67-02-25-076 | Chromatic Love Affair | DE6732d | |||
67-02-25-077 | Salomé | DE6732e | |||
67-02-25-078 | Little Purple Flower | DE6732f | |||
67-02-25-079 | Wild Onions | DE6732g | |||
67-02-25-080 | La Plus Belle Africaine | DE6732h | |||
67-02-25-081 | Days Of Wine And Roses | DE6732i | |||
67-02-25-082 | The Second Portrait Of The Lion | DE6732j | |||
67-02-25-083 | Take The “A” Train (theme) | DE6732k | |||
67-02-25-084 | Girdle Hurdle | DE6732l | |||
67-02-25-085 | Take The “A” Train | DE6732m | |||
67-02-25-086 | The Shepherd | DE6732n | |||
67-02-25-087 | Tutti For Cootie | DE6732o | |||
67-02-25-088 | The Biggest (Traffic Jam) | DE6732p | |||
67-02-25-089 | Blood Count (Freakish Light) | DE6732q | |||
67-02-25-090 | Things Ain’t What They Used To Be | DE6732r | |||
67-02-25-091 | Drag | DE6732s | |||
67-02-25-092 | ¬ Kinda Dukish | DE6732t | |||
67-02-25-093 | _| Rockin’ In Rhythm | DE6732u | |||
Medley | DE6732v | ||||
67-02-25-094 | - 1. Satin Doll | ||||
67-02-25-095 | - 2. Solitude | ||||
67-02-25-096 | - 3. In A Sentimental Mood | ||||
67-02-25-097 | - 4. Don’t Get Around Much Anymore | ||||
67-02-25-098 | - 5. Mood Indigo | ||||
67-02-25-099 | - 6. I’m Beginning To See The Light | ||||
67-02-25-100 | - 7. Sophisticated Lady | ||||
67-02-25-101 | - 8. Caravan | ||||
67-02-25-102 | - 9. Do Nothin’ Till You Hear From Me | ||||
67-02-25-103 | - 10. I Got It Bad | ||||
67-02-25-104 | - 11. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Europe | February/March 1967 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-02-30-001 | Johnny Come Lately | DE6733a | |||
67-02-30-002 | Swamp Goo | DE6733b | |||
67-02-30-003 | Mount Harissa | DE6733c | |||
67-02-30-004 | Up Jump | DE6733d | |||
67-02-30-005 | Rue Bleu | DE6733e | |||
67-02-30-006 | Chromatic Love Affair | DE6733f | |||
67-02-30-007 | Salomé | DE6733g | |||
67-02-30-008 | Wild Onions | DE6733h | |||
67-02-30-009 | Take The “A” Train | DE6733i | |||
67-02-30-010 | The Shepherd | DE6733j | |||
DUKE ELLINGTON | Berlin, D | 02 March 1967 | |||
AFN broadcast | |||||
Duke Ellington, n/k(tk) | |||||
67-03-02-001 | Interview | DE6734a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 02 March 1967 | |||
Concert, Philharmonie | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Esther Marrow(v) | |||||
67-03-02-002 | Take The “A” Train (theme) | DE6735a | |||
67-03-02-003 | Take The “A” Train | DE6735b | |||
67-03-02-004 | Up Jump | DE6735c | |||
67-03-02-005 | The Shepherd | DE6735d | |||
67-03-02-006 | Tutti For Cootie | DE6735e | |||
67-03-02-007 | La Plus Belle Africaine | DE6735f | |||
67-03-02-008 | Come Sunday - vEM | DE6735g | |||
67-03-02-009 | The Lord’s Prayer - vEM | DE6735h | |||
67-03-02-010 | Johnny Come Lately | DE6735i | |||
67-03-02-011 | Take The “A” Train (theme) | DE6735j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stuttgart, D | 06 March 1967 | |||
Concert, Liederhalle | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-06-001 | Take The “A” Train (theme) | JH 101703 | DE6736a | ||
67-03-06-002 | Johnny Come Lately | JH 101703 | DE6736b | ||
67-03-06-003 | Swamp Goo | JB EB-411, JH 101703 | DE6736c | ||
67-03-06-004 | Mount Harissa | JH 101703 | DE6736d | ||
67-03-06-005 | Up Jump | JB EB-411 | DE6736e | ||
67-03-06-006 | Rue Bleu | JB EB-411, JH 101703 | DE6736f | ||
67-03-06-007 | Girdle Hurdle | DE6736g | |||
67-03-06-008 | Chromatic Love Affair | JB EB-411, JH 101703 | DE6736h | ||
67-03-06-009 | Salomé | JH 101703 | DE6736i | ||
67-03-06-010 | Wild Onions | JB EB-411 | DE6736j | ||
67-03-06-011 | La Plus Belle Africaine | JH 101703 | DE6736k | ||
67-03-06-012 | Take The “A” Train (theme) | DE6736l | |||
67-03-06-013 | Little Purple Flower | DE6736xa | |||
67-03-06-014 | Take The “A” Train | JB EB-411 | DE6736m | ||
67-03-06-015 | Eggo | JH 101703 | DE6736n | ||
67-03-06-016 | The Shepherd | JH 101703 | DE6736o | ||
67-03-06-017 | Tutti For Cootie | JB EB-411, JH 101703 | DE6736p | ||
67-03-06-018 | The Biggest (Traffic Jam) | JH 101703 | DE6736q | ||
67-03-06-019 | Blood Count (Freakish Light) | JB EB-411, JH 101703 | DE6736r | ||
67-03-06-020 | Things Ain’t What They Used To Be | DE6736s | |||
67-03-06-021 | Drag | JB EB-411 | DE6736t | ||
Medley | DE6736u | ||||
67-03-06-022 | - 1. Satin Doll | ||||
67-03-06-023 | - 2. Solitude | ||||
67-03-06-024 | - 3. In A Sentimental Mood | ||||
67-03-06-025 | - 4. Don’t Get Around Much Anymore | ||||
67-03-06-026 | - 5. Mood Indigo | ||||
67-03-06-027 | - 6. I’m Beginning To See The Light | ||||
67-03-06-028 | - 7. Sophisticated Lady | ||||
67-03-06-029 | - 8. Caravan | ||||
67-03-06-030 | - 9. Do Nothin’ Till You Hear From Me | ||||
67-03-06-031 | - 10. I Got It Bad | ||||
67-03-06-032 | - 11. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON | Paris, F | March 1967 | |||
Duke Ellington(tk) | |||||
67-03-09-001 | Duke Talking About The Foundation Maeght | DE6737a | |||
DUKE ELLINGTON | Paris, F | 10 March 1967 | |||
Duke Ellington Recording Session | |||||
Duke Ellington(p) | |||||
67-03-10-001 | Meditation | Sv 101-8399 | DE6738a | ||
67-03-10-002 | T.G.T.T. | Sv 101-8399 | DE6738b | ||
67-03-10-003 | Little Purple flower | Sv 101-8399 | DE6738c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 10 March 1967 | |||
Concert, Theatre Des Champs-Élysées | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-10-004 | Chromatic Love Affair | DE6739a | |||
67-03-10-005 | Salomé | DE6739b | |||
67-03-10-006 | Eggo | DE6739c | |||
67-03-10-007 | Wild Onions | DE6739d | |||
67-03-10-008 | HARLEM | DE6739e | |||
67-03-10-009 | Take The “A” Train (theme) | DE6739f | |||
67-03-10-010 | Little Purple Flower | DE6739g | |||
67-03-10-011 | Take The “A” Train | DE6739h | |||
67-03-10-012 | The Shepherd | DE6739i | |||
67-03-10-013 | Tutti For Cootie | DE6739j | |||
67-03-10-014 | The Biggest (Traffic Jam) | DE6739k | |||
67-03-10-015 | Blood Count (Freakish Light) | Pb PACD-5304-2 | DE6739l | ||
67-03-10-016 | Harmony In Harlem | Pb PACD-5304-2 | DE6739m | ||
67-03-10-017 | Things Ain’t What They Used To Be | Pb PACD-5304-2 | DE6739n | ||
67-03-10-018 | Drag | Pb PACD-5304-2 | DE6739o | ||
Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-10-019 | The Second Portrait Of The Lion | Pb PACD-5304-2 | DE6739p | ||
As before | |||||
67-03-10-020 | Rockin’ In Rhythm | Pb PACD-5304-2 | DE6739q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 11 March 1967 | |||
Dance, Statler Hilton Hotel | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); Jimmy McPhail(v) | |||||
67-03-11-001 | Rondolet | DE6740a | |||
67-03-11-002 | Days Of Wine And Roses | DE6740b | |||
67-03-11-003 | Rue Bleu | DE6740c | |||
67-03-11-004 | Mount Harissa | DE6740d | |||
67-03-11-005 | Sophisticated Lady | DE6740e | |||
67-03-11-006 | Satin Doll | DE6740f | |||
67-03-11-007 | Do Nothin’ Till You Hear From Me | DE6740g | |||
67-03-11-008 | Little Purple Flower | DE6740h | |||
67-03-11-009 | Eggo | DE6740i | |||
67-03-11-010 | Always | DE6740j | |||
Duke Ellington(p) | |||||
67-03-11-011 | ¬ Le Sucrier Velour | DE6740k | |||
67-03-11-012 | _| T.G.T.T | DE6740l | |||
As before | |||||
67-03-11-013 | ¬ Serenade To Sweden | DE6740m | |||
67-03-11-014 | _| Black And Tan Fantasy | DE6740n | |||
67-03-11-015 | Azure | DE6740o | |||
67-03-11-016 | I Got It Bad | DE6740p | |||
67-03-11-017 | Things Ain’t What They Used To Be | DE6740q | |||
67-03-11-018 | Solitude | DE6740r | |||
67-03-11-019 | Solitude - vJMP | DE6740s | |||
67-03-11-020 | Love You Madly - vJMP | DE6740t | |||
67-03-11-021 | Warm Valley | DE6740u | |||
67-03-11-022 | Drag | DE6740v | |||
67-03-11-023 | Sophisticated Lady | DE6740w | |||
67-03-11-024 | ¬ Don Juan | DE6740x | |||
67-03-11-025 | _| Hello Dolly! | DE6740y | |||
67-03-11-026 | Salomé | DE6740z | |||
67-03-11-027 | Mood Indigo | DE6740aa | |||
67-03-11-028 | Tutti For Cootie | DE6740ab | |||
67-03-11-029 | Take The “A” train | DE6740ac | |||
67-03-11-030 | On The Sunny Side Of The Street | DE6740ad | |||
67-03-11-031 | Days Of Wine And Roses | DE6740ae | |||
67-03-11-032 | Things Ain’t What They Used To Be | DE6740af | |||
67-03-11-033 | Things Ain’t What They Used To Be | DE6740ag | |||
Duke Ellington(p) | |||||
67-03-11-034 | ¬ Mood Indigo | DE6740ah | |||
67-03-11-035 | - | Sophisticated Lady | DE6740ai | |||
67-03-11-036 | _| Satin Doll | DE6740aj | |||
DUKE ELLINGTON COMBO | New York City, NY | 15 March 1967 | |||
Duke Ellington Recording Session | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-15-001 | The Intimacy Of The Blues | DE6741a | |||
67-03-15-002 | -1 | The Intimacy Of The Blues | Fa F-9640 | DE6741b | |
67-03-15-003 | The Intimacy Of The Blues | DE6741c | |||
67-03-15-004 | -2 | The Intimacy Of The Blues | DE6741d | ||
67-03-15-005 | -3 | The Intimacy Of The Blues | DE6741e | ||
67-03-15-006 | -1 | Out South | DE6741f | ||
67-03-15-007 | -2 | Out South | Fa F-9640 | DE6741g | |
67-03-15-008 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | DE6741h | |||
67-03-15-009 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | DE6741i | |||
67-03-15-010 | -1 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | DE6741j | ||
67-03-15-011 | -2 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | DE6741k | ||
67-03-15-012 | -3 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | Fa F-9640 | DE6741l | |
67-03-15-013 | -4 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby) | DE6741m | ||
67-03-15-014 | -1 | Kentucky Avenue,A.C. | Fa F-9640 | DE6741n | |
67-03-15-015 | -2 | Kentucky Avenue,A.C. | DE6741o | ||
67-03-15-016 | -3 | Kentucky Avenue,A.C. | DE6741p | ||
67-03-15-017 | Near North | DE6741q | |||
67-03-15-018 | -1 | Near North | DE6741r | ||
67-03-15-019 | -2 | Near North | Fa F-9640 | DE6741s | |
67-03-15-020 | Soul Country | DE6741t | |||
67-03-15-021 | Soul Country | DE6741u | |||
67-03-15-022 | Soul Country | DE6741v | |||
67-03-15-023 | Soul Country | DE6741w | |||
67-03-15-024 | Soul Country | DE6741x | |||
67-03-15-025 | Soul Country | DE6741y | |||
67-03-15-026 | Soul Country | DE6741z | |||
67-03-15-027 | -2 | Soul Country | Fa F-9640 | DE6741aa | |
67-03-15-028 | Soul Country | DE6741ab | |||
67-03-15-029 | -3 | Soul Country | DE6741ac | ||
67-03-15-030 | -4 | Soul Country | DE6741ad | ||
67-03-15-031 | Soul Country | DE6741ae | |||
67-03-15-032 | Soul Country | DE6741af | |||
67-03-15-033 | -5 | Soul Country | DE6741ag | ||
67-03-15-034 | Soul Country | DE6741ah | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 March 1967 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d); n/k(co) | |||||
67-03-23-001 | -1 | Traffic Cop | Sv 101-8390 | DE6742a | |
67-03-23-002 | Blues No. 16 | Sv 101-8390 | DE6742b | ||
67-03-23-003 | -1 | Policia | Sv 101-8390 | DE6742c | |
67-03-23-004 | God Save The ueen | DE6742d | |||
67-03-23-005 | God Save The ueen | DE6742e | |||
67-03-23-006 | The B.O. Of Traffic | DE6742f | |||
67-03-23-007 | The B.O. Of Traffic | DE6742g | |||
67-03-23-008 | -3 | The B.O. Of Traffic | Sv 101-8390 | DE6742h | |
67-03-23-009 | T.G.T.T. (Mac) | DE6742i | |||
67-03-23-010 | T.G.T.T. (Mac) | DE6742j | |||
67-03-23-011 | T.G.T.T. (Mac) | DE6742k | |||
67-03-23-012 | T.G.T.T. (Mac) | DE6742l | |||
67-03-23-013 | T.G.T.T. (Mac) | Sv 101-8390 | DE6742m | ||
67-03-23-014 | Traffic Extension | Sv 101-8390 | DE6742n | ||
67-03-23-015 | Star | DE6742o | |||
67-03-23-016 | -1 | Star | Sv 101-8390 | DE6742p | |
67-03-23-017 | -1 | Cross Climax | Sv 101-8390 | DE6742q | |
67-03-23-018 | -3 | Cross Climax | DE6742r | ||
67-03-23-019 | T.G.T.T. (Mac) | DE6742s | |||
67-03-23-020 | T.G.T.T. (Mac) | DE6742t | |||
67-03-23-021 | T.G.T.T. (Mac) | DE6742u | |||
67-03-23-022 | T.G.T.T. (Mac) | DE6742v | |||
67-03-23-023 | T.G.T.T. (Mac) | DE6742w | |||
67-03-23-024 | T.G.T.T. (Mac) | DE6742x | |||
67-03-23-025 | T.G.T.T. (Mac) | DE6742y | |||
67-03-23-026 | T.G.T.T. (Mac) | DE6742z | |||
67-03-23-027 | The B.O. Of Traffic | Sv 101-8390 | DE6742aa | ||
67-03-23-028 | The B.O. Of Traffic | DE6742ab | |||
67-03-23-029 | The B.O. Of Traffic | DE6742ac | |||
67-03-23-030 | The B.O. Of Traffic | DE6742ad | |||
67-03-23-031 | The B.O. Of Traffic | DE6742ae | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 March 1967 | |||
1st concert, Carnegie Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-26-001 | Rue Bleu | DE6743a | |||
67-03-26-002 | Salomé | DE6743b | |||
67-03-26-003 | Chromatic Love Affair | DE6743c | |||
67-03-26-004 | Blood Count | Pb 2625-704, Pb PACD-2625-704-2 | DE6743d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 March 1967 | |||
2nd concert, Carnegie Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Rufus Jones(d) | |||||
67-03-26-005 | Swamp Goo | Pb PACD-2625-704-2 | DE6744a | ||
67-03-26-006 | Girdle Hurdle | Pb PACD-2625-704-2 | DE6744b | ||
67-03-26-007 | The Shepherd | Pb PACD-2625-704-2 | DE6744c | ||
67-03-26-008 | Rue Bleu | Pb PACD-2625-704-2 | DE6744d | ||
67-03-26-009 | Mount Harissa | Pb 2625-704, Pb PACD-2625-704-2 | DE6744e | ||
67-03-26-010 | Rockin’ In Rhythm | Pb 2625-704, Pb PACD-2625-704-2 | DE6744f | ||
Add Zoot Sims(ts) | |||||
67-03-26-011 | Very Tenor | Pb 2625-704, Pb PACD-2625-704-2 | DE6744g | ||
Zoot Sims out | |||||
67-03-26-012 | Tutti For Cootie | Pb PACD-2625-704-2 | DE6744h | ||
67-03-26-013 | Up Jump | Pb PACD-2625-704-2 | DE6744i | ||
67-03-26-014 | Things Ain’t What They Used To Be | Pb 2625-704, Pb PACD-2625-704-2 | DE6744j | ||
67-03-26-015 | Things Ain’t What They Used To Be | Pb 2625-704, Pb PACD-2625-704-2 | DE6744k | ||
John Lamb, Rufus Jones out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-03-26-016 | Cotton Tail - vEF | Pb PACD-2625-704-2 | DE6744l | ||
DUKE ELLINGTON | Montreal, CDN | 02 April 1967 | |||
Place Des Artes | |||||
Duke Ellington, Martin Braunstein(tk) | |||||
67-04-02-001 | Interview by Braunstein | DE6745a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Montreal, CDN | 02 April 1967 | |||
Concert, Place Des Artes | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d) | |||||
67-04-02-002 | Take The “A” Train (theme) | DE6746a | |||
67-04-02-003 | Swamp Goo | DE6746b | |||
67-04-02-004 | Girdle Hurdle | DE6746c | |||
67-04-02-005 | Rue Bleu | DE6746d | |||
67-04-02-006 | Chromatic Love Affair | DE6746e | |||
67-04-02-007 | Salomé | DE6746f | |||
67-04-02-008 | Things Ain’t What They Used To Be | DE6746g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 April 1967 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d); n/k(co) | |||||
67-04-04-001 | The Biggest (KIXX) | DE6747a | |||
67-04-04-002 | The Biggest (KIXX) | Sv 101-8390 | DE6747b | ||
67-04-04-003 | Eggo | DE6747c | |||
67-04-04-004 | -2 | Eggo | DE6747d | ||
67-04-04-005 | -3 | Eggo | DE6747e | ||
67-04-04-006 | -4 | Eggo | DE6747f | ||
67-04-04-007 | -6 | Eggo | DE6747g | ||
67-04-04-008 | Eggo | DE6747h | |||
67-04-04-009 | Eggo | DE6747i | |||
67-04-04-010 | -7 | Eggo | Sv 101-8390 | DE6747j | |
67-04-04-011 | -1 | I’m Hip Too | DE6747k | ||
67-04-04-012 | -2 | I’m Hip Too | DE6747l | ||
67-04-04-013 | -3 | I’m Hip Too | DE6747m | ||
67-04-04-014 | -4 | I’m Hip Too | Sv 101-8390 | DE6747n | |
67-04-04-015 | -2 | Amta | DE6747o | ||
67-04-04-016 | -3 | Amta | Sv 101-8390 | DE6747p | |
67-04-04-017 | -1 | The Biggest (WARR) | Sv 101-8390 | DE6747q | |
67-04-04-018 | -1 | Little Purple Flower | DE6747r | ||
67-04-04-019 | -2 | Little Purple Flower | DE6747s | ||
67-04-04-020 | -4 | Little Purple Flower | DE6747t | ||
67-04-04-021 | -5 | Little Purple Flower | DE6747u | ||
67-04-04-022 | -6 | Little Purple Flower | Sv 101-8390 | DE6747v | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 14 April 1967 | |||
Concert, Civic Opera House | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d); n/k(co) | |||||
67-04-14-001 | Take The “A” Train (theme) | DE6748a | |||
67-04-14-002 | Swamp Goo | DE6748b | |||
67-04-14-003 | Girdle Hurdle | DE6748c | |||
67-04-14-004 | The Shepherd | DE6748d | |||
67-04-14-005 | Up Jump | DE6748e | |||
67-04-14-006 | Chromatic Love Affair | DE6748f | |||
67-04-14-007 | Things Ain’t What They Used To Be | DE6748g | |||
Add Oscar Peterson (p) | |||||
67-04-14-008 | Take The “A” Train | DE6748h | |||
DUKE ELLINGTON AND HIS RHYTHM | Cincinnati, OH | Probably April 1967 | |||
Duke Ellington(p); John Lamb(sb); Bobby Durham(d) | |||||
67-04-20-001 | Satin Doll | DE6749a | |||
Duke Ellington(p); Female n/k(v) | |||||
67-04-20-002 | Chromatic Love Affair | DE6749b | |||
67-04-20-003 | I Got It Bad - vFn/k | DE6749c | |||
67-04-20-004 | My Mother, My Father And Love | DE6749d | |||
Duke Ellington(p); John Lamb(sb); Female n/k(v) | |||||
67-04-20-005 | Solitude - vF (n/k) | DE6749e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Columbus, OH | 25 April 1967 | |||
Rehearsal session, Veterans Memorial Auditorium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d); Second Community Church Choir(v) | |||||
67-04-25-001 | Come Sunday (David Danced) - vSCCC | DE6750a | |||
67-04-25-002 | Come Sunday (David Danced) - vSCCC | DE6750b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Columbus, OH | 25 April 1967 | |||
Concert, Veterans Memorial Auditorium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d); Toney Watkins, Second Community Church Choir(v) | |||||
67-04-25-003 | In The Beginning God - vTW, SCCC | DE6751a | |||
DUKE ELLINGTON | Unknown location U.S.A. | April 1967 | |||
Duke Ellington(p) | |||||
67-04-26-001 | Soda Fountain Rag | DE6752a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown location U.S.A. | April 1967 | |||
Concert, Veterans Memorial Auditorium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Bobby Durham(d) | |||||
67-04-28-001 | Take The “A” Train (theme) | DE6753a | |||
Duke Ellington(p) | |||||
67-04-28-002 | Salute To Morgan State | DE6753b | |||
67-04-28-003 | NEW WORLD A-COMIN' | DE6753c | |||
DUKE ELLINGTON | Probably Baltimore, MD | Probably 30 April 1967 | |||
Rehearsal sessions | |||||
Duke Ellington(p) | |||||
67-04-30-001 | Salute To Morgan State | DE6754a | |||
67-04-30-002 | Salute To Morgan State | DE6754b | |||
67-04-30-003 | Salute To Morgan State | DE6754c | |||
DUKE ELLINGTON AND HIS RHYTHM | Baltimore, MD | 01 May 1967 | |||
Concert, Morgan State College | |||||
Duke Ellington(p); John Lamb(sb); Bobby Durham(d) | |||||
67-05-01-001 | Salute To Morgan State | DE6755a | |||
67-05-01-002 | Take The “A” Train | DE6755b | |||
Duke Ellington(p) | |||||
67-05-01-003 | I Got It Bad | DE6755c | |||
DUKE ELLINGTON | Santa Fe, NM | 02 May 1967 | |||
Eldorado Hotel | |||||
Duke Ellington, Harry Martin(tk) | |||||
67-05-02-001 | Interview | DE6756a | |||
Interview available on archive.org here. | |||||
DUKE ELLINGTON | Reno, NV | 01 June 1967 | |||
WRBR broadcast | |||||
Duke Ellington(tk) | |||||
67-06-01-001 | Duke Talking About Billy Strayhorn | DE6757a | |||
DUKE ELLINGTON | Reno, NV | 14 June 1967 | |||
WCCC broadcast | |||||
Duke Ellington, Frank Knight(tk) | |||||
67-06-14-001 | Interview by Knight | DE6758a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 23 June 1967 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-06-23-001 | Rondolet | DE6759a | |||
67-06-23-002 | Rondolet | DE6759b | |||
67-06-23-003 | Rondolet | DE6759c | |||
67-06-23-004 | Rondolet | DE6759d | |||
67-06-23-005 | Take The “A” Train | DE6759e | |||
67-06-23-006 | Swamp Goo | DE6759f | |||
67-06-23-007 | U3KM6687-1 | Swamp Goo | DE6759g | ||
67-06-23-008 | U3KM6687-2 | Swamp Goo | DE6759h | ||
67-06-23-009 | U3KM6687-3 | Swamp Goo | DE6759i | ||
67-06-23-010 | U3KM6687-4 | Swamp Goo | DE6759j | ||
67-06-23-011 | U3KM6687-5 | Swamp Goo | DE6759k | ||
67-06-23-012 | U3KM6687-6 | Swamp Goo | MM 5041-2C(D) | DE6759l | |
67-06-23-013 | Girdle Hurdle | DE6759m | |||
67-06-23-014 | Girdle Hurdle | DE6759n | |||
67-06-23-015 | Girdle Hurdle | DE6759o | |||
67-06-23-016 | Girdle Hurdle | DE6759p | |||
67-06-23-017 | Girdle Hurdle | DE6759q | |||
67-06-23-018 | Girdle Hurdle | DE6759r | |||
67-06-23-019 | U3KM6688-1 | Girdle Hurdle | MM 5041-2C(D) | DE6759s | |
67-06-23-020 | U3KM6689-1 | The Shepherd | DE6759t | ||
67-06-23-021 | U3KM6689-2 | The Shepherd | Sv 101-8390 | DE6759u | |
67-06-23-022 | Up Jump | DE6759v | |||
67-06-23-023 | Up Jump | DE6759w | |||
67-06-23-024 | Up Jump | DE6759x | |||
67-06-23-025 | U3KM6690-1 | Up Jump | DE6759y | ||
67-06-23-026 | U3KM6690-2 | Up Jump | DE6759z | ||
67-06-23-027 | U3KM6690-4 | Up Jump | Sv 101-8390 | DE6759aa | |
67-06-23-028 | U3KM6691-1 | Rue Bleu | DE6759ab | ||
67-06-23-029 | U3KM6691-2 | Rue Bleu | Sv 101-8390 | DE6759ac | |
67-06-23-030 | U3KM6692-1 | Chromatic Love Affair | Sv 101-8390 | DE6759ad | |
67-06-23-031 | U3KM6693-1 | Salomé | Sv 101-8390 | DE6759ae | |
67-06-23-032 | U3KM6694-1 | Blood Count | Sv 101-8390 | DE6759af | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 23 June 1967 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-06-23-033 | Take The “A” Train (theme) | DE9019a | |||
67-06-23-034 | Swamp Goo | DE9019b | |||
67-06-23-035 | Girdle Hurdle | DE9019c | |||
67-06-23-036 | The Shepherd | DE9019d | |||
67-06-23-037 | Mount Harissa | DE9019e | |||
67-06-23-038 | Salomé | DE9019f | |||
67-06-23-039 | Passion Flower | DE9019g | |||
67-06-23-040 | Things Ain’t What They Used To Be | DE9019h | |||
67-06-23-041 | Medley | DE9019i | |||
- 1. Satin Doll | |||||
- 2. Solitude | |||||
- 3. Don’t Get Around Much Anymore | |||||
- 4. Mood Indigo | |||||
- 5. I’m Beginning To See The Light | |||||
- 5. Sophisticated Lady | |||||
- 6. Caravan | |||||
- 7. Do Nothin’ Till You Hear From Me | |||||
- 8. I Let A Song & Don’t Get Around Much | |||||
67-06-23-042 | Things Ain’t What They Used To Be | DE9019j | |||
DUKE ELLINGTON AND STAN GETZ WITH ORCHESTRA | Washington, DC | 27 June 1967 | |||
White House | |||||
Stan Getz(ts); Duke Ellington(p) with North Texas State University Lab Band. Cond. Leon Breedon | |||||
67-06-27-001 | Take The “A” Train | DE6760a | |||
DUKE ELLINGTON | Los Angeles, CA | 29 June 1967 | |||
ABC telecast | |||||
Duke Ellington, Joey Bishop(tk) | |||||
67-06-29-001 | Interview by Bishop | DE6761a | |||
DUKE ELLINGTON WITH ORCHESTRA | Same session | ||||
Duke Ellington(p) with studio orchestra. Cond. Johnny Mann | |||||
67-06-29-002 | Take The “A” Train | DE6761b | |||
67-06-29-003 | Satin Doll | DE6761c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 01 July 1967 | |||
Concert, Hollywood Bowl | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-01-001 | Swamp Goo | Pb 2625-704 | DE6762a | ||
67-07-01-002 | Girdle Hurdle | Pb 2625-704 | DE6762b | ||
67-07-01-003 | The Shepherd | Pb 2625-704 | DE6762c | ||
67-07-01-004 | Rue Bleu | Pb 2625-704 | DE6762d | ||
67-07-01-005 | Salomé | Pb 2625-704 | DE6762e | ||
67-07-01-006 | Chromatic Love Affair | Pb 2625-704, Pb PACD-2625-704-2 | DE6762f | ||
Add Clark Terry(t) | |||||
67-07-01-007 | Wild Onions | Pb 2625-704, Pb PACD-2625-704-2 | DE6762g | ||
Clark Terry out. Add Oscar Peterson(p) | |||||
67-07-01-008 | Take The “A” Train | Pb 2625-704, Pb PACD-2625-704-2 | DE6762h | ||
Oscar Peterson out. Add Benny Carter(as) | |||||
67-07-01-009 | Satin Doll | Pb 2625-704, Pb PACD-2625-704-2 | DE6762i | ||
Benny Carter out | |||||
67-07-01-010 | Tutti For Cootie | Pb PACD-2625-704-2 | DE6762j | ||
67-07-01-011 | Up Jump | Pb PACD-2625-704-2 | DE6762k | ||
Add Benny Carter(as) | |||||
67-07-01-012 | Prelude To A Kiss | Pb 2625-704, Pb PACD-2625-704-2 | DE6762l | ||
Benny Carter out | |||||
67-07-01-013 | ¬ Mood Indigo | Pb 2625-704, Pb PACD-2625-704-2 | DE6762m | ||
67-07-01-014 | _| I Got It Bad | Pb 2625-704, Pb PACD-2625-704-2 | DE6762n | ||
John Lamb, Chris Columbus out. Add Bob Cranshaw(sb); Sam Woodyard(d); Ella Fitzgerald(v) | |||||
67-07-01-015 | Cotton Tail - vEF | Pb PACD-2625-704-2 | DE6762o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown Location, USA | Probably early July 1967 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus, n/k(d) | |||||
67-07-00-001 | Medley | DE6763a | |||
- 1. Satin Doll | |||||
- 2. Solitude | |||||
- 3. Don’t Get Around Much Anymore | |||||
- 4. Mood Indigo | |||||
- 5. Sophisticated Lady | |||||
- 6. Caravan | |||||
- 7. Do Nothin’ Till You Hear From Me | |||||
- 8. I Let A Song & Don’t Get Around Much | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Early July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Bob Cranshaw(sb); Chris Columbus(d) | |||||
67-07-00-002 | Take The “A” Train (theme) | DE9014a | |||
67-07-00-003 | Swamp Goo | DE9014b | |||
67-07-00-004 | Girdle Hurdle | DE9014c | |||
67-07-00-005 | Things Ain’t What They Used To Be | DE9014d | |||
67-07-00-006 | Take The “A” Train (theme) | DE9014e | |||
67-07-00-007 | The Shepherd | DE9014f | |||
67-07-00-008 | Mount Harissa | DE9014g | |||
67-07-00-009 | Up Jump | DE9014h | |||
67-07-00-010 | Salomé | DE9014i | |||
67-07-00-011 | Things Ain’t What They Used To Be | DE9014j | |||
Medley | DE9014k | ||||
67-07-00-012 | - 1. Satin Doll | ||||
67-07-00-013 | - 2. Solitude | ||||
67-07-00-014 | - 3. Don’t Get Around Much Anymore | ||||
67-07-00-015 | - 4. Mood Indigo | ||||
67-07-00-016 | - 5. I’m Beginning To See The Light | ||||
67-07-00-017 | - 5. Sophisticated Lady | ||||
67-07-00-018 | - 6. Caravan | ||||
67-07-00-019 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-07-00-020 | - 8. I Got It Bad | ||||
67-07-00-021 | - 9. I Let A Song & Don’t Get Around Much | ||||
67-07-00-022 | Jam With Sam | DE9014l | |||
Duke Ellington(p); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
67-07-00-023 | Monologue | DE9014m | |||
As before | |||||
67-07-00-024 | Take The “A” Train (theme) | DE9014n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Early July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-00-025 | Take The “A” Train (theme) | DE9015a | |||
67-07-00-026 | Swamp Goo | DE9015b | |||
67-07-00-027 | Girdle Hurdle | DE9015c | |||
67-07-00-028 | Take The “A” Train (theme) | DE9015d | |||
67-07-00-029 | Mount Harissa | DE9015e | |||
67-07-00-030 | Salomé | DE9015f | |||
67-07-00-031 | Passion Flower | DE9015g | |||
67-07-00-032 | Things Ain’t What They Used To Be | DE9015h | |||
Medley | DE9015i | ||||
67-07-00-033 | - 1. Satin Doll | ||||
67-07-00-034 | - 2. Solitude | ||||
67-07-00-035 | - 3. Don’t Get Around Much Anymore | ||||
67-07-00-036 | - 4. Mood Indigo | ||||
67-07-00-037 | - 5. I’m Beginning To See The Light | ||||
67-07-00-038 | - 5. Sophisticated Lady | ||||
67-07-00-039 | - 6. Caravan | ||||
67-07-00-040 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-07-00-041 | - 8. I Let A Song & Don’t Get Around Much | ||||
67-07-00-042 | Things Ain’t What They Used To Be | DE9015j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Early July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-00-043 | Take The “A” Train (theme) | DE9016a | |||
67-07-00-044 | Swamp Goo | DE9016b | |||
67-07-00-045 | Girdle Hurdle | DE9016c | |||
67-07-00-046 | The Shepherd | DE9016d | |||
67-07-00-047 | Mount Harissa | DE9016e | |||
67-07-00-048 | Salomé | DE9016f | |||
67-07-00-049 | Passion Flower | DE9016g | |||
67-07-00-050 | Things Ain’t What They Used To Be | DE9016h | |||
Medley | DE9016i | ||||
67-07-00-051 | - 1. Satin Doll | ||||
67-07-00-052 | - 2. Solitude | ||||
67-07-00-053 | - 3. Don’t Get Around Much Anymore | ||||
67-07-00-054 | - 4. Mood Indigo | ||||
67-07-00-055 | - 5. I’m Beginning To See The Light | ||||
67-07-00-056 | - 5. Sophisticated Lady | ||||
67-07-00-057 | - 6. Caravan | ||||
67-07-00-058 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-07-00-059 | - 8. I Let A Song & Don’t Get Around Much | ||||
67-07-00-060 | Things Ain’t What They Used To Be | DE9016j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Early July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-00-061 | Take The “A” Train (theme) | DE9017a | |||
67-07-00-062 | Swamp Goo | DE9017b | |||
67-07-00-063 | Girdle Hurdle | DE9017c | |||
67-07-00-064 | The Shepherd | DE9017d | |||
67-07-00-065 | Mount Harissa | DE9017e | |||
67-07-00-066 | Salomé | DE9017f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | Early July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-00-067 | Take The “A” Train (theme) | DE9018a | |||
67-07-00-068 | Swamp Goo | DE9018b | |||
67-07-00-069 | Girdle Hurdle | DE9018c | |||
67-07-00-070 | Take The “A” Train (theme) | DE9018d | |||
67-07-00-071 | Up Jump | DE9018e | |||
67-07-00-072 | Salomé | DE9018f | |||
67-07-00-073 | I Got It Bad | DE9018g | |||
67-07-00-074 | Things Ain’t What They Used To Be | DE9018h | |||
Medley | DE9018i | ||||
67-07-00-075 | - 1. Satin Doll | ||||
67-07-00-076 | - 2. Don’t Get Around Much Anymore | ||||
67-07-00-077 | - 3. Mood Indigo | ||||
67-07-00-078 | - 4. I’m Beginning To See The Light | ||||
67-07-00-079 | - 5. Sophisticated Lady | ||||
67-07-00-080 | - 6. Caravan | ||||
67-07-00-081 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-07-00-082 | - 8. I Let A Song & Don’t Get Around Much | ||||
67-07-00-083 | Things Ain’t What They Used To Be | DE9018j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 09 July 1967 | |||
Concert, Carter Barron Ampitheater | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Chris Columbus(d) | |||||
67-07-09-001 | Take The “A” Train (theme) | DE9020a | |||
67-07-09-002 | Swamp Goo | DE9020b | |||
67-07-09-003 | Girdle Hurdle | DE9020c | |||
67-07-09-004 | The Shepherd | DE9020d | |||
67-07-09-005 | Mount Harissa | DE9020e | |||
67-07-09-006 | Up Jump | DE9020f | |||
67-07-09-007 | Salomé | DE9020g | |||
67-07-09-008 | Passion Flower | DE9020h | |||
67-07-09-009 | Things Ain’t What They Used To Be | DE9020i | |||
Medley | DE9020j | ||||
67-07-09-010 | - 1. Satin Doll | ||||
67-07-09-011 | - 2. Don’t Get Around Much Anymore | ||||
67-07-09-012 | - 3. Mood Indigo | ||||
67-07-09-013 | - 4. I’m Beginning To See The Light | ||||
67-07-09-014 | - 5. Sophisticated Lady | ||||
67-07-09-015 | - 6. Caravan | ||||
67-07-09-016 | - 7. Do Nothin’ Till You Hear From Me | ||||
67-07-09-017 | - 8. I Got It Bad | ||||
- 9. I Let A Song & Don’t Get Around Much | |||||
67-07-09-018 | Things Ain’t What They Used To Be | DE9020k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 July 1967 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-07-11-001 | Rondolet | DE6764a | |||
67-07-11-002 | Rondolet | DE6764b | |||
67-07-11-003 | Rondolet | DE6764c | |||
67-07-11-004 | Rondolet | DE6764d | |||
67-07-11-005 | Rondolet | Sa 91232-2(D)(S)(T) | DE6764e | ||
Add Chris Columbus (d) | |||||
67-07-11-006 | Ocht O’Clock Rock (Mitch) | Sa 91232-2(D)(S)(T) | DE6764f | ||
67-07-11-007 | Lady | DE6764g | |||
67-07-11-008 | Lady | DE6764h | |||
67-07-11-009 | Lady | Sa 91232-2(D)(S)(T) | DE6764i | ||
67-07-11-010 | Lele | DE6764j | |||
67-07-11-011 | Lele | Sa 91232-2(D)(S)(T) | DE6764k | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Highland Park, IL | 21 July 1967 | |||
Concert, Ravinia Park | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-07-21-001 | Things Ain’t What They Used To Be | DE6765a | |||
67-07-21-002 | Wings And Things | DE6765b | |||
67-07-21-003 | In The Beginning God | DE6765c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 22 July 1967 | |||
Private party, Joel Nathan Home | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-07-22-001 | Take The “A” Train | DE6766a | |||
67-07-22-002 | Jeep’s Blues | DE6766b | |||
67-07-22-003 | I Got It Bad | DE6766c | |||
67-07-22-004 | Azure | DE6766d | |||
67-07-22-005 | Mood Indigo | DE6766e | |||
67-07-22-006 | Satin Doll | DE6766f | |||
67-07-22-007 | Tenderly | DE6766g | |||
67-07-22-008 | ¬ Diminuendo In Blue | DE6766h | |||
67-07-22-009 | _| Wailing Interval | DE6766i | |||
67-07-22-010 | Jeep Is Jumpin' | DE6766j | |||
67-07-22-011 | Things Ain’t What They Used To Be | DE6766k | |||
67-07-22-012 | ¬ I Can’t Get Started | DE6766l | |||
67-07-22-013 | _| Eggo | DE6766m | |||
67-07-22-014 | Stompin’ At The Savoy | DE6766n | |||
67-07-22-015 | Rondolet | DE6766o | |||
67-07-22-016 | The Shadow Of Your Smile | DE6766p | |||
DUKE ELLINGTON WITH THE RON COLLIER ORCHESTRA | Toronto, CDN | 24 July 1967 | |||
Decca recording session | |||||
Duke Ellington(p) with string section led by Bill Richards. Cond.Ron Collier | |||||
67-07-24-001 | Nameless Hour | DE DL-75069(D) | DE6767a | ||
67-07-24-002 | Nameless Hour | Att ACDM-1425(D) | DE6767xa | ||
Eric Traugott, Dick Van Evera(t); Guido Basso(t,flh); Fred Stone(flh); Butch Watanabe, Ray Sicora(tb); Ron Hughes(bth); Mary Barrow(frhn); Bernard Pilch(f,cl,as); Moe Koffman(f,as); Rick Wilkins,Eugene Amaro(ts); Garry Morgan(bar,bcl); Duke Ellington(p);Ed Bickert(g); Pete Appleyard(vb,bg); Lenny Boyd(sb); Jerry Fuller(d); string section | |||||
67-07-24-003 | Aurora Borealis (T) | Att ACDM-1425(D), DE DL-75069(D) | DE6767b | ||
DUKE ELLINGTON WITH THE RON COLLIER ORCHESTRA | Toronto, CDN | 25 July 1967 | |||
Decca recording session | |||||
Eric Traugott(t); Guido Basso(t,flh); Fred Stone(flh); Butch Watanabe, Ray Sicora(tb); Ron Hughes(bth); Bernard Pilch(f,cl,as) Moe Koffman(f,as); Rick Wilkins,Eugene Amaro(ts); Garry Morgan(bar,bcl); Duke Ellington(p);Ed Bickert(g); Lenny Boyd(sb); Jerry Fuller(d) | |||||
67-07-25-001 | Song And Dance | Att ACDM-1425(D), DE DL-75069(D) | DE6768a | ||
67-07-25-002 | Fair Wind | Att ACDM-1425(D), DE DL-75069(D) | DE6768b | ||
67-07-25-003 | Collage No.3 | Att ACDM-1425(D), DE DL-75069(D) | DE6768c | ||
67-07-25-004 | Silent Night, Lonely Night | Att ACDM-1425(D), DE DL-75069(D) | DE6768d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Kalamazoo, MI | 26 July 1967 | |||
Concert, Gilmore Brothers Auto Park | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-07-26-001 | Take The “A” Train (theme) | DE6769a | |||
67-07-26-002 | The Biggest (Traffic Jam) | DE6769b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sandusky, OH | 29 July 1967 | |||
Cedar Point Ballroom | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-07-29-001 | Take The “A” Train (theme) | DE6770a | |||
67-07-29-002 | Eggo (Announced as “Pretty Little Thing”) | DE6770b | |||
67-07-29-003 | Caravan | DE6770c | |||
67-07-29-004 | I Got It Bad | DE6770d | |||
67-07-29-005 | Satin Doll | DE6770e | |||
67-07-29-006 | Things Ain’t What They Used To Be | DE6770f | |||
DUKE ELLINGTON | New York City, NY | 02 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
67-08-02-001 | Salute To Morgan State | DE6771a | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-02-002 | Take The “A” Train (theme) | DE6771b | |||
67-08-02-003 | Take The “A” Train | DE6771c | |||
67-08-02-004 | Satin Doll | DE6771d | |||
67-08-02-005 | Mood Indigo | DE6771e | |||
67-08-02-006 | Kentucky Avenue, A.C. | DE6771f | |||
67-08-02-007 | I Got It Bad | DE6771g | |||
67-08-02-008 | Things Ain’t What They Used To Be | DE6771h | |||
DUKE ELLINGTON GROUP | New York City, NY | 03 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-03-001 | Prelude To A Kiss | DE6772a | |||
67-08-03-002 | Take The “A” Train (theme) | DE6772b | |||
67-08-03-003 | Satin Doll | DE6772c | |||
67-08-03-004 | Mood Indigo | UJ 15 | DE6772d | ||
67-08-03-005 | Take The “A” Train | UJ 15 | DE6772e | ||
67-08-03-006 | Passion Flower | UJ 15 | DE6772f | ||
67-08-03-007 | Things Ain’t What They Used To Be | UJ 15 | DE6772g | ||
67-08-03-008 | Tricky’s Lick | UJ 15 | DE6772h | ||
67-08-03-009 | Sophisticated Lady | UJ 15 | DE6772i | ||
67-08-03-010 | Kentucky Avenue, A.C. (First Bass) | UJ 15 | DE6772j | ||
DUKE ELLINGTON | New York City, NY | 07 August 1967 | |||
WNEW telecast | |||||
Duke Ellington, Merv Griffin(tk) | |||||
67-08-07-001 | Interview by Griffin | DE6773a | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
Medley | DE6773b | ||||
67-08-07-002 | - 1. Take The “A” Train | ||||
67-08-07-003 | - 2. Sophisticated Lady | ||||
67-08-07-004 | - 3. Satin Doll | ||||
Add Merv Griffin, Arthur Prysock, John Sublett (Bubbles) | |||||
Medley | DE6773c | ||||
67-08-07-005 | - 1. Mood Indigo - vMGf | ||||
67-08-07-006 | - 2. Don’t Get Around Much Anymore - vJSu | ||||
67-08-07-007 | - 3. Solitude - vAPy | ||||
67-08-07-008 | - 4. I Got It Bad - vMGf | ||||
67-08-07-009 | - 5. I Let A Song Go Out Of My Heart - vAPy | ||||
67-08-07-010 | - 6. Don’t Get Around Much Anymore - vJSu | ||||
DUKE ELLINGTON | New York City, NY | 10 August 1967 | |||
NBC telecast | |||||
Duke Ellington, Barbara Walters(tk) | |||||
67-08-10-001 | Interview by Walters | DE6774a | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-10-002 | Satin Doll | DE6774b | |||
67-08-10-003 | Take The “A” Train | DE6774c | |||
Steve Little out | |||||
67-08-10-004 | Come Sunday | DE6774d | |||
As before | |||||
67-08-10-005 | Rock The Clock | DE6774e | |||
67-08-10-006 | Mount Harissa | DE6774f | |||
DUKE ELLINGTON | New York City, NY | 10 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
67-08-10-007 | Meditation | DE6775a | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-10-008 | The Shepherd | DE6775b | |||
67-08-10-009 | I Can’t Get Started | DE6775c | |||
67-08-10-010 | Fly Me to The moon | DE6775d | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-10-011 | Mame | DE6775e | |||
67-08-10-012 | Take The “A” Train | DE6775f | |||
67-08-10-013 | One O’Clock Jump | DE6775g | |||
67-08-10-014 | Take The “A” Train (theme) | DE6775h | |||
67-08-10-015 | Take The “A” Train (theme) | DE6775i | |||
67-08-10-016 | Satin Doll | DE6775j | |||
67-08-10-017 | Black And Tan Fantasy | DE6775k | |||
67-08-10-018 | Ocht O’Clock Rock | DE6775l | |||
67-08-10-019 | Passion Flower | DE6775m | |||
67-08-10-020 | Tricky’s Lick | DE6775n | |||
67-08-10-021 | In A Sentimental Mood | DE6775o | |||
67-08-10-022 | ¬ I Let A Song Go Out Of My Heart | DE6775p | |||
67-08-10-023 | _| Don’t Get Around Much Anymore | DE6775q | |||
DUKE ELLINGTON GROUP | New York City, NY | 14 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-14-001 | Take The “A” Train | DE6776a | |||
67-08-14-002 | Satin Doll | UJ 15 | DE6776b | ||
67-08-14-003 | The Intimacy Of The Blues | UJ 15 | DE6776c | ||
67-08-14-004 | Solitude | UJ 15 | DE6776d | ||
67-08-14-005 | Day Dream | UJ 15 | DE6776e | ||
67-08-14-006 | Caravan | UJ 15 | DE6776f | ||
67-08-14-007 | Take The “A” Train (theme) | DE6776g | |||
DUKE ELLINGTON | New York City, NY | 17 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
67-08-17-001 | Heaven | MR MCD-049-2 | DE6777a | ||
67-08-17-002 | Le Sucrier velour | MR MCD-049-2 | DE6777b | ||
DUKE ELLINGTON GROUP | Same session | ||||
Paul Gonsalves(ts); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-17-003 | In A Sentimental Mood | MR MCD-049-2 | DE6777c | ||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-17-004 | Azure | MR MCD-049-2 | DE6777d | ||
67-08-17-005 | I’m Beginning To See The Light | MR MCD-049-2 | DE6777e | ||
67-08-17-006 | Rock The Clock | MR MCD-049-2 | DE6777f | ||
67-08-17-007 | Take The “A” Train (theme) | MR MCD-049-2 | DE6777g | ||
67-08-17-008 | Satin Doll | MR MCD-049-2 | DE6777h | ||
67-08-17-009 | Sophisticated Lady | MR MCD-049-2 | DE6777i | ||
67-08-17-010 | Take The “A” Train | MR MCD-049-2 | DE6777j | ||
67-08-17-011 | Passion Flower | MR MCD-049-2 | DE6777k | ||
67-08-17-012 | Perdido | MR MCD-049-2 | DE6777l | ||
67-08-17-013 | Solitude | MR MCD-049-2 | DE6777m | ||
67-08-17-014 | Things Ain’t What They Used To Be | MR MCD-049-2 | DE6777n | ||
67-08-17-015 | Ocht O’Clock Rock | MR MCD-049-2 | DE6777o | ||
DUKE ELLINGTON | New York City, NY | 17 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
67-08-17-016 | Duke Talking About “The Jaywalker” | DE6778a | |||
DUKE ELLINGTON GROUP | New York City, NY | 21 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-21-001 | Take The “A” Train (theme) | DE6779a | |||
67-08-21-002 | Satin Doll | DE6779b | |||
67-08-21-003 | The Intimacy Of The Blues | MJ 2MJP-1082 | DE6779c | ||
67-08-21-004 | Caravan | DE6779d | |||
67-08-21-005 | Ocht O’Clock Rock | DE6779e | |||
67-08-21-006 | Mood Indigo | DE6779f | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-21-007 | It’s Freedom | DE6779g | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 24 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-24-001 | Heaven | DE6780a | |||
67-08-24-002 | Salute To Morgan State | DE6780b | |||
DUKE ELLINGTON GROUP | Same session | ||||
Johnny Hodges(as); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-24-003 | I Didn’t Know About You | DE6780c | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); John Lamb(sb); Steve Little(d) | |||||
67-08-24-004 | Kentucky Avenue, A.C. (First Bass) | DE6780d | |||
67-08-24-005 | Jeep Is Jumpin' | DE6780e | |||
67-08-24-006 | ¬ I Let A Song Go Out Of My Heart | DE6780f | |||
67-08-24-007 | _| Don’t Get Around Much Anymore | DE6780g | |||
67-08-24-008 | Mame | DE6780h | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
As before | |||||
67-08-24-009 | I Can’t Get Started | DE6780i | |||
DUKE ELLINGTON GROUP | Same session | ||||
As before | |||||
67-08-24-010 | Take The “A” Train (theme) | DE6780j | |||
67-08-24-011 | Satin Doll | DE6780k | |||
67-08-24-012 | Take The “A” Train | DE6780l | |||
67-08-24-013 | ¬ Mood Indigo | DE6780m | |||
67-08-24-014 | _| Do Nothin’ Till You Hear From Me | DE6780n | |||
67-08-24-015 | Things Ain’t What They Used To Be | DE6780o | |||
67-08-24-016 | Lady | DE6780p | |||
67-08-24-017 | Ocht O’Clock Rock | DE6780q | |||
67-08-24-018 | Tricky’s Lick | DE6780r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 August 1967 | |||
RCA Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Clark Terry(flh); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-28-001 | Boo-Dah | DE6781a | |||
67-08-28-002 | Boo-Dah | DE6781b | |||
67-08-28-003 | Boo-Dah | DE6781c | |||
67-08-28-004 | Boo-Dah | DE6781d | |||
67-08-28-005 | Boo-Dah | DE6781e | |||
67-08-28-006 | Boo-Dah | DE6781f | |||
67-08-28-007 | Boo-Dah | DE6781g | |||
67-08-28-008 | Boo-Dah | DE6781h | |||
67-08-28-009 | UPA1-8528-1 | Boo-Dah | DE6781i | ||
67-08-28-010 | Boo-Dah | DE6781j | |||
67-08-28-011 | Boo-Dah | DE6781k | |||
67-08-28-012 | Boo-Dah | DE6781l | |||
67-08-28-013 | Boo-Dah | DE6781m | |||
67-08-28-014 | UPA1-8528-2 | Boo-Dah | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6781n | |
67-08-28-015 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781o | |||
67-08-28-016 | UPA1-8529-1 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781p | ||
67-08-28-017 | UPA1-8529-2 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781q | ||
67-08-28-018 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781r | |||
67-08-28-019 | UPA1-8529-3 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781s | ||
67-08-28-020 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781t | |||
67-08-28-021 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781u | |||
67-08-28-022 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781v | |||
67-08-28-023 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781w | |||
67-08-28-024 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781x | |||
67-08-28-025 | UPA1-8529-4 | Upper Manhatten Medical Group (U.M.M.G.) | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6781y | |
67-08-28-026 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781z | |||
67-08-28-027 | UPA1-8529-5 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781aa | ||
67-08-28-028 | UPA1-8529-6 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781ab | ||
67-08-28-029 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781ac | |||
67-08-28-030 | UPA1-8529-7 | Upper Manhatten Medical Group (U.M.M.G.) | DE6781ad | ||
Clark Terry out | |||||
67-08-28-031 | Blood Count | DE6781ae | |||
67-08-28-032 | UPA1-8530-1 | Blood Count | Bb ND86287 | DE6781af | |
67-08-28-033 | Blood Count | DE6781ag | |||
67-08-28-034 | Blood Count | DE6781ah | |||
67-08-28-035 | UPA1-8530-3 | Blood Count | DE6781ai | ||
67-08-28-036 | UPA1-8530-4 | Blood Count | Bb 6287-2-RB, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6781aj | |
Add Clark Terry (flh) | |||||
67-08-28-037 | Smada | DE6781ak | |||
67-08-28-038 | Smada | DE6781al | |||
67-08-28-039 | Smada | DE6781am | |||
67-08-28-040 | UPA1-8530-1 | Smada | DE6781an | ||
67-08-28-041 | Smada | DE6781ao | |||
67-08-28-042 | Smada | DE6781ap | |||
67-08-28-043 | UPA1-8530-2 | Smada | DE6781aq | ||
67-08-28-044 | UPA1-8530-3 | Smada | RCA 09026-63386-2(D) | DE6781ar | |
67-08-28-045 | UPA1-8530-4 | Smada | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA NL-89166 | DE6781as | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 August 1967 | |||
RCA Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, John Sanders(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-30-001 | Rock Skippin’ At The Blue Note | DE6782a | |||
67-08-30-002 | Rock Skippin’ At The Blue Note | DE6782b | |||
67-08-30-003 | Rock Skippin’ At The Blue Note | DE6782c | |||
67-08-30-004 | Rock Skippin’ At The Blue Note | DE6782d | |||
67-08-30-005 | Rock Skippin’ At The Blue Note | DE6782e | |||
67-08-30-006 | Rock Skippin’ At The Blue Note | DE6782f | |||
67-08-30-007 | UPA1-8532-1 | Rock Skippin’ At The Blue Note | DE6782g | ||
67-08-30-008 | Rock Skippin’ At The Blue Note | DE6782h | |||
67-08-30-009 | Rock Skippin’ At The Blue Note | DE6782i | |||
67-08-30-010 | Rock Skippin’ At The Blue Note | DE6782j | |||
67-08-30-011 | Rock Skippin’ At The Blue Note | DE6782k | |||
67-08-30-012 | Rock Skippin’ At The Blue Note | DE6782l | |||
67-08-30-013 | Rock Skippin’ At The Blue Note | DE6782m | |||
67-08-30-014 | Rock Skippin’ At The Blue Note | DE6782n | |||
67-08-30-015 | Rock Skippin’ At The Blue Note | DE6782o | |||
67-08-30-016 | Rock Skippin’ At The Blue Note | DE6782p | |||
67-08-30-017 | UPA1-8532-2 | Rock Skippin’ At The Blue Note | DE6782q | ||
67-08-30-018 | UPA1-8532-3 | Rock Skippin’ At The Blue Note | DE6782r | ||
67-08-30-019 | UPA1-8532-4 | Rock Skippin’ At The Blue Note | DE6782s | ||
67-08-30-020 | UPA1-8532-5 | Rock Skippin’ At The Blue Note | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6782t | |
67-08-30-021 | UPA1-8533-4 | Raincheck | RCA 09026-63386-2(D) | DE6782u | |
67-08-30-022 | UPA1-8533-6 | Raincheck | Bb 6287-2-RB, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6782v | |
67-08-30-023 | UPA1-8534-1 | Midriff | Bb ND86287 | DE6782w | |
67-08-30-024 | UPA1-8534-2 | Midriff | Bb 6287-2-RB, RCA 09026-63386-2(D) | DE6782x | |
67-08-30-025 | UPA1-8535-2 | My Little Brown book | Bb 6287-2-RB, RCA 09026-63386-2(D), RCA NL-89166 | DE6782y | |
Duke Ellington(p) | |||||
67-08-30-026 | Lotus Blossom | Bb 2178-2-RB, Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6782z | ||
DUKE ELLINGTON GROUP | New York City, NY | 30 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-30-027 | Take The “A” Train (theme) | DE6783a | |||
67-08-30-028 | Satin Doll | DE6783b | |||
67-08-30-029 | Lady | DE6783c | |||
67-08-30-030 | Caravan | DE6783d | |||
67-08-30-031 | I Got It Bad | DE6783e | |||
67-08-30-032 | Take The “A” Train | DE6783f | |||
67-08-30-033 | Ocht O’Clock Rock | DE6783g | |||
67-08-30-034 | Things Ain’t What They Used To Be | DE6783h | |||
DUKE ELLINGTON GROUP | New York City, NY | 31 August 1967 | |||
CBS Broadcast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-31-001 | I Don’t Want Nobody But You (Tell Me ‘Bout My Baby | DE6784a | |||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-31-002 | I Can’t Get Started | DE6784b | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-31-003 | Mame | DE6784c | |||
67-08-31-004 | Do Nothin’ Till You Hear From Me | DE6784d | |||
67-08-31-005 | On The Sunny Side Of The Street | DE6784e | |||
67-08-31-006 | My Little Brown Book | DE6784f | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
67-08-31-007 | In A Sentimental Mood | DE6784g | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-08-31-008 | Take The “A” Train (theme) | DE6784h | |||
67-08-31-009 | Satin Doll | DE6784i | |||
67-08-31-010 | Lady | DE6784j | |||
67-08-31-011 | Tricky’s Lick | DE6784k | |||
67-08-31-012 | Passinon Flower | DE6784l | |||
67-08-31-013 | Things Ain’t What They Used To Be | DE6784m | |||
67-08-31-014 | Mood Indigo | DE6784n | |||
67-08-31-015 | Ocht O’Clock Rock | DE6784o | |||
67-08-31-016 | Sophisticated Lady | DE6784p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 September 1967 | |||
RCA Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-09-01-001 | UPA1-8536-7 | Snibor | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6785a | |
67-09-01-002 | UPA1-8537-6 | After All | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6785b | |
67-09-01-003 | UPA1-8538-4 | All Day Long | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6785c | |
Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb) only | |||||
67-09-01-004 | UPA1-8539-1 | Lotus Blossom | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D) | DE6785d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | September 1967 | |||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d) | |||||
67-09-10-001 | Hot Shoppes Commercial | Mr MM-294, UtD 2009 | DE6786a | ||
67-09-10-002 | Hot Shoppes Commercial | Mr MM-294, UtD 2009 | DE6786b | ||
67-09-10-003 | Hot Shoppes Commercial | Mr MM-294, UtD 2009 | DE6786c | ||
67-09-10-004 | Hot Shoppes Commercial | Mr MM-294, UtD 2009 | DE6786d | ||
67-09-10-005 | Hot Shoppes Commercial | Mr MM-294, UtD 2009 | DE6786e | ||
67-09-10-006 | Hot Shoppes Commercial | Mr MM-294 | DE6786f | ||
67-09-10-007 | Hot Shoppes Commercial | Mr MM-294 | DE6786g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Merrick, NY | 16 September 1967 | |||
Dance, Hempstead Town's Ballroom | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Aaron Bell(sb); Steve Little(d); Cass Carson(v) | |||||
67-09-16-001 | Satin Doll | DE6787a | |||
67-09-16-002 | Take The “A” Train | DE6787b | |||
67-09-16-003 | Do Nothin’ Till You Hear From Me | DE6787c | |||
67-09-16-004 | Ocht O’Clock Rock | DE6787d | |||
67-09-16-005 | I Got It Bad | DE6787e | |||
67-09-16-006 | Things Ain’t What They Used To Be | DE6787f | |||
67-09-16-007 | Wings And things | DE6787g | |||
67-09-16-008 | Solitude | DE6787h | |||
67-09-16-009 | Caravan | DE67871 | |||
67-09-16-010 | Honeysuckle Rose | DE6787j | |||
67-09-16-011 | The Shepherd | DE6787k | |||
67-09-16-012 | Mount Harissa | DE6787l | |||
67-09-16-013 | Up Jump | DE6787m | |||
67-09-16-014 | Mood Indigo - vCCs | DE6787n | |||
67-09-16-015 | Hello, Dolly! | DE6787o | |||
67-09-16-016 | Take The “A” Train | DE6787p | |||
67-09-16-017 | Perdido | DE6787q | |||
67-09-16-018 | Salomé | DE6787r | |||
67-09-16-019 | The Opener | DE6787s | |||
67-09-16-020 | Sophisticated Lady | DE6787t | |||
67-09-16-021 | Trombone Buster (El Busto) | DE6787u | |||
67-09-16-022 | Come Sunday | DE6787v | |||
67-09-16-023 | Light | DE6787w | |||
67-09-16-024 | Things Ain’t What They Used To Be | DE6787x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Merrick, NY | 07 October 1967 | |||
Concert, Orange County Fair Grounds Stadium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Bill Yancey(sb); Sam Woodyard(d) | |||||
67-10-07-001 | Take The “A” Train | DE6788a | |||
67-10-07-002 | Soul Call | DE6788b | |||
67-10-07-003 | Swamp Goo | DE6788c | |||
67-10-07-004 | Girdle Hurdle | DE6788d | |||
67-10-07-005 | The Shepherd | DE6788e | |||
67-10-07-006 | Take The “A” Train | DE6788f | |||
67-10-07-007 | Mount Harissa | DE6788g | |||
67-10-07-008 | Up Jump | DE6788h | |||
67-10-07-009 | La Plus Belle Africaine | DE6788i | |||
67-10-07-010 | Rue Bleu | DE6788j | |||
67-10-07-011 | Salomé | DE6788k | |||
67-10-07-012 | Jam With Sam | DE6788l | |||
67-10-07-013 | I Got It Bad | DE6788m | |||
67-10-07-014 | Things Ain’t What They Used To Be | DE6788n | |||
67-10-07-015 | Drag | DE6788o | |||
67-10-07-016 | Ocht O’Clock Rock | DE6788p | |||
67-10-07-017 | Satin Doll | DE6788q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Santa Monica, CA | 18 October 1967 | |||
Concert, Civic Auditorium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Bill Yancey(sb); Sam Woodyard(d) | |||||
67-10-18-001 | Take The “A” Train | DE6789a | |||
67-10-18-002 | Girdle Hurdle | DE6789b | |||
67-10-18-003 | Swamp Goo | DE6789c | |||
67-10-18-004 | Salomé | DE6789d | |||
67-10-18-005 | I Got It Bad | DE6789e | |||
67-10-18-006 | Things Ain’t What They Used To Be | DE6789f | |||
67-10-18-007 | Ocht O’Clock Rock | DE6789g | |||
Medley | DE6789h | ||||
67-10-18-008 | - 1. Satin Doll | ||||
67-10-18-009 | - 2. Solitude | ||||
67-10-18-010 | - 3. Don’t Get Around Much Anymore | ||||
67-10-18-011 | - 4. Mood Indigo | ||||
67-10-18-012 | - 5. I’m Beginning To See The Light | ||||
67-10-18-013 | - 6. Sophisticated Lady | ||||
67-10-18-014 | - 7. Caravan | ||||
67-10-18-015 | - 8. Do Nothin’ Till You Hear From Me | ||||
67-10-18-016 | - 9. I Let A Song and Don’t Get Around Much | ||||
67-10-18-017 | Things Ain’t What They Used To Be | DE6789i | |||
DUKE ELLINGTON | Unknown, U.S.A. | Fall 1967 | |||
Broadcast | |||||
Duke Ellington, n/k(tk) | |||||
67-11-00-001 | Interview | DE6790a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 15 November 1967 | |||
RCA recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
67-11-15-001 | WPA5-0917 | Day Dream | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6791a | |
67-11-15-002 | WPA5-0917 | Day Dream | RCA LPM-3906‡ | DE6791b | |
67-11-15-003 | WPA5-0918 | The Intimacy Of The Blues | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6791c | |
67-11-15-004 | WPA5-0919 | Charpoy | Bb 6287-2-RB, Bb ND86287, RCA 09026-63386-2(D), RCA LPM-3906, RCA NL-89166 | DE6791d | |
67-11-15-005 | WPA5-0920 | Ocht O’Clock Rock | RCA 09026-63386-2(D) | DE6791e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | 05 December 1967 | |||
King-FM broadcast, DJ's | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Toney Watkins(v) | |||||
67-12-05-001 | C-Jam Blues | DE6792a | |||
67-12-05-002 | Mount Harissa | DE6792b | |||
67-12-05-003 | Take The “A” Train | DE6792c | |||
67-12-05-004 | Satin Doll | DE6792d | |||
Medley | DE6792e | ||||
67-12-05-005 | - 1. Satin Doll | ||||
67-12-05-006 | - 2. I Got It Bad | ||||
67-12-05-007 | - 3. Solitude | ||||
67-12-05-008 | - 4. Don’t Get Around Much Anymore | ||||
67-12-05-009 | - 5. Mood Indigo | ||||
67-12-05-010 | - 6. I’m Beginning To See The Light | ||||
67-12-05-011 | - 7. Sophisticated Lady | ||||
67-12-05-012 | - 8. Caravan | ||||
67-12-05-013 | - 9. Do Nothin’ Till You Hear From Me | ||||
67-12-05-014 | - 10. It Don’t Mean A Thing - vTW | ||||
67-12-05-015 | Jam With Sam | DE6792f | |||
67-12-05-016 | The Shepherd | DE6792g | |||
67-12-05-017 | Drag | DE6792h | |||
67-12-05-018 | Take The “A” Train (theme) | DE6792i | |||
FRANK SINATRA WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 11 December 1967 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Frank Sinatra(v) | |||||
67-12-11-001 | All I Need Is The Girl - vFSi | Re F-1024 | DE6793a | ||
67-12-11-002 | Yellow Days - vFSi | Re F-1024 | DE6793b | ||
67-12-11-003 | Indian Summer - vFSi | Re F-1024 | DE6793c | ||
67-12-11-004 | Come Back To Me - vFSi | Re F-1024 | DE6793d | ||
FRANK SINATRA WITH DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | 12 December 1967 | |||
Reprise recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Frank Sinatra(v) | |||||
67-12-12-001 | Poor Butterfly - vFSi | Re F-1024 | DE6794a | ||
67-12-12-002 | Sunny - vFSi | Re F-1024 | DE6794b | ||
67-12-12-003 | I Like The Sunrise - vFSi | Re F-1024 | DE6794c | ||
67-12-12-004 | Follow Me # - vFSi | Re F-1024 | DE6794d | ||
DUKE ELLINGTON | Unknown, U.S.A. | 10 January 1968 | |||
Broadcast | |||||
Duke Ellington, n/k(tk) | |||||
68-01-10-001 | Interview | DE6801a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 14 January 1968 | |||
CBS telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(ep); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-14-001 | Ocht O’Clock Rock | DE6802a | |||
DUKE ELLINGTON WITH ORCHESTRA | Same session | ||||
Duke Ellington(p), Buddy Greco(p,v) with studio orchestra | |||||
Medley | DE6802b | ||||
68-01-14-002 | - 1. Don’t Get Around Much Anymore | ||||
68-01-14-003 | - 2. Just Squeeze Me | ||||
68-01-14-004 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-01-14-005 | - 4. Mood Indigo | ||||
68-01-14-006 | - 5. Caravan | ||||
68-01-14-007 | - 6. Satin Doll - vBGc | ||||
DUKE ELLINGTON WITH ORCHESTRA | 17 January 1968 | ||||
NBC telecast | |||||
Duke Ellington(p) with studio orchestra cond. Skitch Henderson | |||||
68-01-17-001 | Rockin’ In Rhythm | DE6803a | |||
68-01-17-002 | Satin Doll | DE6803b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 January 1968 | |||
Rehearsal session, St. John The Divine | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, Benny Green(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard, Steve Little(d); Alice Babs, AME Mother Zion Church Choir(v) | |||||
68-01-19-001 | Heaven | DE6804a | |||
68-01-19-002 | Something ‘Bout Believing | DE6804b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 January 1968 | |||
Sacred concert , St. John The Divine | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, Benny Green(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,ep); Jeff Castleman(sb); Sam Woodyard, Steve Little(d); Alice Babs, Devonne Gardner, Roscoe Gill, Jimmy McPhail, Trish Turner, Toney Watkins, AME Mother Zion Church Choir(v), St. Hilda & St. Hugh School Choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-01-19-003 |
| DE6805a | |||
68-01-19-004 |
| DE6805b | |||
68-01-19-005 |
| DE6805c | |||
68-01-19-006 |
| DE6805d | |||
68-01-19-007 |
| DE6805e | |||
68-01-19-008 |
| DE6805f | |||
68-01-19-009 |
| DE6805g | |||
68-01-19-010 |
| DE6805h | |||
68-01-19-011 |
| DE6805i | |||
68-01-19-012 |
| DE6805j | |||
68-01-19-013 |
| DE6805k | |||
68-01-19-014 |
| DE6805l | |||
68-01-19-015 |
| DE6805m | |||
68-01-19-016 |
| DE6805n | |||
68-01-19-017 |
| DE6805o | |||
Toney Watkins(v) solo | |||||
68-01-19-018 | The Preacher’s Song - vTW | DE6805p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Canaan, CT | 20 January 1968 | |||
Sacred concert , St. Mark's Episcopal Church | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,ep); Jeff Castleman(sb); Sam Woodyard, Steve Little(d); Alice Babs, Devonne Gardner, Jimmy McPhail, Patricia Petremont, Trish Turner, Toney Watkins, St. Mark's Choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-01-20-001 |
| DE6806a | |||
68-01-20-002 |
| DE6806b | |||
68-01-20-003 |
| DE6806c | |||
68-01-20-004 |
| DE6806d | |||
68-01-20-005 |
| DE6806e | |||
68-01-20-006 |
| DE6806f | |||
68-01-20-007 |
| DE6806g | |||
68-01-20-008 |
| DE6806h | |||
68-01-20-009 |
| DE6806i | |||
68-01-20-010 |
| DE6806j | |||
68-01-20-011 |
| DE6806k | |||
68-01-20-012 |
| DE6806l | |||
68-01-20-013 |
| DE6806m | |||
68-01-20-014 |
| DE6806n | |||
68-01-20-015 |
| DE6806o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 January 1968 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,ep); Jeff Castleman(sb); Sam Woodyard, Steve Little(d); Alice Babs, Devonne Gardner, Roscoe Gill, Trish Turner, Toney Watkins, AME Mother Zion Church Choir, Central Connecticut State Singers(v) | |||||
SECOND SACRED CONCERT | |||||
68-01-22-001 |
| Fa F-8047, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6807a | ||
68-01-22-002 |
| Fa F-8047, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6807b | ||
68-01-22-003 |
| Fa F-8047, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6807c | ||
68-01-22-004 |
| Fa F-8047, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6807d | ||
68-01-22-005 |
| Fa F-8047, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6807e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Wallingford, CT | 23 January 1968 | |||
Sacred concert, Choate School | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,ep); Jeff Castleman(sb); Sam Woodyard, Steve Little(d); Devonne Gardner, Roscoe Gill, Trish Turner, Toney Watkins(v) | |||||
68-01-23-001 | SECOND SACRED CONCERT | DE6808a | |||
68-01-23-002 |
| DE6808b | |||
68-01-23-003 |
| DE6808c | |||
68-01-23-004 |
| DE6808d | |||
68-01-23-005 |
| DE6808e | |||
68-01-23-006 |
| DE6808f | |||
68-01-23-007 |
| DE6808g | |||
68-01-23-008 |
| DE6808h | |||
| |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Glen Burnie, MD | 25 January 1968 | |||
Dance date, NCO Club, Fort Meade | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Trish Turner(v) | |||||
68-01-25-001 | Laura | DE6809a | |||
Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-25-002 | Unidentified “M” | DE6809b | |||
As before | |||||
68-01-25-003 | Take The “A” Train | DE6809c | |||
68-01-25-004 | Caravan | DE6809d | |||
68-01-25-005 | Satin Doll | DE6809e | |||
68-01-25-006 | Autumn Leaves | DE6809f | |||
68-01-25-007 | Swamp Goo | DE6809g | |||
68-01-25-008 | Girdle Hurdle | DE6809h | |||
68-01-25-009 | I’m Beginning To See The Light | DE6809i | |||
68-01-25-010 | Sophisticated Lady | DE6809j | |||
68-01-25-011 | Mood Indigo | DE6809k | |||
68-01-25-012 | Mount Harissa | DE6809l | |||
68-01-25-013 | Up Jump | DE6809m | |||
68-01-25-014 | Jeep’s Blues | DE6809n | |||
68-01-25-015 | Unidentified “M” | DE6809o | |||
68-01-25-016 | Willow Weep For Me - vTT | DE6809p | |||
68-01-25-017 | Misty - vTT | DE6809q | |||
68-01-25-018 | Stormy Monday Blues - vTT | DE6809r | |||
68-01-25-019 | Happy Birthday To You | DE6809s | |||
68-01-25-020 | Caravan | DE6809t | |||
68-01-25-021 | Be Cool And Groovy For Me (Put-tin) | DE6809u | |||
68-01-25-022 | Warm Valley | DE6809v | |||
68-01-25-023 | I Got It Bad - vTT | DE6809w | |||
68-01-25-024 | It Don’t Mean A Thing - vTT | DE6809x | |||
68-01-25-025 | It Don’t Mean A Thing | DE6809y | |||
68-01-25-026 | Summertime | DE6809z | |||
68-01-25-027 | The Biggest | DE6809aa | |||
Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-25-028 | Kinda Dukish | DE6809ab | |||
As before | |||||
68-01-25-029 | Satin Doll | DE6809ac | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Haven, CT | 26 January 1968 | |||
Concert, Woolsey Hall, Yale University | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-26-001 | Take The “A” Train | ||||
68-01-26-002 | Swamp Goo | Fa F-9433 | DE6810a | ||
68-01-26-003 | Girdle Hurdle | ||||
68-01-26-004 | Be Cool And Groovy For Me (Put-tin) | Fa F-9433 | DE6810b | ||
68-01-26-005 | Take The “A” Train | Fa F-9433 | DE6810c | ||
68-01-26-006 | Chromatic Love Affair | Fa F-9433 | DE6810d | ||
68-01-26-007 | Up Jump | Fa F-9433 | DE6810e | ||
68-01-26-008 | La Plus Belle Africaine | ||||
68-01-26-009 | Salomé | Fa F-9433 | DE6810f | ||
68-01-26-010 | Little Purple Flower | Fa F-9433 | DE6810g | ||
68-01-26-011 | Eggo | Fa F-9433 | DE6810h | ||
68-01-26-012 | Harlem | ||||
Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-26-013 | Boola Boola | Fa F-9433 | DE6810i | ||
As before | |||||
68-01-26-014 | Warm Valley | Fa F-9433 | DE6810j | ||
68-01-26-015 | Drag | Fa F-9433 | DE6810k | ||
68-01-26-016 | It Don’t Mean A Thing - vTW | ||||
68-01-26-017 | Willow Weep For Me - vTT | ||||
68-01-26-018 | Misty - vTT | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Baltimore, MD | 27 January 1968 | |||
Dance date, Eastwind Club | |||||
Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-27-001 | Boo-Dah | DE6811a | |||
68-01-27-002 | Laura | DE6811b | |||
68-01-27-003 | Smada | DE6811c | |||
68-01-27-004 | Stranger On The Shore | DE6811d | |||
68-01-27-005 | C-Jam Blues | DE6811e | |||
68-01-27-006 | Take The “A” Train (theme) | DE6811f | |||
68-01-27-007 | Satin Doll | DE6811g | |||
68-01-27-008 | I’m Beginning To See The Light | DE6811h | |||
68-01-27-009 | Happy Birthday To You | DE6811i | |||
68-01-27-010 | ¬ I Let A Song Go Out Of My Heart | DE6811j | |||
68-01-27-011 | _| Don’t Get Around Much Anymore | DE6811k | |||
68-01-27-012 | Drag | DE6811l | |||
68-01-27-013 | ¬Happy Birthday To You | DE6811m | |||
68-01-27-014 | _| Caravan | DE6811n | |||
68-01-27-015 | Jeep’s Blues | DE6811o | |||
68-01-27-016 | I Got It Bad | DE6811p | |||
68-01-27-017 | Things Ain’t What They Used To Be | DE6811q | |||
68-01-27-018 | Be Cool And Groovy For Me (Put-tin) | DE6811r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Glen Burnie, MD | 30 January 1968 | |||
Dance date, Officer's Club, Fort Meade | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Trish Turner, Toney Watkins(v) | |||||
68-01-30-001 | C-Jam Blues | DE6812a | |||
68-01-30-002 | Perdido | DE6812b | |||
68-01-30-003 | Take The “A” Train | DE6812c | |||
68-01-30-004 | Satin Doll | DE6812d | |||
68-01-30-005 | ¬ I Let A Song Go Out Of My Heart | DE6812e | |||
68-01-30-006 | _| Don’t Get Around Much Anymore | DE6812f | |||
Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d) | |||||
68-01-30-007 | Salute To Morgan State | DE6812g | |||
As before | |||||
68-01-30-008 | In A Sentimental Mood | DE6812h | |||
68-01-30-009 | Creole Love Call | DE6812i | |||
68-01-30-010 | Autumn Leaves | DE6812j | |||
68-01-30-011 | Eggo | DE6812k | |||
68-01-30-012 | Azure | DE6812l | |||
68-01-30-013 | Happy Birthday To You | DE6812m | |||
68-01-30-014 | I’m Beginning To see The Light | DE6812n | |||
68-01-30-015 | Mood Indigo | DE6812o | |||
68-01-30-016 | Tutti for Cootie | DE6812p | |||
68-01-30-017 | I Got It Bad | DE6812q | |||
68-01-30-018 | Drag | DE6812r | |||
68-01-30-019 | Jam With Sam | DE6812s | |||
68-01-30-020 | C-Jam Blues | DE6812t | |||
68-01-30-021 | Sophisticated Lady | DE6812u | |||
68-01-30-022 | Do Nothin’ Till You Hear From Me | DE6812v | |||
68-01-30-023 | Be Cool And Groovy For Me (Put-tin) | DE6812w | |||
68-01-30-024 | Prelude To A Kiss | DE6812x | |||
68-01-30-025 | Things Ain’t What They Used To Be | DE6812y | |||
68-01-30-026 | Ocht O’Clock Rock | DE6812z | |||
68-01-30-027 | Willow Weep For Me - vTT | DE6812aa | |||
68-01-30-028 | Misty - vTT | DE6812ab | |||
68-01-30-029 | Stormy Monday - vTT | DE6812ac | |||
68-01-30-030 | Old Circus Train | DE6812ad | |||
68-01-30-031 | I’m Just A Lucky So And So - vTW | DE6812ae | |||
68-01-30-032 | It Don’t Mean A Thing - vTW | DE6812af | |||
68-01-30-033 | Bill BaileyBill Bailey Won’t You Please Come Home - vTT, TW | DE6812ag | |||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-01-30-034 | Neenah | DE6812ah | |||
As before | |||||
68-01-30-035 | ¬ Diminuendo In Blue | DE6812ai | |||
68-01-30-036 | _| Wailing Interval | DE6812aj | |||
Duke Ellington(p) | |||||
68-01-30-037 | Single Petal Of A Rose | DE6812ak | |||
As before | |||||
68-01-30-038 | My Melancholy Baby | DE6812al | |||
68-01-30-039 | Isfahan | DE6812am | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 31 January 1968 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Toney Watkins, unknown choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-01-31-001 |
| DE6813a | |||
68-01-31-002 |
| DE6813b | |||
68-01-31-003 |
| DE6813c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19-20 February 1968 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper, Benny Green(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,ep); Jeff Castleman(sb); Sam Woodyard(d); Toney Watkins, Devonne Gardner, Roscoe Gill, The Frank Parker Singers, unknown choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-02-19-001 |
| FA F-8407, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814a | ||
68-02-19-002 |
| FA F-8407, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814b | ||
68-02-19-003 |
| FA F-8407, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814c | ||
68-02-19-004 |
| FA F-8408, RCA 09026-63386-2(D) | DE6814d | ||
68-02-19-005 |
| FA F-8408, RCA 09026-63386-2(D) | DE6814e | ||
68-02-19-006 |
| FA F-8408, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814f | ||
68-02-19-007 |
| FA F-8408, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814g | ||
68-02-19-008 |
| FA F-8408, Pr PCD-24045-2, RCA 09026-63386-2(D) | DE6814h | ||
DUKE ELLINGTON | New York City, NY | 28 February 1968 | |||
Newport Jazz Festival Announcement Party | |||||
Duke Ellington(p) | |||||
68-02-28-001 | It’s Freedom (Sweet Fat And That) | Bb 09026-63953-2 | DE9030a | ||
68-02-28-002 | Satin Doll | Bb 09026-63953-2 | DE9030b | ||
68-02-28-003 | Carolina Shout | Bb 09026-63953-2 | DE9030c | ||
DUKE ELLINGTON | New York City, NY | 28 February 1968 | |||
NBC telecast | |||||
Duke Ellington(p,tk); n/k(tk) | |||||
68-02-28-004 | Meditation | DE6815a | |||
68-02-28-005 | Interview | DE6815b | |||
DUKE ELLINGTON | Same session | ||||
Add Tony Bennett | |||||
68-02-28-006 | Making That Scene - vTBe | DE6815c | |||
68-02-28-007 | It Don’t Mean A Thing - vTBe | DE6815d | |||
Tony Bennett out. Add Steve Allen(p) | |||||
68-02-28-008 | Satin Doll | DE6815e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Mineola, NY | 01 March 1968 | |||
Concert, Chaminade High School | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Sam Woodyard(d); Trish Turner, Toney Watkins(v) | |||||
68-03-01-001 | Take The “A” Train (theme) | DE6816a | |||
68-03-01-002 | ¬ Black And Tan Fantasy | DE6816b | |||
68-03-01-003 | - | Creole Love Call | DE6816c | |||
68-03-01-004 | _| The Mooch | DE6816d | |||
68-03-01-005 | Take The “A” Train | DE6816e | |||
68-03-01-006 | Mount Harissa | DE6816f | |||
68-03-01-007 | Up Jump | DE6816g | |||
68-03-01-008 | La Plus Bell Africaine | DE6816h | |||
68-03-01-009 | Girdle Hurdle | DE6816i | |||
Medley | DE6816j | ||||
68-03-01-010 | - 1. Solitude | ||||
68-03-01-011 | - 2. I Got It Bad | ||||
68-03-01-012 | - 3. Don’t Get Around Much Anymore | ||||
68-03-01-013 | - 4. Mood Indigo | ||||
68-03-01-014 | - 5. I’m Beginning To See The Light | ||||
68-03-01-015 | - 6. Sophisticated Lady | ||||
68-03-01-016 | - 7. Caravan | ||||
68-03-01-017 | - 8. Do Nothin’ Till You Hear From Me | ||||
68-03-01-018 | - 9. It Don’t Mean A Thing - vTW | ||||
68-03-01-019 | - 10. I Got It Bad - vTT | ||||
68-03-01-020 | - 11. I Let A Song & Don’t Get Around Much | ||||
68-03-01-021 | Satin Doll | DE6816k | |||
68-03-01-022 | Take The “A” Train (theme) | DE6816l | |||
68-03-01-023 | The Biggest | DE6816m | |||
68-03-01-024 | Misty | DE6816n | |||
68-03-01-025 | Salomé | DE6816o | |||
68-03-01-026 | Passion Flower | DE6816p | |||
68-03-01-027 | Things Ain’t What They Used To Be | DE6816q | |||
68-03-01-028 | Jam With Sam | DE6816r | |||
68-03-01-029 | Satin Doll | DE6816s | |||
DUKE ELLINGTON | New York City, NY | 04 April 1968 | |||
Broadcast | |||||
Duke Ellington(p,tk); n/k(tk) | |||||
68-04-04-001 | Interview | DE6817a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Burbank, CA | 08-11 April 1968 | |||
Pre recording for NBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-08-001 | Satin Doll | DE6818a | |||
68-04-08-002 | Things Ain’t What They Used To Be | DE6818b | |||
68-04-08-003 | Take The “A” Train | DE6818c | |||
DUKE ELLINGTON AND ELLA FITZGERALD | Same session | ||||
Duke Ellington(p); Keter Betts(sb); Louie Bellson(d); Ella Fitzgerald(v) | |||||
68-04-08-004 | Don’t Get Around Much Anymore - vEF | DE6818d | |||
68-04-08-005 | Oh! Lady be Good - vEF | DE6818e | |||
Keter Betts and Louie Bellson out | |||||
68-04-08-006 | Lush Life - vEF | DE6818f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before but Duke Ellington out. Add Jimmie Jones(p); Ella Fitzgerald(p) | |||||
68-04-08-007 | Sweet Georgia Brown - vEF | DE6818g | |||
68-04-08-008 | Lover Man - vEF | DE6818h | |||
68-04-08-009 | Mack The Knife - vEF | DE6818i | |||
DUKE ELLINGTON WITH ORCHESTRA | Los Angeles, CA | 12 April 1968 | |||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) with studio orchestra cond. Johnny Mann | |||||
Medley | DE6819a | ||||
68-04-12-001 | - 1. Mood Indigo | ||||
68-04-12-002 | - 2. Things Ain’t What They Used To Be | ||||
68-04-12-003 | - 3. Take The “A” Train | ||||
68-04-12-004 | - 4. Satin Doll | ||||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Joey Bishop(tk) | |||||
68-04-12-005 | Interview by Bishop | DE6819b | |||
Duke Ellington(p) | |||||
68-04-12-006 | Meditation | DE6819c | |||
68-04-12-007 | Sophisticated Lady | DE6819d | |||
DUKE ELLINGTON | Los Angeles, CA | 12 April 1968 | |||
Press conference | |||||
Duke Ellington(tk) | |||||
68-04-12-008 | Interview | DE6820a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 April 1968 | |||
Private Party, El Caballero Country Club | |||||
Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-001 | Salute To Morgan State | Az 510A | DE9053a | ||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-002 | ¬ I Can’t Get Started | Az 510A | DE9053b | ||
68-04-17-003 | - | I Let A Song Go Out Of My Heart | Az 510A | DE9053c | ||
68-04-17-004 | _| Don’t Get Around Much Anymore | Az 510A | DE9053d | ||
Duke Ellington out. Add Jimmie Jones(p) | |||||
68-04-17-005 | Satin Doll | Az 510A | DE9053e | ||
Add Jimmie Jones, Duke Ellington(p) | |||||
68-04-17-006 | I Left My Heart In San Francisco | Az 510A | DE9053f | ||
68-04-17-007 | The Twitch | Az 510A | DE9053g | ||
68-04-17-008 | Mood Indigo | Az 510A | DE9053h | ||
68-04-17-009 | Piano Interlude | Az 510A | DE9053i | ||
68-04-17-010 | Fly Me To The Moon | Az 510A | DE9053j | ||
68-04-17-011 | Satin Doll | Az 510A | DE9053k | ||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-012 | Dance No. 3 | Az 510A | DE9053l | ||
Cootie Williams, Cat Anderson, Clark Terry, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-013 | Stompin At The Savoy | Az 510A | DE9053m | ||
Duke Ellington(p) | |||||
68-04-17-014 | Piano Interlude | Az 510A | DE9053n | ||
68-04-17-015 | ¬ BLUE BELLS OF HARLEM | Az 510A | DE9053o | ||
68-04-17-016 | - | Piano Interlude | Az 510A | DE9053p | ||
68-04-17-017 | _| Meditation | Az 510A | DE9053q | ||
68-04-17-018 | NEW WORLD A-COMIN' | Az 510A | DE9053r | ||
68-04-17-019 | New York City Blues | Az 510B | DE9053s | ||
Duke Ellington, Jimmie Jones(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-020 | Squeeze Me | Az 510B | DE9053t | ||
Cootie Williams, Cat Anderson, Clark Terry, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts); Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins((v) | |||||
68-04-17-021 | Drag | Az 510B | DE9053u | ||
68-04-17-022 | Prelude To A Kiss | Az 510B | DE9053v | ||
68-04-17-023 | Things Ain’t What They Used To Be | Az 510B | DE9053w | ||
68-04-17-024 | I’m Beginning To See The Light | Az 510B | DE9053x | ||
68-04-17-025 | Satin Doll | Az 510B | DE9053y | ||
68-04-17-026 | Happy Birthday To You | Az 510B | DE9053z | ||
Duke Ellington out. Add Benny Carter(as); Jimmie Jones(p); Marion Lorne(v) | |||||
68-04-17-027 | I Got It Bad - vMLo | Az 510B | DE9053aa | ||
68-04-17-028 | Tenderly - vMLo | Az 510B | DE9053ab | ||
Benny Carter, Marion Lorne out. Add Joe Williams(v) | |||||
68-04-17-029 | Every Day I Have The Blues - vJWi | Az 510B | DE9053ac | ||
68-04-17-030 | Jump For Joy - vJWi | Az 510B | DE9053ad | ||
68-04-17-031 | Paper Doll | Az 510B | DE9053ae | ||
68-04-17-032 | Shine On Harvest Moon - vJWi | Az 510B | DE9053af | ||
Jimmie Jones, Joe Williams out. Add Duke Ellington(p) | |||||
68-04-17-033 | Misty - vTT | Az 510B | DE9053ag | ||
Duke Ellington(p); Toney Watkins(v) | |||||
68-04-17-034 | Come Sunday - vTW | Az 510B | DE9053ah | ||
Duke Ellington(tk); Jimmy Hamilton, Russell Procope(cl); Harry Carney(bcl) | |||||
68-04-17-035 | Monologue | Az 510B | DE9053ai | ||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-036 | Sophisticated Lady | Az 510B | DE9053aj | ||
Oliver Nelson(as); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-037 | Body And Soul | Az 510C | DE9053ak | ||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-17-038 | It Don’t Mean A Thing - vTT,TW | Az 510C | DE9053al | ||
68-04-17-039 | Things Ain’t What They Used To Be | Az 510C | DE9053ak | ||
Duke Ellington out. Add Jimmie Jones(p); Joe Williams(v) | |||||
68-04-17-040 | Stormy Monday Blues - vJWi,TT,TW | Az 510C | DE9053am | ||
Jimmie Jones, Joe Williams out. Add Duke Ellington(p) | |||||
68-04-17-041 | Satin Doll | Az 510C | DE9053ao | ||
68-04-17-042 | Tutti For Cootie | Az 510C | DE9053ap | ||
68-04-17-043 | Me And You - vTT | Az 510C | DE9053aq | ||
68-04-17-044 | Willow Weep For Me - vTT | Az 510C | DE9053ar | ||
68-04-17-045 | Take The “A” Train | Az 510C | DE9053as | ||
68-04-17-046 | Solitude | Az 510C | DE9053at | ||
68-04-17-047 | ¬ Ocht O’Clock Rock | Az 510C | DE9053au | ||
68-04-17-048 | _| Happy Go Lucky Local | Az 510C | DE9053av | ||
68-04-17-049 | I Got It Bad | Az 510C | DE9053aw | ||
68-04-17-050 | Ocht O’Clock Rock | Az 510C | DE9053ax | ||
68-04-17-051 | Satin Doll | Az 510C | DE9053ay | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 19 April 1968 | |||
Pre recording for NBC telecast | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-19-001 | Take The “A” Train | DE6821a | |||
68-04-19-002 | Take The “A” Train | DE6821b | |||
68-04-19-003 | Satin Doll | DE6821c | |||
68-04-19-004 | Come Off The Veldt | DE6821d | |||
68-04-19-005 | I Got It Bad | DE6821e | |||
68-04-19-006 | Ocht O’Clock Rock | DE6821f | |||
Medley | DE6821g | ||||
68-04-19-007 | - 1. Satin Doll | ||||
68-04-19-008 | - 2. Solitude | ||||
68-04-19-009 | - 3. In A Sentimental Mood | ||||
68-04-19-010 | - 4. Don’t Get Around Much Anymore | ||||
68-04-19-011 | - 5. Mood Indigo | ||||
68-04-19-012 | - 6. I’m Beginning To See The Light | ||||
68-04-19-013 | - 7. Sophisticated Lady | ||||
68-04-19-014 | - 8. Caravan | ||||
68-04-19-015 | Things Ain’t What They Used To Be | DE6821h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Madison, WI | 25 April 1968 | |||
Concert, Dane County Exposition Center | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-04-25-001 | Take The “A” Train (theme) | DE6822a | |||
68-04-25-002 | Take The “A” Train | DE6822b | |||
68-04-25-003 | Take The “A” Train | DE6822c | |||
68-04-25-004 | Satin Doll | DE6822d | |||
68-04-25-005 | Come Off The Veldt | DE6822e | |||
68-04-25-006 | Salomé | DE6822f | |||
68-04-25-007 | I Got It Bad | DE6822g | |||
68-04-25-008 | Ocht O’Clock Rock | DE6822h | |||
Medley | DE6822i | ||||
68-04-25-009 | - 1. Satin Doll | ||||
68-04-25-010 | - 2. Solitude | ||||
68-04-25-011 | - 3. In A Sentimental Mood | ||||
68-04-25-012 | - 4. I Let A Song Go Out Of My Heart | ||||
68-04-25-013 | - 5. Mood Indigo | ||||
68-04-25-014 | - 6. I’m Beginning To See The Light | ||||
68-04-25-015 | - 7. Sophisticated Lady | ||||
68-04-25-016 | - 8. Caravan | ||||
68-04-25-017 | Things Ain’t What They Used To Be | DE6822j | |||
TONY BENNETT WITH DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Add Tony Bennett(v) | |||||
68-04-25-018 | Making That Scene - vTBe | DE6822k | |||
68-04-25-019 | Fool Of Fools - vTBe | DE6822l | |||
68-04-25-020 | Don’t Get Around Much Anymore - vTBe | DE6822m | |||
68-04-25-021 | On The Sunny Side Of The Street - vTBe | DE6822n | |||
68-04-25-022 | I’m Just A Lucky So And So - vTBe | DE6822o | |||
68-04-25-023 | Solitude - vTBe | DE6822p | |||
68-04-25-024 | Broadway - vTBe | DE6822q | |||
68-04-25-025 | I Left My Heart In San Francisco - vTBe | DE6822r | |||
68-04-25-026 | I Wanna Be Around - vTBe | DE6822s | |||
68-04-25-027 | If I Ruled The World - vTBe | DE6822t | |||
68-04-25-028 | Keep Smiling At The Trouble - vTBe | DE6822u | |||
68-04-25-029 | Yesterday I Heard The Rain - vTBe | DE6822v | |||
68-04-25-030 | Always - vTBe | DE6822w | |||
68-04-25-031 | The Moment Of Truth - vTBe | DE6822x | |||
68-04-25-032 | The Shadow Of Tour Smile - vTBe | DE6822y | |||
68-04-25-033 | It Don’t Mean A Thing - vTBe | DE6822z | |||
68-04-25-034 | For Once In My Life - vTBe | DE6822aa | |||
68-04-25-035 | It Don’t Mean A Thing | DE6822ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Madison, WI | 07 May 1968 | |||
Concert, Dane County Exposition Center | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Devonne Gardner, Roscoe Gill, Trish Turner, Toney Watkins, The Carthage College Choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-05-07-001 |
| DE6823a | |||
68-05-07-002 |
| DE6823b | |||
68-05-07-003 |
| DE6823c | |||
68-05-07-004 |
| DE6823d | |||
68-05-07-005 |
| DE6823e | |||
68-05-07-006 |
| DE6823f | |||
68-05-07-007 |
| DE6823g | |||
68-05-07-008 |
| DE6823h | |||
68-05-07-009 |
| DE6823i | |||
68-05-07-010 |
| DE6823j | |||
68-05-07-011 |
| DE6823k | |||
68-05-07-012 |
| DE6823l | |||
68-05-07-013 |
| DE6823m | |||
DUKE ELLINGTON AND HIS RHYTHM | Philadelphia, PA | May 1968 | |||
KYW telecast | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-05-15-001 | Satin Doll | DE6824a | |||
68-05-15-002 | Sophisticated Lady | DE6824b | |||
Duke Ellington, Mike Douglas(tk) | |||||
68-05-15-003 | Interview by Douglas | DE6824c | |||
As before | |||||
68-05-15-004 | Take The “A” Train | DE6824d | |||
Duke Ellington(p) | |||||
68-05-15-005 | Meditation | DE6824e | |||
DUKE ELLINGTON | New York City, NY | 24 May 1968 | |||
Concert, Rainbow Grill | |||||
Duke Ellington(p) | |||||
68-05-24-001 | Meditation | DE6825a | |||
68-05-24-002 | Single Petal Of A Rose | DE6825b | |||
DUKE ELLINGTON GROUP | Same session | ||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bcl,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-05-24-003 | Caravan | DE6825c | |||
68-05-24-004 | Do Nothin’ Till You Hear From Me | DE6825d | |||
68-05-24-005 | Body And Soul | DE6825e | |||
68-05-24-006 | Satin Doll | DE6825f | |||
68-05-24-007 | Come Off The Veldt | DE6825g | |||
68-05-24-008 | Ocht O’Clock Rock | DE6825h | |||
68-05-24-009 | I Got It Bad | DE6825i | |||
68-05-24-010 | Things Ain’t What They Used To Be | DE6825j | |||
68-05-24-011 | I’m Beginning To See The Light | DE6825k | |||
68-05-24-012 | Take The “A” Train | DE6825l | |||
68-05-24-013 | Sophisticated Lady | DE6825m | |||
68-05-24-014 | Alice Blue Gown | DE6825n | |||
68-05-24-015 | Race (Kiki) | DE6825o | |||
68-05-24-016 | ¬ I Let A Song Go Out Of My Heart | DE6825p | |||
68-05-24-017 | _| Don’t Get Around Much Any More | DE6825q | |||
68-05-24-018 | ¬ Mood Indigo | DE6825r | |||
68-05-24-019 | _| Serenade To Sweden | DE6825s | |||
68-05-24-020 | Happy Birthday To You | DE6825t | |||
68-05-24-021 | Satin Doll | DE6825u | |||
DUKE ELLINGTON | Unknown Location, USA | Sprin/Summer 1968 | |||
Pre-recording for WCBS telecast | |||||
Duke Ellington, n/k(tk) | |||||
68-06-00-001 | Interview | DE9031a | |||
Duke Ellington(p); Rufus Jones(d) | |||||
68-06-00-002 | In The Beginning God | DE9031b | |||
Duke Ellington(p) | |||||
68-06-00-003 | It’s Freedom | DE9031c | |||
Medley | DE9031d | ||||
68-06-00-004 | - 1. I Got It Bad | ||||
68-06-00-005 | - 2. I’m Beginning To See The Light | ||||
68-06-00-006 | - 3. Mood Indigo | ||||
68-06-00-007 | - 4. Don’t Get Around Much Anymore | ||||
68-06-00-008 | - 5. Caravan | ||||
68-06-00-009 | - 6. Sophisticated Lady | ||||
68-06-00-010 | - 7. Solitude | ||||
68-06-00-011 | - 8. It Don’t Mean A Thing | ||||
68-06-00-012 | - 9. Satin Doll | ||||
68-06-00-013 | - 10. I Let A Song & Don’t Get Around Much | ||||
DUKE ELLINGTON | New York City, NY | 08 June 1968 | |||
Pre-recording for WCBS telecast | |||||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-06-08-001 | Meditation | DE6826a | |||
Duke Ellington, Father Norman O'Connor(tk) | |||||
68-06-08-002 | Interview by Father O’Connor | DE6826b | |||
Johnny Hodges(as); Duke Ellington(p); Jeff Castleman(sb) | |||||
68-06-08-003 | Passion Flower | DE6826c | |||
Duke Ellington(p) | |||||
68-06-08-004 | Lotus Blossom | DE6826d | |||
DUKE ELLINGTON AND HIS RHYTHM | New York City, NY | 11 June 1968 | |||
Concert, Rainbow Grill | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Toney Watkins(v) | |||||
68-06-11-001 | Take The “A” Train | DE6827a | |||
68-06-11-002 | Satin Doll | DE6827b | |||
68-06-11-003 | In A Mellow Tone | DE6827c | |||
68-06-11-004 | Solitude - vTW | DE6827d | |||
68-06-11-005 | It Don’t Mean A Thing - vTW | DE6827e | |||
DUKE ELLINGTON GROUP | New York City, NY | 13 June 1968 | |||
NBC telecast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bcl,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-06-13-001 | Take The “A” Train (theme) | DE6828a | |||
68-06-13-002 | Things Ain’t What They Used To Be | DE6828b | |||
68-06-13-003 | Sophisticated Lady | DE6828c | |||
68-06-13-004 | I’m Beginning To See The Light | DE6828d | |||
68-06-13-005 | Mood Indigo | DE6828e | |||
68-06-13-006 | Black And Tan fantasy | DE6828f | |||
68-06-13-007 | Take The “A” Train | DE6828g | |||
68-06-13-008 | Prelude To A Kiss | DE6828h | |||
68-06-13-009 | Solitude | DE6828i | |||
68-06-13-010 | It Don’t Mean A Thing | DE6828j | |||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-06-13-011 | Meditation | DE6828k | |||
As before | |||||
68-06-13-012 | Satin Doll | DE6828l | |||
Duke Ellington, Hugh Downs(tk) | |||||
68-06-13-013 | Interview by Downs | DE6828m | |||
Duke Ellington(p) | |||||
68-06-13-014 | Lotus Blossom | DE6828n | |||
DUKE ELLINGTON GROUP | New York City, NY | 13 June 1968 | |||
WNEW telecast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bcl,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-06-13-015 | Take The “A” Train (theme) | DE6829a | |||
Duke Ellington, Merv Griffin(tk) | |||||
68-06-13-016 | Interview by Griffin | DE6829b | |||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-06-13-017 | ¬ Sophisticated Lady | DE6829c | |||
68-06-13-018 | _| Satin Doll | DE6829d | |||
DUKE ELLINGTON | New York City, NY | June 1968 | |||
Concert, Rainbow Grill | |||||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-06-16-001 | Meditation | DE6830a | |||
DUKE ELLINGTON GROUP | Same session | ||||
WNEW telecast, Rainbow Grill | |||||
Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bcl,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-06-16-002 | Satin Doll | DE6830b | |||
68-06-16-003 | Take The “A” Train | DE6830c | |||
68-06-16-004 | Body And Soul | DE6830d | |||
68-06-16-005 | Mood Indigo | DE6830e | |||
68-06-16-006 | Killian’s lick | DE6830f | |||
68-06-16-007 | Me And You - vTT | DE6830g | |||
68-06-16-008 | Passion Flower | DE6830h | |||
68-06-16-009 | I’m Beginning To See The Light | DE6830i | |||
68-06-16-010 | It Don’t Mean A Thing - vTT, TW | DE6830j | |||
68-06-16-011 | Ocht O’Clock Rock | DE6830k | |||
68-06-16-012 | Satin Doll | DE6830l | |||
DUKE ELLINGTON GROUP | New York City, NY | June 1968 | |||
Pre-recording for CBS telecast | |||||
Cootie Williams, Cat Anderson(t); Lawrence Brown(tb); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(bcl,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-06-20-001 | Take The “A” Train | DE6831a | |||
68-06-20-002 | Mood Indigo | DE6831b | |||
68-06-20-003 | Satin Doll | DE6831c | |||
Duke Ellington, Father Norman O'Connor(tk) | |||||
68-06-20-004 | Interview by Father O’Connor | DE6831d | |||
As before | |||||
68-06-20-005 | Things Ain’t What They Used to Be | DE6831e | |||
68-06-20-006 | Things Ain’t What They Used to Be | DE6831f | |||
68-06-20-007 | Take The “A” Train (theme) | DE6831g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Plainfield, NJ | 23 June 1968 | |||
Sacred Concert, Crescent Avenue Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Devonne Gardner, Roscoe Gill, Trish Turner, Toney Watkins, Unknown Choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-06-23-001 |
| DE6832a | |||
68-06-23-002 |
| DE6832b | |||
68-06-23-003 |
| DE6832c | |||
68-06-23-004 |
| DE6832d | |||
68-06-23-005 |
| DE6832e | |||
68-06-23-006 |
| DE6832f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lambertville, NJ | 01 July 1968 | |||
Concert, Lambertville Music Circus | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Jimmy Hamilton(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-07-01-001 | Take The “A” Train (theme) | DE6833a | |||
68-07-01-002 | Satin Doll | DE6833b | |||
68-07-01-003 | Come Off The Veldt | DE6833c | |||
68-07-01-004 | ¬ Kinda Dukish | DE6833d | |||
68-07-01-005 | _| Rockin’ In Rhythm | DE6833e | |||
68-07-01-006 | Passion Flower | DE6833f | |||
68-07-01-007 | Things Ain’t What They Used to Be | DE6833g | |||
68-07-01-008 | Just A Little Jive | DE6833h | |||
68-07-01-009 | Me And You - vTT | DE6833i | |||
68-07-01-010 | Solitude - vTW | DE6833j | |||
68-07-01-011 | It Don’t Mean A Thing - vTT, TW | DE6833k | |||
68-07-01-012 | Ocht O’Clock Rock | DE6833l | |||
68-07-01-013 | Monologue | DE6833m | |||
68-07-01-014 | Satin Doll | DE6833n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 05 July 1968 | |||
Concert, Freebody Park | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones, Dick Wilson(d) | |||||
68-07-05-001 | Take The “A” Train (theme) | DE6834a | |||
68-07-05-002 | Take The “A” Train | DE6834b | |||
68-07-05-003 | Sophisticated Lady | DE6834c | |||
68-07-05-004 | The Biggest | DE6834d | |||
68-07-05-005 | Up Jump | DE6834e | |||
68-07-05-006 | Salomé | DE6834f | |||
68-07-05-007 | Passion Flower | DE6834g | |||
68-07-05-008 | Things Ain’t What They Used to Be | DE6834h | |||
68-07-05-009 | Satin Doll | DE6834i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 06 July 1968 | |||
Concert, Freebody Park | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-07-06-001 | Take The “A” Train (theme) | DE6835a | |||
68-07-06-002 | ¬ Black And Tan Fantasy | DE6835b | |||
68-07-06-003 | - | Creole Love Call | DE6835c | |||
68-07-06-004 | _|The Mooch | DE6835d | |||
68-07-06-005 | Take The “A” Train | DE6835e | |||
68-07-06-006 | ¬ La Plus Belle Africaine | DE6835f | |||
68-07-06-007 | _| Come Off The Veldt | DE6835g | |||
68-07-06-008 | ¬ Kinda Dukish | DE6835h | |||
68-07-06-009 | _| Rockin’ In Rhythm | DE6835i | |||
68-07-06-010 | Body And Soul | DE6835j | |||
68-07-06-011 | Salomé | DE6835k | |||
68-07-06-012 | Star-Crossed Lovers | DE6835l | |||
68-07-06-013 | Things Ain’t What They Used to Be | DE6835m | |||
68-07-06-014 | Ocht O’Clock Rock | DE6835n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stratford, CDN | 07 July 1968 | |||
Sacred Concert, Festival Theatre | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts);Russell Procope(cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Nanice Lund, Trish Turner, Toney Watkins, St. John's Unity Church Choir | |||||
SECOND SACRED CONCERT | |||||
68-07-07-001 |
| DE6836a | |||
68-07-07-002 |
| DE6836b | |||
68-07-07-003 |
| DE6836c | |||
68-07-07-004 |
| DE6836d | |||
Toney Watkins(v) solo | |||||
68-07-07-005 | The Preacher’s Song | DE6836e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oak Brook, IL | 10 July 1968 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-07-10-001 | Take The “A” Train (theme) | DE6837a | |||
68-07-10-002 | ¬ Black And Tan Fantasy | DE6837b | |||
68-07-10-003 | - | Creole Love Call | DE6837c | |||
68-07-10-004 | _|The Mooch | DE6837d | |||
68-07-10-005 | Take The “A” Train | DE6837e | |||
68-07-10-006 | Soul Call | DE6837f | |||
68-07-10-007 | Mount Harissa | DE6837g | |||
68-07-10-008 | Up Jump | DE6837h | |||
68-07-10-009 | Satin Doll | DE6837i | |||
68-07-10-010 | Salomé | DE6837j | |||
Medley | DE6837k | ||||
68-07-10-011 | - 1. I Got It Bad | ||||
68-07-10-012 | - 2. Don’t get Around Much Anymore | ||||
68-07-10-013 | - 3. Mood Indigo | ||||
68-07-10-014 | - 4. I’m Beginning To See The Light | ||||
68-07-10-015 | - 5. Sophisticated Lady | ||||
68-07-10-016 | - 6. Caravan | ||||
68-07-10-017 | Things Ain’t What They Used to Be | DE6837l | |||
68-07-10-018 | Me And You - vTT | DE6837m | |||
68-07-10-019 | Solitude - vTW | DE6837n | |||
68-07-10-020 | It Don’t Mean A Thing - TT, TW | DE6837o | |||
68-07-10-021 | Ocht O’Clock Rock | DE6837p | |||
68-07-10-022 | Satin Doll | DE6837q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Hayward, WI | 11 July 1968 | |||
Dance date, Historyland | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner(v) | |||||
68-07-11-001 | C-Jam Blues | DE6838a | |||
68-07-11-002 | Laura | DE6838b | |||
68-07-11-003 | Boo-Dah | DE6838c | |||
68-07-11-004 | Killian’s Lick | DE6838d | |||
68-07-11-005 | Take The “A” Train | DE6838e | |||
68-07-11-006 | Tutti For Cootie | DE6838f | |||
68-07-11-007 | Satin Doll | DE6838g | |||
68-07-11-008 | Soul Call | DE6838h | |||
68-07-11-009 | Salomé | DE6838i | |||
68-07-11-010 | Do Nothin’ Till You Hear From Me | DE6838j | |||
68-07-11-011 | I’m Beginning To See The Light | DE6838k | |||
68-07-11-012 | Passion Flower | DE6838l | |||
68-07-11-013 | Things Ain’t What They Used to Be | DE6838m | |||
68-07-11-014 | Just A Little Jive | DE6838n | |||
68-07-11-015 | Sophisticated Lady | DE6838o | |||
68-07-11-016 | Satin Doll | DE6838p | |||
68-07-11-017 | Take The “A” Train (theme) | DE6838q | |||
68-07-11-018 | Take The “A” Train | DE6838r | |||
68-07-11-019 | ¬ Kinda Dukish | DE6838s | |||
68-07-11-020 | _| Rockin’ In Rhythm | DE6838t | |||
68-07-11-021 | Satin Doll - vTT | DE6838u | |||
68-07-11-022 | Stormy Monday Blues - vTT | DE6838v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cleveland, OH | 14 July 1968 | |||
Dance date, Historyland | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-07-14-001 | Take The “A” Train (theme) | DE6839a | |||
68-07-14-002 | Satin Doll | DE6839b | |||
68-07-14-003 | Mount Harissa | DE6839c | |||
68-07-14-004 | Up Jump | DE6839d | |||
68-07-14-005 | La Plus Belle Africaine | DE6839e | |||
68-07-14-006 | Sophisticated Lady | DE6839f | |||
68-07-14-007 | Salomé | DE6839g | |||
68-07-14-008 | Passion Flower | DE6839h | |||
DUKE ELLINGTON WITH THE HOLLYWOOD BOWL ORCHESTRA | Los Angeles, CA | 03 August 1968 | |||
Concert, Hollywood Bowl | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Hollywood Bowl Symphony Orchestra | |||||
68-08-03-001 | Star Spangled Banner | DE6840a | |||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
68-08-03-002 | - 1. The Golden Broom | DE6840b | |||
68-08-03-003 | - 2. The Green Apple | DE6840c | |||
68-08-03-004 | - 3. The Handsome Traffic Policeman | DE6840d | |||
Add Johnny Hodges(as) | |||||
68-08-03-005 | Passion Flower | DE6840e | |||
68-08-03-006 | Things Ain’t What They Used to Be | DE6840f | |||
Medley | DE6840g | ||||
68-08-03-007 | - 1. Do Nothin’ Till You Hear From Me | ||||
68-08-03-008 | - 2. Mood Indigo | ||||
68-08-03-009 | - 3. I’m Beginning To See The Light | ||||
68-08-03-010 | - 4. Sophisticated Lady | ||||
68-08-03-011 | - 5. Caravan | ||||
68-08-03-012 | - 6. It Don’t Mean A Thing | ||||
68-08-03-013 | - 7. Solitude | ||||
68-08-03-014 | - 8. Don’t Get Around Much Anymore | ||||
68-08-03-015 | - 9. I Got It Bad | ||||
68-08-03-016 | - 10. I Let A Song & Don’t Get Around Much | ||||
Johnny Hodges out | |||||
68-08-03-017 | Come Off The Veldt | DE6840h | |||
68-08-03-018 | Take The “A” Train | DE6840i | |||
68-08-03-019 | Satin Doll | DE6840j | |||
68-08-03-020 | Satin Doll | DE6840k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NY | 19 August 1968 | |||
Dance date, Steel Pier | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-08-19-001 | Sophisticated Lady | DE6841a | |||
68-08-19-002 | Caravan | DE6841b | |||
68-08-19-003 | Satin Doll | DE6841c | |||
68-08-19-004 | Satin Doll | DE6841xa | |||
68-08-19-005 | Sunny | DE6841d | |||
68-08-19-006 | Take The “A” Train | DE6841e | |||
68-08-19-007 | Tutti For Cootie | DE6841f | |||
68-08-19-008 | I Got It Bad | DE6841g | |||
68-08-19-009 | In A Mellow Tone | DE6841h | |||
68-08-19-010 | Main Stem | DE6841i | |||
68-08-19-011 | ¬ Kinda Dukish | DE6841j | |||
68-08-19-012 | _| Rockin’ In Rhythm | DE6841k | |||
68-08-19-013 | Mood Indigo | DE6841l | |||
68-08-19-014 | Mount Harissa | DE6841m | |||
68-08-19-015 | Up Jump | DE6841n | |||
68-08-19-016 | Sunny - vTT | DE6841o | |||
68-08-19-017 | Solitude - vTW | DE6841p | |||
68-08-19-018 | Stormy Monday Blues - vTT | DE6841q | |||
68-08-19-019 | The Old Circus Train | DE6841r | |||
68-08-19-020 | Saytin Doll | DE6841s | |||
68-08-19-021 | Jeep’s Blues | DE6841t | |||
Johnny Hodges(as); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-08-19-022 | Hodges’ Blues | DE6841u | |||
As before | |||||
68-08-19-023 | Take The “A” Train | DE6841v | |||
Lawrence Brown(tb); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-08-19-024 | Serenade to Sweden | DE6841w | |||
As before | |||||
68-08-19-025 | Swamp Goo | DE6841x | |||
68-08-19-026 | Ocht O’Clock Rock | DE6841y | |||
68-08-19-027 | ¬ Diminuendo In Blue | DE6841z | |||
68-08-19-028 | _| Wailing Interval | DE6841aa | |||
68-08-19-029 | Do Nothin’ Till You Hear From Me | DE6841ab | |||
68-08-19-030 | ¬ I Let A Song Go Out Of My Heart | DE6841ac | |||
68-08-19-031 | _| Don’t Get Around Much Anymore | DE6841ad | |||
68-08-19-032 | Ashby’s Blues | DE6841ae | |||
68-08-19-033 | Come Off The Veldt | DE6841af | |||
68-08-19-034 | Satin Doll | DE6841ag | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Woodbridge, NJ | 26 August 1968 | |||
Concert, High School Stadium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Harold Ashby(cl,ts); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-08-26-001 | Take The “A” Train (theme) | DE6842a | |||
68-08-26-002 | Soul Call | DE6842b | |||
68-08-26-003 | Swamp Goo | DE6842c | |||
68-08-26-004 | Take The “A” Train | DE6842d | |||
68-08-26-005 | Satin Doll | DE6842e | |||
68-08-26-006 | Come Off The Veldt | DE6842f | |||
68-08-26-007 | Oclupaca | DE6842g | |||
68-08-26-008 | I Got It Bad | DE6842h | |||
68-08-26-009 | Things Ain’t What They Used to Be | DE6842i | |||
68-08-26-010 | Sunny - vTT | DE6842j | |||
68-08-26-011 | Solitude - vTW | DE6842k | |||
68-08-26-012 | It Don’t Mean A Thing - vTT, TW | DE6842l | |||
Medley | DE6842m | ||||
68-08-26-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
68-08-26-014 | - 2. Don’t Get Around Much Anymore | ||||
68-08-26-015 | - 3. Mood Indigo | ||||
68-08-26-016 | - 4. I’m Beginning To See The Light | ||||
68-08-26-017 | - 5. Sophisticated Lady | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Sao Paulo, BR | 02 September 1968 | |||
Concert, Teatro Municipal | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner(v) | |||||
Medley | DE6843a | ||||
68-09-02-001 | - 1. Satin Doll | DC PSPLP-2825 | |||
68-09-02-002 | - 2. Do Nothin’ Till You Hear From Me | DC PSPLP-2825 | |||
68-09-02-003 | - 3. In A Sentimental Mood | DC PSPLP-2825 | |||
68-09-02-004 | - 4. Don’t Get Around Much Anymore | DC PSPLP-2825 | |||
68-09-02-005 | - 5. Mood Indigo | DC PSPLP-2825 | |||
68-09-02-006 | - 6. I’m Beginning To See The Light | DC PSPLP-2825 | |||
68-09-02-007 | - 7. Sophisticated Lady | DC PSPLP-2825 | |||
68-09-02-008 | - 8. Caravan | DC PSPLP-2825 | |||
68-09-02-009 | Satin Doll | DC PSPLP-2825 | DE6843b | ||
68-09-02-010 | Come Off The Veldt | DC PSPLP-2825 | DE6843c | ||
68-09-02-011 | Passin Flower | DC PSPLP-2825 | DE6843d | ||
68-09-02-012 | Things Ain’t What They Used to Be | DC PSPLP-2825 | DE6843e | ||
68-09-02-013 | Sunny - vTT | DC PSPLP-2825 | DE6843f | ||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-09-02-014 | Meditation | DC PSPLP-2825 | DE6843g | ||
As before | |||||
68-09-02-015 | C-Jam Blues | DC PSPLP-2825 | DE6843h | ||
68-09-02-016 | Satin Doll | DC PSPLP-2825 | DE6843i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Buenos Aires, RA | 05 September 1968 | |||
Concert, Teatro Gran Rex | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-09-05-001 | Take The “A” Train (theme) | DE6844a | |||
68-09-05-002 | ¬ Black And Tan Fantasy | DE6844b | |||
68-09-05-003 | - | Creole Love Call | DE6844c | |||
68-09-05-004 | _|The Mooch | DE6844d | |||
68-09-05-005 | Soul Call | DE6844e | |||
68-09-05-006 | Take The “A” Train | DE6844f | |||
68-09-05-007 | Mount Harissa | DE6844g | |||
68-09-05-008 | Up Jump | DE6844h | |||
68-09-05-009 | La Plus Belle Africaine | DE6844i | |||
68-09-05-010 | Come Off The Veldt | DE6844j | |||
Medley | DE6844k | ||||
68-09-05-011 | - 1. Satin Doll | ||||
68-09-05-012 | - 2. Do Nothin’ Till You Hear From Me | ||||
68-09-05-013 | - 3. In A Sentimental Mood | ||||
68-09-05-014 | Take The “A” Train | DE6844l | |||
68-09-05-015 | B.P. Blues | DE6844m | |||
68-09-05-016 | Salomé | DE6844n | |||
68-09-05-017 | Passion Flower | DE6844o | |||
68-09-05-018 | Things Ain’t What They Used to Be | DE6844p | |||
68-09-05-019 | Wings And Things | DE6844q | |||
68-09-05-020 | I Got It Bad | DE6844r | |||
68-09-05-021 | Sunny - vTT | DE6844s | |||
68-09-05-022 | Solitude - vTW | DE6844t | |||
68-09-05-023 | It Don’t Mean A Thing - vTT, TW | DE6844u | |||
68-09-05-024 | Every Day I Have The Blues - vTT, TW | DE6844v | |||
68-09-05-025 | Ocht O’Clock Rock | DE6844w | |||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-09-05-026 | Meditation | DE6844x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | La Plata, RA | 09 September 1968 | |||
Concert, Teatro Gran Roche | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-09-09-001 | Sunny - vTT | DE6845a | |||
68-09-09-002 | Solitude - vTW | DE6845b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Buenos Aires, RA | 10 September 1968 | |||
Concert, Teatro Gran Rex | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-10-001 | ¬ Kinda Dukish | DE6846a | |||
68-09-10-002 | _| Rockin’ In Rhythm | DE6846b | |||
68-09-10-003 | Tutti For Cootie | DE6846c | |||
68-09-10-004 | Take The “A” Train | DE6846d | |||
68-09-10-005 | Chelsea Bridge | DE6846e | |||
68-09-10-006 | Cotton Tail | DE6846f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Monte Video, U | 11 September 1968 | |||
Concert, S.O.D.R.E. Auditorium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-09-11-001 | Take The “A” Train (theme) | DE6847a | |||
68-09-11-002 | ¬ Black And Tan Fantasy | DE6847b | |||
68-09-11-003 | - | Creole Love Call | DE6847c | |||
68-09-11-004 | _|The Mooch | DE6847d | |||
68-09-11-005 | Soul Call | DE6847e | |||
68-09-11-006 | Take The “A” Train | DE6847f | |||
68-09-11-007 | Mount Harissa | DE6847g | |||
68-09-11-008 | Up Jump | DE6847h | |||
68-09-11-009 | La Plus Belle Africaine | DE6847i | |||
68-09-11-010 | Salomé | DE6847j | |||
68-09-11-011 | Birth Of The Blues | DE6847k | |||
Medley | DE6847l | ||||
68-09-11-012 | - 1. Satin Doll | ||||
68-09-11-013 | - 2. In A Sentimental Mood | ||||
68-09-11-014 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-09-11-015 | - 4. Just Squeeze me | ||||
68-09-11-016 | - 5. Don’t Get Around Much Anymore | ||||
68-09-11-017 | - 6. Mood Indigo | ||||
68-09-11-018 | - 7. I’m Beginning To See The Light | ||||
68-09-11-019 | - 8. Sophisticated Lady | ||||
68-09-11-020 | - 9. Caravan | ||||
68-09-11-021 | ¬ Kinda Dukish | DE6847m | |||
68-09-11-022 | _| Rockin’ In Rhythm | DE6847n | |||
68-09-11-023 | Come Off The Veldt | DE6847o | |||
68-09-11-024 | Passion Flower | DE6847p | |||
68-09-11-025 | Things Ain’t What They Used to Be | DE6847q | |||
68-09-11-026 | I Got It Bad | DE6847r | |||
68-09-11-027 | Drag | DE6847s | |||
68-09-11-028 | Sunny - vTT | DE6847t | |||
68-09-11-029 | Solitude - vTW | DE6847u | |||
68-09-11-030 | It Don’t Mean A Thing - vTT, TW | DE6847v | |||
68-09-11-031 | Be Cool And Groovy For Me - vTT, TW | DE6847w | |||
68-09-11-032 | Ocht O’Clock Rock | DE6847x | |||
Harold Ashby(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-11-033 | I Can’t Get Started | DE6847y | |||
As before | |||||
68-09-11-034 | B.P. Blues | DE6847z | |||
68-09-11-035 | Jam With Sam | DE6847aa | |||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-09-11-036 | Meditation | DE6847ab | |||
As before | |||||
68-09-11-037 | Chico Cuadradino | DE6847ac | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Buenos Aires, RA | 12 September 1968 | |||
Concert, Teatro Gran Rex | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-12-001 | C-Jam Blues | DE6848a | |||
68-09-12-002 | ¬ Kinda Dukish | DE6848b | |||
68-09-12-003 | _| Rockin’ In Rhythm | DE6848c | |||
Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-12-004 | Happy Reunion | DE6848d | |||
As before | |||||
68-09-12-005 | Girdle Hurdle | DE6848e | |||
68-09-12-006 | The Shepherd | DE6848f | |||
68-09-12-007 | Take The “A” Train | DE6848g | |||
68-09-12-008 | The Mooch | DE6848h | |||
68-09-12-009 | Soul Call | DE6848i | |||
68-09-12-010 | La Plus Belle Africaine | DE6848j | |||
68-09-12-011 | Summertime | DE6848k | |||
68-09-12-012 | The Prowling Cat | DE6848l | |||
68-09-12-013 | Basin Street Blues | DE6848m | |||
68-09-12-014 | Prelude To A Kiss | DE6848n | |||
68-09-12-015 | Drag | DE6848o | |||
68-09-12-016 | Jeep’s Blues | DE6848p | |||
68-09-12-017 | Things Ain’t What They Used to Be | DE6848q | |||
68-09-12-018 | All Of Me | DE6848r | |||
68-09-12-019 | Ocht O’Clock Rock | DE6848s | |||
Harold Ashby(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-12-020 | I Can’t Get Started | DE6848t | |||
As before | |||||
68-09-12-021 | B.P. Blues | DE6848u | |||
68-09-12-022 | Jam With Sam | DE6848v | |||
Duke Ellington(p) | |||||
68-09-12-023 | The Sleeping Lady | DE6848w | |||
As before | |||||
68-09-12-024 | How High The Moon | DE6848x | |||
DUKE ELLINGTON QUARTET | Buenos Aires, RA | 15 September 1968 | |||
Concert, Teatro Gran Rex | |||||
Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-15-001 | Happy Reunion | DE6849a | |||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-15-002 | Cotton tail | DE6849b | |||
68-09-15-003 | How High The MoonTutti For Cootie | DE6849c | |||
68-09-15-004 | Mood Indigo | DE6849d | |||
68-09-15-005 | Come Off the Veldt | DE6849e | |||
68-09-15-006 | HARLEM | DE6849f | |||
68-09-15-007 | C-Jam Blues | DE6849g | |||
68-09-15-008 | Birth Of The Blues | DE6849h | |||
68-09-15-009 | Basin Street Blues | DE6849i | |||
68-09-15-010 | Things Ain’t What They Used to Be | DE6849k | |||
68-09-15-011 | B.P. Blues | DE6849l | |||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-15-012 | Latin-American Sunshine | DE6849m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami FL | 19 September 1968 | |||
Concert, Marine Stadium | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-19-001 | Take The “A” Train (theme) | DE6850a | |||
68-09-19-002 | ¬ Black And Tan Fantasy | DE6850b | |||
68-09-19-003 | - | Creole Love Call | DE6850c | |||
68-09-19-004 | _|The Mooch | DE6850d | |||
68-09-19-005 | Soul Call | DE6850e | |||
68-09-19-006 | Take The “A” Train | DE6850f | |||
68-09-19-007 | Mount Harissa | DE6850g | |||
68-09-19-008 | Up Jump | DE6850h | |||
68-09-19-009 | Satin Doll | DE6850i | |||
68-09-19-010 | Salomé | DE6850j | |||
68-09-19-011 | The Biggest | DE6850k | |||
68-09-19-012 | Prelude To A Kiss | DE6850l | |||
68-09-19-013 | Things Ain’t What They Used to Be | DE6850m | |||
Medley | DE6850n | ||||
68-09-19-014 | - 1. In A Sentimental Mood | ||||
68-09-19-015 | - 2. I Let A Song Go Out Of My Heart | ||||
68-09-19-016 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-09-19-017 | - 4. Just Squeeze Me | ||||
68-09-19-018 | - 5. Don’t Get Around Much Anymore | ||||
68-09-19-019 | - 6. Mood Indigo | ||||
68-09-19-020 | - 7. I Got It Bad | ||||
68-09-19-021 | - 8. I’m Beginning To See The Light | ||||
68-09-19-022 | - 9. Sophisticated Lady | ||||
68-09-19-023 | - 10. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Puebla, MEX | 23 September 1968 | |||
Concert, Auditorio De La Reforma | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-09-23-001 | Happy Go Lucky Local | DE6851a | |||
LATIN-AMERICAN SUITE (MEXICANTICIPATION) | |||||
68-09-23-002 | - 2. ¬ Anticipation And Hesitation | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851b | ||
68-09-23-003 | - 3. _|Chico Cuadradino | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851c | ||
68-09-23-004 | - 6. The Sleeping Lady | DE6851d | |||
68-09-23-005 | - 7. Laughing On The Outside | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851e | ||
68-09-23-006 | - 1. Oclupaca | DE6851f | |||
68-09-23-007 | Take The “A” Train | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851g | ||
Medley | |||||
68-09-23-008 | - 1. Mood Indigo | DE6851h | |||
68-09-23-009 | Satin Doll | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851i | ||
68-09-23-010 | Come Of The Veldt | DE6851j | |||
68-09-23-011 | I Got It Bad | MVD 5071D | DE6851k | ||
68-09-23-012 | Things Ain’t What They Used to Be | A-Vi AMLY-8029, MVD WNRD-2197 | DE6851l | ||
Duke Ellington(p) | |||||
68-09-23-013 | Single Petal Of A Rose | DE6851m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Guadalajaraa, MEX | 26 September 1968 | |||
Concert, Auditorio De La Reforma | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
LATIN-AMERICAN SUITE (MEXICANTICIPATION) | |||||
68-09-26-001 | - 3. Chico Cuadradino | MVD 5071D | DE9100a | ||
68-09-26-002 | - 7. Latin American Sunshine | MVD 5071D | DE9100b | ||
68-09-26-003 | - 6. The Sleeping Lady | MVD 5071D | DE9100c | ||
68-09-26-004 | - 1. Oclupaca | MVD 5071D | DE9100d | ||
68-09-26-005 | Take The “A” Train | MVD 5071D | DE9100e | ||
68-09-26-006 | Prelude To A Kiss | MVD 5071D | DE9100f | ||
Medley | DE9100g | ||||
68-09-26-007 | - 1. In A Sentimental Mood | MVD 5071D | |||
68-09-26-008 | - 2. Don’t Get Around Much Anymore | MVD 5071D | |||
68-09-26-009 | - 3. Mood Indigo | MVD 5071D | |||
68-09-26-010 | - 4. Sophisticated Lady | MVD 5071D | |||
68-09-26-011 | C-Jam Blues | MVD 5071D | DE9100h | ||
68-09-26-012 | Take The “A” Train | MVD 5071D | DE9100i | ||
68-09-26-013 | Single Petal Of A Rose | MVD 5071D | DE9100j | ||
68-09-26-014 | Satin doll | MVD 5071D | DE9100k | ||
68-09-26-015 | Stormy Monday Blues - vTT,TW | MVD 5071D | DE9100l | ||
DUKE ELLINGTON AND HIS ORCHESTRA Concert, Auditorio De La Reforma Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner(v) | |||||
68-09-26-016 | ¬ Black And Tan Fantasy | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852a | ||
68-09-26-017 | - | Creole Love Call | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852b | ||
68-09-26-018 | _|The Mooch | A-Vi AMLY-8029, MVD 5071D, MVD WNRD-2197 | DE6852c | ||
68-09-26-019 | Happy Go Lucky Local | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852d | ||
LATIN-AMERICAN SUITE (MEXICANTICIPATION) | |||||
68-09-26-020 | - 6. The Sleeping Lady | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852e | ||
68-09-26-021 | - 6. ¬ The Sleeping Lady | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852f | ||
68-09-26-022 | - 1. _|Oclupaca | A-Vi AMLY-8029, MVD WNRD-2197 | DE6852g | ||
68-09-26-023 | ¬ Satin Doll | DE6852xa | |||
68-09-26-024 | _|Take The “A” Train | DE6852xb | |||
68-09-26-025 | I Got It Bad | A-Vi AMLY-8029, MVD 5071D, MVD WNRD-2197 | DE6852h | ||
Medley | DE6852i | ||||
68-09-26-026 | - 1. Do Nothing’ Till You Hear From Me | A-Vi AMLY-8029, MVD WNRD-2197 | |||
68-09-26-027 | - 2. Mood Indigo | A-Vi AMLY-8029, MVD WNRD-2197 | |||
68-09-26-028 | - 3. Sophisticated Lady | A-Vi AMLY-8029, MVD WNRD-2197 | |||
68-09-26-029 | - 4. It Don’t Mean A Thing - vTT | A-Vi AMLY-8029, MVD WNRD-2197 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Cleveland, OH | 02 October 1968 | |||
Concert, Music Hall | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-10-02-001 | Take The “A” Train (theme | DE6853a | |||
68-10-02-002 | Soul Call | DE6853b | |||
68-10-02-003 | Satin Doll | DE6853c | |||
68-10-02-004 | Take The “A” Train | DE6853d | |||
68-10-02-005 | Mount Harissa | DE6853e | |||
68-10-02-006 | I Got It Bad | DE6853f | |||
68-10-02-007 | Things Ain’t What They Used to Be | DE6853g | |||
Medley | DE6853h | ||||
68-10-02-008 | - 1. Do Nothin’ Till You Hear From Me | ||||
68-10-02-009 | - 2. Just Squeeze me | ||||
68-10-02-010 | - 3. Don’t Get Around Much Anymore | ||||
68-10-02-011 | - 4. Mood Indigo | ||||
68-10-02-012 | - 5. I’m Beginning To See The Light | ||||
68-10-02-013 | - 6. Solitude - vTW | ||||
68-10-02-014 | - 7. It Don’t Mean A Thing - vTT | ||||
68-10-02-015 | - 8. Be Cool And Groovy For Me - vTT, TW | ||||
68-10-02-016 | - 9. Sophisticated Lady | ||||
68-10-02-017 | - 10. Caravan | ||||
68-10-02-018 | Ocht O’Clock Rock | DE6853i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Union, NJ | 14 October 1968 | |||
Flagship Dinner Theatre | |||||
Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-10-14-001 | Boo-Dah | Az 79/1 | DE6854a | ||
68-10-14-002 | ¬ Black And Tan Fantasy | Az 79/1 | DE6854b | ||
68-10-14-003 | - | Creole Love Call | Az 79/1 | DE6854c | ||
68-10-14-004 | _|The Mooch | Az 79/1 | DE6854d | ||
Add Cat Anderson(t) | |||||
68-10-14-005 | Soul Call | Az 79/1 | DE6854e | ||
68-10-14-006 | Mount Harissa | Az 79/1 | DE6854f | ||
68-10-14-007 | Up Jump | Az 79/1 | DE6854g | ||
68-10-14-008 | Take The “A” Train | Az 79/1 | DE6854h | ||
68-10-14-009 | Warm Valley | Az 79/1 | DE6854i | ||
68-10-14-010 | Things Ain’t What They Used to Be | Az 79/1 | DE6854j | ||
68-10-14-011 | ¬ I Let A Song go Out Of My Heart | Az 79/1 | DE6854k | ||
68-10-14-012 | _| Don’t Get Around Much Anymore | Az 79/1 | DE6854l | ||
68-10-14-013 | I Got It Bad | Az 79/1 | DE6854m | ||
68-10-14-014 | Drag | Az 79/1 | DE6854n | ||
68-10-14-015 | Sophisticated Lady | Az 79/1 | DE6854o | ||
68-10-14-016 | Salomé | Az 79/1 | DE6854p | ||
68-10-14-017 | Satin Doll | Az 79/1 | DE6854q | ||
68-10-14-018 | Sunny - vTT | Az 79/1 | DE6854r | ||
68-10-14-019 | Solitude - vTW | Az 79/1 | DE6854s | ||
68-10-14-020 | It Don’t Mean A Thing - vTT, TW | Az 79/1 | DE6854t | ||
68-10-14-021 | Be Cool And Groovy For Me - vTT, TW | Az 79/1 | DE6854u | ||
68-10-14-022 | Ocht O’Clock Rock | DE6854v | |||
68-10-14-023 | Satin Doll | DE6854w | |||
68-10-14-024 | C-Jam Blues | Az 79/2 | DE6854x | ||
68-10-14-025 | Caravan | Az 79/2 | DE6854y | ||
68-10-14-026 | Do Nothin’ Till You Hear From Me | Az 79/2 | DE6854z | ||
68-10-14-027 | Latin-American Sunshine | Az 79/2 | DE6854aa | ||
68-10-14-028 | Azure | Az 79/2 | DE6854ab | ||
68-10-14-029 | I’m Beginning To See The Light | Az 79/2 | DE6854ac | ||
Harold Ashby(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-10-14-030 | I Can’t Get Started | Az 79/2 | DE6854ad | ||
As before | |||||
68-10-14-031 | B.P. Blues | Az 79/2 | DE6854ae | ||
68-10-14-032 | Willow Weep For Me - vTT | DE6854af | |||
68-10-14-033 | Misty - vTT | DE6854ag | |||
68-10-14-034 | Stormy Monday Blues - vTT | DE6854ah | |||
68-10-14-035 | Prelude To A Kiss | Az 79/2 | DE6854ai | ||
68-10-14-036 | All Of Me | Az 79/2 | DE6854aj | ||
68-10-14-037 | On The Sunny Side Of The Street | Az 79/2 | DE6854ak | ||
68-10-14-038 | Oclupaca | Az 79/2 | DE6854al | ||
68-10-14-039 | Satin Doll | DE6854am | |||
68-10-14-040 | The Sleeping Lady | Az 79/2 | DE6854an | ||
68-10-14-041 | Upper Manhattan Medical Group | Az 79/2 | DE6854ao | ||
68-10-14-042 | The Peanut Vendor | Az 79/2 | DE6854ap | ||
68-10-14-043 | Take The “A” Train | Az 79/2 | DE6854aq | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Newcastle, PA | 26 October 1968 | |||
Concert, Benjamin Franklin Jr. High School | |||||
Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-10-26-001 | Take The “A” Train (theme) | DE6855a | |||
68-10-26-002 | ¬ Black And Tan Fantasy | DE6855b | |||
68-10-26-003 | - | Creole Love Call | DE6855c | |||
68-10-26-004 | _|The Mooch | DE6855d | |||
68-10-26-005 | Soul Call | DE6855e | |||
68-10-26-006 | Take The “A” Train | DE6855f | |||
68-10-26-007 | Mount Harissa | DE6855g | |||
68-10-26-008 | Up Jump | DE6855h | |||
68-10-26-009 | Satin Doll | DE6855i | |||
68-10-26-010 | Salomé | DE6855j | |||
68-10-26-011 | Birth Of The Blues | DE6855k | |||
Medley | |||||
68-10-26-012 | - 1. I Let A Song Go Out Of My Heart | DE6855l | |||
68-10-26-013 | - 2. In A Sentimental Mood | ||||
68-10-26-014 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-10-26-015 | - 4. Just Squeeze me | ||||
68-10-26-016 | Take The “A” Train (theme) | DE6855m | |||
68-10-26-017 | The Biggest | DE6855n | |||
68-10-26-018 | Prelude To A Kiss | DE6855o | |||
68-10-26-019 | Things Ain’t What They Used to Be | DE6855p | |||
68-10-26-020 | I Got It Bad | DE6855q | |||
68-10-26-021 | Sunny - vTT | DE6855r | |||
68-10-26-022 | Misty - vTT | DE6855s | |||
68-10-26-023 | Stormy Monday Blues - vTT, TW | DE6855y | |||
68-10-26-024 | Satin Doll | DE6855u | |||
Harold Ashby(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-10-26-025 | I Can’t Get Started | DE6855w | |||
As before | |||||
68-10-26-026 | Jam With Sam | DE6855x | |||
68-10-26-027 | Things Ain’t What They Used to Be | DE6855y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 November 1968 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
LATIN-AMERICAN SUITE | |||||
68-11-05-001 | - 1. Oclupaca | Fa F-8419, OJC20 469-2(D) | DE6856a | ||
68-11-05-002 | - 3. Chico Cuadradino | Fa F-8419, OJC20 469-2(D) | DE6856b | ||
68-11-05-003 | - 4. Eque | Fa F-8419, OJC20 469-2(D) | DE6856c | ||
68-11-05-004 | - 6. The Sleeping Lady | Fa F-8419, OJC20 469-2(D) | DE6856d | ||
68-11-05-005 | - 7. Latin-American Sunshine | Fa F-8419, OJC20 469-2(D) | DE6856e | ||
68-11-05-006 | - 8. Brasilliance | Fa F-8419, OJC20 469-2(D) | DE6856f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 November 1968 | |||
Duke Ellington recording session | |||||
Willie Cook(t); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
THE DEGAS SUITE | |||||
68-11-06-001 | 01 | - 06. Race | DE6857a | ||
68-11-06-002 | 02 | - 06. Race | DE6857b | ||
68-11-06-003 | 04 | - 06. Race | LMR CD-83004 | DE6857c | |
68-11-06-004 | 05 | - 06. Race | DE6857d | ||
68-11-06-005 | 06 | - 06. Race | DE6857e | ||
68-11-06-006 | 08 | - 06. Race | DE6857f | ||
68-11-06-007 | 09 | - 06. Race | DE6857g | ||
68-11-06-008 | 10 | - 01. Opening Titles | DE6857h | ||
68-11-06-009 | - 01. Opening Titles | DE6857i | |||
68-11-06-010 | 11 | - 01. Opening Titles | DE6857j | ||
68-11-06-011 | - 01. Opening Titles | DE6857k | |||
68-11-06-012 | 13 | - 01. Opening Titles | DE6857l | ||
68-11-06-013 | 14 | - 01. Opening Titles | LMR CD-83004* | DE6857m | |
68-11-06-014 | 15 | - 06. Race (Intro) | DE6857n | ||
68-11-06-015 | 16 | - 06. Race (Intro) | DE6857o | ||
68-11-06-016 | 17 | - 06. Race (Intro) | DE6857p | ||
68-11-06-017 | 19 | - 06. Race (Intro) | DE6857q | ||
68-11-06-018 | 20 | - 06. Race (Intro) | DE6857r | ||
68-11-06-019 | - 13. Pastel | DE6857s | |||
68-11-06-020 | - 13. Pastel | DE6857t | |||
68-11-06-021 | - 13. Pastel | DE6857u | |||
68-11-06-022 | - 13. Pastel | DE6857v | |||
68-11-06-023 | - 13. Pastel | DE6857w | |||
68-11-06-024 | 21 | - 13. Pastel | DE6857x | ||
68-11-06-025 | 22 | - 13. Pastel | DE6857y | ||
68-11-06-026 | 24 | - 13. Pastel | DE6857z | ||
68-11-06-027 | 25 | - 13. Pastel | DE6857aa | ||
68-11-06-028 | 26 | - 13. Pastel | DE6857ab | ||
68-11-06-029 | - 13. Pastel | DE6857ac | |||
68-11-06-030 | - 13. Pastel | DE6857ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 November 1968 | |||
Duke Ellington recording session | |||||
Willie Cook(t); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
THE DEGAS SUITE | |||||
68-11-07-001 | 01 | - 02. Race | DE6858a | ||
68-11-07-002 | 03 | - 02. Race | DE6858b | ||
68-11-07-003 | 04 | - 02. Race | LMR CD-83004 | DE6858c | |
68-11-07-004 | 05 | - 02. Race | DE6858d | ||
68-11-07-005 | 06 | - 03. Race=Race | LMR CD-83004 | DE6858e | |
68-11-07-006 | 07 | - 03. Race=Race | DE6858f | ||
68-11-07-007 | 09 | - 13. Pastel | DE6858g | ||
68-11-07-008 | 10 | - 13. Pastel | DE6858h | ||
68-11-07-009 | 12 | - 13. Pastel | DE6858i | ||
68-11-07-010 | 14 | - 13. Pastel | DE6858j | ||
68-11-07-011 | 15 | - 13. Pastel | DE6858k | ||
68-11-07-012 | 16 | - 13. Pastel | DE6858l | ||
68-11-07-013 | 17 | - 04. Trump=Anticipation And Hesitation | LMR CD-83004 | DE6858m | |
68-11-07-014 | - 12. Prat | DE6858n | |||
68-11-07-015 | 21 | - 12. Prat | DE6858o | ||
68-11-07-016 | 23 | - 12. Prat | DE6858p | ||
68-11-07-017 | 25 | - 11. Sonnet | DE6858q | ||
68-11-07-018 | 26 | - 11. Sonnet | DE6858r | ||
68-11-07-019 | 27 | - 11. Sonnet | DE6858s | ||
68-11-07-020 | 28 | - 11. Sonnet | DE6858t | ||
68-11-07-021 | 30 | - 11. Sonnet | DE6858u | ||
68-11-07-022 | 31 | - 09. Piano Pastel | LMR CD-83004 | DE6858v | |
68-11-07-023 | 32 | - 11. Sonnet | DE6858w | ||
68-11-07-024 | 33 | - 11. Sonnet | LMR CD-83004 | DE6858x | |
68-11-07-025 | 35 | - 10. Promenade | DE6858y | ||
68-11-07-026 | 37 | - 10. Promenade | DE6858z | ||
68-11-07-027 | 38 | - 10. Promenade | LMR CD-83004 | DE6858aa | |
68-11-07-028 | 42 | - 13. Pastel | DE6858ab | ||
68-11-07-029 | 43 | - 03. Race | DE6858ac | ||
68-11-07-030 | 46 | - 03. Race | DE6858ad | ||
68-11-07-031 | 49 | - 01. Opening Titles (A.C.) | LMR CD-83004 | DE6858ae | |
68-11-07-032 | 50 | - 11. Sonnet | DE6858af | ||
68-11-07-033 | 51 | - 11. Sonnet | DE6858ag | ||
68-11-07-034 | 53 | - 11. Sonnet | DE6858ah | ||
68-11-07-035 | 55 | - 03. Race | DE6858ai | ||
68-11-07-036 | 56 | - 03. Race | DE6858aj | ||
68-11-07-037 | 59 | - 08. Drawings | LMR CD-83004 | DE6858ak | |
68-11-07-038 | 61 | - 05. Improvisations=Marcia Regina | DE6858al | ||
68-11-07-039 | 62 | - 05. Improvisations=Marcia Regina | LMR CD-83004 | DE6858am | |
DUKE ELLINGTON AND HIS SMALL BAND | New York City, NY | 07 November 1968 | |||
Duke Ellington recording session | |||||
Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-07-040 | Race | DE6860a | |||
68-11-07-041 | Race | DE6860b | |||
68-11-07-042 | Race | DE6860c | |||
68-11-07-043 | Race | DE6860d | |||
68-11-07-044 | Race | DE6860e | |||
68-11-07-045 | Race | DE6860f | |||
68-11-07-046 | Race | DE6860g | |||
68-11-07-047 | 01 | Race | DE6860h | ||
Add Paul Gonsalves(ts) | |||||
68-11-07-048 | 02 | Race | DE6860i | ||
Duke Ellington(p) | |||||
68-11-07-049 | 03 | Meditation | DE6860j | ||
Harold Ashby(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-07-050 | 04 | I Can’t Get Started | DE6860k | ||
68-11-07-051 | 05 | I Can’t Get Started | Sa 91233-2 | DE6860l | |
68-11-07-052 | I Can’t Get Started | DE6860m | |||
68-11-07-053 | I Can’t Get Started | Sa 91233-2* | DE6860n | ||
Willie Cook(t); Lawrence Brown(tb); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-07-054 | Kentucky Avenue, A.C. (Nati) | DE6860o | |||
68-11-07-055 | Kentucky Avenue, A.C. (Nati) | DE6860p | |||
68-11-07-056 | Kentucky Avenue, A.C. (Nati) | DE6860q | |||
68-11-07-057 | 09 | Kentucky Avenue, A.C. (Nati) | DE6860r | ||
68-11-07-058 | 11 | Kentucky Avenue, A.C. (Nati) | DE6860s | ||
68-11-07-059 | Kentucky Avenue, A.C. (Nati) | DE6860t | |||
68-11-07-060 | Kentucky Avenue, A.C. (Nati) | DE6860u | |||
68-11-07-061 | 13 | Kentucky Avenue, A.C. (Nati) | DE6860v | ||
68-11-07-062 | Kentucky Avenue, A.C. (Nati) | DE6860w | |||
68-11-07-063 | 14 | Kentucky Avenue, A.C. (Nati) | DE6860x | ||
68-11-07-064 | Just A Little Jive | DE6860y | |||
68-11-07-065 | Just A Little Jive | DE6860z | |||
68-11-07-066 | Just A Little Jive | DE6860aa | |||
68-11-07-067 | 15 | Just A Little Jive | DE6860ab | ||
68-11-07-068 | 16 | Just A Little Jive | DE6860ac | ||
68-11-07-069 | 17 | Just A Little Jive | DE6860ad | ||
68-11-07-070 | Riverboat | DE6860ae | |||
68-11-07-071 | Riverboat | DE6860af | |||
68-11-07-072 | Riverboat | DE6860ag | |||
68-11-07-073 | 19 | Riverboat | DE6860ah | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 09 November 1968 | |||
Concert, National Guard Armory | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-11-09-001 | C-Jam Blues | DE6859a | |||
68-11-09-002 | Laura | DE6859b | |||
68-11-09-003 | Take The “A” Train (theme) | DE6859c | |||
68-11-09-004 | Soul Call | DE6859d | |||
68-11-09-005 | Take The “A” Train | DE6859e | |||
68-11-09-006 | Mount Harissa | DE6859f | |||
68-11-09-007 | Up Jump | DE6859g | |||
68-11-09-008 | Satin Doll | DE6859h | |||
68-11-09-009 | Salomé | DE6859i | |||
Medley | DE6859j | ||||
68-11-09-010 | - 1. I Let A Song Go Out Of My Heart | ||||
68-11-09-011 | - 2. In A Sentimental Mood | ||||
68-11-09-012 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-11-09-013 | - 4. Just Squeeze Me | ||||
68-11-09-014 | - 5. Don’t Get Around Much Anymore | ||||
68-11-09-015 | - 6. Mood Indigo | ||||
68-11-09-016 | - 7. I’m Beginning To See The Light | ||||
68-11-09-017 | - 8. Solitude - vTW | ||||
68-11-09-018 | - 9. It Don’t Mean A Thing - vTT | ||||
68-11-09-019 | - 10. Be Cool And Groovy For Me - vTT, TW | ||||
68-11-09-020 | - 11. Sophisticated Lady | ||||
68-11-09-021 | Take The “A” Train (theme) | DE6859k | |||
68-11-09-022 | Tutti For Cootie | DE6859l | |||
68-11-09-023 | The Biggest | DE6859m | |||
68-11-09-024 | I Got It Bad | DE6859n | |||
68-11-09-025 | Things Ain’t What They Used To Be | DE6859o | |||
68-11-09-026 | Sunny - vTT | DE6859p | |||
68-11-09-027 | I’m Just A Lucky So And So - vTW | DE6859q | |||
68-11-09-028 | Stormy Mondy Blues - vTT, TW | DE6859r | |||
68-11-09-029 | Satin Doll | DE6859s | |||
DUKE ELLINGTON | Toronto, CDN | 25 November 1968 | |||
Jule's Mansion Restaurant, Pre-recording for CJRT broadcast | |||||
Duke Ellington, Ron Collier, John Norris, Ted O'Reilly(tk) | |||||
68-11-25-001 | Interview by O’Reilly | Att ACDM-1425(D) | DE6861a | ||
DUKE ELLINGTON | New York City, NY | 29 November 1968 | |||
Duke Ellington recording session | |||||
Duke Ellington(p) | |||||
68-11-29-001 | 02 | Meditation | DE6862a | ||
68-11-29-002 | 03 | Meditation | DE6862b | ||
68-11-29-003 | 05 | Meditation | DE6862c | ||
68-11-29-004 | 06 | Meditation | DE6862d | ||
DUKE ELLINGTON AND HIS SMALL BAND | Same session | ||||
Willie Cook(t); Russell Procope(as, cl); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-29-005 | 07 | Waiting For You | DE6862e | ||
68-11-29-006 | 08 | Waiting For You | Sa 91233-2 | DE6862f | |
Jeff Castleman(eb) instead of (sb). Add Buster Cooper(tb); Harry Carney(bcl, bar) | |||||
68-11-29-007 | 09 | Knuf | Sa 91233-2 | DE6862g | |
Jeff Castleman(sb) instead of (eb) | |||||
68-11-29-008 | 12 | The Giggling Rapids (Gigl) | Sa 91233-2 | DE6862h | |
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-11-29-009 | 14 | Meditation | Sa 91233-2 | DE6862i | |
Johnny Hodges(as); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-29-010 | 15 | Sophisticated Lady | Sa 91233-2 | DE6862j | |
Willie Cook(t); Buster Cooper(tb); Russell Procope(as, cl); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-29-011 | 16 | Just Squeeze Me | Sa 91233-2 | DE6862k | |
Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-29-012 | 19 | In A Sentimental Mood | Sa 91233-2 | DE6862l | |
Willie Cook(t); Buster Cooper(tb); Russell Procope(as, cl); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-11-29-013 | 20 | Mood Indigo | Sa 91233-2 | DE6862m | |
68-11-29-014 | 22 | Reva | DE6862n | ||
68-11-29-015 | ¬ 24 | ¬ I Let A Song go Out Of My Heart | Sa 91233-2 | DE6862o | |
68-11-29-016 | _| _ | _| Don’t Get Around Much Anymore | Sa 91233-2 | DE6862p | |
68-11-29-017 | 25 | Reva | DE6862q | ||
68-11-29-018 | 26 | Reva | DE6862r | ||
68-11-29-019 | 28 | Reva | Sa 91233-2 | DE6862s | |
68-11-29-020 | 29 | C-Jam Blues | Sa 91233-2 | DE6862t | |
68-11-29-021 | 30 | Caravan | DE6862u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 December 1968 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Shirley Witherspoon, Toney Watkins(v) | |||||
68-12-03-001 | Copa II | DE6863a | |||
THE DEGAS SUITE | |||||
68-12-03-002 | - 07. Daily Double=Race | LMR CD-83004 | DE6863b | ||
68-12-03-003 | Elos | Sa 91233-2 | DE6863c | ||
68-12-03-004 | Be Cool And Groovy For Me - vTT | Sa 91233-2 | DE6863d | ||
68-12-03-005 | Be Cool And Groovy For Me - vTW | DE6863e | |||
68-12-03-006 | Be Cool And Groovy For Me - vTT, TW | DE6863f | |||
68-12-03-007 | Be Cool And Groovy For Me - vSWt | DE6863g | |||
68-12-03-008 | Ortseam | Sa 91233-2 | DE6863h | ||
NOTE:- The vocals were overdubbed on later dates, 18 April and 14 July 1969 | |||||
DUKE ELLINGTON | Philadelphia, PA | 05 December 1968 | |||
KYW telecast | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-12-05-001 | I’m Beginning To See The Light | DE6864a | |||
Duke Ellington(p); Jeff Castleman(sb) | |||||
68-12-05-002 | Meditation | DE6864b | |||
Duke Ellington, Mike Dougkas(tk) | |||||
68-12-05-003 | Interview by Douglas | DE6864c | |||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-12-05-004 | La Plus Belle Africaine | DE6864d | |||
Duke Ellington(p) with studio orchestra | |||||
68-12-05-005 | Satin Doll | DE6864e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 06 December 1968 | |||
Concert , Academy Of Music | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-12-06-001 | Take The “A” Train (theme) | DE6865a | |||
68-12-06-002 | Soul Call | DE6865b | |||
68-12-06-003 | Take The “A” Train | DE6865c | |||
68-12-06-004 | I Got It Bad | DE6865d | |||
68-12-06-005 | Things Ain’t What They sed to Be | DE6865e | |||
68-12-06-006 | Birth Of The Blues | DE6865f | |||
68-12-06-007 | ¬ La Plus Belle Africaine | DE6865g | |||
68-12-06-008 | _| Come Off The Veldt | DE6865h | |||
Medley | DE6865i | ||||
68-12-06-009 | - 1. Satin Doll | ||||
68-12-06-010 | - 2. In A Sentimental Mood | ||||
68-12-06-011 | - 3. Do Nothin’ Till You Hear From Me | ||||
68-12-06-012 | - 4. Just Squeeze Me | ||||
68-12-06-013 | - 5. Don’t Get Around Much Anymore | ||||
68-12-06-014 | - 6. Mood Indigo | ||||
68-12-06-015 | - 7. I’m Beginning To See The Light | ||||
68-12-06-016 | - 8. Solitude - vTW | ||||
68-12-06-017 | - 9. It Don’t Mean A Thing - vTT | ||||
68-12-06-018 | - 10. Be Cool And Groovy For Me - vTT, TW | ||||
68-12-06-019 | - 11. Sophisticated Lady | ||||
68-12-06-020 | - 12. Caravan | ||||
68-12-06-021 | Jam With Sam | DE6865j | |||
68-12-06-022 | Stormy Monday Blues | DE6865k | |||
68-12-06-023 | Hapy Birthday To You | DE6865l | |||
68-12-06-024 | Satin Doll | DE6865m | |||
DUKE ELLINGTON | Philadelphia, PA | December 1968 | |||
Pre-recording for KYW telecast | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-12-15-001 | Salute To Morgan State | DE6866a | |||
68-12-15-002 | Sophisticated Lady | DE6866b | |||
Duke Ellington, Mike Dougkas(tk) | |||||
68-12-15-003 | Interview by Douglas | DE6866c | |||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d) | |||||
68-12-15-004 | Caravan | DE6866d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Diego, CA | 27 December 1968 | |||
Sacred Concert | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Devonne Gardner, Nanice Lund, Buster Perrymore, Toney Watkins, Unknown Choir(v) | |||||
SECOND SACRED CONCERT | |||||
68-12-27-001 |
| DE6867a | |||
68-12-27-002 |
| DE6867b | |||
68-12-27-003 |
| DE6867c | |||
68-12-27-004 |
| DE6867d | |||
68-12-27-005 |
| DE6867e | |||
68-12-27-006 |
| DE6867f | |||
68-12-27-007 |
| DE6867g | |||
68-12-27-008 |
| DE6867h | |||
68-12-27-009 |
| DE6867i | |||
68-12-27-010 |
| DE6867j | |||
68-12-27-011 |
| DE6867k | |||
68-12-27-012 |
| DE6867l | |||
68-12-27-013 |
| DE6867m | |||
68-12-27-014 |
| DE6867n | |||
Toney Watkins(v) solo | |||||
68-12-27-015 | The Preacher’s Song | DE6867o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Houston, TX | 31 December 1968 | |||
NBC broadcast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
68-12-31-001 | Take The “A” Train (theme) | DE6868a | |||
68-12-31-002 | Satin Doll | DE6868b | |||
68-12-31-003 | Auld Lang Syne - vTW | DE6868c | |||
68-12-31-004 | Be Cool And Groovy For Me - vTT, TW | DE6868d | |||
68-12-31-005 | Prelude To A Kiss | DE6868e | |||
68-12-31-006 | Things Ain’t What They Used To Be | DE6868f | |||
68-12-31-007 | Jam With Sam | DE6868g | |||
68-12-31-008 | Mood Indigo - vTT, TW | DE6868h | |||
DUKE ELLINGTON | Philadelphia, PA | Winter 1968/1969 | |||
Pre-recording for BBC telecast | |||||
Duke Ellington, John Dankworth(tk) | |||||
69-01-00-001 | Interview by Dankworth | DE6869a | |||
DUKE ELLINGTON WITH CAPP-ELLIS-BROWN GROUP | Los Angeles, CA | 02 January 1969 | |||
ABC telecast | |||||
Duke Ellington(p); Herb Ellis(g); Ray Brown(sb); Frank Capp(d) | |||||
69-01-02-001 | C.E.B. Blues | DE6901a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Joey Bishop(tk) | |||||
69-01-02-002 | Interview by Bishop | DE6901b | |||
DUKE ELLINGTON WITH CAPP-ELLIS-BROWN GROUP | Same session | ||||
Duke Ellington(p); Herb Ellis(g); Ray Brown(sb); Frank Capp(d) | |||||
69-01-02-003 | C-Jam Blues | DE6901c | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Joey Bishop(tk) | |||||
69-01-02-004 | Interview by Bishop | DE6901d | |||
DUKE ELLINGTON WITH CAPP-ELLIS-BROWN GROUP | Same session | ||||
Duke Ellington(p); Herb Ellis(g); Ray Brown(sb); Frank Capp(d) | |||||
69-01-02-005 | Love You Madly | DE6901e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 05 January 1969 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Toney Watkins(v) | |||||
69-01-05-001 | Take The “A” Train (theme) | DE6902a | |||
69-01-05-002 | Take The “A” Train | DE6902b | |||
69-01-05-003 | Prelude To A Kiss | DE6902c | |||
69-01-05-004 | Things Ain’t What They Used To Be | DE6902d | |||
69-01-05-005 | Birth Of The Blues | DE6902e | |||
69-01-05-006 | Come Off The Veldt | DE6902f | |||
Medley | DE6902g | ||||
69-01-05-007 | - 1. Satin Doll | ||||
69-01-05-008 | - 2. In A Sentimental Mood | ||||
69-01-05-009 | - 3. Do Nothin’ Till You Hear From Me | ||||
69-01-05-010 | - 4. Just Squeeze Me - vTT | ||||
69-01-05-011 | - 5. Don’t Get Around Much Anymore | ||||
69-01-05-012 | - 6. Mood Indigo - vTT | ||||
69-01-05-013 | - 7. I’m Beginning To See The Light | ||||
69-01-05-014 | - 8. Solitude - vTW | ||||
69-01-05-015 | - 9. It Don’t Mean A Thing - vTT | ||||
69-01-05-016 | - 10. Be Cool And Groovy For Me - vTT, TW | ||||
69-01-05-017 | - 11. Sophisticated Lady | ||||
69-01-05-018 | - 12. Caravan | ||||
69-01-05-019 | Satin Doll | DE6902h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 20 January 1969 | |||
Dance date, Smithsonian Institute | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook, Ray Nance, n/k(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Shirley Witherspoon, Toney Watkins, n/k(v) | |||||
69-01-20-001 | Hail To The Chief | DE6903a | |||
69-01-20-002 | Satin Doll | DE6903b | |||
69-01-20-003 | Prelude To A Kiss | DE6903c | |||
69-01-20-004 | Drag | DE6903d | |||
69-01-20-005 | It Don’t Mean A Thing | DE6903e | |||
69-01-20-006 | Take The “A” Train | DE6903f | |||
69-01-20-007 | Things Ain’t What They Used To Be | DE6903g | |||
69-01-20-008 | Caravan | DE6903h | |||
69-01-20-009 | Sophisticated Lady | DE6903i | |||
69-01-20-010 | Just Squeeze Me | DE6903j | |||
69-01-20-011 | Solitude - vTT, TW | DE6903k | |||
69-01-20-012 | It Don’t Mean A Thing - vTT, TW | DE6903l | |||
69-01-20-013 | Be Cool And Groovy For Me - vTT, TW | DE6903m | |||
69-01-20-014 | Ocht O’Clock Rock | DE6903n | |||
69-01-20-015 | Satin Doll - vSWt, n/k | DE6903o | |||
69-01-20-016 | Mood indigo | DE6903p | |||
69-01-20-017 | ¬ I Let A Song go Out Of My Heart | DE6903q | |||
69-01-20-018 | _| Don’t Get Around Much Anymore | DE6903r | |||
69-01-20-019 | Drag | DE6903s | |||
69-01-20-020 | I Can’t Get Started | DE6903t | |||
69-01-20-021 | B.P. Blues | DE6903u | |||
69-01-20-022 | Tutti For Cootie (Fade Up) | DE6903v | |||
69-01-20-023 | Satin Doll | DE6903w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milwaukee, WI | 25 January 1969 | |||
Rehearsal session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook, Ray Nance, n/k(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish TurneToney Watkins(v) | |||||
69-01-25-001 | HARLEM | DE6904a | |||
69-01-25-002 | HARLEM | DE6904b | |||
69-01-25-003 | HARLEM | DE6904c | |||
69-01-25-004 | HARLEM | DE6904d | |||
69-01-25-005 | HARLEM | DE6904e | |||
69-01-25-006 | HARLEM | DE6904f | |||
69-01-25-007 | HARLEM | DE6904g | |||
69-01-25-008 | HARLEM | DE6904h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | St. Petersburg, FL | 18 February 1969 | |||
Concert, The Coliseum | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook, Ray Nance, n/k(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges(as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Trish Turner, Shirley Witherspoon, Toney Watkins, n/k(v) | |||||
69-02-18-001 | Take The “A” Train | DE6905a | |||
69-02-18-002 | ¬ Black And Tan Fantasy | DE6905b | |||
69-02-18-003 | - | Creole Love Call | DE6905c | |||
69-02-18-004 | _|The Mooch | DE6905d | |||
69-02-18-005 | Soul Call | DE6905e | |||
69-02-18-006 | Mount Harissa | DE6905f | |||
69-02-18-007 | Up Jump | DE6905g | |||
69-02-18-008 | Birth Of The Blues | DE6905h | |||
69-02-18-009 | Salomé | DE6905i | |||
Medley | DE6905j | ||||
69-02-18-010 | - 1. Satin Doll | ||||
69-02-18-011 | - 2. In A Sentimental Mood | ||||
69-02-18-012 | - 3. I Let A Song Go Out Of My Heart | ||||
69-02-18-013 | - 4. Do Nothin’ Till You Hear From Me | ||||
69-02-18-014 | - 5. Just Squeeze Me | ||||
69-02-18-015 | - 6. Don’t Get Around Much Anymore | ||||
69-02-18-016 | - 7. Mood Indigo | ||||
69-02-18-017 | - 8. I’m Beginning To See The Light | ||||
69-02-18-018 | - 9. Solitude - vTT,TW | ||||
69-02-18-019 | - 10. It Don’t Mean A Thing - vTT,TW | ||||
69-02-18-020 | - 11. Be Cool And Groovy For Me - vTT, TW | ||||
69-02-18-021 | - 12. Sophisticated Lady | ||||
69-02-18-022 | - 13. Caravan | ||||
69-02-18-023 | Take The “A” Train (theme) | DE6905k | |||
69-02-18-024 | The Biggest | DE6905l | |||
69-02-18-025 | Prelude To A Kiss | DE6905m | |||
69-02-18-026 | Things Ain’t What They Used To Be | DE6905n | |||
69-02-18-027 | I Got It Bad | DE6905o | |||
69-02-18-028 | Drag | DE6905p | |||
69-02-18-029 | All Of Me | DE6905q | |||
Buster Cooper(tb); Duke Ellington(p); Jeff Castleman(sb) | |||||
69-02-18-030 | The Nearness Of You | DE6905r | |||
As before | |||||
69-02-18-031 | Stormy Monday Blues - vTT, TW | DE6905s | |||
69-02-18-032 | Satin Doll | DE6905t | |||
DUKE ELLINGTON WITH THE CALIFORNIA YOUTH SYMPHONY ORCHESTRA | Paolo Alto, CA | 09 March 1969 | |||
Concert, Stanford University | |||||
Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); The California Youth Symphnoy Orchestra cond. Aaron Stein; Toney Watkins(v) | |||||
69-03-09-001 | The Mooch | DE6906a | |||
69-03-09-002 | Mood Indigo | DE6906b | |||
69-03-09-003 | Sophisticated Lady | DE6906c | |||
69-03-09-004 | Solitude | DE6906d | |||
69-03-09-005 | Alcibiades | DE6906e | |||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
69-03-09-006 | - 1. The Golden Broom | DE6906f | |||
69-03-09-007 | - 2. The Green Apple | DE6906g | |||
69-03-09-008 | - 3. The Handsome Traffic Policeman | DE6906h | |||
69-03-09-009 | Take The “A” Train | DE6906i | |||
69-03-09-010 | Prelude To A Kiss | DE6906j | |||
Medley | DE6906k | ||||
69-03-09-011 | - 1. Don’t You Know I Care | ||||
69-03-09-012 | - 2. In A Sentimental Mood | ||||
69-03-09-013 | - 3. Prelude To A Kiss | ||||
69-03-09-014 | - 4. Do Nothin’ Till You Hear From Me | ||||
69-03-09-015 | - 5. Don’t Get Around Much Anymore | ||||
69-03-09-016 | - 6. I Got It Bad | ||||
69-03-09-017 | - 7. I’m Beginning To See The Light | ||||
69-03-09-018 | - 8. Jump For Joy | ||||
69-03-09-019 | - 9. I Like The Sunrise - vTW | ||||
69-03-09-020 | - 10. It Don’t Mean A Thing - vTT,TW | ||||
69-03-09-021 | - 11. Be Cool And Groovy For Me - vTT, TW | ||||
69-03-09-022 | - 12. I Let A Song Go Out Of My Hear | ||||
69-03-09-023 | Satin Doll | DE6906l | |||
69-03-09-024 | Caravan | DE6906m | |||
69-03-09-025 | C-Jam Blues | DE6906n | |||
DUKE ELLINGTON | Las Vegas, NV | March 1969 | |||
Dutch telecast, Sahara Hotel | |||||
Duke Ellington, Boy Edgar(tk) | |||||
69-03-15-001 | Interview by Edgar | DE6907a | |||
Duke Ellington(ep) | |||||
69-03-15-002 | Moon Maiden | DE6907b | |||
69-03-15-003 | Delta Serenade | DE6907c | |||
69-03-15-004 | Black Beauty | DE6907d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | March 1969 | |||
Sahara Hotel | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Johnny Hodges (as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jeff Castleman(sb); Rufus Jones(d); Shirley Witherspoon(v) | |||||
69-03-20-001 | Kinda Dukish | DE6908a | |||
69-03-20-002 | Satin Doll | DE6908b | |||
69-03-20-003 | Take The “A” Train | DE6908c | |||
69-03-20-004 | Walkin’ And Singin’ The Blues - vSWt | DE6908d | |||
69-03-20-005 | Creole Love Call | DE6908e | |||
69-03-20-006 | Drag | DE6908f | |||
69-03-20-007 | I Got It Bad | DE6908g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 April 1969 | |||
Pre-recording for Denmark telecast | |||||
Duke Ellington, n/k(tk) | |||||
69-04-01-001 | Interview | DE9079a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 April 1969 | |||
Pre-recording for Denmark telecast | |||||
Duke Ellington, n/k(tk) | |||||
69-04-03-001 | Interview | DE9080a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 April 1969 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Shirley Witherspoon(v) | |||||
69-04-03-002 | 01 | Walkin’ And Singin’ The Blues - vSWt | DE6909a | ||
69-04-03-003 | 03 | Walkin’ And Singin’ The Blues - vSWt | DE6909b | ||
69-04-03-004 | 04 | The Blues - vSWt | DE6909c | ||
69-04-03-005 | 05 | The Blues - vSWt | DE6909d | ||
69-04-03-006 | 06 | The Blues - vSWt | DE6909e | ||
69-04-03-007 | 07 | The Blues - vSWt | DE6909f | ||
69-04-03-008 | 08 | The Blues - vSWt | DE6909g | ||
69-04-03-009 | 10 | The Blues - vSWt | DE6909h | ||
69-04-03-010 | 11 | ¬ Kinda Dukish | DE6909i | ||
69-04-03-011 | _| Rockin’ In Rhythm | DE6909j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 April 1969 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Shirley Witherspoon(v) | |||||
69-04-04-001 | 02 | I Love My Lovin’ Lover - vSWt | DE6910a | ||
69-04-04-002 | 03 | I Love My Lovin’ Lover - vSWt | DE6910b | ||
69-04-04-003 | Kinda Dukish | DE6910c | |||
69-04-04-004 | Kinda Dukish | DE6910d | |||
69-04-04-005 | 04 | ¬ Kinda Dukish | DE6910e | ||
69-04-04-006 | _| Rockin’ In Rhythm | DE6910f | |||
Duke Ellington out. Add Jimmie Jones(p) | |||||
69-04-04-007 | 05 | I Love My Lovin’ Lover - vSWt | DE6910g | ||
69-04-04-008 | I Love My Lovin’ Lover | DE6910h | |||
69-04-04-009 | I Love My Lovin’ Lover - vSWt | DE6910i | |||
69-04-04-010 | 07 | Walkin’ And Singin’ The Blues - vSWt | DE6910j | ||
Jimmie Jones out. Add Duke Ellington(p) | |||||
69-04-04-011 | 10 | The Blues | DE6910k | ||
69-04-04-012 | 11 | The Blues - vSWt | DE6910l | ||
69-04-04-013 | 13 | The Blues - vSWt | DE6910m | ||
69-04-04-014 | 14 | The Blues | DE6910n | ||
69-04-04-015 | Happy Birthday To You | DE6910o | |||
69-04-04-016 | 18 | You Don’t Love Me No More - vSWt | DE6910p | ||
69-04-04-017 | You Don’t Love Me No More - vSWt | DE6910q | |||
69-04-04-018 | 19 | You Don’t Love Me No More - vSWt | DE6910r | ||
69-04-04-019 | 20 | You Don’t Love Me No More - vSWt | DE6910s | ||
69-04-04-020 | 21 | You Don’t Love Me No More | DE6910t | ||
69-04-04-021 | 22 | You Don’t Love Me No More - vSWt | DE6910u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 April 1969 | |||
CBS telecast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Russell Procope (cl,as); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Tony Bennett(v) | |||||
69-04-06-001 | Rockin’ In Rhythm | DE6911a | |||
69-04-06-002 | Making That Scene - vTBe | DE6911b | |||
69-04-06-003 | Solitude - vTBe | DE6911c | |||
69-04-06-004 | What The World Needs - vTBe | DE6911d | |||
69-04-06-005 | People - vTBe | DE6911e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 April 1969 | |||
Duke Ellington recording session | |||||
Cootie Williams, Willie Cook(t); Bennie Green, Benny Powell(tb); Russell Procope (cl,as); Harold Ashby(ts,cl); Paul Gonsalves(ts);Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d) | |||||
69-04-25-001 | 01 | What Good Am I Without You? | DE6912a | ||
69-04-25-002 | 03 | What Good Am I Without You? | DE6912b | ||
69-04-25-003 | 04 | What Good Am I Without You? | DE6912c | ||
69-04-25-004 | 05 | What Good Am I Without You? | DE6912d | ||
69-04-25-005 | 09 | What Good Am I Without You? | DE6912e | ||
69-04-25-006 | 13 | Hallucinations | DE6912f | ||
69-04-25-007 | 14 | Hallucinations | DE6912g | ||
69-04-25-008 | 15 | Hallucinations | DE6912h | ||
Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d) | |||||
69-04-25-009 | 17 | Neo-Creole | DE6912i | ||
69-04-25-010 | 18 | Neo-Creole | DE6912j | ||
69-04-25-011 | 19 | Neo-Creole | DE6912k | ||
As before | |||||
69-04-25-012 | 21 | Wanderlust | DE6912l | ||
69-04-25-013 | 22 | Wanderlust | Pb 2310-815 | DE6912m | |
69-04-25-014 | 23 | What Good Am I Without You? | DE6912n | ||
69-04-25-015 | What Good Am I Without You? | DE6912o | |||
69-04-25-016 | What Good Am I Without You? | DE6912p | |||
69-04-25-017 | What Good Am I Without You? | DE6912q | |||
69-04-25-018 | 24 | Background Music | DE6912r | ||
69-04-25-019 | 27 | Background Music | DE6912s | ||
69-04-25-020 | 28 | Background Music | DE6912t | ||
69-04-25-021 | 30 | Background Music | DE6912u | ||
69-04-25-022 | 31 | Background Music | DE6912v | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 April 1969 | |||
Swedish Television | |||||
Duke Ellington(p,tk); n/k(tk) | |||||
69-04-26-001 | Solitude | DE6913a | |||
69-04-26-002 | Interview | DE6913b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 29 April 1969 | |||
USIS soundtrack, White House | |||||
Duke Ellington(p,tk); Richard Nixon(tk) | |||||
69-04-29-001 | Conferment Of Medal Of Freedom | DE6914a | |||
69-04-29-002 | Pat | DE6914b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oil City, PA | 16 May 1969 | |||
Concert, Senior High School | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Johnny Hodges(as); Russell Procope (cl,as); Paul Gonsalves, (cl,as); Norris Turney(cl,as,ts,fl); Paul Gonsalves, Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Carl Pruitt(sb); Rufus Jones(d); Shirley Witherspoon(v) | |||||
69-05-16-001 | Take The “A” Train (theme) | DE6915a | |||
69-05-16-002 | ¬ Kinda Dukish | DE6915b | |||
69-05-16-003 | _| Rockin’ In Rhythm | DE6915c | |||
69-05-16-004 | The Blues - vSWt | DE6915d | |||
69-05-16-005 | Birth Of The Blues | DE6915e | |||
69-05-16-006 | St. Louis Blues | DE6915f | |||
69-05-16-007 | The Biggest | DE6915g | |||
69-05-16-008 | Ocht O’Clock Rock | DE6915h | |||
69-05-16-009 | Things Ain’t What They Used To Be | DE6915i | |||
Duke Ellington(p); Carl Pruitt(sb) | |||||
69-05-16-010 | Meditation | DE6915j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 May 1969 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Willie Cook, Jimmy Owens(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Johnny Hodges(as); Russell Procope (cl,as); Norris Turney(cl,as,ts,fl);Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela, Victor Gaskin(sb); Rufus Jones(d) | |||||
69-05-23-001 | -1 | Change Of Mind “A” (Reel 1, Cue 3) | DE6916a | ||
69-05-23-002 | -4 | Change Of Mind “A” (Reel 1, Cue 3) | DE6916b | ||
69-05-23-003 | -1 | Change Of Mind “A” (Reel 1, Cue 4) | DE6916c | ||
69-05-23-004 | -2 | Change Of Mind “A” (Reel 1, Cue 4) | DE6916d | ||
69-05-23-005 | -3 | Change Of Mind “A” (Reel 1, Cue 4) | DE6916e | ||
69-05-23-006 | -1 | Change Of Mind “A” (Reel 1, Cue 7) | DE6916f | ||
69-05-23-007 | -2 | Change Of Mind “A” (Reel 1, Cue 7) | DE6916g | ||
69-05-23-008 | -3 | Change Of Mind “A” (Reel 1, Cue 7) | DE6916h | ||
Norris Turney(fl); Carl Pruitt(sb) only | |||||
69-05-23-009 | -1 | Change Of Mind “A” (Reel 1, Cue 6A) | DE6916i | ||
69-05-23-010 | -2 | Change Of Mind “A” (Reel 1, Cue 6A) | DE6916j | ||
69-05-23-011 | -3 | Change Of Mind “A” (Reel 1, Cue 6A) | DE6916k | ||
69-05-23-012 | -4 | Change Of Mind “A” (Reel 1, Cue 6A) | DE6916l | ||
Willie Cook(t) only | |||||
69-05-23-013 | -1 | Change Of Mind “A” (Reel 1, Cue 8) | DE6916m | ||
Willie Cook(t); Paul Kondziela(sb) only | |||||
69-05-23-014 | -1 | Change Of Mind “A” (Reel 1, Cue 8A) | DE6916n | ||
69-05-23-015 | -2 | Change Of Mind “A” (Reel 1, Cue 8A) | DE6916o | ||
69-05-23-016 | -3 | Change Of Mind “A” (Reel 1, Cue 8A) | DE6916p | ||
Willie Cook(t) only | |||||
69-05-23-017 | Change Of Mind “A” (Reel 1, Cue 7A) | DE6916q | |||
69-05-23-018 | Change Of Mind “A” (Reel 1, Cue 7B) | DE6916r | |||
Harry Carney(bclr); Paul Kondziela(sb) only | |||||
69-05-23-019 | Change Of Mind “A” (Reel 2, Cue 1) | DE6916s | |||
Full band as before | |||||
69-05-23-020 | -1 | Change Of Mind “A” (Reel 2, Cue 7) | DE6916t | ||
69-05-23-021 | -3 | Change Of Mind “A” (Reel 2, Cue 7) | DE6916u | ||
69-05-23-022 | -1 | Change Of Mind “A” (Reel 2, Cue 7A) | DE6916v | ||
69-05-23-023 | -2 | Change Of Mind “A” (Reel 2, Cue 7A) | DE6916w | ||
69-05-23-024 | -1 | Change Of Mind “A” (Reel 2, Cue 8) | DE6916x | ||
69-05-23-025 | -1 | Change Of Mind “A” (Reel 2, Cue 8A) | DE6916y | ||
69-05-23-026 | -2 | Change Of Mind “A” (Reel 2, Cue 8A) | DE6916z | ||
69-05-23-027 | Change Of Mind “A” (Reel 2, Cue 7) | DE6916aa | |||
69-05-23-028 | -2 | Change Of Mind “A” (Reel 2, Cue 3) | DE6916ab | ||
69-05-23-029 | Change Of Mind “A” (Reel 2, Cue 3) | DE6916ac | |||
69-05-23-030 | -3 | Change Of Mind “A” (Reel 2, Cue 3) | DE6916ad | ||
69-05-23-031 | -1 | Change Of Mind “A” (Reel 2, Cue 9) | DE6916ae | ||
69-05-23-032 | -2 | Change Of Mind “A” (Reel 2, Cue 9) | DE6916af | ||
69-05-23-033 | -3 | Change Of Mind “A” (Reel 2, Cue 9) | DE6916ag | ||
69-05-23-034 | -4 | Change Of Mind “A” (Reel 2, Cue 9) | DE6916ah | ||
69-05-23-035 | -1 | Change Of Mind “A” (Reel 3, Cue 3) | DE6916ai | ||
69-05-23-036 | -2 | Change Of Mind “A” (Reel 3, Cue 3) | DE6916aj | ||
Norris Turney(fl); Harry Carney(bclr); Paul Kondziela(sb) only | |||||
69-05-23-037 | -1 | Change Of Mind “A” (Reel 3, Cue 4) | DE6916ak | ||
69-05-23-038 | -2 | Change Of Mind “A” (Reel 3, Cue 4) | DE6916al | ||
69-05-23-039 | -3 | Change Of Mind “A” (Reel 3, Cue 4) | DE6916am | ||
Full band as before | |||||
69-05-23-040 | Background Music (Reel 3, Cue 6) | DE6916an | |||
69-05-23-041 | Background Music (Reel 3, Cue 6A) | DE6916ao | |||
Paul Kondziela(sb) only | |||||
69-05-23-042 | -1 | Background Music (Reel 3, Cue 6B) | DE6916ap | ||
69-05-23-043 | -2 | Background Music (Reel 3, Cue 6B) | DE6916aq | ||
69-05-23-044 | -3 | Background Music (Reel 3, Cue 6B) | DE6916ar | ||
Norris Turney(fl) only | |||||
69-05-23-045 | -1 | Background Music (Reel 3, Cue 6C) | DE6916as | ||
69-05-23-046 | -2 | Background Music (Reel 3, Cue 6C) | DE6916at | ||
69-05-23-047 | -3 | Background Music (Reel 3, Cue 6C) | DE6916au | ||
Full band as before | |||||
69-05-23-048 | -1 | Background Music (Reel 3, Cue 6D) | DE6916av | ||
69-05-23-049 | -2 | Background Music (Reel 3, Cue 6D) | DE6916aw | ||
69-05-23-050 | -3 | Background Music (Reel 3, Cue 6D) | DE6916ax | ||
69-05-23-051 | -4 | Background Music (Reel 3, Cue 6D) | DE6916ay | ||
Duke Ellington(p) only | |||||
69-05-23-052 | Change Of Mind (Reel 3, Cue 6X) | DE6916az | |||
Full band as before | |||||
69-05-23-053 | Black Butterfly (Probably Reel 4) | DE6916ba | |||
69-05-23-054 | Background Music (Probably Reel 4) | DE6916bb | |||
69-05-23-055 | What Good Am I Without You? (Probably Reel 4) | DE6916bc | |||
69-05-23-056 | Background Music (Probably Reel 4) | DE6916bd | |||
69-05-23-057 | Black Butterfly (Probably Reel 4) | DE6916be | |||
Duke Ellington(p) only | |||||
69-05-23-058 | Black Butterfly (Probably Reel 4) | DE6916bf | |||
69-05-23-059 | Black Butterfly (Probably Reel 4) | DE6916bg | |||
Full band as before | |||||
69-05-23-060 | -1 | Wanderlust (Reel 7, Cue 3) | DE6916bh | ||
69-05-23-061 | -5 | Wanderlust (Reel 7, Cue 3) | DE6916bi | ||
69-05-23-062 | -6 | Wanderlust (Reel 7, Cue 3) | DE6916bj | ||
69-05-23-063 | -1 | Change Of Mind “D” (Reel 6, Cue 4) | DE6916bk | ||
69-05-23-064 | -2 | Change Of Mind “D” (Reel 6, Cue 4) | DE6916bl | ||
69-05-23-065 | -3 | Change Of Mind “D” (Reel 6, Cue 4) | DE6916bm | ||
69-05-23-066 | -4 | Change Of Mind “D” (Reel 6, Cue 4) | DE6916bn | ||
Duke Ellington(p) only | |||||
69-05-23-067 | What Good Am I Without You? (Edward The First) (Reel 7, Cue 4B) | Pb 2310-787 | DE6916bo | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 26 May 1969 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Willie Cook, Jimmy Owens(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Johnny Hodges(as); Russell Procope (cl,as); Norris Turney(cl,as,ts,fl);Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela, Victor Gaskin(sb); Rufus Jones(d) | |||||
69-05-26-001 | 036 | Background Music (Reel 4, Cue 3&4) | DE6917a | ||
69-05-26-002 | 037 | Background Music (Reel 4, Cue 3&4) | DE6917b | ||
69-05-26-003 | 038 | Background Music (Reel 4, Cue 3&4) | DE6917c | ||
Harry Carney(bclr); Paul Kondziela(sb) only | |||||
69-05-26-004 | 039 | Background Music (Reel 5, Cue 5) | DE6917d | ||
69-05-26-005 | 040 | Background Music (Reel 5, Cue 5) | DE6917e | ||
69-05-26-006 | 041 | Background Music (Reel 5, Cue 5) | DE6917f | ||
69-05-26-007 | 042 | Background Music (Reel 5, Cue 5) | DE6917g | ||
Duke Ellington(p) only | |||||
69-05-26-008 | 043 | Black Butterfly (Reel 6, Cue 2&3) | DE6917h | ||
69-05-26-009 | 044 | Black Butterfly (Reel 6, Cue 2&3) | DE6917i | ||
69-05-26-010 | 046 | Black Butterfly (Reel 6, Cue 2&3) | DE6917j | ||
69-05-26-011 | 047 | Black Butterfly (Reel 6, Cue 2&3) | DE6917k | ||
Willie Cook(t); Paul Kondziela(sb) only | |||||
69-05-26-012 | 050 | Background Music (Reel 7, Cue 2) | DE6917l | ||
69-05-26-013 | 051 | Background Music (Reel 7, Cue 2) | DE6917m | ||
69-05-26-014 | 052 | Background Music (Reel 7, Cue 2) | DE6917n | ||
Full band as before | |||||
69-05-26-015 | 055 | Background Music (Reel 7, Cue 4C&5) | DE6917o | ||
69-05-26-016 | 056 | Background Music (Reel 7, Cue 4C&5) | DE6917p | ||
69-05-26-017 | 058 | High Passage (Reel 8, Cue 1,2&3) | DE6917q | ||
69-05-26-018 | 059 | High Passage (Reel 8, Cue 1,2&3) | DE6917r | ||
69-05-26-019 | 060 | High Passage (Reel 8, Cue 1,2&3) | DE6917s | ||
69-05-26-020 | 061 | Background Music (Reel 8, Cue 8&9) | DE6917t | ||
69-05-26-021 | 062 | Background Music (Reel 8, Cue 8&9) | DE6917u | ||
69-05-26-022 | 066 | Change Of Mind “D” (Reel 8, Cue 11) | DE6917v | ||
69-05-26-023 | 067 | Change Of Mind “D” (Reel 8, Cue 11) | DE6917w | ||
69-05-26-024 | 069 | Change Of Mind “D” (Reel 8, Cue 11) | DE6917x | ||
69-05-26-025 | 070 | Background Music (Reel 8, Cue 12) | DE6917y | ||
69-05-26-026 | 071 | Background Music (Reel 9, Cue 1&2) | DE6917z | ||
69-05-26-027 | 072 | Background Music (Reel 9, Cue 1&2) | DE6917aa | ||
69-05-26-028 | 075 | Background Music (Reel 9, Cue 1&2) | DE6917ab | ||
Cootie Williams(t); Duke Ellington(p); Paul Kondziela(sb) | |||||
69-05-26-029 | 076 | Echoes Of Harlem (Reel 12, Cue 4) | DE6917ac | ||
69-05-26-030 | 077 | Echoes Of Harlem (Reel 12, Cue 4) | DE6917ad | ||
69-05-26-031 | 078 | Echoes Of Harlem (Reel 12, Cue 4) | DE6917ae | ||
Full band as before | |||||
69-05-26-032 | 081 | Echoes Of Harlem (Reel12, Cue 3) | DE6917af | ||
Duke Ellington(p); Paul Kondziela(sb) | |||||
69-05-26-033 | 088 | Echoes Of Harlem (Reel 9, Cue 4) | DE6917ag | ||
69-05-26-034 | 089 | Echoes Of Harlem (Reel 9, Cue 4) | DE6917ah | ||
69-05-26-035 | 091 | Echoes Of Harlem (Reel 9, Cue 4) | DE6917ai | ||
69-05-26-036 | 092 | Echoes Of Harlem (Reel 9, Cue 4) | DE6917aj | ||
69-05-26-037 | 098 | Neo-Creole (Reel 10, Cue 7) | DE6917ak | ||
69-05-26-038 | 099 | Neo-Creole (Reel 10, Cue 2) | DE6917al | ||
69-05-26-039 | 100 | Neo-Creole (Reel 10, Cue 2) | DE6917am | ||
69-05-26-040 | 101 | Background Music (Reel 11, Cue 3) | DE6917an | ||
69-05-26-041 | 102 | Background Music (Reel 11, Cue 3) | DE6917ao | ||
Full band as before | |||||
69-05-26-042 | 109 | Echoes Of Harlem (Reel 11, Cue 4) | DE6917ap | ||
69-05-26-043 | 110 | Echoes Of Harlem (Reel 11, Cue 9&10) | DE6917aq | ||
69-05-26-044 | 111 | Echoes Of Harlem (Reel 11, Cue 9&10) | DE6917ar | ||
Duke Ellington(p); Paul Kondziela(sb) | |||||
69-05-26-045 | Echoes Of Harlem (Reel 11, Cue 10) | DE6917as | |||
Duke Ellington(p) | |||||
69-05-26-046 | 112 | Change Of Mind “E” (Reel 11, Cue 10B) | DE6917at | ||
Duke Ellington(p); Paul Kondziela(sb) | |||||
69-05-26-047 | 113 | Background Music (Reel 12, Cue 6) | DE6917au | ||
Full band as before | |||||
69-05-26-048 | 119 | Neo-Creole (Reel 1, Cue 1) | DE6917av | ||
69-05-26-049 | 121 | Neo-Creole (Reel 1, Cue 1) | DE6917aw | ||
69-05-26-050 | 122 | Neo-Creole (Reel 1, Cue 1) | DE6917ax | ||
69-05-26-051 | Neo-Creole | DE6917ay | |||
69-05-26-052 | 124 | Background Music (Stylus Cue) | DE6917az | ||
69-05-26-053 | 125 | Background Music (Stylus Cue) | DE6917ba | ||
69-05-26-054 | 126 | Background Music (Stylus Cue) | DE6917bb | ||
69-05-26-055 | 132 | Neo-Creole (Reel 12, Cue 12) | DE6917bc | ||
69-05-26-056 | 133 | Neo-Creole (Reel 12, Cue 5) | DE6917bd | ||
69-05-26-057 | 134 | Neo-Creole (Reel 12, Cue 5) | DE6917be | ||
69-05-26-058 | 135 | Neo-Creole (Reel 12, Cue 5) | DE6917bf | ||
69-05-26-059 | 136 | What Good Am I Without You? (Reel 12, Cue 14&15) | DE6917bg | ||
69-05-26-060 | 137 | ¬ What Good Am I Without You? | DE6917bh | ||
69-05-26-061 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917bi | |||
69-05-26-062 | 138 | ¬ What Good Am I Without You? | DE6917bj | ||
69-05-26-063 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917bk | |||
69-05-26-064 | 139 | ¬ What Good Am I Without You? | DE6917bl | ||
69-05-26-065 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917bm | |||
69-05-26-066 | 142 | What Good Am I Without You? (Reel 12, Cue 14&15) | DE6917bn | ||
69-05-26-067 | 143 | ¬ What Good Am I Without You? | DE6917bo | ||
69-05-26-068 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917bp | |||
69-05-26-069 | 145 | ¬ What Good Am I Without You? | DE6917bq | ||
69-05-26-070 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917br | |||
69-05-26-071 | 146 | ¬ What Good Am I Without You? | DE6917bs | ||
69-05-26-072 | _| Neo Creole (Reel 12, Cue 14&15) | DE6917bt | |||
Duke Ellington(p) | |||||
69-05-26-073 | 148 | Black Butterfly (Reel 8, Cue 13&14) | DE6917bu | ||
69-05-26-074 | 149 | Black Butterfly (Reel 8, Cue 13&14) | DE6917bv | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Annapolis, MD | 30 May 1969 | |||
Dance date, U.S. Naval Academy | |||||
Cootie Williams, Cat Anderson, Willie Cook, Jimmy Owens, Mercer Ellington(t); Lawrence Brown, Buster Cooper(tb); Chuck Connors(btb); Johnny Hodges(as); Russell Procope(cl,as); Norris Turney(cl,as,ts,fl);Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Shirley Witherspoon, Toney Watkins(v) | |||||
69-05-30-001 | Satin Doll | DE6918a | |||
69-05-30-002 | Mood indigo | DE6918b | |||
69-05-30-003 | Caravan | DE6918c | |||
69-05-30-004 | Sophisticated Lady | DE6918d | |||
69-05-30-005 | Birth Of The Blues | DE6918e | |||
69-05-30-006 | I Got It Bad | DE6918f | |||
69-05-30-007 | Things Ain’t What They Used To Be | DE6918g | |||
69-05-30-008 | Making That Scene - vTW | DE6918h | |||
69-05-30-009 | You Don’t Love Me No More - vSWt | DE6918i | |||
69-05-30-010 | Ocht O’Clock Rock | DE6918j | |||
69-05-30-011 | Satin Doll | DE6918k | |||
69-05-30-012 | C-Jam Blues | DE6918l | |||
69-05-30-013 | I Can’t Get Started | DE6918m | |||
69-05-30-014 | B.P. Blues | DE6918n | |||
69-05-30-015 | The Biggest | DE6918o | |||
69-05-30-016 | Solitude - vSWt, TW | DE6918p | |||
69-05-30-017 | It Don’t Mean A Thing - vSWt, TW | DE6918q | |||
69-05-30-018 | Be Cool And Groovy For Me - vSWt, TW | DE6918r | |||
69-05-30-019 | Satin Doll | DE6918s | |||
69-05-30-020 | Take The “A” Train (theme) | DE6918t | |||
69-05-30-021 | Drag | DE6918u | |||
69-05-30-022 | ¬ I Let A Song Go Out Of My Heart | DE6918v | |||
69-05-30-023 | _| Don’t Get Around Much Anymore | DE6918w | |||
69-05-30-024 | I’m Just A Lucky So And So - vTW | DE6918x | |||
69-05-30-025 | Walking And Singing The Blues - vSWt | DE6918y | |||
69-05-30-026 | I Love My Lovin’ Lover - vSWt | DE6918z | |||
69-05-30-027 | Tutti For Cootie | DE6918aa | |||
69-05-30-028 | Neo-Creole | DE6918ab | |||
69-05-30-029 | I Left My Heart In San Francisco | DE6918ac | |||
69-05-30-030 | Red Roses For A Blue Lady | DE6918ad | |||
69-05-30-031 | ¬ Kinda Dukish | DE6918ae | |||
69-05-30-032 | _| Rockin’ In Rhythm | DE6918af | |||
69-05-30-033 | La Plus Belle Africaine | DE6918ag | |||
69-05-30-034 | Take The “A” Train (theme) | DE6918ah | |||
69-05-30-035 | ¬ Stardust | DE6918ai | |||
69-05-30-036 | _| Satin Doll | DE6918aj | |||
DUKE ELLINGTON | Unknown location, BRG | 09 June 1969 | |||
Radio Canada Guyana broadcast | |||||
Duke Ellington, n/k(tk) | |||||
69-06-09-001 | Interview | DE6919a | |||
DUKE ELLINGTON AND RHYTHM | Philadelphia, PA | 19 June 1969 | |||
KYW telecast | |||||
Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d) | |||||
69-06-19-001 | La Plus Belle Africaine | DE6920a | |||
Duke Ellington, Mike Douglas(tk) | |||||
69-06-19-002 | Interview by Douglas | DE6920b | |||
Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Dee Dee Warwick, Mike Douglas(v) | |||||
Medley | DE6920c | ||||
69-06-19-003 | - 1. Take The “A” Train | ||||
69-06-19-004 | - 2. Satin Doll - vDDW | ||||
69-06-19-005 | - 3. I’m Beginning To See The Light - vMD | ||||
69-06-19-006 | - 4. Sophisticated Lady | ||||
69-06-19-007 | - 5. Don’t Get Around Much Anymore - vDDW | ||||
69-06-19-008 | - 6. I Let A Song Go Out Of My Heart - vMD | ||||
69-06-19-009 | - 7. Mood Indigo | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 June 1969 | |||
Duke Ellington recording session | |||||
Cootie Williams, Willie Cook, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela, Victor Gaskin(sb); Rufus Jones(d) | |||||
69-06-20-001 | 1 | Neo Creole | DE6921a | ||
69-06-20-002 | 2 | Neo Creole | DE6921b | ||
69-06-20-003 | 3 | Neo Creole | DE6921c | ||
69-06-20-004 | 4 | Neo Creole | Pb 2310-815 | DE6921d | |
69-06-20-005 | 6 | Black Butterfly | DE6921e | ||
69-06-20-006 | Black Butterfly | DE6921f | |||
69-06-20-007 | 7 | Black Butterfly | Pb 2310-815 | DE6921g | |
69-06-20-008 | 8 | Black Butterfly | DE6921h | ||
69-06-20-009 | 9 | HARLEM | DE6921i | ||
DUKE ELLINGTON WITH CLEVELAND SYMPHONY ORCHESTRA | Cuyahoga Falls, OH | 21 June 1969 | |||
Concert, Blossom Music Center | |||||
Paul Kondziela(sb); Rufus Jones(d); Cleveland Symphony Orchestra cond. Duke Ellington | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
69-06-21-001 | - 1. The Golden Broom | DE6922a | |||
69-06-21-002 | - 2. The Green Apple | DE6922b | |||
69-06-21-003 | - 3. The Handsome Traffic Policeman | DE6922c | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH CLEVELAND SYMPHONY ORCHESTRA | Same session | ||||
Cootie Williams, Willie Cook, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Cleveland Symphony Orchestra | |||||
69-06-21-004 | HARLEM | DE6922d | |||
69-06-21-005 | Take The “A” Train (theme) | DE6922e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 23 June 1969 | |||
Concert, Conrad Hilton Hotel | |||||
Cootie Williams, Willie Cook, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d) | |||||
69-06-23-001 | Take The “A” Train (theme) | DE6923a | |||
69-06-23-002 | ¬ Black And Tan Fantasy | DE6923b | |||
69-06-23-003 | - | Creole Love Call | DE6923c | |||
69-06-23-004 | _|The Mooch | DE6923d | |||
69-06-23-005 | Soul Call | DE6923e | |||
69-06-23-006 | Mount Harissa | DE6923f | |||
69-06-23-007 | Take The “A” Train | DE6923g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami, FL | 29 June 1969 | |||
Concert , Marine Stadium | |||||
Cootie Williams, Willie Cook, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Shirley Witherspoon, Toney Watkins(v) | |||||
69-06-29-001 | Soul Call | DE6924a | |||
69-06-29-002 | Up Jump | DE6924b | |||
69-06-29-003 | Take The “A” Train | DE6924c | |||
69-06-29-004 | La Plus Belle Africaine | DE6924d | |||
69-06-29-005 | Come Off The Veldt | DE6924e | |||
69-06-29-006 | Passion Flower | DE6924f | |||
69-06-29-007 | Things Ain’t What They Used To Be | DE6924g | |||
Medley | DE6924h | ||||
69-06-29-008 | - 1. Do Nothin’ Till You Hear From Me | ||||
69-06-29-009 | - 2. Just Squeeze Me | ||||
69-06-29-010 | - 3. Don’t Get Around Much Anymore | ||||
69-06-29-011 | - 4. Mood Indigo | ||||
69-06-29-012 | - 5. I’m Beginning To See The Light | ||||
69-06-29-013 | - 6. Solitude - vSWt | ||||
69-06-29-014 | - 7. It Don’t Mean A Thing - vTT,TW | ||||
69-06-29-015 | - 8. Be Cool And Groovy For Me - vTT, TW | ||||
69-06-29-016 | - 9. Sophisticated Lady | ||||
69-06-29-017 | - 10. Satin Doll | ||||
DUKE ELLINGTON | New York City, NY | July 1969 | |||
Pre-recording for WNEW telecast | |||||
Duke Ellington, Willie "The Lion" Smith, Billy Taylor(p) acc. Studio Orchestra | |||||
69-07-00-001 | Perdido | DE9058a | |||
DUKE ELLINGTON | New York City, NY | 14 July 1969 | |||
Duke Ellington recording session | |||||
Duke Ellington(cs,v) | |||||
69-07-14-001 | Moon Maiden | Pb 2310-787 | DE6925a | ||
DUKE ELLINGTON QUARTET | New York City, NY | 15 July 1969 | |||
Pre-recording for ABC telecast | |||||
Duke Ellington(p,v); Al Chernet(g); Paul Kondziela(sb); Rufus Jones(d) | |||||
69-07-15-001 | Moon Maiden | DE6926a | |||
Duke Ellington(p) | |||||
69-07-15-002 | Anticipation And Hesitation | DE6926b | |||
Duke Ellington(p,v); Al Chernet(g); Paul Kondziela(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-07-15-003 | In The Beginning God | DE6926d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NJ | 21 July 1969 | |||
Dance Date, Steel Pier | |||||
Cootie Williams, Willie Cook, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Darleen Huff, Shirley Witherspoon, Toney Watkins(v) | |||||
69-07-21-001 | Boo-Dah | DE6927a | |||
69-07-21-002 | Laura | DE6927b | |||
69-07-21-003 | Soul Call | DE6927c | |||
69-07-21-004 | Satin Doll | DE6927d | |||
69-07-21-005 | Take The “A” Train | DE6927e | |||
69-07-21-006 | Tutti For Cootie | DE6927f | |||
69-07-21-007 | Mood Indigo | DE6927g | |||
69-07-21-008 | ¬ I Let A Song Go Out Of My Heart | DE6927h | |||
69-07-21-009 | _| Don’t Get Around Much Anymore | DE6927i | |||
69-07-21-010 | Honeysuckle Rose | DE6927j | |||
69-07-21-011 | Star-Crossed Lovers | DE6927k | |||
69-07-21-012 | Things Ain’t What They Used To Be | DE6927l | |||
69-07-21-013 | Wings And Things | DE6927m | |||
69-07-21-014 | Solitude - vDH, TW | DE6927n | |||
69-07-21-015 | It Don’t Mean A Thing | DE6927o | |||
69-07-21-016 | On The Sunny Side Of The Street | DE6927p | |||
69-07-21-017 | Come Off The Veldt | DE6927q | |||
69-07-21-018 | Satin Doll | DE6927r | |||
69-07-21-019 | I Want To Blow Now - vBGr | DE6927s | |||
69-07-21-020 | C-Jam Blues | DE6927t | |||
69-07-21-021 | Satin Doll | DE6927u | |||
69-07-21-022 | Take The “A” Train | DE6927v | |||
69-07-21-023 | I Can’t Get Started | DE6927w | |||
69-07-21-024 | B.P. Blues | DE6927x | |||
69-07-21-025 | Rockin’ In Rhythm | DE6927y | |||
69-07-21-026 | Half The Fun | DE6927z | |||
69-07-21-027 | Things Ain’t What They Used To Be | DE6927aa | |||
69-07-21-028 | Making That Scene - vTW | DE6927ab | |||
69-07-21-029 | You Don’t Love Me No More - vSWt | DE6927ac | |||
69-07-21-030 | Walking And Singing The Blues - vSWt | DE6927ad | |||
69-07-21-031 | In A Sentimental Mood | DE6927ae | |||
69-07-21-032 | ¬ I Let A Song Go Out Of My Heart | DE6927af | |||
69-07-21-033 | _| Don’t Get Around Much Anymore | DE6927ag | |||
69-07-21-034 | Delta Serenade | DE6927ah | |||
69-07-21-035 | Latin-American Sunshine | DE6927ai | |||
69-07-21-036 | Caravan | DE6927aj | |||
DUKE ELLINGTON WITH ORCHESTRA | Washington, DC | 06 August 1969 | |||
Pre-recording for ABC telecast Broadcast 22 August | |||||
Duke Ellington(p) with studio orchestra con. Bobby Rosengarden | |||||
Medley | DE6929a | ||||
69-08-06-001 | - 1. Mood Indigo | ||||
69-08-06-002 | - 2. I Let A Song Go Out Of My Heart | ||||
69-08-06-003 | - 3. It Don’t Mean A Thing | ||||
69-08-06-004 | - 4. What Am I Here For | ||||
69-08-06-005 | - 5. Ring Dem Bells | ||||
Duke Ellington, Dick Cavett(tk) | |||||
69-08-06-006 | Interview by Cavett | DE6929b | |||
As before | |||||
69-08-06-007 | Satin Doll | DE6929c | |||
69-08-06-008 | C-Jam Blues | DE6929d | |||
An audio recording is available at louisarmstronghouse.org. | |||||
DUKE ELLINGTON GROUP | New York City, NY | 12 August 1969 | |||
Duke Ellington recording session | |||||
Willie Cook(t); Lawrence Brown(tb); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Paul Kondziela(sb); Rufus Jones(d); Lou Rawles(v) | |||||
69-08-12-001 | 02 | Have You Seen The Circus? - vLRa | DE6928a | ||
69-08-12-002 | Have You Seen The Circus? - vLRa | DE6928b | |||
69-08-12-003 | 03 | Have You Seen The Circus? - vLRa | DE6928c | ||
69-08-12-004 | 05 | Have You Seen The Circus? - vLRa | DE6928d | ||
69-08-12-005 | 06 | Have You Seen The Circus? - vLRa | DE6928e | ||
69-08-12-006 | Have You Seen The Circus? - vLRa | DE6928f | |||
69-08-12-007 | 08 | Have You Seen The Circus? - vLRa | DE6928g | ||
69-08-12-008 | 10 | Moon Maiden - vLRa | DE6928h | ||
69-08-12-009 | 11 | Moon Maiden | DE6928i | ||
69-08-12-010 | 12 | Moon Maiden - vLRa | DE6928j | ||
69-08-12-011 | 14 | Moon Maiden - vLRa | DE6928k | ||
69-08-12-012 | 15 | Moon Maiden - vLRa | DE6928l | ||
69-08-12-013 | 16 | Moon Maiden - vLRa | DE6928m | ||
DUKE ELLINGTON GROUP | New York City, NY | 29 August 1969 | |||
Duke Ellington recording session | |||||
Willie Cook(t); Lawrence Brown(tb); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Lou Rawles(v) | |||||
69-08-29-001 | 01 | Baby, You’re Too Much - vLRa | DE6930a | ||
69-08-29-002 | 03 | Baby, You’re Too Much - vLRa | DE6930b | ||
69-08-29-003 | 04 | Baby, You’re Too Much | DE6930c | ||
69-08-29-004 | 06 | Baby, You’re Too Much - vLRa | DE6930d | ||
69-08-29-005 | 07 | Baby, You’re Too Much - vLRa | DE6930e | ||
69-08-29-006 | 08 | Baby, You’re Too Much - vLRa | DE6930f | ||
69-08-29-007 | 10 | Baby, You’re Too Much - vLRa | DE6930g | ||
69-08-29-008 | 11 | Baby, You’re Too Much - vLRa | DE6930h | ||
69-08-29-009 | Laying On Mellow | DE6930i | |||
69-08-29-010 | Laying On Mellow | DE6930j | |||
69-08-29-011 | 12 | Laying On Mellow | DE6930k | ||
69-08-29-012 | 13 | Laying On Mellow | DE6930l | ||
69-08-29-013 | 14 | Laying On Mellow | Pb 2310-787 | DE6930m | |
69-08-29-014 | 15 | The Lonely Ones - vLRa | DE6930n | ||
69-08-29-015 | 16 | The Lonely Ones - vLRa | DE6930o | ||
69-08-29-016 | 17 | The Lonely Ones - vLRa | DE6930p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 31 August 1969 | |||
Concert, Constitution Hall | |||||
Cootie Williams, Willie Cook, Cat Anderson, Lloyd Michaels(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Paul Kondziela(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-08-31-001 | ¬ Black And Tan Fantasy | DE6931a | |||
69-08-31-002 | - | Creole Love Call | DE6931b | |||
69-08-31-003 | _|The Mooch | DE6931c | |||
69-08-31-004 | Soul Call | DE6931d | |||
69-08-31-005 | Mount Harissa | DE6931e | |||
69-08-31-006 | Up Jump | DE6931f | |||
69-08-31-007 | La Plus Belle Africaine | DE6931g | |||
69-08-31-008 | Come Off The Veldt | DE6931h | |||
69-08-31-009 | Satin Doll | DE6931i | |||
69-08-31-010 | Birth Of The Blues | DE6931j | |||
Medley | DE6931k | ||||
69-08-31-011 | - 1. In A Sentimental Mood | ||||
69-08-31-012 | - 2. Do Nothin’ Till You Hear From Me | ||||
69-08-31-013 | - 3. Just Squeeze Me | ||||
69-08-31-014 | - 4. Don’t Get Around Much Anymore | ||||
69-08-31-015 | - 5. Mood Indigo | ||||
69-08-31-016 | - 6. I’m Beginning To See The Light | ||||
69-08-31-017 | - 7. Making That Scene - vTW | ||||
69-08-31-018 | - 8. Solitude - vTW | ||||
69-08-31-019 | - 9. It Don’t Mean A Thing - vTW | ||||
69-08-31-020 | - 10. Come Sunday - vTW | ||||
69-08-31-021 | - 11. Be Cool And Groovy For Me - vTW | ||||
69-08-31-022 | - 12. Sophisticated Lady | ||||
69-08-31-023 | - 13.Caravan | ||||
69-08-31-024 | HARLEM | DE6931l | |||
69-08-31-025 | Take The “A” Train | DE6931m | |||
69-08-31-026 | Passion Flower | DE6931n | |||
69-08-31-027 | Things Ain’t What They Used To Be | DE6931o | |||
69-08-31-028 | I Got It Bad | DE6931p | |||
69-08-31-029 | Laying On Mellow | DE6931q | |||
69-08-31-030 | Ocht O’Clock Rock | DE6931r | |||
69-08-31-031 | Ocht O’Clock Rock | DE6931s | |||
69-08-31-032 | Satin Doll | DE6931t | |||
Duke Ellington(p) | |||||
69-08-31-033 | Single Petal Of A Rose | DE6931u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 September 1969 | |||
Reader's Digest recording session | |||||
Cootie Williams, Willie Cook, Cat Anderson, Lloyd Michaels(t); Lawrence Brown, Benny Green, Julian Priester(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington, Luther Henderson(p); Wild Bill Davis(o); Paul Kondziela, Victor Gaskin(sb); Rufus Jones, Steve Little(d) | |||||
69-09-02-001 | La Dolce Vita | Bb 09026-63953-2 | DE6932xa | ||
69-09-02-002 | La Dolce Vita | Bb 09026-63953-2, Rdi RD4-112 | DE6932a | ||
69-09-02-003 | Spanish Flea | Bb 09026-63953-2, Rdi RD4-112 | DE6932b | ||
Luther Henderson out | |||||
69-09-02-004 | One Note Samba | DE6932c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 September 1969 | |||
Reader's Digest recording session | |||||
Cootie Williams, Willie Cook, Cat Anderson, Lloyd Michaels(t); Lawrence Brown, Julian Priester(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Paul Kondziela, Victor Gaskin(sb); Rufus Jones(d) | |||||
69-09-03-001 | -1 | A Day In The Life Of A Fool | Bb 0902663953-2, Rdi RD4-112, Rdi RD4A-017 | DE6933a | |
69-09-03-002 | -2 | A Taste Of Honey | Bb 0902663953-2 | DE6933xa | |
69-09-03-003 | -4 | A Taste Of Honey | Bb 0902663953-2, Rdi RD4-112 | DE6933b | |
69-09-03-004 | -5 | Alfie | Bb 0902663953-2 | DE6933c | |
69-09-03-005 | -4/7 | Misty | Bb 0902663953-2, Rdi RD4-112 | DE6933d | |
69-09-03-006 | -2 | Summer Samba | Bb 0902663953-2 | DE6933xb | |
69-09-03-007 | -6 | Summer Samba | Bb 0902663953-2, Rdi RD4-106, Rdi RD4A-017 | DE6933e | |
69-09-03-008 | -4 | One Note Samba | Bb 0902663953-2 | DE6933xc | |
69-09-03-009 | -5 | One Note Samba | Bb 0902663953-2, Rdi RD4-112, Rdi RD4A-017 | DE6933f | |
69-09-03-010 | -1 | Soon It’s Gonna Rain | Bb 0902663953-2 | DE6933xd | |
69-09-03-011 | -3 | Soon It’s Gonna Rain | Bb 0902663953-2 | DE6933xe | |
69-09-03-012 | -4 | Soon It’s Gonna Rain | Bb 0902663953-2 | DE6933xf | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 04 September 1969 | |||
Reader's Digest recording session | |||||
Cootie Williams, Willie Cook, Lloyd Michaels(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Norris Turney(cl,as,ts,fl); Russell Procope(cl,as); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,v); Wild Bill Davis(o);Paul Kondziela, Victor Gaskin(sb); Rufus Jones(d) | |||||
69-09-04-001 | Mister Lucky | Bb 09026-63953-2 | DE6934xa | ||
69-09-04-002 | -5 | Mister Lucky | Rdi RD4-112 | DE6934a | |
69-09-04-003 | -5 | Soon It’s Gonna Rain | Bb 09026-63953-2, Rdi RD4-106, Rdi RD4A-017 | DE6934b | |
69-09-04-004 | Moon Maiden - vDE | Bb 09026-63953-2 | DE6934xb | ||
69-09-04-005 | -5 | Moon Maiden | Bb 09026-63953-2 | DE6934c | |
69-09-04-006 | -1 | Walking Happy | Bb 09026-63953-2 | DE6934xc | |
69-09-04-007 | -2 | Walking Happy | Bb 09026-63953-2 | DE6934xd | |
69-09-04-008 | -3 | Walking Happy | Bb 09026-63953-2 | DE6934xe | |
69-09-04-009 | -4 | Walking Happy | Bb 09026-63953-2 | DE6934xf | |
69-09-04-010 | -6 | Walking Happy | Bb 09026-63953-2 | DE6934xg | |
69-09-04-011 | -7 | Walking Happy | Bb 09026-63953-2, Rdi RD4A-017 | DE6934d | |
69-09-04-012 | -4/8 | Alfie | Bb 09026-63953-2, Rdi RD4-112 | DE6934e | |
DUKE ELLINGTON AND Toney Watkins | New York City, NY | 10 September 1969 | |||
Duke Ellington recording session | |||||
Duke Ellington(p); Toney Watkins(v) | |||||
69-09-10-001 | 01 | To Know You Is To Love You - vTW | DE6935a | ||
69-09-10-002 | 02 | To Know You Is To Love You | DE6935b | ||
69-09-10-003 | 03 | To Know You Is To Love You - vTW | DE6935c | ||
69-09-10-004 | 04 | To Know You Is To Love You - vTW | DE6935d | ||
69-09-10-005 | 05 | To Know You Is To Love You - vTW | MM 5041-2C(D) | DE6935e | |
69-09-10-006 | 06 | To Know You Is To Love You - vTW | DE6935f | ||
Duke Ellington(p); Rufus Jones(d); Toney Watkins(v) | |||||
69-09-10-007 | Pretty People’s Plea - vTW | DE6935g | |||
69-09-10-008 | Tell Me It’s The Truth - vTW | DE6935h | |||
Duke Ellington(p); Toney Watkins(v) | |||||
69-09-10-009 | 07 | To Know You Is To Love You - vTW | DE6935i | ||
69-09-10-010 | 08 | To Know You Is To Love You | DE6935j | ||
69-09-10-011 | 09 | To Know You Is To Love You - vTW | DE6935k | ||
69-09-10-012 | 10 | To Know You Is To Love You - vTW | DE6935l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 18 September 1969 | |||
Sherman House Grand Ballroom | |||||
Cootie Williams, Cat Anderson, Willie Cook, Mercer Ellington(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Russell Procope(cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-09-18-001 | Main Stem | DE6936a | |||
69-09-18-002 | Worksong | DE6936b | |||
69-09-18-003 | ¬ Caravan | DE6936c | |||
69-09-18-004 | - | Black Beauty | DE6936d | |||
69-09-18-005 | _|West Indian Dance | DE6936e | |||
69-09-18-006 | Take The “A” Train | DE6936f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 27 September 1969 | |||
1st concert, Mountview Boulevard Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Willie Cook, Mercer Ellington(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Russell Procope(cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Devonne Gardner, Nanice Lund, Roscoe Gill, Toney Watkins, n/k choir(v) | |||||
SECOND SACRED CONCERT | |||||
69-09-27-001 |
| DE6937a | |||
69-09-27-002 |
| DE6937b | |||
69-09-27-003 |
| DE6937c | |||
69-09-27-004 |
| DE6937d | |||
69-09-27-005 |
| DE6937e | |||
69-09-27-006 |
| DE6937f | |||
69-09-27-007 |
| DE6937g | |||
69-09-27-008 |
| DE6937h | |||
69-09-27-009 |
| DE6937i | |||
69-09-27-010 |
| DE6937j | |||
69-09-27-011 |
| DE6937k | |||
69-09-27-012 |
| DE6937l | |||
69-09-27-013 |
| DE6937m | |||
69-09-27-014 |
| DE6937n | |||
Toney Watkins(v) solo | |||||
69-09-27-015 | The Preacher’s Song - vTW | DE6937o | |||
As Before | |||||
69-09-27-016 | In The Beginning God - vCHO | DE6937p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Denver, CO | 27 September 1969 | |||
2nd concert, Mountview Boulevard Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Willie Cook, Mercer Ellington(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Russell Procope(cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Devonne Gardner, Nanice Lund, Roscoe Gill, Toney Watkins, n/k choir(v) | |||||
SECOND SACRED CONCERT | |||||
69-09-27-017 |
| DE6938a | |||
69-09-27-018 |
| DE6938b | |||
69-09-27-019 |
| DE6938c | |||
69-09-27-020 |
| DE6938d | |||
69-09-27-021 |
| DE6938e | |||
69-09-27-022 |
| DE6938f | |||
69-09-27-023 |
| DE6938g | |||
69-09-27-024 |
| DE6938h | |||
69-09-27-025 |
| DE6938i | |||
69-09-27-026 |
| DE6938j | |||
69-09-27-027 |
| DE6938k | |||
69-09-27-028 |
| DE6938l | |||
69-09-27-029 |
| DE6938m | |||
69-09-27-030 |
| DE6938n | |||
Toney Watkins(v) solo | |||||
69-09-27-031 | The Preacher’s Song - vTW | DE6938o | |||
As Before | |||||
69-09-27-032 | In The Beginning God - vCHO | DE6938p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berkley, CA | 29 September 1969 | |||
Concert, Zellerbach Auditorium, University of California | |||||
Cootie Williams, Cat Anderson, Willie Cook, Mercer Ellington(t); Lawrence Brown, Benny Green(tb); Chuck Connors(btb); Russell Procope(cl,as); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p,tk); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-09-29-001 | The Clown | DE6939a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 28 October 1969 | |||
Concert, Teatro Lirico | |||||
Cootie Williams, Cat Anderson, Oscar Valdambrini, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-10-28-001 | Take The “A” Train (theme) | DE6940a | |||
69-10-28-002 | ¬ Kinda Dukish | DE6940b | |||
69-10-28-003 | _|Rockin’ In Rhythm | DE6940c | |||
69-10-28-004 | 4:30 Blues | DE6940d | |||
69-10-28-005 | Take The “A” Train | DE6940e | |||
69-10-28-006 | B.P. Blues | DE6940f | |||
69-10-28-007 | Up Jump | DE6940g | |||
69-10-28-008 | El Gato | DE6940h | |||
69-10-28-009 | Birth Of The Blues | DE6940i | |||
69-10-28-010 | Passion Flower | DE6940j | |||
69-10-28-011 | Things Ain’t What They Used To Be | DE6940k | |||
69-10-28-012 | Laying On Mellow | DE6940l | |||
69-10-28-013 | Summer Samba | DE6940m | |||
69-10-28-014 | April In Paris | DE6940n | |||
69-10-28-015 | April In Paris | DE6940o | |||
69-10-28-016 | Come Off The Veldt | DE6940p | |||
Add Paul Gonsalves(ts) | |||||
69-10-28-017 | Satin Doll | DE6940q | |||
69-10-28-018 | Making That Scene - vTW | DE6940r | |||
69-10-28-019 | It Don’t Mean A Thing - vTW | DE6940s | |||
69-10-28-020 | Be Cool And groovy For Me - vTW | DE6940t | |||
69-10-28-021 | Sophisticated Lady | DE6940u | |||
69-10-28-022 | ¬ Diminuendo In Blue | DE6940v | |||
69-10-28-023 | _|Wailing Interval | DE6940w | |||
69-10-28-024 | Satin Doll | DE6940x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Praha, CZ | 30 October 1969 | |||
Concert, Lucerna divadlo | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-10-30-001 | Take The “A” Train (theme) | DE6941a | |||
69-10-30-002 | ¬ Black And Tan Fantasy | DE6941b | |||
69-10-30-003 | - | Creole Love Call | DE6941c | |||
69-10-30-004 | _|The Mooch | DE6941d | |||
69-10-30-005 | Up Jump | DE6941e | |||
69-10-30-006 | Take The “A” Train | DE6941f | |||
69-10-30-007 | La Plus Belle Africaine | DE6941g | |||
69-10-30-008 | Come Off The Veldt | DE6941h | |||
Medley | DE6941i | ||||
69-10-30-009 | - 1. Do Nothin’ Till You Hear From Me | ||||
69-10-30-010 | - 2. Just Squeeze Me | ||||
69-10-30-011 | - 3. I Let A Song Go Out Of My Heart | ||||
69-10-30-012 | - 4. Don’t Get Around Much Anymore | ||||
69-10-30-013 | - 5. Mood Indigo | ||||
69-10-30-014 | - 6. I’m Beginning To See The Light | ||||
69-10-30-015 | - 7. Solitude - vTW | ||||
69-10-30-016 | - 8. It Don’t Mean A Thing - vTW | ||||
69-10-30-017 | - 9. Be Cool And Groovy For Me - vTW | ||||
69-10-30-018 | - 10. Sophisticated Lady | ||||
69-10-30-019 | Satin Doll | DE6941j | |||
69-10-30-020 | April In Paris | DE6941k | |||
69-10-30-021 | April In Paris | DE6941l | |||
69-10-30-022 | Moon Maiden | DE6941m | |||
69-10-30-023 | El Gato | DE6941n | |||
69-10-30-024 | Passion Flower | DE6941o | |||
69-10-30-025 | Things Ain’t What They Used To Be | DE6941p | |||
69-10-30-026 | I Got It Bad | DE6941q | |||
69-10-30-027 | Drag | DE6941r | |||
69-10-30-028 | ¬ Kinda Dukish | DE6941s | |||
69-10-30-029 | _|Rockin’ In Rhythm | DE6941t | |||
69-10-30-030 | ¬ Diminuendo In Blue | DE6941u | |||
69-10-30-031 | _|Wailing Interval | DE6941v | |||
69-10-30-032 | C-Jam Blues | DE6941w | |||
69-10-30-033 | Satin Doll | DE6941x | |||
DUKE ELLINGTON | Wein, A | 31 October 1969 | |||
Broadcast, Stadthalle | |||||
Duke Ellington, Fatty George(tk) | |||||
69-10-31-001 | Interview by George | DE6942a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wein, A | 31 October 1969 | |||
Concert, Stadthalle | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-10-31-002 | Take The “A” Train (theme) | DE6943a | |||
69-10-31-003 | 4:30 Blues | DE6943b | |||
69-10-31-004 | Take The “A” Train | DE6943c | |||
69-10-31-005 | Up Jump | DE6943d | |||
69-10-31-006 | La Plus Belle Africaine | DE6943e | |||
69-10-31-007 | Come Off The Veldt | DE6943f | |||
69-10-31-008 | El Gato | DE6943g | |||
69-10-31-009 | Black Butterfly | DE6943h | |||
69-10-31-010 | Drag | DE6943i | |||
69-10-31-011 | Satin Doll | DE6943j | |||
69-10-31-012 | Satin Doll | DE6943k | |||
69-10-31-013 | The Blues - vTW | DE6943l | |||
69-10-31-014 | It Don’t Mean A Thing - vTW | DE6943m | |||
69-10-31-015 | Satin Doll | DE6943n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 01 November 1969 | |||
1st Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges (as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-01-001 | ¬ Kinda Dukish | DE6944a | |||
69-11-01-002 | _|Rockin’ In Rhythm | DE6944b | |||
69-11-01-003 | Black And Tan Fantasy | JMY 1011-2 | DE6944c | ||
69-11-01-004 | Caravan | JMY 1011-2 | DE6944d | ||
69-11-01-005 | Up Jump | JMY 1011-2 | DE6944e | ||
69-11-01-006 | Take The “A” Train | JMY 1011-2 | DE6944f | ||
69-11-01-007 | Honeysuckle Rose | BJa BJ-003CD, JMY 1011-2 | DE6944g | ||
69-11-01-008 | B.P. Blues | BJa BJ-003CD, JMY 1011-2 | DE6944h | ||
69-11-01-009 | Perdido | JMY 1011-2 | DE6944i | ||
69-11-01-010 | El Gato | JMY 1011-2 | DE6944j | ||
69-11-01-011 | Black Butterfly | JMY 1011-2 | DE6944k | ||
69-11-01-012 | Things Ain’t What They Used To Be | JMY 1011-2 | DE6944l | ||
69-11-01-013 | Satin Doll | JMY 1011-2 | DE6944m | ||
69-11-01-014 | Sophisticated Lady | JMY 1011-2 | DE6944n | ||
69-11-01-015 | C-Jam Blues | DE6944o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 01 November 1969 | |||
2nd Concert, Salle Pleyel | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Ambrose Jackson, Harold "Money" Johnson(t); Lawrence Brown, François Guin(tb); Chuck Connors(btb); Russell Procope (cl,as); NorrisTurney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-01-016 | Take The “A” Train (theme) | By VX-6031 | DE6945a | ||
69-11-01-017 | ¬ Kinda Dukish | DE6945b | |||
69-11-01-018 | _|Rockin’ In Rhythm | DE6945c | |||
69-11-01-019 | Black And Tan Fantasy | DE6945d | |||
69-11-01-020 | B.P. Blues | By VX-6031 | DE6945e | ||
69-11-01-021 | Take The “A” Train | By VX-6031 | DE6945f | ||
69-11-01-022 | Up Jump | By VX-6031 | DE6945g | ||
69-11-01-023 | La Plus Belle Africaine | DE6945h | |||
69-11-01-024 | Come Off The Veldt | By VX-6031 | DE6945i | ||
69-11-01-025 | Black Butterfly | By VX-6031 | DE6945j | ||
69-11-01-026 | Things Ain’t What They Used To Be | By VX-6031 | DE6945k | ||
69-11-01-027 | El Gato | By VX-6031 | DE6945l | ||
69-11-01-028 | Satin Doll | By VX-6031 | DE6945m | ||
69-11-01-029 | Making That Scene - vTW | By VX-6031 | DE6945n | ||
69-11-01-030 | Solitude - vTW | By VX-6031 | DE6945o | ||
69-11-01-031 | It Don’t Mean A Thing - vTW | By VX-6031 | DE6945p | ||
69-11-01-032 | Be Cool And Groovy For Me - vTW | By VX-6031 | DE6945q | ||
Add Don Byas(ts) | |||||
69-11-01-033 | ¬ Diminuendo In Blue | By VX-6031 | DE6945r | ||
69-11-01-034 | _|Wailing Interval | By VX-6031 | DE6945s | ||
Don Byas out | |||||
69-11-01-035 | Satin Doll | By VX-6031 | DE6945t | ||
Add Don Byas, Archie Shepp(ts) | |||||
69-11-01-036 | C-Jam Blues | BJa BJ-003CD, IGDJ GJ-1 | DE6945u | ||
Don Byas, Archie Shepp out | |||||
69-11-01-037 | Sophisticated Lady | By VX-6031 | DE6945v | ||
69-11-01-038 | Honeysuckle Rose | By VX-6031 | DE6945w | ||
69-11-01-039 | Take The “A” Train | DE6945x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhaven, DK | 02 November 1969 | |||
Concert, Tivolis Koncertsal | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-02-001 | C-Jam Blues | DE6946a | |||
69-11-02-002 | ¬ Kinda Dukish | DE6946b | |||
69-11-02-003 | _|Rockin’ In Rhythm | DE6946c | |||
69-11-02-004 | 4:30 Blues | DE6946d | |||
69-11-02-005 | Take The “A” Train | DE6946e | |||
69-11-02-006 | Up Jump | DE6946f | |||
69-11-02-007 | La Plus Belle Africaine | DE6946g | |||
69-11-02-008 | Come Off The Veldt | DE6946h | |||
69-11-02-009 | El Gato | DE6946i | |||
69-11-02-010 | Black Butterfly | DE6946j | |||
69-11-02-011 | Things Ain’t What They Used To Be | DE6946k | |||
69-11-02-012 | Drag | DE6946l | |||
69-11-02-013 | Summer Samba | DE6946m | |||
69-11-02-014 | Satin Doll | DE6946n | |||
Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-02-015 | Come Sunday - vTW | DE6946o | |||
As before | |||||
69-11-02-016 | It Don’t Mean A Thing - vTW | DE6946p | |||
69-11-02-017 | Be Cool And Groovy For Me - vTW | DE6946q | |||
69-11-02-018 | ¬ Diminuendo In Blue | DE6946r | |||
69-11-02-019 | _|Wailing Interval | DE6946s | |||
69-11-02-020 | Satin Doll | DE6946t | |||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-02-021 | Black Swan | DE6946u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhaven, DK | 03 November 1969 | |||
Concert, Tivolis Koncertsal | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Harold "Money" Johnson(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-03-001 | Take The “A” Train | DE6947a | |||
69-11-03-002 | Cotton Tail | DE6947b | |||
69-11-03-003 | Up Jump | DE6947c | |||
69-11-03-004 | La Plus Belle Africaine | DE6947d | |||
69-11-03-005 | Come Off The Veldt | DE6947e | |||
69-11-03-006 | El Gato | DE6947f | |||
69-11-03-007 | Don’t Get Around Much Anymore | DE6947g | |||
69-11-03-008 | Solitude - vTW | DE6947h | |||
69-11-03-009 | It Don’t Mean A Thing - vTW | DE6947i | |||
69-11-03-010 | Be Cool And Groovy For Me - vTW | DE6947j | |||
69-11-03-011 | Ocht O’Clock Rock | DE6947k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 04 November 1969 | |||
1st Concert, Kongresshallen | |||||
Cootie Williams, Cat Anderson, Ambrose Jackson, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-04-001 | C-Jam Blues | DE6948xa | |||
69-11-04-002 | ¬ Kinda Dukish | DE6948a | |||
69-11-04-003 | _|Rockin’ In Rhythm | DE6948b | |||
Lawrence Brown(tb); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-04-004 | Serenade To Sweden | DE6948c | |||
As before | |||||
69-11-04-005 | Take The “A” Train | DE6948d | |||
69-11-04-006 | Up Jump | DE6948e | |||
69-11-04-007 | El Gato | DE6948f | |||
69-11-04-008 | Black Butterfly | DE6948g | |||
69-11-04-009 | Things Ain’t What They Used To Be | DE6948h | |||
69-11-04-010 | Don’t Get Around Much Anymore | DE6948i | |||
Medley | DE6948j | ||||
69-11-04-011 | - 1. Caravan | ||||
69-11-04-012 | - 2. Mood Indigo | ||||
69-11-04-013 | - 3. I’m Beginning To See The Light | ||||
69-11-04-014 | - 4. Solitude - vTW | ||||
69-11-04-015 | - 5. It Don’t Mean A Thing - vTW | ||||
69-11-04-016 | Sophisticated Lady | DE6948k | |||
69-11-04-017 | It Don’t Mean A Thing | DE6948l | |||
69-11-04-018 | Come Off The Veldt | DE6948m | |||
69-11-04-019 | Satin Doll | DE6948n | |||
69-11-04-020 | Satin Doll | DE6948o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 04 November 1969 | |||
2nd Concert, Kongresshallen | |||||
Cootie Williams, Cat Anderson, Ambrose Jackson, Mercer Ellington(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-04-021 | C-Jam Blues | DE6949a | |||
69-11-04-022 | Fife | DE6949b | |||
69-11-04-023 | I Can’t Get Started | DE6949c | |||
69-11-04-024 | B.P. Blues | DE6949d | |||
Lawrence Brown(tb); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-04-025 | Serenade To Sweden | DE6949e | |||
As before | |||||
69-11-04-026 | Take The “A” Train | DE6949f | |||
69-11-04-027 | Up Jump | DE6949g | |||
69-11-04-028 | La Plus Belle Africaine | DE6949h | |||
69-11-04-029 | Come Off The Veldt | DE6949i | |||
69-11-04-030 | Black Butterfly | DE6949j | |||
69-11-04-031 | Things Ain’t What They Used To Be | DE6949k | |||
69-11-04-032 | El Gato | DE6949l | |||
69-11-04-033 | Don’t Get Around Much Anymore | DE6949m | |||
Medley | DE6949n | ||||
69-11-04-034 | - 1. Caravan | ||||
69-11-04-035 | - 2. Mood Indigo | ||||
69-11-04-036 | - 3. I’m Beginning To See The Light | ||||
69-11-04-037 | - 4. Solitude - vTW | ||||
69-11-04-038 | - 5. It Don’t Mean A Thing - vTW | ||||
69-11-04-039 | - 6. Be Cool And Groovy For Me - vTW | ||||
69-11-04-040 | Satin Doll | DE6949o | |||
69-11-04-041 | ¬ Kinda Dukish | DE6949p | |||
69-11-04-042 | _|Rockin’ In Rhythm | DE6949q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 05 November 1969 | |||
Rehearsal session, Gustav Vasa Kyrkan | |||||
Cootie Williams, Cat Anderson, Ambrose Jackson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown, Gunnar Medberg(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Alice Babs, Toney Watkins, Swedish Radio Choir(v) | |||||
69-11-05-001 | T.G.T.T. - vABa | DE6950a | |||
69-11-05-002 | Praise God And Dance (Opening theme) | DE6950b | |||
69-11-05-003 | Praise God And Dance (Opening theme) | DE6950c | |||
69-11-05-004 | Supreme Being | DE6950d | |||
69-11-05-005 | The Biggest | DE6950e | |||
69-11-05-006 | T.G.T.T. | DE6950f | |||
69-11-05-007 | T.G.T.T. | DE6950g | |||
69-11-05-008 | T.G.T.T. - vABa | DE6950h | |||
69-11-05-009 | In The Beginning God - vSRC | DE6950i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 05 November 1969 | |||
Concert, Gustav Vasa Kyrkan | |||||
Cootie Williams, Cat Anderson, Ambrose Jackson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown, Gunnar Medberg(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Alice Babs, Toney Watkins, Swedish Radio Choir(v) | |||||
SECOND SACRED CONCERT | |||||
69-11-05-010 |
| DE6951a | |||
69-11-05-011 |
| DE6951b | |||
69-11-05-012 |
| DE6951c | |||
69-11-05-013 |
| DE6951d | |||
69-11-05-014 |
| DE6951e | |||
69-11-05-015 |
| DE6951f | |||
69-11-05-016 |
| DE6951g | |||
69-11-05-017 |
| DE6951h | |||
69-11-05-018 |
| DE6951i | |||
69-11-05-019 |
| DE6951j | |||
69-11-05-020 |
| DE6951k | |||
69-11-05-021 |
| DE6951l | |||
69-11-05-022 |
| DE6951m | |||
69-11-05-023 |
| DE6951n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Rotterdam, NL | 07 November 1969 | |||
1st Concert, De Doelen | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-07-001 | Take The “A” Train (theme) | DE6952a | |||
69-11-07-002 | ¬ Kinda Dukish | DE6952b | |||
69-11-07-003 | _|Rockin’ In Rhythm | DE6952c | |||
69-11-07-004 | Take The “A” Train | DE6952d | |||
69-11-07-005 | Up Jump | DE6952e | |||
69-11-07-006 | La Plus Belle Africaine | DE6952f | |||
69-11-07-007 | Come Off The Veldt | DE6952g | |||
69-11-07-008 | El Gato | DE6952h | |||
69-11-07-009 | Black Butterfly | DE6952i | |||
69-11-07-010 | Things Ain’t What They Used To Be | DE6952j | |||
69-11-07-011 | Don’t Get Around Much Anymore | DE6952k | |||
Medley | DE6952l | ||||
69-11-07-012 | - 1. Caravan | ||||
69-11-07-013 | - 2. I’m Beginning To See The Light | ||||
69-11-07-014 | - 3. Solitude - vTW | ||||
69-11-07-015 | - 4. It Don’t Mean A Thing - vTW | ||||
69-11-07-016 | - 5. Be Cool And Groovy For Me - vTW | ||||
69-11-07-017 | - 6. Sophisticated Lady | ||||
69-11-07-018 | April In Paris | DE6952m | |||
69-11-07-019 | R.T.M. | DE6952n | |||
69-11-07-020 | ¬ Diminuendo In Blue | DE6952o | |||
69-11-07-021 | _|Wailing Interval | DE6952p | |||
69-11-07-022 | Satin Doll | DE6952q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Rotterdam, NL | 07 November 1969 | |||
2nd Concert, De Doelen | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown, Aake Persson(tb); Chuck Connors(btb); Russell Procope (cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-07-023 | Take The “A” Train (theme) | Sv 101-8440 | DE6953a | ||
69-11-07-024 | C-Jam Blues | Sv 101-8440 | DE6953b | ||
69-11-07-025 | ¬ Kinda Dukish | Sv 101-8440 | DE6953c | ||
69-11-07-026 | _|Rockin’ In Rhythm | Sv 101-8440 | DE6953d | ||
69-11-07-027 | Take The “A” Train | Sv 101-8440 | DE6953e | ||
69-11-07-028 | Up Jump | Sv 101-8440 | DE6953f | ||
69-11-07-029 | La Plus Belle Africaine | Sv 101-8440 | DE6953g | ||
69-11-07-030 | Come Off The Veldt | Sv 101-8440 | DE6953h | ||
69-11-07-031 | El Gato | Sv 101-8440 | DE6953i | ||
69-11-07-032 | Black Butterfly | Sv 101-8440 | DE6953j | ||
69-11-07-033 | Things Ain’t What They Used To Be | Sv 101-8440 | DE6953k | ||
69-11-07-034 | Don’t Get Around Much Anymore | Sv 101-8440 | DE6953l | ||
Medley | DE6953m | ||||
69-11-07-035 | - 1. Caravan | Sv 101-8440 | |||
69-11-07-036 | - 2. Mood Indigo | Sv 101-8440 | |||
69-11-07-037 | - 3. Sophisticated Lady | Sv 101-8440 | |||
69-11-07-038 | Making That Scene - vTW | Sv 101-8440 | DE6953n | ||
69-11-07-039 | It Don’t Mean A Thing - vTW | Sv 101-8440 | DE6953o | ||
69-11-07-040 | Be Cool And Groovy For Me - vTW | Sv 101-8440 | DE6953p | ||
69-11-07-041 | Satin Doll | Sv 101-8440 | DE6953q | ||
69-11-07-042 | Satin Doll | Sv 101-8440 | DE6953r | ||
69-11-07-043 | R.T.M. | Sv 101-8440 | DE6953s | ||
69-11-07-044 | Wailing Interval | Sv 101-8440 | DE6953t | ||
69-11-07-045 | Satin Doll | Sv 101-8440 | DE6953u | ||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-07-046 | Black Swan | Sv 101-8445 | DE6953v | ||
69-11-07-047 | The Lake | Sv 101-8445 | DE6953w | ||
69-11-07-048 | Satin Doll | Sv 101-8445 | DE6953x | ||
69-11-07-049 | Just Squeeze Me | Sv 101-8445 | DE6953y | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 08 November 1969 | |||
Concert, Philharmonie | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-08-001 | Take The “A” Train (theme) | DE6954a | |||
69-11-08-002 | ¬ Kinda Dukish | DE6954b | |||
69-11-08-003 | _|Rockin’ In Rhythm | DE6954c | |||
69-11-08-004 | Take The “A” Train | DE6954d | |||
69-11-08-005 | Up Jump | DE6954e | |||
69-11-08-006 | La Plus Belle Africaine | DE6954f | |||
69-11-08-007 | Come Off The Veldt | DE6954g | |||
69-11-08-008 | El Gato | DE6954h | |||
69-11-08-009 | Black Butterfly | DE6954i | |||
69-11-08-010 | Things Ain’t What They Used To Be | DE6954j | |||
69-11-08-011 | Don’t Get Around Much Anymore | JD 11023(D) | DE6954k | ||
Medley | DE6954l | ||||
69-11-08-012 | - 1. Caravan | ||||
69-11-08-013 | - 2. Mood Indigo | ||||
69-11-08-014 | - 3. I’m Beginning To See The Light | ||||
69-11-08-015 | - 4. Solitude - vTW | ||||
69-11-08-016 | - 5. It Don’t Mean A Thing - vTW | ||||
69-11-08-017 | - 6. Sophisticated Lady | ||||
69-11-08-018 | April In Paris | DE6954m | |||
69-11-08-019 | Satin Doll | DE6954n | |||
69-11-08-020 | R.T.M. | DE6954o | |||
69-11-08-021 | ¬ Diminuendo In Blue | DE6954p | |||
69-11-08-022 | _|Wailing Interval | DE6954q | |||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-08-023 | Black Swan | DE6954r | |||
Norris Turney(fl); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-08-024 | Fife | DE6954xa | |||
Benny Bailey(t); Duke Ellington(p); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-08-025 | I Can’t Get Started | DE6954s | |||
Benny Bailey(t); Norris Turney(fl); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-08-026 | C-Jam Blues | DE6954t | |||
Duke Ellington(p) | |||||
69-11-08-027 | Meditation | DE6953xb | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Malmo, S | 09 November 1969 | |||
1st Concert, Stadtsteatern | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-09-001 | C-Jam Blues | DE6955a | |||
69-11-09-002 | ¬ Kinda Dukish | DE6955b | |||
69-11-09-003 | _|Rockin’ In Rhythm | DE6955c | |||
69-11-09-004 | 4:30 Blues | DE6955d | |||
69-11-09-005 | Serenade To Sweden | DE6955e | |||
69-11-09-006 | Fife | DE6955f | |||
69-11-09-007 | Take The “A” Train | DE6955g | |||
69-11-09-008 | Up Jump | DE6955h | |||
69-11-09-009 | La Plus Belle Africaine | DE6955i | |||
69-11-09-010 | Come Off The Veldt | DE6955j | |||
Medley | DE6955k | ||||
69-11-09-011 | - 1. Don’t You Know I Care | ||||
69-11-09-012 | - 2. Do Nothin’ Till You Hear From Me | ||||
69-11-09-013 | - 3. Just Squeeze Me | ||||
69-11-09-014 | - 4. Don’t Get Around Much Anymore | ||||
69-11-09-015 | - 5. Mood Indigo | ||||
69-11-09-016 | - 6. I’m Beginning To See The Light | ||||
69-11-09-017 | - 7. The Blues - vTW | ||||
69-11-09-018 | - 8. It Don’t Mean A Thing - vTW | ||||
69-11-09-019 | - 9. Sophisticated Lady | ||||
69-11-09-020 | - 10. Caravan | ||||
69-11-09-021 | Take The “A” Train | DE6955l | |||
69-11-09-022 | Jump For Joy | DE6955m | |||
69-11-09-023 | Satin Doll | DE6955n | |||
69-11-09-024 | Black Butterfly | DE6955o | |||
69-11-09-025 | Things Ain’t What They Used To Be | DE6955p | |||
69-11-09-026 | ¬ Diminuendo In Blue | DE6955q | |||
69-11-09-027 | _|Wailing Interval | DE6955r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Malmo, S | 09 November 1969 | |||
2nd Concert, Stadtsteatern | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-09-028 | C-Jam Blues | DE6956a | |||
69-11-09-029 | ¬ Kinda Dukish | DE6956b | |||
69-11-09-030 | _|Rockin’ In Rhythm | DE6956c | |||
69-11-09-031 | 4:30 Blues | DE6956d | |||
69-11-09-032 | Serenade To Sweden | DE6956e | |||
69-11-09-033 | Fife | DE6956f | |||
69-11-09-034 | Take The “A” Train | DE6956g | |||
69-11-09-035 | Up Jump | DE6956h | |||
69-11-09-036 | La Plus Belle Africaine | DE6956i | |||
69-11-09-037 | Come Off The Veldt | DE6956j | |||
Medley | DE6956k | ||||
69-11-09-038 | - 1. Don’t You Know I Care | ||||
69-11-09-039 | - 2. Do Nothin’ Till You Hear From Me | ||||
69-11-09-040 | - 3. Just Squeeze Me | ||||
69-11-09-041 | - 4. Don’t Get Around Much Anymore | ||||
69-11-09-042 | - 5. Mood Indigo | ||||
69-11-09-043 | - 6. I’m Beginning To See The Light | ||||
69-11-09-044 | - 7. The Blues - vTW | ||||
69-11-09-045 | - 8. Come Sunday - vTW | ||||
69-11-09-046 | - 9. Don’t Get Down On Your Knees - vTW | ||||
69-11-09-047 | - 10. Solitude | ||||
69-11-09-048 | - 11. I Let A Song Go Out Of My Heart | ||||
69-11-09-049 | - 12 .Sophisticated Lady | ||||
69-11-09-050 | - 13. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Køln, D | 10 November 1969 | |||
1st Concert, Opernhaus | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-10-001 | C-Jam Blues | DE6957a | |||
69-11-10-002 | ¬ Kinda Dukish | WW 2406 | DE6957b | ||
69-11-10-003 | _|Rockin’ In Rhythm | WW 2406 | DE6957c | ||
69-11-10-004 | 4:30 Blues | WW 2406 | DE6957d | ||
69-11-10-005 | Take The “A” Train | WW 2406 | DE6957e | ||
69-11-10-006 | Up Jump | WW 2406 | DE6957f | ||
69-11-10-007 | Satin Doll | WW 2406 | DE6957g | ||
69-11-10-008 | April In Paris | WW 2406 | DE6957h | ||
69-11-10-009 | April In Paris | WW 2406 | DE6957i | ||
69-11-10-010 | El Gato | WW 2406 | DE6957j | ||
69-11-10-011 | Black Butterfly | DE6957k | |||
69-11-10-012 | Things Ain’t What They Used To Be | DE6957l | |||
69-11-10-013 | Don’t Get Around Much Anymore | WW 2406 | DE6957m | ||
Medley | DE6957n | ||||
69-11-10-014 | - 1. Caravan | WW 2406 | |||
69-11-10-015 | - 2. Mood Indigo | WW 2406 | |||
69-11-10-016 | - 4. I’m Beginning To See The Light | ||||
69-11-10-017 | - 4 .Sophisticated Lady | ||||
69-11-10-018 | ¬ Diminuendo In Blue | WW 2406 | DE6957o | ||
69-11-10-019 | _|Wailing Interval | WW 2406 | DE6957p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Køln, D | 10 November 1969 | |||
2nd Concert, Opernhaus | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-10-020 | Take The “A” Train | DE6958a | |||
69-11-10-021 | The Biggest | DE6958b | |||
69-11-10-022 | B.P. Blues | DE6958c | |||
69-11-10-023 | Fife | DE6958d | |||
69-11-10-024 | Passion Flower | WW 2406 | DE6958e | ||
69-11-10-025 | Drag | WW 2406 | DE6958f | ||
69-11-10-026 | Laying On Mellow | DE6958g | |||
69-11-10-027 | The Blues - vTW | DE6958h | |||
69-11-10-028 | It Don’t Mean A Things - vTW | DE6958i | |||
69-11-10-029 | Be Cool And Groovy For Me - vTW | DE6958j | |||
69-11-10-030 | Birth Of The Blues | DE6958k | |||
69-11-10-031 | R.T.M. | DE6958l | |||
69-11-10-032 | Satin Doll | DE6958m | |||
DUKE ELLINGTON | Frankfurt-Höchst, D | 11 November 1969 | |||
Interview for AFN's "Weekend World", Jahrhunderthalle Concert Hall | |||||
Duke Ellington, Bill Swisher(tk) | |||||
69-11-11-001 | Interview by Bill Swisher (YT) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Pescara, I | 12 November 1969 | |||
Concert, Teatro Massimo | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-12-001 | Take The “A” Train (theme) | DE6959a | |||
69-11-12-002 | ¬ Kinda Dukish | DE6959b | |||
69-11-12-003 | _|Rockin’ In Rhythm | DE6959c | |||
69-11-12-004 | 4:30 Blues | DE6959d | |||
69-11-12-005 | B.P. Blues | DE6959e | |||
69-11-12-006 | Fife | DE6959f | |||
69-11-12-007 | Take The “A” Train | DE6959g | |||
69-11-12-008 | Fly Me To The Moon | DE6959h | |||
69-11-12-009 | Up Jump | DE6959i | |||
69-11-12-010 | La Plus Belle Africaine | DE6959j | |||
69-11-12-011 | Come Off The Veldt | DE6959k | |||
Medley | DE6959l | ||||
69-11-12-012 | - 1. Don’t You Know I Care | ||||
69-11-12-013 | - 2. Do Nothin’ Till You Hear From Me | ||||
69-11-12-014 | - 3. Just Squeeze Me | ||||
69-11-12-015 | - 4. Don’t Get Around Much Anymore | ||||
69-11-12-016 | - 5. Mood Indigo | ||||
69-11-12-017 | - 6. I’m Beginning To See The Light | ||||
69-11-12-018 | - 7. The Blues - vTW | ||||
69-11-12-019 | - 8. Solitude - vTW | ||||
69-11-12-020 | - 9. It Don’t Mean A Things - vTW | ||||
69-11-12-021 | - 10. Be Cool And Groovy For Me - vTW | ||||
69-11-12-022 | Organ Rag | DE6959m | |||
69-11-12-023 | Satin Doll | DE6959n | |||
69-11-12-024 | R.T.M. | DE6959o | |||
69-11-12-025 | El Gato | DE6959p | |||
69-11-12-026 | Star Crossed Lovers | DE6959q | |||
69-11-12-027 | Things Ain’t What They Used To Be | DE6959r | |||
69-11-12-028 | Black Butterfly | DE6959s | |||
69-11-12-029 | Drag | DE6959t | |||
69-11-12-030 | ¬ Diminuendo In Blue | DE6959u | |||
69-11-12-031 | _|Wailing Interval | DE6959v | |||
69-11-12-032 | C-Jam Blues | DE6959w | |||
Norris Turney(fl,cl,as,ts); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-12-033 | Black Swan | DE6959x | |||
69-11-12-034 | April In Paris | DE6959y | |||
69-11-12-035 | Blues Turney | DE6959z | |||
Duke Ellington(p); Victor Gaskin(sb | |||||
69-11-12-036 | Meditation | DE6959aa | |||
Duke Ellington(p); Wild Bill Davis(o) | |||||
69-11-12-037 | East St. Louis Toodle-O | DE6959ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bologna, I | 13 November 1969 | |||
Concert, Palazzo Dello Sport | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-13-001 | C-Jam Blues | DE6960a | |||
69-11-13-002 | ¬ Kinda Dukish | DE6960b | |||
69-11-13-003 | _|Rockin’ In Rhythm | DE6960c | |||
69-11-13-004 | Take The “A” Train | DE6960d | |||
69-11-13-005 | Up Jump | DE6960e | |||
69-11-13-006 | El Gato | DE6960f | |||
69-11-13-007 | Black Butterfly | DE6960g | |||
69-11-13-008 | Things Ain’t What They Used To Be | DE6960h | |||
69-11-13-009 | Laying On Mellow | DE6960i | |||
69-11-13-010 | Satin Doll | DE6960j | |||
69-11-13-011 | R.T.M. | DE6960k | |||
Medley | DE6960l | ||||
69-11-13-012 | - 1. Don’t You Know I Care | ||||
69-11-13-013 | - 2. In A Sentimental Mood | ||||
69-11-13-014 | - 3. Prelude To A Kiss | ||||
69-11-13-015 | - 4. I Let A Song Go Out Of My Heart | ||||
69-11-13-016 | - 5. Do Nothin’ Till You Hear From Me | ||||
69-11-13-017 | - 6. Just Squeeze Me | ||||
69-11-13-018 | - 7. Don’t Get Around Much Anymore | ||||
69-11-13-019 | - 8. Mood Indigo | ||||
69-11-13-020 | - 9. I’m Beginning To See The Light | ||||
69-11-13-021 | - 10. The Blues - vTW | ||||
69-11-13-022 | - 11. Solitude - vTW | ||||
69-11-13-023 | - 12. It Don’t Mean A Things - vTW | ||||
69-11-13-024 | - 13. Be Cool And Groovy For Me - vTW | ||||
69-11-13-025 | - 14. Sophisticated Lady | ||||
69-11-13-026 | - 15 .Caravan | ||||
69-11-13-027 | ¬ Diminuendo In Blue | DE6960m | |||
69-11-13-028 | _|Wailing Interval | DE6960n | |||
69-11-13-029 | Satin Doll | DE6960o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lausanne, CH | 15 November 1969 | |||
Concert, Thátre De Beaulieu | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-15-001 | Come Sunday - vTW | DE6961a | |||
69-11-15-002 | Don’t Get Down On Your Knees - vTW | DE6961b | |||
69-11-15-003 | Satin Doll | DE6961c | |||
69-11-15-004 | R.T.M. | DE6961d | |||
69-11-15-005 | El Gato | DE6961e | |||
69-11-15-006 | Black Butterfly | DE6961f | |||
69-11-15-007 | Things Ain’t What They Used To Be | DE6961g | |||
69-11-15-008 | Fife | DE6961h | |||
Norris Turney(fl,cl,as,ts); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-15-009 | Black Swan | DE6961i | |||
69-11-15-010 | April In Paris | DE6961j | |||
69-11-15-011 | April In Paris | DE6961k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lausanne, CH | 15 November 1969 | |||
Concert, Victoria Halle | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington, Benny Bailey(t); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-15-012 | C-Jam Blues | DE6962a | |||
69-11-15-013 | ¬ Kinda Dukish | DE6962b | |||
69-11-15-014 | _|Rockin’ In Rhythm | DE6962c | |||
69-11-15-015 | 4:30 Blues | DE6962d | |||
69-11-15-016 | Take The “A” Train | DE6962e | |||
69-11-15-017 | Up Jump | DE6962f | |||
69-11-15-018 | La Plus Belle Africaine | DE6962g | |||
69-11-15-019 | Come Off The Veldt | DE6962h | |||
Medley | DE6962i | ||||
69-11-15-020 | - 1. Don’t You Know I Care | ||||
69-11-15-021 | - 2. In A Sentimental Mood | ||||
69-11-15-022 | - 3. Prelude To A Kiss | ||||
69-11-15-023 | - 4. I Let A Song Go Out Of My Heart | ||||
69-11-15-024 | - 5. Do Nothin’ Till You Hear From Me | ||||
69-11-15-025 | - 6. Just Squeeze Me | ||||
69-11-15-026 | - 7. Jig Walk | ||||
69-11-15-027 | - 8. Don’t Get Around Much Anymore | ||||
69-11-15-028 | - 9. Mood Indigo | ||||
69-11-15-029 | - 10. I’m Beginning To See The Light | ||||
69-11-15-030 | - 11. The Blues - vTW | ||||
69-11-15-031 | - 12. Solitude - vTW | ||||
69-11-15-032 | - 13. It Don’t Mean A Things - vTW | ||||
69-11-15-033 | - 14. Be Cool And Groovy For Me - vTW | ||||
69-11-15-034 | - 15. Sophisticated Lady | ||||
69-11-15-035 | - 16 .Caravan | ||||
69-11-15-036 | Take The “A” Train (theme) | DE6962j | |||
69-11-15-037 | Satin Doll | DE6962k | |||
69-11-15-038 | R.T.M. | DE6962l | |||
69-11-15-039 | El Gato | DE6962m | |||
69-11-15-040 | Black Butterfly | DE6962n | |||
69-11-15-041 | Things Ain’t What They Used To Be | DE6962o | |||
69-11-15-042 | I Got It Bad | DE6962p | |||
69-11-15-043 | ¬ Diminuendo In Blue | DE6962q | |||
69-11-15-044 | _|Wailing Interval | DE6962r | |||
Duke Ellington(p); Victor Gaskin(sb) | |||||
69-11-15-045 | Meditation | DE6962s | |||
As before | |||||
69-11-15-046 | Fife | DE6962t | |||
Norris Turney(fl,cl,as,ts); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-15-047 | Black Swan | DE6962u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 16 November 1969 | |||
Rehearsal session, Eglise St. Sulpice | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Alice Babs, Toney Watkins, The Swingle Singers(v) | |||||
69-11-16-001 | Praise God And Dance (Opening Theme) | DE6963a | |||
69-11-16-002 | Something ‘Bout Believing - vTSS | DE6963b | |||
69-11-16-003 | Supreme Being - vTSS | DE6963c | |||
69-11-16-004 | It’s Freedom - vABa, TW, TSS | DE6963d | |||
69-11-16-005 | Almighty God | DE6963e | |||
69-11-16-006 | Almighty God - vABa, TSS | DE6963f | |||
69-11-16-007 | Don’t Get Down On Your Knees | DE6963g | |||
69-11-16-008 | Father Forgive - vTSS | DE6963h | |||
69-11-16-009 | Praise God And Dance - vABa | DE6963i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 16 November 1969 | |||
Concert, Eglise St. Sulpice | |||||
Cootie Williams, Cat Anderson, Nelson Williams, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Alice Babs, Toney Watkins, The Swingle Singers(v) | |||||
SECOND SACRED CONCERT | |||||
69-11-16-010 |
| DE6964a | |||
69-11-16-011 |
| DE6964b | |||
69-11-16-012 |
| DE6964c | |||
69-11-16-013 |
| DE6964d | |||
69-11-16-014 |
| DE6964e | |||
69-11-16-015 |
| DE6964f | |||
69-11-16-016 |
| DE6964g | |||
69-11-16-017 |
| DE6964h | |||
69-11-16-018 |
| DE6964i | |||
69-11-16-019 |
| DE6964j | |||
69-11-16-020 |
| DE6964k | |||
69-11-16-021 |
| DE6964l | |||
69-11-16-022 |
| DE6964m | |||
69-11-16-023 |
| DE6964n | |||
Toney Watkins(v) solo | |||||
69-11-16-024 | The Preacher’s Song | DE6964o | |||
As before | |||||
69-11-16-025 | In The Beginning God - vABa, TW, TSS | DE6964p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lyon, F | 17 November 1969 | |||
Concert, Theatre de la Cité | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
Medley | DE9021a | ||||
69-11-17-001 | - 1. Just Squeeze Me | ||||
69-11-17-002 | - 2. Don’t Get Around Much Anymore | ||||
69-11-17-003 | - 3. Mood Indigo | ||||
69-11-17-004 | - 4. I’m Beginning To See The Light | ||||
69-11-17-005 | - 5. The Blues - vTW | ||||
69-11-17-006 | - 6. Solitude - vTW | ||||
69-11-17-007 | - 7. It Don’t Mean A Thing - vTW | ||||
69-11-17-008 | - 8. Be Cool And Groovy For Me - vTW | ||||
69-11-17-009 | - 9. Sophisticated Lady | ||||
69-11-17-010 | - 10. Caravan | ||||
69-11-17-011 | Take The “A” Train | DE9021b | |||
69-11-17-012 | Satin Doll | DE9021c | |||
69-11-17-013 | R.T.M. | DE9021d | |||
69-11-17-014 | El Gato | DE9021e | |||
69-11-17-015 | Black Butterfly | DE9021f | |||
Johnny Hodges(as); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-17-016 | I Got It Bad | DE9021g | |||
As before | |||||
69-11-17-017 | Drag | DE9021h | |||
69-11-17-018 | Fife | DE9021i | |||
69-11-17-019 | Perdido | DE9021j | |||
Duke Ellington(p); Victor Gaskin(sb) | |||||
69-11-17-020 | Meditation | DE9021k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 20 November 1969 | |||
Concert, L'Alcazar | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-20-001 | ¬ Kinda Dukish | STJ SJ-1024 | DE6965a | ||
69-11-20-002 | _|Rockin’ In Rhythm | STJ SJ-1024 | DE6965b | ||
69-11-20-003 | Take The “A” Train | STJ SJ-1024 | DE6965c | ||
69-11-20-004 | A Day In The Life Of A Fool | STJ SJ-1024 | DE6965d | ||
69-11-20-005 | Things Ain’t What They Used To Be | STJ SJ-1024 | DE6965e | ||
69-11-20-006 | Summer Samba | STJ SJ-1024 | DE6965f | ||
69-11-20-007 | Satin Doll | STJ SJ-1024 | DE6965g | ||
69-11-20-008 | R.T.M. | STJ SJ-1024 | DE6965h | ||
69-11-20-009 | El Gato | STJ SJ-1024 | DE6965i | ||
69-11-20-010 | Sophisticated Lady | STJ SJ-1024 | DE6965j | ||
69-11-20-011 | Satin Doll | DE6965k | |||
69-11-20-012 | Happy Birthday To You | DE6965l | |||
69-11-20-013 | Fife | DE6965m | |||
69-11-20-014 | In A Sentimental Mood | STJ SJ-1024 | DE6965n | ||
69-11-20-015 | B.P. Blues | STJ SJ-1024 | DE6965o | ||
69-11-20-016 | ¬ Diminuendo In Blue | STJ SJ-1024 | DE6965p | ||
69-11-20-017 | _|Wailing Interval | STJ SJ-1024 | DE6965q | ||
69-11-20-018 | Satin Doll | DE6965r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 24 November 1969 | |||
Concert, L'Alcazar | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Alice Babs, Toney Watkins, Sant Jordi Choir(v) | |||||
SECOND SACRED CONCERT | |||||
69-11-24-001 |
| DE6966a | |||
69-11-24-002 |
| DE6966b | |||
69-11-24-003 |
| DE6966c | |||
69-11-24-004 |
| DE6966d | |||
69-11-24-005 |
| DE6966e | |||
69-11-24-006 |
| DE6966f | |||
69-11-24-007 |
| DE6966g | |||
69-11-24-008 |
| DE6966h | |||
69-11-24-009 |
| DE6966i | |||
69-11-24-010 |
| DE6966j | |||
69-11-24-011 |
| DE6966k | |||
69-11-24-012 |
| DE6966l | |||
69-11-24-013 |
| DE6966m | |||
69-11-24-014 |
| DE6966n | |||
Toney Watkins(v) solo | |||||
69-11-24-015 | The Preacher’s Song | DE6966o | |||
As before | |||||
69-11-24-016 | In The Beginning God - vABa, TW, SJC | DE6966p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bristol, GB | 25 November 1969 | |||
1st Concert, Colston Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-25-001 | 4:30 Blues | DE6967a | |||
69-11-25-002 | C-Jam Blues | DE6967b | |||
69-11-25-003 | Take The “A” Train | DE6967c | |||
69-11-25-004 | Azure Te | DE6967d | |||
69-11-25-005 | Satin Doll | DE6967e | |||
Medley | DE6967f | ||||
69-11-25-006 | - 1. Don’t You Know I Care | ||||
69-11-25-007 | - 2. In A Sentimental Mood | ||||
69-11-25-008 | - 3. Prelude To A Kiss | ||||
69-11-25-009 | - 4. I Let A Song Go Out Of My Heart | ||||
69-11-25-010 | - 5. Do Nothin’ Till You Hear From Me | ||||
69-11-25-011 | - 6. Just Squeeze Me | ||||
69-11-25-012 | - 7. Don’t Get Around Much Anymore | ||||
69-11-25-013 | - 8. Mood Indigo | ||||
69-11-25-014 | - 9. I’m Beginning To See The Light | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Bristol, GB | 25 November 1969 | |||
2nd Concert, Colston Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-25-015 | C-Jam Blues | DE6968a | |||
69-11-25-016 | ¬ Kinda Dukish | DE6968b | |||
69-11-25-017 | _|Rockin’ In Rhythm | DE6968c | |||
69-11-25-018 | B.P. Blues | DE6968d | |||
69-11-25-019 | Take The “A” Train | DE6968e | |||
69-11-25-020 | Tutti For Cootie | DE6968f | |||
69-11-25-021 | Up Jump | DE6968g | |||
69-11-25-022 | 4:30 Blues | DE6968h | |||
69-11-25-023 | El Gato | DE6968i | |||
69-11-25-024 | Black Butterfly | DE6968j | |||
69-11-25-025 | Things Ain’t What They Used To Be | DE6968k | |||
69-11-25-026 | Laying On Mellow | DE6968l | |||
69-11-25-027 | Satin Doll | SdS SS-19000(D)(S) | DE6968m | ||
69-11-25-028 | Medley | DE6968n | |||
69-11-25-029 | - 1. Mood Indigo | ||||
69-11-25-030 | - 2. I’m Beginning To See The Light | ||||
69-11-25-031 | - 3. The Blues - vTW | ||||
69-11-25-032 | - 4. It Don’t Mean A Thing - vTW | ||||
69-11-25-033 | - 5. Sophisticated Lady | ||||
69-11-25-034 | - 6. Caravan | ||||
69-11-25-035 | In Triplicate | DE6968o | |||
69-11-25-036 | Perdido | DE6968p | |||
69-11-25-037 | Fife | DE6968q | |||
Duke Ellington(p); Victor Gaskin(sb | |||||
69-11-25-038 | Meditation | DE6968r | |||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-25-039 | Black Swan | DE6968s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Manchester, GB | 26 November 1969 | |||
Concert, Free Trade Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-26-001 | ¬ Kinda Dukish | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969a | ||
69-11-26-002 | _|Rockin’ In Rhythm | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969b | ||
69-11-26-003 | B.P. Blues | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969c | ||
69-11-26-004 | Take The “A” Train | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969d | ||
69-11-26-005 | Tutti For Cootie | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969e | ||
69-11-26-006 | 4:30 Blues | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969f | ||
69-11-26-007 | El Gato | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969g | ||
69-11-26-008 | Black Butterfly | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969h | ||
69-11-26-009 | Things Ain’t What They Used To Be | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969i | ||
69-11-26-010 | Laying On Mellow | SdS SS-19000(D)(S), SqJ NED-CD-183(D), X-Str 1(T) | DE6969j | ||
69-11-26-011 | Azure Te | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969k | ||
69-11-26-012 | Medley | SqJ NED-CD-183(D) | DE6969l | ||
69-11-26-013 | - 1. Don’t You Know I Care | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-014 | - 2. In A Sentimental Mood | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-015 | - 3. Prelude To A Kiss | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-016 | - 4. I’m Just A Lucky So And So | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-017 | - 5. I Let A Song Go Out Of My Heart | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-018 | - 6. Do Nothin’ Till You Hear From Me | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-019 | - 7. Just Squeeze Me | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-020 | - 8. Jig Walk | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-021 | - 9. Don’t Get Around Much Anymore | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-022 | - 10. Mood Indigo | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-023 | - 11. Sophisticated Lady | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-024 | - 12 .Caravan | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | |||
69-11-26-025 | In Triplicate | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969m | ||
69-11-26-026 | Perdido | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969n | ||
69-11-26-027 | Fife | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969o | ||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-26-028 | Black Swan | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969p | ||
As Before | |||||
69-11-26-029 | Satin Doll | SdS SS-19000(D)(S), SqJ NED-CD-183(D) | DE6969q | ||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 29 November 1969 | |||
Concert, Hammersmith Odeon | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-29-001 | C-Jam Blues | DE6970a | |||
69-11-29-002 | Boo-Dah | DE6970b | |||
69-11-29-003 | Unidentified “N” | DE6970c | |||
69-11-29-004 | Smada | DE6970d | |||
69-11-29-005 | Tippytoeing Through The Jungle Garden | DE6970e | |||
69-11-29-006 | Kinda Dukish | DE6970f | |||
69-11-29-007 | Take The “A” Train | DE6970g | |||
69-11-29-008 | Up Jump | DE6970h | |||
69-11-29-009 | Rose Room | DE6970i | |||
69-11-29-010 | El Gato | DE6970j | |||
69-11-29-011 | Black Butterfly | DE6970k | |||
69-11-29-012 | Things Ain’t What They Used To Be | DE6970l | |||
69-11-29-013 | Take The “A” Train (theme) | DE6970m | |||
69-11-29-014 | Fife | DE6970n | |||
69-11-29-015 | Come Off The Veldt | DE6970o | |||
Medley | DE6970p | ||||
69-11-29-016 | - 1. Don’t You Know I Care | ||||
69-11-29-017 | - 2. In A Sentimental Mood | ||||
69-11-29-018 | - 3. Prelude To A Kiss | ||||
69-11-29-019 | - 4. I Let A Song Go Out Of My Heart | ||||
69-11-29-020 | - 5. Do Nothin’ Till You Hear From Me | ||||
69-11-29-021 | - 6. Just Squeeze Me | ||||
69-11-29-022 | - 7. Don’t Get Around Much Anymore | ||||
69-11-29-023 | - 8. Mood Indigo | ||||
69-11-29-024 | - 9. I’m Beginning To See The Light | ||||
69-11-29-025 | - 9. The Blues - vTW | ||||
69-11-29-026 | - 10. It Don’t Mean A Thing - vTW | ||||
69-11-29-027 | - 11 .I Got It Bad - vTW | ||||
69-11-29-028 | - 12 . Be Cool And Groovy For Me - vTW | ||||
69-11-29-029 | - 13. Sophisticated Lady | ||||
69-11-29-030 | - 14.Caravan | ||||
69-11-29-031 | In Triplicate | DE6970q | |||
69-11-29-032 | Perdido | DE6970r | |||
69-11-29-033 | R.T.M. | DE6970s | |||
Duke Ellington(p); Victor Gaskin(sb | |||||
69-11-29-034 | Meditation | DE6970t | |||
As before | |||||
April In Paris | DE6970u | ||||
April In Paris | DE6970v | ||||
Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d) | |||||
69-11-29-035 | Black Swan | DE6970w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bournemouth, GB | 30 November 1969 | |||
1st Concert, Winter Gardens | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-30-001 | C-Jam Blues | DE6971a | |||
69-11-30-002 | ¬ Kinda Dukish | DE6971b | |||
69-11-30-003 | _|Rockin’ In Rhythm | DE6971c | |||
69-11-30-004 | Take The “A” Train | DE6971d | |||
69-11-30-005 | Up Jump | DE6971e | |||
69-11-30-006 | What Am I Here For | DE6971f | |||
69-11-30-007 | El Gato | DE6971g | |||
69-11-30-008 | Black Butterfly | DE6971h | |||
69-11-30-009 | Tippytoeing Through The Jungle Garden | DE6971i | |||
69-11-30-010 | Come Off The Veldt | DE6971j | |||
Medley | DE6971k | ||||
69-11-30-011 | - 1. Don’t You Know I Care | ||||
69-11-30-012 | - 2. In A Sentimental Mood | ||||
69-11-30-013 | - 3. Prelude To A Kiss | ||||
69-11-30-014 | - 3. Brown Skin Gal | ||||
69-11-30-015 | - 4. I Let A Song Go Out Of My Heart | ||||
69-11-30-016 | - 5. Do Nothin’ Till You Hear From Me | ||||
69-11-30-017 | - 6. Just Squeeze Me | ||||
69-11-30-018 | - 7. Don’t Get Around Much Anymore | ||||
69-11-30-019 | - 8. Mood Indigo | ||||
69-11-30-020 | - 9. I’m Beginning To See The Light | ||||
69-11-30-021 | - 10. The Blues - vTW | ||||
69-11-30-022 | - 11. It Don’t Mean A Thing - vTW | ||||
69-11-30-023 | - 12. Sophisticated Lady | ||||
69-11-30-024 | - 13.Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Bournemouth, GB | 30 November 1969 | |||
2nd Concert, Winter Gardens | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Rolf Ericson(t,flh); Lawrence Brown(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-11-30-025 | C-Jam Blues | DE6972a | |||
69-11-30-026 | 4:30 Blues | DE6972b | |||
69-11-30-027 | El Gato | DE6972c | |||
69-11-30-028 | Black Butterfly | DE6972d | |||
69-11-30-029 | Things Ain’t What They Used To Be | DE6972e | |||
69-11-30-030 | Azure Te | DE6972f | |||
69-11-30-031 | Satin Doll | DE6972g | |||
69-11-30-032 | The Biggest | DE6972h | |||
Medley | DE6972i | ||||
69-11-30-033 | - 1. Don’t You Know I Care | ||||
69-11-30-034 | - 2. In A Sentimental Mood | ||||
69-11-30-035 | - 3. Prelude To A Kiss | ||||
69-11-30-036 | - 4. Brown Skin Gal | ||||
69-11-30-037 | - 5. I Let A Song Go Out Of My Heart | ||||
69-11-30-038 | - 6. Do Nothin’ Till You Hear From Me | ||||
69-11-30-039 | - 7. Just Squeeze Me | ||||
69-11-30-040 | - 8. Don’t Get Around Much Anymore | ||||
69-11-30-041 | - 9. Mood Indigo | ||||
69-11-30-042 | - 10. I’m Beginning To See The Light | ||||
69-11-30-043 | - 11. The Blues - vTW | ||||
69-11-30-044 | - 12. It Don’t Mean A Thing - vTW | ||||
69-11-30-045 | - 13. I Got It Bad - vTW | ||||
69-11-30-046 | - 14. Be Cool And Groovy For Me - vTW | ||||
69-11-30-047 | - 15. Sophisticated Lady | ||||
69-11-30-048 | - 16. Caravan | ||||
69-11-30-049 | In Triplicate | DE6972j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown location, EU | November 1969 | |||
Telecast | |||||
Duke Ellington(p) | |||||
69-11-31-001 | The Sleeping Lady | DE69723 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15/17 December 1969 | |||
CBS telecast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Lawrence Brown, Booty Wood(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d); Toney Watkins(v) | |||||
69-12-15-001 | Satin Doll | DE6974a | |||
69-12-15-002 | I Got It Bad | DE6974b | |||
69-12-15-003 | Take The “A” Train | DE6974c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | 31 December 1969 | |||
Broadcast, Caesar's Palace | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook, Johnny Malcolm(t); Lawrence Brown, Booty Wood(tb); Chuck Connors(btb); Russell Procope(cl,as); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
69-12-31-001 | Black Beauty | DE6975a | |||
69-12-31-002 | ¬ Stardust | DE6975b | |||
69-12-31-003 | _| Misty | DE6975c | |||
69-12-31-004 | Spanish Flea | DE6975d | |||
69-12-31-005 | Happy Birthday To You | DE6975e | |||
69-12-31-006 | Satin Doll | DE6975f | |||
69-12-31-007 | Happy Birthday To You | DE6975g | |||
69-12-31-008 | I Can’t Give You Anything But Love | DE6975h | |||
69-12-31-009 | Things Ain’t What They Used To Be | DE6975i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | 01 January 1970 | |||
Broadcast, Caesar's Palace | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook, Johnny Malcolm(t); Lawrence Brown, Booty Wood(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-01-001 | Take The “A” Train | DE7001a | |||
70-01-01-002 | Satin Doll | DE7001b | |||
70-01-01-003 | Things Ain’t What They Used To Be | DE7001c | |||
70-01-01-004 | I Got It Bad | DE7001d | |||
70-01-01-005 | In Triplicate | DE7001e | |||
70-01-01-006 | Mood Indigo | DE7001f | |||
70-01-01-007 | Sophisticated Lady | DE7001g | |||
DUKE ELLINGTON GROUP | Las Vegas, NV | 07 January 1970 | |||
Duke Ellington recording session | |||||
Willie Cook(t); Lawrence Brown(tb); Paul Gonsalves(ts); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-001 | The Kissing Mist | DE7002a | |||
Willie Cook(t); Lawrence Brown(tb); Paul Gonsalves(ts); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-002 | Tippytoeing Through The Jungle Garden | Fa F-9640 | DE7002b | ||
Willie Cook(t); Lawrence Brown(tb); Paul Gonsalves(ts); Duke Ellington(p); Wild Bill Davis(o); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-003 | Noon Mooning | Fa F-9640 | DE7002c | ||
Duke Ellington(p); Wild Bill Davis(o);Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-004 | Black Swan | DE7002d | |||
Paul Gonsalves(ts); Duke Ellington(p); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-005 | Rockochet | Fa F-9640 | DE7002e | ||
Duke Ellington(p); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-006 | Never Stop Remembering Bill | Fa F-9640 | DE7002f | ||
70-01-07-007 | Duck Amok | Fa F-9640 | DE7002g | ||
LATIN-AMERICAN SUITE | |||||
70-01-07-008 | - 1. Tina | Fa F-8419, OJC20 469-2(D) | DE7002h | ||
Duke Ellington(p); Victor Gaskin, Paul Kondziela(sb); Rufus Jones(d) | |||||
70-01-07-009 | Fat Mess | Fa F-9640 | DE7002i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 10 January 1970 | |||
1st concert, Koseinenkin Kaikan | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Yasuo Arakawa(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-01-10-001 | C-Jam Blues | DE7003a | |||
70-01-10-002 | Take The “A” Train | DE7003b | |||
70-01-10-003 | Tutti For Cootie | DE7003c | |||
70-01-10-004 | Fife | DE7003d | |||
70-01-10-005 | B.P. Blues | DE7003e | |||
70-01-10-006 | Up Jump | DE7003f | |||
70-01-10-007 | La Plus Belle Africaine | DE7003g | |||
70-01-10-008 | Come Off The Veldt | DE7003h | |||
Medley | DE7003i | ||||
70-01-10-009 | - 1. In A Sentimental Mood | ||||
70-01-10-010 | - 2. Prelude To A Kiss | ||||
70-01-10-011 | - 3. I Let A Song Go Out Of My Heart | ||||
70-01-10-012 | - 4. Do Nothin’ Till You Hear From Me | ||||
70-01-10-013 | - 5. Just Squeeze Me | ||||
70-01-10-014 | - 6. Don’t Get Around Much Anymore | ||||
70-01-10-015 | - 7. Mood Indigo | ||||
70-01-10-016 | - 8. I’m Beginning To See The Light | ||||
70-01-10-017 | - 9. Solitude - vTW | ||||
70-01-10-018 | - 10. Be Cool And Groovy For Me - vTW | ||||
70-01-10-019 | - 11. It Don’t Mean A Thing - vTW | ||||
70-01-10-020 | - 12. Sophisticated Lady | ||||
70-01-10-021 | - 13. Caravan | ||||
70-01-10-022 | Take The “A” Train (theme) | DE7003j | |||
70-01-10-023 | Azure Te | DE7003k | |||
70-01-10-024 | Salomé | DE7003l | |||
70-01-10-025 | Black Butterfly | DE7003m | |||
70-01-10-026 | Things Ain’t What They Used To Be | DE7003n | |||
70-01-10-027 | I Got It Bad | DE7003o | |||
70-01-10-028 | Satin Doll | DE7003p | |||
70-01-10-029 | In Triplicate (In Duplicate) | DE7003q | |||
Duke Ellington(p); Wild Bill Davis(o); Yasuo Arakawa(sb); Rufus Jones(d) | |||||
70-01-10-030 | Black Swan | DE7003r | |||
70-01-10-031 | April In Paris | DE7003s | |||
70-01-10-032 | April In Paris | DE7003t | |||
Duke Ellington(p); Yasuo Arakawa(sb) | |||||
70-01-10-033 | Meditation | DE7003u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 10 January 1970 | |||
2nd concert, Koseinenkin Kaikan | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Yasuo Arakawa(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-01-10-034 | C-Jam Blues | DE7004a | |||
70-01-10-035 | Take The “A” Train | DE7004b | |||
70-01-10-036 | Tutti For Cootie | DE7004c | |||
70-01-10-037 | 4:30 Blues | DE7004d | |||
70-01-10-038 | Fife | DE7004e | |||
70-01-10-039 | B.P. Blues | DE7004f | |||
70-01-10-040 | Up Jump | DE7004g | |||
70-01-10-041 | La Plus Belle Africaine | DE7004h | |||
70-01-10-042 | Come Off The Veldt | DE7004i | |||
Medley | DE7004j | ||||
70-01-10-043 | - 1. Don’t You Know I Care | ||||
70-01-10-044 | - 2. In A Sentimental Mood | ||||
70-01-10-045 | - 3. Do Nothin’ Till You Hear From Me | ||||
70-01-10-046 | - 4. Prelude To A Kiss | ||||
70-01-10-047 | - 5. Just Squeeze Me | ||||
70-01-10-048 | - 6. Don’t Get Around Much Anymore | ||||
70-01-10-049 | - 7. Mood Indigo | ||||
70-01-10-050 | - 8. I’m Beginning To See The Light | ||||
70-01-10-051 | - 9. Be Cool And Groovy For Me - vTW | ||||
70-01-10-052 | - 10. Solitude - vTW | ||||
70-01-10-053 | - 11. It Don’t Mean A Thing - vTW | ||||
70-01-10-054 | - 12. Sophisticated Lady | ||||
70-01-10-055 | - 13. Caravan | ||||
70-01-10-056 | Soon It’s Gonna Rain | DE7004k | |||
70-01-10-057 | Summer Samba | DE7004l | |||
70-01-10-058 | Birth Of The Blues | DE7004m | |||
70-01-10-059 | Black Butterfly | DE7004n | |||
70-01-10-060 | Things Ain’t What They Used To Be | DE7004o | |||
70-01-10-061 | I Got It Bad | DE7004p | |||
70-01-10-062 | Satin Doll | DE7004q | |||
70-01-10-063 | In Triplicate (In Duplicate) | DE7004r | |||
70-01-10-064 | April In Paris | DE7004s | |||
70-01-10-065 | April In Paris | DE7004t | |||
Duke Ellington(p); Wild Bill Davis(o); Yasuo Arakawa(sb); Rufus Jones(d) | |||||
70-01-10-066 | Black Swan | DE7004u | |||
Duke Ellington(p); Yasuo Arakawa(sb) | |||||
70-01-10-067 | Meditation | DE7004v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 14 January 1970 | |||
NHK telecast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-01-14-001 | Black Butterfly | DE7005a | |||
70-01-14-002 | Satin Doll | DE7005b | |||
Medley | DE7005c | ||||
70-01-14-003 | - 1. Don’t You Know I Care | ||||
70-01-14-004 | - 2. In A Sentimental Mood | ||||
70-01-14-005 | - 3. Prelude To A Kiss | ||||
70-01-14-006 | - 4. Do Nothin’ Till You Hear From Me | ||||
70-01-14-007 | - 5. Don’t Get Around Much Anymore | ||||
70-01-14-008 | - 6. Mood Indigo | ||||
70-01-14-009 | - 7. I’m Beginning To See The Light | ||||
70-01-14-010 | - 8. Sophisticated Lady | ||||
70-01-14-011 | - 9. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Osaka, J | 15 January 1970 | |||
1st concert, Koseinenkin Kaikan | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-01-15-001 | C-Jam Blues | DE7006a | |||
70-01-15-002 | B.P. Blues | DE7006b | |||
70-01-15-003 | Up Jump | DE7006c | |||
70-01-15-004 | Fife | DE7006d | |||
70-01-15-005 | Passion Flower | DE7006e | |||
70-01-15-006 | Soon It’s Gonna Rain | DE7006f | |||
Medley | DE7006g | ||||
70-01-15-007 | - 1. Don’t You Know I Care | ||||
70-01-15-008 | - 2. In A Sentimental Mood | ||||
70-01-15-009 | - 3. Prelude To A Kiss | ||||
70-01-15-010 | - 4. Jump For Joy | ||||
70-01-15-011 | - 5. Brown Skin Gal | ||||
70-01-15-012 | - 6. Do Nothin’ Till You Hear From Me | ||||
70-01-15-013 | - 7. I Let A Song Go Out Of My Heart | ||||
70-01-15-014 | - 8. Just Squeeze Me | ||||
70-01-15-015 | - 9. Don’t Get Around Much Anymore | ||||
70-01-15-016 | - 10. Mood Indigo | ||||
70-01-15-017 | - 11. I’m Beginning To See The Light | ||||
70-01-15-018 | - 12. Solitude | ||||
70-01-15-019 | - 13. Caravan | ||||
70-01-15-020 | - 14. Sophisticated Lady | ||||
70-01-15-021 | - 15. Satin Doll | ||||
70-01-15-022 | In Triplicate (In Duplicate) | ||||
70-01-15-023 | April In Paris | ||||
70-01-15-024 | April In Paris | ||||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-01-15-025 | Black Swan | DE7006h | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
70-01-15-026 | Meditation | DE7006i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Osaka, J | 15 January 1970 | |||
2nd concert, Koseinenkin Kaikan | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-01-15-027 | C-Jam Blues | DE7007a | |||
70-01-15-028 | Take The “A” Train | DE7007b | |||
70-01-15-029 | B.P. Blues | DE7007c | |||
70-01-15-030 | Up Jump | DE7007d | |||
70-01-15-031 | 4:30 Blues | DE7007e | |||
70-01-15-032 | HARLEM | DE7007f | |||
Medley | DE7007g | ||||
70-01-15-033 | - 1. Don’t You Know I Care | ||||
70-01-15-034 | - 2. Do Nothin’ Till You Hear From Me | ||||
70-01-15-035 | - 3. I Let A Song Go Out Of My Heart | ||||
70-01-15-036 | - 4. Just Squeeze Me | ||||
70-01-15-037 | - 5. Don’t Get Around Much Anymore | ||||
70-01-15-038 | - 6. Mood Indigo | ||||
70-01-15-039 | - 7. I’m Beginning To See The Light | ||||
70-01-15-040 | - 8. Sophisticated Lady | ||||
70-01-15-041 | - 9. Caravan | ||||
70-01-15-042 | Soon It’s Gonna Rain | DE7007h | |||
70-01-15-043 | Summer Samba | DE7007i | |||
70-01-15-044 | Birth Of The Blues | DE7007j | |||
70-01-15-045 | Black Butterfly | DE7007k | |||
70-01-15-046 | Things Ain’t What They Used To Be | DE7007l | |||
70-01-15-047 | Drag | DE7007m | |||
70-01-15-048 | I Got It Bad | DE7007n | |||
70-01-15-049 | Making That Scene - vTW | DE7007o | |||
70-01-15-050 | Solitude - vTW | DE7007p | |||
70-01-15-051 | Satin Doll | DE7007q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown location, J | January 1970 | |||
2nd concert, Koseinenkin Kaikan | |||||
Duke Ellington; n/k(tk) | |||||
70-01-20-001 | Interview | DE7008a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Melbourne, AUS | 05 February 1970 | |||
Concert, Festival Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-05-001 | Take The “A” Train | DE7009a | |||
70-02-05-002 | La Plus Belle Africaine | DE7009b | |||
Medley | DE7009c | ||||
70-02-05-003 | - 1. Don’t You Know I Care | ||||
70-02-05-004 | - 2. In A Sentimental Mood | ||||
70-02-05-005 | - 3. Prelude To A Kiss | ||||
70-02-05-006 | - 4. Do Nothin’ Till You Hear From Me | ||||
70-02-05-007 | - 5. Don’t Get Around Much Anymore | ||||
70-02-05-008 | - 6. Mood Indigo | ||||
70-02-05-009 | - 7. I’m Beginning To See The Light | ||||
70-02-05-010 | - 8. Sophisticated Lady | ||||
70-02-05-011 | - 9. Caravan | ||||
70-02-05-012 | Birth Of The Blues | DE7009d | |||
70-02-05-013 | Black Butterfly | DE7009e | |||
70-02-05-014 | Making That Scene - vTW | DE7009f | |||
70-02-05-015 | It Don’t Mean A Thing - vTW | DE7009g | |||
70-02-05-016 | I Got It Bad | DE7009h | |||
70-02-05-017 | In Triplicate (In Duplicate) | DE7009i | |||
70-02-05-018 | April In Paris | DE7009j | |||
70-02-05-019 | April In Paris | DE7009k | |||
70-02-05-020 | Basin Street Blues | DE7009l | |||
70-02-05-021 | Ocht O’Clock Rock | DE7009m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sydney, AUS | 06 February 1970 | |||
ABC telecast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-06-001 | C-Jam Blues | DE7010a | |||
70-02-06-002 | ¬ Kinda Dukish | DE7010b | |||
70-02-06-003 | _|Rockin’ In Rhythm | DE7010c | |||
70-02-06-004 | Black Butterfly | DE7010d | |||
70-02-06-005 | Things Ain’t What They Used To Be | DE7010e | |||
70-02-06-006 | Take The “A” Train | DE7010f | |||
70-02-06-007 | In Triplicate (In Duplicate) | DE7010g | |||
70-02-06-008 | La Plus Belle Africaine | DE7010h | |||
70-02-06-009 | Come Off The Veldt | DE7010i | |||
Medley | DE7010j | ||||
70-02-06-010 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-02-06-011 | - 2. Don’t Get Around Much Anymore | ||||
70-02-06-012 | - 3. Mood Indigo | ||||
70-02-06-013 | - 4. I’m Beginning To See The Light | ||||
70-02-06-014 | - 5. Solitude - vTW | ||||
70-02-06-015 | - 6. It Don’t Mean A Thing - vTW | ||||
70-02-06-016 | - 7. I Got It Bad | ||||
70-02-06-017 | - 8. Be Cool And Groovy For Me | ||||
70-02-06-018 | - 9. Sophisticated Lady | ||||
70-02-06-019 | Birth Of The Blues | DE7010k | |||
70-02-06-020 | Satin Doll | DE7010l | |||
70-02-06-021 | Satin Doll | DE7010m | |||
DUKE ELLINGTON | Sydney, AUS | 06 February 1970 | |||
Broadcast, ABC studios | |||||
Duke Ellington, Anne Jefferson, Ellis Blain(tk) | |||||
70-02-06-022 | Interview by Jefferson and Blain | DE7011a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sydney, AUS | 07 February 1970 | |||
Concert, Municipal Stadium | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-07-001 | C-Jam Blues | DE7012a | |||
70-02-07-002 | ¬ Kinda Dukish | DE7012b | |||
70-02-07-003 | _|Rockin’ In Rhythm | DE7012c | |||
70-02-07-004 | B.P. Blues | DE7012d | |||
70-02-07-005 | Up Jump | DE7012e | |||
70-02-07-006 | Take The “A” Train | DE7012f | |||
70-02-07-007 | HARLEM | DE7012g | |||
70-02-07-008 | La Plus Belle Africaine | DE7012h | |||
70-02-07-009 | Come Off The Veldt | DE7012i | |||
Medley | DE7012j | ||||
70-02-07-010 | - 1. I Let A Song Go Out Of My Heart | ||||
70-02-07-011 | - 2. Don’t You Know I Care | ||||
70-02-07-012 | - 3. In A Sentimental Mood | ||||
70-02-07-013 | - 4. Prelude To A Kiss | ||||
70-02-07-014 | - 5. Do Nothin’ Till You Hear From Me | ||||
70-02-07-015 | - 6. Don’t Get Around Much Anymore | ||||
70-02-07-016 | - 7. Mood Indigo | ||||
70-02-07-017 | - 8. I’m Beginning To See The Light | ||||
70-02-07-018 | - 9. Sophisticated Lady | ||||
70-02-07-019 | - 10. Caravan | ||||
70-02-07-020 | R.T.M. | DE7012k | |||
70-02-07-021 | Birth Of The Blues | DE7012l | |||
70-02-07-022 | Passion Flower | DE7012m | |||
70-02-07-023 | Things Ain’t What They Used To Be | DE7012n | |||
70-02-07-024 | Making That Scene - vTW | DE7012o | |||
70-02-07-025 | Solitude - vTW | DE7012p | |||
70-02-07-026 | It Don’t Mean A Thing - vTW | DE7012q | |||
70-02-07-027 | I Got It Bad | DE7012r | |||
70-02-07-028 | Be Cool And Groovy For Me -TW | DE7012s | |||
70-02-07-029 | Satin Doll | DE7012t | |||
70-02-07-030 | In Triplicate (In Duplicate) | DE7012u | |||
70-02-07-031 | April In Paris | DE7012v | |||
70-02-07-032 | April In Paris | DE7012w | |||
70-02-07-033 | April In Paris | DE7012x | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
70-02-07-034 | Meditation | DE7012y | |||
As before | |||||
70-02-07-035 | Satin Doll | DE7012z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sydney, AUS | 08 February 1970 | |||
Craven film Soundtrack | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-08-001 | Craven Filter Song | DE7013a | |||
70-02-08-002 | Craven Filter Song | DE7013b | |||
DUKE ELLINGTON | Wellington, NZ | 09 February 1970 | |||
NTBC telecast | |||||
Duke Ellington, Brian Edwards(tk) | |||||
70-02-09-001 | Interview by Edwards | DE7014a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wellington, NZ | 09 February 1970 | |||
1st Concert, Town Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-09-002 | La Plus Belle Africaine | DE9042a | |||
70-02-09-003 | Come Off The Veldt | DE9042b | |||
Medley | DE9042c | ||||
70-02-09-004 | - 1. Love You Madly | ||||
70-02-09-005 | - 2. Don’t You Know I Care | ||||
70-02-09-006 | - 3. In A Sentimental Mood | ||||
70-02-09-007 | - 4. Prelude To A Kiss | ||||
70-02-09-008 | - 5. Do Nothin’ Till You Hear From Me | ||||
70-02-09-009 | - 6. Don’t Get Around Much Anymore | ||||
70-02-09-010 | - 7. Mood Indigo | ||||
70-02-09-011 | - 8. I’m Beginning To See The Light | ||||
70-02-09-012 | - 9. Solitude - vTW | ||||
70-02-09-013 | - 10. It Don’t Mean A Thing - vTW | ||||
70-02-09-014 | - 11. I Got It Bad | ||||
70-02-09-015 | - 12. Be Cool And Groovy For Me -TW | ||||
70-02-09-016 | - 13. Sophisticated Lady | ||||
70-02-09-017 | - 14. Caravan | ||||
70-02-09-018 | In Triplicate (In Duplicate) | DE9042d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wellington, NZ | 09 February 1970 | |||
2nd Concert, Town Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-09-019 | C-Jam Blues | DE9043a | |||
70-02-09-020 | Take The “A” Train | DE9043b | |||
70-02-09-021 | Passion Flower | DE9043c | |||
70-02-09-022 | Things Ain’t What They Used To Be | DE9043d | |||
70-02-09-023 | Birth Of The Blues | DE9043e | |||
70-02-09-024 | HARLEM | DE9043f | |||
70-02-09-025 | La Plus Belle Africaine | DE9043g | |||
70-02-09-026 | Come Off The Veldt | DE9043h | |||
Medley | DE9043i | ||||
70-02-09-027 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-02-09-028 | - 2. Don’t Get Around Much Anymore | ||||
70-02-09-029 | - 3. Mood Indigo | ||||
70-02-09-030 | - 4. I’m Beginning To See The Light | ||||
70-02-09-031 | - 5. Solitude - vTW | ||||
70-02-09-032 | - 6. It Don’t Mean A Thing - vTW | ||||
70-02-09-033 | - 7. I Got It Bad | ||||
70-02-09-034 | - 8. Be Cool And Groovy For Me -TW | ||||
70-02-09-035 | - 9. Sophisticated Lady | ||||
70-02-09-036 | - 10. Caravan | ||||
70-02-09-037 | In Triplicate (In Duplicate) | DE9043j | |||
70-02-09-038 | Satin Doll | DE9043k | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
70-02-09-039 | Meditation | DE9043l | |||
As before | |||||
70-02-09-040 | April In Paris | DE9043m | |||
70-02-09-041 | April In Paris | DE9043n | |||
70-02-09-042 | Fife | DE9043o | |||
70-02-09-043 | Ocht O’Clock Rock | DE9043p | |||
70-02-09-044 | Satin Doll | DE9043q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Aukland, NZ | 10 February 1970 | |||
Concert, Town Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Johnny Malcolm(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-02-10-001 | C-Jam Blues | DE9045a | |||
70-02-10-002 | Take The “A” Train | DE9045b | |||
70-02-10-003 | Black butterfly | DE9045c | |||
70-02-10-004 | Things Ain’t What They Used To Be | DE9045d | |||
70-02-10-005 | Birth Of The Blues | DE9045e | |||
70-02-10-006 | HARLEM | DE9045f | |||
70-02-10-007 | La Plus Belle Africaine | DE9045g | |||
70-02-10-008 | Come Off The Veldt | DE9045h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 February 1970 | |||
Pre recording for CBS telecast | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Victor Gaskin(eb); Rufus Jones(d) | |||||
Salute To Beatles | DE7016a | ||||
70-02-22-001 | - 1. She Loves You | ||||
70-02-22-002 | - 2. All My Loving | ||||
70-02-22-003 | - 3. Eleanor Rigby | ||||
70-02-22-004 | - 4. She’s Leaving Home | ||||
70-02-22-005 | - 5. Norwegian Wood | ||||
70-02-22-006 | - 6. Ticket To Ride | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 February 1970 | |||
Concert, Madison Square Garden | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Louis Armstrong, Toney Watkins(v) | |||||
70-02-23-001 | Satin Doll | DE7017a | |||
70-02-23-002 | Satin Doll | DE7017b | |||
70-02-23-003 | Hello Dolly! - vLA | DE7017c | |||
Louis Armstrong out. Add Ray Charles(p) | |||||
70-02-23-004 | ¬ Kinda Dukish | DE7017d | |||
70-02-23-005 | _|Rockin’ In Rhythm | DE7017e | |||
70-02-23-006 | Take The “A” Train | DE7017f | |||
70-02-23-007 | Things Ain’t What They Used To Be | DE7017g | |||
70-02-23-008 | Be Cool And Groovy For Me -TW | DE7017h | |||
Add Jimmy Rushing(v) | |||||
70-02-23-009 | Goin’ To Chicago - vJRu | DE7017i | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 March 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
THE RIVER | |||||
70-03-09-001 |
| DE7018a | |||
70-03-09-002 |
| DE7018b | |||
70-03-09-003 |
| DE7018c | |||
70-03-09-004 |
| DE7018d | |||
70-03-09-005 |
| DE7018e | |||
70-03-09-006 |
| DE7018f | |||
70-03-09-007 |
| DE7018g | |||
70-03-09-008 |
| DE7018h | |||
70-03-09-009 |
| DE7018i | |||
70-03-09-010 |
| DE7018j | |||
70-03-09-011 |
| DE7018k | |||
70-03-09-012 |
| DE7018l | |||
70-03-09-013 |
| DE7018m | |||
70-03-09-014 |
| DE7018n | |||
70-03-09-015 |
| DE7018o | |||
70-03-09-016 |
| DE7018p | |||
70-03-09-017 |
| DE7018q | |||
70-03-09-018 |
| DE7018r | |||
70-03-09-019 |
| DE7018s | |||
70-03-09-020 |
| DE7018t | |||
70-03-09-021 |
| DE7018u | |||
70-03-09-022 | HARLEM | DE7018v | |||
70-03-09-023 | HARLEM | DE7018w | |||
70-03-09-024 | HARLEM | DE7018x | |||
70-03-09-025 | HARLEM | DE7018y | |||
70-03-09-026 | HARLEM | DE7018z | |||
70-03-09-027 | HARLEM | DE7018aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 14 March 1970 | |||
Concert, National Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins, Devonne Gardner, Nanice Lund, n/k Choir(v) | |||||
SECOND SACRED CONCERT | |||||
70-03-14-001 |
| DE7019a | |||
70-03-14-002 |
| DE7019b | |||
70-03-14-003 |
| DE7019c | |||
70-03-14-004 |
| DE7019d | |||
70-03-14-005 |
| DE7019e | |||
70-03-14-006 |
| DE7019f | |||
70-03-14-007 |
| DE7019g | |||
70-03-14-008 |
| DE7019h | |||
70-03-14-009 |
| DE7019i | |||
70-03-14-010 |
| DE7019j | |||
70-03-14-011 |
| DE7019k | |||
70-03-14-012 |
| DE7019l | |||
70-03-14-013 |
| DE7019m | |||
70-03-14-014 |
| DE7019n | |||
Toney Watkins(v) solo | |||||
70-03-14-015 | The Preacher’s Song - vTW | DE7019o | |||
As before | |||||
70-03-14-016 | In The Beginning God - vCHO | DE7019p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 15 March 1970 | |||
Concert, National Presbyterian Church | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Willie Cook(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins, Devonne Gardner, Nanice Lund, n/k Choir(v) | |||||
SECOND SACRED CONCERT | |||||
70-03-15-001 |
| DE7020a | |||
70-03-15-002 |
| DE7020b | |||
70-03-15-003 |
| DE7020c | |||
70-03-15-004 |
| DE7020d | |||
70-03-15-005 |
| DE7020e | |||
70-03-15-006 |
| DE7020f | |||
70-03-15-007 |
| DE7020g | |||
70-03-15-008 |
| DE7020h | |||
70-03-15-009 |
| DE7020i | |||
70-03-15-010 |
| DE7020j | |||
70-03-15-011 |
| DE7020k | |||
70-03-15-012 |
| DE7020l | |||
70-03-15-013 |
| DE7020m | |||
70-03-15-014 |
| DE7020n | |||
Toney Watkins(v) solo | |||||
70-03-15-015 | The Preacher’s Song - vTW | DE7020o | |||
As before | |||||
70-03-15-016 | In The Beginning God - vCHO | DE7020p | |||
DUKE ELLINGTON | Toronto, CDN | 16 March 1970 | |||
CKPC broadcast, Royal York Hotel | |||||
Duke Ellington, Alex Reynolds(tk) | |||||
70-03-16-001 | Interview by Reynolds | DE7021a | |||
DUKE ELLINGTON | Toronto, CDN | 17 March 1970 | |||
CKPC broadcast, Royal York Hotel | |||||
Duke Ellington, Ted O'Reilly(tk) | |||||
70-03-17-001 | Interview by O’Reilly | DE7022a | |||
DUKE ELLINGTON | Toronto, CDN | March 1970 | |||
CBC telecast | |||||
Duke Ellington, n/k(tk) | |||||
70-03-20-001 | Interview | DE7023a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 24 March 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-03-24-001 | Orgasm | DE7024a | |||
70-03-24-002 | Don’t Get Down On Your Knees - vTW | DE7024b | |||
70-03-24-003 | Meditation | DE7024c | |||
70-03-24-004 | The Shepherd | DE7024d | |||
70-03-24-005 | The Biggest | DE7024e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 25 March 1970 | |||
Concert, High Chaparral | |||||
Cootie Williams, Cat Anderson, Mercer Ellington(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Rufus Reid(sb); Rufus Jones(d) | |||||
70-03-25-001 | C-Jam Blues | DE7025a | |||
70-03-25-002 | ¬ Kinda Dukish | DE7025b | |||
70-03-25-003 | _|Rockin’ In Rhythm | DE7025c | |||
70-03-25-004 | Mount Harissa | DE7025d | |||
70-03-25-005 | Up Jump | DE7025e | |||
70-03-25-006 | Take The “A” Train | DE7025f | |||
Harold Ashby(ts); Duke Ellington(p); Rufus Reid(sb); Rufus Jones(d) | |||||
70-03-25-007 | I Can’t Get Started | DE7025g | |||
As before | |||||
70-03-25-008 | Birth Of The Blues | DE7025h | |||
70-03-25-009 | Passion Flower | DE7025i | |||
70-03-25-010 | Things Ain’t What They Uesd To Be | DE7025j | |||
70-03-25-011 | Summer Samba | DE7025k | |||
Paul Gonsalves(ts); Duke Ellington(p); Rufus Reid(sb); Rufus Jones(d) | |||||
70-03-25-012 | Happy Reunion | DE7025l | |||
As before | |||||
70-03-25-013 | ¬ Diminuendo In Blue | DE7025m | |||
70-03-25-014 | _|Wailing Interval | DE7025n | |||
70-03-25-015 | Soon It’s Gonna Rain | DE7025o | |||
70-03-25-016 | ¬ Kinda Dukish | DE7025p | |||
70-03-25-017 | _|Rockin’ In Rhythm | DE7025q | |||
70-03-25-018 | A Day In The Life Of A Fool | DE7025r | |||
70-03-25-019 | Jeep’s Blues | DE7025s | |||
Duke Ellington(p); Wild Bill Davis(o); Rufus Reid(sb); Rufus Jones(d) | |||||
70-03-25-020 | Jack The Bear | DE7025t | |||
As before | |||||
70-03-25-021 | Take The “A” Train | DE7025u | |||
70-03-25-022 | What Am I Here For? | DE7025v | |||
70-03-25-023 | C-Jam Blues | DE7025w | |||
70-03-25-024 | Squatty Roo | DE7025x | |||
DUKE ELLINGTON | Saskatoon, CDN | 30 March 1970 | |||
CJUS broadcast | |||||
Duke Ellington, n/k(tk) | |||||
70-03-30-001 | Interview | DE7026a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Vancouver, CDN | 02 April 1970 | |||
Concert, Cave Inn | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-04-02-001 | C-Jam Blues | TOM 44 | DE7027a | ||
70-04-02-002 | ¬ Kinda Dukish | TOM 44 | DE7027b | ||
70-04-02-003 | _|Rockin’ In Rhythm | TOM 44 | DE7027c | ||
70-04-02-004 | 4:30 Blues | TOM 44 | DE7027d | ||
70-04-02-005 | Fife | TOM 44 | DE7027e | ||
70-04-02-006 | B.P. Blues | TOM 44 | DE7027f | ||
70-04-02-007 | Take The “A” Train | TOM 44 | DE7027g | ||
70-04-02-008 | Up Jump | TOM 44 | DE7027h | ||
70-04-02-009 | Birth Of The Blues | TOM 44 | DE7027i | ||
70-04-02-010 | Passion Flower | TOM 44 | DE7027j | ||
70-04-02-011 | Things Ain’t What They Uesd To Be | TOM 44 | DE7027k | ||
70-04-02-012 | Come Off The Veldt | TOM 44 | DE7027l | ||
Medley | DE7027m | ||||
70-04-02-013 | - 1. Don’t You Know I Care | TOM 44 | |||
70-04-02-014 | - 2. In A Sentimental Mood | TOM 44 | |||
70-04-02-015 | - 3. Prelude To A Kiss | TOM 44 | |||
70-04-02-016 | - 4. Do Nothin’ Till You Hear From Me | TOM 44 | |||
70-04-02-017 | - 5. Don’t Get Around Much Anymore | TOM 44 | |||
70-04-02-018 | - 6. Mood Indigo | TOM 45 | |||
70-04-02-019 | - 7. I’m Beginning To See The Light | TOM 45 | |||
70-04-02-020 | - 8. Solitude - vTW | TOM 45 | |||
70-04-02-021 | - 9. It Don’t Mean A Thing - vTW | TOM 45 | |||
70-04-02-022 | - 10. I Got It Bad | TOM 45 | |||
70-04-02-023 | - 11. Be Cool And Groovy For Me -TW | TOM 45 | |||
70-04-02-024 | - 12. Sophisticated Lady | TOM 45 | |||
70-04-02-025 | - 13. Caravan | TOM 45 | |||
70-04-02-026 | Happy Birthday To You | TOM 45 | DE7027n | ||
70-04-02-027 | Take The “A” Train | TOM 45 | DE7027o | ||
Harold Ashby(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-04-02-028 | I Can’t Get Started | TOM 45 | DE7027p | ||
As before | |||||
70-04-02-029 | Stomp Soul Jump | TOM 45 | DE7027q | ||
70-04-02-030 | April In Paris | TOM 45 | DE7027r | ||
70-04-02-031 | April In Paris | TOM 45 | DE7027s | ||
70-04-02-032 | April In Paris | TOM 45 | DE7027t | ||
70-04-02-033 | April In Paris | TOM 45 | DE7027u | ||
70-04-02-034 | Come Off The Veldt | TOM 45 | DE7027v | ||
DUKE ELLINGTON | Vancouver, CDN | 08 April 1970 | |||
CBUT broadcast | |||||
Duke Ellington, Bob Smith(tk) | |||||
70-04-08-001 | Interview by Smith | DE7028a | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) with small studio group | |||||
70-04-08-002 | Satin Doll | DE7028b | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
70-04-08-003 | Meditation | DE7028c | |||
DUKE ELLINGTON AND HIS RHYTHM | Los Angeles, CA | April 1970 | |||
Pre-recording for CBS telecast | |||||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-04-10-001 | ¬ Sophisticated Lady | DE7029a | |||
70-04-10-002 | _| Caravan | DE7029b | |||
DUKE ELLINGTON WITH ORCHESTRA | Same session | ||||
Pre-recording for CBS telecast | |||||
Add studio orchestra | |||||
70-04-10-003 | Don’t Get Around Much Anymore | DE7029c | |||
70-04-10-004 | Take The “A” Train | DE7029d | |||
Duke Ellington(p) solo | |||||
70-04-10-005 | Mood Indigo | DE7029e | |||
As before | |||||
70-04-10-006 | It Don’t Mean A Thing | DE7029f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | El Cajon, CA | 19 April 1970 | |||
Concert, Grossmont Junior College | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-04-19-001 | C-Jam Blues | DE7030a | |||
70-04-19-002 | Soon It’s Gonna Rain | DE7030b | |||
70-04-19-003 | ¬ Kinda Dukish | DE7030c | |||
70-04-19-004 | _|Rockin’ In Rhythm | DE7030d | |||
Harold Ashby(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-04-19-005 | I Can’t Get Started | DE7030e | |||
As before | |||||
70-04-19-006 | Fife | DE7030f | |||
70-04-19-007 | Up Jump | DE7030g | |||
70-04-19-008 | Take The “A” Train | DE7030h | |||
70-04-19-009 | La Plus Belle Africaine | DE7030i | |||
70-04-19-010 | Come Off The Veldt | DE7030j | |||
Medley | DE7030k | ||||
70-04-19-011 | - 1. In A Sentimental Mood | ||||
70-04-19-012 | - 2. Do Nothin’ Till You Hear From Me | ||||
70-04-19-013 | - 3. Don’t Get Around Much Anymore | ||||
70-04-19-014 | - 4. Mood Indigo | ||||
70-04-19-015 | - 5. I’m Beginning To See The Light | ||||
70-04-19-016 | - 6. Sophisticated Lady | ||||
70-04-19-017 | - 7. Caravan | ||||
70-04-19-018 | R.T.M. | DE7030l | |||
70-04-19-019 | Passion Flower | DE7030m | |||
70-04-19-020 | Things Ain’t What They Uesd To Be | DE7030n | |||
70-04-19-021 | Birth Of The Blues | DE7030o | |||
70-04-19-022 | April In Paris | DE7030p | |||
70-04-19-023 | April In Paris | DE7030q | |||
70-04-19-024 | April In Paris | DE7030r | |||
70-04-19-025 | Making That Scene - vTW | DE7030s | |||
70-04-19-026 | Solitude - vTW | DE7030t | |||
70-04-19-027 | It Don’t Mean A Thing - vTW | DE7030u | |||
70-04-19-028 | I Got It Bad | DE7030v | |||
70-04-19-029 | Be Cool And Groovy For Me -TW | DE7030w | |||
70-04-19-030 | Satin Doll | DE7030x | |||
70-04-19-031 | Satin Doll | DE7030y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Orleans, LA | 23 April 1970 | |||
1st set, Al Hirt's Club | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-04-23-001 | Rockin’ In Rhythm | DE7031a | |||
70-04-23-002 | Take The “A” Train | DE7031b | |||
70-04-23-003 | Passion Flower | DE7031c | |||
70-04-23-004 | Things Ain’t What They Uesd To Be | DE7031d | |||
70-04-23-005 | Birth Of The Blues | DE7031e | |||
70-04-23-006 | April In Paris | DE7031f | |||
70-04-23-007 | April In Paris | DE7031g | |||
Medley | DE7031h | ||||
70-04-23-008 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-04-23-009 | - 2. Don’t Get Around Much Anymore | ||||
70-04-23-010 | - 3. Mood Indigo | ||||
70-04-23-011 | - 4. I’m Beginning To See The Light | ||||
70-04-23-012 | - 5. Solitude | ||||
70-04-23-013 | - 6. It Don’t Mean A Thing | ||||
70-04-23-014 | - 7. I Got It Bad | ||||
70-04-23-015 | - 8. Caravan | ||||
70-04-23-016 | Making That Scene - vTW | DE7031i | |||
70-04-23-017 | Be Cool And Groovy For Me -TW | DE7031j | |||
70-04-23-018 | Satin Doll | DE7031k | |||
DUKE ELLINGTON | New Orleans, LA | 23 April 1970 | |||
WWL telecast, Al Hirt's Club | |||||
Duke Ellington, Bill Wilson(tk) | |||||
70-04-23-019 | Interview by Wilson | DE7032a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New Orleans, LA | 23 April 1970 | |||
2nd set, Al Hirt's Club | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-04-23-020 | C-Jam Blues | DE7033a | |||
70-04-23-021 | Take The “A” Train | DE7033b | |||
NEW ORLEANS SUITE | |||||
70-04-23-022 | - 4. Thanks For The Beautiful Land | DE7033c | |||
70-04-23-023 | - 8. Aristocracy A La Jean Lafitte | DE7033d | |||
70-04-23-024 | - 6. Second Line | DE7033e | |||
70-04-23-025 | - 2. Bourbon Street Jingling Jollies | DE7033f | |||
70-04-23-026 | - 1. Blues For New Orleans | DE7033g | |||
70-04-23-027 | Passion Flower | DE7033h | |||
70-04-23-028 | Things Ain’t What They Uesd To Be | DE7033i | |||
70-04-23-029 | Satin Doll | DE7033j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 April 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Al Rubin, Harold "Money" Johnson, Fred Stone(t); Booty Wood, Julian Priester, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges(as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
NEW ORLEANS SUITE | |||||
70-04-27-001 | 01* | - 6. Second Line | DE7034a | ||
70-04-27-002 | 02* | - 6. Second Line | DE7034b | ||
70-04-27-003 | 03* | - 6. Second Line | DE7034c | ||
70-04-27-004 | 04* | - 6. Second Line | DE7034d | ||
70-04-27-005 | 05* | - 6. Second Line | DE7034e | ||
70-04-27-006 | 06* | - 6. Second Line | At SD-1580 | DE7034f | |
70-04-27-007 | 07* | - 2. Bourbon Street Jingling Jollies | DE7034g | ||
70-04-27-008 | - 2. Bourbon Street Jingling Jollies | DE7034h | |||
70-04-27-009 | 09* | - 2. Bourbon Street Jingling Jollies | DE7034i | ||
70-04-27-010 | 12* | - 2. Bourbon Street Jingling Jollies | DE7034j | ||
70-04-27-011 | 14* | - 2. Bourbon Street Jingling Jollies | DE7034k | ||
70-04-27-012 | 15* | - 2. Bourbon Street Jingling Jollies | DE7034l | ||
70-04-27-013 | 16* | - 2. Bourbon Street Jingling Jollies | DE7034m | ||
70-04-27-014 | 18* | - 2. Bourbon Street Jingling Jollies | At SD-1580 | DE7034n | |
Money Johnson out. Add Mercer Ellington(t) | |||||
70-04-27-015 | 20* | - 8. Aristocracy A La Jean Lafitte | DE7034o | ||
70-04-27-016 | 21* | - 8. Aristocracy A La Jean Lafitte | At SD-1580 | DE7034p | |
70-04-27-017 | 22* | - 8. Aristocracy A La Jean Lafitte | DE7034q | ||
70-04-27-018 | 33* | - 4. Thanks For The Beautiful Land | DE7034r | ||
70-04-27-019 | 34* | - 4. Thanks For The Beautiful Land | DE7034s | ||
70-04-27-020 | 35* | - 4. Thanks For The Beautiful Land | DE7034t | ||
70-04-27-021 | 36* | - 4. Thanks For The Beautiful Land | At SD-1580 | DE7034u | |
Add Wild Bill Davis(o) | |||||
70-04-27-022 | 39* | - 1. Blues For New Orleans | DE7034v | ||
70-04-27-023 | 40* | - 1. Blues For New Orleans | DE7034w | ||
70-04-27-024 | 41* | - 1. Blues For New Orleans | At SD-1580 | DE7034w | |
Wild Bill Davis out | |||||
70-04-27-025 | Rext | DE7034y | |||
70-04-27-026 | 42* | Rext | Sv 1018402 | DE7034z | |
DUKE ELLINGTON | Toronto, CDN | 03 May 1970 | |||
CBC telecast | |||||
Duke Ellington, Danny Finkleman(tk) | |||||
70-05-03-001 | Interview by Finkleman | DE7035a | |||
DUKE ELLINGTON | New York City, NY | 11 May 1970 | |||
Duke Ellington recording session | |||||
Duke Ellington(p) | |||||
THE RIVER | |||||
70-05-11-001 | - 01. The Spring | DE7036a | |||
70-05-11-002 | - 01. The Spring | Sv 101-8399 | DE7036b | ||
70-05-11-003 | - 02. The Run = Marcia Regina | Sv 101-8399 | DE7036c | ||
70-05-11-004 | - 03. Meander | Sv 101-8399 | DE7036d | ||
70-05-11-005 | - 04. The Giggling Rapids | Sv 101-8399 | DE7036e | ||
70-05-11-006 | - 05. The Lake | DE7036f | |||
70-05-11-007 | - 05. The Lake | Sv 101-8399 | DE7036g | ||
70-05-11-008 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | Sv 101-8399 | DE7036h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 May 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
NEW ORLEANS SUITE | |||||
70-05-13-001 | 02* | - 5. Portrait Of Wellman Braud | DE7037a | ||
70-05-13-002 | 03* | - 5. Portrait Of Wellman Braud | DE7037b | ||
70-05-13-003 | 04* | - 5. Portrait Of Wellman Braud | DE7037c | ||
70-05-13-004 | 06* | - 5. Portrait Of Wellman Braud | DE7037d | ||
70-05-13-005 | - 5. Portrait Of Wellman Braud | At SD-1580 | DE7037e | ||
70-05-13-006 | 07* | - 5. Portrait Of Wellman Braud | DE7037f | ||
70-05-13-007 | 08* | - 7. Portrait Of Sidney Bechet | DE7037g | ||
70-05-13-008 | 09* | - 7. Portrait Of Sidney Bechet | DE7037h | ||
70-05-13-009 | 10* | - 7. Portrait Of Sidney Bechet | DE7037i | ||
70-05-13-010 | 11* | - 7. Portrait Of Sidney Bechet | DE7037j | ||
70-05-13-011 | 12* | - 7. Portrait Of Sidney Bechet | DE7037k | ||
70-05-13-012 | 14* | - 7. Portrait Of Sidney Bechet | DE7037l | ||
70-05-13-013 | 15* | - 7. Portrait Of Sidney Bechet | DE7037m | ||
70-05-13-014 | 16* | - 7. Portrait Of Sidney Bechet | DE7037n | ||
70-05-13-015 | 17* | - 7. Portrait Of Sidney Bechet | DE7037o | ||
70-05-13-016 | 19* | - 7. Portrait Of Sidney Bechet | At SD-1580 | DE7037p | |
70-05-13-017 | 20* | - 3. Portrait Of Louis Armstrong | DE7037q | ||
70-05-13-018 | 21* | - 3. Portrait Of Louis Armstrong | DE7037r | ||
70-05-13-019 | 22* | - 3. Portrait Of Louis Armstrong | At SD-1580 | DE7037s | |
70-05-13-020 | - 3. Portrait Of Louis Armstrong | DE7037t | |||
70-05-13-021 | 23* | - 3. Portrait Of Louis Armstrong | At SD-1580* | DE7037u | |
70-05-13-022 | 26* | - 9. Portrait Of Mahalia Jackson | DE7037v | ||
70-05-13-023 | 28* | - 9. Portrait Of Mahalia Jackson | At SD-1580 | DE7037w | |
DUKE ELLINGTON | New York City, NY | 19 May 1970 | |||
Pre-recording for WNEW telecast | |||||
Duke Ellington, Orson Welles(tk) | |||||
70-05-19-001 | Interview by Welles | DE7038a | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-05-19-002 | ¬ Satin Doll | DE7038b | |||
70-05-19-003 | _| Take The “A” Train | DE7038c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 25 May 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
NEW ORLEANS SUITE | |||||
70-05-25-001 | 01* | - 3. Portrait Of Louis Armstrong | DE7039a | ||
70-05-25-002 | 02* | - 3. Portrait Of Louis Armstrong | DE7039b | ||
70-05-25-003 | 03* | - 3. Portrait Of Louis Armstrong | DE7039c | ||
70-05-25-004 | 04* | - 3. Portrait Of Louis Armstrong | DE7039d | ||
70-05-25-005 | 05* | - 3. Portrait Of Louis Armstrong | DE7039e | ||
70-05-25-006 | 06* | - 3. Portrait Of Louis Armstrong | DE7039f | ||
THE RIVER | |||||
70-05-25-007 | - 02. The Run = Marcia Regina | DE7039g | |||
70-05-25-008 | 07* | - 02. The Run = Marcia Regina | DE7039h | ||
70-05-25-009 | 09* | - 02. The Run = Marcia Regina | DE7039i | ||
70-05-25-010 | 10* | - 02. The Run = Marcia Regina | DE7039j | ||
70-05-25-011 | 11* | - 02. The Run = Marcia Regina | DE7039k | ||
70-05-25-012 | 12* | - 02. The Run = Marcia Regina | DE7039l | ||
70-05-25-013 | 13* | - 02. The Run = Marcia Regina | DE7039m | ||
70-05-25-014 | 14* | - 02. The Run = Marcia Regina | DE7039n | ||
70-05-25-015 | 15* | - 02. The Run = Marcia Regina | DE7039o | ||
70-05-25-016 | 16* | - 02. The Run = Marcia Regina | LMR CD-83004 | DE7039p | |
70-05-25-017 | 17* | - 03. Meander | DE7039q | ||
70-05-25-018 | 19* | - 03. Meander | DE7039r | ||
70-05-25-019 | 20* | - 03. Meander | LMR CD-83004 | DE7039s | |
70-05-25-020 | 21* | - 05. The Lake | LMR CD-83004 | DE7039t | |
70-05-25-021 | - 04. The Giggling Rapids | DE7039u | |||
70-05-25-022 | 22* | - 04. The Giggling Rapids | DE7039v | ||
70-05-25-023 | 23* | - 04. The Giggling Rapids | LMR CD-83004 | DE7039w | |
70-05-25-024 | 24* | - 01. The Spring | LMR CD-83004 | DE7039x | |
DUKE ELLINGTON WITH CINCINNATI SYMPHONY ORCHESTRA | Cincinnati, OH | 28 May 1970 | |||
Decca recording session | |||||
Duke Ellington(p); Cincinnati Symphony Orchestra cond. Erich Kunzel | |||||
70-05-28-001 | HARLEM | De DL-710176, MCA MCAD-42318 | DE7040a | ||
70-05-28-002 | NEW WORLD A-COMIN' | De DL-710176, MCA MCAD-42318 | DE7040b | ||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
70-05-28-003 | - 1. The Golden Broom | De DL-710176, MCA MCAD-42318 | DE7040c | ||
70-05-28-004 | - 2. The Green Apple | De DL-710176, MCA MCAD-42318 | DE7040d | ||
70-05-28-005 | - 3. The Handsome traffic Policeman | De DL-710176, MCA MCAD-42318 | DE7040e | ||
DUKE ELLINGTON | New York City, NY | May/June 1970 | |||
Recording session | |||||
Duke Ellington(tk) | |||||
70-06-00-001 | Duke Talking About Music Recording By Decca | De DL-710176, MCA MCAD-42318 | DE704a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 June 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Al Rubin, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
THE RIVER | |||||
70-06-03-001 | -1 | - 10. The Village Of The Virgins | LMR CD-83004 | DE7042a | |
Add Davis Fitz(xy,ma); Walter E. Rosenberger(gl); Elayne Jones(tymp) | |||||
70-06-03-002 | - 02. The Whirlpool | DE7042b | |||
70-06-03-003 | - 02. The Whirlpool | DE7042c | |||
70-06-03-004 | - 02. The Whirlpool | DE7042d | |||
70-06-03-005 | - 02. The Whirlpool | DE7042e | |||
70-06-03-006 | - 02. The Whirlpool | DE7042f | |||
70-06-03-007 | - 02. The Whirlpool | DE7042g | |||
70-06-03-008 | - 02. The Whirlpool | DE7042h | |||
70-06-03-009 | - 02. The Whirlpool | DE7042i | |||
70-06-03-010 | - 02. The Whirlpool | DE7042j | |||
70-06-03-011 | - 02. The Whirlpool | DE7042k | |||
70-06-03-012 | - 02. The Whirlpool | DE7042l | |||
70-06-03-013 | - 02. The Whirlpool | DE7042m | |||
70-06-03-014 | -3 | - 02. The Whirlpool | DE7042n | ||
70-06-03-015 | -4 | - 02. The Whirlpool | DE7042o | ||
70-06-03-016 | -5 | - 02. The Whirlpool | DE7042p | ||
70-06-03-017 | - 02. The Whirlpool | DE7042q | |||
70-06-03-018 | -6 | - 02. The Whirlpool | DE7042r | ||
70-06-03-019 | -7 | - 02. The Whirlpool | DE7042s | ||
70-06-03-020 | -8 | - 02. The Whirlpool | DE7042t | ||
70-06-03-021 | -9 | - 02. The Whirlpool | LMR CD-83004 | DE7042u | |
Davis Fitz, Walter E. Rosenberger, Elayne Jones out | |||||
70-06-03-022 | -2 | - 04. The Giggling Rapids (Grap) | DE7042v | ||
70-06-03-023 | -3 | - 04. The Giggling Rapids (Grap) | DE7042w | ||
70-06-03-024 | -5 | - 04. The Giggling Rapids (Grap) | DE7042x | ||
70-06-03-025 | -6 | - 04. The Giggling Rapids (Grap) | DE7042y | ||
70-06-03-026 | -8 | - 04. The Giggling Rapids (Grap) | DE7042z | ||
70-06-03-027 | -9 | - 04. The Giggling Rapids (Grap) | DE7042aa | ||
70-06-03-028 | -10 | - 04. The Giggling Rapids (Grap) | DE7042ab | ||
70-06-03-029 | -1 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ac | ||
70-06-03-030 | -2 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ad | ||
70-06-03-031 | -3 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ae | ||
70-06-03-032 | -4 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042af | ||
70-06-03-033 | -6 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ag | ||
70-06-03-034 | -8 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ah | ||
70-06-03-035 | -9 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ai | ||
70-06-03-036 | -10 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042aj | ||
70-06-03-037 | -11 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042ak | ||
70-06-03-038 | -12 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042al | ||
70-06-03-039 | -13 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | DE7042am | ||
70-06-03-040 | -14 | - 09. The Neo-Hip-Hop Cool Kiddies Community (Stud) | LMR CD-83004 | DE7042an | |
70-06-03-041 | -1 | - 08. The River | DE7042ao | ||
70-06-03-042 | -2 | - 08. The River | LMR CD-83004 | DE7042ap | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 June 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Fred Stone, Dave Burns(t); Booty Wood, Cliff Heathers(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Davis Fitz(xy,ma); Walter E. Rosenberger(gl); Elayne Jones(tymp) | |||||
THE RIVER | |||||
70-06-08-001 | - 06. The Falls | DE7043a | |||
70-06-08-002 | 01* | - 06. The Falls | DE7043b | ||
70-06-08-003 | 02* | - 06. The Falls | DE7043c | ||
70-06-08-004 | 03* | - 06. The Falls | DE7043d | ||
70-06-08-005 | 04* | - 06. The Falls | DE7043e | ||
70-06-08-006 | 05* | - 06. The Falls | DE7043f | ||
70-06-08-007 | 06* | - 06. The Falls | DE7043g | ||
70-06-08-008 | 07* | - 06. The Falls | DE7043h | ||
70-06-08-009 | 08* | - 06. The Falls | DE7043i | ||
70-06-08-010 | 09* | - 06. The Falls | DE7043j | ||
Davis Fitz, Walter E. Rosenberger out | |||||
70-06-08-011 | 10* | Flute | Sv 1018401 | DE7043k | |
70-06-08-012 | 11* | Flute | DE7043l | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 June 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
THE RIVER | |||||
01* | - 11. The Mother, Her Majesty The Sea | DE7044a | |||
05* | - 11. The Mother, Her Majesty The Sea | DE7044b | |||
07* | - 11. The Mother, Her Majesty The Sea | LMR CD-83004 | DE7044c | ||
Russell Procope(cl,as); Norris Turney(fl); Harry Carney(bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
08* | - 01. The Spring (Soft) | Sv 1018401 | DE7044d | ||
As before | |||||
09* | - 04. The Giggling Rapids | DE7044e | |||
10* | - 04. The Giggling Rapids (Grap) | DE7044f | |||
11* | - 04. The Giggling Rapids (Grap) | DE7044g | |||
14* | - 04. The Giggling Rapids (Grap) | DE7044h | |||
15* | - 04. The Giggling Rapids (Grap) | DE7044i | |||
16* | - 04. The Giggling Rapids (Grap) | DE7044j | |||
17* | - 04. The Giggling Rapids (Grap) | DE7044k | |||
18* | - 04. The Giggling Rapids (Grap) | DE7044l | |||
19* | - 04. The Giggling Rapids (Grap) | DE7044m | |||
20* | - 04. The Giggling Rapids (Grap) | DE7044n | |||
22* | Mendoza | DE7044o | |||
24* | Mendoza | DE7044p | |||
Add Wild Bill Davis(org) | |||||
Mixt (Ballad) | DE7044q | ||||
25* | Mixt (Ballad) | DE7044r | |||
26* | Mixt (Ballad) | Sv 1018401 | DE7044s | ||
Cat Anderson(t); Harold Ashby(ts,cl); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
27* | All Too Soon | DE7044t | |||
28* | All Too Soon | DE7044u | |||
29* | All Too Soon | Fa F-9640 | DE7044v | ||
As before but add Wild Bill Davis(org) | |||||
30* | The Hard Way | DE7044w | |||
31* | The Hard Way | DE7044x | |||
33* | The Hard Way | DE7044y | |||
34* | The Hard Way | DE7044z | |||
35* | The Hard Way | DE7044aa | |||
36* | The Hard Way | DE7044ab | |||
Some Summer Fun | DE7044ac | ||||
38* | Some Summer Fun | Pb 2310-787 | DE7044ad | ||
40* | Mendoza | Pb 2310-815 | DE7044ae | ||
Norris Turney(fl,cl,as,ts); Paul Gonsalves(ts); Duke Ellington(p); Wild Bill Davis(org); Joe Benjamin(sb); Rufus Jones(d) | |||||
41* | Just A-Sittin’ And A-Rockin' | DE7044af | |||
Just A-Sittin’ And A-Rockin' | DE7044ag | ||||
42* | Just A-Sittin’ And A-Rockin' | Fa F-9640 | DE7044ah | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Annapolis, MD | 20 June 1970 | |||
Concert, U.S. Naval Acadademy | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone(t); Booty Wood, Julian Priester(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney (fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-06-20-001 | C-Jam Blues | DE7045a | |||
70-06-20-002 | ¬ Kinda Dukish | DE7045b | |||
70-06-20-003 | _|Rockin’ In Rhythm | DE7045c | |||
70-06-20-004 | Thanks For The Beautiful Land | DE7045d | |||
70-06-20-005 | Bourbon Street Jingling Jollies | DE7045e | |||
70-06-20-006 | Portrait Of Louis Armstrong | DE7045f | |||
70-06-20-007 | Take The “A” Train | DE7045g | |||
70-06-20-008 | Portrait Of Sidney Bechet | DE7045h | |||
70-06-20-009 | In Triplicate | DE7045i | |||
Medley | DE7045j | ||||
70-06-20-010 | - 1. In A Sentimental Mood | ||||
70-06-20-011 | - 2. Just Squeeze Me | ||||
70-06-20-012 | - 3. Do Nothin’ Till You Hear From Me | ||||
70-06-20-013 | - 4. Don’t Get Around Much Anymore | ||||
70-06-20-014 | - 5. Mood Indigo | ||||
70-06-20-015 | - 6. I’m Beginning To See The Light | ||||
70-06-20-016 | - 7. Sophisticated Lady | ||||
70-06-20-017 | - 8. Caravan | ||||
70-06-20-018 | R.T.M. | DE7045k | |||
70-06-20-019 | 4:30 Blues | DE7045l | |||
70-06-20-020 | Fife | DE7045m | |||
70-06-20-021 | Blues For New Orleans | DE7045n | |||
70-06-20-022 | April In Paris | DE7045o | |||
70-06-20-023 | April In Paris | DE7045p | |||
70-06-20-024 | Come Off The Veldt | DE7045q | |||
70-06-20-025 | April In Paris | DE7045r | |||
70-06-20-026 | Birth Of The Blues | DE7045s | |||
70-06-20-027 | The Mooch | DE7045t | |||
70-06-20-028 | Making That Scene - vTW | DE7045u | |||
70-06-20-029 | Solitude - vTW | DE7045v | |||
70-06-20-030 | It Don’t Mean A Thing - vTW | DE7045w | |||
70-06-20-031 | I Got It Bad | DE7045x | |||
70-06-20-032 | Be Cool And Groovy For Me - vTW | DE7045y | |||
70-06-20-033 | Satin Doll | DE7045z | |||
70-06-20-034 | Fife | DE7045aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Amsterdam, NL | 28 June 1970 | |||
Concert, RAI Exhibition Center | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-06-28-001 | C-Jam Blues | DE7046a | |||
70-06-28-002 | Summer Samba | DE7046b | |||
70-06-28-003 | R.T.M. | DE7046c | |||
70-06-28-004 | Soon It’s Gonna Rain | DE7046d | |||
70-06-28-005 | ¬ Kinda Dukish | DE7046e | |||
70-06-28-006 | _|Rockin’ In Rhythm | DE7046f | |||
70-06-28-007 | Perdido | DE7046g | |||
70-06-28-008 | I Can’t Get Started | DE7046h | |||
70-06-28-009 | Thanks For The Beautiful Land | DE7046i | |||
70-06-28-010 | Bourbon Street Jingling Jollies | DE7046j | |||
70-06-28-011 | Fife | DE7046k | |||
70-06-28-012 | Aristocracy A La Jean Lafitte | DE7046l | |||
70-06-28-013 | Second Line | DE7046m | |||
70-06-28-014 | Portrait Of Sidney Bechet | DE7046n | |||
70-06-28-015 | Wailing Interval | DE7046o | |||
70-06-28-016 | Take The “A” Train | DE7046p | |||
Medley | DE7046q | ||||
70-06-28-017 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-06-28-018 | - 2. Don’t Get Around Much Anymore | ||||
70-06-28-019 | - 3. Mood Indigo | ||||
70-06-28-020 | - 4. I’m Beginning To See The Light | ||||
70-06-28-021 | - 5. Sophisticated Lady | ||||
70-06-28-022 | - 6. Caravan | ||||
70-06-28-023 | Alfie | DE7046r | |||
70-06-28-024 | Creole Love Call | DE7046s | |||
70-06-28-025 | Birth Of The Blues | DE7046t | |||
70-06-28-026 | St. Louis Blues | DE7046u | |||
70-06-28-027 | Orgasm | DE7046v | |||
70-06-28-028 | April In Paris | DE7046w | |||
70-06-28-029 | April In Paris | DE7046x | |||
70-06-28-030 | Come Off The Veldt | DE7046y | |||
70-06-28-031 | April In Paris | DE7046z | |||
70-06-28-032 | Making That Scene - vTW | DE7046aa | |||
70-06-28-033 | Solitude - vTW | DE7046ab | |||
70-06-28-034 | It Don’t Mean A Thing - vTW | DE7046ac | |||
70-06-28-035 | I Got It Bad | DE7046ad | |||
70-06-28-036 | Be Cool And Groovy For Me - vTW | DE7046ae | |||
70-06-28-037 | Satin Doll | DE7046af | |||
70-06-28-038 | ¬ Satin Doll | DE7046ag | |||
70-06-28-039 | _|Things Ain’t What They Used To Be | DE7046ah | |||
DUKE ELLINGTON | Paris, F | 02 July 1970 | |||
Pre-recording for ORTF telecast | |||||
Duke Ellington(p,tk) | |||||
70-07-02-001 | Fleurette Africaine | TJC JCD-05 | DE7047a | ||
70-07-02-002 | Carolina Shout | TJC JCD-05 | DE7047b | ||
70-07-02-003 | Take The “A” Train | TJC JCD-05 | DE7047c | ||
70-07-02-004 | Black Beauty | TJC JCD-05 | DE7047d | ||
70-07-02-005 | Warm Valley | TJC JCD-05 | DE7047e | ||
70-07-02-006 | Things Ain’t What They Used To Be | TJC JCD-05 | DE7047f | ||
70-07-02-007 | Paris Blues | TJC JCD-05 | DE7047g | ||
70-07-02-008 | NEW WORLD A-COMIN' | TJC JCD-05 | DE7047h | ||
70-07-02-009 | Paris Blues | TJC JCD-05 | DE7047i | ||
70-07-02-010 | Paris Blues | TJC JCD-05 | DE7047j | ||
70-07-02-011 | Come Sunday | TJC JCD-05 | DE7047k | ||
70-07-02-012 | Lotus Blossom | TJC JCD-05 | DE7047l | ||
70-07-02-013 | Satin Doll | DE7047m | |||
70-07-02-014 | Dancers In Love | DE7047n | |||
70-07-02-015 | Duke Talking About Jazz And His Music | DE7047o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Montreux, CH | 03 July 1970 | |||
Concert, Casino | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-03-001 | C-Jam Blues | DE7048a | |||
70-07-03-002 | Summer Samba | DE7048b | |||
70-07-03-003 | Second Line | DE7048c | |||
70-07-03-004 | Bourbon Street Jingling Jollies | DE7048d | |||
70-07-03-005 | Aristocracy A La Jean Lafitte | DE7048e | |||
70-07-03-006 | Blues For New Orleans | DE7048f | |||
70-07-03-007 | ¬ Kinda Dukish | DE7048g | |||
70-07-03-008 | _|Rockin’ In Rhythm | DE7048h | |||
70-07-03-009 | Take The “A” Train | DE7048i | |||
70-07-03-010 | La Plus Belle Africaine | DE7048j | |||
70-07-03-011 | Body And Soul | DE7048k | |||
Medley | DE7048l | ||||
70-07-03-012 | - 1. In A Sentimental Mood | ||||
70-07-03-013 | - 2. Just Squeeze Me | ||||
70-07-03-014 | - 3. Do Nothin’ Till You Hear From Me | ||||
70-07-03-015 | - 4. Don’t Get Around Much Anymore | ||||
70-07-03-016 | - 5. Mood Indigo | ||||
70-07-03-017 | - 6. I’m Beginning To See The Light | ||||
70-07-03-018 | - 7. Sophisticated Lady | ||||
70-07-03-019 | - 8. Caravan | ||||
70-07-03-020 | R.T.M. | DE7048m | |||
70-07-03-021 | The Hard Way | DE7048n | |||
70-07-03-022 | Birth Of The Blues | DE7048o | |||
70-07-03-023 | April In Paris | DE7048p | |||
70-07-03-024 | April In Paris | DE7048q | |||
70-07-03-025 | Come Off The Veldt | DE7048r | |||
70-07-03-026 | April In Paris | DE7048s | |||
70-07-03-027 | Making That Scene - vTW | DE7048t | |||
70-07-03-028 | Solitude - vTW | DE7048u | |||
70-07-03-029 | It Don’t Mean A Thing - vTW | DE7048v | |||
70-07-03-030 | I Got It Bad | DE7048w | |||
70-07-03-031 | Be Cool And Groovy For Me - vTW | DE7048x | |||
70-07-03-032 | Satin Doll | DE7048y | |||
70-07-03-033 | Satin Doll | DE7048z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Provins, F | 04 July 1970 | |||
Concert | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-04-001 | C-Jam Blues | DE7049a | |||
70-07-04-002 | Aristocracy A La Jean Lafitte | DE7049b | |||
70-07-04-003 | Second Line | DE7049c | |||
70-07-04-004 | Bourbon Street Jingling Jollies | DE7049d | |||
70-07-04-005 | Thanks For The Beautiful Land | DE7049e | |||
70-07-04-006 | Portrait Of Louis Armstrong | DE7049f | |||
70-07-04-007 | Blues For New Orleans | DE7049g | |||
70-07-04-008 | Take The “A” Train | DE7049h | |||
70-07-04-009 | April In Paris | DE7049i | |||
70-07-04-010 | April In Paris | DE7049j | |||
70-07-04-011 | La Plus Belle Africaine | DE7049k | |||
70-07-04-012 | Satin Doll | DE7049l | |||
70-07-04-013 | ¬ Kinda Dukish | DE7049m | |||
70-07-04-014 | _|Rockin’ In Rhythm | DE7049n | |||
70-07-04-015 | Birth Of The Blues | DE7049o | |||
70-07-04-016 | St. Louis Blues | DE7049p | |||
DUKE ELLINGTON | Paris, F | 06 July 1970 | |||
Pre-recording for ORTF television | |||||
Duke Ellington, Guy Béart(tk) | |||||
70-07-06-001 | Interview by Béart | DE7050a | |||
Duke Ellington(p) | |||||
70-07-06-002 | Meditation | DE7050b | |||
70-07-06-003 | Soda Fountain Rag | DE7050c | |||
70-07-06-004 | Piano Interlude | DE7050d | |||
Duke Ellington(p); Michel Gaudry(sb); Daniel Humair(d) | |||||
70-07-06-005 | Caravan | DE7050e | |||
Bill Coleman(t); Guy Lafitte(ts); Duke Ellington(p); Mickey Baker(g); Michel Gaudry(sb); Daniel Humair(d); Cecily Forde(v) | |||||
70-07-06-006 | Take The “A” Train - vCFo | DE7050f | |||
Duke Ellington(p); Mickey Baker(g); Michel Gaudry(sb); Daniel Humair(d) | |||||
70-07-06-007 | The Mooch | DE7050g | |||
Duke Ellington(p); Daniel Humair(d) | |||||
70-07-06-008 | The Lake | DE7050h | |||
Duke Ellington(p) | |||||
70-07-06-009 | Heaven | DE7050i | |||
Bill Coleman(t); Guy Lafitte(ts); Duke Ellington(p); Mickey Baker(g); Michel Gaudry(sb); Daniel Humair(d) | |||||
70-07-06-010 | C-Jam Blues | DE7050j | |||
Duke Ellington(p); Mickey Baker(g); Michel Gaudry(sb); Daniel Humair(d) | |||||
Medley | DE7050k | ||||
70-07-06-011 | - 1. Sophisticated Lady | ||||
70-07-06-012 | - 2. I Let A Song Go Out Of My Heart | ||||
70-07-06-013 | - 3. Don’t Get Around Much Anymore | ||||
70-07-06-014 | - 4. Mood Indigo | ||||
Duke Ellington(p); Mickey Baker(g) | |||||
70-07-06-015 | Monologue | DE7050l | |||
Bill Coleman(t); Guy Lafitte(ts); Mickey Baker(g); Michel Gaudry(sb); Daniel Humair(d); Cecily Forde, Duke Ellington(v) | |||||
70-07-06-016 | Woman - vCFo,DE | DE7050m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Goteborg, S | 08 July 1970 | |||
1st Concert, Liseberg Konserthallen | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-08-001 | C-Jam Blues | DE7051a | |||
70-07-08-002 | Summer Samba | DE7051b | |||
70-07-08-003 | ¬ Kinda Dukish | DE7051c | |||
70-07-08-004 | _|Rockin’ In Rhythm | DE7051d | |||
70-07-08-005 | Second Line | DE7051e | |||
70-07-08-006 | Bourbon Street Jingling Jollies | DE7051f | |||
70-07-08-007 | Aristocracy A La Jean Lafitte | DE7051g | |||
70-07-08-008 | Thanks For The Beautiful Land | DE7051h | |||
70-07-08-009 | Portrait Of Louis Armstrong | DE7051i | |||
70-07-08-010 | Take The “A” Train | DE7051j | |||
70-07-08-011 | In A Sentimental Mood | DE7051k | |||
70-07-08-012 | Wailing Interval | DE7051l | |||
Medley | DE7051m | ||||
70-07-08-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-08-014 | - 2. Don’t Get Around Much Anymore | ||||
70-07-08-015 | - 3. Mood Indigo | ||||
70-07-08-016 | - 4. I’m Beginning To See The Light | ||||
70-07-08-017 | - 5. Sophisticated Lady | ||||
70-07-08-018 | - 6. Caravan | ||||
70-07-08-019 | Birth Of The Blues | DE7051n | |||
70-07-08-020 | St. Louis Blues | DE7051o | |||
70-07-08-021 | April In Paris | DE7051p | |||
70-07-08-022 | April In Paris | DE7051q | |||
70-07-08-023 | Come Off The Veldt | DE7051r | |||
70-07-08-024 | Solitude - vTW | DE7051s | |||
70-07-08-025 | It Don’t Mean A Thing - vTW | DE7051t | |||
70-07-08-026 | Be Cool And Groovy For Me - vTW | DE7051u | |||
70-07-08-027 | Satin Doll | DE7051v | |||
70-07-08-028 | Satin Doll | DE7051w | |||
70-07-08-029 | Things Ain’t What They Used To Be | DE7051x | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-08-030 | Black Swan | DE7051y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Goteborg, S | 08 July 1970 | |||
2nd Concert, Liseberg Konserthallen | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-08-031 | C-Jam Blues | DE7052a | |||
70-07-08-032 | Summer Samba | DE7052b | |||
70-07-08-033 | ¬ Kinda Dukish | DE7052c | |||
70-07-08-034 | _|Rockin’ In Rhythm | DE7052d | |||
70-07-08-035 | Second Line | DE7052e | |||
70-07-08-036 | Bourbon Street Jingling Jollies | DE7052f | |||
70-07-08-037 | Aristocracy A La Jean Lafitte | DE7052g | |||
70-07-08-038 | Thanks For The Beautiful Land | DE7052h | |||
70-07-08-039 | Portrait Of Louis Armstrong | DE7052i | |||
70-07-08-040 | Take The “A” Train | DE7052j | |||
70-07-08-041 | In A Sentimental Mood | DE7052k | |||
70-07-08-042 | Up Jump | DE7052l | |||
Medley | DE7052m | ||||
70-07-08-043 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-08-044 | - 2. Just Squeeze Me | ||||
70-07-08-045 | - 3. Don’t Get Around Much Anymore | ||||
70-07-08-046 | - 4. Mood Indigo | ||||
70-07-08-047 | - 5. I’m Beginning To See The Light | ||||
70-07-08-048 | - 6. Sophisticated Lady | ||||
70-07-08-049 | - 7. Caravan | ||||
70-07-08-050 | Birth Of The Blues | DE7052n | |||
70-07-08-051 | St. Louis Blues | DE7052o | |||
70-07-08-052 | April In Paris | DE7052p | |||
70-07-08-053 | April In Paris | DE7052q | |||
70-07-08-054 | Come Off The Veldt | DE7052r | |||
70-07-08-055 | April In Paris | DE7052s | |||
70-07-08-056 | Solitude - vTW | DE7052t | |||
70-07-08-057 | It Don’t Mean A Thing - vTW | DE7052u | |||
70-07-08-058 | Be Cool And Groovy For Me - vTW | DE7052v | |||
70-07-08-059 | Satin Doll | DE7052w | |||
70-07-08-060 | Things Ain’t What They Used To Be | DE7052x | |||
70-07-08-061 | In Triplicate | DE7052y | |||
70-07-08-062 | Perdido | DE7052z | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-08-063 | Black Swan | DE7052a | |||
70-07-08-064 | Love You Madly | DE7052b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Koln, D | 09 July 1970 | |||
Duke Ellington recording session | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-09-001 | -1 | Alerado | DE7053a | ||
70-07-09-002 | -3 | Alerado | DE7053b | ||
70-07-09-003 | -4 | Alerado | Sv 1018401 | DE7053c | |
70-07-09-004 | -1 | Afrique | DE7053d | ||
70-07-09-005 | -2 | Afrique | Sv 1018401 | DE7053e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Palermo, I | 17 July 1970 | |||
Concert, Stadio della Favorita | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-17-001 | C-Jam Blues | DE7054a | |||
70-07-17-002 | ¬ Kinda Dukish | DE7054b | |||
70-07-17-003 | _|Rockin’ In Rhythm | DE7054c | |||
70-07-17-004 | Second Line | DE7054d | |||
70-07-17-005 | Bourbon Street Jingling Jollies | DE7054e | |||
70-07-17-006 | Aristocracy A La Jean Lafitte | DE7054f | |||
70-07-17-007 | Thanks For The Beautiful Land | DE7054g | |||
70-07-17-008 | Take The “A” Train | DE7054h | |||
70-07-17-009 | ¬ Diminuendo In Blue | DE7054i | |||
70-07-17-010 | _|Wailing Interval | DE7054j | |||
Medley | DE7054k | ||||
70-07-17-011 | - 1. Mood Indigo | ||||
70-07-17-012 | - 2. Sophisticated Lady | ||||
70-07-17-013 | - 3. Caravan | ||||
70-07-17-014 | Birth Of The Blues | DE7054l | |||
70-07-17-015 | April In Paris | DE7054m | |||
70-07-17-016 | April In Paris | DE7054n | |||
70-07-17-017 | Come Off The Veldt | DE7054o | |||
70-07-17-018 | April In Paris | DE7054p | |||
70-07-17-019 | Making That Scene - vTW | DE7054q | |||
70-07-17-020 | Solitude - vTW | DE7054r | |||
70-07-17-021 | It Don’t Mean A Thing - vTW | DE7054s | |||
70-07-17-022 | I Got It Bad | DE7054t | |||
70-07-17-023 | Be Cool And Groovy For Me - vTW | DE7054u | |||
70-07-17-024 | Satin Doll | DE7054v | |||
70-07-17-025 | Things Ain’t What They Used To Be | DE7054w | |||
70-07-17-026 | In Triplicate | DE7054x | |||
70-07-17-027 | Perdido | DE7054y | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-17-028 | Black Swan | DE7054z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Roma, I | 18 July 1970 | |||
1st Concert, Piper Music Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-18-001 | Second Line | DE7055a | |||
70-07-18-002 | Bourbon Street Jingling Jollies | DE7055b | |||
70-07-18-003 | Aristocracy A La Jean Lafitte | DE7055c | |||
70-07-18-004 | Thanks For The Beautiful Land | DE7055d | |||
70-07-18-005 | Take The “A” Train | DE7055e | |||
70-07-18-006 | Up Jump | DE7055f | |||
Medley | DE7055g | ||||
70-07-18-007 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-18-008 | - 2. Don’t Get Around Much Anymore | ||||
70-07-18-009 | - 3. Mood Indigo | ||||
70-07-18-010 | - 4. I’m Beginning To See The Light | ||||
70-07-18-011 | - 5. Sophisticated Lady | ||||
70-07-18-012 | - 6. Caravan | ||||
70-07-18-013 | R.T.M. | DE7055h | |||
70-07-18-014 | Birth Of The Blues | DE7055i | |||
70-07-18-015 | April In Paris | DE7055j | |||
70-07-18-016 | April In Paris | DE7055k | |||
70-07-18-017 | Making That Scene - vTW | DE7055l | |||
70-07-18-018 | Solitude - vTW | DE7055m | |||
70-07-18-019 | It Don’t Mean A Thing - vTW | DE7055n | |||
70-07-18-020 | Satin Doll | DE7055o | |||
70-07-18-021 | Things Ain’t What They Used To Be | DE7055p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Roma, I | 18 July 1970 | |||
2nd Concert, Piper Music Hall | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-18-022 | C-Jam Blues | DE7056a | |||
70-07-18-023 | Take The “A” Train | DE7056b | |||
70-07-18-024 | ¬ Kinda Dukish | DE7056c | |||
70-07-18-025 | _|Rockin’ In Rhythm | DE7056d | |||
70-07-18-026 | Second Line | DE7056e | |||
70-07-18-027 | Bourbon Street Jingling Jollies | DE7056f | |||
70-07-18-028 | Aristocracy A La Jean Lafitte | DE7056g | |||
70-07-18-029 | Thanks For The Beautiful Land | DE7056h | |||
70-07-18-030 | Portrait Of Louis Armstrong | DE7056i | |||
70-07-18-031 | Take The “A” Train | DE7056j | |||
70-07-18-032 | In A Sentimental Mood | DE7056k | |||
70-07-18-033 | Up Jump | DE7056l | |||
Medley | DE7056m | ||||
70-07-18-034 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-18-035 | - 2. Don’t Get Around Much Anymore | ||||
70-07-18-036 | - 3. Mood Indigo | ||||
70-07-18-037 | - 4. I’m Beginning To See The Light | ||||
70-07-18-038 | - 5. Sophisticated Lady | ||||
70-07-18-039 | - 6. Caravan | ||||
70-07-18-040 | R.T.M. | DE7056n | |||
70-07-18-041 | Birth Of The Blues | DE7056o | |||
70-07-18-042 | St. Louis Blues | DE7056p | |||
70-07-18-043 | April In Paris | DE7056q | |||
70-07-18-044 | April In Paris | DE7056r | |||
70-07-18-045 | Come Off The Veldt | DE7056s | |||
70-07-18-046 | April In Paris | DE7056t | |||
70-07-18-047 | Making That Scene - vTW | DE7056u | |||
70-07-18-048 | Solitude - vTW | DE7056v | |||
70-07-18-049 | I Got It Bad | DE7056w | |||
70-07-18-050 | Be Cool And Groovy For Me - vTW | DE7056x | |||
70-07-18-051 | Satin Doll | DE7056y | |||
70-07-18-052 | In Triplicate | DE7056z | |||
70-07-18-053 | Things Ain’t What They Used To Be | DE7056aa | |||
70-07-18-054 | Love You Madly | DE7056ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Pescara, I | 19 July 1970 | |||
Concert, Parco delle Naiadi | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-19-001 | C-Jam Blues | DE7057a | |||
70-07-19-002 | Take The “A” Train | DE7057b | |||
70-07-19-003 | ¬ Kinda Dukish | DE7057c | |||
70-07-19-004 | _|Rockin’ In Rhythm | DE7057d | |||
70-07-19-005 | Second Line | DE7057e | |||
70-07-19-006 | Bourbon Street Jingling Jollies | DE7057f | |||
70-07-19-007 | Aristocracy A La Jean Lafitte | DE7057g | |||
70-07-19-008 | Thanks For The Beautiful Land | DE7057h | |||
70-07-19-009 | Portrait Of Louis Armstrong | DE7057i | |||
70-07-19-010 | Take The “A” Train | DE7057j | |||
70-07-19-011 | In A Sentimental Mood | DE7057k | |||
70-07-19-012 | Up Jump | DE7057l | |||
Medley | DE7057m | ||||
70-07-19-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-19-014 | - 2. Don’t Get Around Much Anymore | ||||
70-07-19-015 | - 3. Mood Indigo | ||||
70-07-19-016 | - 4. I’m Beginning To See The Light | ||||
70-07-19-017 | - 5. Sophisticated Lady | ||||
70-07-19-018 | - 6. Caravan | ||||
70-07-19-019 | R.T.M. | DE7057n | |||
70-07-19-020 | Birth Of The Blues | DE7057o | |||
70-07-19-021 | St. Louis Blues | DE7057p | |||
70-07-19-022 | April In Paris | DE7057q | |||
70-07-19-023 | April In Paris | DE7057r | |||
70-07-19-024 | Come Off The Veldt | DE7057s | |||
70-07-19-025 | April In Paris | DE7057t | |||
70-07-19-026 | Making That Scene - vTW | DE7057u | |||
70-07-19-027 | Solitude - vTW | DE7057v | |||
70-07-19-028 | It Don’t Mean A Thing - vTW | DE7057w | |||
70-07-19-029 | Be Cool And Groovy For Me - vTW | DE7057x | |||
70-07-19-030 | Satin Doll | DE7057y | |||
70-07-19-031 | Things Ain’t What They Used To Be | DE7057z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Forte Dei Marmia, I | 20 July 1970 | |||
Concert, Parco delle Naiadi | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-20-001 | Take The “A” Train | DE7058a | |||
70-07-20-002 | ¬ Kinda Dukish | DE7058b | |||
70-07-20-003 | _|Rockin’ In Rhythm | DE7058c | |||
70-07-20-004 | Second Line | DE7058d | |||
70-07-20-005 | Bourbon Street Jingling Jollies | DE7058e | |||
70-07-20-006 | Aristocracy A La Jean Lafitte | DE7058f | |||
70-07-20-007 | Thanks For The Beautiful Land | DE7058g | |||
70-07-20-008 | Portrait Of Louis Armstrong | DE7058h | |||
Medley | DE7058i | ||||
70-07-20-009 | - 1. Don’t You Know I Care | ||||
70-07-20-010 | - 2. Prelude To A Kiss | ||||
70-07-20-011 | - 3. Do Nothin’ Till You Hear From Me | ||||
70-07-20-012 | - 4. Don’t Get Around Much Anymore | ||||
70-07-20-013 | - 5. Mood Indigo | ||||
70-07-20-014 | - 6. Caravan | ||||
70-07-20-015 | Birth Of The Blues | DE7058j | |||
70-07-20-016 | Things Ain’t What They Used To Be | DE7058k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Nervi, I | 21 July 1970 | |||
Concert, Parco delle Naiadi | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-21-001 | C-Jam Blues | DE7059a | |||
70-07-21-002 | ¬ Kinda Dukish | DE7059b | |||
70-07-21-003 | _|Rockin’ In Rhythm | DE7059c | |||
70-07-21-004 | Second Line | DE7059d | |||
70-07-21-005 | Bourbon Street Jingling Jollies | DE7059e | |||
70-07-21-006 | Aristocracy A La Jean Lafitte | DE7059f | |||
70-07-21-007 | Thanks For The Beautiful Land | DE7059g | |||
70-07-21-008 | Portrait Of Louis Armstrong | DE7059h | |||
70-07-21-009 | Take The “A” Train | DE7059i | |||
70-07-21-010 | In A Sentimental Mood | DE7059j | |||
70-07-21-011 | Up Jump | DE7059k | |||
Medley | DE7059l | ||||
70-07-21-012 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-21-013 | - 2. Don’t Get Around Much Anymore | ||||
70-07-21-014 | - 3. Mood Indigo | ||||
70-07-21-015 | - 4. I’m Beginning To See The Light | ||||
70-07-21-016 | - 5. Sophisticated Lady | ||||
70-07-21-017 | - 6. Caravan | ||||
70-07-21-018 | Birth Of The Blues | DE7059m | |||
70-07-21-019 | St. Louis Blues | DE7059n | |||
70-07-21-020 | April In Paris | DE7059o | |||
70-07-21-021 | April In Paris | DE7059p | |||
70-07-21-022 | Come Off The Veldt | DE7059q | |||
70-07-21-023 | April In Paris | DE7059r | |||
70-07-21-024 | Making That Scene - vTW | DE7059s | |||
70-07-21-025 | Solitude - vTW | DE7059t | |||
70-07-21-026 | It Don’t Mean A Thing - vTW | DE7059u | |||
70-07-21-027 | Be Cool And Groovy For Me - vTW | DE7059v | |||
70-07-21-028 | Satin Doll | DE7059w | |||
70-07-21-029 | In Triplicate | DE7059x | |||
70-07-21-030 | Perdido | DE7059y | |||
70-07-21-031 | Come Sunday (David Danced) | DE7059z | |||
70-07-21-032 | Things Ain’t What They Used To Be | DE7059aa | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-21-033 | Black Swan | DE7059ab | |||
Paul Gonsalves(ts); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-21-034 | I Got It Bad | DE7059ac | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-21-035 | Unidentified “Q” | DE7059ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Verona, I | 22 July 1970 | |||
Concert, Teatro Romano | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-22-001 | C-Jam Blues | DE7060a | |||
70-07-22-002 | Summer Samba | DE7060b | |||
70-07-22-003 | ¬ Kinda Dukish | DE7060c | |||
70-07-22-004 | _|Rockin’ In Rhythm | DE7060d | |||
70-07-22-005 | Second Line | DE7060e | |||
70-07-22-006 | Bourbon Street Jingling Jollies | DE7060f | |||
70-07-22-007 | Aristocracy A La Jean Lafitte | DE7060g | |||
70-07-22-008 | Thanks For The Beautiful Land | DE7060h | |||
70-07-22-009 | Take The “A” Train | DE7060i | |||
70-07-22-010 | In A Sentimental Mood | DE7060j | |||
70-07-22-011 | In Triplicate | DE7060k | |||
70-07-22-012 | Birth Of The Blues | DE7060l | |||
70-07-22-013 | April In Paris | DE7060m | |||
70-07-22-014 | April In Paris | DE7060n | |||
70-07-22-015 | Come Off The Veldt | DE7060o | |||
70-07-22-016 | April In Paris | DE7060p | |||
70-07-22-017 | Things Ain’t What They Used To Be | DE7060q | |||
70-07-22-018 | R.T.M. | DE7060r | |||
Medley | DE7060s | ||||
70-07-22-019 | - 1. Prelude To A Kiss | ||||
70-07-22-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
70-07-22-021 | - 3. Don’t Get Around Much Anymore | ||||
70-07-22-022 | - 4. Mood Indigo | ||||
70-07-22-023 | - 5. I’m Beginning To See The Light | ||||
70-07-22-024 | - 6. Solitude - vTW | ||||
70-07-22-025 | - 7. It Don’t Mean A Thing - vTW | ||||
70-07-22-026 | - 8. I Got It Bad | ||||
70-07-22-027 | - 9. Be Cool And Groovy For Me -TW | ||||
70-07-22-028 | - 10. Sophisticated Lady | ||||
70-07-22-029 | - 11. Caravan | ||||
70-07-22-030 | Satin Doll | DE7060t | |||
70-07-22-031 | Perdido | DE7060u | |||
70-07-22-032 | Afrique | DE7060v | |||
70-07-22-033 | The Pacific Split | DE7060w | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-22-034 | Black Swan | DE7060x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milano, I | 23 July 1970 | |||
Duke Ellington recording session, Studio Fontana | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-23-001 | Maiera | MM 5041-2C(D) | DE7061a | ||
70-07-23-002 | Portrait Of Louis Armstrong | MM 5041-2C(D) | DE7061b | ||
70-07-23-003 | Thanks For The Beautiful Land | MM 5041-2C(D) | DE7061c | ||
70-07-23-004 | Second Line | Sv 1018401 | DE7061d | ||
70-07-23-005 | Bourbon Street Jingling Jollies | MM 5041-2C(D) | DE7061e | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Torino, I | 24 July 1970 | |||
Concert, Palazzo dello Sport | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-24-001 | C-Jam Blues | DE7062a | |||
70-07-24-002 | Summer Samba | DE7062b | |||
70-07-24-003 | ¬ Kinda Dukish | DE7062c | |||
70-07-24-004 | _|Rockin’ In Rhythm | DE7062d | |||
70-07-24-005 | Second Line | DE7062e | |||
70-07-24-006 | Bourbon Street Jingling Jollies | DE7062f | |||
70-07-24-007 | Aristocracy A La Jean Lafitte | DE7062g | |||
70-07-24-008 | Thanks For The Beautiful Land | DE7062h | |||
70-07-24-009 | Portrait Of Louis Armstrong | DE7062i | |||
70-07-24-010 | In A Sentimental Mood | DE7062j | |||
70-07-24-011 | Up Jump | DE7062k | |||
Medley | DE7062l | ||||
70-07-24-012 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-24-013 | - 2. Don’t Get Around Much Anymore | ||||
70-07-24-014 | - 3. Mood Indigo | ||||
70-07-24-015 | - 4. I’m Beginning To See The Light | ||||
70-07-24-016 | - 5. Sophisticated Lady | ||||
70-07-24-017 | - 6. Caravan | ||||
70-07-24-018 | R.T.M. | DE7062m | |||
70-07-24-019 | Alfie | DE7062n | |||
70-07-24-020 | Birth Of The Blues | DE7062o | |||
70-07-24-021 | St. Louis Blues | DE7062p | |||
70-07-24-022 | April In Paris | DE7062q | |||
70-07-24-023 | April In Paris | DE7062r | |||
70-07-24-024 | Come Off The Veldt | DE7062s | |||
70-07-24-025 | April In Paris | DE7062t | |||
70-07-24-026 | Making That Scene - vTW | DE7062u | |||
70-07-24-027 | Solitude - vTW | DE7062v | |||
70-07-24-028 | It Don’t Mean A Thing - vTW | DE7062w | |||
70-07-24-029 | I Got It Bad | DE7062x | |||
70-07-24-030 | Be Cool And Groovy For Me - vTW | DE7062y | |||
70-07-24-031 | Satin Doll | DE7062z | |||
70-07-24-032 | Afrique | DE7062aa | |||
70-07-24-033 | Take The “A” Train | DE7062ab | |||
70-07-24-034 | Happy Birthday To You | DE7062ac | |||
70-07-24-035 | Maiera | DE7062ad | |||
70-07-24-036 | The Pacific Split | DE7062ae | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-24-037 | Things Ain’t What They Used To Be | DE7062af | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Orange, F | 25 July 1970 | |||
Concert, Théatre Antique | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-25-001 | C-Jam Blues | DE7063a | |||
70-07-25-002 | ¬ Kinda Dukish | DE7063b | |||
70-07-25-003 | _|Rockin’ In Rhythm | DE7063c | |||
70-07-25-004 | Second Line | DE7063d | |||
70-07-25-005 | Bourbon Street Jingling Jollies | DE7063e | |||
70-07-25-006 | Aristocracy A La Jean Lafitte | DE7063f | |||
70-07-25-007 | Thanks For The Beautiful Land | DE7063g | |||
70-07-25-008 | Portrait Of Louis Armstrong | DE7063h | |||
70-07-25-009 | Take The “A” Train | DE7063i | |||
70-07-25-010 | Portrait Of Sidney Bechet | DE7063j | |||
70-07-25-011 | Up Jump | DE7063k | |||
Medley | DE7063l | ||||
70-07-25-012 | - 1. Prelude To A Kiss | ||||
70-07-25-013 | - 2. Do Nothin’ Till You Hear From Me | ||||
70-07-25-014 | - 3. Don’t Get Around Much Anymore | ||||
70-07-25-015 | - 4. Mood Indigo | ||||
70-07-25-016 | - 5. I’m Beginning To See The Light | ||||
70-07-25-017 | - 6. Sophisticated Lady | ||||
70-07-25-018 | - 7. Caravan | ||||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-25-019 | Black Swan | DE7063m | |||
70-07-25-020 | R.T.M. | DE7063n | |||
70-07-25-021 | Salomé | DE7063o | |||
70-07-25-022 | St. Louis Blues | DE7063p | |||
70-07-25-023 | April In Paris | DE7063q | |||
70-07-25-024 | April In Paris | DE7063r | |||
70-07-25-025 | Come Off The Veldt | DE7063s | |||
70-07-25-026 | April In Paris | DE7063t | |||
70-07-25-027 | Making That Scene - vTW | DE7063u | |||
70-07-25-028 | Solitude - vTW | DE7063v | |||
70-07-25-029 | It Don’t Mean A Thing - vTW | DE7063w | |||
70-07-25-030 | I Got It Bad | DE7063x | |||
70-07-25-031 | Be Cool And Groovy For Me - vTW | DE7063y | |||
70-07-25-032 | Satin Doll | DE7063z | |||
70-07-25-033 | Things Ain’t What They Used To Be | DE7063aa | |||
70-07-25-034 | Maiera | DE7063ab | |||
70-07-25-035 | The Pacific Split | DE7063ac | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-07-25-036 | Portrait Of Wellman Braud | DE7063ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Orange, F | 26 July 1970 | |||
Concert, Théatre Antique | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Devonne Gardner, Toney Watkins, Sant Jordi Choir(v) | |||||
SECOND SACRED CONCERT | |||||
70-07-26-001 |
| DE7064a | |||
70-07-26-002 |
| DE7064b | |||
70-07-26-003 |
| DE7064c | |||
70-07-26-004 |
| DE7064d | |||
70-07-26-005 |
| DE7064e | |||
70-07-26-006 |
| DE7064f | |||
70-07-26-007 |
| DE7064g | |||
70-07-26-008 |
| DE7064h | |||
70-07-26-009 |
| DE7064i | |||
70-07-26-010 |
| DE7064j | |||
70-07-26-011 |
| DE7064k | |||
70-07-26-012 |
| DE7064l | |||
Add Baby Laurence(td) | |||||
70-07-26-013 | Come Sunday (David Danced) | DE7064m | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-26-014 | Come Sunday | DE7064n | |||
As before | |||||
SECOND SACRED CONCERT | |||||
70-07-26-015 |
| DE7064o | |||
Toney Watkins(v) solo | |||||
70-07-26-016 | The Preacher’s Song - vTW | DE7064p | |||
As before | |||||
70-07-26-017 | In The Beginning God - vSJC | DE7064q | |||
DUKE ELLINGTON | Orange, F | 26 July 1970 | |||
Radio France Culture broadcast, Théatre Antique | |||||
Duke Ellington, n/k(tk) | |||||
70-07-26-018 | Interview | DE7065a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Saint Tropez, F | 28 July 1970 | |||
Concert, La Citadelle | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-07-28-001 | C-Jam Blues | DE7066a | |||
70-07-28-002 | ¬ Kinda Dukish | DE7066b | |||
70-07-28-003 | _|Rockin’ In Rhythm | DE7066c | |||
70-07-28-004 | Second Line | DE7066d | |||
70-07-28-005 | Bourbon Street Jingling Jollies | DE7066e | |||
70-07-28-006 | Aristocracy A La Jean Lafitte | DE7066f | |||
70-07-28-007 | Thanks For The Beautiful Land | DE7066g | |||
70-07-28-008 | Portrait Of Louis Armstrong | DE7066h | |||
70-07-28-009 | Take The “A” Train | DE7066i | |||
70-07-28-010 | Portrait Of Sidney Bechet | DE7066j | |||
70-07-28-011 | Up Jump | DE7066k | |||
Medley | DE7066l | ||||
70-07-28-012 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-07-28-013 | - 2. Don’t Get Around Much Anymore | ||||
70-07-28-014 | - 3. Mood Indigo | ||||
70-07-28-015 | - 4. I’m Beginning To See The Light | ||||
70-07-28-016 | - 5. Sophisticated Lady | ||||
70-07-28-017 | - 6. Caravan | ||||
Wild Bill Davis(p) instead of (o) | |||||
70-07-28-018 | R.T.M. | DE7066m | |||
As before | |||||
70-07-28-019 | Birth Of The Blues | DE7066n | |||
70-07-28-020 | St. Louis Blues | DE7066o | |||
70-07-28-021 | April In Paris | DE7066p | |||
70-07-28-022 | April In Paris | DE7066q | |||
70-07-28-023 | Come Off The Veldt | DE7066r | |||
70-07-28-024 | April In Paris | DE7066s | |||
70-07-28-025 | Making That Scene - vTW | DE7066t | |||
70-07-28-026 | Solitude - vTW | DE7066u | |||
70-07-28-027 | It Don’t Mean A Thing - vTW | DE7066v | |||
70-07-28-028 | I Got It Bad | DE7066w | |||
70-07-28-029 | Be Cool And Groovy For Me - vTW | DE7066x | |||
70-07-28-030 | Satin Doll | DE7066y | |||
70-07-28-031 | In Triplicate | DE7066z | |||
70-07-28-032 | Afrique | DE7066aa | |||
70-07-28-033 | Maiera | DE7066ab | |||
Duke Ellington(p); Toney Watkins(v) | |||||
70-07-28-034 | My Mother, My Father and Love - vTW | DE7066ac | |||
As before | |||||
70-07-28-035 | Things Ain’t What They Used To Be | DE7066ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Oostende, B | 01 August 1970 | |||
Concert, Kursaal | |||||
Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone, Nelson Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-08-01-001 | C-Jam Blues | DE7067a | |||
70-08-01-002 | Summer Samba | DE7067b | |||
70-08-01-003 | ¬ Kinda Dukish | DE7067c | |||
70-08-01-004 | _|Rockin’ In Rhythm | DE7067d | |||
70-08-01-005 | Second Line | DE7067e | |||
70-08-01-006 | Bourbon Street Jingling Jollies | DE7067f | |||
70-08-01-007 | Aristocracy A La Jean Lafitte | DE7067g | |||
70-08-01-008 | Thanks For The Beautiful Land | DE7067h | |||
70-08-01-009 | Portrait Of Louis Armstrong | DE7067i | |||
70-08-01-010 | Take The “A” Train | DE7067j | |||
70-08-01-011 | In A Sentimental Mood | DE7067k | |||
70-08-01-012 | Up Jump | DE7067l | |||
Medley | DE7067m | ||||
70-08-01-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
DUKE ELLINGTON | New York City, NY | 06 August 1970 | |||
Metromedia telecast | |||||
Duke Ellington, Merv Griffin(tk) | |||||
70-08-06-001 | Interview by Griffin | DE7068a | |||
DUKE ELLINGTON | Same session | ||||
Bill Berry(t); Duke Ellington(p); Joe Benjamin(sb); Merv Griffin(v) accompanied by studio orchestra cond. Mort Lindsay | |||||
70-08-06-002 | I’m Beginning To See The Light - vMGf | DE7068b | |||
DUKE ELLINGTON GROUP | New York City, NY | 08 August 1970 | |||
NBC broadcast, Rainbow Grill | |||||
Cat Anderson(t); Booty Wood(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-08-001 | Take The “A” Train (theme) | DE7069a | |||
70-08-08-002 | Caravan | DE7069b | |||
70-08-08-003 | In A Sentimental Mood | DE7069c | |||
70-08-08-004 | In Triplicate | DE7069d | |||
Medley | DE7069e | ||||
70-08-08-005 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-08-08-006 | - 2. Don’t Get Around Much Anymore | ||||
70-08-08-007 | - 3. Mood Indigo | ||||
70-08-08-008 | Take The “A” Train (theme) | DE7069f | |||
DUKE ELLINGTON WITH THE MIAMI BEACH SYMPHONY ORCHESTRA | Maiami Beach, FL | 09 August 1970 | |||
Concert, Miami Beach Auditorium | |||||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v); Miami Beach Symphony Orchestra cond. Barnett Breeskin | |||||
70-08-09-001 | NEW WORLD A’COMIN' | DE7070a | |||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
70-08-09-002 | - 1. The Golden Broom | DE7070b | |||
70-08-09-003 | - 2. The Green Apple | DE7070c | |||
70-08-09-004 | - 3. The Handsome Traffic Policeman | DE7070d | |||
Medley | |||||
70-08-09-005 | - 1. Do Nothin’ Till You Hear From Me | DE7070e | |||
70-08-09-006 | - 2. Prelude To A Kiss | ||||
70-08-09-007 | - 3. Don’t Get Around Much Anymore | ||||
70-08-09-008 | - 4. Mood Indigo | ||||
70-08-09-009 | - 5. I’m Beginning To See The Light | ||||
70-08-09-010 | - 6. Sophisticated Lady | ||||
70-08-09-011 | - 7. Caravan | ||||
70-08-09-012 | - 8. It Don’t Mean A Thing - vTW | ||||
70-08-09-013 | - 9. My Mother, My Father and Love - vTW | ||||
70-08-09-014 | - 10. Be Cool And Groovy For Me - vTW | ||||
70-08-09-015 | - 11. Solitude | ||||
70-08-09-016 | - 12. I Let A Song Go Out Of My Heart | ||||
70-08-09-017 | Take The “A” Train | DE7070f | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-09-018 | La Plus Belle Africaine | DE7070g | |||
As before | |||||
70-08-09-019 | Come Off The Veldt | DE7070h | |||
70-08-09-020 | Satin Doll | DE7070i | |||
70-08-09-021 | Things Ain’t What They Used To Be | DE7070j | |||
DUKE ELLINGTON WITH ORCHESTRA | New York City, NY | 10 August 1970 | |||
ABC telecast | |||||
Duke Ellington(p); studio orchestra cond. Bobby Rosengarden | |||||
Medley | DE7071a | ||||
70-08-10-001 | - 1. Mood Indigo | ||||
70-08-10-002 | - 2. I Let A Song Go Out Of My Heart | ||||
70-08-10-003 | - 3. It Don’t Mean A Thing - vTW | ||||
70-08-10-004 | - 4. Solitude | ||||
70-08-10-005 | - 5. Rockin In Rhythm | ||||
Duke Ellington; Dick Cavette(tk) | |||||
70-08-10-006 | Interview by Cavett | DE7071b | |||
DUKE ELLINGTON | New York City, NY | 12 August 1970 | |||
CBS broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
70-08-12-001 | Meditation | DE9078a | |||
DUKE ELLINGTON GROUP | As before | ||||
Cat Anderson(t); Booty Wood(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-12-002 | Take The “A” Train | DE9078b | |||
70-08-12-003 | Second Line | DE9078c | |||
70-08-12-004 | New Orleans Jingling Jollies | DE9078d | |||
70-08-12-005 | Aristocracy A La Jean Lafitte | DE9078e | |||
70-08-12-006 | Thanks For The Beautiful Land | DE9078f | |||
70-08-12-007 | ¬ Satin Doll | DE9078g | |||
70-08-12-008 | _| Sophisticated Lady | DE9078h | |||
DUKE ELLINGTON GROUP | New York City, NY | 15 August 1970 | |||
NBC broadcast, Rainbow Grill | |||||
Cat Anderson(t); Booty Wood(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-15-001 | Second Line | DE7072a | |||
70-08-15-002 | New Orleans Jingling Jollies | DE7072b | |||
70-08-15-003 | Aristocracy A La Jean Lafitte | DE7072c | |||
70-08-15-004 | Thanks For The Beautiful Land | DE7072d | |||
DUKE ELLINGTON | New York City, NY | August 1970 | |||
Rainbow Grill | |||||
Duke Ellington(tk) | |||||
70-08-18-001 | Duke Ellington Message | DE7073a | |||
Duke Ellington(p) | |||||
70-08-18-002 | Solitude | DE7073b | |||
DUKE ELLINGTON GROUP | New York City, NY | August 1970 | |||
Rainbow Grill | |||||
Cat Anderson(t); Booty Wood(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Lena Junoff(v) | |||||
70-08-20-001 | Strange Feeling - vLJu | DE7074xa | |||
70-08-20-002 | I’m Afraid - vLJu | DE7074xb | |||
70-08-20-003 | I Let A Song Go Out Of My Heart - vLJu | DE7074a | |||
DUKE ELLINGTON GROUP | New York City, NY | 22 August 1970 | |||
Rainbow Grill | |||||
Cat Anderson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-22-001 | Take The “A” Train (theme) | DE7075a | |||
70-08-22-002 | ¬ Black And Tan Fantasy | DE7075b | |||
70-08-22-003 | - | Creole Love Call | DE7075c | |||
70-08-22-004 | _|The Mooch | DE7075d | |||
70-08-22-005 | Fife | DE7075e | |||
70-08-22-006 | Satin Doll | DE7075f | |||
70-08-22-007 | Things Ain’t What They Used To Be | DE7075g | |||
DUKE ELLINGTON GROUP | New York City, NY | 29 August 1970 | |||
Rainbow Grill | |||||
Cat Anderson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-29-001 | Take The “A” Train (theme) | DE7076a | |||
70-08-29-002 | Second Line | DE7076b | |||
70-08-29-003 | Thanks For The Beautiful Land | DE7076c | |||
70-08-29-004 | Sophisticated Lady | DE7076d | |||
70-08-29-005 | Afrique (Deep Forest) | DE7076e | |||
70-08-29-006 | Things Ain’t What They Used To Be | DE7076f | |||
DUKE ELLINGTON AND JOYA SHERRILL | New York City, NY | 30 August 1970 | |||
Pre-recording for WPIX telecast | |||||
Duke Ellington, Joya Sherrill(tk) | |||||
70-08-30-001 | Interview by Sherrill and Children | DE7077a | |||
Duke Ellington(p); Joya Sherrill(v) | |||||
70-08-30-002 | My Mother, My Father And Love - vJS | DE7077b | |||
Duke Ellington(tk) | |||||
70-08-30-003 | Three Bears Story | DE7077c | |||
70-08-30-004 | Duke Talking About Children’s Stories | DE7077d | |||
DUKE ELLINGTON GROUP | New York City, NY | 30 August 1970 | |||
Rainbow Grill | |||||
Cat Anderson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-08-30-005 | Second Line | DE7078a | |||
70-08-30-006 | New Orleans Jingling Jollies | DE7078b | |||
70-08-30-007 | Aristocracy A La Jean Lafitte | DE7078c | |||
70-08-30-008 | Thanks For The Beautiful Land | DE7078d | |||
70-08-30-009 | Take The “A” Train | DE7078e | |||
DUKE ELLINGTON WITH ORCHESTRA | Toronto, CDN | August/September 1970 | |||
Kine Soundtrack, Royal York Hotel | |||||
Duke Ellington(p); Rufus Jones(d); Lou Rawles(v) | |||||
70-09-00-001 | Satin Doll | DE7079a | |||
70-09-00-002 | Sophisticated Lady - vLRa | DE7079b | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 10 September 1970 | |||
Dance, Disneyland | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-09-10-001 | C-Jam Blues | DE7080a | |||
70-09-10-002 | Take The “A” Train | DE7080b | |||
70-09-10-003 | Tutti For Cootie | DE7080c | |||
70-09-10-004 | ¬ Solitude | DE7080d | |||
70-09-10-005 | _| Mood Indigo | DE7080e | |||
70-09-10-006 | Happy Birthday To You | DE7080f | |||
70-09-10-007 | The Hard Way | DE7080g | |||
70-09-10-008 | Satin Doll | DE7080h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 12 September 1970 | |||
Dance, Disneyland | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-09-12-001 | C-Jam Blues | DE7081a | |||
70-09-12-002 | ¬ Mood Indigo | DE7081b | |||
70-09-12-003 | _| Sophisticated Lady | DE7081c | |||
70-09-12-004 | Second Line | DE7081d | |||
70-09-12-005 | Aristocracy A La Jean Lafitte | DE7081e | |||
70-09-12-006 | New Orleans Jingling Jollies | DE7081f | |||
70-09-12-007 | Things Ain’t What They Used To Be | DE7081g | |||
70-09-12-008 | Afrique (Deep Forest) | DE7081h | |||
70-09-12-009 | Satin Doll | DE7081i | |||
70-09-12-010 | Tang | DE7081j | |||
70-09-12-011 | ¬ Diminuendo In Blue | DE7081k | |||
70-09-12-012 | _| Wailing Interval | DE7081l | |||
70-09-12-013 | I Got It Bad | DE7081m | |||
70-09-12-014 | ¬ Gong | DE7081n | |||
70-09-12-015 | _| The Hard Way | DE7081o | |||
70-09-12-016 | The Hard Way | DE7081p | |||
70-09-12-017 | Take The “A” Train | DE7081q | |||
70-09-12-018 | Cotton Tail | DE7081r | |||
70-09-12-019 | Tang | DE7081s | |||
70-09-12-020 | Satin Doll | DE7081t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Monterey, CA | 18 September 1970 | |||
Concert, Monterey Jazz Festival | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins, Joe Williams(v) | |||||
70-09-18-001 | R.T.M. | DE7082a | |||
70-09-18-002 | C-Jam Blues | DE7082b | |||
AFRO-EURASIAN ECLIPSE | |||||
70-09-18-003 | - 1. Gong | DE7082c | |||
70-09-18-004 | - 2. Chinoiserie | DE7082d | |||
70-09-18-005 | - 3. Tang (Django Django) | DE7082e | |||
70-09-18-006 | - 4. True = Tell Me It’s The Truth | DE7082f | |||
70-09-18-007 | - 9. Big Luv | DE7082g | |||
70-09-18-008 | - 6. Afrique (Deep Forest) | DE7082h | |||
70-09-18-009 | - 7. The Hard Way | DE7082i | |||
Add Woody Herman(as) | |||||
70-09-18-010 | I Got It Bad | DE7082j | |||
70-09-18-011 | Don’t Get Around Much Anymore - vJWi | DE7082k | |||
70-09-18-012 | Every Day I Have The Blues - vJWi | DE7082l | |||
Woody Herman and Joe Williams out | |||||
70-09-18-013 | El Gato | DE7082m | |||
70-09-18-014 | April In Paris | DE7082n | |||
70-09-18-015 | April In Paris | DE7082o | |||
70-09-18-016 | Come Off The Veldt | DE7082p | |||
70-09-18-017 | April In Paris | DE7082q | |||
70-09-18-018 | Take The “A” Train | DE7082r | |||
70-09-18-019 | Making That Scene - VTW | DE7082s | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-09-18-020 | My Mother, My Father And Love - vTW | DE7082t | |||
As before | |||||
70-09-18-021 | Be Cool And Groovy For Me - vTW | DE7082u | |||
70-09-18-022 | Satin Doll | DE7082v | |||
70-09-18-023 | Things Ain’t What They Used To Be | DE7082w | |||
DUKE ELLINGTON AND DIZZY GILLESPIE | Monterey, CA | 20 September 1970 | |||
Concert | |||||
Dizzy Gillespie(t); Duke Ellington(tk) | |||||
70-09-20-001 | Monologue | DE7083a | |||
Dizzy Gillespie(t); Duke Ellington(p) | |||||
70-09-20-002 | Take The “A” Train | DE7083b | |||
DUKE ELLINGTON WITH THE NASHVILLE SYMPHONY ORCHESTRA | Nashville, IN | 25 September 1970 | |||
Concert, War Memorial Auditorium | |||||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nashville Symphony Orchestra cond. Thor Johnson | |||||
THE GOLDEN BROOM AND THE GREEN APPLE | |||||
70-09-25-001 | - 1. The Golden Broom | DE7084a | |||
70-09-25-002 | - 2. The Green Apple | DE7084b | |||
70-09-25-003 | - 3. The Handsome Traffic Policeman | DE7084c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-09-25-004 | Chinoiserie | DE7084d | |||
DUKE ELLINGTON WITH THE NASHVILLE SYMPHONY ORCHESTRA | Nashville, IN | 25 September 1970 | |||
As before | |||||
70-09-25-005 | Take The “A” Train | DE7084e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-006 | Bourbon Street Jingling Jollies | DE7084f | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NASHVILLE SYMPHONY ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-007 | Things Ain’t What They Used To Be | DE7084g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-008 | Ocht O’Clock Rock | DE7084h | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NASHVILLE SYMPHONY ORCHESTRA | Same session | ||||
As before | |||||
Medley | DE7084i | ||||
70-09-25-009 | - 1. Prelude To A Kiss | ||||
70-09-25-010 | - 2. Do Nothin’ Till You Hear From Me | ||||
70-09-25-011 | - 3. Don’t Get Around Much Anymore | ||||
70-09-25-012 | - 4. Mood Indigo | ||||
70-09-25-013 | - 5. I’m Beginning To See The Light | ||||
70-09-25-014 | - 6. Sophisticated Lady | ||||
70-09-25-015 | - 7. Caravan | ||||
70-09-25-016 | - 8. It Don’t Mean A Thing - vTW | ||||
70-09-25-017 | - 9. Solitude | ||||
70-09-25-018 | - 10. I Let A Song Go Out Of My Heart | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-019 | Second Line | DE7084j | |||
70-09-25-020 | Take The “A” Train | DE7084k | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NASHVILLE SYMPHONY ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-021 | Take The “A” Train | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-022 | April In Paris | DE7084m | |||
70-09-25-023 | April In Paris | DE7084n | |||
70-09-25-024 | Come Off The Veldt | DE7084o | |||
70-09-25-025 | April In Paris | DE7084p | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NASHVILLE SYMPHONY ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-026 | Satin Doll | DE7084q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
70-09-25-027 | Satin Doll | DE7084r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 02 October 1970 | |||
Concert, Constitution Hall | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-10-02-001 | C-Jam Blues | DE7085a | |||
70-10-02-002 | Second Line | DE7085b | |||
70-10-02-003 | Portrait Of Louis Armstrong | DE7085c | |||
70-10-02-004 | Take The “A” Train | DE7085d | |||
70-10-02-005 | Creole Love Call | DE7085e | |||
70-10-02-006 | Chinoiserie | DE7085f | |||
70-10-02-007 | Bourbon Street Jingling Jollies | DE7085g | |||
70-10-02-008 | The Hard Way | DE7085h | |||
70-10-02-009 | Afrique (Deep Forest) | DE7085i | |||
Medley | DE7085j | ||||
70-10-02-010 | - 1. Don’t You Know I Care | ||||
70-10-02-011 | - 2. Prelude To A Kiss | ||||
70-10-02-012 | - 3. Do Nothin’ Till You Hear From Me | ||||
70-10-02-013 | - 4. Don’t Get Around Much Anymore | ||||
70-10-02-014 | - 5. Mood Indigo | ||||
70-10-02-015 | - 6. I’m Beginning To See The Light | ||||
70-10-02-016 | - 7. Sophisticated Lady | ||||
70-10-02-017 | - 8. Caravan | ||||
70-10-02-018 | R.T.M. | DE7085k | |||
70-10-02-019 | El Gato | DE7085l | |||
70-10-02-020 | Birth Of The Blues | DE7085m | |||
70-10-02-021 | April In Paris | DE7085n | |||
70-10-02-022 | April In Paris | DE7085o | |||
70-10-02-023 | Come Off The Veldt | DE7085p | |||
70-10-02-024 | April In Paris | DE7085q | |||
70-10-02-025 | Making That Scene - vTW | DE7085r | |||
70-10-02-026 | Solitude - vTW | DE7085s | |||
70-10-02-027 | It Don’t Mean A Thing - vTW | DE7085t | |||
70-10-02-028 | My Mother, My Father And Love - vTW | DE7085u | |||
70-10-02-029 | Be Cool And Groovy For Me - vTW | DE7085v | |||
70-10-02-030 | Satin Doll | DE7085w | |||
70-10-02-031 | In A Sentimental Mood | DE7085x | |||
70-10-02-032 | ¬ Diminuendo In Blue | DE7085y | |||
70-10-02-033 | _| Wailing Interval | DE7085z | |||
70-10-02-034 | Things Ain’t What They Used To Be | DE7085aa | |||
70-10-02-035 | Satin Doll | DE7085ab | |||
70-10-02-036 | Ocht O’Clock Rock | DE7085ac | |||
70-10-02-037 | I Got It Bad | DE7085ad | |||
DUKE ELLINGTON | Los Angeles, CA | 12 November 1970 | |||
KFI broadcast | |||||
Duke Ellington, Howard Roberts, Scott Ellsworth(tk) | |||||
70-11-12-001 | Interview by Ellsworth | DE7086a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 November 1970 | |||
Concert, Temple Emanuel, Beverly Hills | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); n/k, Toney Watkins, Herman McCoy Choir(v) | |||||
SECOND SACRED MUSIC | |||||
70-11-15-001 | - 08. Meditation | DE9055a | |||
70-11-15-002 | - 16. Come Sunday - vTW | DE9055b | |||
70-11-15-003 | - 09. The Biggest | DE9055c | |||
70-11-15-004 | - 10. T.G.T.T - vn/k | DE9055d | |||
70-11-15-005 | - 11. Don’t Get Down On Your Knees - vTW | DE9055e | |||
70-11-15-006 | - 12. Father Forgive - vTW,HMC | DE9055f | |||
70-11-15-007 | - 13. Don’t Get Down On Your Knees - vTW | DE9055g | |||
70-11-15-008 | - 14. Praise God And Dance - vn/k,HMC | DE9055h | |||
DUKE ELLINGTON AND HIS ORCHESTRA Pre-recording for WDVR broadcast Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
70-11-15-009 | Tasty Cake Song | DE7087a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | December 1970 | |||
Concert, Constitution Hall | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as);Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
70-12-00-001 | C-Jam Blues | DE7088a | |||
70-12-00-002 | ¬ Kinda Dukish | DE7088b | |||
70-12-00-003 | _| Rockin’ In Rhythm | DE7088c | |||
70-12-00-004 | Bourbon Street Jingling Jollies | DE7088d | |||
70-12-00-005 | Chinoiserie | DE7088e | |||
70-12-00-006 | Take The “A” Train | DE7088f | |||
Medley | DE7088g | ||||
70-12-00-007 | - 1. Do Nothin’ Till You Hear From Me | ||||
70-12-00-008 | - 2. Don’t Get Around Much Anymore | ||||
70-12-00-009 | - 3. Mood Indigo | ||||
70-12-00-010 | - 4. I’m Beginning To See The Light | ||||
70-12-00-011 | - 5. Sophisticated Lady | ||||
70-12-00-012 | Making That Scene - vTW | DE7088h | |||
70-12-00-013 | Be Cool And Groovy For Me - vTW | DE7088i | |||
70-12-00-014 | Satin Doll | DE7088j | |||
70-12-00-015 | Things Ain’t What They Used To Be | DE7088k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 December 1970 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Al Rubin(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin (sb); Rufus Jones(d); | |||||
70-12-09-001 | 01* | R.T.M. | DE7089a | ||
70-12-09-002 | 02* | R.T.M. | Sv 1018401 | DE7089b | |
70-12-09-003 | 03* | Sophisticated Lady | Sv 1018401 | DE7089c | |
70-12-09-004 | 04* | Sans Snyphelle | MM 5041-2C(D) | DE7089d | |
70-12-09-005 | 05* | I Got It Bad | DE7089e | ||
70-12-09-006 | 07* | I Got It Bad | Pb 2310-787 | DE7089f | |
70-12-09-007 | 09* | Bateau | Pb 2310-815 | DE7089g | |
70-12-09-008 | 10* | Big Luv | DE7089h | ||
70-12-09-009 | 11* | Big Luv | DE7089i | ||
70-12-09-010 | 12* | Big Luv | Sv 1018401 | DE7089j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 December 1970 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin (sb); Rufus Jones, Jo Jones(d) | |||||
70-12-11-001 | Naidni Remmus | DE7090a | |||
70-12-11-002 | Naidni Remmus | DE7090b | |||
70-12-11-003 | Naidni Remmus | DE7090c | |||
70-12-11-004 | Naidni Remmus | DE7090d | |||
70-12-11-005 | 01* | Naidni Remmus | DE7090e | ||
70-12-11-006 | 02* | Naidni Remmus | MM 5041-2C(D) | DE7090f | |
70-12-11-007 | 03* | The Hard Way | DE7090g | ||
70-12-11-008 | 04* | The Hard Way | DE7090h | ||
70-12-11-009 | 05* | The Hard Way | DE7090i | ||
70-12-11-010 | 06* | The Hard Way | DE7090j | ||
70-12-11-011 | 07* | Mercy, Mercy, Mercy | DE7090k | ||
70-12-11-012 | 08* | I Got It Bad | DE7090l | ||
70-12-11-013 | 09* | I Got It Bad | DE7090m | ||
70-12-11-014 | I Got It Bad | DE7090n | |||
70-12-11-015 | 10* | I Got It Bad | DE7090o | ||
70-12-11-016 | 11* | I Got It Bad | Sv 1018401 | DE7090p | |
70-12-11-017 | Sophisticated Lady | DE7090q | |||
70-12-11-018 | 16* | Sophisticated Lady | Pb 2310-787 | DE7090r | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, I | 22 December 1970 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin (sb); Rufus Jones(d); Nell Brookshire(v) | |||||
70-12-22-001 | It’s The Talk Of The Town | DE7091a | |||
70-12-22-002 | I Got It Bad - vNB | DE7091b | |||
70-12-22-003 | Don’t get Around Much Anymore | DE7091c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | Probably Late December 1970 | |||
Caesar's Palace | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin (sb); Rufus Jones(d); Nell Brookshire(v) | |||||
70-12-30-001 | Take The “A” Train | NTR NTD-6502-2 | DE9052a | ||
70-12-30-002 | Creole Love call | NTR NTD-6502-2 | DE9052b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Las Vegas, NV | 31 December 1970 | |||
Duke Ellington Recording Session | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin (sb); Rufus Jones(d); Nell Brookshire(v) | |||||
70-12-31-001 | Take The “A” Train | DE7092a | |||
70-12-31-002 | ¬ Mood Indigo | DE7092b | |||
70-12-31-003 | _| Sophisticated Lady | DE7092c | |||
70-12-31-004 | I’m Beginning To See The Light | DE7092d | |||
70-12-31-005 | I Got It Bad - vNB | DE7092e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles California | 05 January 1971 | |||
Concert, The Now Grove, Ambassador Hotel | |||||
Cootie Williams, Cat Anderson, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-01-05-001 | Take The “A” Train (theme) | DE7101a | |||
71-01-05-002 | ¬ Kinda Dukish | DE7101b | |||
71-01-05-003 | _| Rockin’ In Rhythm | DE7101c | |||
71-01-05-004 | Bourbon Street Jingling Jollies | DE7101d | |||
71-01-05-005 | Chinoiserie | DE7101e | |||
71-01-05-006 | Take The “A” Train | DE7101f | |||
71-01-05-007 | April In Paris | DE7101g | |||
71-01-05-008 | April In Paris | DE7101h | |||
71-01-05-009 | Come Off The Veldt | DE7101i | |||
Medley | DE7101j | ||||
71-01-05-010 | - 1. Do Nothin’ Till You Hear From Me | ||||
71-01-05-011 | - 2. Don’t Get Around Much Anymore | ||||
71-01-05-012 | - 3. Mood Indigo | ||||
71-01-05-013 | - 4. I’m Beginning To See The Light | ||||
71-01-05-014 | - 5. Sophisticated Lady | ||||
71-01-05-015 | Making That Scene - vTW | DE7101k | |||
71-01-05-016 | Be Cool And Groovy For Me - vTW | DE7101l | |||
71-01-05-017 | Satin Doll | DE7101m | |||
71-01-05-018 | Things Ain’t What They Used To Be | DE7101n | |||
Joe Benjamin(sb); Rufus Jones(d) out. Add Frank De La Rosa(sb); Ed Thigpen(d); Ella Fitzgerald(v) | |||||
71-01-05-019 | Cotton Tail - vEF, TW | DE7101o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-01-001 | (02) | Love Is Just Around The Corner | Pb 2310-815 | DE7102a | |
71-02-01-002 | Love Is Just Around The Corner | DE7102b | |||
71-02-01-003 | (05) | Love Is Just Around The Corner | DE7102c | ||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-01-004 | (06) | Edward The Second | Pb 2310-787 | DE7102d | |
As before | |||||
71-02-01-005 | (11) | Rocks In My Bed - vNB | DE7102e | ||
71-02-01-006 | (15) | One More Time For The People - vNB,TW | DE7102f | ||
71-02-01-007 | One More Time For The People - vNB,TW | DE7102g | |||
71-02-01-008 | (18) | One More Time For The People - vNB,TW | DE7102h | ||
DUKE ELLINGTON GROUP | New York City, NY | 02 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Norris Turney(fl); Harry Carney(bcl); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-02-001 | Intimate Interlude | Pb 2310-787 | DE7103a | ||
DUKE ELLINGTON | Philadelphia, PA | 02 February 1971 | |||
Pre-recording for KYW telecast, "The Mike Douglas Show" | |||||
Duke Ellington, Mike Douglas(tk) | |||||
71-02-02-002 | Interview by Douglas | DE7104a | |||
Duke Ellington(p); n/k(g); n/k(sb); n/k(d); Nell Brookshire(v) | |||||
71-02-02-003 | Jump For Joy | DE7104b | |||
71-02-02-004 | I Got It Bad - vNB | DE7104c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-03-001 | (31) | I Don’t Want Nobody But You - vTW | DE7105a | ||
71-02-03-002 | (37) | Love You Madly - vNB | DE7105b | ||
71-02-03-003 | (38) | Looking For My Man - vNB | DE7105c | ||
Wild Bill Davis(p), instead of (o) | |||||
71-02-03-004 | (39) | Looking For My Man - vNB | Sv 1018402, Sv 1088617 | DE7105d | |
As before | |||||
71-02-03-005 | (41) | Dick | Pb 2310-815 | DE7105e | |
71-02-03-006 | (45) | Peke | Sv 1088617, Sv STCD-8323 | DE7105f | |
71-02-03-007 | (47) | One More Time For The People - vNB,TW | DE7105g | ||
DUKE ELLINGTON WITH ORCHESTRA | New York City, NY | 10 February 1971 | |||
ABC Telecast, "The Dick Cavett Show" | |||||
Duke Ellington(p); acc. by studio orchestra cond. Bobby Rosengarden | |||||
71-02-10-001 | In A Mellow Tone | DE7108a | |||
Duke Ellington, Dick Cavett(tk) | |||||
71-02-10-002 | Interview By Cavett | DE7108b | |||
As before. Add Cootie Williams(t,v), Nell Brookshire(v) | |||||
71-02-10-003 | I Got It Bad - vNB,CW | DE7108c | |||
NDESOR incorrectly lists this as 17 February. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 11 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-11-001 | (01) | Blues No. 17 | DE7106a | ||
71-02-11-002 | (02) | Blues No. 17 | DE7106b | ||
AFRO-EURASIAN ECLIPSE | |||||
71-02-11-003 | (04) |
| DE7106c | ||
71-02-11-004 |
| DE7106d | |||
71-02-11-005 | (05) |
| DE7106e | ||
71-02-11-006 | (06) |
| DE7106f | ||
71-02-11-007 | (07) |
| DE7106g | ||
71-02-11-008 | (08) |
| DE7106h | ||
71-02-11-009 | (09) |
| DE7106i | ||
71-02-11-010 | (10) |
| DE7106j | ||
71-02-11-011 | (11) |
| DE7106k | ||
71-02-11-012 |
| DE7106l | |||
71-02-11-013 | (12) |
| DE7106m | ||
71-02-11-014 | (13) |
| DE7106n | ||
71-02-11-015 | (14) |
| DE7106o | ||
71-02-11-016 | (15) |
| DE7106p | ||
71-02-11-017 | (16) |
| DE7106q | ||
71-02-11-018 | (17) |
| DE7106r | ||
71-02-11-019 | (18) |
| DE7106s | ||
71-02-11-020 | (19) |
| DE7106t | ||
71-02-11-021 | (20) |
| DE7106u | ||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-11-022 | (21) | Riddle | Sv 101-8399, Sv 1088617 | DE7106v | |
71-02-11-023 | (22) | Blues No. 18 | Sv 101-8399, Sv 1088617 | DE7106w | |
As before | |||||
AFRO-EURASIAN ECLIPSE | |||||
71-02-11-024 |
| DE7106x | |||
71-02-11-025 |
| DE7106y | |||
71-02-11-026 | (24) |
| DE7106z | ||
71-02-11-027 | (25) |
| DE7106aa | ||
71-02-11-028 |
| DE7106ab | |||
71-02-11-029 | (26) |
| DE7106ac | ||
71-02-11-030 | (27) |
| DE7106ad | ||
71-02-11-031 | (28) |
| DE7106ae | ||
71-02-11-032 | (29) |
| DE7106af | ||
71-02-11-033 | (31) |
| DE7106ag | ||
71-02-11-034 |
| DE7106ah | |||
71-02-11-035 |
| DE7106ai | |||
71-02-11-036 | (32) |
| DE7106aj | ||
71-02-11-037 | (34) | No Title | DE7106ak | ||
71-02-11-038 | (36) | No Title | DE7106al | ||
71-02-11-039 | (38) | No Title | Sv 1018402, Sv 1088617 | DE7106am | |
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC. | 14 February 1971 | |||
Dance date, Bolling Air Force Base | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-14-001 | C-Jam Blues | DE7107a | |||
71-02-14-002 | Alfie | DE7107b | |||
71-02-14-003 | Love Is Just Around The Corner | DE7107c | |||
71-02-14-004 | I Can’t Get Started | DE7107d | |||
71-02-14-005 | B.P. Blues | DE7107e | |||
71-02-14-006 | Perdido | DE7107f | |||
71-02-14-007 | The Hard Way | DE7107g | |||
71-02-14-008 | Things Ain’t What They Used To Be | DE7107h | |||
71-02-14-009 | Summer Samba | DE7107i | |||
71-02-14-010 | Happy Birthday To You | DE7107j | |||
71-02-14-011 | Happy Birthday To You | DE7107k | |||
71-02-14-012 | Happy Birthday To You | DE7107l | |||
71-02-14-013 | Happy Birthday To You | DE7107m | |||
71-02-14-014 | I Can’t Give You Anything But Love | DE7107n | |||
71-02-14-015 | One Note Samba | DE7107o | |||
71-02-14-016 | Bei Mir Bist Du Schoen | DE7107p | |||
71-02-14-017 | Happy Birthday To You | DE7107q | |||
71-02-14-018 | A Day In The Life Of A Fool | DE7107r | |||
71-02-14-019 | Satin Doll | DE7107s | |||
71-02-14-020 | I Got It Bad - vNB | DE7107t | |||
71-02-14-021 | Everybody Wants To Know - vNB | DE7107u | |||
71-02-14-022 | Do Nothin’ Till You Hear From Me - vNB | DE7107v | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-14-023 | Black Swan | DE7107w | |||
As before | |||||
71-02-14-024 | Take The “A” Train | DE7107x | |||
71-02-14-025 | Sophisticated Lady | DE7107y | |||
71-02-14-026 | Making That Scene - vTW | DE7107z | |||
71-02-14-027 | Solitude - vTW | DE7107aa | |||
71-02-14-028 | I Don’t Want Nobody But You - vTW | DE7107ab | |||
Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-02-14-029 | My Mother, My Father And Love - vTW | DE7107ac | |||
As before | |||||
71-02-14-030 | Be Cool And Groovy For Me - vTW | DE7107ad | |||
71-02-14-031 | April In Paris | DE7107ae | |||
71-02-14-032 | April In Paris | DE7107af | |||
71-02-14-033 | Come Off The Veldt | DE7107ag | |||
71-02-14-034 | April In Paris | DE7107ah | |||
71-02-14-035 | One More Time For The People - vNB,TW | DE7107ai | |||
71-02-14-036 | One More Time For The People - vNB,TW | DE7107aj | |||
71-02-14-037 | Mood Indigo | DE7107ak | |||
71-02-14-038 | Love You Madly - vNB | DE7107al | |||
71-02-14-039 | Love You Madly - vNB | DE7107am | |||
71-02-14-040 | Rocks In My Bed - vNB | DE7107an | |||
Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-02-14-041 | Misty | DE7107ao | |||
As before | |||||
71-02-14-042 | Azure Te | DE7107ap | |||
71-02-14-043 | I’m Beginning To See The Light | DE7107aq | |||
71-02-14-044 | Big Luv | DE7107ar | |||
71-02-14-045 | Tang | DE7107as | |||
71-02-14-046 | ¬ Diminuendo In Blue | DE7107at | |||
71-02-14-047 | _| Wailing Interval | DE7107au | |||
71-02-14-048 | Satin Doll | DE7107av | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
AFRO-EURASIAN ECLIPSE | |||||
71-02-17-001 | (01) |
| DE7109a | ||
71-02-17-002 | (03) |
| DE7109b | ||
71-02-17-003 | (04) |
| DE7109c | ||
71-02-17-004 | (05) |
| DE7109d | ||
71-02-17-005 | (06) |
| DE7109e | ||
71-02-17-006 | (07) |
| DE7109f | ||
71-02-17-007 | (08) |
| Fa F-9498(D)(S)(T) | DE7109g | |
71-02-17-008 | (09) |
| DE7109h | ||
71-02-17-009 | (10) |
| DE7109i | ||
71-02-17-010 | (12) |
| DE7109j | ||
71-02-17-011 |
| Fa F-9498(D)(S)(T) | DE7109k | ||
71-02-17-012 | (15) |
| DE7109l | ||
71-02-17-013 | (16) |
| Fa F-9498(D)(S)(T) | DE7109m | |
71-02-17-014 | (17) |
| Fa F-9498*(D)(S)(T) | DE7109n | |
71-02-17-015 | (18) |
| DE7109o | ||
71-02-17-016 | (19) |
| DE7109p | ||
71-02-17-017 | (20) |
| Fa F-9498(D)(S)(T) | DE7109q | |
71-02-17-018 | (21) |
| DE7109r | ||
71-02-17-019 |
| Fa F-9498(D)(S)(T) | DE7109s | ||
71-02-17-020 |
| Fa F-9498(D)(S)(T) | DE7109t | ||
71-02-17-021 |
| Fa F-9498(D)(S)(T) | DE7109u | ||
71-02-17-022 | (25) | One More Time For The People - vNB,TW | DE7109v | ||
71-02-17-023 | (26) | One More Time For The People | DE7109w | ||
71-02-17-024 | (27) | One More Time For The People - vNB,TW | DE7109x | ||
71-02-17-025 | (28) | One More Time For The People - vNB,TW | DE7109y | ||
71-02-17-026 | (30) | One More Time For The People - vNB,TW | DE7109z | ||
71-02-17-027 | One More Time For The People - vNB,TW | DE7109aa | |||
DUKE ELLINGTON AND JOHN LAMB | Baltimore, MD | 22 February 1971 | |||
1st Concert, Left Bank | |||||
Duke Ellington(p); John Lamb(sb) | |||||
71-02-22-001 | Take The “A” Train | DE7110a | |||
71-02-22-002 | Piano Tinkle | DE7110b | |||
71-02-22-003 | Lotus Blossom | DE7110c | |||
71-02-22-004 | Sophisticated Lady | DE7110d | |||
71-02-22-005 | Blues No.19 | DE7110e | |||
71-02-22-006 | Satin Doll | DE7110f | |||
71-02-22-007 | Dancers In Love | DE7110g | |||
71-02-22-008 | Mood Indigo | DE7110h | |||
71-02-22-009 | I’m Beginning To See The Light | DE7110i | |||
71-02-22-010 | Flamingo | DE7110j | |||
71-02-22-011 | Kinda Dukish | DE7110k | |||
71-02-22-012 | Jeep’s Blues | DE7110l | |||
71-02-22-013 | Caravan | DE7110m | |||
71-02-22-014 | East St. Louis Toodle-O | DE7110n | |||
71-02-22-015 | Carolina Shout | DE7110o | |||
71-02-22-016 | Misty | DE7110p | |||
Add Toney Watkins(v) | |||||
71-02-22-017 | Solitude - vTW | DE7110q | |||
71-02-22-018 | It Don’t Mean A Thing - vTW | DE7110r | |||
71-02-22-019 | My Mother, My Father And Love - vTW | DE7110s | |||
71-02-22-020 | I Don’t Want Nobody but You - vTW | DE7110t | |||
Toney Watkins out. Duke Ellington(tk) | |||||
71-02-22-021 | Monologue | DE7110u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Baltimore, MD | 22 February 1971 | |||
2nd Concert, Left Bank | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington, Wild Bill Davis(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-22-022 | C-Jam Blues | DE7111a | |||
71-02-22-023 | I Can’t Get Started | DE7111b | |||
71-02-22-024 | B.P. Blues | DE7111c | |||
71-02-22-025 | Perdido | DE7111d | |||
71-02-22-026 | ¬ Kinda Dukish | DE7111e | |||
71-02-22-027 | _| Rockin’ In Rhythm | DE7111f | |||
71-02-22-028 | In A Sentimental Mood | DE7111g | |||
71-02-22-029 | Wailing Interval | DE7111h | |||
71-02-22-030 | Creole Love Call | DE7111i | |||
71-02-22-031 | Take The “A” Train | DE7111j | |||
71-02-22-032 | Chinoiserie | DE7111k | |||
71-02-22-033 | Bourbon Street Jingling Jollies | DE7111l | |||
71-02-22-034 | I Got It Bad - vNB | DE7111m | |||
71-02-22-035 | ¬ I’m Just A Lucky So And So | DE7111n | |||
71-02-22-036 | _| Things Ain’t What They Used To Be | DE7111o | |||
71-02-22-037 | I’m Just A Lucky So And So - vTW | DE7111p | |||
71-02-22-038 | One More Time For The People - vNB,TW | DE7111q | |||
71-02-22-039 | One More Time For The People - vNB,TW | DE7111r | |||
71-02-22-040 | Sophisticated Lady | DE7111s | |||
71-02-22-041 | ¬ I Let A Song Go Out Of My Heart | DE7111t | |||
71-02-22-042 | _| Don’t Get Around Much Anymore | DE7111u | |||
71-02-22-043 | Satin Doll | DE7111v | |||
71-02-22-044 | Be Cool And Groovy For Me - vTW | DE7111w | |||
71-02-22-045 | Laying On Mellow | DE7111x | |||
71-02-22-046 | Azure Te | DE7111y | |||
71-02-22-047 | April In Paris | DE7111z | |||
71-02-22-048 | April In Paris | DE7111aa | |||
71-02-22-049 | Come Off The Veldt | DE7111ab | |||
71-02-22-050 | April In Paris | DE7111ac | |||
71-02-22-051 | Do Nothin’ Till You Hear From Me - vNB | DE7111ad | |||
71-02-22-052 | Love You Madly - vNB | DE7111ae | |||
71-02-22-053 | Rocks In My Bed - vNB | DE7111af | |||
71-02-22-054 | I Don’t Want Nobody But You - vNB,TW | DE7111ag | |||
71-02-22-055 | Hold My Baby - vNB,TW | DE7111ah | |||
71-02-22-056 | Satin Doll | DE7111ai | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 February 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-23-001 | (01) | Checkered Hat | DE7112a | ||
71-02-23-002 | (02) | Checkered Hat | DE7112b | ||
71-02-23-003 | (03) | Checkered Hat | DE7112c | ||
71-02-23-004 | (04) | Checkered Hat | DE7112d | ||
71-02-23-005 | (05) | Checkered Hat | DE7112e | ||
71-02-23-006 | (06) | Checkered Hat | DE7112f | ||
71-02-23-007 | (07) | Checkered Hat | DE7112g | ||
71-02-23-008 | (09) | Checkered Hat | DE7112h | ||
71-02-23-009 | (10) | Checkered Hat | Sv 1088617, Sv STCD-8323 | DE7112i | |
71-02-23-010 | (11) | One More Time For The People - vNB,TW | DE7112j | ||
71-02-23-011 | (12) | One More Time For The People - vNB,TW | DE7112k | ||
71-02-23-012 | (14) | One More Time For The People - vNB,TW | DE7112l | ||
71-02-23-013 | (15) | One More Time For The People - vNB,TW | Sv 1088617, Sv STCD-8323 | DE7112m | |
71-02-23-014 | (16) | Blues No. 20 | Sv 1088617, Sv STCD-8323 | DE7112n | |
71-02-23-015 | Blues No. 21 | Sv 101-8399, Sv 1088617 | DE7112o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Milwaukee, WI | 26 February 1971 | |||
Concert, Uihlein Hall, Performing Arts Center. | |||||
Cootie Williams(t,v); Eddie Preston, Harold "Money" Johnson, Ray Nance(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-02-26-001 | C-Jam Blues | DE7113a | |||
71-02-26-002 | ¬ Kinda Dukish | DE7113b | |||
71-02-26-003 | _| Rockin’ In Rhythm | DE7113c | |||
71-02-26-004 | Creole Love Call | DE7113d | |||
71-02-26-005 | Perdido | DE7113e | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-02-26-006 | Meditation | DE7113f | |||
As before | |||||
71-02-26-007 | Chinoiserie | DE7113g | |||
71-02-26-008 | Bourbon Street Jingling Jollies | DE7113h | |||
71-02-26-009 | Take The “A” Train | DE7113i | |||
71-02-26-010 | In A Sentimental Mood | DE7113j | |||
71-02-26-011 | Up Jump | DE7113k | |||
Medley | DE7113l | ||||
71-02-26-012 | - 1. Don’t You Know I Care | ||||
71-02-26-013 | - 2. Prelude To A Kiss | ||||
71-02-26-014 | - 3. Do Nothin’ Till You Hear From Me | ||||
71-02-26-015 | - 4. Don’t Get Around Much Anymore | ||||
71-02-26-016 | - 5. Mood Indigo | ||||
71-02-26-017 | - 6. Caravan | ||||
71-02-26-018 | - 7. I’m Beginning To See The Light - vDE | ||||
71-02-26-019 | - 8. Sophisticated Lady | ||||
71-02-26-020 | I Got It Bad - vNB,CW | DE7113m | |||
71-02-26-021 | Everybody Wants To Know - vNB | DE7113n | |||
71-02-26-022 | R.T.M. | DE7113o | |||
71-02-26-023 | April In Paris | DE7113p | |||
71-02-26-024 | April In Paris | DE7113q | |||
71-02-26-025 | Come Off The Veldt | DE7113r | |||
71-02-26-026 | April In Paris | DE7113s | |||
71-02-26-027 | Making That Scene - vTW | DE7113t | |||
71-02-26-028 | Solitude - vTW | DE7113u | |||
71-02-26-029 | It Don’t Mean A Thing - vTW | DE7113v | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-02-26-030 | My Mother, My Father and Love - vTW | DE7113w | |||
As before | |||||
71-02-26-031 | Be Cool And Groovy For Me - vTW | DE7113x | |||
71-02-26-032 | Satin Doll | DE7113y | |||
71-02-26-033 | Things Ain’t What They Used To Be | DE7113z | |||
71-02-26-034 | In Triplicate | DE7113aa | |||
71-02-26-035 | One More Time For The People - vNB,TW | DE7113ab | |||
71-02-26-036 | Satin Doll | DE7113ac | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 27 February 1971 | |||
Concert, St. Paul's Anglican Church | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Devonne Gardner(v) | |||||
71-02-27-001 | Almighty God -vDG | DE7114a | |||
71-02-27-002 | The Biggest | DE7114b | |||
DUKE ELLINGTON | Toronto, CDN | 02 March 1971 | |||
CBC Telecast, Lounge of Four Seasons Hotel, "Luncheon Date With Elwood Glover" | |||||
Duke Ellington, Elwood Glover(tk) | |||||
71-03-02-001 | Interview by Glover | DE7115a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | March 1971 | |||
Beverly Hills Motor Hotel | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-03-03-001 | April In Paris | DE7116a | |||
71-03-03-002 | Do Nothin’ Till You Hear From Me | DE7116b | |||
DUKE ELLINGTON | Toronto, CDN | 05 March 1971 | |||
Pre-recording for CBC telecast, Beverly Hill Motor Hotel | |||||
Duke Ellington(tk) | |||||
71-03-05-001 | Duke Talking About His Life And Music | DE7117a | |||
DUKE ELLINGTON | Los Angeles, CA | 16 March 1971 | |||
ABC telecast, Hollywood Palladium, Sunset Blvd | |||||
Duke Ellington(tk) | |||||
71-03-16-001 | Grammy Awards Presentation | DE7118a | |||
See https://www.grammy.com/awards/13th-annual-grammy-awards | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown, USA | March 1971 | |||
Telecast "And beautiful Too", unknown location | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-03-20-001 | Take The “A” Train (theme) | DE7119a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newark, NJ | 12 April 1971 | |||
Dance, Terrace Ballroom | |||||
Cootie Williams(t,v); Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Tom Griffin(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire(v) | |||||
71-04-12-001 | ¬ Kinda Dukish | DE7120a | |||
71-04-12-002 | _| Rockin’ In Rhythm | DE7120b | |||
71-04-12-003 | Creole Love Call | DE7120c | |||
71-04-12-004 | Azure Te | DE7120d | |||
71-04-12-005 | Big Luv | DE7120e | |||
71-04-12-006 | The Hard Way | DE7120f | |||
71-04-12-007 | Take The “A” Train | DE7120g | |||
71-04-12-008 | ¬ I Let A Song Go Out Of My Heart | DE7120h | |||
71-04-12-009 | _| Don’t Get Around Much Anymore | DE7120i | |||
71-04-12-010 | Tea For Two | DE7120j | |||
71-04-12-011 | A Day In The Life Of A Fool | DE7120k | |||
71-04-12-012 | Summer Samba | DE7120l | |||
71-04-12-013 | R.T.M. | DE7120m | |||
71-04-12-014 | Satin Doll | DE7120n | |||
71-04-12-015 | April In Paris | DE7120o | |||
71-04-12-016 | April In Paris | DE7120p | |||
71-04-12-017 | Come Off The Veldt | DE7120q | |||
71-04-12-018 | April In Paris | DE7120r | |||
71-04-12-019 | I Got It Bad - vNB,CW | DE7120s | |||
71-04-12-020 | Things Ain’t What They Used To Be | DE7120t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 April 1971 | |||
Concert, Philharmonic Hall | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Tom Griffin(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-04-16-001 | C-Jam Blues | DE7121xa | |||
71-04-16-002 | ¬ Kinda Dukish | DE7121a | |||
71-04-16-003 | _| Rockin’ In Rhythm | DE7121b | |||
71-04-16-004 | Creole Love Call | DE7121c | |||
71-04-16-005 | Chinoiserie | DE7121d | |||
71-04-16-006 | Bourbon Street Jingling Jollies | DE7121xb | |||
71-04-16-007 | Take The “A” Train | DE7121e | |||
71-04-16-008 | The Shepherd | DE7121f | |||
71-04-16-009 | In A Sentimental Mood | DE7121g | |||
THE GOUTELAS SUITE | |||||
71-04-16-010 | - 1. Goutelas | DE7121h | |||
71-04-16-011 | - 2. Get-With-Itness | DE7121i | |||
71-04-16-012 | - 3. Something | DE7121j | |||
71-04-16-013 | - 4. Having At It | DE7121k | |||
71-04-16-014 | - 5. Fanfare | DE7121l | |||
71-04-16-015 | One More Time For The People - vNB,TW | DE7121m | |||
71-04-16-016 | One More Time For The People - vNB,TW | DE7121n | |||
71-04-16-017 | April In Paris | DE7121o | |||
71-04-16-018 | April In Paris | DE7121p | |||
71-04-16-019 | Come Off The Veldt | DE7121q | |||
71-04-16-020 | I Got It Bad - vNB | DE7121r | |||
Medley | DE7121s | ||||
71-04-16-021 | - 1. Do Nothin’ Till You Hear From Me | ||||
71-04-16-022 | - 2. Don’t Get Around Much Anymore | ||||
71-04-16-023 | - 3. Mood Indigo | ||||
71-04-16-024 | Satin Doll | DE7121xc | |||
71-04-16-025 | In Triplicate | DE7121t | |||
71-04-16-026 | Caravan | DE7121u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 20 April 1971 | |||
Shoreham Hotel | |||||
Cootie Williams(t,v); Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Harold Minerve(cl,as,f,pi); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-04-20-001 | C-Jam Blues | DE7122a | |||
71-04-20-002 | ¬ Kinda Dukish | DE7122b | |||
71-04-20-003 | _| Rockin’ In Rhythm | DE7122c | |||
71-04-20-004 | Creole Love Call | DE7122d | |||
71-04-20-005 | Chinoiserie | DE7122e | |||
71-04-20-006 | Bourbon Street Jingling Jollies | DE7122f | |||
71-04-20-007 | Take The “A” Train | DE7122g | |||
71-04-20-008 | In A Sentimental Mood | DE7122h | |||
71-04-20-009 | I Got It Bad - vNB,CW | DE7122i | |||
71-04-20-010 | April In Paris | DE7122j | |||
71-04-20-011 | April In Paris | DE7122k | |||
71-04-20-012 | Come Off The Veldt | DE7122l | |||
Medley | DE7122m | ||||
71-04-20-013 | - 1. Do Nothin’ Till You Hear From Me | ||||
71-04-20-014 | - 2. Don’t Get Around Much Anymore | ||||
71-04-20-015 | - 3. Mood Indigo | ||||
71-04-20-016 | - 4. I’m Beginning To See The Light | ||||
71-04-20-017 | - 5. Sophisticated Lady | ||||
71-04-20-018 | Making That Scene - vTW | DE7122n | |||
71-04-20-019 | Solitude - vTW | DE7122o | |||
71-04-20-020 | It Don’t Mean A Thing - vTW | DE7122p | |||
71-04-20-021 | Be Cool And Groovy For Me - vTW | DE7122q | |||
71-04-20-022 | Satin Doll | DE7122r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 24 April 1971 | |||
Shoreham Hotel | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Harold Minerve(cl,as,f,pi); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-04-24-001 | Pretty Girl | DE7123a | |||
71-04-24-002 | Perdido | DE7123b | |||
71-04-24-003 | Big Luv | DE7123c | |||
71-04-24-004 | I Can’t Get Started | DE7123d | |||
71-04-24-005 | April In Paris | DE7123e | |||
71-04-24-006 | April In Paris | DE7123f | |||
71-04-24-007 | Come Off The Veldt | DE7123g | |||
71-04-24-008 | April In Paris | DE7123h | |||
71-04-24-009 | Rocks In My Bed -vNB | DE7123i | |||
71-04-24-010 | The Blues Ain’t -vTW | DE7123j | |||
71-04-24-011 | I Don’t Want Nobody But You -vTW | DE7123k | |||
71-04-24-012 | Do Nothin’ Till You Hear From Me - vNB | DE7123l | |||
71-04-24-013 | It Don’t Mean A Thing - vTW | DE7123m | |||
71-04-24-014 | One More Time For The People - vNB,TW | DE7123n | |||
71-04-24-015 | Sophisticated Lady | DE7123o | |||
71-04-24-016 | Things Ain’t What They Used To Be | DE7123p | |||
71-04-24-017 | In Triplicate | DE7123q | |||
71-04-24-018 | Mood Indigo | DE7123r | |||
71-04-24-019 | ¬ I’m Beginning To See The Light | DE7123s | |||
71-04-24-020 | _| Caravan | DE7123t | |||
71-04-24-021 | Be Cool And Groovy For Me - vTW | DE7123u | |||
71-04-24-022 | Black Butterfly | DE7123v | |||
71-04-24-023 | Satin Doll | DE7123w | |||
71-04-24-024 | In A Sentimental Mood | DE7123x | |||
71-04-24-025 | Satin Doll | DE7123y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 April 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Harold Minerve(cl,as,f,pi); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
THE GOUTELAS SUITE | |||||
71-04-27-001 | (01) | - 4. Having At It | DE7124a | ||
71-04-27-002 | (03) | - 4. Having At It | DE7124b | ||
71-04-27-003 | (04) | - 4. Having At It | DE7124c | ||
71-04-27-004 | (05) | - 4. Having At It | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7124d | |
71-04-27-005 | (06) | - 1. Goutelas | DE7124e | ||
71-04-27-006 | (07) | - 1. Goutelas | DE7124f | ||
71-04-27-007 | (08) | - 1. Goutelas | DE7124g | ||
71-04-27-008 | (09) | - 1. Goutelas | DE7124h | ||
71-04-27-009 | (11) | - 1. Goutelas | DE7124i | ||
71-04-27-010 | (12) | - 1. Goutelas | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7124j | |
71-04-27-011 | (14) | - 2. Get-With-Itness | DE7124k | ||
71-04-27-012 | (15) | - 2. Get-With-Itness | DE7124l | ||
71-04-27-013 | (16) | - 2. Get-With-Itness | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7124m | |
71-04-27-014 | (18) | - 3. Something | DE7124n | ||
71-04-27-015 | (19) | - 3. Something | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7124o | |
71-04-27-016 | (22) | - 3. Something | DE7124p | ||
71-04-27-017 | (23) | - 3. Something | DE7124q | ||
71-04-27-018 | (24) | - 3. Something | DE7124r | ||
71-04-27-019 | (25) | - 3. Something | DE7124s | ||
71-04-27-020 | (26) | - 3. Something | DE7124t | ||
71-04-27-021 | (28) | - 5. Fanfare | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7124u | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 April 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Harold Minerve(cl,as,f,pi); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-04-28-001 | (29) | Hick | DE7125a | ||
71-04-28-002 | (30) | Hick | DE7125b | ||
71-04-28-003 | (31) | Hick | Sv 1088617, Sv STCD-8323 | DE7125c | |
71-04-28-004 | (32) | The Giggling Rapids (Grap) | DE7125d | ||
71-04-28-005 | (33) | The Giggling Rapids (Grap) | Sv 1088617, Sv STCD-8323 | DE7125e | |
71-04-28-006 | (34) | Something | Sv 1088617, Sv STCD-8323 | DE7125f | |
Add Wild Bill Davis(o) | |||||
71-04-28-007 | (35) | Making That Scene -vTW | Sv 1088617, Sv STCD-8323 | DE7125g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 May 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Richard Williams(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-05-05-001 | (36) | Sugar Hill Penthouse (Symphonette) | Pb 2310-787 | DE7126a | |
71-05-05-002 | (37) | Pretty Girl | Sv 1018402, Sv 1088617 | DE7126b | |
BLACK, BROWN AND BEIGE | |||||
B. BROWN | |||||
71-05-05-003 | (38) | - 06. The Blues - vTW | DE7126c | ||
71-05-05-004 | (39) | - 06. The Blues - vTW | DE7126d | ||
71-05-05-005 | (40) | - 06. The Blues - vTW | DE7126e | ||
71-05-05-006 | (42) | - 06. The Blues - vTW | DE7126f | ||
71-05-05-007 | (44) | - 06. The Blues - vTW | DE7126g | ||
71-05-05-008 | (45) | - 06. The Blues - vTW | DE7126h | ||
71-05-05-009 | (46) | - 06. The Blues - vTW | Sa 91234-2 | DE7126i | |
Duke Ellington out. Add Wild Bill Davis(o) | |||||
71-05-05-010 | (47) | Dreaming By The Fire | DE7126j | ||
71-05-05-011 | (48) | Dreaming By The Fire | DE7126k | ||
71-05-05-012 | (50) | Dreaming By The Fire | Sv 1018402, Sv 1088617 | DE7126l | |
As before | |||||
71-05-05-013 | (51) | Pat Your Feet | DE7126m | ||
71-05-05-014 | (52) | Pat Your Feet | DE7126n | ||
71-05-05-015 | (53) | Pat Your Feet | Sv 1018402, Sv 1088617 | DE7126o | |
DUKE ELLINGTON AND HIS ORCHESTRA | Hartford, CT | 07 May 1971 | |||
WTIC broadcast, "One Night Stand With The Big Bands", Bushnell Memorial Auditorium | |||||
Duke Ellington, Arnold Dean(tk) | |||||
71-05-07-001 | Interview by Dean | DE9069a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 10 May 1971 | |||
Concert, Constitution Hall | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-05-10-001 | C-Jam Blues | DE7127a | |||
71-05-10-002 | ¬ Kinda Dukish | DE7127b | |||
71-05-10-003 | _| Rockin’ In Rhythm | DE7127c | |||
71-05-10-004 | Creole Love Call | DE7127d | |||
71-05-10-005 | Chinoiserie | DE7127e | |||
71-05-10-006 | Bourbon Street Jingling Jollies | DE7127f | |||
71-05-10-007 | Take The “A” Train | DE7127g | |||
71-05-10-008 | Things Ain’t What They Used To Be | DE7127h | |||
71-05-10-009 | April In Paris | DE7127i | |||
71-05-10-010 | April In Paris | DE7127j | |||
71-05-10-011 | Come Off The Veldt | DE7127k | |||
71-05-10-012 | One More Time For The People - vNB | DE7127l | |||
71-05-10-013 | One More Time For The People - vNB,TW | DE7127m | |||
Add Don Byas(ts) | |||||
71-05-10-014 | InTriplicate (In Quadruplicate) | DE7127n | |||
As before | |||||
71-05-10-015 | Satin Doll | DE7127p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 May 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire(v) | |||||
71-05-13-001 | Lover Man - vNB | DE7128a | |||
71-05-13-002 | (01) | Lover Man - vNB | DE7128b | ||
71-05-13-003 | (02) | Lover Man - vNB | DE7128c | ||
71-05-13-004 | (03) | Lover Man | DE7128d | ||
71-05-13-005 | (05) | Lover Man | DE7128e | ||
71-05-13-006 | (06) | Lover Man | Sv 1088617, Sv STCD-8323 | DE7128f | |
71-05-13-007 | (07) | Lover Man | DE7128g | ||
71-05-13-008 | Lover Man | DE7128h | |||
AFRO-EURASIAN ECLIPSE | |||||
71-05-13-009 | (08) | - 8. Ocht O’Clock Rock | DE7128i | ||
71-05-13-010 | (09) | - 8. Ocht O’Clock Rock | Fa F-9498(D)(S)(T) | DE7128j | |
71-05-13-011 | (10) | Charpoy | DE7128k | ||
71-05-13-012 | (11) | Perdido | Sv 1088617, Sv STCD-8323 | DE7128l | |
71-05-13-013 | (12) | Charpoy | MM 5041-2C(D) | DE7128m | |
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 22 May 1971 | |||
Berklee College Of Music | |||||
Duke Ellington(tk) | |||||
71-05-22-001 | Duke Talking About Honorary Doctorate Of Music | DE9002a | |||
Duke Ellington(p,v) | |||||
71-05-22-002 | Satin Doll | DE9002b | |||
71-05-22-003 | Take The “A” Train | DE9002c | |||
71-05-22-004 | Baby, You Can’t Miss - vDE | DE9002d | |||
71-05-22-005 | Sophisticated Lady | DE9002e | |||
71-05-22-006 | Honeysuckle Rose | DE9002f | |||
Duke Ellington(p); Nell Brookshire(v) | |||||
71-05-22-007 | Love You Madly - vNB | DE9002g | |||
Duke Ellington(p); Toney Watkins(v) | |||||
71-05-22-008 | Come Sunday - vTW | DE9002h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown, USA | May/June 1971 | |||
Concert | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-06-00-001 | Big Love | DE7129a | |||
71-06-00-002 | Perdido | DE7129b | |||
DUKE ELLINGTON | Madison, WI | 14 June 1971 | |||
Recital, University of Wisconsin | |||||
Duke Ellington(p) | |||||
71-06-14-001 | Black And Tan Fantasy | DE7130a | |||
71-06-14-002 | Take The “A” Train | DE7130b | |||
71-06-14-003 | Satin Doll | DE7130c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 June 1971 | |||
Concert, Madison Square Garden | |||||
Cootie Williams, Ray Nance, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-06-16-001 | Take The “A” Train (theme) | DE7131a | |||
71-06-16-002 | ¬ Kinda Dukish | DE7131b | |||
71-06-16-003 | _| Rockin’ In Rhythm | DE7131c | |||
Medley | DE7131d | ||||
71-06-16-004 | - 1. Do Nothin’ Till You Hear From Me | ||||
71-06-16-005 | - 2. Don’t Get Around Much Anymore | ||||
71-06-16-006 | - 3. Mood Indigo | ||||
71-06-16-007 | - 4. I’m Beginning To See The Light | ||||
71-06-16-008 | - 5. Sophisticated Lady | ||||
71-06-16-009 | - 6. Love You Madly -vNB | ||||
71-06-16-010 | - 7. Solitude - vTW | ||||
71-06-16-011 | Take The “A” Train | DE7131e | |||
71-06-16-012 | One More Time For The People - vNB,TW | DE7131f | |||
71-06-16-013 | One More Time For The People - vNB,TW | DE7131g | |||
71-06-16-014 | Satin Doll | DE7131h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paramus, NJ | 18 June 1971 | |||
Dance date, Steak Pit | |||||
Cootie Williams(t,v); Ray Nance, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington, Wild Bill Davis(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire(v) | |||||
71-06-18-001 | Love Is Just Around The Corner | DE7132a | |||
71-06-18-002 | Perdido | DE7132b | |||
71-06-18-003 | Mood Indigo | DE7132c | |||
71-06-18-004 | How High the Moon | DE7132d | |||
71-06-18-005 | A Day In The Life Of A Fool | DE7132e | |||
71-06-18-006 | Summer Samba | DE7132f | |||
71-06-18-007 | I Can’t Get Started | DE7132g | |||
71-06-18-008 | Ocht O’Clock Rock | DE7132h | |||
71-06-18-009 | ¬ A Blue Mural From Two Perspectives | DE7132xa | |||
71-06-18-010 | _| Jig Walk | DE7132i | |||
71-06-18-011 | Spanish Flea | DE7132xb | |||
71-06-18-012 | Satin Doll | DE7132j | |||
71-06-18-013 | Mambo No.5 | DE7132k | |||
71-06-18-014 | ¬ I Let A Song go Out Of My Heart | DE7132l | |||
71-06-18-015 | _| Don’t Get Around Much Anymore | DE7132m | |||
71-06-18-016 | Something To Live For | DE7132n | |||
71-06-18-017 | Big Luv | DE7132o | |||
71-06-18-018 | Happy Birthday To You | DE7132p | |||
71-06-18-019 | ¬ Kinda Dukish | DE7132q | |||
71-06-18-020 | _| Rockin’ In Rhythm | DE7132r | |||
71-06-18-021 | Creole Love call | DE7132s | |||
71-06-18-022 | I Can’y Give You Anything But Love | DE7132t | |||
71-06-18-023 | Chinoiserie | DE7132u | |||
71-06-18-024 | Bourbon Street Jingling Jollies | DE7132v | |||
71-06-18-025 | Take The “A” Train | DE7132w | |||
71-06-18-026 | Echoes Of Harlem | DE7132x | |||
71-06-18-027 | April In Paris | DE7132y | |||
71-06-18-028 | In A Sentimental Mood | DE7132z | |||
71-06-18-029 | Love You Madly - vNB | DE7132aa | |||
71-06-18-030 | I Got It Bad - vNB,CW | DE7132ab | |||
71-06-18-031 | Everybody Wants To Know - vNB | DE7132ac | |||
71-06-18-032 | April In Paris | DE7132ad | |||
71-06-18-033 | Come Off The Veldt | DE7132ae | |||
71-06-18-034 | R.T.M. | DE7132af | |||
71-06-18-035 | B.P. Blues | DE7132ag | |||
Wild Bill Davis(p) solo | |||||
71-06-18-036 | Stardust | DE7132ah | |||
As before | |||||
71-06-18-037 | Tiger Rag | DE7132ai | |||
71-06-18-038 | I’m Beginning to See The Light | DE7132aj | |||
71-06-18-039 | Things Ain’t What They Used To Be | DE7132ak | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Edinboro, PA | 22 June 1971 | |||
Concert, Edinboro State College | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-06-22-001 | C-Jam Blues | DE7133a | |||
71-06-22-002 | ¬ Kinda Dukish | DE7133b | |||
71-06-22-003 | _| Rockin’ In Rhythm | DE7133c | |||
71-06-22-004 | Creole Love call | DE7133d | |||
71-06-22-005 | Perdido | DE7133e | |||
71-06-22-006 | Chinoiserie | DE7133f | |||
71-06-22-007 | Bourbon Street Jingling Jollies | DE7133g | |||
71-06-22-008 | Take The “A” Train | DE7133h | |||
Medley | DE7133i | ||||
71-06-22-009 | - 1. Do Nothin’ Till You Hear From Me | ||||
71-06-22-010 | - 2. Don’t Get Around Much Anymore | ||||
71-06-22-011 | - 3. Mood Indigo | ||||
71-06-22-012 | - 4. I’m Beginning To See The Light | ||||
71-06-22-013 | - 5. Love You Madly -vNB | ||||
71-06-22-014 | - 6. I Got It Bad -vNB | ||||
71-06-22-015 | - 7. Sophisticated Lady | ||||
71-06-22-016 | Satin Doll | DE7133j | |||
71-06-22-017 | Big Luv | DE7133k | |||
71-06-22-018 | April In Paris | DE7133l | |||
71-06-22-019 | April In Paris | DE7133m | |||
71-06-22-020 | Come Off The Veldt | DE7133n | |||
71-06-22-021 | Solitude - vTW | DE7133o | |||
DUKE ELLINGTON | New York City, NY | 24 June 1971 | |||
Phone call from President Richard Nixon | |||||
Duke Ellington, Richard Nixon(tk) | |||||
71-06-24-001 | Phone call from the White House (YT) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 June 1971 | |||
Wollman Skating Rink, Central Park | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-06-24-002 | Take The “A” Train (theme) | DE7134a | |||
71-06-24-003 | Take The “A” Train | DE7134b | |||
71-06-24-004 | Creole Love Call | DE7134c | |||
71-06-24-005 | Chinoiserie | DE7134d | |||
71-06-24-006 | Bourbon Street Jingling Jollies | DE7134e | |||
71-06-24-007 | Sophisticated Lady | DE7134f | |||
71-06-24-008 | April In Paris | DE7134g | |||
71-06-24-009 | April In Paris | DE7134h | |||
71-06-24-010 | Come Off The Veldt | DE7134i | |||
71-06-24-011 | Lover Man - vNB | DE7134j | |||
71-06-24-012 | Making That Scene -vTW | DE7134k | |||
71-06-24-013 | One More Time For The People - vNB,TW | DE7134l | |||
71-06-24-014 | One More Time For The People - vNB,TW | DE7134m | |||
71-06-24-015 | Satin Doll | DE7134n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 June 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Richard Williams, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
TOGO BRAVA SUITE | |||||
71-06-28-001 | - 1. Soul Soothing Beach (Mkis) | DE7135a | |||
71-06-28-002 | (01) | - 1. Soul Soothing Beach (Mkis) | Sv 1088617, Sv STCD-8323 | DE7135b | |
71-06-28-003 | Tego | DE7135c | |||
71-06-28-004 | (02) | Tego | DE7135d | ||
71-06-28-005 | Tego | DE7135e | |||
71-06-28-006 | Tego | DE7135f | |||
71-06-28-007 | (03) | Tego | Sv 1088617, Sv STCD-8323 | DE7135g | |
TOGO BRAVA SUITE | |||||
71-06-28-008 | (04) | - 2. Naturellement (Yoyo) | DE7135h | ||
71-06-28-009 | (05) | - 2. Naturellement (Yoyo) | DE7135i | ||
71-06-28-010 | (06) | - 2. Naturellement (Yoyo) | DE7135j | ||
71-06-28-011 | (07) | - 2. Naturellement (Yoyo) | Sv 1088617, Sv STCD-8323 | DE7135k | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 June 1971 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Richard Williams, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Buddy Pearson(as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-06-29-001 | (10) | Goof | DE7136a | ||
71-06-29-002 | (11) | Goof | Pb 2310-815 | DE7136b | |
TOGO BRAVA SUITE | |||||
71-06-29-003 | (12) | - 3. Amour, Amour (Too Kee) | Sv 1088617, Sv STCD-8323 | DE7136c | |
71-06-29-004 | (17) | - 4. Right On Togo (Buss) | Sv 1088617, Sv STCD-8323 | DE7136d | |
71-06-29-005 | Soso | DE7136e | |||
71-06-29-006 | (22) | Soso | Sv 1088617, Sv STCD-8323 | DE7136f | |
71-06-29-007 | (25) | Eulb | Pb 2310-787 | DE7136g | |
71-06-29-008 | (31) | Tenz | Pb 2310-787 | DE7136h | |
71-06-29-009 | (32) | Toto | DE7136i | ||
71-06-29-010 | (34) | Toto | Sv 1088617, Sv STCD-8323 | DE7136j | |
DUKE ELLINGTON AND HIS ORCHESTRA | Newport, RI | 02 July 1971 | |||
Concert, Newport Jazz Festival, Freebody Park | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Ray Nance, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
71-07-02-001 | C-Jam Blues | X-YT 10(YT) | |||
TOGO BRAVA SUITE | |||||
71-07-02-002 | - 1. Soul Soothing Beach (Mkis) | X-YT 10(YT) | |||
71-07-02-003 | - 2. Naturellement (Yoyo) | X-YT 10(YT) | DE7137a | ||
71-07-02-004 | - 4. Right On Togo (Buss) | X-YT 10(YT) | |||
71-07-02-005 | Chinoiserie | X-YT 10(YT) | |||
71-07-02-006 | Bourbon Street Jingling Jollies | X-YT 11(YT) | |||
71-07-02-007 | Take The “A” Train | X-YT 11(YT) | DE7137b | ||
71-07-02-008 | Lover Man - vNB | X-YT 11(YT) | |||
71-07-02-009 | I Don’t Want Nobody But You - vTW | X-YT 11(YT) | DE7137c | ||
71-07-02-010 | One More Tie For The People - vNB,TW | X-YT 11(YT) | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Highland Park, IL | 14 July 1971 | |||
Concert, Ravina Festival Pavilion | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-07-14-001 | C-Jam blues | DE7138a | |||
71-07-14-002 | ¬ Kinda Dukish | DE7138b | |||
71-07-14-003 | _| Rockin’ In Rhythm | DE7138c | |||
71-07-14-004 | ¬ Black Beauty | DE7138d | |||
71-07-14-005 | _| Creole Love Call | DE7138e | |||
71-07-14-006 | Perdido | DE7138f | |||
TOGO BRAVA SUITE | |||||
71-07-14-007 | - 1. Soul Soothing Beach (Mkis) | DE7138g | |||
71-07-14-008 | - 2. Naturellement (Yoyo) | DE7138h | |||
71-07-14-009 | - 3. Amour, Amour (Too Kee) | DE7138i | |||
71-07-14-010 | - 4. Right On Togo (Buss) | DE7138j | |||
71-07-14-011 | Chinoiserie | DE7138k | |||
71-07-14-012 | Bourbon Street Jingling Jollies | DE7138l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 21 July 1971 | |||
Concert, High Chaparral | |||||
Cootie Williams, Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-07-21-001 | C-Jam Blues | DE7139a | |||
71-07-21-002 | ¬ Kinda Dukish | DE7139b | |||
71-07-21-003 | _| Rockin’ In Rhythm | DE7139c | |||
71-07-21-004 | How High The Moon | DE7139d | |||
THE GOUTELAS SUITE | |||||
71-07-21-005 | - 1. Goutelas | DE7139e | |||
71-07-21-006 | - 2. Get-With-Itness | DE7139f | |||
71-07-21-007 | - 3. Something | DE7139g | |||
71-07-21-008 | - 4. Having At It | DE7139h | |||
71-07-21-009 | 4:30 Blues | DE7139i | |||
71-07-21-010 | Chinoiserie | DE7139j | |||
71-07-21-011 | ¬ Diminuendo In Blue | DE7139k | |||
71-07-21-012 | _| Wailing Interval | DE7139l | |||
TOGO BRAVA SUITE | |||||
71-07-21-013 | - 1. Soul Soothing Beach (Mkis) | DE7139m | |||
71-07-21-014 | - 2. Naturellement (Yoyo) | DE7139n | |||
71-07-21-015 | - 3. Amour, Amour (Too Kee) | DE7139o | |||
71-07-21-016 | - 4. Right On Togo (Buss) | DE7139p | |||
71-07-21-017 | Gal From Joe’s | DE7139q | |||
71-07-21-018 | Take The “A” Train | DE7139r | |||
71-07-21-019 | Happy Birthday To You | DE7139s | |||
71-07-21-020 | Naturellement | DE7139t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NJ | 27 July 1971 | |||
Dance date, Golden Dome Ballroom, Steel Pier | |||||
Cootie Williams(t,v); Eddie Preston, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-07-27-001 | C-Jam Blues | DE7140a | |||
71-07-27-002 | Alfie | DE7140b | |||
71-07-27-003 | ¬ Kinda Dukish | DE7140c | |||
71-07-27-004 | _| Rockin’ In Rhythm | DE7140d | |||
71-07-27-005 | Creole Love Call | DE7140e | |||
71-07-27-006 | Perdido | DE7140f | |||
71-07-27-007 | Soul Soothing Beach | DE7140g | |||
71-07-27-008 | Naturellement | DE7140h | |||
71-07-27-009 | Take The “A” Train | DE7140i | |||
71-07-27-010 | I Got It Bad - vNB,CW | DE7140j | |||
71-07-27-011 | Satin Doll | DE7140k | |||
71-07-27-012 | Be Cool And Groovy For Me - vTW | DE7140l | |||
71-07-27-013 | One More Time For The People - vNB,TW | DE7140m | |||
71-07-27-014 | One More Time For The People - vNB,TW | DE7140n | |||
71-07-27-015 | Things Ain’t What They Used To Be | DE7140o | |||
71-07-27-016 | R.T.M. | DE7140p | |||
71-07-27-017 | In Triplicate | DE7140q | |||
Medley | DE7140r | ||||
71-07-27-018 | - 1. Don’t Get Around Much Anymore | ||||
71-07-27-019 | - 2. Mood Indigo | ||||
71-07-27-020 | - 3. I’m Beginning To See The Light | ||||
71-07-27-021 | - 4. Sophisticated Lady | ||||
71-07-27-022 | Making That Scene - vTW | DE7140s | |||
71-07-27-023 | Lover Man - vNB | DE7140t | |||
71-07-27-024 | I Don’t Want Nobody But You - vTW | DE7140u | |||
71-07-27-025 | Everybody Wants To Know - vNB | DE7140v | |||
71-07-27-026 | Ocht O’Clock Rock | DE7140w | |||
71-07-27-027 | Ocht O’Clock Rock | DE7140x | |||
71-07-27-028 | Azure Te | DE7140y | |||
71-07-27-029 | April In Paris | DE7140z | |||
71-07-27-030 | April In Paris | DE7140aa | |||
71-07-27-031 | Come Off The Veldt | DE7140ab | |||
71-07-27-032 | April In Paris | DE7140ac | |||
71-07-27-033 | I Got It Bad - vNB,CW | DE7140ad | |||
71-07-27-034 | Love You Madly - vNB | DE7140ae | |||
71-07-27-035 | Right On Togo (Buss) | DE7140af | |||
71-07-27-036 | Solitude - vTW | DE7140ag | |||
71-07-27-037 | Solitude | DE7140ah | |||
Duke Ellington(tk); Wild Bill Davis(o); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-07-27-038 | Monologue | DE7140ai | |||
As before | |||||
71-07-27-039 | Solitude - vTW | DE7140aj | |||
71-07-27-040 | It Don’t Mean A Thing - vTW | DE7140ak | |||
71-07-27-041 | My Mother, My Father and Love - vTW | DE7140al | |||
71-07-27-042 | Be Cool And Groovy For Me - vTW | DE7140am | |||
71-07-27-043 | One More Time For The People - vNB,TW | DE7140an | |||
71-07-27-044 | One More Time For The People - vNB,TW | DE7140ao | |||
71-07-27-045 | Satin Doll | DE7140ap | |||
71-07-27-046 | Blue Skies (Trumpet No End) | DE7140aq | |||
71-07-27-047 | Things Ain’t What They Used To Be | DE7140ar | |||
DUKE ELLINGTON | New York City, NY | 04 August 1971 | |||
CBS broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
71-08-04-001 | Meditation | DE7141a | |||
DUKE ELLINGTON GROUP | Same session | ||||
Harold "Money" Johnson(t); Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-08-04-002 | Take The “A” Train | DE7141b | |||
71-08-04-003 | Creole Love Call | DE7141c | |||
71-08-04-004 | Chinoiserie | DE7141d | |||
71-08-04-005 | Bourbon Street Jingling Jollies | DE7141e | |||
Medley | DE7141f | ||||
71-08-04-006 | - 1. Don’t Get Around Much Anymore | ||||
71-08-04-007 | - 2. Mood Indigo | ||||
71-08-04-008 | - 3. I’m Beginning To See The Light | ||||
71-08-04-009 | - 4. Sophisticated Lady | ||||
71-08-04-010 | - 5. Caravan | ||||
71-08-04-011 | Come Off The Veldt | DE7141g | |||
71-08-04-012 | Making That Scene - vTW | DE7141h | |||
71-08-04-013 | My Mother, My Father and Love - vTW | DE7141i | |||
71-08-04-014 | It Don’t Mean A Thing - vTW | DE7141j | |||
71-08-04-015 | Solitude - vTW | DE7141k | |||
71-08-04-016 | I Got It Bad - vNB,MJ | DE7141l | |||
71-08-04-017 | Everybody Wants To Know - vNB | DE7141m | |||
71-08-04-018 | One More Time For The People - vNB,TW | DE7141n | |||
71-08-04-019 | One More Time For The People - vNB,TW | DE7141o | |||
DUKE ELLINGTON GROUP | New York City, NY | 14 August 1971 | |||
CBS broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Al Hall(sb); Rufus Jones(d) | |||||
71-08-14-001 | Take The “A” Train | DE7142a | |||
71-08-14-002 | Creole Love Call | DE7142b | |||
71-08-14-003 | Chinoiserie | DE7142c | |||
Medley | DE7142d | ||||
71-08-14-004 | - 1. Prelude To A Kiss | ||||
71-08-14-005 | - 2. I Let A Song Go Out Of My Heart | ||||
71-08-14-006 | - 3. Don’t Get Around Much Anymore | ||||
71-08-14-007 | - 4. Mood Indigo | ||||
DUKE ELLINGTON GROUP | New York City, NY | 21 August 1971 | |||
CBS broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Al Hall(sb); Rufus Jones(d) | |||||
Medley | DE7143a | ||||
71-08-21-001 | - 1. Prelude To A Kiss | ||||
71-08-21-002 | - 2. I Let A Song Go Out Of My Heart | ||||
71-08-21-003 | - 3. Don’t Get Around Much Anymore | ||||
71-08-21-004 | - 4. Mood Indigo | ||||
71-08-21-005 | - 5. I’m Beginning To See The Light | ||||
71-08-21-006 | - 6. Jump For Joy | ||||
71-08-21-007 | - 7. Sophisticated Lady | ||||
71-08-21-008 | Stompin’ At The Savoy | DE7143b | |||
71-08-21-009 | Serenade To Sweden | DE7143c | |||
71-08-21-010 | C-Jam Blues | DE7143d | |||
DUKE ELLINGTON WITH NEWSOM ORCHESTRA | New York City, NY | 23 August 1971 | |||
NBC telecast, "The Tonight Show" | |||||
Duke Ellington(p) accompanied by Tommy Newsom Orchestra | |||||
71-08-23-001 | Satin Doll | DE7144a | |||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Joey Bishop(tk) | |||||
71-08-23-002 | Interview by Bishop | DE7144b | |||
DUKE ELLINGTON GROUP | New York City, NY | 24 August 1971 | |||
NBC telecast, "The Today Show" | |||||
Booty Wood(tb); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Al Hall(sb); Rufus Jones(d) | |||||
71-08-24-001 | It Don’t Mean A Thing | DE7145a | |||
Medley | DE7145b | ||||
71-08-24-002 | - 1. Caravan | ||||
71-08-24-003 | - 2. Prelude To A Kiss | ||||
71-08-24-004 | - 3. I Let A Song Go Out Of My Heart | ||||
71-08-24-005 | - 4. Don’t Get Around Much Anymore | ||||
71-08-24-006 | - 5. Mood Indigo | ||||
71-08-24-007 | - 6. I’m Beginning To See The Light | ||||
71-08-24-008 | - 7. Sophisticated Lady | ||||
71-08-24-009 | - 8. Satin Doll | ||||
DUKE ELLINGTON | Same session | ||||
Duke Ellington, Hugh Downs(tk) | |||||
71-08-24-010 | Interview by Downs | DE7145c | |||
DUKE ELLINGTON GROUP | New York City, NY | 28 August 1971 | |||
CBS broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Booty Wood, Malcolm Taylor(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Al Hall(sb); Rufus Jones(d) | |||||
71-08-28-001 | Things Ain’t What They Used To Be | DE7146a | |||
71-08-28-002 | Take The “A” Train | DE7146b | |||
71-08-28-003 | Happy Birthday To You | DE7146c | |||
71-08-28-004 | I Can’t Give You Anything but Love | DE7146d | |||
71-08-28-005 | Chinoiserie | DE7146e | |||
71-08-28-006 | Bourbon Street Jingling Jollies | DE7146f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Moskva, RUS | 09 October 1971 | |||
Concert, Estradny Teatr | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-09-001 | HARLEM | DE7147a | |||
71-10-09-002 | Perdido | DE7147b | |||
71-10-09-003 | Satin Doll | DE7147c | |||
71-10-09-004 | Things Ain’t What They Used To Be | DE7147d | |||
71-10-09-005 | In Triplicate | DE7147e | |||
71-10-09-006 | La Plus Belle Africaine | DE7147f | |||
71-10-09-007 | Aristocracy A La Jean Lafitte | DE7147g | |||
71-10-09-008 | The Blues - vTW | DE7147h | |||
71-10-09-009 | How High The Moon | DE7147i | |||
Medley | DE7147j | ||||
71-10-09-010 | - 1. I Got It Bad - vNB,CW | ||||
71-10-09-011 | - 2. Everybody Wants To Know | ||||
71-10-09-012 | - 3. Sophisticated Lady | ||||
71-10-09-013 | I Can’t Get Started | DE7147k | |||
DUKE ELLINGTON | Moskva, RUS | 10 October 1971 | |||
Duke Ellington, n/k(tk) | |||||
71-10-10-001 | Interview | DE7148a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Moskva, RUS | 11 October 1971 | |||
Concert, Dvorèts Sporta | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-11-001 | C-Jam Blues | DE7149a | |||
71-10-11-002 | ¬ Black And Tan Fantasy | DE7149b | |||
71-10-11-003 | - | Creole Love Call | DE7149c | |||
71-10-11-004 | _| The Mooch | DE7149d | |||
71-10-11-005 | ¬ Kinda Dukish | DE7149e | |||
71-10-11-006 | _| Rockin’ In Rhythm | DE7149f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-11-007 | Happy Reunion | DE7149g | |||
As before | |||||
71-10-11-008 | Take The “A” Train | DE7149h | |||
71-10-11-009 | Fife | DE7149i | |||
71-10-11-010 | Chinoiserie | DE7149j | |||
71-10-11-011 | HARLEM | DE7149k | |||
71-10-11-012 | Perdido | DE7149l | |||
71-10-11-013 | Take The “A” Train (theme) | DE7149m | |||
71-10-11-014 | Satin Doll | DE7149n | |||
71-10-11-015 | Things Ain’t What They Used To Be | DE7149o | |||
71-10-11-016 | In Triplicate | DE7149p | |||
71-10-11-017 | La Plus Belle Africaine | DE7149q | |||
71-10-11-018 | Come Off The Veldt | DE7149r | |||
Medley | DE7149s | ||||
71-10-11-019 | - 1. Caravan | ||||
71-10-11-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-10-11-021 | - 3. I Let A Song Go Out Of My Heart | ||||
71-10-11-022 | - 4. Don’t Get Around Much Anymore | ||||
71-10-11-023 | - 5. Mood Indigo | ||||
71-10-11-024 | - 6. Solitude - vTW | ||||
71-10-11-025 | - 7. It Don’t Mean A Thing - vTW | ||||
71-10-11-026 | - 8. I Got It Bad - vNB,CW | ||||
71-10-11-027 | - 9. Everybody Wants To Know - vNB | ||||
71-10-11-028 | - 10. Sophisticated Lady | ||||
71-10-11-029 | - 11. Caravan | ||||
71-10-11-030 | ¬ You Are Beautiful | DE7149t | |||
71-10-11-031 | _| Addi | DE7149u | |||
71-10-11-032 | You Are Beautiful | DE7149v | |||
71-10-11-033 | How High The Moon | DE7149w | |||
71-10-11-034 | Soul Flute | DE7149x | |||
71-10-11-035 | Aristocracy A La Jean Lafitte | DE7149y | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-11-036 | Lotus Blossom | DE7149z | |||
As before | |||||
71-10-11-037 | The Pacific Split | DE7149aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Aarhus, DK | 14 October 1971 | |||
Concert, Jazzhus Tagskaegget | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb);Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-14-001 | Addi | DE7150a | |||
71-10-14-002 | Upper Manhattan Medical Group | DE7150b | |||
71-10-14-003 | How High The Moon | DE7150c | |||
71-10-14-004 | Second Line | DE7150d | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-14-005 | Happy Reunion | DE7150e | |||
As before | |||||
71-10-14-006 | Up Jump | DE7150f | |||
71-10-14-007 | La Plus Belle Africaine | DE7150g | |||
71-10-14-008 | Aristocracy A La Jean Lafitte | DE7150h | |||
71-10-14-009 | Old Folks | DE7150i | |||
71-10-14-010 | Bourbon Street Jingling Jollies | DE7150j | |||
71-10-14-011 | Soul Flute | DE7150k | |||
71-10-14-012 | Take The “A” Train | DE7150l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Roubaix, F | 18 October 1971 | |||
Concert, Cinema Le Colisée | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-18-001 | C-Jam Blues | DE7151a | |||
71-10-18-002 | ¬ Black And Tan Fantasy | DE7151b | |||
71-10-18-003 | - | Creole Love Call | DE7151c | |||
71-10-18-004 | _| The Mooch | DE7151d | |||
71-10-18-005 | ¬ Kinda Dukish | DE7151e | |||
71-10-18-006 | _| Rockin’ In Rhythm | DE7151f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-18-007 | Happy Reunion | DE7151g | |||
As before | |||||
71-10-18-008 | Having At It | DE7151xa | |||
71-10-18-009 | Take The “A” Train | DE7151h | |||
71-10-18-010 | Fife | DE7151i | |||
71-10-18-011 | Chinoiserie | DE7151j | |||
71-10-18-012 | I Can’t Get Started | DE7151k | |||
71-10-18-013 | HARLEM | DE7151l | |||
71-10-18-014 | Satin Doll | DE7151m | |||
71-10-18-015 | Perdido | DE7151xb | |||
71-10-18-016 | Addi | DE7151n | |||
71-10-18-017 | Come Off The Veldt | DE7151xc | |||
Medley | DE7151o | ||||
71-10-18-018 | - 1. I Let A Song Go Out Of My Heart | ||||
71-10-18-019 | - 2. Don’t Get Around Much Anymore | ||||
71-10-18-020 | - 3. Mood Indigo | ||||
71-10-18-021 | - 4. I’m Beginning To See The Light | ||||
71-10-18-022 | - 5. Solitude - vTW | ||||
71-10-18-023 | - 6. It Don’t Mean A Thing - vTW | ||||
71-10-18-024 | - 7. I Got It Bad - vNB,CW | ||||
71-10-18-025 | - 8. Everybody Wants To Know - vNB,CW | ||||
71-10-18-026 | - 9. Sophisticated Lady | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Southport, GB | 19 October 1971 | |||
1st Concert, Floral Hall | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-19-001 | C-Jam Blues | DE7152a | |||
71-10-19-002 | ¬ Black And Tan Fantasy | DE7152b | |||
71-10-19-003 | - | Creole Love Call | DE7152c | |||
71-10-19-004 | _| The Mooch | DE7152d | |||
71-10-19-005 | ¬ Kinda Dukish | DE7152e | |||
71-10-19-006 | _| Rockin’ In Rhythm | DE7152f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-19-007 | Happy Reunion | DE7152g | |||
As before | |||||
71-10-19-008 | Take The “A” Train | DE7152h | |||
71-10-19-009 | Fife | DE7152i | |||
71-10-19-010 | Chinoiserie | DE7152j | |||
71-10-19-011 | I Can’t Get Started | DE7152k | |||
71-10-19-012 | HARLEM | DE7152l | |||
71-10-19-013 | Perdido | DE7152m | |||
71-10-19-014 | TOGO BRAVA SUITE | ||||
71-10-19-015 | - 1. Soul Soothing Beach (Mkis) | DE7152n | |||
71-10-19-016 | - 2. Naturellement (Yoyo) | DE7152o | |||
71-10-19-017 | - 3. Amour, Amour (Too Kee) | DE7152p | |||
71-10-19-018 | - 4. Right On Togo (Buss) | DE7152q | |||
71-10-19-019 | Come Off The Veldt | DE7152r | |||
Medley | DE7152s | ||||
71-10-19-020 | - 1. I Let A Song Go Out Of My Heart | ||||
71-10-19-021 | - 2. Don’t Get Around Much Anymore | ||||
71-10-19-022 | - 3. Mood Indigo | ||||
71-10-19-023 | - 4. I’m Beginning To See The Light | ||||
71-10-19-024 | - 5. Solitude - vTW | ||||
71-10-19-025 | - 6. It Don’t Mean A Thing - vTW | ||||
71-10-19-026 | - 7. I Got It Bad - vNB,CW | ||||
71-10-19-027 | - 8. Everybody Wants To Know - vNB,CW | ||||
71-10-19-028 | - 9. Sophisticated Lady | ||||
71-10-19-029 | - 10. Caravan | ||||
71-10-19-030 | Satin Doll | DE7152t | |||
71-10-19-031 | Things Ain’t What They Used To Be | DE7152u | |||
71-10-19-032 | Aristocracy A La Jean Lafitte | DE7152v | |||
71-10-19-033 | Addi | DE7152w | |||
71-10-19-034 | How High The Moon | DE7152x | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-19-035 | Lotus Blossom | DE7152y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Southport, GB | 19 October 1971 | |||
2nd Concert, Floral Hall | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-19-036 | C-Jam Blues | DE7153a | |||
71-10-19-037 | ¬ Black And Tan Fantasy | DE7153b | |||
71-10-19-038 | - | Creole Love Call | DE7153c | |||
71-10-19-039 | _| The Mooch | DE7153d | |||
71-10-19-040 | ¬ Kinda Dukish | DE7153e | |||
71-10-19-041 | _| Rockin’ In Rhythm | DE7153f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-19-042 | Happy Reunion | DE7153g | |||
As before | |||||
71-10-19-043 | Take The “A” Train | DE7153h | |||
71-10-19-044 | Fife | DE7153i | |||
71-10-19-045 | Chinoiserie | DE7153j | |||
71-10-19-046 | I Can’t Get Started | DE7153k | |||
71-10-19-047 | HARLEM | DE7153l | |||
71-10-19-048 | Satin Doll | DE7153m | |||
71-10-19-049 | Things Ain’t What They Used To Be | DE7153n | |||
71-10-19-050 | Perdido | DE7153o | |||
71-10-19-051 | Come Off The Veldt | DE7153p | |||
Medley | DE7153q | ||||
71-10-19-052 | - 1. Prelude To A Kiss | ||||
71-10-19-053 | - 2. In A Sentimental Mood | ||||
71-10-19-054 | - 3. I Let A Song Go Out Of My Heart | ||||
71-10-19-055 | - 4. Don’t Get Around Much Anymore | ||||
71-10-19-056 | - 5. Mood Indigo | ||||
71-10-19-057 | - 6. I’m Beginning To See The Light | ||||
71-10-19-058 | - 7. Solitude - vTW | ||||
71-10-19-059 | - 8. It Don’t Mean A Thing - vTW | ||||
71-10-19-060 | - 9. I Got It Bad - vNB,CW | ||||
71-10-19-061 | - 10. Everybody Wants To Know - vNB | ||||
71-10-19-062 | - 11. Sophisticated Lady | ||||
71-10-19-063 | - 12. Caravan | ||||
71-10-19-064 | Aristocracy A La Jean Lafitte | DE7153r | |||
71-10-19-065 | Addi | DE7153s | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-19-066 | Lotus Blossom | DE7153y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bournemouth, GB | 20 October 1971 | |||
1st Concert, Winter Gardens | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-20-001 | C-Jam Blues | DE7154a | |||
71-10-20-002 | ¬ Black And Tan Fantasy | DE7154b | |||
71-10-20-003 | - | Creole Love Call | DE7154c | |||
71-10-20-004 | _| The Mooch | DE7154d | |||
71-10-20-005 | Kinda Dukish | DE7154e | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-20-006 | Happy Reunion | DE7154f | |||
As before | |||||
71-10-20-007 | Take The “A” Train | DE7154g | |||
71-10-20-008 | Fife | DE7154h | |||
71-10-20-009 | Chinoiserie | DE7154i | |||
71-10-20-010 | HARLEM | DE7154j | |||
71-10-20-011 | Perdido | DE7154k | |||
71-10-20-012 | Addi | DE7154l | |||
71-10-20-013 | Come Off The Veldt | DE7154m | |||
Medley | DE7154n | ||||
71-10-20-014 | - 1. Jig Walk | ||||
71-10-20-015 | - 2. I Let A Song Go Out Of My Heart | ||||
71-10-20-016 | - 3. Don’t Get Around Much Anymore | ||||
71-10-20-017 | - 4. Mood Indigo | ||||
71-10-20-018 | - 5. Solitude - vTW | ||||
71-10-20-019 | - 6. It Don’t Mean A Thing - vTW | ||||
71-10-20-020 | - 7. I Got It Bad - vNB,CW | ||||
71-10-20-021 | - 8. Everybody Wants To Know - vNB,CW | ||||
71-10-20-022 | - 9. Sophisticated Lady | ||||
71-10-20-023 | - 10. Caravan | ||||
71-10-20-024 | Aristocracy A La Jean Lafitte | DE7154o | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-20-025 | Lotus Blossom | DE7154p | |||
As before | |||||
71-10-20-026 | How High The Moon | DE7154q | |||
Norris Turney(fl); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-20-027 | Lotus Blossom | DE7154r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bournemouth, GB | 20 October 1971 | |||
2nd Concert, Winter Gardens | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-20-028 | C-Jam Blues | DE7155a | |||
71-10-20-029 | Black And Tan Fantasy | DE7155b | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-20-030 | Happy Reunion | DE7155c | |||
As before | |||||
71-10-20-031 | Take The “A” Train | DE7155d | |||
71-10-20-032 | Fife | DE7155e | |||
71-10-20-033 | Chinoiserie | DE7155f | |||
71-10-20-034 | I Can’t Get Started | DE7155g | |||
71-10-20-035 | La Plus Belle Africaine | DE7155h | |||
71-10-20-036 | Satin Doll | DE7155i | |||
71-10-20-037 | Perdido | DE7155j | |||
71-10-20-038 | Things Ain’t What They Used To Be | DE7155k | |||
71-10-20-039 | In Triplicate | DE7155l | |||
Medley | DE7155m | ||||
71-10-20-040 | - 1. In A Sentimental Mood | ||||
71-10-20-041 | - 2. Prelude To A Kiss | ||||
71-10-20-042 | - 3. Do Nothin’ Till You Hear From Me | ||||
71-10-20-043 | - 4. I Let A Song Go Out Of My Heart | ||||
71-10-20-044 | - 5. Don’t Get Around Much Anymore | ||||
71-10-20-045 | - 6. Mood Indigo | ||||
71-10-20-046 | - 7. I’m Beginning To See The Light | ||||
71-10-20-047 | - 8. Solitude - vTW | ||||
71-10-20-048 | - 9. It Don’t Mean A Thing - vTW | ||||
71-10-20-049 | - 10. I Got It Bad - vNB | ||||
71-10-20-050 | - 11. Everybody Wants To Know - vNB | ||||
71-10-20-051 | - 12. Sophisticated Lady | ||||
71-10-20-052 | - 13. Caravan | ||||
71-10-20-053 | Aristocracy A La Jean Lafitte | DE7155n | |||
71-10-20-054 | Addi | DE7155o | |||
71-10-20-055 | How High The Moon | DE7155p | |||
71-10-20-056 | Hello, Dolly! - vMJ | DE7155q | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-20-057 | Single Petal Of A Rose | DE7155r | |||
As before | |||||
71-10-20-058 | One More Time For The People - vNB,TW | DE7155s | |||
71-10-20-059 | One More Time For The People - vNB,TW | DE7155t | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-20-060 | Lotus Blossom | DE7155u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 21 October 1971 | |||
1st Concert, Hammersmith Odeon | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-21-001 | C-Jam Blues | DE7156a | |||
71-10-21-002 | R.T.M. | DE7156b | |||
71-10-21-003 | ¬ Black And Tan Fantasy | DE7156c | |||
71-10-21-004 | - | Creole Love Call | DE7156d | |||
71-10-21-005 | _| The Mooch | DE7156e | |||
71-10-21-006 | ¬ Kinda Dukish | DE7156xa | |||
71-10-21-007 | _| Rockin’ In Rhythm | DE7156xb | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-21-008 | Happy Reunion | DE7156f | |||
As before | |||||
71-10-21-009 | Take The “A” Train | DE7156g | |||
71-10-21-010 | Fife | DE7156h | |||
71-10-21-011 | Chinoiserie | DE7156i | |||
71-10-21-012 | HARLEM | DE7156j | |||
71-10-21-013 | Perdido | DE7156k | |||
71-10-21-014 | Things Ain’t What They Used To Be | DE7156l | |||
71-10-21-015 | In Triplicate | DE7156m | |||
71-10-21-016 | Come Off The Veldt | DE7156n | |||
Medley | DE7156o | ||||
71-10-21-017 | - 1. In A Sentimental Mood | ||||
71-10-21-018 | - 2. Prelude To A Kiss | ||||
71-10-21-019 | - 3. I Let A Song Go Out Of My Heart | ||||
71-10-21-020 | - 4. Don’t Get Around Much Anymore | ||||
71-10-21-021 | - 5. Mood Indigo | ||||
71-10-21-022 | - 6. I’m Beginning To See The Light | ||||
71-10-21-023 | - 7. Solitude - vTW | ||||
71-10-21-024 | - 8. It Don’t Mean A Thing - vTW | ||||
71-10-21-025 | - 9. I Got It Bad - vNB,CW | ||||
71-10-21-026 | - 10. Everybody Wants To Know - vNB,CW | ||||
71-10-21-027 | - 11. Sophisticated Lady | ||||
71-10-21-028 | - 12. Caravan | ||||
71-10-21-029 | Aristocracy A La Jean Lafitte | DE7156p | |||
71-10-21-030 | Addi | DE7156q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 21 October 1971 | |||
Pre-recording for BBC telecast, Hammersmith Odeon | |||||
Duke Ellington, Stanley Dance(tk) | |||||
71-10-21-031 | Interview by Dance | DE7157a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 21 October 1971 | |||
2nd Concert, Hammersmith Odeon | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-21-032 | C-Jam Blues | DE7158a | |||
71-10-21-033 | ¬ Black And Tan Fantasy | DE7158b | |||
71-10-21-034 | - | Creole Love Call | DE7158c | |||
71-10-21-035 | _| The Mooch | DE7158d | |||
71-10-21-036 | ¬ Kinda Dukish | DE7158e | |||
71-10-21-037 | _| Rockin’ In Rhythm | DE7158f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-21-038 | Happy Reunion | DE7158g | |||
As before | |||||
71-10-21-039 | Take The “A” Train | DE7158h | |||
71-10-21-040 | Bourbon Street Jingling Jollies | DE7158i | |||
71-10-21-041 | Chinoiserie | DE7158j | |||
71-10-21-042 | I Can’t Get Started | DE7158k | |||
71-10-21-043 | HARLEM | DE7158l | |||
71-10-21-044 | Perdido | DE7158m | |||
71-10-21-045 | Things Ain’t What They Used To Be | DE7158n | |||
71-10-21-046 | In Triplicate | DE7158o | |||
71-10-21-047 | Satin Doll | DE7158p | |||
71-10-21-048 | Come Off The Veldt | DE7158q | |||
Medley | DE7158r | ||||
71-10-21-049 | - 1. In A Sentimental Mood | ||||
71-10-21-050 | - 2. Prelude To A Kiss | ||||
71-10-21-051 | - 3. Don’t You Know I Care | ||||
71-10-21-052 | - 4. I Let A Song Go Out Of My Heart | ||||
71-10-21-053 | - 5. Don’t Get Around Much Anymore | ||||
71-10-21-054 | - 6. Mood Indigo | ||||
71-10-21-055 | - 7. I’m Beginning To See The Light | ||||
71-10-21-056 | - 8. Solitude - vTW | ||||
71-10-21-057 | - 9. It Don’t Mean A Thing - vTW | ||||
71-10-21-058 | - 10. I Got It Bad - vNB | ||||
71-10-21-059 | - 11. Everybody Wants To Know - vNB,CW | ||||
71-10-21-060 | - 12. Sophisticated Lady | ||||
71-10-21-061 | - 13. Caravan | ||||
71-10-21-062 | Aristocracy A La Jean Lafitte | DE7158s | |||
71-10-21-063 | Addi | DE7158t | |||
71-10-21-064 | Hello, Dolly! - vMJ | DE7158u | |||
71-10-21-065 | One More Time For The People | DE7158v | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-21-066 | Lotus Blossom | DE7158w | |||
DUKE ELLINGTON QUARTET | Bristol, GB | 22 October 1971 | |||
Concert, Colston Hall | |||||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-22-001 | Happy Reunion | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-22-002 | Soul Flute | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159b | ||
TOGO BRAVA SUITE | |||||
71-10-22-003 | - 1. Soul Soothing Beach (Mkis) | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159c | ||
71-10-22-004 | - 2. Naturellement (Yoyo) | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159d | ||
71-10-22-005 | - 3. Amour, Amour (Too Kee) | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159e | ||
71-10-22-006 | - 4. Right On Togo (Buss) | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159f | ||
71-10-22-007 | La Plus Belle Africaine | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159g | ||
71-10-22-008 | In A Mellow Tone | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159h | ||
71-10-22-009 | Addi | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159i | ||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-22-010 | Lotus Blossom | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7159j | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Birmingham, GB | 24 October 1971 | |||
1st Concert, Birmingham Theatre | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-24-001 | C-Jam Blues | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7160a | ||
71-10-24-002 | Kinda Dukish | DE7160b | |||
71-10-24-003 | Checkered Hat | DE7160c | |||
71-10-24-004 | Checkered Hat | DE7160d | |||
71-10-24-005 | The Hard Way | DE7160e | |||
71-10-24-006 | Take The “A” Train | DE7160f | |||
71-10-24-007 | Azure | DE7160g | |||
71-10-24-008 | Goof | DE7160h | |||
71-10-24-009 | In A Sentimental Mood | DE7160i | |||
71-10-24-010 | Cotton Tail | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7160j | ||
71-10-24-011 | La Plus Belle Africaine | DE7160xa | |||
71-10-24-012 | Perdido | DE7160xb | |||
71-10-24-013 | Satin Doll | DE7160k | |||
71-10-24-014 | Things Ain’t What They Used To Be | DE7160l | |||
71-10-24-015 | Chinoiserie | DE7160m | |||
71-10-24-016 | Come Off The Veldt | DE7160n | |||
Medley | DE7160o | ||||
71-10-24-017 | - 1. I Let A Song Go Out Of My Heart | ||||
71-10-24-018 | - 2. Don’t Get Around Much Anymore | ||||
71-10-24-019 | - 3. Mood Indigo | ||||
71-10-24-020 | - 4. I’m Beginning To See The Light | ||||
71-10-24-021 | - 5. Solitude - vTW | ||||
71-10-24-022 | - 6. I Got It Bad - vNB | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | |||
71-10-24-023 | - 7. Everybody Wants To Know - vNB,CW | ||||
71-10-24-024 | - 8. Sophisticated Lady | ||||
71-10-24-025 | - 9. One More Tie For The People - vNB,TW | ||||
71-10-24-026 | - 10. One More Tie For The People - vNB,TW | ||||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-24-027 | Lotus Blossom | DE7160p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Birmingham, GB | 24 October 1971 | |||
2nd Concert, Birmingham Theatre | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-24-028 | Perdido | DE7161xa | |||
71-10-24-029 | Black Beauty | DE7161a | |||
71-10-24-030 | C-Jam Blues | DE7161b | |||
71-10-24-031 | Checkered Hat | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7161c | ||
71-10-24-032 | The Hard Way | DE7161d | |||
71-10-24-033 | Take The “A” Train | DE7161e | |||
71-10-24-034 | Azure | DE7161f | |||
71-10-24-035 | Cotton Tail | DE7161g | |||
71-10-24-036 | La Plus Belle Africaine | DE7161h | |||
71-10-24-037 | Come Off The Veldt | DE7161i | |||
Medley | DE7161j | ||||
71-10-24-038 | - 1. Prelude To A Kiss | ||||
71-10-24-039 | - 2. Don’t You Know I Care | ||||
71-10-24-040 | - 3. Brown-Skin Gal | ||||
71-10-24-041 | - 4. Jump For Joy | ||||
71-10-24-042 | - 5. I Let A Song Go Out Of My Heart | ||||
71-10-24-043 | - 6. Don’t Get Around Much Anymore | ||||
71-10-24-044 | - 7. Mood Indigo | ||||
71-10-24-045 | - 8. I’m Beginning To See The Light | ||||
71-10-24-046 | - 9. Solitude - vTW | ||||
71-10-24-047 | - 10. It Don’t Mean A Thing - vTW | ||||
71-10-24-048 | - 11. I Got It Bad | ||||
71-10-24-049 | Goof | DE7161k | |||
71-10-24-050 | Addi | DE7161l | |||
71-10-24-051 | How High The Moon | DE7161m | |||
71-10-24-052 | All Too Soon | DE7161n | |||
71-10-24-053 | One More Tie For The People - vNB,TW | DE7161o | |||
71-10-24-054 | One More Tie For The People - vNB,TW | DE7161p | |||
Duke Ellington(p) | |||||
71-10-24-055 | Melancholia | BGO CD451, BN CDP-7243-8-30082-2-3, UA UXS-92 | DE7161q | ||
As before | |||||
71-10-24-056 | In Triplicate | DE7161r | |||
71-10-24-057 | Things Ain’t What They Used To Be | DE7161s | |||
71-10-24-058 | Satin Doll | DE7161t | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-24-059 | Black Swan | DE7161u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bruxelles, B | 25 October 1971 | |||
Concert, Palais Des Beaux Artes | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-25-001 | C-Jam Blues | DE7162a | |||
71-10-25-002 | R.T.M. | Sv 1018402, Sv 1088617 | DE7162b | ||
71-10-25-003 | ¬ Kinda Dukish | DE7162c | |||
71-10-25-004 | _| Rockin’ In Rhythm | DE7162d | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-25-005 | Happy Reunion | DE7162e | |||
As before | |||||
71-10-25-006 | Having At It | DE7162f | |||
71-10-25-007 | Take The “A” Train | DE7162g | |||
71-10-25-008 | Fife | DE7162h | |||
71-10-25-009 | Perdido | DE7162i | |||
71-10-25-010 | Things Ain’t What They Used To Be | DE7162j | |||
71-10-25-011 | Satin Doll | DE7162k | |||
71-10-25-012 | Goof | DE7162l | |||
71-10-25-013 | Addi | DE7162m | |||
71-10-25-014 | Afrique | DE7162n | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bordeaux, F | 27 October 1971 | |||
1st Concert, L'Alhambra | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-27-001 | C-Jam Blues | DE7163a | |||
71-10-27-002 | ¬ Black And Tan Fantasy | DE7163b | |||
71-10-27-003 | - | Creole Love Call | DE7163c | |||
71-10-27-004 | _| The Mooch | DE7163d | |||
71-10-27-005 | ¬ Kinda Dukish | DE7163e | |||
71-10-27-006 | _| Rockin’ In Rhythm | DE7163f | |||
THE GOUTELAS SUITE | |||||
71-10-27-007 | - 1. Goutelas | DE7163g | |||
71-10-27-008 | - 2. Get-With-Itness | DE7163h | |||
71-10-27-009 | - 3. Something | DE7163i | |||
71-10-27-010 | - 4. Having At It | DE7163j | |||
71-10-27-011 | Take The “A” Train | DE7163k | |||
71-10-27-012 | Chinoiserie | DE7163l | |||
TOGO BRAVA SUITE | |||||
71-10-27-013 | - 1. Soul Soothing Beach (Mkis) | DE7163m | |||
71-10-27-014 | - 2. Naturellement (Yoyo) | DE7163n | |||
71-10-27-015 | - 3. Amour, Amour (Too Kee) | DE7163o | |||
71-10-27-016 | - 4. Right On Togo (Buss) | DE7163p | |||
71-10-27-017 | Perdido | DE7163q | |||
71-10-27-018 | Satin Doll | DE7163r | |||
71-10-27-019 | Jeep’s Blues | DE7163s | |||
71-10-27-020 | Things Ain’t What They Used To Be | DE7163t | |||
71-10-27-021 | Afrique | DE7163u | |||
Medley | DE7163v | ||||
71-10-27-022 | - 1. Prelude To A Kiss | ||||
71-10-27-023 | - 2. I Let A Song Go Out Of My Heart | ||||
71-10-27-024 | - 3. Don’t Get Around Much Anymore | ||||
71-10-27-025 | - 4. Mood Indigo | ||||
71-10-27-026 | - 5. I’m Beginning To See The Light | ||||
71-10-27-027 | - 6. Solitude - vTW | ||||
71-10-27-028 | - 7. It Don’t Mean A Thing - vTW | ||||
71-10-27-029 | - 8. I Got It Bad - vNB,CW | ||||
71-10-27-030 | - 9. Everybody Wants To Know - vNB,CW | ||||
71-10-27-031 | - 10. Sophisticated Lady | ||||
71-10-27-032 | - 11. Caravan | ||||
71-10-27-033 | Goof | DE7163w | |||
71-10-27-034 | Addi | DE7163x | |||
71-10-27-035 | Hello, Dolly! - vMJ | DE7163y | |||
71-10-27-036 | One More Tie For The People - vNB,TW | DE7163z | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-27-037 | Lotus Blossom | DE7163aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bordeaux, F | 27 October 1971 | |||
2nd Concert, L'Alhambra | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-27-038 | C-Jam Blues | DE7164a | |||
71-10-27-039 | ¬ Black And Tan Fantasy | DE7164b | |||
71-10-27-040 | - | Creole Love Call | DE7164c | |||
71-10-27-041 | _| The Mooch | DE7164d | |||
71-10-27-042 | ¬ Kinda Dukish | DE7164e | |||
71-10-27-043 | _| Rockin’ In Rhythm | DE7164f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-27-044 | Happy Reunion | DE7164g | |||
As before | |||||
71-10-27-045 | Take The “A” Train | DE7164h | |||
71-10-27-046 | Fife | DE7164i | |||
71-10-27-047 | Chinoiserie | DE7164j | |||
71-10-27-048 | I Can’t Get Started | DE7164j | |||
71-10-27-049 | HARLEM | DE7164l | |||
71-10-27-050 | Perdido | DE7164m | |||
71-10-27-051 | Satin Doll | DE7164n | |||
71-10-27-052 | Things Ain’t What They Used To Be | DE7164o | |||
71-10-27-053 | In Triplicate | DE7164p | |||
71-10-27-054 | La Plus Belle Africaine | DE7164q | |||
71-10-27-055 | Come Off The Veldt | DE7164r | |||
Medley | DE7164s | ||||
71-10-27-056 | - 1. In A Sentimental Mood | ||||
71-10-27-057 | - 2. I Let A Song Go Out Of My Heart | ||||
71-10-27-058 | - 3. Don’t Get Around Much Anymore | ||||
71-10-27-059 | - 4. Mood Indigo | ||||
71-10-27-060 | - 5. I’m Beginning To See The Light | ||||
71-10-27-061 | - 6. Solitude - vTW | ||||
71-10-27-062 | - 7. I Got It Bad - vNB,CW | ||||
71-10-27-063 | - 8. Everybody Wants To Know - vNB,CW | ||||
71-10-27-064 | - 9. Sophisticated Lady | ||||
71-10-27-065 | - 10. Caravan | ||||
71-10-27-066 | Goof | DE7164t | |||
71-10-27-067 | Addi | DE7164u | |||
71-10-27-068 | Hello, Dolly! - vMJ | DE7164v | |||
71-10-27-069 | One More Time For The People - vNB,TW | DE7164w | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-27-070 | Lotus Blossom | DE7164x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 28 October 1971 | |||
1st Concert, Théatre National Populaire | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-28-001 | C-Jam Blues | DE7165a | |||
71-10-28-002 | ¬ Black And Tan Fantasy | DE7165b | |||
71-10-28-003 | - | Creole Love Call | DE7165c | |||
71-10-28-004 | _| The Mooch | DE7165d | |||
71-10-28-005 | ¬ Kinda Dukish | DE7165e | |||
71-10-28-006 | _| Rockin’ In Rhythm | DE7165f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-28-007 | Happy Reunion | DE7165g | |||
As before | |||||
71-10-28-008 | Take The “A” Train | DE7165h | |||
71-10-28-009 | Chinoiserie | DE7165i | |||
71-10-28-010 | TOGO BRAVA SUITE | ||||
71-10-28-011 | - 1. Soul Soothing Beach (Mkis) | DE7165j | |||
71-10-28-012 | - 2. Naturellement (Yoyo) | DE7165k | |||
71-10-28-013 | - 3. Amour, Amour (Too Kee) | DE7165l | |||
71-10-28-014 | - 4. Right On Togo (Buss) | DE7165m | |||
71-10-28-015 | La Plus Belle Africaine | DE7165xa | |||
71-10-28-016 | Come Off The Veldt | DE7165n | |||
Medley | DE7165o | ||||
71-10-28-017 | - 1. I Let A Song Go Out Of My Heart | ||||
71-10-28-018 | - 2. In A Sentimental Mood | ||||
71-10-28-019 | - 3. Prelude To A Kiss | ||||
71-10-28-020 | - 4. Don’t Get Around Much Anymore | ||||
71-10-28-021 | - 5. Mood Indigo | ||||
71-10-28-022 | - 6. I’m Beginning To See The Light | ||||
71-10-28-023 | - 7. Solitude - vTW | ||||
71-10-28-024 | - 8. It Don’t Mean A Thing - vTW | ||||
71-10-28-025 | - 9. I Got It Bad - vNB,CW | ||||
71-10-28-026 | - 10. Everybody Wants To Know - vNB | ||||
71-10-28-027 | - 11. Sophisticated Lady | ||||
71-10-28-028 | - 12. Caravan | ||||
71-10-28-029 | Goof | DE7165p | |||
71-10-28-030 | Addi | DE7165q | |||
Add Raymond Fol(p) | |||||
71-10-28-031 | Satin Doll | DE7165r | |||
Raymond Fol out | |||||
71-10-28-032 | Things Ain’t What They Used To Be | DE7165s | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-28-033 | Lotus Blossom | DE7165t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 28 October 1971 | |||
2nd Concert, Théatre National Populaire | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-28-034 | C-Jam Blues | DE7166a | |||
71-10-28-035 | ¬ Black And Tan Fantasy | DE7166b | |||
71-10-28-036 | - | Creole Love Call | DE7166c | |||
71-10-28-037 | _| The Mooch | DE7166d | |||
71-10-28-038 | ¬ Kinda Dukish | DE7166e | |||
71-10-28-039 | _| Rockin’ In Rhythm | DE7166f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-28-040 | Happy Reunion | DE7166g | |||
As before | |||||
71-10-28-041 | Take The “A” Train | DE7166h | |||
71-10-28-042 | Fife | DE7166i | |||
71-10-28-043 | Chinoiserie | DE7166j | |||
71-10-28-044 | I Can’t Get Started | DE7166k | |||
THE GOUTELAS SUITE | |||||
71-10-28-045 | - 2. Get-With-Itness | DE7166l | |||
71-10-28-046 | - 3. Something | DE7166m | |||
71-10-28-047 | - 4. Having At It | DE7166n | |||
71-10-28-048 | La Plus Belle Africaine | DE7166o | |||
71-10-28-049 | Come Off The Veldt | DE7166p | |||
Medley | DE7166q | ||||
71-10-28-050 | - 1. Prelude To A Kiss | ||||
71-10-28-051 | - 2. I Let A Song Go Out Of My Heart | ||||
71-10-28-052 | - 3. Don’t Get Around Much Anymore | ||||
71-10-28-053 | - 4. Mood Indigo | ||||
71-10-28-054 | - 5. I’m Beginning To See The Light | ||||
71-10-28-055 | - 6. Solitude - vTW | ||||
71-10-28-056 | - 7. It Don’t Mean A Thing - vTW | ||||
71-10-28-057 | - 8. I Got It Bad - vNB,CW | ||||
71-10-28-058 | - 9. Everybody Wants To Know - vNB | ||||
71-10-28-059 | - 10. Sophisticated Lady | ||||
71-10-28-060 | - 11. Caravan | ||||
71-10-28-061 | Goof | DE7166r | |||
71-10-28-062 | Addi | DE7166s | |||
71-10-28-063 | In Triplicate | DE7166t | |||
71-10-28-064 | Hello, Dolly! - vMJ | DE7166u | |||
71-10-28-065 | One More Time For The People - vNB,TW | DE7166v | |||
Add Raymond Fol(p) | |||||
71-10-28-066 | Satin Doll | DE7166w | |||
Raymond Fol out | |||||
71-10-28-067 | Things Ain’t What They Used To Be | DE7166x | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-28-068 | Lotus Blossom | DE7166y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Rotterdam, NL | 29 October 1971 | |||
Concert, De Dolen | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-10-29-001 | C-Jam Blues | DE7167a | |||
71-10-29-002 | ¬ Kinda Dukish | DE7167b | |||
71-10-29-003 | _| Rockin’ In Rhythm | DE7167c | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-10-29-004 | Happy Reunion | DE7167d | |||
As before | |||||
71-10-29-005 | Get-With-Itness | DE7167e | |||
71-10-29-006 | Take The “A” Train | DE7167f | |||
71-10-29-007 | Fife | DE7167g | |||
71-10-29-008 | Chinoiserie | DE7167h | |||
71-10-29-009 | HARLEM | DE7167i | |||
71-10-29-010 | La Plus Belle Africaine | DE7167j | |||
71-10-29-011 | Come Off The Veldt | DE7167k | |||
Medley | DE7167l | ||||
71-10-29-012 | - 1. Prelude To A Kiss | ||||
71-10-29-013 | - 2. In A Sentimenta Mood | ||||
71-10-29-014 | - 3. I Let A Song Go Out Of My Heart | ||||
71-10-29-015 | - 4. Don’t Get Around Much Anymore | ||||
71-10-29-016 | - 5. Mood Indigo | ||||
71-10-29-017 | - 6. I’m Beginning To See The Light | ||||
71-10-29-018 | - 7. Solitude - vTW | ||||
71-10-29-019 | - 8. It Don’t Mean A Thing - vTW | ||||
71-10-29-020 | - 9. I Got It Bad - vNB,CW | ||||
71-10-29-021 | - 10. Everybody Wants To Know - vNB | ||||
71-10-29-022 | - 11. Sophisticated Lady | ||||
71-10-29-023 | - 12. Caravan | ||||
71-10-29-024 | Perdido | DE7167m | |||
71-10-29-025 | Goof | DE7167n | |||
71-10-29-026 | Addi | DE7167o | |||
71-10-29-027 | One More Time For The People - vNB,TW | DE7167p | |||
71-10-29-028 | In Triplicate | DE7167q | |||
71-10-29-029 | Satin Doll | DE7167r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Warszawa, PL | 30 October 1971 | |||
Concert, Sali Kongresowej | |||||
Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Cootie Williams, Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire(v) | |||||
71-10-30-001 | La Plus Belle Africaine | Ga 69323(D) | DE7168a | ||
Medley | DE7168b | ||||
71-10-30-002 | - 1. I’m Beginning To See The Light | Ga 69323(D) | |||
71-10-30-003 | - 2. Everybody Wants To Know - vNB | Ga 69323(D) | |||
71-10-30-004 | - 3. Sophisticated Lady | Ga 69323(D) | |||
71-10-30-005 | - 4. Caravan | Ga 69323(D) | |||
71-10-30-006 | Satin Doll | Ga 69323(D) | DE7168c | ||
71-10-30-007 | Goof | Ga 69323(D) | DE7168d | ||
71-10-30-008 | Addi | Ga 69323(D) | DE7168e | ||
71-10-30-009 | Things Ain’t What They Used To Be | Ga 69323(D) | DE7168f | ||
71-10-30-010 | Hello, Dolly! - vMJ | Ga 69323(D) | DE7168g | ||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-10-30-011 | Lotus Blossom | Ga 69323(D) | DE7168h | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Bologna, I | 03 November 1971 | |||
Concert, Palasport | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-03-001 | ¬ Black And Tan Fantasy | DE7169a | |||
71-11-03-002 | - | Creole Love Call | DE7169b | |||
71-11-03-003 | _| The Mooch | DE7169c | |||
71-11-03-004 | ¬ Kinda Dukish | DE7169d | |||
71-11-03-005 | _| Rockin’ In Rhythm | DE7169e | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-03-006 | Happy Reunion | DE7169f | |||
As before | |||||
71-11-03-007 | Take The “A” Train | DE7169g | |||
71-11-03-008 | Fife | DE7169h | |||
71-11-03-009 | Chinoiserie | DE7169i | |||
71-11-03-010 | HARLEM | DE7169j | |||
71-11-03-011 | Satin Doll | DE7169k | |||
71-11-03-012 | Things Ain’t What They Used To Be | DE7169l | |||
71-11-03-013 | Come Off The Veldt | DE7169m | |||
Medley | DE7169n | ||||
71-11-03-014 | - 1. I Let A Song Go Out Of My Heart | ||||
71-11-03-015 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-03-016 | - 3. Don’t Get Around Much Anymore | ||||
71-11-03-017 | - 4. Mood Indigo | ||||
71-11-03-018 | - 5. I’m Beginning To See The Light | ||||
71-11-03-019 | - 6. Solitude - vTW | ||||
71-11-03-020 | - 7. It Don’t Mean A Thing - vTW | ||||
71-11-03-021 | - 8. I Got It Bad - vNB,CW | ||||
71-11-03-022 | - 9. Everybody Wants To Know - vNB,CW | ||||
71-11-03-023 | - 10. Sophisticated Lady | ||||
71-11-03-024 | - 11. Caravan | ||||
71-11-03-025 | Goof | DE7169o | |||
71-11-03-026 | How High The Moon | DE7169o | |||
71-11-03-027 | Addi | DE7169q | |||
71-11-03-028 | Hello, Dolly! - vMJ | DE7169r | |||
71-11-03-029 | In Triplicate | DE7169s | |||
71-11-03-030 | One More Time For The People - vNB,TW | DE7169t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berlin, D | 05 November 1971 | |||
Concert, Philharmonie | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-05-001 | C-Jam Blues | DE7170a | |||
71-11-05-002 | ¬ Kinda Dukish | DE7170b | |||
71-11-05-003 | _| Rockin’ In Rhythm | DE7170c | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-05-004 | Happy Reunion | JD 11023(D) | DE7170d | ||
As before | |||||
71-11-05-005 | Take The “A” Train | JD 11023(D) | DE7170e | ||
71-11-05-006 | Fife | DE7170f | |||
71-11-05-007 | Aristocrcy A La Jean Lafitte | DE7170g | |||
71-11-05-008 | Chinoiserie | DE7170h | |||
71-11-05-009 | I Can’t Get Started | DE7170i | |||
KID THOMAS AND HIS PRESERVATION HALL BAND | Same session | ||||
Kid Thomas Valentine(t); Louis Nelson(t); Russell Procope(cl); Albert Burbank(cl,v); Emanuel Paul(ts); Duke Ellington(p); Emanuel Sayles(bj); Joseph Butler(sb); Alonzo Stewart(d) | |||||
71-11-05-010 | Darktown Strutters Ball - vABu | DE7170j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
71-11-05-011 | Satin Doll | DE7170k | |||
71-11-05-012 | Things Ain’t What They Used To Be | DE7170l | |||
71-11-05-013 | In Triplicate | JD 11023(D) | DE7170m | ||
71-11-05-014 | Addi | DE7170n | |||
Medley | DE7170o | ||||
71-11-05-015 | - 1. Don’t Get Around Much Anymore | ||||
71-11-05-016 | - 2. Mood Indigo | ||||
71-11-05-017 | - 3. I’m Beginning To See The Light | ||||
71-11-05-018 | - 4. Solitude - vTW | ||||
71-11-05-019 | - 5. I Got It Bad - vNB | ||||
71-11-05-020 | - 6. Sophisticated Lady | ||||
71-11-05-021 | - 7. Caravan | ||||
71-11-05-022 | Come Off The Veldt | DE7170p | |||
71-11-05-023 | Come Off The Veldt | DE7170q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 07 November 1971 | |||
1st Concert, Tivolis Koncertsal | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Ben Webster(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-07-001 | C-Jam Blues | QL QLDVD-0253(A) | DE7171a | ||
71-11-07-002 | ¬ Kinda Dukish | QL QLDVD-0253(A) | DE7171b | ||
71-11-07-003 | _| Rockin’ In Rhythm | QL QLDVD-0253(A) | DE7171c | ||
71-11-07-004 | All Too Soon | QL QLDVD-0253(A) | DE7171d | ||
71-11-07-005 | Cotton Tail | QL QLDVD-0253(A) | DE7171e | ||
71-11-07-006 | Take The “A” Train | QL QLDVD-0253(A) | DE7171f | ||
71-11-07-007 | Fife | QL QLDVD-0253(A) | DE7171g | ||
71-11-07-008 | Satin Doll | QL QLDVD-0253(A) | DE7171h | ||
71-11-07-009 | Chinoiserie | QL QLDVD-0253(A) | DE7171i | ||
71-11-07-010 | In Triplicate (In Quadruplicate) | QL QLDVD-0253(A) | DE7171j | ||
71-11-07-011 | Come Off The Veldt | QL QLDVD-0253(A) | DE7171k | ||
Medley | DE7171l | ||||
71-11-07-012 | - 1. Prelude To A Kiss | QL QLDVD-0253(A) | |||
71-11-07-013 | - 2. Do Nothin’ Till You Hear From Me | QL QLDVD-0253(A) | |||
71-11-07-014 | - 3. I Let A Song Go Out Of My Heart | QL QLDVD-0253(A) | |||
71-11-07-015 | - 4. Don’t Get Around Much Anymore | QL QLDVD-0253(A) | |||
71-11-07-016 | - 5. Mood Indigo | QL QLDVD-0253(A) | |||
71-11-07-017 | - 6. I’m Beginning To See The Light | QL QLDVD-0253(A) | |||
71-11-07-018 | - 7. Solitude - vTW | QL QLDVD-0253(A) | |||
71-11-07-019 | - 8. Love You Madly - vNB | QL QLDVD-0253(A) | |||
71-11-07-020 | - 9. Sophisticated Lady | QL QLDVD-0253(A) | |||
71-11-07-021 | - 10. Caravan | QL QLDVD-0253(A) | |||
71-11-07-022 | Goof | QL QLDVD-0253(A) | DE7171m | ||
71-11-07-023 | Addi | DE7171n | |||
71-11-07-024 | One More Time For The People - vNB,TW | DE7171o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kobenhavn, DK | 07 November 1971 | |||
2d Concert, Tivolis Koncertsal | |||||
Cootie Williams, Eddie Preston, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Ben Webster(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-07-025 | C-Jam Blues | QL QLDVD-0253(A) | DE7172a | ||
71-11-07-026 | ¬ Kinda Dukish | QL QLDVD-0253(A) | DE7172b | ||
71-11-07-027 | _| Rockin’ In Rhythm | QL QLDVD-0253(A) | DE7172c | ||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-07-028 | Happy Reunion | QL QLDVD-0253(A) | DE7172d | ||
As before | |||||
71-11-07-029 | Cotton Tail | QL QLDVD-0253(A) | DE7172e | ||
Ben Webster(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-07-030 | I Got It Bad | QL QLDVD-0253(A) | DE7172f | ||
As before | |||||
71-11-07-031 | Take The “A” Train | QL QLDVD-0253(A) | DE7172g | ||
71-11-07-032 | Fife | QL QLDVD-0253(A) | DE7172h | ||
71-11-07-033 | Chinoiserie | QL QLDVD-0253(A) | DE7172i | ||
71-11-07-034 | Satin Doll | QL QLDVD-0253(A) | DE7172j | ||
71-11-07-035 | Things Ain’t What They Used To Be | QL QLDVD-0253(A) | DE7172k | ||
71-11-07-036 | In Triplicate (In Quadruplicate) | QL QLDVD-0253(A) | DE7172l | ||
71-11-07-037 | Come Off The Veldt | QL QLDVD-0253(A) | DE7172m | ||
Medley | DE7172n | ||||
71-11-07-038 | - 1. Prelude To A Kiss | QL QLDVD-0253(A) | |||
71-11-07-039 | - 2. Do Nothin’ Till You Hear From Me | QL QLDVD-0253(A) | |||
71-11-07-040 | - 3. In A Sentimental Mood | QL QLDVD-0253(A) | |||
71-11-07-041 | - 4. I Let A Song Go Out Of My Heart | QL QLDVD-0253(A) | |||
71-11-07-042 | - 5. Don’t Get Around Much Anymore | QL QLDVD-0253(A) | |||
71-11-07-043 | - 6. Mood Indigo | QL QLDVD-0253(A) | |||
71-11-07-044 | - 7. I’m Beginning To See The Light | QL QLDVD-0253(A) | |||
71-11-07-045 | - 8. Solitude - vTW | QL QLDVD-0253(A) | |||
71-11-07-046 | - 9. Love You Madly - vNB | QL QLDVD-0253(A) | |||
71-11-07-047 | - 10. Sophisticated Lady | QL QLDVD-0253(A) | |||
71-11-07-048 | - 11. Caravan | QL QLDVD-0253(A) | |||
71-11-07-049 | Hello, Dolly! - vMJ | QL QLDVD-0253(A) | DE7172o | ||
71-11-07-050 | One More Time For The People - vNB,TW | QL QLDVD-0253(A) | DE7172p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Oslo, N | 08 November 1971 | |||
Concert, Chateau Neuf Konsertsaal | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-08-001 | Perdido | DE7173a | |||
71-11-08-002 | ¬ Black And Tan Fantasy | DE7173b | |||
71-11-08-003 | - | Creole Love Call | DE7173c | |||
71-11-08-004 | _| The Mooch | DE7173d | |||
71-11-08-005 | ¬ Kinda Dukish | DE7173e | |||
71-11-08-006 | _| Rockin’ In Rhythm | DE7173f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-08-007 | Happy Reunion | DE7173g | |||
As before | |||||
71-11-08-008 | Take The “A” Train | DE7173h | |||
71-11-08-009 | Fife | DE7173i | |||
71-11-08-010 | Chinoiserie | DE7173j | |||
71-11-08-011 | I Can’t Get Started | DE7173k | |||
71-11-08-012 | HARLEM | DE7173l | |||
71-11-08-013 | Satin Doll | DE7173m | |||
Medley | DE7173n | ||||
71-11-08-014 | - 1. Sophisticated Lady | ||||
71-11-08-015 | - 2. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Uppsala, S | 09 November 1971 | |||
1st Concert, Universitsaulen | |||||
Cootie Williams, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-09-001 | C-Jam Blues | DE7174a | |||
71-11-09-002 | ¬ Kinda Dukish | DE7174b | |||
71-11-09-003 | _| Rockin’ In Rhythm | DE7174c | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-09-004 | Happy Reunion | DE7174d | |||
As before | |||||
71-11-09-005 | Take The “A” Train | DE7174e | |||
71-11-09-006 | Satin Doll | DE7174f | |||
71-11-09-007 | Fife | DE7174g | |||
71-11-09-008 | Chinoiserie | DE7174h | |||
71-11-09-009 | HARLEM | DE7174i | |||
Medley | DE7174j | ||||
71-11-09-010 | - 1. Prelude To A Kiss | ||||
71-11-09-011 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-09-012 | - 3. In A Sentimental Mood | ||||
71-11-09-013 | - 4. I Let A Song Go Out Of My Heart | ||||
71-11-09-014 | - 5. Don’t Get Around Much Anymore | ||||
71-11-09-015 | - 6. Mood Indigo | ||||
71-11-09-016 | - 7. I’m Beginning To See The Light | ||||
71-11-09-017 | - 8. Solitude - vTW | ||||
71-11-09-018 | - 9. Love You Madly - vNB | ||||
71-11-09-019 | - 10. Sophisticated Lady | ||||
71-11-09-020 | - 11. Caravan | ||||
71-11-09-021 | Things Ain’t What They Used To Be | DE7174k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Uppsala, S | 09 November 1971 | |||
2nd Concert, Universitsaulen | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-09-022 | C-Jam Blues | DE7175a | |||
71-11-09-023 | ¬ Kinda Dukish | DE7175b | |||
71-11-09-024 | _| Rockin’ In Rhythm | DE7175c | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-09-025 | Happy Reunion | DE7175d | |||
As before | |||||
71-11-09-026 | Take The “A” Train | DE7175e | |||
71-11-09-027 | Fife | DE7175f | |||
71-11-09-028 | Satin Doll | DE7175g | |||
71-11-09-029 | Chinoiserie | MFD G4RS-2536 | DE7175h | ||
71-11-09-030 | HARLEM | DE7175i | |||
Medley | DE7175j | ||||
71-11-09-031 | - 1. Prelude To A Kiss | ||||
71-11-09-032 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-09-033 | - 3. In A Sentimental Mood | ||||
71-11-09-034 | - 4. Don’t You Know I Care | ||||
71-11-09-035 | - 5. Brown Skin Gal | ||||
71-11-09-036 | - 6. I Let A Song Go Out Of My Heart | ||||
71-11-09-037 | - 7. Don’t Get Around Much Anymore | ||||
71-11-09-038 | - 8. Mood Indigo | ||||
71-11-09-039 | - 9. I’m Beginning To See The Light | ||||
71-11-09-040 | - 10. Solitude - vTW | ||||
71-11-09-041 | - 11. It Don’t Mean A Thing - vTW | ||||
71-11-09-042 | - 12. I Got It Bad - vNB,CW | ||||
71-11-09-043 | - 13. Sophisticated Lady | ||||
71-11-09-044 | - 14. Caravan | ||||
71-11-09-045 | Things Ain’t What They Used To Be | DE7175k | |||
71-11-09-046 | Hello, Dolly! - vMJ | DE7175l | |||
71-11-09-047 | One More Time For The People - vNB,TW | DE7175m | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-11-09-048 | Lotus Blossom | DE7175n | |||
As before Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-09-049 | Black Swan | DE7175o | |||
DUKE ELLINGTON | Uppsala, S | 09 November 1971 | |||
Broadcast, Universitsaulen | |||||
Duke Ellington, Gunilla Marcus(tk) | |||||
71-11-09-050 | Interview by Marcus | DE7176a | |||
DUKE ELLINGTON | Malmo, S | 10 November 1971 | |||
Danish Radio telecast, Savoy Hotel | |||||
Duke Ellington, Per Moller Hansen(tk) | |||||
71-11-10-001 | Interview by Hansen | DE7177a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Malmo, S | 10 November 1971 | |||
Concert, Stadsteater | |||||
Cootie Williams(t,v); Johnny Coles(t,flh); Harold "Money" Johnson, Eddie Preston, Mercer Ellington, Rolf Ericson(t); Booty Wood, Malcolm Taylor, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Ben Webster(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins, Lena Junoff(v) | |||||
71-11-10-002 | C-Jam Blues | DE7178a | |||
71-11-10-003 | ¬ Kinda Dukish | DE7178b | |||
71-11-10-004 | _| Rockin’ In Rhythm | DE7178c | |||
71-11-10-005 | I Can’t Get Started | DE7178d | |||
71-11-10-006 | Blues No.22 | DE7178e | |||
71-11-10-007 | Soul Flute | DE7178f | |||
71-11-10-008 | How High The Moon | DE7178g | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-10-009 | Happy Reunion | DE7178h | |||
As before | |||||
71-11-10-010 | Perdido | DE7178i | |||
71-11-10-011 | I Let A Song Go Out Of My Heart - vLJ | DE7178j | |||
71-11-10-012 | HARLEM | DE7178k | |||
Medley | DE7178l | ||||
71-11-10-013 | - 1. Prelude To A Kiss | ||||
71-11-10-014 | - 2. In A Sentimental Mood | ||||
71-11-10-015 | - 3. Don’t Get Around Much Anymore | ||||
71-11-10-016 | - 4. Mood Indigo | ||||
71-11-10-017 | - 5. I’m Beginning To See The Light | ||||
71-11-10-018 | - 6. Solitude - vTW | ||||
71-11-10-019 | - 7. I Got It Bad - vNB,CW | ||||
71-11-10-020 | - 8. Sophisticated Lady | ||||
71-11-10-021 | - 9. Caravan | ||||
71-11-10-022 | Goof | DE7178m | |||
71-11-10-023 | Addi | DE7178n | |||
71-11-10-024 | Satin Doll | DE7178o | |||
71-11-10-025 | Things Ain’t What They Used To Be | DE7178p | |||
71-11-10-026 | Take The “A” Train | DE7178q | |||
71-11-10-027 | In Triplicate (In Quadruplicate) | DE7178r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Munchen, D | 11 November 1971 | |||
Concert, Deutsches Museum | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Eddie Preston, Mercer Ellington(t); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-11-001 | C-Jam Blues | DE7179a | |||
71-11-11-002 | ¬ Black And Tan Fantasy | DE7179b | |||
71-11-11-003 | - | Creole Love Call | DE7179c | |||
71-11-11-004 | _| The Mooch | DE7179d | |||
71-11-11-005 | ¬ Kinda Dukish | DE7179e | |||
71-11-11-006 | _| Rockin’ In Rhythm | DE7179f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-11-007 | Happy Reunion | DE7179g | |||
As before | |||||
71-11-11-008 | Take The “A” Train | DE7179h | |||
71-11-11-009 | Fife | DE7179i | |||
71-11-11-010 | Chinoiserie | DE7179j | |||
71-11-11-011 | I Can’t Get Started | DE7179k | |||
71-11-11-012 | HARLEM | DE7179l | |||
71-11-11-013 | Perdido | DE7179m | |||
71-11-11-014 | Satin Doll | DE7179n | |||
71-11-11-015 | Things Ain’t What They Used To Be | DE7179o | |||
71-11-11-016 | In Triplicate | DE7179p | |||
71-11-11-017 | La Plus Belle Africaine | DE7179q | |||
71-11-11-018 | Come Off The Veldt | DE7179r | |||
Medley | DE7179s | ||||
71-11-11-019 | - 1. Prelude To A Kiss | ||||
71-11-11-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-11-021 | - 3. In A Sentimental Mood | ||||
71-11-11-022 | - 4. I Let A Song Go Out Of My Heart | ||||
71-11-11-023 | - 5. Don’t Get Around Much Anymore | ||||
71-11-11-024 | - 6. Mood Indigo | ||||
71-11-11-025 | - 7. I’m Beginning To See The Light | ||||
71-11-11-026 | - 8. Solitude - vTW | ||||
71-11-11-027 | - 9. It Don’t Mean A Thing - vTW | ||||
71-11-11-028 | - 10. I Got It Bad - vNB,CW | ||||
71-11-11-029 | - 11. Everybody Wants To Know - vNB | ||||
71-11-11-030 | - 12. Sophisticated Lady | ||||
71-11-11-031 | - 13. Caravan | ||||
71-11-11-032 | Goof | DE7179t | |||
71-11-11-033 | Addi | DE7179u | |||
71-11-11-034 | Hello, Dolly! - vMJ | DE7179v | |||
71-11-11-035 | One More Time For The People - vNB,TW | DE7179w | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-11-11-036 | Lotus Blossom | DE7179x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Barcelona, E | 14 November 1971 | |||
Concert, Palau De La Musica Catalana | |||||
Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-14-001 | C-Jam Blues | DE7180xa | |||
71-11-14-002 | Goof | DE7180xb | |||
71-11-14-003 | ¬ Kinda Dukish | DE7180xc | |||
71-11-14-004 | _| Rockin’ In Rhythm | DE7180xd | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-14-005 | Happy Reunion | DE7180xe | |||
As before | |||||
71-11-14-006 | Cotton Tail | DE7180l | |||
71-11-14-007 | Take The “A” Train | DE7180xf | |||
71-11-14-008 | Fife | DE7180a | |||
71-11-14-009 | Chinoiserie | DE7180b | |||
71-11-14-010 | All Too Soon | DE7180c | |||
71-11-14-011 | HARLEM | DE7180d | |||
71-11-14-012 | Perdido | DE7180e | |||
Add Raymond Fol(p) | |||||
71-11-14-013 | Satin Doll | DE7180f | |||
Raymond Fol out | |||||
71-11-14-014 | Things Ain’t What They Used To Be | DE7180g | |||
71-11-14-015 | In Triplicate | DE7180h | |||
71-11-14-016 | La Plus Belle Africaine | DE7180i | |||
71-11-14-017 | Come Off The Veldt | DE7180j | |||
Medley | DE7180k | ||||
71-11-14-018 | - 1. Prelude To A Kiss | ||||
71-11-14-019 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-14-020 | - 3. In A Sentimental Mood | ||||
71-11-14-021 | - 4. I Let A Song Go Out Of My Heart | ||||
71-11-14-022 | - 5. Don’t Get Around Much Anymore | ||||
71-11-14-023 | - 6. Mood Indigo | ||||
71-11-14-024 | - 7. I’m Beginning To See The Light | ||||
71-11-14-025 | - 8. Solitude - vTW | ||||
71-11-14-026 | - 9. It Don’t Mean A Thing - vTW | ||||
71-11-14-027 | - 10. I Got It Bad - vNB | ||||
71-11-14-028 | - 11. I Don’t Know What Kind Of Blues I Got - vNB | ||||
71-11-14-029 | - 12. Everybody Wants To Know - vNB | ||||
71-11-14-030 | - 13. Sophisticated Lady | ||||
71-11-14-031 | - 14. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Rio De Janeiro, BR | 16 November 1971 | |||
Concert, Teatro Municipal | |||||
Cootie Williams, Herbie Jones, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-16-001 | C-Jam Blues | DE7181a | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-16-002 | Happy Reunion | DE7181b | |||
As before | |||||
71-11-16-003 | Take The “A” Train | DE7181c | |||
71-11-16-004 | Chinoiserie | DE7181d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Buenos Aires, RA | 22 November 1971 | |||
Concert, Teatro Gran Rex | |||||
Cootie Williams, Herbie Jones, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-22-001 | C-Jam Blues | DE7182a | |||
71-11-22-002 | ¬ Black And Tan Fantasy | DE7182b | |||
71-11-22-003 | - | Creole Love Call | DE7182c | |||
71-11-22-004 | _| The Mooch | DE7182d | |||
71-11-22-005 | ¬ Kinda Dukish | DE7182e | |||
71-11-22-006 | _| Rockin’ In Rhythm | DE7182f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-22-007 | Happy Reunion | DE7182g | |||
As before | |||||
71-11-22-008 | Take The “A” Train | DE7182h | |||
71-11-22-009 | Fife | DE7182i | |||
71-11-22-010 | Chinoiserie | DE7182j | |||
71-11-22-011 | HARLEM | DE7182k | |||
71-11-22-012 | Perdido | DE7182l | |||
71-11-22-013 | Satin Doll | DE7182m | |||
71-11-22-014 | Things Ain’t What They Used To Be | DE7182n | |||
71-11-22-015 | In Triplicate | DE7182o | |||
71-11-22-016 | La Plus Belle Africaine | DE7182p | |||
71-11-22-017 | One More Time For The People - vNB,TW | DE7182q | |||
TOGO BRAVA SUITE | |||||
71-11-22-018 | - 2. Naturellement (Yoyo) | DE7182r | |||
71-11-22-019 | - 3. Amour, Amour (Too Kee) | DE7182s | |||
71-11-22-020 | - 4. Right On Togo (Buss) | DE7182t | |||
Norris Turney(fl)Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-22-021 | Black Swan | DE7182u | |||
As before | |||||
71-11-22-022 | Soul Flute | DE7182v | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-11-22-023 | Lotus Blossom | DE7182w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Buenos Aires, RA | 24 November 1971 | |||
Concert, Teatro Metro | |||||
Cootie Williams, Herbie Jones, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire(v) | |||||
71-11-24-001 | C-Jam Blues | DE7183a | |||
71-11-24-002 | ¬ Black And Tan Fantasy | DE7183b | |||
71-11-24-003 | - | Creole Love Call | DE7183c | |||
71-11-24-004 | _| The Mooch | DE7183d | |||
71-11-24-005 | ¬ Kinda Dukish | DE7183e | |||
71-11-24-006 | _| Rockin’ In Rhythm | DE7183f | |||
71-11-24-007 | Take The “A” Train | DE7183g | |||
71-11-24-008 | Fife | DE7183h | |||
71-11-24-009 | Satin Doll | DE7183i | |||
71-11-24-010 | Goof | DE7183j | |||
71-11-24-011 | In Triplicate | DE7183k | |||
Medley | DE7183l | ||||
71-11-24-012 | - 1. Everybody Wants To Know - vNB | ||||
71-11-24-013 | - 2. Sophisticated Lady | ||||
71-11-24-014 | - 3. Caravan | ||||
71-11-24-015 | Things Ain’t What They Used To Be | DE7183m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Mendoza, RA | 25 November 1971 | |||
Concert, Estadio Pacifico | |||||
Cootie Williams, Herbie Jones, Eddie Preston, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-25-001 | C-Jam Blues | DE7184a | |||
71-11-25-002 | ¬ Black And Tan Fantasy | DE7184b | |||
71-11-25-003 | - | Creole Love Call | DE7184c | |||
71-11-25-004 | _| The Mooch | DE7184d | |||
71-11-25-005 | ¬ Kinda Dukish | DE7184e | |||
71-11-25-006 | _| Rockin’ In Rhythm | DE7184f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-25-007 | Happy Reunion | DE7184g | |||
As before | |||||
71-11-25-008 | Take The “A” Train | DE7184h | |||
71-11-25-009 | Fife | DE7184i | |||
71-11-25-010 | Chinoiserie | DE7184j | |||
71-11-25-011 | HARLEM | DE7184k | |||
71-11-25-012 | Perdido | DE7184l | |||
71-11-25-013 | Satin Doll | DE7184m | |||
71-11-25-014 | Goof | DE7184n | |||
71-11-25-015 | In Triplicate | DE7184o | |||
71-11-25-016 | La Plus Belle Africaine | DE7184p | |||
71-11-25-017 | Come Off The Veldt | DE7184q | |||
Medley | DE7184r | ||||
71-11-25-018 | - 1. Prelude To A Kiss | ||||
71-11-25-019 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-25-020 | - 3. In A Sentimental Mood | ||||
71-11-25-021 | - 4. Don’t You Know I Care | ||||
71-11-25-022 | - 5. I Let A Song Go Out Of My Heart | ||||
71-11-25-023 | - 6. Don’t Get Around Much Anymore | ||||
71-11-25-024 | - 7. Mood Indigo | ||||
71-11-25-025 | - 8. I’m Beginning To See The Light | ||||
71-11-25-026 | - 9. Solitude - vTW | ||||
71-11-25-027 | - 10. It Don’t Mean A Thing - vTW | ||||
71-11-25-028 | - 11. I Got It Bad - vNB,TW | ||||
71-11-25-029 | - 12. Everybody Wants To Know - vNB | ||||
71-11-25-030 | - 13. Sophisticated Lady | ||||
71-11-25-031 | - 14. Caravan | ||||
71-11-25-032 | Blue Moon | DE7184s | |||
71-11-25-033 | Things Ain’t What They Used To Be | DE7184t | |||
71-11-25-034 | How High The Moon | DE7184u | |||
71-11-25-035 | Addi | DE7184v | |||
71-11-25-036 | Hello, Dolly! - vMJ | DE7184w | |||
71-11-25-037 | One More Time For The People - vNB,TW | DE7184x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Santiago, RCH | 26 November 1971 | |||
Concert, Teatro Caupolican | |||||
Eddie Preston, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-11-26-001 | C-Jam Blues | DE7185a | |||
71-11-26-002 | ¬ Black And Tan Fantasy | DE7185b | |||
71-11-26-003 | - | Creole Love Call | DE7185c | |||
71-11-26-004 | _| The Mooch | DE7185d | |||
71-11-26-005 | ¬ Kinda Dukish | DE7185e | |||
71-11-26-006 | _| Rockin’ In Rhythm | DE7185f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-11-26-007 | Happy Reunion | DE7185g | |||
As before | |||||
71-11-26-008 | Take The “A” Train | DE7185h | |||
71-11-26-009 | Fife | DE7185i | |||
71-11-26-010 | Soul Flute | DE7185j | |||
71-11-26-011 | I Can’t Get Started | DE7185k | |||
71-11-26-012 | HARLEM | DE7185l | |||
71-11-26-013 | Perdido | DE7185m | |||
71-11-26-014 | Satin Doll | DE7185n | |||
71-11-26-015 | Things Ain’t What They Used To Be | DE7185o | |||
71-11-26-016 | In Triplicate | DE7185p | |||
71-11-26-017 | La Plus Belle Africaine | DE7185q | |||
71-11-26-018 | Come Off The Veldt | DE7185r | |||
71-11-26-019 | Come Off The Veldt | DE7185s | |||
Medley | DE7185t | ||||
71-11-26-020 | - 1. Prelude To A Kiss | ||||
71-11-26-021 | - 2. Do Nothin’ Till You Hear From Me | ||||
71-11-26-022 | - 3. In A Sentimental Mood | ||||
71-11-26-023 | - 4. Don’t You Know I Care | ||||
71-11-26-024 | - 5. I Let A Song Go Out Of My Heart | ||||
71-11-26-025 | - 6. Don’t Get Around Much Anymore | ||||
71-11-26-026 | - 7. Mood Indigo | ||||
71-11-26-027 | - 8. I’m Beginning To See The Light | ||||
71-11-26-028 | - 9. Solitude - vTW | ||||
71-11-26-029 | - 10. It Don’t Mean A Thing - vTW | ||||
71-11-26-030 | - 11. I Got It Bad - vNB | ||||
71-11-26-031 | - 12. I Don’t Know What Kind Of Blues I Got - vNB | ||||
71-11-26-032 | - 13. Everybody Wants To Know - vNB | ||||
71-11-26-033 | - 14. Sophisticated Lady | ||||
71-11-26-034 | - 15. Caravan | ||||
71-11-26-035 | Goof | DE7185u | |||
71-11-26-036 | How High The Moon | DE7185v | |||
71-11-26-037 | Addi | DE7185w | |||
71-11-26-038 | Hello, Dolly! - vMJ | DE7185x | |||
71-11-26-039 | One More Time For The People - vNB,TW | DE7185y | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
71-11-26-040 | Lotus Blossom | DE7185z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 December 1971 | |||
Dance date, Aragon Ballroom | |||||
Cootie Williams, Herbie Jones, Harold "Money" Johnson, Eddie Preston, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-12-11-001 | Caravan | DE7186a | |||
71-12-11-002 | You Are Beautiful | DE7186b | |||
71-12-11-003 | ¬ Kinda Dukish | DE7186c | |||
71-12-11-004 | _| Rockin’ In Rhythm | DE7186d | |||
71-12-11-005 | Checkered Hat | DE7186e | |||
DUKE ELLINGTON | New York City, NY | 14 December 1971 | |||
NBC broadcast | |||||
Duke Ellington, Pat Collins(tk) | |||||
71-12-14-001 | Interview by Collins | DE7187a | |||
DUKE ELLINGTON | New York City, NY | 14 December 1971 | |||
CBS broadcast, Rainbow Grill | |||||
Duke Ellington(p) | |||||
71-12-14-002 | Meditation | DE7188a | |||
DUKE ELLINGTON GROUP | Same session | ||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
71-12-14-003 | Take The “A” Train | DE7188b | |||
71-12-14-004 | Creole Love Call | DE7188c | |||
71-12-14-005 | ¬ Kinda Dukish | DE7188d | |||
71-12-14-006 | _| Rockin’ In Rhythm | DE7188e | |||
71-12-14-007 | In A Sentimental Mood | DE7188f | |||
DUKE ELLINGTON | New York City, NY | 31 December 1971 | |||
NBC broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
71-12-31-001 | Auld Lang Syne - vNB,TW | DE7189a | |||
71-12-31-002 | One More Time For The People - vNB,TW | DE7189b | |||
71-12-31-003 | Mood Indigo | DE7189c | |||
71-12-31-004 | Things Ain’t What They Used To Be | DE7189d | |||
71-12-31-005 | Sophisticated Lady | DE7189e | |||
71-12-31-006 | Take The “A” Train | DE7189f | |||
71-12-31-007 | Satin Doll | DE7189g | |||
See http://monitorbeacon.net/nbc-monitor/the-sounds-of-nbc-monitor/more-from-nbc-radio/ | |||||
DUKE ELLINGTON | Tokyo, J | January 1972 | |||
Broadcast | |||||
Duke Ellington, n/k(tk) | |||||
72-01-00-001 | Interview | DE7201a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 06 January 1972 | |||
1st Concert, Kosei Nenkin Kaikan | |||||
Mercer Ellington(t); Johnny Coles(t,flh); Cootie Williams, Harold "Money" Johnson(t,v); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-06-001 | C-Jam Blues | DE7202a | |||
72-01-06-002 | ¬ Black And Tan Fantasy | DE7202b | |||
72-01-06-003 | - | Creole Love Call | DE7202c | |||
72-01-06-004 | _| The Mooch | DE7202d | |||
72-01-06-005 | ¬ Kinda Dukish | DE7202e | |||
72-01-06-006 | _| Rockin’ In Rhythm | DE7202f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-06-007 | Happy Reunion | DE7202g | |||
As before | |||||
72-01-06-008 | Take The “A” Train | DE7202h | |||
72-01-06-009 | Chinoiserie | DE7202i | |||
72-01-06-010 | Fife | DE7202j | |||
72-01-06-011 | HARLEM | DE7202k | |||
72-01-06-012 | Perdido | DE7202l | |||
72-01-06-013 | Satin Doll | DE7202m | |||
TOGO BRAVA SUITE | |||||
72-01-06-014 | - 1. Soul Soothing Beach (Mkis) | MP Ell-86(D) | DE7202n | ||
72-01-06-015 | - 2. Naturellement (Yoyo) | DE7202o | |||
72-01-06-016 | - 3. Amour, Amour (Too Kee) | DE7202p | |||
72-01-06-017 | - 4. Right On Togo (Buss) | DE7202q | |||
72-01-06-018 | La Plus Belle Africaine | DE7202r | |||
72-01-06-019 | Come Off The Veldt | DE7202s | |||
Medley | DE7202t | ||||
72-01-06-020 | - 1. Prelude To A Kiss | ||||
72-01-06-021 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-06-022 | - 3. I Let A Song Go Out Of My Heart | ||||
72-01-06-023 | - 4. Don’t Get Around Much Anymore | ||||
72-01-06-024 | - 5. Mood Indigo | ||||
72-01-06-025 | - 6. I’m Beginning To See The Light | ||||
72-01-06-026 | - 7. Solitude - vTW | ||||
72-01-06-027 | - 8. Heaven - vTW | ||||
72-01-06-028 | - 9. It Don’t Mean A Thing - vTW | ||||
72-01-06-029 | - 10. I Got It Bad - vNB,CW | ||||
72-01-06-030 | - 11. I Don’t Know What Kind Of Blues I Got - vNB | ||||
72-01-06-031 | - 12. Everybody Wants To Know - vNB | ||||
72-01-06-032 | - 13. Sophisticated Lady | ||||
72-01-06-033 | - 14. Caravan | ||||
72-01-06-034 | Goof | DE7202u | |||
72-01-06-035 | Things Ain’t What They Used To Be | DE7202v | |||
72-01-06-036 | In Triplicate | DE7202w | |||
72-01-06-037 | Addi | DE7202x | |||
72-01-06-038 | One More Time For The People - vNB,TW | DE7202y | |||
72-01-06-039 | Hello, Dolly! - vMJ | DE7202z | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-01-06-040 | Lotus Blossom | DE7202aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 06 January 1972 | |||
2nd Concert, Kosei Nenkin Kaikan | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-06-041 | C-Jam Blues | DE7203a | |||
72-01-06-042 | ¬ Black And Tan Fantasy | DE7203b | |||
72-01-06-043 | - | Creole Love Call | DE7203c | |||
72-01-06-044 | _| The Mooch | DE7203d | |||
72-01-06-045 | ¬ Kinda Dukish | DE7203e | |||
72-01-06-046 | _| Rockin’ In Rhythm | DE7203f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-06-047 | Happy Reunion | DE7203g | |||
As before | |||||
72-01-06-048 | Take The “A” Train | DE7203h | |||
72-01-06-049 | Fife | DE7203i | |||
72-01-06-050 | Chinoiserie | DE7203j | |||
72-01-06-051 | Satin Doll | DE7203k | |||
72-01-06-052 | HARLEM | DE7203l | |||
72-01-06-053 | Perdido | DE7203m | |||
TOGO BRAVA SUITE | |||||
72-01-06-054 | - 1. Soul Soothing Beach (Mkis) | DE7203n | |||
72-01-06-055 | - 2. Naturellement (Yoyo) | DE7203o | |||
72-01-06-056 | - 3. Amour, Amour (Too Kee) | DE7203p | |||
72-01-06-057 | - 4. Right On Togo (Buss) | DE7203q | |||
72-01-06-058 | La Plus Belle Africaine | DE7203r | |||
72-01-06-059 | Come Off The Veldt | DE7203s | |||
Medley | DE7203t | ||||
72-01-06-060 | - 1. Prelude To A Kiss | ||||
72-01-06-061 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-06-062 | - 3. Mellow Ditty | ||||
72-01-06-063 | - 4. I Let A Song Go Out Of My Heart | ||||
72-01-06-064 | - 5. Don’t Get Around Much Anymore | ||||
72-01-06-065 | - 6. Mood Indigo | ||||
72-01-06-066 | - 7. I’m Beginning To See The Light | ||||
72-01-06-067 | - 8. Solitude - vTW | ||||
72-01-06-068 | - 9. It Don’t Mean A Thing - vTW | ||||
72-01-06-069 | - 10. I Got It Bad - vNB,CW | ||||
72-01-06-070 | - 11. Everybody Wants To Know - vNB | ||||
72-01-06-071 | - 12. Sophisticated Lady | ||||
72-01-06-072 | - 13. Caravan | ||||
72-01-06-073 | Goof | DE7203u | |||
72-01-06-074 | Things Ain’t What They Used To Be | DE7203v | |||
72-01-06-075 | In Triplicate | DE7203w | |||
72-01-06-076 | Addi | DE7203x | |||
72-01-06-077 | Hello, Dolly! - vMJ | DE7203y | |||
72-01-06-078 | One More Time For The People - vNB,TW | DE7203z | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-01-06-079 | Lotus Blossom | DE7203aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 07 January 1972 | |||
NHK telecast | |||||
Cootie Williams, Mercer Ellington(t); Johnny Coles(t,flh); Harold "Money" Johnson(t,v); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-07-001 | Take The “A” Train | DE7204a | |||
72-01-07-002 | ¬ Kinda Dukish | DE7204b | |||
72-01-07-003 | _| Rockin’ In Rhythm | DE7204c | |||
72-01-07-004 | ¬ Sophisticated Lady | DE7204d | |||
72-01-07-005 | _| Caravan | DE7204e | |||
Add n/k Japanese Quartet | |||||
72-01-07-006 | Satin Doll | DE7204f | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-01-07-007 | Meditation | DE7204g | |||
As before | |||||
72-01-07-008 | C-Jam Blues | DE7204h | |||
72-01-07-009 | Perdido | DE7204i | |||
Duke Ellington, n/k(tk) | |||||
72-01-07-010 | Interview | DE7204j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Tokyo, J | 08 January 1972 | |||
Concert, Kosei Nenkin Kaikan | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-08-001 | C-Jam Blues | DE7205a | |||
72-01-08-002 | ¬ Kinda Dukish | DE7205b | |||
72-01-08-003 | _| Rockin’ In Rhythm | DE7205c | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-08-004 | Happy Reunion | DE7205d | |||
As before | |||||
72-01-08-005 | Take The “A” Train | DE7205e | |||
72-01-08-006 | Fife | DE7205f | |||
72-01-08-007 | Chinoiserie | DE7205g | |||
72-01-08-008 | Satin Doll | DE7205h | |||
72-01-08-009 | HARLEM | DE7205i | |||
72-01-08-010 | Perdido | DE7205j | |||
72-01-08-011 | Addi | DE7205k | |||
72-01-08-012 | In Triplicate | DE7205l | |||
72-01-08-013 | La Plus Belle Africaine | DE7205m | |||
72-01-08-014 | Come Off The Veldt | DE7205n | |||
Medley | DE7205o | ||||
72-01-08-015 | - 1. Prelude To A Kiss | ||||
72-01-08-016 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-08-017 | - 3. In A Sentimental Mood | ||||
72-01-08-018 | - 4. I Let A Song Go Out Of My Heart | ||||
72-01-08-019 | - 5. Don’t Get Around Much Anymore | ||||
72-01-08-020 | - 6. Mood Indigo | ||||
72-01-08-021 | - 7. I’m Beginning To See The Light | ||||
72-01-08-022 | - 8. Solitude - vTW | ||||
72-01-08-023 | - 9. It Don’t Mean A Thing - vTW | ||||
72-01-08-024 | - 10. I Got It Bad - vNB,CW | ||||
72-01-08-025 | - 11. Everybody Wants To Know - vNB | ||||
72-01-08-026 | - 12. Sophisticated Lady | ||||
72-01-08-027 | - 13. Caravan | ||||
72-01-08-028 | One More Time For The People - vNB,TW | DE7205p | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-01-08-029 | Lotus Blossom | DE7205q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Osaka, J | 10 January 1972 | |||
Concert, Festival Hall | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-10-001 | C-Jam Blues | DE7206a | |||
72-01-10-002 | Perdido | DE7206b | |||
72-01-10-003 | ¬ Black And Tan Fantasy | DE7206c | |||
72-01-10-004 | - | Creole Love Call | DE7206d | |||
72-01-10-005 | _| The Mooch | DE7206e | |||
72-01-10-006 | ¬ Kinda Dukish | DE7206f | |||
72-01-10-007 | _| Rockin’ In Rhythm | DE7206g | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-10-008 | Happy Reunion | DE7206h | |||
As before | |||||
72-01-10-009 | Take The “A” Train | DE7206i | |||
72-01-10-010 | Fife | DE7206j | |||
72-01-10-011 | Chinoiserie | DE7206k | |||
72-01-10-012 | HARLEM | DE7206l | |||
72-01-10-013 | Things Ain’t What They Used To Be | DE7206m | |||
72-01-10-014 | How High The Moon | DE7206n | |||
72-01-10-015 | Addi | DE7206o | |||
72-01-10-016 | In Triplicate | DE7206p | |||
72-01-10-017 | La Plus Belle Africaine | DE7206q | |||
72-01-10-018 | Come Off The Veldt | DE7206r | |||
Medley | DE7206s | ||||
72-01-10-019 | - 1. Prelude To A Kiss | ||||
72-01-10-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-10-021 | - 3. In A Sentimental Mood | ||||
72-01-10-022 | - 4. I Let A Song Go Out Of My Heart | ||||
72-01-10-023 | - 5. Don’t Get Around Much Anymore | ||||
72-01-10-024 | - 6. Mood Indigo | ||||
72-01-10-025 | - 7. I’m Beginning To See The Light | ||||
72-01-10-026 | - 8. Solitude - vTW | ||||
72-01-10-027 | - 9. I Got It Bad - vNB,CW | ||||
72-01-10-028 | - 10. Everybody Wants To Know - vNB | ||||
72-01-10-029 | - 11. Sophisticated Lady | ||||
72-01-10-030 | - 12. Caravan | ||||
72-01-10-031 | Satin Doll | DE7206t | |||
72-01-10-032 | Hello, Dolly! -vMJ | DE7206u | |||
72-01-10-033 | One More Time For The People - vNB,TW | DE7206v | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-01-10-034 | Lotus Blossom | DE7206w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Fukuoka, J | 16 January 1972 | |||
Concert, Denki Hall | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-16-001 | C-Jam Blues | DE7207a | |||
72-01-16-002 | ¬ Black And Tan Fantasy | DE7207b | |||
72-01-16-003 | - | Creole Love Call | DE7207c | |||
72-01-16-004 | _| The Mooch | DE7207d | |||
72-01-16-005 | ¬ Kinda Dukish | DE7207e | |||
72-01-16-006 | _| Rockin’ In Rhythm | DE7207f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-16-007 | Happy Reunion | DE7207g | |||
As before | |||||
72-01-16-008 | Cotton Tail | DE7207h | |||
72-01-16-009 | Take The “A” Train | DE7207i | |||
72-01-16-010 | Fife | DE7207j | |||
72-01-16-011 | Chinoiserie | DE7207k | |||
72-01-16-012 | HARLEM | DE7207l | |||
72-01-16-013 | Perdido | DE7207m | |||
72-01-16-014 | Satin Doll | DE7207n | |||
72-01-16-015 | Goof | DE7207o | |||
72-01-16-016 | Things Ain’t What They Used To Be | DE7207p | |||
72-01-16-017 | In Triplicate | DE7207q | |||
72-01-16-018 | La Plus Belle Africaine | DE7207r | |||
72-01-16-019 | Come Off The Veldt | DE7207s | |||
Medley | DE7207t | ||||
72-01-16-020 | - 1. Prelude To A Kiss | ||||
72-01-16-021 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-16-022 | - 3. I Let A Song Go Out Of My Heart | ||||
72-01-16-023 | - 4. Don’t Get Around Much Anymore | ||||
72-01-16-024 | - 5. Mood Indigo | ||||
72-01-16-025 | - 6. I’m Beginning To See The Light | ||||
72-01-16-026 | - 7. Solitude - vTW | ||||
72-01-16-027 | - 8. It Don’t Mean A Thing - vTW | ||||
72-01-16-028 | - 9. I Got It Bad - vNB,CW | ||||
72-01-16-029 | - 10. Everybody Wants To Know - vNB, CW | ||||
72-01-16-030 | - 11. Sophisticated Lady | ||||
72-01-16-031 | - 12. Caravan | ||||
72-01-16-032 | Addi | DE7207u | |||
72-01-16-033 | Hello, Dolly! -vMJ | DE7207v | |||
72-01-16-034 | One More Time For The People - vNB,TW | DE7207w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kokura, J | 17 January 1972 | |||
Concert, Shimin Kaikan | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-17-001 | C-Jam Blues | DE7208a | |||
72-01-17-002 | ¬ Black And Tan Fantasy | DE7208b | |||
72-01-17-003 | - | Creole Love Call | DE7208c | |||
72-01-17-004 | _| The Mooch | DE7208d | |||
72-01-17-005 | ¬ Kinda Dukish | DE7208e | |||
72-01-17-006 | _| Rockin’ In Rhythm | DE7208f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-17-007 | Happy Reunion | DE7208g | |||
As before | |||||
72-01-17-008 | Take The “A” Train | DE7208h | |||
72-01-17-009 | Fife | DE7208i | |||
72-01-17-010 | Chinoiserie | DE7208j | |||
72-01-17-011 | HARLEM | DE7208k | |||
72-01-17-012 | Perdido | DE7208l | |||
72-01-17-013 | Satin Doll | DE7208m | |||
72-01-17-014 | Goof | DE7208n | |||
72-01-17-015 | Things Ain’t What They Used To Be | DE7208o | |||
72-01-17-016 | In Triplicate | DE7208p | |||
72-01-17-017 | La Plus Belle Africaine | DE7208q | |||
72-01-17-018 | Come Off The Veldt | DE7208r | |||
Medley | DE7208s | ||||
72-01-17-019 | - 1. Prelude To A Kiss | ||||
72-01-17-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-17-021 | - 3. In A Sentimental Mood | ||||
72-01-17-022 | - 4. I Let A Song Go Out Of My Heart | ||||
72-01-17-023 | - 5. Don’t Get Around Much Anymore | ||||
72-01-17-024 | - 6. Mood Indigo | ||||
72-01-17-025 | - 7. I’m Beginning To See The Light | ||||
72-01-17-026 | - 8. Solitude - vTW | ||||
72-01-17-027 | - 9. It Don’t Mean A Thing - vTW | ||||
72-01-17-028 | - 10. I Got It Bad - vNB,CW | ||||
72-01-17-029 | - 11. Everybody Wants To Know - vNB | ||||
72-01-17-030 | - 12. Sophisticated Lady | ||||
72-01-17-031 | - 13. Caravan | ||||
72-01-17-032 | Addi | DE7208t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Taipei, Taiwan | 18 January 1972 | |||
Concert, City Hall | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-01-18-001 | C-Jam Blues | DE7209a | |||
72-01-18-002 | ¬ Black And Tan Fantasy | DE7209b | |||
72-01-18-003 | - | Creole Love Call | DE7209c | |||
72-01-18-004 | _| The Mooch | DE7209d | |||
72-01-18-005 | ¬ Kinda Dukish | DE7209e | |||
72-01-18-006 | _| Rockin’ In Rhythm | DE7209f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-01-18-007 | Happy Reunion | DE7209g | |||
As before | |||||
72-01-18-008 | Take The “A” Train | DE7209h | |||
72-01-18-009 | Fife | DE7209i | |||
72-01-18-010 | Chinoiserie | DE7209j | |||
72-01-18-011 | HARLEM | DE7209k | |||
72-01-18-012 | Perdido | DE7209l | |||
72-01-18-013 | Satin Doll | DE7209m | |||
72-01-18-014 | Goof | DE7209n | |||
72-01-18-015 | Things Ain’t What They Used To Be | DE7209o | |||
72-01-18-016 | In Triplicate | DE7209p | |||
72-01-18-017 | La Plus Belle Africaine | DE7209q | |||
72-01-18-018 | Come Off The Veldt | DE7209r | |||
Medley | DE7209s | ||||
72-01-18-019 | - 1. Prelude To A Kiss | ||||
72-01-18-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-01-18-021 | - 3. In A Sentimental Mood | ||||
72-01-18-022 | - 4. I Let A Song Go Out Of My Heart | ||||
72-01-18-023 | - 5. Don’t Get Around Much Anymore | ||||
72-01-18-024 | - 6. Mood Indigo | ||||
72-01-18-025 | - 7. I’m Beginning To See The Light | ||||
72-01-18-026 | - 8. Solitude - vTW | ||||
72-01-18-027 | - 9. It Don’t Mean A Thing - vTW | ||||
72-01-18-028 | - 10. I Got It Bad - vNB,CW | ||||
72-01-18-029 | - 11. Everybody Wants To Know - vNB | ||||
72-01-18-030 | - 12. Sophisticated Lady | ||||
72-01-18-031 | - 13. Caravan | ||||
72-01-18-032 | Addi | DE7209t | |||
72-01-18-033 | Hello, Dolly! -vMJ | DE7209u | |||
72-01-18-034 | One More Time For The People - vNB,TW | DE7209v | |||
DUKE ELLINGTON AND HIS ORCHESTRA WITH THE NATIONAL SYMPHONY ORCH. | Manila, PH | 20 January 1972 | |||
Concert, Cultural Center | |||||
Cootie Williams, Mercer Ellington(t); Johnny Coles(t,flh); Harold "Money" Johnson(t,v); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v); National Symphony Orchestra; Redentor Romero(cond;vl) | |||||
NIGHT CREATURE | |||||
72-01-20-001 | - 1. Blind Bug | DE9057a | |||
72-01-20-002 | - 2. Stalking Monster | DE9057b | |||
Medley | DE9057c | ||||
72-01-20-003 | - 1. Don’t Get Around Much Anymore | ||||
72-01-20-004 | - 2. Mood Indigo | ||||
72-01-20-005 | - 3. I’m Beginning To See The Light | ||||
72-01-20-006 | - 4. Sophisticated Lady | ||||
72-01-20-007 | - 5. Caravan | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | N/K, probably J | January/February 1972 | |||
Concert, Unknown location | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-02-00-001 | ¬ Black And Tan Fantasy | DE7210a | |||
72-02-00-002 | - | Creole Love Call | DE7210b | |||
72-02-00-003 | _| The Mooch | DE7210c | |||
72-02-00-004 | ¬ Kinda Dukish | DE7210d | |||
72-02-00-005 | _| Rockin’ In Rhythm | DE7210e | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-00-006 | Happy Reunion | DE7210f | |||
As before | |||||
72-02-00-007 | Take The “A” Train | DE7210g | |||
72-02-00-008 | Fife | DE7210h | |||
72-02-00-009 | Chinoiserie | DE7210i | |||
72-02-00-010 | HARLEM | DE7210j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sydney, AUS | 11 February 1972 | |||
Concert, Capitol Theatre | |||||
Cootie Williams, Harold "Money" Johnson(t,v); Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Nell Brookshire, Toney Watkins(v) | |||||
72-02-11-001 | C-Jam Blues | DE7211a | |||
72-02-11-002 | Creole Love Call | DE7211b | |||
72-02-11-003 | Perdido | DE7211c | |||
72-02-11-004 | Second Line | DE7211d | |||
72-02-11-005 | Aristocracy A La Jean Lafitte | DE7211e | |||
72-02-11-006 | Fife | DE7211f | |||
TOGO BRAVA SUITE | |||||
72-02-11-007 | - 1. Soul Soothing Beach (Mkis) | DE7211g | |||
72-02-11-008 | - 2. Naturellement (Yoyo) | DE7211h | |||
72-02-11-009 | - 3. Amour, Amour (Too Kee) | DE7211i | |||
72-02-11-010 | - 4. Right On Togo (Buss) | DE7211j | |||
72-02-11-011 | Satin Doll | DE7211k | |||
72-02-11-012 | In A Sentimental Mood | DE7211l | |||
72-02-11-013 | Take The “A” Train | DE7211m | |||
72-02-11-014 | Chinoiserie | DE7211n | |||
72-02-11-015 | I Can’t Get Started | DE7211o | |||
72-02-11-016 | HARLEM | DE7211p | |||
72-02-11-017 | Take The “A” Train (theme) | DE7211q | |||
72-02-11-018 | Goof | DE7211r | |||
72-02-11-019 | Cotton Tail | DE7211s | |||
72-02-11-020 | Things Ain’t What They Used To Be | DE7211t | |||
72-02-11-021 | ¬ Kinda Dukish | DE7211u | |||
72-02-11-022 | _| Rockin’ In Rhythm | DE7211v | |||
72-02-11-023 | The Blues - vTW | DE7211w | |||
72-02-11-024 | Heaven - vTW | DE7211x | |||
72-02-11-025 | In The Beginning God - vTW | DE7211y | |||
72-02-11-026 | Solitude - vTW | DE7211z | |||
72-02-11-027 | It Don’t Mean A thing - vTW | DE7211aa | |||
72-02-11-028 | Addi | DE7211ab | |||
72-02-11-029 | Come Off the Veldt | DE7211ac | |||
Medley | DE7211ad | ||||
72-02-11-030 | - 1. Do Nothin’ Till You Hear From Me | ||||
72-02-11-031 | - 2. I Let A Song Go Out Of My Heart | ||||
72-02-11-032 | - 3. Don’t Get Around Much Anymore | ||||
72-02-11-033 | - 4. Mood Indigo | ||||
72-02-11-034 | - 5. I’m Beginning To See The Light | ||||
72-02-11-035 | - 6. I Don’t Know What Kind Of Blues I Got - vNB | ||||
72-02-11-036 | - 7. I Got It Bad - vNB,CW | ||||
72-02-11-037 | - 9. Everybody Wants To Know - vNB | ||||
72-02-11-038 | - 10. Sophisticated Lady | ||||
72-02-11-039 | - 11. Caravan | ||||
72-02-11-040 | Hello, Dolly! - vMJ | DE7211ae | |||
72-02-11-041 | One More Time For The People - vNB,TW | DE7211af | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-02-11-042 | Lotus Blossom | DE7211ag | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Honolulu, HA | 15 February 1972 | |||
Concert, Honolulu International Center Arena | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-15-001 | C-Jam Blues | DE7212a | |||
72-02-15-002 | Take The “A” Train (theme) | DE7212b | |||
72-02-15-003 | Creole Love Call | DE7212c | |||
72-02-15-004 | ¬ Kinda Dukish | DE7212d | |||
72-02-15-005 | _| Rockin’ In Rhythm | DE7212e | |||
72-02-15-006 | In A Sentimental Mood | DE7212f | |||
72-02-15-007 | Take The “A” Train | DE7212g | |||
72-02-15-008 | Fife | DE7212h | |||
72-02-15-009 | Chinoiserie | DE7212i | |||
72-02-15-010 | Perdido | DE7212j | |||
72-02-15-011 | Satin Doll | DE7212k | |||
72-02-15-012 | Sophisticated Lady | DE7212l | |||
72-02-15-013 | Things Ain’t What They Used To Be | DE7212m | |||
72-02-15-014 | In Triplicate | DE7212n | |||
72-02-15-015 | Come Off The Veldt | DE7212o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Vancouver, CDN | 18 February 1972 | |||
Concert, Queen Elizabth Theatre | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-18-001 | C-Jam Blues | DE7213a | |||
72-02-18-002 | Creole Love Call | DE7213b | |||
72-02-18-003 | Take The “A” Train | DE7213c | |||
72-02-18-004 | Chinoiserie | DE7213d | |||
72-02-18-005 | Satin Doll | DE7213e | |||
72-02-18-006 | Things Ain’t What They Used To Be | DE7213f | |||
72-02-18-007 | Come Off The Veldt | DE7213g | |||
72-02-18-008 | Sophisticated Lady | DE7213h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 21 February 1972 | |||
Dance date, 1st set, Hoyt Hotel | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-21-001 | Perdido | DE7214a | |||
72-02-21-002 | Laura | DE7214b | |||
72-02-21-003 | Love Is Just Around The Corner | DE7214c | |||
72-02-21-004 | ¬ Black And Tan Fantasy | DE7214d | |||
72-02-21-005 | - | Creole Love Call | DE7214e | |||
72-02-21-006 | _| The Mooch | DE7214f | |||
72-02-21-007 | Azure | DE7214g | |||
72-02-21-008 | ¬ Kinda Dukish | DE7214h | |||
72-02-21-009 | _| Rockin’ In Rhythm | DE7214i | |||
72-02-21-010 | In A Sentimental Mood | DE7214j | |||
72-02-21-011 | Cotton Tail | DE7214k | |||
72-02-21-012 | Pitter Panther Patter | DE7214l | |||
72-02-21-013 | Take The “A” Train | DE7214m | |||
72-02-21-014 | Fife | DE7214n | |||
72-02-21-015 | Soul Flute | DE7214o | |||
72-02-21-016 | Chinoiserie | DE7214p | |||
72-02-21-017 | I Can’t Get Started | DE7214q | |||
72-02-21-018 | Satin Doll | DE7214r | |||
72-02-21-019 | Come Off The Veldt | DE7214s | |||
Medley | DE7214t | ||||
72-02-21-020 | - 1. Prelude To A Kiss | ||||
72-02-21-021 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-02-21-022 | - 3. I Let A Song Go Out Of My Heart | ||||
72-02-21-023 | - 4. Don’t Get Around Much Anymore | ||||
72-02-21-024 | - 5. Mood Indigo | ||||
72-02-21-025 | - 6. I’m Beginning To See The Light | ||||
72-02-21-026 | - 7. Solitude | ||||
72-02-21-027 | - 8. Sophisticated Lady | ||||
72-02-21-028 | - 9. Caravan | ||||
72-02-21-029 | Things Ain’t What They Used To Be | DE7214u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Portland, OR | 21 February 1972 | |||
Dance date, 2nd set, Hoyt Hotel | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-21-030 | C-Jam Blues | DE7215a | |||
72-02-21-031 | Soon It’s Gonna Rain | DE7215b | |||
72-02-21-032 | Perdido | DE7215c | |||
72-02-21-033 | Love Is Just Around The Corner | DE7215d | |||
72-02-21-034 | Things Ain’t What They Used To Be | DE7215e | |||
72-02-21-035 | Goof | DE7215f | |||
72-02-21-036 | ¬ Kinda Dukish | DE7215g | |||
72-02-21-037 | _| Rockin’ In Rhythm | DE7215h | |||
72-02-21-038 | Addi | DE7215i | |||
72-02-21-039 | ¬ Diminuendo In Blue | DE7215j | |||
72-02-21-040 | _| Wailing Interval | DE7215k | |||
72-02-21-041 | 4:30 Blues | DE7215l | |||
72-02-21-042 | Take The “A” Train | DE7215m | |||
TOGO BRAVA SUITE | |||||
72-02-21-043 | - 1. Soul Soothing Beach (Mkis) | DE7215n | |||
72-02-21-044 | - 2. Naturellement (Yoyo) | DE7215o | |||
72-02-21-045 | - 3. Amour, Amour (Too Kee) | DE7215p | |||
72-02-21-046 | - 4. Right On Togo (Buss) | DE7215q | |||
72-02-21-047 | Satin Doll | DE7215r | |||
72-02-21-048 | In Triplicate (In Duplicate) | DE7215s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Berkley, CA | 25 February 1972 | |||
Concert, Zelierbach Auditorium | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Booty Wood, Malcolm Taylor(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-02-25-001 | C-Jam Blues | DE7216a | |||
72-02-25-002 | Creole Love Call | DE7216b | |||
72-02-25-003 | ¬ Kinda Dukish | DE7216c | |||
72-02-25-004 | _| Rockin’ In Rhythm | DE7216d | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-02-25-005 | Lotus Blossom | DE7216e | |||
As before | |||||
72-02-25-006 | Take The “A” Train | DE7216f | |||
72-02-25-007 | Fife | DE7216g | |||
72-02-25-008 | TOGO BRAVA SUITE | ||||
72-02-25-009 | - 1. Soul Soothing Beach (Mkis) | DE7216h | |||
72-02-25-010 | - 2. Naturellement (Yoyo) | DE7216i | |||
72-02-25-011 | - 3. Amour, Amour (Too Kee) | DE7216j | |||
72-02-25-012 | - 4. Right On Togo (Buss) | DE7216k | |||
72-02-25-013 | Satin Doll | DE7216l | |||
72-02-25-014 | Satin Doll | DE7216m | |||
72-02-25-015 | Take The “A” Train (theme) | DE7216n | |||
72-02-25-016 | Perdido | DE7216o | |||
72-02-25-017 | Chinoiserie | DE7216p | |||
72-02-25-018 | I Can’t Get Started | DE7216q | |||
72-02-25-019 | Goof | DE7216r | |||
72-02-25-020 | Things Ain’t What They Used To Be | DE7216s | |||
72-02-25-021 | In Triplicate (In Duplicate) | DE7216t | |||
72-02-25-022 | La Plus Belle Africaine | DE7216u | |||
72-02-25-023 | Come Off The Veldt | DE7216v | |||
Medley | DE7216w | ||||
72-02-25-024 | - 1. Prelude To A Kiss | ||||
72-02-25-025 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-02-25-026 | - 3. I Let A Song Go Out Of My Heart | ||||
72-02-25-027 | - 4. Don’t Get Around Much Anymore | ||||
72-02-25-028 | - 5. Mood Indigo | ||||
72-02-25-029 | - 6. I’m Beginning To See The Light | ||||
72-02-25-030 | - 7. Solitude - vTW | ||||
72-02-25-031 | - 8. Heaven - vTW | ||||
72-02-25-032 | - 9. In The Beginngin God - vTW | ||||
72-02-25-033 | - 10. One More Time For The People - vTW | ||||
72-02-25-034 | Addi | DE7216x | |||
72-02-25-035 | Hello, Dolly! - vMJ | DE7216y | |||
Duke Ellington(tk); Harry Carney(bcl)); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-02-25-036 | Monologue | DE7216z | |||
DUKE ELLINGTON | New York City, NY | 10 April 1972 | |||
Piano recital, Whitney Museum | |||||
Duke Ellington(p) | |||||
Medley | DE7217a | ||||
72-04-10-001 | - 1. Black And Tan Fantasy | Im IMPD-173 | |||
72-04-10-002 | - 2. Prelude To A Kiss | Im IMPD-173 | |||
72-04-10-003 | - 3. Do Nothin’ Till You Hear From Me | Im IMPD-173 | |||
72-04-10-004 | - 4. Caravan | Im IMPD-173 | |||
72-04-10-005 | Meditation | Im IMPD-173 | DE7217b | ||
72-04-10-006 | A Blue Mural With Two Perspectives | Im IMPD-173 | DE7217c | ||
72-04-10-007 | ¬ Sophisticated Lady | Im IMPD-173 | DE7217d | ||
72-04-10-008 | _| Solitude | Im IMPD-173 | DE7217e | ||
72-04-10-009 | Soda Fountain Rag | Im IMPD-173 | DE7217f | ||
72-04-10-010 | NEW WORLD A-COMIN' | Im IMPD-173 | DE7217g | ||
DUKE ELLINGTON AND HIS RHYTHM | Same session | ||||
Duke Ellington(p,v); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-04-10-011 | Amour, Amour | Im IMPD-173 | DE7217h | ||
72-04-10-012 | Soul Soothing Beach | Im IMPD-173 | DE7217i | ||
Rufus Jones out | |||||
72-04-10-013 | Lotus Blossom | Im IMPD-173 | DE7217j | ||
Add Rufus Jones(d) | |||||
72-04-10-014 | Take The “A” train | DE7217k | |||
Rufus Jones out | |||||
72-04-10-015 | Flamingo | Im IMPD-173 | DE7217l | ||
72-04-10-016 | Le Sucrier Velour | Im IMPD-173 | DE7217m | ||
72-04-10-017 | Single Petal Of A Rose | DE7217n | |||
Add Rufus Jones(d) | |||||
72-04-10-018 | The Shepherd | Im IMPD-173, MP Ell-86(D) | DE7217o | ||
72-04-10-019 | C-Jam Blues | Im IMPD-173 | DE7217p | ||
72-04-10-020 | Mood indigo | Im IMPD-173 | DE7217q | ||
72-04-10-021 | I’m Beginning To See The Light - vDE | Im IMPD-173 | DE7217r | ||
72-04-10-022 | Dancers In Love | Im IMPD-173 | DE7217s | ||
72-04-10-023 | La Plus Belle Africaine | DE7217t | |||
72-04-10-024 | Come Off The Veldt | Im IMPD-173 | DE7217u | ||
72-04-10-025 | Satin Doll | Im IMPD-173 | DE7217v | ||
DUKE ELLINGTON | New York City, NY | 10 April 1972 | |||
Whitney Museum | |||||
Duke Ellington, Sid Paul(tk) | |||||
72-04-10-026 | Interview by Paul | DE9081a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wayne, PA | 14 April 1972 | |||
Dance date, Covered Wagon Inn | |||||
Cootie Williams, Mercer Ellington, Howard McGhee(t); Harold "Money" Johnson(t,v); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-04-14-001 | C-Jam Blues | DE7218a | |||
72-04-14-002 | Love Is Just Around The Corner | DE7218b | |||
72-04-14-003 | Perdido | DE7218c | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-04-14-004 | Dancers In Love | DE7218d | |||
As before | |||||
72-04-14-005 | In A Sentimental Mood | DE7218e | |||
72-04-14-006 | ¬ Diminuendo In Blue | DE7218f | |||
72-04-14-007 | _| Wailing Interval | DE7218g | |||
72-04-14-008 | Mood Indigo | DE7218h | |||
72-04-14-009 | Stardust | DE7218i | |||
72-04-14-010 | How High The Moon | DE7218j | |||
72-04-14-011 | Addi | DE7218k | |||
72-04-14-012 | Satin Doll | DE7218l | |||
72-04-14-013 | Sophisticated Lady | DE7218m | |||
72-04-14-014 | ¬ Prelude To A Kiss | DE7218n | |||
72-04-14-015 | - | I Didn’t Know About You | DE7218o | |||
72-04-14-016 | - | Black And Tan Fantasy | DE7218p | |||
72-04-14-017 | - | Creole Love Call | DE7218q | |||
72-04-14-018 | _| The Mooch | DE7218r | |||
72-04-14-019 | Happy Birthday To You | DE7218s | |||
72-04-14-020 | ¬ Let Me Call Sweetheart | DE7218t | |||
72-04-14-021 | _| My Buddy | DE7218u | |||
72-04-14-022 | My Buddy | DE7218v | |||
72-04-14-023 | Satin Doll | DE7218w | |||
72-04-14-024 | Making That Scene - vTW | DE7218x | |||
72-04-14-025 | Solitude - vTW | DE7218y | |||
72-04-14-026 | Solitude - vTW | DE7218z | |||
72-04-14-027 | I Got It Bad - vTW | DE7218aa | |||
72-04-14-028 | Be Cool And Groovy For Me - vTW | DE7218ab | |||
72-04-14-029 | Heaven - vTW | DE7218ac | |||
72-04-14-030 | Love You Madly - vTW | DE7218ad | |||
72-04-14-031 | Take The “A” Train | DE7218ae | |||
72-04-14-032 | I Can’t Get Started | DE7218af | |||
72-04-14-033 | One More Time For The People - vTW | DE7218ag | |||
72-04-14-034 | In A Mellow Tone | DE7218ah | |||
72-04-14-035 | Things Ain’t What They Used To Be | DE7218ai | |||
72-04-14-036 | Hello, Dolly! - vMJ | DE7218aj | |||
72-04-14-037 | The Biggest | DE7218ak | |||
72-04-14-038 | ¬ Caravan | DE7218al | |||
72-04-14-039 | _| Don’t Get Around Much Anymore | DE7218am | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newtown Square, PA | 19 April 1972 | |||
Dance date, Timbers Restaurant | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); n/k(d) | |||||
72-04-19-001 | I’m Beginning To See The Light | DE7219a | |||
72-04-19-002 | In A Sentimental Mood | DE7219b | |||
72-04-19-003 | Goof | DE7219c | |||
72-04-19-004 | How High The Moon | DE7219d | |||
72-04-19-005 | Mood Indigo | DE7219e | |||
72-04-19-006 | Ain’t Misbehavin' | DE7219f | |||
72-04-19-007 | Blueberry Hill - vMJ | DE7219g | |||
72-04-19-008 | Hello, Dolly! - vMJ | DE7219h | |||
n/k drummer out. Add Rufus Jones(d) | |||||
72-04-19-009 | Satin Doll | DE7219i | |||
72-04-19-010 | Things Ain’t What They Used To Be | DE7219j | |||
72-04-19-011 | Soon It’s Gonna Rain | DE7219k | |||
72-04-19-012 | Laura | DE7219l | |||
72-04-19-013 | Rose Of The Rio Grande | DE7219m | |||
72-04-19-014 | ¬ Diminuendo In Blue | DE7219n | |||
72-04-19-015 | _| Wailing Interval | DE7219o | |||
72-04-19-016 | Happy Birthday To You | DE7219p | |||
72-04-19-017 | Take The “A” Train | DE7219q | |||
72-04-19-018 | Black And Tan Fantasy | DE7219r | |||
72-04-19-019 | The Hard Way | DE7219s | |||
72-04-19-020 | I Can’t Give You Anything But Love | DE7219t | |||
72-04-19-021 | Let Me Call You Sweetheart | DE7219u | |||
72-04-19-022 | Autumn Leaves | DE7219v | |||
72-04-19-023 | Soul Flute | DE7219w | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-04-19-024 | Lotus Blossom | DE7219x | |||
As before | |||||
72-04-19-025 | ¬ Solitude | DE7219y | |||
72-04-19-026 | - | I Let A Song Go Out Of My Heart | DE7219z | |||
72-04-19-027 | _| Don’t Get Around Much Anymore | DE7219aa | |||
72-04-19-028 | Addi | DE7219ab | |||
72-04-19-029 | Caravan | DE7219ac | |||
72-04-19-030 | Take The “A” Train (theme) | DE7219ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Baltimore, MD | 23 April 1972 | |||
Concert, Left Bank Jazz Society | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-04-23-001 | Love Is Just Around The Corner | DE7220a | |||
72-04-23-002 | ¬ Kinda Dukish | DE7220b | |||
72-04-23-003 | _| Rockin’ In Rhythm | DE7220c | |||
72-04-23-004 | Goof | DE7220d | |||
72-04-23-005 | How High The Moon | DE7220e | |||
TOGO BRAVA SUITE | |||||
72-04-23-006 | - 1. Soul Soothing Beach (Mkis) | DE7220f | |||
72-04-23-007 | - 2. Naturellement (Yoyo) | DE7220g | |||
72-04-23-008 | - 3. Amour, Amour (Too Kee) | DE7220h | |||
72-04-23-009 | - 4. Right On Togo (Buss) | DE7220i | |||
Duke Ellington(p) | |||||
72-04-23-010 | Flamingo | DE7220j | |||
As before | |||||
72-04-23-011 | You Are Beautiful | DE7220k | |||
72-04-23-012 | Addi | DE7220l | |||
72-04-23-013 | HARLEM | DE7220m | |||
72-04-23-014 | La Plus Belle Africaine | DE7220n | |||
72-04-23-015 | Come Off The Veldt | DE7220o | |||
72-04-23-016 | Caravan | DE7220p | |||
72-04-23-017 | One O’Clock Jump | DE7220q | |||
72-04-23-018 | In Triplicate | DE7220r | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Alexandria, VA | 28 April 1972 | |||
Concert, T.C. Williams High School | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-04-28-001 | C-Jam Blues | DE7221a | |||
72-04-28-002 | Take The “A” Train (theme) | DE7221b | |||
72-04-28-003 | Creole Love Call | DE7221c | |||
72-04-28-004 | Perdido | DE7221d | |||
72-04-28-005 | ¬ Kinda Dukish | DE7221e | |||
72-04-28-006 | _| Rockin’ In Rhythm | DE7221f | |||
TOGO BRAVA SUITE | |||||
72-04-28-007 | - 1. Soul Soothing Beach (Mkis) | DE7221g | |||
72-04-28-008 | - 4. Right On Togo (Buss) | DE7221h | |||
72-04-28-009 | - 3. Amour, Amour (Too Kee) | DE7221i | |||
72-04-28-010 | - 2. Naturellement (Yoyo) | DE7221j | |||
72-04-28-011 | In A Sentimental Mood | DE7221k | |||
72-04-28-012 | Take The “A” Train | DE7221l | |||
72-04-28-013 | Fife | DE7221m | |||
72-04-28-014 | Chinoiserie | DE7221n | |||
72-04-28-015 | HARLEM | DE7221o | |||
72-04-28-016 | Things Ain’t What They Used To Be | DE7221p | |||
72-04-28-017 | Happy Birthday To You | DE7221q | |||
72-04-28-018 | Goof | DE7221r | |||
72-04-28-019 | Satin Doll | DE7221s | |||
72-04-28-020 | In Triplicate | DE7221t | |||
72-04-28-021 | La Plus Belle Africaine | DE7221u | |||
Medley | DE7221v | ||||
72-04-28-022 | - 1. It Don’t Mean A Thing | ||||
72-04-28-023 | - 2. Prelude To A Kiss | ||||
72-04-28-024 | - 3. Do Nothin’ Till You Hear From Me | ||||
72-04-28-025 | - 4. I Let A Song Go Out Of My Heart | ||||
72-04-28-026 | - 5. Solitude | ||||
72-04-28-027 | - 6. Don’t Get Around Much Anymore | ||||
72-04-28-028 | - 7. Mood Indigo | ||||
72-04-28-029 | - 8. I’m Beginning To See The Light | ||||
72-04-28-030 | - 9. Sophisticated Lady | ||||
72-04-28-031 | - 10. Caravan | ||||
72-04-28-032 | Addi | DE7221w | |||
72-04-28-033 | Hello, Dolly! - vMJ | DE7221x | |||
72-04-28-034 | One More Time For The People | DE7221y | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-04-28-035 | Lotus Blossom | DE7221z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Fenton, MO | 09 May 1972 | |||
Dance date, 1st set, Ramada Inn Southwest | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-05-09-001 | C-Jam Blues | DE7222a | |||
72-05-09-002 | Love Is Just Around The Corner | DE7222b | |||
72-05-09-003 | Perdido | DE7222c | |||
72-05-09-004 | Laura | DE7222d | |||
72-05-09-005 | ¬ Kinda Dukish | DE7222e | |||
72-05-09-006 | _| Rockin’ In Rhythm | DE7222f | |||
72-05-09-007 | Creole Love Call | DE7222g | |||
72-05-09-008 | Take The “A” Train | DE7222h | |||
72-05-09-009 | Fife | DE7222i | |||
72-05-09-010 | Chinoiserie | DE7222j | |||
72-05-09-011 | Satin Doll | DE7222k | |||
72-05-09-012 | Come Off The Veldt | DE7222l | |||
Medley | DE7222m | ||||
72-05-09-013 | - 1. Prelude To A Kiss | ||||
72-05-09-014 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-05-09-015 | - 3. I Let A Song Go Out Of My Heart | ||||
72-05-09-016 | - 4. Don’t Get Around Much Anymore | ||||
72-05-09-017 | - 5. Mood Indigo | ||||
72-05-09-018 | - 6. Sophisticated Lady | ||||
72-05-09-019 | Hello, Dolly! - vMJ | DE7222n | |||
72-05-09-020 | One More Time For The People - vTW | DE7222o | |||
72-05-09-021 | Things Ain’t What They Used To Be | DE7222p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Fenton, MO | 09 May 1972 | |||
Dance date, 2nd set, Ramada Inn Southwest | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-05-09-022 | Things Ain’t What They Used To Be | DE7223a | |||
72-05-09-023 | Goof | DE7223b | |||
72-05-09-024 | Soon It’s Gonna Rain | DE7223c | |||
72-05-09-025 | ¬ I Let A Song Go Out Of My Heart | DE7223d | |||
72-05-09-026 | _| Don’t Get Around Much Anymore | DE7223e | |||
72-05-09-027 | ¬ Kinda Dukish | DE7223f | |||
72-05-09-028 | _| Rockin’ In Rhythm | DE7223g | |||
72-05-09-029 | Addi | DE7223h | |||
72-05-09-030 | How High The Moon | DE7223i | |||
72-05-09-031 | Fife | DE7223j | |||
72-05-09-032 | Satin Doll | DE7223k | |||
72-05-09-033 | Take The “A” Train | DE7223l | |||
72-05-09-034 | In A Sentimental Mood | DE7223m | |||
72-05-09-035 | In Triplicate | DE7223n | |||
72-05-09-036 | Mood Indigo | DE7223o | |||
72-05-09-037 | ¬ I’m Beginning To See The Light | DE7223p | |||
72-05-09-038 | _| Sophisticated Lady | DE7223q | |||
72-05-09-039 | Making That Scene - vTW | DE7223r | |||
72-05-09-040 | Rocks In My Bed - vTW | DE7223s | |||
72-05-09-041 | Love You Madly - vTW | DE7223t | |||
72-05-09-042 | It Don’t Mean A Thing - vTW | DE7223u | |||
72-05-09-043 | Blueberry Hill - vTW | DE7223v | |||
72-05-09-044 | One More Time For The People - vTW | DE7223w | |||
72-05-09-045 | Satin Doll | DE7223x | |||
DUKE ELLINGTON | Probably St Louis, MO | 14 May 1972 | |||
Broadcast | |||||
Duke Ellington, Jim Bolen(tk) | |||||
72-05-14-001 | Interview by Bolen | DE7224a | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-05-14-002 | Solitude | DE7224b | |||
72-05-14-003 | Warm Valley | DE7224c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City | 12 June 1972 | |||
Duke Ellington recording session. National Recording studio. | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-06-12-001 | -1 | Don’t You Know I Care | DE7225a | ||
72-06-12-002 | Don’t You Know I Care | La 15782 | DE7225b | ||
72-06-12-003 | Mood Indigo | DE7225c | |||
72-06-12-004 | Mood Indigo | DE7225d | |||
72-06-12-005 | -1 | Mood Indigo | DE7225e | ||
72-06-12-006 | -2 | Mood Indigo | DE7225f | ||
72-06-12-007 | -3 | Mood Indigo | Sv 1018402, Sv 1088617 | DE7225g | |
72-06-12-008 | -1 | Blem | DE7225h | ||
72-06-12-009 | -2 | Blem | DE7225i | ||
72-06-12-010 | Blem | DE7225j | |||
72-06-12-011 | Blem | Pb 2310-815 | DE7225k | ||
72-06-12-012 | It Don’t Mean A Thing - vTW | DE7225l | |||
72-06-12-013 | It Don’t Mean A Thing - vTW | DE7225m | |||
72-06-12-014 | It Don’t Mean A Thing - vTW | DE7225n | |||
72-06-12-015 | It Don’t Mean A Thing - vTW | DE7225o | |||
72-06-12-016 | Chinoiserie | La 15782 | DE7225p | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 22 June 1972 | |||
Duke Ellington recording session, Thunder Sound Studio | |||||
Arnie Chycoski, Cootie Williams(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-06-22-001 | Satin Doll | La 15783(2nd) | DE7226a | ||
72-06-22-002 | Hello, Dolly! - vMJ | La 15782 | DE7226b | ||
Norris Turney(fl); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-06-22-003 | Alone Together | La 15782 | DE7226c | ||
As before | |||||
72-06-22-004 | Relaxing | La 15782 | DE7226d | ||
72-06-22-005 | Things Ain’t What They Used To Be | La 15782 | DE7226e | ||
72-06-22-006 | -3 | Vancouver Lights | DE7226f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | 23 June 1972 | |||
Concert, O'Keefe Center | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-06-23-001 | C-Jam Blues | DE7227a | |||
72-06-23-002 | ¬ Kinda Dukish | DE7227b | |||
72-06-23-003 | _| Rockin’ In Rhythm | DE7227c | |||
72-06-23-004 | Goof | DE7227d | |||
TOGO BRAVA SUITE | |||||
72-06-23-005 | - 1. Soul Soothing Beach (Mkis) | DE7227e | |||
72-06-23-006 | - 4. Right On Togo (Buss) | DE7227f | |||
72-06-23-007 | - 3. Amour, Amour (Too Kee) | DE7227g | |||
72-06-23-008 | - 2. Naturellement (Yoyo) | DE7227h | |||
72-06-23-009 | In A Sentimental Mood | DE7227i | |||
72-06-23-010 | Up Jump | DE7227j | |||
72-06-23-011 | Fife | DE7227k | |||
72-06-23-012 | Take The “A” Train | DE7227l | |||
72-06-23-013 | Chinoiserie | DE7227m | |||
72-06-23-014 | HARLEM | DE7227n | |||
72-06-23-015 | Perdido | DE7227o | |||
72-06-23-016 | Satin Doll | DE7227p | |||
72-06-23-017 | La Plus Belle Africaine | DE7227q | |||
72-06-23-018 | Come Off The Veldt | DE7227r | |||
Medley | DE7227s | ||||
72-06-23-019 | - 1. Prelude To A Kiss | ||||
72-06-23-020 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-06-23-021 | - 3. I Let A Song Go Out Of My Heart | ||||
72-06-23-022 | - 4. Don’t Get Around Much Anymore | ||||
72-06-23-023 | - 5. Mood Indigo | ||||
72-06-23-024 | - 6. I’m Beginning To See The Light | ||||
72-06-23-025 | - 7. Sophisticated Lady | ||||
72-06-23-026 | Making That Scene - vTW | DE7227t | |||
72-06-23-027 | Heaven - vTW | DE7227u | |||
72-06-23-028 | Love You Madly - vTW | DE7227v | |||
72-06-23-029 | I Got It Bad - vTW | DE7227w | |||
72-06-23-030 | Caravan | DE7227x | |||
72-06-23-031 | Addi | DE7227y | |||
72-06-23-032 | Hello, Dolly! - vMJ | DE7227z | |||
72-06-23-033 | One More Time For The People - vTW | DE7227aa | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-06-23-034 | Lotus Blossom | DE7227ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 July 1972 | |||
Recording session, Bell Studio for the film L'Aventure du Jazz | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-07-03-001 | Take The “A” Train | DE7228a | |||
72-07-03-002 | Chinoiserie | DE7228b | |||
72-07-03-003 | ¬ Kinda Dukish | DE7228c | |||
72-07-03-004 | _| Rockin’ In Rhythm | DE7228d | |||
72-07-03-005 | Satin Doll | DE7228e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 July 1972 | |||
Concert, Carnegie Hall | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-07-08-001 | C-Jam Blues | DE7229a | |||
72-07-08-002 | Things Ain’t What They Used To Be | DE7229b | |||
72-07-08-003 | ¬ Kinda Dukish | DE7229c | |||
72-07-08-004 | _| Rockin’ In Rhythm | DE7229d | |||
TOGO BRAVA SUITE | |||||
72-07-08-005 | - 1. Soul Soothing Beach (Mkis) | DE7229e | |||
72-07-08-006 | - 4. Right On Togo (Buss) | DE7229f | |||
72-07-08-007 | - 3. Amour, Amour (Too Kee) | DE7229g | |||
72-07-08-008 | - 2. Naturellement (Yoyo) | DE7229h | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-07-08-009 | Happy Reunion | LS LSR-001 | DE7229i | ||
As before | |||||
72-07-08-010 | Take The “A” Train | LS LSR-001 | DE7229j | ||
72-07-08-011 | Acac | LS LSR-001 | DE7229k | ||
72-07-08-012 | La Plus Belle Africaine | LS LSR-001 | DE7229l | ||
72-07-08-013 | East St. Louis Toodle-O | DE7229m | |||
Duke Ellington(p); Sonny Greer(d) | |||||
72-07-08-014 | Soda Fountain Rag | DE7229n | |||
As before | |||||
72-07-08-015 | HARLEM | LS LSR-001 | DE7229o | ||
72-07-08-016 | Satin Doll | LS LSR-001 | DE7229p | ||
72-07-08-017 | Hello, Dolly! - vMJ | LS LSR-001 | DE7229q | ||
Add Barney Bigard(cl) | |||||
72-07-08-018 | Rose Room | LS LSR-001 | DE7229r | ||
Barney Bigard, Duke Ellington out. Add Bobby Short(p,v) | |||||
72-07-08-019 | Me And You - vBSo | DE7229s | |||
72-07-08-020 | It Don’t Mean A thing - vBSo | DE7229t | |||
Bobby Short out. Add Barney Bigard(cl); Duke Ellington(p), Betty Farmer(v) | |||||
72-07-08-021 | St. Louis Blues | DE7229u | |||
Barney Bigard, Betty Farmer out | |||||
72-07-08-022 | I’m Beginning To See The Light | DE7229v | |||
Add Aura Rully(v) | |||||
72-07-08-023 | Mood Indigo - vARu | DE7229w | |||
72-07-08-024 | Blem - vARu | DE7229x | |||
Add Betty Farmer(v) | |||||
72-07-08-025 | One More Time For The People - vAMo,BFa,ARu,TW | DE7229y | |||
DUKE ELLINGTON | Madison, WI | 17 July 1972 | |||
University of Wisconsin | |||||
Duke Ellington, James R. Latimer(tk) | |||||
72-07-17-001 | Welcome to Ellington | DE7230a | |||
Duke Ellington(p) | |||||
72-07-17-002 | Piano Interlude | DE7230b | |||
DUKE ELLINGTON WITH ELLINGTON FESTIVAL CHOIR | Madison, WI | 17 July 1972 | |||
Rehearsal session | |||||
Duke Ellington(p); Ellington Festival Choir(v) | |||||
72-07-17-003 | It’s Freedom - vEFC | DE7231a | |||
72-07-17-004 | It’s Freedom - vEFC | DE7231b | |||
72-07-17-005 | It’s Freedom - vEFC | DE7231c | |||
72-07-17-006 | It’s Freedom - vEFC | DE7231d | |||
72-07-17-007 | It’s Freedom - vEFC | DE7231e | |||
72-07-17-008 | It’s Freedom - vEFC | DE7231f | |||
72-07-17-009 | It’s Freedom - vEFC | DE7231g | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Madison, WI | 18 July 1972 | |||
Concert, Camp Randall Stadium | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-07-18-001 | Perdido | DE7232a | |||
72-07-18-002 | Take The “A” Train (theme) | DE7232b | |||
72-07-18-003 | ¬ Kinda Dukish | DE7232c | |||
72-07-18-004 | _| Rockin’ In Rhythm | DE7232d | |||
72-07-18-005 | Creole Love Call | DE7232e | |||
72-07-18-006 | Goof | DE7232f | |||
72-07-18-007 | In A Sentimental Mood | DE7232g | |||
TOGO BRAVA SUITE | |||||
72-07-18-008 | - 1. Soul Soothing Beach (Mkis) | DE7232h | |||
72-07-18-009 | - 4. Right On Togo (Buss) | DE7232i | |||
72-07-18-010 | - 3. Amour, Amour (Too Kee) | DE7232j | |||
72-07-18-011 | - 2. Naturellement (Yoyo) | DE7232k | |||
72-07-18-012 | Take The “A” Train | DE7232l | |||
72-07-18-013 | Fife | DE7232m | |||
72-07-18-014 | Chinoiserie | DE7232n | |||
72-07-18-015 | La Plus Belle Africaine | DE7232o | |||
72-07-18-016 | I’m Beginning To See The Light - vAMo | DE7232p | |||
72-07-18-017 | Acac | DE7232q | |||
72-07-18-018 | Satin Doll | DE7232r | |||
72-07-18-019 | Hello, Dolly! - vMJ | DE7232s | |||
72-07-18-020 | Making That Scene - vTW | DE7232t | |||
72-07-18-021 | Solitude - vTW | DE7232u | |||
72-07-18-022 | I Got It Bad - vTW | DE7232v | |||
72-07-18-023 | Love You Madly - vTW | DE7232w | |||
72-07-18-024 | Come Off The Veldt | DE7232x | |||
Medley | DE7232y | ||||
72-07-18-025 | - 1. Prelude To A Kiss | ||||
72-07-18-026 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-07-18-027 | - 3. I Let A Song Go Out Of My Heart | ||||
72-07-18-028 | - 4. Don’t Get Around Much Anymore | ||||
72-07-18-029 | - 5. Mood Indigo | ||||
72-07-18-030 | - 6. It Don’t Mean A thing - vTW | ||||
72-07-18-031 | - 7. Sophisticated Lady | ||||
72-07-18-032 | One More Time For The People - vAMo,TW | DE7232z | |||
72-07-18-033 | Things Ain’t What They Used To Be | DE7232aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Madison, WI | 19 July 1972 | |||
Concert, Wisconsin Union Theatre | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins, Devonne Gardner, Patricia Hoy, Roscoe Gill, Ellington Festival Choir(v) | |||||
SECOND SACRED CONCERT | |||||
72-07-19-001 | - 01. Praise God And Dance (Opening Theme) | DE7233a | |||
72-07-19-002 | - 02. Supreme Being - vEFC | DE7233b | |||
72-07-19-003 | - 03. Something ‘Bout Believing - vDG,RG,TW,EFC | DE7233c | |||
72-07-19-004 | - 04. Almighty God - vDG,EFC | DE7233d | |||
72-07-19-005 | - 05. The Shepherd | DE7233e | |||
72-07-19-006 | - 06. Heaven - vDG,EFC | DE7233f | |||
72-07-19-007 | - 07. It’s Freedom - vDG,Pho,RG,TW,EFC | DE7233g | |||
72-07-19-008 | - 08. Meditation | DE7233h | |||
72-07-19-009 | - 09. The Biggest - vPHo | DE7233i | |||
72-07-19-010 | - 10. T.G.T.T. -vTW | DE7233j | |||
72-07-19-011 | - 11. Don’t Get Down On Your Knees - vTW | DE7233k | |||
72-07-19-012 | - 12. Father Forgive - vTW | DE7233l | |||
72-07-19-013 | - 13. Don’t Get Down On Your Knees - vTW | DE7233m | |||
72-07-19-014 | - 14. Praise God And Dance - vPHo,TW,EFC | DE7233n | |||
Toney Watkins(v) solo | |||||
72-07-19-015 | The Preacher’s Song - vTW | DE7233o | |||
As Before | |||||
72-07-19-016 | In The Beginning God - vEFC | DE7233p | |||
DUKE ELLINGTON | Madison, WI | 20 July 1972 | |||
Mills Hall, University of Wisconsin | |||||
Duke Ellington(tk) | |||||
72-07-20-001 | Ellington’s Masterclass | DE7234a | |||
Duke Ellington(p) | |||||
72-07-20-002 | Soda Fountain Rag | DE7234b | |||
72-07-20-003 | Unidentified | DE7234c | |||
Duke Ellington(v); Two Ton Baker(p,v) | |||||
72-07-20-004 | I’m Afraid | DE7234d | |||
Duke Ellington(p) | |||||
72-07-20-005 | The Anticipation | DE7234e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Milwaukee, WI | 20 July 1972 | |||
Concert, Performing Arts Center | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-07-20-006 | C-Jam Blues | DE7235a | |||
72-07-20-007 | ¬ Kinda Dukish | DE7235b | |||
72-07-20-008 | _| Rockin’ In Rhythm | DE7235c | |||
72-07-20-009 | Creole Love Call | DE7235d | |||
72-07-20-010 | Goof | DE7235e | |||
TOGO BRAVA SUITE | |||||
72-07-20-011 | - 1. Soul Soothing Beach (Mkis) | DE7235f | |||
72-07-20-012 | - 4. Right On Togo (Buss) | DE7235g | |||
72-07-20-013 | - 3. Amour, Amour (Too Kee) | DE7235h | |||
72-07-20-014 | - 2. Naturellement (Yoyo) | DE7235i | |||
72-07-20-015 | Take The “A” Train | DE7235j | |||
72-07-20-016 | Fife | DE7235k | |||
72-07-20-017 | Satin Doll | DE7235l | |||
72-07-20-018 | Chinoiserie | DE7235m | |||
72-07-20-019 | Things Ain’t What They Used To Be | DE7235n | |||
72-07-20-020 | HARLEM | DE7235o | |||
72-07-20-021 | Perdido | DE7235p | |||
THE GOUTELAS SUITE | |||||
72-07-20-022 | - 1. Goutelas | DE7235q | |||
72-07-20-023 | - 2. Get-With-Itness | DE7235r | |||
72-07-20-024 | Things Ain’t What They Used To Be | DE7235s | |||
DUKE ELLINGTON | Madison, WI | 21 July 1972 | |||
Mills Hall, University of Wisconsin | |||||
Duke Ellington(tk) | |||||
72-07-21-001 | Ellington’s Masterclass | DE7236a | |||
Duke Ellington(p) | |||||
72-07-21-002 | A Blue Mural From Two Perspectives | DE7236b | |||
72-07-21-003 | Le Sucrier Velour | DE7236c | |||
72-07-21-004 | Take The “A” Train | DE7236d | |||
Paul Gonsalves(ts); Duke Ellington(p) | |||||
72-07-21-005 | Happy Reunion | DE7236e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Madison, WI | 21 July 1972 | |||
Concert, Wisconsin Union Theatre | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-07-21-006 | C-Jam Blues | DE7237a | |||
THE GOUTELAS SUITE | |||||
72-07-21-007 | - 1. Goutelas | DE7237b | |||
72-07-21-008 | - 2. Get-With-Itness | DE7237c | |||
72-07-21-009 | - 3. Something | DE7237d | |||
72-07-21-010 | - 4. Having At It | DE7237e | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-07-21-011 | Happy Reunion | DE7237f | |||
As before | |||||
72-07-21-012 | How High The Moon | DE7237g | |||
72-07-21-013 | Acac | DE7237h | |||
Duke Ellington(p) | |||||
72-07-21-014 | Le Sucrier Velour | DE7237i | |||
72-07-21-015 | Single Petal Of A Rose | DE7237j | |||
As before | |||||
72-07-21-016 | Take The “A” Train | DE7237k | |||
72-07-21-017 | Soul Flute | DE7237l | |||
72-07-21-018 | Chinoiserie | DE7237m | |||
72-07-21-019 | I Can’t Get Started | DE7237n | |||
THE UWIS SUITE | |||||
72-07-21-020 | - 1. The Anticipation | DE7237o | |||
72-07-21-021 | - 2. Loco Madi | DE7237p | |||
72-07-21-022 | - 3. Uwis | DE7237q | |||
72-07-21-023 | - 4. Klop | DE7237r | |||
72-07-21-024 | Perdido | DE7237s | |||
72-07-21-025 | The Kiss | DE7237t | |||
Medley | DE7237u | ||||
72-07-21-026 | - 1. Prelude To A Kiss | ||||
72-07-21-027 | - 2. Do Nothin’ Till You Hear From Me | ||||
72-07-21-028 | - 3. I Let A Song Go Out Of My Heart | ||||
72-07-21-029 | - 4. I’m Beginning To See The Light - vAMo | ||||
72-07-21-030 | - 5. Blem - vAMo | ||||
72-07-21-031 | - 6. Don’t Get Around Much Anymore | ||||
72-07-21-032 | - 7. Mood Indigo | ||||
72-07-21-033 | - 8. Jump For Joy | ||||
72-07-21-034 | - 9. Come Sunday - vTW | ||||
72-07-21-035 | - 10. In The Beginning God - vTW | ||||
72-07-21-036 | - 11. Sophisticated Lady | ||||
72-07-21-037 | - 12. Caravan | ||||
72-07-21-038 | Hello, Dolly! - vMJ | DE7237v | |||
72-07-21-039 | One More Time For The People - vAMo,TW | DE7237w | |||
72-07-21-040 | Things Ain’t What They Used To Be | DE7237x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wilmington, DE | 30 July 1972 | |||
Concert, Brandywine Raceway | |||||
Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-07-30-001 | Take The “A” Train | DE7238a | |||
72-07-30-002 | In Triplicate (In Quadruplicate) | DE7238b | |||
72-07-30-003 | I Got It Bad - vTW | DE7238c | |||
72-07-30-004 | Blem - vAMo | DE7238d | |||
72-07-30-005 | Satin Doll | DE7238e | |||
DUKE ELLINGTON GROUP | New York City | 02 August 1972 | |||
Duke Ellington recording session. Mediasound Studio. | |||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore(v) | |||||
72-08-02-001 | -1 | New York, New York - vAMo | DE7239a | ||
72-08-02-002 | -2 | New York, New York - vAMo | DE7239b | ||
72-08-02-003 | -3 | New York, New York - vAMo | DE7239c | ||
72-08-02-004 | -4 | New York, New York - vAMo | DE7239d | ||
72-08-02-005 | New York, New York - vAMo | DE7239e | |||
Add Emmanuel Abdul-Rahim(co) | |||||
72-08-02-006 | -5 | New York, New York - vAMo | DE7239f | ||
72-08-02-007 | New York, New York - vAMo | DE7239g | |||
72-08-02-008 | New York, New York - vAMo | DE7239h | |||
72-08-02-009 | I’m Beginning To See The Light - vAMo | DE7239i | |||
72-08-02-010 | I Got It Bad - vAMo | DE7239j | |||
72-08-02-011 | -1 | The Piano Player | MM 5041-2C(D) | DE7239k | |
DUKE ELLINGTON GROUP | New York City, NY | 11 August 1972 | |||
NBC broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Emmanuel Abdul-Rahim(co); Anita Moore, Toney Watkins(v) | |||||
72-08-11-001 | Take The “A” Train (theme) | DE7240a | |||
72-08-11-002 | New York, New York - vAMo | DE7240b | |||
72-08-11-003 | Blem - vAMo | DE7240c | |||
72-08-11-004 | Mood Indigo | DE7240d | |||
72-08-11-005 | Sophisticated Lady | DE7240e | |||
72-08-11-006 | Things Ain’t What They Used To Be | DE7240f | |||
72-08-11-007 | Solitude - vTW | DE7240g | |||
72-08-11-008 | One More Time For The People - vAMo,TW | DE7240h | |||
72-08-11-009 | ¬ Satin Doll | DE7240i | |||
72-08-11-010 | _| New York, New York - vAMo,TW,DE | DE7240j | |||
DUKE ELLINGTON | New York City | 25 August 1972 | |||
Duke Ellington recording session. Mediasound Studio. | |||||
Duke Ellington(p); Anita Moore, Toney Watkins(v) | |||||
72-08-25-001 | (01) | I’m Afraid | DE7241a | ||
72-08-25-002 | The Anticipation | Sv 1018445 | DE7241b | ||
72-08-25-003 | Le Sucrier Velour | Sv 1018445 | DE7241c | ||
72-08-25-004 | (02) | Le Sucrier Velour | DE7241d | ||
72-08-25-005 | Lotus Blossom | Sv 1018445 | DE7241e | ||
72-08-25-006 | A Blue Mural From Two Perspectives | Sv 1018445 | DE7241f | ||
72-08-25-007 | I’m Afraid - vAMo | Sv 1018445 | DE7241g | ||
72-08-25-008 | I Didn’t Know About You | DE7241h | |||
72-08-25-009 | (04) | I Didn’t Know About You - vAMo | DE7241i | ||
72-08-25-010 | I Didn’t Know About You | DE7241j | |||
72-08-25-011 | I Didn’t Know About You - vAMo | Sv 1018445 | DE7241k | ||
Add n/k(d) | |||||
72-08-25-012 | Loco Madi | Sv 1018445 | DE7241l | ||
n/k(d) out | |||||
72-08-25-013 | (06) | Lotus Blossom | Sv 1018445 | DE7241m | |
72-08-25-014 | NEW WORLD A-COMIN' | Sv 1018445 | DE7241n | ||
72-08-25-015 | Le Sucrier Velour | Sv 1018445 | DE7241o | ||
72-08-25-016 | Melancholia | Sv 1018445 | DE7241p | ||
72-08-25-017 | Single Petal Of A Rose | Sv 1018445 | DE7241q | ||
72-08-25-018 | The Blues Ain’t | DE7241r | |||
72-08-25-019 | The Blues Ain’t - vTW | Sv 1018445 | DE7241s | ||
72-08-25-020 | My Mother, My Father And Love - vTW | DE7241t | |||
72-08-25-021 | My Mother, My Father And Love | DE7241u | |||
72-08-25-022 | The Blues Ain’t | DE7241v | |||
72-08-25-023 | (09) | Come Sunday - vTW | Sv 1018445 | DE7241w | |
72-08-25-024 | (10) | My Mother, My Father And Love - vTW | Sv 1018445 | DE7241x | |
72-08-25-025 | A Blue Mural From Two Perspectives | Sv 1018445 | DE7241y | ||
72-08-25-026 | My Little Brown Book | DE7241z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | East Meadow, NY | 27 August 1972 | |||
Concert. Second Annual Jazz Festival. Lakeside Theatre, Eisenhower Park. | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore(v) | |||||
72-08-27-001 | Take The “A” Train (theme) | DE7242a | |||
72-08-27-002 | Azure | DE7242b | |||
72-08-27-003 | Satin Doll | DE7242c | |||
72-08-27-004 | ¬ The Piano Player | DE7242d | |||
72-08-27-005 | _| I Can’t Give You Anything But Love | DE7242e | |||
72-08-27-006 | Just Squeeze Me | DE7242f | |||
72-08-27-007 | Soul Flute | DE7242g | |||
72-08-27-008 | Perdido | DE7242h | |||
72-08-27-009 | Mood Indigo | DE7242i | |||
72-08-27-010 | C-Jam Blues | DE7242j | |||
72-08-27-011 | Perdido | DE7242k | |||
72-08-27-012 | Love Is Just Around The Corner | DE7242l | |||
72-08-27-013 | Don’t You Know I Care | DE7242m | |||
72-08-27-014 | I Let A Song Go Out Of My Heart - vAMo | DE7242n | |||
72-08-27-015 | The Lovely Ones - vAMo | DE7242o | |||
72-08-27-016 | Ocht O’Clock Rock | DE7242p | |||
72-08-27-017 | Ocht O’Clock Rock | DE7242q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NJ | 31 August 1972 | |||
Dance Date, 1st set, Steel Pier | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Booty Wood, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-08-31-001 | C-Jam Blues | DE7243a | |||
72-08-31-002 | ¬ Kinda Dukish | DE7243b | |||
72-08-31-003 | _| Rockin’ In Rhythm | DE7243c | |||
72-08-31-004 | In A Sentimental Mood | DE7243d | |||
72-08-31-005 | How High The Moon | DE7243e | |||
72-08-31-006 | Soul Flute | DE7243f | |||
72-08-31-007 | Take The “A” Train | DE7243g | |||
72-08-31-008 | New York, New York - vAMo | DE7243h | |||
72-08-31-009 | I Got It Bad - vAMo | DE7243i | |||
72-08-31-010 | Blem - vAMo | DE7243j | |||
72-08-31-011 | Satin Doll | DE7243k | |||
72-08-31-012 | Come Off The Veldt | DE7243l | |||
72-08-31-013 | Things Ain’t What They Used To Be | DE7243m | |||
72-08-31-014 | Hello, Dolly! - vMJ | DE7243n | |||
72-08-31-015 | Medley | DE7243o | |||
- 1. Don’t Get Around Much Anymore | |||||
72-08-31-016 | - 2. Mood Indigo | ||||
72-08-31-017 | - 3. I’m Beginning To See The Light - vAMo | ||||
72-08-31-018 | - 4. I Let A Song Go Out Of My Heart | ||||
72-08-31-019 | - 5. Sophisticated Lady | ||||
72-08-31-020 | Making That Scene - vTW | DE7243p | |||
72-08-31-021 | Mood Indigo - vTW | DE7243q | |||
72-08-31-022 | One More Time For The People - vAMo,TW | DE7243r | |||
72-08-31-023 | Satin Doll | DE7243s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Atlantic City, NJ | 31 August 1972 | |||
Dance date, 2nd set, Steel Pier | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Booty Wood, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); NorrisTurney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
72-08-31-024 | Perdido | DE7244a | |||
72-08-31-025 | ¬ Kinda Dukish | DE7244b | |||
72-08-31-026 | _| Rockin’ In Rhythm | DE7244c | |||
72-08-31-027 | Goof | DE7244d | |||
72-08-31-028 | Soul Soothing Beach | DE7244e | |||
72-08-31-029 | Naturellement | DE7244f | |||
72-08-31-030 | Take The “A” Train | DE7244g | |||
72-08-31-031 | Satin Doll | DE7244h | |||
72-08-31-032 | Come Off The Veldt | DE7244i | |||
72-08-31-033 | New York, New York - vAMo | DE7244j | |||
72-08-31-034 | I Didn’t Know About You - vAMo | DE7244k | |||
72-08-31-035 | Blem - vAMo | DE7244l | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-08-31-036 | Happy Reunion | DE7244m | |||
As before | |||||
72-08-31-037 | Hello, Dolly! - vMJ | DE7244n | |||
72-08-31-038 | Sophisticated Lady | DE7244o | |||
72-08-31-039 | It Don’t Mean A Thing - vTW | DE7244p | |||
72-08-31-040 | Do nothin’ Till You Hear From Me - vTW | DE7244q | |||
72-08-31-041 | Mood Indigo - vTW | DE7244r | |||
72-08-31-042 | Be Cool And Groovy For Me - vTW | DE7244s | |||
72-08-31-043 | One More Time For The People - vAMo,TW | DE7244t | |||
72-08-31-044 | Things Ain’t What They Used To Be | DE7244u | |||
DUKE ELLINGTON GROUP | New York City, NY | 05 September 1972 | |||
Duke Ellington recording session. Mediasound Studio. | |||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Russ Andrews(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore(v) | |||||
72-09-05-001 | (01) | New York, New York | DE7245a | ||
72-09-05-002 | (02) | New York, New York | DE7245b | ||
72-09-05-003 | (03) | New York, New York | DE7245c | ||
72-09-05-004 | (04) | New York, New York - vAMo | DE7245d | ||
72-09-05-005 | (05) | I Got It Bad - vAMo | DE7245e | ||
72-09-05-006 | (06) | I Didn’t Know About You - vAMo | DE7245f | ||
72-09-05-007 | (07) | I Didn’t Know About You - vAMo | DE7245g | ||
72-09-05-008 | (08) | I Let A Song Go Out Of My Heart | DE7245h | ||
72-09-05-009 | (09) | I Let A Song Go Out Of My Heart - vAMo | DE7245i | ||
72-09-05-010 | (10) | I Let A Song Go Out Of My Heart - vAMo | DE7245j | ||
72-09-05-011 | I Let A Song Go Out Of My Heart | DE7245k | |||
72-09-05-012 | (11) | I Let A Song Go Out Of My Heart | DE7245l | ||
72-09-05-013 | I Let A Song Go Out Of My Heart | DE7245m | |||
72-09-05-014 | (12) | I Let A Song Go Out Of My Heart - vAMo | DE7245n | ||
72-09-05-015 | (13) | I Let A Song Go Out Of My Heart - vAMo | DE7245o | ||
72-09-05-016 | (14) | I’m Afraid - vAMo | DE7245p | ||
72-09-05-017 | (15) | I’m Afraid - vAMo | Sv 1018402, Sv 1088617 | DE7245q | |
72-09-05-018 | (16) | I’m Afraid - vAMo | DE7245r | ||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore(v) | |||||
72-09-05-019 | (17) | Misty - vAMo | DE7245s | ||
As before | |||||
72-09-05-020 | (18) | I’m Afraid - vAMo | DE7245t | ||
72-09-05-021 | I’m Afraid - vAMo | DE7245u | |||
72-09-05-022 | I’m Afraid - vAMo | DE7245v | |||
72-09-05-023 | I’m Afraid | DE7245w | |||
72-09-05-024 | I’m Afraid | DE7245x | |||
72-09-05-025 | I’m Afraid | DE7245y | |||
72-09-05-026 | (22) | I’m Afraid - vAMo | Sv 1018402*, Sv 1088617* | DE7245z | |
72-09-05-027 | (23) | The Lonely Ones | DE7245aa | ||
72-09-05-028 | (24) | The Lonely Ones -vAMo | DE7245ab | ||
72-09-05-029 | New York, New York - vAMo | Sv 1018402, Sv 1088617 | DE7245ac | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Kenosha, WI | 21 September 1972 | |||
Concert, Carthage College | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-09-21-001 | C-Jam Blues | DE7246a | |||
72-09-21-002 | ¬ Kinda Dukish | DE7246b | |||
72-09-21-003 | _| Rockin’ In Rhythm | DE7246c | |||
72-09-21-004 | Creole Love Call | DE7246d | |||
72-09-21-005 | Goof | DE7246e | |||
72-09-21-006 | Soul Flute | DE7246f | |||
72-09-21-007 | Take The “A” Train | DE7246g | |||
72-09-21-008 | Chinoiserie | DE7246h | |||
TOGO BRAVA SUITE | |||||
72-09-21-009 | - 1. Soul Soothing Beach (Mkis) | DE7246i | |||
72-09-21-010 | - 4. Right On Togo (Buss) | DE7246k | |||
72-09-21-011 | - 3. Amour, Amour (Too Kee) | DE7246l | |||
72-09-21-012 | - 2. Naturellement (Yoyo) | DE7246m | |||
72-09-21-013 | Perdido | DE7246n | |||
72-09-21-014 | Satin Doll[ | DE7246o | |||
72-09-21-015 | In Triplicate (In Duplicate) | DE7246p | |||
72-09-21-016 | La Plus Belle Africaine | DE7246q | |||
72-09-21-017 | Acac | DE7246r | |||
72-09-21-018 | Come Off The Veldt | DE7246s | |||
Medley | |||||
72-09-21-019 | - 1. Don’t Get Around Much Anymore | ||||
72-09-21-020 | - 2. Mood Indigo | ||||
72-09-21-021 | - 3. I’m Beginning To See The Light - vAMo | ||||
72-09-21-022 | - 4. Sophisticated Lady | ||||
72-09-21-023 | ¬ Making That Scene - vTW | DE7246t | |||
72-09-21-024 | - | Do Nothin’ Till You Hear From Me - vTW | DE7246u | |||
72-09-21-025 | _| Solitude - vTW | DE7246v | |||
72-09-21-026 | One More Time For The People - vTW | DE7246w | |||
72-09-21-027 | Heaven - vTW | DE7246x | |||
72-09-21-028 | Things Ain’t What They Used To Be | DE7246y | |||
DUKE ELLINGTON | New York City, NY | 01 October 1972 | |||
ABC telecast: "Jazz: The American Art Form" | |||||
Duke Ellington,n/k(tk) | |||||
72-10-01-001 | Interview | DE7247a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City | 05 October 1972 | |||
Duke Ellington recording session. Mediasound Studio. | |||||
Cootie Williams, Mercer Ellington, Harold "Money" Johnson(t); Johnny Coles(t,flh); Booty Wood, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-10-05-001 | -1 | Chinoiserie | DE7248a | ||
72-10-05-002 | -1 | Acac | DE7248b | ||
72-10-05-003 | -2 | Acac | DE7248c | ||
72-10-05-004 | Acac | DE7248d | |||
72-10-05-005 | -3 | The Kiss | OJC20 888072346147(D)(S)(T) | DE7248e | |
THE UWIS SUITE | |||||
72-10-05-006 | -1 | - 3. Uwis | DE7248f | ||
72-10-05-007 | -5 | - 3. Uwis | DE7248g | ||
72-10-05-008 | -6 | - 3. Uwis | DE7248h | ||
72-10-05-009 | - 3. Uwis | DE7248i | |||
72-10-05-010 | - 3. Uwis | DE7248j | |||
72-10-05-011 | - 3. Uwis | DE7248k | |||
72-10-05-012 | -7 | - 3. Uwis | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7248l | |
72-10-05-013 | -8 | - 4. Klop | DE7248m | ||
72-10-05-014 | -9 | - 4. Klop | DE7248n | ||
72-10-05-015 | -10 | - 4. Klop | DE7248o | ||
72-10-05-016 | -11 | - 4. Klop | DE7248p | ||
72-10-05-017 | -12 | - 4. Klop | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7248q | |
Add Wulf Freedman(eb) | |||||
72-10-05-018 | - 2. Loco Madi | OJC20 888072346147(D)(S)(T), Pb 2310-762 | DE7248r | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Knoxville, TN | 13 October 1972 | |||
Concert, Civic Auditorium | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Russ Andrews(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-10-13-001 | C-Jam Blues | DE7249a | |||
72-10-13-002 | ¬ Kinda Dukish | DE7249b | |||
72-10-13-003 | _| Rockin’ In Rhythm | DE7249c | |||
72-10-13-004 | Creole Love Call | DE7249d | |||
72-10-13-005 | Goof | DE7249e | |||
72-10-13-006 | Caravan | DE7249f | |||
72-10-13-007 | Fife | DE7249g | |||
72-10-13-008 | Take The “A” Train | DE7249h | |||
72-10-13-009 | Chinoiserie | DE7249i | |||
TOGO BRAVA SUITE | |||||
72-10-13-010 | - 1. Soul Soothing Beach (Mkis) | DE7249j | |||
72-10-13-011 | - 4. Right On Togo (Buss) | DE7249k | |||
72-10-13-012 | - 3. Amour, Amour (Too Kee) | DE7249l | |||
72-10-13-013 | - 2. Naturellement (Yoyo) | DE7249m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Newton, PA | 17 October 1972 | |||
Concert, Bucks County Community College | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Russ Andrews(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
72-10-17-001 | C-Jam Blues | DE7250a | |||
72-10-17-002 | Take The “A” Train (theme) | DE7250b | |||
72-10-17-003 | ¬ Kinda Dukish | DE7250c | |||
72-10-17-004 | _| Rockin’ In Rhythm | DE7250d | |||
72-10-17-005 | Creole Love Call | DE7250e | |||
72-10-17-006 | Goof | DE7250f | |||
72-10-17-007 | Caravan | DE7250g | |||
72-10-17-008 | Take The “A” Train | DE7250h | |||
72-10-17-009 | Fife | DE7250i | |||
72-10-17-010 | Chinoiserie | DE7250j | |||
TOGO BRAVA SUITE | |||||
72-10-17-011 | - 1. Soul Soothing Beach (Mkis) | DE7250k | |||
72-10-17-012 | - 4. Right On Togo (Buss) | DE7250l | |||
72-10-17-013 | - 3. Amour, Amour (Too Kee) | DE7250m | |||
72-10-17-014 | - 2. Naturellement (Yoyo) | DE7250n | |||
72-10-17-015 | Perdido | DE7250o | |||
72-10-17-016 | Satin Doll | DE7250p | |||
72-10-17-017 | In triplicate (In Duplicate) | DE7250q | |||
72-10-17-018 | La Plus Belle Africaine | DE7250r | |||
72-10-17-019 | Acac | DE7250s | |||
72-10-17-020 | Come Off The Veldt | DE7250t | |||
72-10-17-021 | Hello, Dolly! - vMJ | DE7250u | |||
Medley | DE7250v | ||||
72-10-17-022 | - 1. Don’t Get Around Much Anymore | ||||
72-10-17-023 | - 2. Mood Indigo | ||||
72-10-17-024 | - 3. I’m Beginning To See The Light | ||||
72-10-17-025 | - 4. Sophisticated Lady | ||||
72-10-17-026 | Making That Scene -vTW | DE7250w | |||
72-10-17-027 | Do Nothing’ Till You Hear From Me -vTW | DE7250x | |||
72-10-17-028 | Solitude -vTW | DE7250y | |||
72-10-17-029 | One More Time For The People -vTW | DE7250z | |||
72-10-17-030 | In The Beginning God -vTW | DE7250aa | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-10-17-031 | Dancers In Love | DE7250ab | |||
As before | |||||
72-10-17-032 | Things Ain’t What They Used To Be | DE7250ac | |||
72-10-17-033 | Blueberry Hill - vTW | DE7250ad | |||
72-10-17-034 | Tiger Rag | DE7250ae | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
72-10-17-035 | Lotus Blossom | DE7250af | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 23 October 1972 | |||
Pre recording for NBC telecast, Philharmonic Hall | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Tyree Glenn, Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Russ Andrews(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-10-23-001 | C-Jam Blues | Ti TX-1129 | DE7251a | ||
Duke Ellington(tk) | |||||
72-10-23-002 | Into Each Life Some Jazz Must Fall | Ti TX-1129 | DE7251xa | ||
As before | |||||
72-10-23-003 | It Don’t Mean A Thing | Ti TX-1129 | DE7251b | ||
DUKE ELLINGTON, BENNY GOODMAN, DOC SEVERINSEN WITH COUNT BASIE ORCHESTRA | Same session | ||||
Doc Severinsen, Pete Minger, Sonny Cohn, Waymon Reed, Paul Cohen(t); Al Grey, Melvin Wanzo, Frank Hooks, Bill Hughes(tb); Benny Goodman(cl); Bobby Plater, Curtis Peagler(as); Eric Dixon(fl,ts); Jimmy Forrest(ts); John Williams(bar); Count Basie, Duke Ellington(p); Freddy Green(g); Norman Keenan(sb); Harold Jones(d) | |||||
72-10-23-004 | One O’Clock Jump | Ti TX-1129 | DE7251c | ||
The telecast title is “Timex All-Star Swing Festival”, on the air on November 29. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA WITH DETROIT SYMPHONY ORCESTRA | Worcester, MA | 27 October 1972 | |||
Concert, Memorial Auditorium | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Russ Andrews(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v); Detroit Symphony Orchestra cond. Sixten Ehrlingadded | |||||
72-10-27-001 | Things Ain’t What They Used To Be | DE7252a | |||
72-10-27-002 | Fife | DE7252b | |||
72-10-27-003 | Take The “A” Train | DE7252c | |||
72-10-27-004 | HARLEM | DE7252d | |||
Detroit Symphony Orchestra out | |||||
72-10-27-005 | Chinoiserie | DE7252e | |||
72-10-27-006 | Hello, Dolly! - vMJ | DE7252f | |||
Medley | DE7252g | ||||
72-10-27-007 | - 1. Don’t Get Around Much Anymore | ||||
72-10-27-008 | - 2. Mood Indigo | ||||
72-10-27-009 | - 3. I’m Beginning To See The Light | ||||
72-10-27-010 | - 4. Sophisticated Lady | ||||
72-10-27-011 | Making That Scene -vTW | DE7252h | |||
72-10-27-012 | Solitude -vTW | DE7252i | |||
Add Detroit Symphony Orchestra | |||||
72-10-27-013 | Satin Doll | DE7252j | |||
72-10-27-014 | One More Time For The People -vTW | DE7252k | |||
72-10-27-015 | Satin Doll | DE7252l | |||
DUKE ELLINGTON AND RAY BROWN | Las Vegas, NV | 05 December 1972 | |||
Pablo recording session | |||||
Duke Ellington(p); Ray Brown(sb) | |||||
72-12-05-001 | Body And Soul | DE7253a | |||
72-12-05-002 | Do Nothin’ Till You Hear From Me | Pb 2310-721 | DE7253b | ||
72-12-05-003 | Pitter Panther Patter | Pb 2310-721 | DE7253c | ||
72-12-05-004 | Things Ain’t What They Used To Be | Pb 2310-721 | DE7253d | ||
72-12-05-005 | Sophisticated Lady | Pb 2310-721 | DE7253e | ||
72-12-05-006 | Mr. J.B. Blues | Pb 2310-721 | DE7253f | ||
Also listed as “See See Rider”, which is quoted in the improvisation. | |||||
FRAGMENTED SUITE FOR PIANO AND BASS | |||||
72-12-05-007 | - 1. First Movement | Pb 2310-721 | DE7253g | ||
72-12-05-008 | - 2. Second Movement | Pb 2310-721 | DE7253h | ||
72-12-05-009 | - 3. Third Movement = Pleadin' | Pb 2310-721 | DE7253i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Baltimore, MD | 17 December 1972 | |||
Dance date, Left Bank Jazz Society | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins, n/k(v) | |||||
72-12-17-001 | C-Jam Blues | DE7254a | |||
72-12-17-002 | Perdido | DE7254b | |||
72-12-17-003 | Soon It’s Gonna Rain | DE7254c | |||
72-12-17-004 | Soul Flute | DE7254d | |||
72-12-17-005 | How High The Moon | DE7254e | |||
72-12-17-006 | In A Sentimental Mood | DE7254f | |||
72-12-17-007 | ¬ Kinda Dukish | DE7254g | |||
72-12-17-008 | _| Rockin’ In Rhythm | DE7254h | |||
72-12-17-009 | ¬ Caravan | DE7254i | |||
72-12-17-010 | _| Don’t You Know I Care | DE7254j | |||
72-12-17-011 | I’m Just A Lucky So And So - vn/k | DE7254k | |||
72-12-17-012 | Hello, Little Boy (Hello, Little Girl) - vn/k | DE7254l | |||
TOGO BRAVA SUITE | |||||
72-12-17-013 | - 1. Soul Soothing Beach (Mkis) | DE7254m | |||
72-12-17-014 | - 4. Right On Togo (Buss) | DE7254n | |||
72-12-17-015 | - 3. Amour, Amour (Too Kee) | DE7254o | |||
72-12-17-016 | - 2. Naturellement (Yoyo) | DE7254p | |||
72-12-17-017 | La Plus Belle Africaine | DE7254q | |||
72-12-17-018 | Acac | DE7254r | |||
72-12-17-019 | Take The “A” Train | DE7254s | |||
72-12-17-020 | Summer Samba | DE7254t | |||
Duke Ellington(tk) | |||||
72-12-17-021 | Duke talking about a prize awarded by the Vice Major | DE7254u | |||
As before | |||||
72-12-17-022 | Satin Doll | DE7254v | |||
72-12-17-023 | Come Off The Veldt | DE7254w | |||
72-12-17-024 | Hello, Dolly - vMJ | DE7254x | |||
72-12-17-025 | Mack The Knife - vMJ | DE7254y | |||
72-12-17-026 | Things Ain’t What They Used To Be | DE7254z | |||
72-12-17-027 | Love You Madly - vTW | DE7254aa | |||
72-12-17-028 | Do Nothin’ Till You Hear From me - vTW | DE7254ab | |||
72-12-17-029 | Solitude - vTW | DE7254ac | |||
72-12-17-030 | I Don’t Want Nobody But You - vTW | DE7254ad | |||
72-12-17-031 | One More Time For The People - vTW | DE7254ae | |||
Medley | DE7254af | ||||
72-12-17-032 | - 1. Don’t Get Around Much Anymore | ||||
72-12-17-033 | - 2. Mood Indigo | ||||
72-12-17-034 | - 3. I’m Beginning To See The Light | ||||
72-12-17-035 | - 4. Sophisticated Lady | ||||
72-12-17-036 | ¬ Dimenuendo In Blue | DE7254ag | |||
72-12-17-037 | _| Wailing Interval | DE7254ah | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-12-17-038 | Happy Reunion | DE7254ai | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-12-17-039 | What Am I Here For? | DE7254aj | |||
As before | |||||
72-12-17-040 | The Piano Player | DE7254ak | |||
72-12-17-041 | It Don’t Mean A Thing - vTW | DE7254al | |||
72-12-17-042 | My Mother, My Father And Love - vTW | DE7254am | |||
72-12-17-043 | Making That Scene - vTW | DE7254an | |||
72-12-17-044 | ¬ I Let A Song Go Out Of My Heart | DE7254ao | |||
72-12-17-045 | _| Don’t Get Around Much Anymore | DE7254ap | |||
72-12-17-046 | Satin Doll | DE7254aq | |||
DUKE ELLINGTON GROUP | New York City, NY | 31 December 1972 | |||
NBC broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Vince Prudente(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
72-12-31-001 | Take The “A” Train | DE7255a | |||
72-12-31-002 | Caravan | DE7255b | |||
72-12-31-003 | C-Jam Blues | DE7255c | |||
72-12-31-004 | Don’t You Know I Care | DE7255d | |||
72-12-31-005 | Soul Flute | DE7255e | |||
72-12-31-006 | In A Sentimental Mood | DE7255f | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | March 1973 | |||
CK broadcast | |||||
Duke Ellington, Phil McKellar(tk) | |||||
72-03-00-001 | Interview by McKellar | DE7319a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Toronto, CDN | March 1973 | |||
CBC broadcast | |||||
Duke Ellington, Lorraine Thomson(tk) | |||||
72-03-00-002 | Interview by Thomson | DE7320a | |||
DUKE ELLINGTON AND MICHEL LEGRAND | Paris, F | 03 January 1973 | |||
Pre-recording for ORTF telecast "Michel Legrand Show", broadcast 73-06-06 | |||||
Duke Ellington(p); Michel Legrande(p,v); Pierre Michelot(sb); Gus Wallez(d) | |||||
73-01-03-001 | Solitude | DE7301a | |||
73-01-03-002 | Les Parapluies De Cherbourg | DE7301b | |||
73-01-03-003 | Caravan - vMLe | DE7301c | |||
DUKE ELLINGTON AND Stéphane Grappelli | Same session | ||||
Stéphane Grappelli(vn); Duke Ellington(p); Pierre Michelot(sb); Gus Wallez(d) | |||||
73-01-03-004 | It Don’t Mean A Thing | DE7301d | |||
DUKE ELLINGTON AND MICHEL LEGRAND | Same session | ||||
Duke Ellington(p); Michel Legrande(p,v); Pierre Michelot(sb); Gus Wallez(d) | |||||
73-01-03-005 | C-Jam Blues | DE7301e | |||
DUKE ELLINGTON AND Stéphane Grappelli | Paris, F | 04 January 1973 | |||
Pre-recording for ORTF telecast, "Stéphane Grappelli Program", broadcast 73-03-27 | |||||
Stéphane Grappelli(vn); Duke Ellington(p) | |||||
Medley | DE7302a | ||||
73-01-04-001 | - 1. Solitude | ||||
73-01-04-002 | - 2. I Let A Song Go and Don’t Get Around Much | ||||
73-01-04-003 | - 3. It Don’t Mean A Thing | ||||
DUKE ELLINGTON | London, GB | 05 January 1973 | |||
Pre-recording for BBC telecast, "Parkinson", broadcast 73-02-24 | |||||
Duke Ellington, Michael Parkinson(tk) | |||||
73-01-05-001 | Interview by Parkinson | DE7303a | |||
Duke Ellington(p) | |||||
73-01-05-002 | Lotus Blossom | DE7303b | |||
DUKE ELLINGTON WITH HARRY STONEHAM QUINTET | Same session | ||||
Pre-recording for BBC telecast | |||||
Duke Ellington(p); Harry Stoneham(o); n/k(vb); n/k(g); n/k(sb); n/k(d) | |||||
73-01-05-003 | Satin Doll | DE7303c | |||
DUKE ELLINGTON AND HIS RHYTHM WITH ORCHESTRA | Las Vegas, NV | 07 January 1973 | |||
Pre-recording for CBS telecast, Caesars Palace, "Entertainer Of The Year Awards", broadcast 73-01-23 | |||||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Studio Orchestra | |||||
73-01-07-001 | Satin Doll | DE7304a | |||
DUKE'S BIG FOUR | Los Angeles, CA | 08 January 1973 | |||
Pablo recording session | |||||
Duke Ellington(p); Joe Pass(g); Ray Brown(sb); Louie Bellson(d) | |||||
73-01-08-001 | The Brotherhood | EV EREDV-431 | DE9068a | ||
73-01-08-002 | The Brotherhood | EV EREDV-431 | DE9068b | ||
73-01-08-003 | The Brotherhood | EV EREDV-431 | DE9068c | ||
73-01-08-004 | Just Squeeze Me | EV EREDV-431 | DE9068d | ||
73-01-08-005 | Just Squeeze Me | EV EREDV-431, Pb 2310-703 | DE9068e | ||
73-01-08-006 | The Brotherhood | EV EREDV-431 | DE9068f | ||
73-01-08-007 | The Brotherhood | EV EREDV-431 | DE9068g | ||
73-01-08-008 | Carnegie Blues | EV EREDV-431 | DE9068h | ||
73-01-08-009 | Carnegie Blues | EV EREDV-431 | DE9068i | ||
73-01-08-010 | Carnegie Blues | EV EREDV-431, Pb 2310-703 | DE9068j | ||
73-01-08-011 | Carnegie Blues | EV EREDV-431, Pb 2310-703* | DE9068k | ||
73-01-08-012 | The Hawk Talks | EV EREDV-431 | DE9068l | ||
73-01-08-013 | The Hawk Talks | EV EREDV-431, Pb 2310-703 | DE9068m | ||
73-01-08-014 | The Hawk Talks | Pb 2310-703* | DE9068n | ||
73-01-08-015 | Prelude To A Kiss | EV EREDV-431 | DE9068o | ||
73-01-08-016 | Prelude To A Kiss | EV EREDV-431 | DE9068p | ||
73-01-08-017 | Prelude To A Kiss | EV EREDV-431 | DE9068q | ||
73-01-08-018 | Cotton Tail | EV EREDV-431 | DE9068r | ||
73-01-08-019 | Prelude To A Kiss | EV EREDV-431, Pb 2310-703 | DE9068s | ||
73-01-08-020 | Prelude To A Kiss | EV EREDV-431 | DE9068t | ||
73-01-08-021 | Prelude To A Kiss | EV EREDV-431 | DE9068u | ||
73-01-08-022 | Cotton Tail | EV EREDV-431 | DE9068v | ||
73-01-08-023 | Cotton Tail | EV EREDV-431, Pb 2310-703 | DE9068w | ||
73-01-08-024 | Everything But You | EV EREDV-431, Pb 2310-703 | DE9068x | ||
73-01-08-025 | Love You Madly | EV EREDV-431, Pb 2310-703 | DE9068y | ||
Joe Pass, Louie Bellson out | |||||
FRAGMENTED SUITE FOR PIANO AND BASS | |||||
73-01-08-026 | - 4. Fourth Movement | EV EREDV-431, Pb 2310-721 | DE9068z | ||
ALL STARS BAND | Los Angeles, CA | 10 January 1973 | |||
Pre-recording for CBS telecast, Schubert Theatre | |||||
7 trumpets, 5 trombones, 3 horns, 8 reeds, 12 violins, 4 violas, 4 cellos, 1 harp, 9 rhythms, cond. by Quincy Jones. Among them Cat Anderson, Bill Berry, Ernie Royal, Clark Terry, Snooky Young, Cootie Williams(t); Tyree Glenn, Britt Woodman(tb); Russell Procope, Marshall Royal, Murray McEachern(as); Paul Gonsalves(ts); Harry Carney(bar); Duke Ellington(p); Ray Brown(sb); Louie Bellson(d); Aretha Franklin, Peggy Lee, Roberta Flack, Sarah Vaughan(v) | |||||
Medley | DE7306a | ||||
73-01-10-001 | - 1. Satin Doll | ||||
73-01-10-002 | - 2. I’m Beginning To See The Light | ||||
73-01-10-003 | - 3. Things Ain’t What They Used To be | ||||
73-01-10-004 | Love You Madly | DE7306b | |||
Duke Ellington (tk) | |||||
73-01-10-005 | Duke Talking About His Book | DE7306c | |||
As before | |||||
73-01-10-006 | Love You Madly (Finger-Snapping Routine) | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 30 January 1973 | |||
1st set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-01-30-001 | ¬ Caravan | DE7307a | |||
73-01-30-002 | _| C-Jam Blues | DE7307b | |||
73-01-30-003 | How High The Moon | DE7307c | |||
73-01-30-004 | Fife | DE7307d | |||
73-01-30-005 | Satin Doll | DE7307e | |||
73-01-30-006 | Take The “A” Train | DE7307f | |||
73-01-30-007 | Mood Indigo | DE7307g | |||
73-01-30-008 | Chinoiserie | DE7307h | |||
73-01-30-009 | Hello, Dolly! - vMJ | DE7307i | |||
73-01-30-010 | Sophisticated Lady | DE7307j | |||
73-01-30-011 | Making That Scene - vTW | DE7307k | |||
73-01-30-012 | Do Nothin’ Till You Hear From Me - vTW | DE7307l | |||
73-01-30-013 | Solitude - vTW | DE7307m | |||
73-01-30-014 | One More Time For The People - vTW | DE7307n | |||
73-01-30-015 | Things Ain’t What They Used To Be | DE7307o | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 30 January 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-01-30-016 | Caravan | DE7308a | |||
73-01-30-017 | Satin Doll | DE7308b | |||
73-01-30-018 | ¬ Kinda Dukish | DE7308c | |||
73-01-30-019 | _| Rockin’ In Rhythm | DE7308d | |||
73-01-30-020 | Creole Love Call | DE7308e | |||
73-01-30-021 | Don’t You Know I Care | DE7308f | |||
73-01-30-022 | How High The Moon | DE7308g | |||
73-01-30-023 | In A Sentimental Mood | DE7308h | |||
73-01-30-024 | Take The “A” Train | DE7308i | |||
73-01-30-025 | Fife | DE7308j | |||
73-01-30-026 | Soul Flute | DE7308k | |||
73-01-30-027 | Chinoiserie | DE7308l | |||
73-01-30-028 | I Can’t Get Started | DE7308m | |||
73-01-30-029 | Hello, Dolly! - vMJ | DE7308n | |||
73-01-30-030 | Mack The Knife - vMJ | DE7308o | |||
Medley | DE7308p | ||||
73-01-30-031 | - 1. Don’t Get Around Much Anymore | ||||
73-01-30-032 | - 2. Mood Indigo | ||||
73-01-30-033 | - 3. I’m Beginning To See The Light | ||||
73-01-30-034 | - 4. Sophisticated Lady | ||||
73-01-30-035 | Making That Scene - vTW | DE7308q | |||
73-01-30-036 | I Got It Bad - vTW | DE7308r | |||
73-01-30-037 | I Don’t Want Nobody But You - vTW | DE7308s | |||
73-01-30-038 | One More Time For The People - vTW | DE7308t | |||
73-01-30-039 | Things Ain’t What They Used To Be | DE7308u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 31 January 1973 | |||
1st set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-01-31-001 | ¬ Caravan | DE7309a | |||
73-01-31-002 | _| C-Jam Blues | DE7309b | |||
73-01-31-003 | ¬ Don’t Get Around Much Anymore | DE7309c | |||
73-01-31-004 | _| Mood Indigo | DE7309d | |||
73-01-31-005 | Satin Doll | DE7309e | |||
73-01-31-006 | How High The Moon | DE7309f | |||
73-01-31-007 | In A Sentimental Mood | DE7309g | |||
73-01-31-008 | Take The “A” Train | DE7309h | |||
73-01-31-009 | Fife | DE7309i | |||
73-01-31-010 | Chinoiserie | DE7309j | |||
73-01-31-011 | Hello, Dolly! - vMJ | DE7309k | |||
73-01-31-012 | Mack The Knife - vMJ | DE7309l | |||
73-01-31-013 | Blueberry Hill - vMJ | DE7309m | |||
73-01-31-014 | Sophisticated Lady | DE7309n | |||
73-01-31-015 | Making That Scene - vTW | DE7309o | |||
73-01-31-016 | Do Nothin’ Till You Hear From Me - vTW | DE7309p | |||
73-01-31-017 | Solitude - vTW | DE7309q | |||
73-01-31-018 | One More Time For The People - vTW | DE7309r | |||
73-01-31-019 | Things Ain’t What They Used To Be | DE7309s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 31 January 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-01-31-020 | ¬ Caravan | DE7310a | |||
73-01-31-021 | _| C-Jam Blues | DE7310b | |||
73-01-31-022 | ¬ Don’t Get Around Much Anymore | DE7310c | |||
73-01-31-023 | _| Mood Indigo | DE7310d | |||
73-01-31-024 | Satin Doll | DE7310e | |||
73-01-31-025 | How High The Moon | DE7310f | |||
73-01-31-026 | In A Sentimental Mood | DE7310g | |||
73-01-31-027 | Take The “A” Train | DE7310h | |||
73-01-31-028 | Don’t You Know I Care | DE7310i | |||
73-01-31-029 | Fife | DE7310j | |||
73-01-31-030 | Chinoiserie | DE7310k | |||
73-01-31-031 | I Can’t Get Started | DE7310l | |||
73-01-31-032 | Hello, Dolly! - vMJ | DE7310m | |||
73-01-31-033 | Mack The Knife - vMJ | DE7310n | |||
73-01-31-034 | Sophisticated Lady | DE7310o | |||
73-01-31-035 | All Of Me | DE7310p | |||
73-01-31-036 | Making That Scene - vTW | DE7310q | |||
73-01-31-037 | I Got It Bad - vTW | DE7310r | |||
73-01-31-038 | I Don’t Want Nobody But You - vTW | DE7310s | |||
73-01-31-039 | One More Time For The People - vTW | DE7310t | |||
73-01-31-040 | Things Ain’t What They Used To Be | DE7310u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 01 February 1973 | |||
1st set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-01-001 | ¬ Caravan | DE7311a | |||
73-02-01-002 | _| C-Jam Blues | DE7311b | |||
73-02-01-003 | ¬ Don’t Get Around Much Anymore | DE7311c | |||
73-02-01-004 | _| Mood Indigo | DE7311d | |||
73-02-01-005 | Satin Doll | DE7311e | |||
73-02-01-006 | ¬ Kinda Dukish | DE7311f | |||
73-02-01-007 | _| Rockin’ In Rhythm | DE7311g | |||
73-02-01-008 | In A Sentimental Mood | DE7311h | |||
73-02-01-009 | How High The Moon | DE7311i | |||
73-02-01-010 | Take The “A” Train | DE7311j | |||
73-02-01-011 | Chinoiserie | DE7311k | |||
73-02-01-012 | I Can’t Get Started | DE7311l | |||
73-02-01-013 | Hello, Dolly! - vMJ | DE7311m | |||
73-02-01-014 | Sophisticated Lady | DE7311n | |||
73-02-01-015 | Making That Scene - vTW | DE7311o | |||
73-02-01-016 | Do Nothin’ Till You Hear From Me - vTW | DE7311p | |||
73-02-01-017 | Solitude - vTW | DE7311q | |||
73-02-01-018 | One More Time For The People - vTW | DE7311r | |||
73-02-01-019 | Things Ain’t What They Used To Be | DE7311s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 01 February 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Norris Turney(fl,cl,as,ts); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-01-020 | ¬ Caravan | DE7312a | |||
73-02-01-021 | _| C-Jam Blues | DE7312b | |||
73-02-01-022 | Mood Indigo | DE7312c | |||
73-02-01-023 | Satin Doll | DE7312d | |||
73-02-01-024 | How High The Moon | DE7312e | |||
73-02-01-025 | Don’t You Know I Care | DE7312f | |||
73-02-01-026 | Fife | DE7312g | |||
73-02-01-027 | Take The “A” Train | DE7312h | |||
73-02-01-028 | In A Sentimental Mood | DE7312i | |||
73-02-01-029 | Body And Soul | DE7312j | |||
73-02-01-030 | Things Ain’t What They Used To Be | DE7312k | |||
73-02-01-031 | Hello, Dolly! - vMJ | DE7312l | |||
Medley | DE7312m | ||||
73-02-01-032 | - 1. Don’t Get Around Much Anymore | ||||
73-02-01-033 | - 2. I Let A Song Go Out Of My Heart | ||||
73-02-01-034 | - 3. I Got It Bad | ||||
73-02-01-035 | - 4. I’m Beginning To See The Light | ||||
73-02-01-036 | - 5. Sophisticated Lady | ||||
73-02-01-037 | Making That Scene - vTW | DE7312n | |||
73-02-01-038 | Do Nothin’ Till You Hear From Me - vTW | DE7312o | |||
73-02-01-039 | One More Time For The People - vTW | DE7312p | |||
73-02-01-040 | Things Ain’t What They Used To Be | DE7312q | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 02 February 1973 | |||
1st set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-02-001 | ¬ Caravan | DE7313a | |||
73-02-02-002 | _| C-Jam Blues | DE7313b | |||
73-02-02-003 | Mood Indigo | DE7313c | |||
73-02-02-004 | Satin Doll | DE7313d | |||
73-02-02-005 | How High The Moon | DE7313e | |||
73-02-02-006 | In A Sentimental Mood | DE7313f | |||
73-02-02-007 | Take The “A” Train | DE7313g | |||
73-02-02-008 | Don’t You Know I Care | DE7313h | |||
73-02-02-009 | In Triplicate | DE7313i | |||
73-02-02-010 | Creole Love Call | DE7313j | |||
73-02-02-011 | Chinoiserie | DE7313k | |||
73-02-02-012 | Hello, Dolly! - vMJ | DE7313l | |||
73-02-02-013 | Mack The Knife - vMJ | DE7313m | |||
Medley | DE7313n | ||||
73-02-02-014 | - 1. Don’t Get Around Much Anymore | ||||
73-02-02-015 | - 2. I Let A Song Go Out Of My Heart | ||||
73-02-02-016 | - 3. Don’t Get Around Much Anymore | ||||
73-02-02-017 | - 4. I Got It Bad | ||||
73-02-02-018 | - 5. I’m Beginning To See The Light | ||||
73-02-02-019 | - 6. Sophisticated Lady | ||||
73-02-02-020 | Making That Scene - vTW | DE7313o | |||
73-02-02-021 | Do Nothin’ Till You Hear From Me - vTW | DE7313p | |||
73-02-02-022 | Solitude - vTW | DE7313q | |||
73-02-02-023 | One More Time For The People - vTW | DE7313r | |||
73-02-02-024 | Things Ain’t What They Used To Be | DE7313s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 02 February 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-02-025 | ¬ Caravan | DE7314a | |||
73-02-02-026 | _| C-Jam Blues | DE7314b | |||
73-02-02-027 | Mood Indigo | DE7314c | |||
73-02-02-028 | ¬ Kinda Dukish | DE7314d | |||
73-02-02-029 | _| Rockin’ In Rhythm | DE7314e | |||
73-02-02-030 | Satin Doll | DE7314f | |||
73-02-02-031 | How High The Moon | DE7314g | |||
73-02-02-032 | In A Sentimental Mood | DE7314h | |||
73-02-02-033 | Take The “A” Train | DE7314i | |||
Paul Gonsalves(ts) Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-02-02-034 | Blue Prelude | DE7314j | |||
As before | |||||
73-02-02-035 | Chinoiserie | DE7314k | |||
73-02-02-036 | Acac | DE7314l | |||
73-02-02-037 | Come Off The Veldt | DE7314m | |||
73-02-02-038 | Hello, Dolly! - vMJ | DE7314n | |||
73-02-02-039 | Mack The Knife - vMJ | DE7314o | |||
Medley | DE7314p | ||||
73-02-02-040 | - 1. Don’t Get Around Much Anymore | ||||
73-02-02-041 | - 2. I Let A Song Go Out Of My Heart | ||||
73-02-02-042 | - 3. Don’t Get Around Much Anymore | ||||
73-02-02-043 | - 4. I Got It Bad | ||||
73-02-02-044 | - 5. I’m Beginning To See The Light | ||||
73-02-02-045 | - 6. Sophisticated Lady | ||||
73-02-02-046 | Making That Scene - vTW | DE7314q | |||
73-02-02-047 | Do Nothin’ Till You Hear From Me - vTW | DE7314r | |||
73-02-02-048 | Solitude - vTW | DE7314s | |||
73-02-02-049 | One More Time For The People - vTW | DE7314t | |||
73-02-02-050 | Things Ain’t What They Used To Be | DE7314u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 03 February 1973 | |||
1st set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-03-001 | ¬ Caravan | DE7315a | |||
73-02-03-002 | _| C-Jam Blues | DE7315b | |||
73-02-03-003 | Mood Indigo | DE7315c | |||
73-02-03-004 | Satin Doll | DE7315d | |||
73-02-03-005 | How High The Moon | DE7315e | |||
73-02-03-006 | In A Sentimental Mood | DE7315f | |||
73-02-03-007 | Take The “A” Train | DE7315g | |||
73-02-03-008 | Don’t You Know I Care | DE7315h | |||
73-02-03-009 | ¬ Kinda Dukish | DE7315i | |||
73-02-03-010 | _| Rockin’ In Rhythm | DE7315j | |||
73-02-03-011 | Creole Love Call | DE7315k | |||
73-02-03-012 | Chinoiserie | DE7315l | |||
73-02-03-013 | Hello, Dolly! - vMJ | DE7315m | |||
73-02-03-014 | Mack The Knife - vMJ | DE7315n | |||
Medley | DE7315o | ||||
73-02-03-015 | - 1. Don’t Get Around Much Anymore | ||||
73-02-03-016 | - 2. I Let A Song Go Out Of My Heart | ||||
73-02-03-017 | - 3. Don’t Get Around Much Anymore | ||||
73-02-03-018 | - 4. I Got It Bad | ||||
73-02-03-019 | - 5. I’m Beginning To See The Light | ||||
73-02-03-020 | - 6. Sophisticated Lady | ||||
73-02-03-021 | Making That Scene - vTW | DE7315p | |||
73-02-03-022 | Do Nothin’ Till You Hear From Me - vTW | DE7315q | |||
73-02-03-023 | Solitude - vTW | DE7315r | |||
73-02-03-024 | One More Time For The People - vTW | DE7315s | |||
73-02-03-025 | In The Beginning God - vTW | DE7315t | |||
73-02-03-026 | Things Ain’t What They Used To Be | DE7315u | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 03 February 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-03-027 | ¬ Caravan | DE7316a | |||
73-02-03-028 | - | Happy Go Lucky Local | DE7316b | |||
73-02-03-029 | _| C-Jam Blues | DE7316c | |||
73-02-03-030 | Mood Indigo | DE7316d | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-02-03-031 | Carolina Shout | DE7316e | |||
As before | |||||
73-02-03-032 | Satin Doll | DE7316f | |||
73-02-03-033 | How High The Moon | DE7316g | |||
73-02-03-034 | In A Sentimental Mood | DE7316h | |||
73-02-03-035 | Soul Flute | DE7316i | |||
73-02-03-036 | ¬ Mood Indigo | DE7316j | |||
73-02-03-037 | _| I’m Beginning To See The light | DE7316k | |||
73-02-03-038 | Take The “A” Train | DE7316l | |||
73-02-03-039 | Jeep’s Blues | DE7316m | |||
73-02-03-040 | Chinoiserie | DE7316n | |||
73-02-03-041 | I Can’t Get Started | DE7316o | |||
73-02-03-042 | Hello, Dolly! - vMJ | DE7316p | |||
73-02-03-043 | Mack The Knife - vMJ | DE7316q | |||
73-02-03-044 | Sophisticated Lady | DE7316r | |||
73-02-03-045 | Making That Scene - vTW | DE7316s | |||
73-02-03-046 | Do Nothin’ Till You Hear From Me - vTW | DE7316t | |||
73-02-03-047 | Love You Madly - vTW | DE7316u | |||
73-02-03-048 | Solitude - vTW | DE7316v | |||
73-02-03-049 | Mood Indigo - vTW | DE7316w | |||
73-02-03-050 | One More Time For The People - vTW | DE7316x | |||
73-02-03-051 | Things Ain’t What They Used To Be | DE7316y | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami Beach, FL | 04 February 1973 | |||
2nd set Marco Polo Hotel | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-02-04-001 | ¬ Caravan | DE7317a | |||
73-02-04-002 | _| C-Jam Blues | DE7317b | |||
73-02-04-003 | Mood Indigo | DE7317c | |||
73-02-04-004 | Satin Doll | DE7317d | |||
73-02-04-005 | How High The Moon | DE7317e | |||
73-02-04-006 | In A Sentimental Mood | DE7317f | |||
73-02-04-007 | Soul Flute | DE7317g | |||
73-02-04-008 | Take The “A” Train | DE7317h | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-02-04-009 | Pitter Panther Patter | DE7317i | |||
Harry Carney(bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-02-04-010 | Prelude To A Kiss | DE7317j | |||
As before | |||||
73-02-04-011 | Chinoiserie | DE7317k | |||
73-02-04-012 | Hello, Dolly! - vMJ | DE7317l | |||
73-02-04-013 | Mack The Knife - vMJ | DE7317m | |||
Medley | DE7317n | ||||
73-02-04-014 | - 1. Don’t Get Around Much Anymore | ||||
73-02-04-015 | - 2. I Got It Bad | ||||
73-02-04-016 | - 3. I’m Beginning To See The Light | ||||
73-02-04-017 | - 4. Sophisticated Lady | ||||
73-02-04-018 | Making That Scene - vTW | DE7317o | |||
73-02-04-019 | Do Nothin’ Till You Hear From Me - vTW | DE7317p | |||
73-02-04-020 | Solitude - vTW | DE7317q | |||
73-02-04-021 | I Don’t Want Nobody But You - vTW | DE7317r | |||
73-02-04-022 | One More Time For The People - vTW | DE7317s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Lawton, OK | 08 February 1973 | |||
Montego Bay Hotel | |||||
Duke Ellington, Mr. Ford(tk) | |||||
73-02-08-001 | Interview by Ford | DE7318a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Seattle, WA | 10 April 1973 | |||
Concert, Paramount Theatre | |||||
Bill Berry, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Toney Watkins(v) | |||||
73-04-10-001 | C-Jam Blues | DE7321a | |||
73-04-10-002 | ¬ Kinda Dukish | DE7321b | |||
73-04-10-003 | _| Rockin’ In Rhythm | DE7321c | |||
73-04-10-004 | Creole Love Call | DE7321d | |||
73-04-10-005 | ¬ Caravan | DE7321e | |||
73-04-10-006 | _| How High The Moon | DE7321f | |||
73-04-10-007 | In A Sentimental Mood | DE7321g | |||
73-04-10-008 | Take The “A” Train | DE7321h | |||
TOGO BRAVA SUITE | |||||
73-04-10-009 | - 1. Soul Soothing Beach (Mkis) | DE7321i | |||
73-04-10-010 | - 4. Right On Togo (Buss) | DE7321j | |||
73-04-10-011 | - 3. Amour, Amour (Too Kee) | DE7321k | |||
73-04-10-012 | - 2. Naturellement (Yoyo) | DE7321l | |||
73-04-10-013 | La Plus Belle Africaine | DE7321m | |||
73-04-10-014 | Things Ain’t What They Used To Be | DE7321n | |||
73-04-10-015 | Satin Doll | DE7321o | |||
73-04-10-016 | In Triplicate (In Duplicate) | DE7321p | |||
73-04-10-017 | Chinoiserie | DE7321q | |||
Medley | DE7321r | ||||
73-04-10-018 | - 1. Prelude To A Kiss | ||||
73-04-10-019 | - 2. Don’t Get Around Much Anymore | ||||
73-04-10-020 | - 3. Mood Indigo | ||||
73-04-10-021 | - 3. I’m Beginning To See The Light | ||||
73-04-10-022 | - 4. Sophisticated Lady | ||||
73-04-10-023 | Making That Scene - vTW | DE7321s | |||
73-04-10-024 | Do Nothin’ Till You Hear From Me - vTW | DE7321t | |||
73-04-10-025 | Mood Indigo - vTW | DE7321u | |||
73-04-10-026 | One More Time For The People - vTW | DE7321v | |||
73-04-10-027 | Things Ain’t What They Used To Be | DE7321w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Vancouver, CDN | 12 April 1973 | |||
Concert, Queen Elizabeth Theatre | |||||
Bill Berry, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Toney Watkins(v) | |||||
73-04-12-001 | C-Jam Blues | DE7322a | |||
73-04-12-002 | ¬ Kinda Dukish | DE7322b | |||
73-04-12-003 | _| Rockin’ In Rhythm | DE7322c | |||
73-04-12-004 | Creole Love Call | DE7322d | |||
73-04-12-005 | ¬ Caravan | DE7322e | |||
73-04-12-006 | _| How High The Moon | DE7322f | |||
73-04-12-007 | In A Sentimental Mood | DE7322g | |||
73-04-12-008 | Take The “A” Train | DE7322h | |||
TOGO BRAVA SUITE | |||||
73-04-12-009 | - 1. Soul Soothing Beach (Mkis) | DE7322i | |||
73-04-12-010 | - 4. Right On Togo (Buss) | DE7322j | |||
73-04-12-011 | - 3. Amour, Amour (Too Kee) | DE7322k | |||
73-04-12-012 | - 2. Naturellement (Yoyo) | DE7322l | |||
73-04-12-013 | La Plus Belle Africaine | DE7322m | |||
73-04-12-014 | Perdido | DE7322n | |||
73-04-12-015 | Satin Doll | DE7322o | |||
73-04-12-016 | In Triplicate (In Duplicate) | DE7322p | |||
73-04-12-017 | Chinoiserie | DE7322q | |||
73-04-12-018 | Hello, Dolly! - vMJ | DE7322r | |||
Medley | DE7322s | ||||
73-04-12-019 | - 1. Prelude To A Kiss | ||||
73-04-12-020 | - 2. Don’t Get Around Much Anymore | ||||
73-04-12-021 | - 3. Mood Indigo | ||||
73-04-12-022 | - 3. I’m Beginning To See The Light | ||||
73-04-12-023 | - 4. Sophisticated Lady | ||||
73-04-12-024 | Making That Scene - vTW | DE7322t | |||
73-04-12-025 | Do Nothin’ Till You Hear From Me - vTW | DE7322u | |||
73-04-12-026 | Solitude - vTW | DE7322v | |||
73-04-12-027 | Mood Indigo - vTW | DE7322w | |||
73-04-12-028 | One More Time For The People - vTW | DE7322x | |||
73-04-12-029 | Things Ain’t What They Used To Be | DE7322y | |||
73-04-12-030 | Heaven - vTW | DE7322z | |||
73-04-12-031 | The Biggest | DE7322aa | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-04-12-032 | Lotus Blossom | DE7322ab | |||
DUKE ELLINGTON AND HIS ORCHESTRA | San Francisco, CA | 13 April 1973 | |||
Concert, Great American Music Hall | |||||
Bill Berry, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Toney Watkins(v) | |||||
73-04-13-001 | C-Jam Blues | DE7323a | |||
73-04-13-002 | Don’t You Know I Care | DE7323b | |||
73-04-13-003 | Goof | DE7323c | |||
73-04-13-004 | Satin Doll | DE7323d | |||
73-04-13-005 | ¬ Kinda Dukish | DE7323e | |||
73-04-13-006 | _| Rockin’ In Rhythm | DE7323f | |||
73-04-13-007 | In A Sentimental Mood | DE7323g | |||
73-04-13-008 | Caravan | DE7323h | |||
73-04-13-009 | In Triplicate (In Duplicate) | DE7323i | |||
Murray McEachern(tb); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-04-13-010 | Warm Valley | DE7323j | |||
As before | |||||
73-04-13-011 | Take The “A” Train | DE7323k | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Anaheim, CA | 20 April 1973 | |||
Concert, Disneyland | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Michael McGettigen(fh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Anita Moore, Toney Watkins(v) | |||||
73-04-20-001 | C-Jam Blues | DE7323a | |||
73-04-20-002 | ¬ Kinda Dukish | DE7323b | |||
73-04-20-003 | _| Rockin’ In Rhythm | DE7323c | |||
73-04-20-004 | 4:30 Blues | DE7323d | |||
73-04-20-005 | Satin Doll | DE7323e | |||
73-04-20-006 | ¬ Caravan | DE7323f | |||
73-04-20-007 | _| How High The Moon | DE7323g | |||
73-04-20-008 | In A Sentimental Mood | DE7323h | |||
73-04-20-009 | Take The “A” Train | DE7323i | |||
73-04-20-010 | New York, New York - vAMo | DE7323j | |||
73-04-20-011 | I Got It Bad - vAMo | DE7323k | |||
73-04-20-012 | Blem - vAMo | DE7323l | |||
73-04-20-013 | Things Ain’t What They Used To Be | DE7323m | |||
73-04-20-014 | Hello, Dolly! - vMJ | DE7323n | |||
73-04-20-015 | Sophisticated Lady | DE7323o | |||
73-04-20-016 | Romantic Season | DE7323p | |||
73-04-20-017 | Satin Doll | DE7323q | |||
73-04-20-018 | Soso | DE7323r | |||
73-04-20-019 | Soso | DE7323s | |||
Add Rheza Paley(ts) | |||||
73-04-20-020 | Soso | DE7323t | |||
Rheza Paley out | |||||
73-04-20-021 | One More Time For The People - vAMo,TW | DE7323u | |||
73-04-20-022 | Satin Doll | DE7323v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Dallas, TX | 30 April 1973 | |||
Concert, Lovers Lane Methodist Church | |||||
Cootie Williams, Harold "Money" Johnson, Mercer Ellington(t); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Devonne Gardner, Patricia Hoy, Roscoe Gill, Toney Watkins, Choir(v) | |||||
SECOND SACRED CONCERT | |||||
73-04-30-001 | - 01. Praise God And Dance (Opening Theme) | DE7325a | |||
73-04-30-002 | - 02. Supreme Being - vChoir | DE7325b | |||
73-04-30-003 | - 03. Something ‘Bout Believing - vDG,RG,TW,Choir | DE7325c | |||
73-04-30-004 | - 04. Almighty God - vDG,Choir | DE7325d | |||
73-04-30-005 | - 05. The Shepherd | DE7325e | |||
73-04-30-006 | - 06. Heaven - vDG,Choir | DE7325f | |||
73-04-30-007 | - 08. Meditation | DE7325g | |||
73-04-30-008 | - 09. The Biggest | DE7325h | |||
73-04-30-009 | - 10. T.G.T.T. -vPHo | DE7325i | |||
73-04-30-010 | - 11. Don’t Get Down On Your Knees - vTW | DE7325j | |||
73-04-30-011 | - 12. Father Forgive - vTW,Choir | DE7325k | |||
73-04-30-012 | - 13. Don’t Get Down On Your Knees - vTW | DE7325l | |||
73-04-30-013 | - 14. Praise God And Dance - vPHo,TW,Choir | DE7325m | |||
Toney Watkins(v) solo | |||||
73-04-30-014 | The Preachers Song - vTW | DE7325n | |||
Meditation is played by Duke Ellington and Joe Benjamin only. T.G.T.T. is performed by Patricia Hoy and Duke Ellington only; Father Forgive is sung by Toney Watkins and choir only. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Nashville, TN | 01 May 1973 | |||
Concert, Ryman Auditorium | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Toney Watkins(v) | |||||
73-05-01-001 | C-Jam Blues | DE7326a | |||
73-05-01-002 | ¬ Kinda Dukish | DE7326b | |||
73-05-01-003 | _| Rockin’ In Rhythm | DE7326c | |||
73-05-01-004 | Creole Love Call | DE7326d | |||
73-05-01-005 | ¬ Caravan | DE7326e | |||
73-05-01-006 | _| How High The Moon | DE7326f | |||
73-05-01-007 | Soul Soothing Beach | DE7326g | |||
73-05-01-008 | Take The “A” Train | DE7326h | |||
73-05-01-009 | La Plus Belle Africaine | DE7326i | |||
73-05-01-010 | Perdido | DE7326j | |||
73-05-01-011 | Romantic Season | DE7326k | |||
73-05-01-012 | Chinoiserie | DE7326l | |||
73-05-01-013 | Hello, Dolly! - vMJ | DE7326m | |||
Medley | DE7326n | ||||
73-05-01-014 | - 1. Prelude To A Kiss | ||||
73-05-01-015 | - 2. Don’t Get Around Much Anymore | ||||
73-05-01-016 | - 3. Mood Indigo | ||||
73-05-01-017 | - 4. I’m Beginning To See The Light | ||||
73-05-01-018 | - 5. Sophisticated Lady | ||||
73-05-01-019 | Making That Scene - vTW | DE7326o | |||
73-05-01-020 | Do Nothin’ Till You Hear From Me - vTW | DE7326p | |||
73-05-01-021 | Solitude - vTW | DE7326q | |||
73-05-01-022 | One More Time For The People - vTW | DE7326r | |||
73-05-01-023 | Things Ain’t What They Used To Be | DE7326s | |||
73-05-01-024 | Come Off The Veldt | DE7326t | |||
73-05-01-025 | In The Beginning God - vTW | DE7326u | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-05-01-026 | Lotus Blossom | DE7326v | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Kenosha, WI | 11 May 1973 | |||
Dance date, Eagles Ballroom | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente, Jimmy Cheatham(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Anita Moore, Toney Watkins(v) | |||||
73-05-11-001 | C-Jam Blues | DE7327a | |||
73-05-11-002 | Laura | DE7327b | |||
73-05-11-003 | Love Is Just Around The Corner | DE7327c | |||
73-05-11-004 | Azure | DE7327d | |||
73-05-11-005 | Romantic Season | DE7327e | |||
73-05-11-006 | I’m Beginning To See The Light | DE7327f | |||
73-05-11-007 | Things Ain’t What They Used To Be | DE7327g | |||
73-05-11-008 | Soso | DE7327h | |||
73-05-11-009 | Mood Indigo | DE7327i | |||
73-05-11-010 | Romantic Season | DE7327j | |||
73-05-11-011 | Take The “A” Train | DE7327k | |||
73-05-11-012 | New York, New York - vDE | DE7327l | |||
73-05-11-013 | Satin Doll | DE7327m | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-05-11-014 | Piano Interlude | DE7327n | |||
As before | |||||
73-05-11-015 | The Piano Player | DE7327o | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-05-11-016 | I Let A Song Go Out Of My Heart | DE7327p | |||
As before | |||||
73-05-11-017 | New York, New York - vAMo | DE7327q | |||
73-05-11-018 | I Got It Bad - vAMo | DE7327r | |||
73-05-11-019 | I Let A Song Go Out Of My Heart - vAMo | DE7327s | |||
73-05-11-020 | I Didn’t Know About You - vAMo | DE7327t | |||
73-05-11-021 | Blem - vAMo | DE7327u | |||
73-05-11-022 | Hello, Dolly! - vMJ | DE7327v | |||
73-05-11-023 | Mack The Knife - vMJ | DE7327w | |||
73-05-11-024 | Sophisticated Lady | DE7327x | |||
73-05-11-025 | Love You Madly - vTW | DE7327y | |||
73-05-11-026 | Do Nothin’ Till You Hear From Me - vTW | DE7327z | |||
73-05-11-027 | Solitude - vTW | DE7327aa | |||
73-05-11-028 | One More Time For The People - vAMo,TW | DE7327ab | |||
73-05-11-029 | One More Time For The People - vAMo,TW | DE7327ac | |||
Duke Ellington(p) | |||||
73-05-11-030 | Newport Up | DE7327ad | |||
As before | |||||
73-05-11-031 | One O’Clock Jump | DE7327ae | |||
73-05-11-032 | Jeep’s Blues | MP Ell-86(D) | DE7327af | ||
73-05-11-033 | ¬ Don’t Get Around Much Anymore | DE7327ag | |||
73-05-11-034 | - | I Let A Song Go Out Of My Heart | DE7327ah | |||
73-05-11-035 | _| Don’t Get Around Much Anymore | DE7327ai | |||
73-05-11-036 | Take The “A” Train | DE7327aj | |||
73-05-11-037 | Satin Doll | DE7327ak | |||
73-05-11-038 | Mood Indigo | DE7327al | |||
73-05-11-039 | Perdido | DE7327am | |||
73-05-11-040 | One More Time For The People - vAMo,TW | DE7327an | |||
73-05-11-041 | Satin Doll | DE7327ao | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Winnipeg, CDN | 25 May 1973 | |||
Concert, Centennial Hall | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Doug Harris(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-05-25-001 | C-Jam Blues | LS LSR-001, MP Ell-87 | DE7328a | ||
73-05-25-002 | ¬ Kinda Dukish | DE7328xa | |||
73-05-25-003 | _| Rockin’ In Rhythm | DE7328xb | |||
73-05-25-004 | Creole Love Call | LS LSR-001, MP Ell-87 | DE7328b | ||
73-05-25-005 | ¬ Caravan | LS LSR-001, MP Ell-87 | DE7328d | ||
73-05-25-006 | _| How High The Moon | LS LSR-001, MP Ell-87 | DE7328e | ||
73-05-25-007 | Take The “A” Train | DE7328xc | |||
TOGO BRAVA SUITE | |||||
73-05-25-008 | - 1. Soul Soothing Beach (Mkis) | DE7328xd | |||
73-05-25-009 | - 4. Right On Togo (Buss) | DE7328xe | |||
73-05-25-010 | - 3. Amour, Amour (Too Kee) | DE7328xf | |||
73-05-25-011 | - 2. Naturellement (Yoyo) | DE7328xg | |||
73-05-25-012 | La Plus Belle Africaine | MP Ell-87 | DE7328f | ||
73-05-25-013 | Perdido | LS LSR-001, MP Ell-87 | DE7328c | ||
73-05-25-014 | Satin Doll | DE7328xh | |||
73-05-25-015 | Chinoiserie | LS LSR-001, MP Ell-87 | DE7328g | ||
73-05-25-016 | Hello, Dolly! | DE7328xi | |||
Medley | DE7328xj | ||||
73-05-25-017 | - 1. Don’t Get Around Much Anymore | ||||
73-05-25-018 | - 2. Mood Indigo | ||||
73-05-25-019 | - 3. I’m Beginning To See The Light | ||||
73-05-25-020 | - 4. Sophisticated Lady | ||||
73-05-25-021 | In Triplicate (In Duplicate) | DE7328xk | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-05-25-022 | Lotus Blossom | DE7328xl | |||
Harold "Money" Johnson(t); Vince Prudente(tb); Russell Procope(as, cl); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-05-25-023 | Tiger Rag | DE7328xm | |||
As before | |||||
73-05-25-024 | Satin Doll | DE7328xn | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 July 1973 | |||
D.E. Recording Session. Mediasound Studio | |||||
Willie Cook, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Doug Harris(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Wulf Freedman(eb); Rufus Jones(d); Sam Woodyard, Emmanuel Abdul-Rahim(co); Alice Babs(v) | |||||
73-07-03-001 | Far Away Star - vABa | Ph PHONT-7511 | DE7329a | ||
73-07-03-002 | Serenade To Sweden - vABa | Ph PHONT-7511 | DE7329b | ||
73-07-03-003 | Spacemen - vABa | Ph PHONT-7511 | DE7329c | ||
73-07-03-004 | Jeep’s Blues - vABa | Ph PHONT-7511 | DE7329d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Uniondale, NY | 08 July 1973 | |||
Concert, Nassau Coliseum | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Sam Woodyard(co); Anita Moore(v) | |||||
73-07-08-001 | C-Jam Blues | DE9101a | |||
73-07-08-002 | Take The “A” Train | DE9101b | |||
73-07-08-003 | Sophisticated Lady | DE9101c | |||
73-07-08-004 | Spacemen | DE9101d | |||
73-07-08-005 | Things Ain’t What They Used To Be | DE9101e | |||
73-07-08-006 | New York, New York - vAMo | DE9101f | |||
73-07-08-007 | I Got It Bad - vAMo | DE9101g | |||
73-07-08-008 | Blem - vAMo | DE9101h | |||
73-07-08-009 | Satin Doll | DE9101i | |||
73-07-08-010 | One More Time For The People - vAMo | DE9101j | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 July 1973 | |||
Concert, First National Bank Plaza | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-07-11-001 | ¬ Caravan | DE7330a | |||
73-07-11-002 | _| In Triplicate (In Duplicate) | DE7330b | |||
73-07-11-003 | In A Sentimental Mood | DE7330c | |||
73-07-11-004 | Take The “A” Train | DE7330d | |||
73-07-11-005 | Satin Doll | DE7330e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Skokie, IL | 16 July 1973 | |||
Concert, Old Orchard Shopping Center | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Anita Moore, Toney Watkins(v) | |||||
73-07-16-001 | Take The “A” Train (theme) | DE7331a | |||
73-07-16-002 | ¬ Kinda Dukish | DE7331b | |||
73-07-16-003 | _| Rockin’ In Rhythm | DE7331c | |||
73-07-16-004 | In A Sentimental Mood | DE7331d | |||
73-07-16-005 | ¬ Caravan | DE7331e | |||
73-07-16-006 | _| In Triplicate (In Duplicate) | DE7331f | |||
73-07-16-007 | I’m Beginning To See The Light -vAMo | DE7331g | |||
73-07-16-008 | I Got It Bad -vAMo | DE7331h | |||
73-07-16-009 | Blem -vAMo | DE7331i | |||
73-07-16-010 | Hello, Dolly! - vMJ | DE7331j | |||
73-07-16-011 | Sophisticated Lady | DE7331k | |||
73-07-16-012 | Making That Scene - vTW | DE7331l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Erie, PA | 20 July 1973 | |||
Dance date, Waldemeer's Rainbow Gardens | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
73-07-20-001 | C-Jam Blues | DE7332a | |||
73-07-20-002 | Upper Manhattan Medical Group | DE7332b | |||
73-07-20-003 | Don’t You Know I Care | DE7332c | |||
73-07-20-004 | Perdido | DE7332d | |||
73-07-20-005 | ¬ Kinda Dukish | DE7332e | |||
73-07-20-006 | _| Rockin’ In Rhythm | DE7332f | |||
73-07-20-007 | Creole Love Call | DE7332g | |||
73-07-20-008 | ¬ Caravan | DE7332h | |||
73-07-20-009 | _| How High The Moon | DE7332i | |||
73-07-20-010 | ¬ I Let A Song Go Out Of My Heart | DE7332j | |||
73-07-20-011 | _| Don’t Get Around Much Anymore | DE7332k | |||
73-07-20-012 | Soso | DE7332l | |||
73-07-20-013 | Somebody Cares | DE7332m | |||
73-07-20-014 | I’ll Never Forget Him | DE7332n | |||
73-07-20-015 | Take The “A” Train | DE7332o | |||
73-07-20-016 | Things Ain’t What They Used To Be | DE7332p | |||
73-07-20-017 | Soul Flute | DE7332q | |||
73-07-20-018 | Spacemen | DE7332r | |||
Russell Procope(as); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-07-20-019 | Ring Dem Bells | DE7332s | |||
Harold "Money" Johnson(t); Vince Prudente(tb); Russell Procope(as,cl); Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d) | |||||
73-07-20-020 | Tiger Rag | DE7332t | |||
73-07-20-021 | St. Louis Blues | DE7332u | |||
As before | |||||
73-07-20-022 | Satin Doll | DE7332v | |||
73-07-20-023 | In A Sentimental Mood | DE7332w | |||
73-07-20-024 | In A Mellow Tone | DE7332x | |||
73-07-20-025 | Mood Indigo | DE7332y | |||
73-07-20-026 | Addi | DE7332z | |||
73-07-20-027 | Sophisticated Lady | DE7332aa | |||
73-07-20-028 | Basin Street Blues - vMJ | DE7332ab | |||
Duke Ellington(p); Joe Benjamin(sb); Rufus Jones(d); Toney Watkins(v) | |||||
Medley | DE7332ac | ||||
73-07-20-029 | - 1. Creole Rhapsody | ||||
73-07-20-030 | - 2. A Blue Mural From Two Perspectives | ||||
73-07-20-031 | - 3. Solitude - vTW | ||||
73-07-20-032 | - 4. Prelude To A Kiss | ||||
73-07-20-033 | - 5. Azure | ||||
73-07-20-034 | - 6. Lost In Meditation | ||||
73-07-20-035 | - 7. Ring Dem Bells | ||||
73-07-20-036 | - 8. Lost In Meditation | ||||
73-07-20-037 | - 9. Unidentified Q | ||||
73-07-20-038 | - 10. Ring Dem Bells | ||||
73-07-20-039 | - 11. Band Call | ||||
73-07-20-040 | - 12. NEW WORLD A-COMIN' | ||||
73-07-20-041 | - 13. Band Call | ||||
As before | |||||
73-07-20-042 | Misty | DE7332ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 31 July 1973 | |||
Concert, Robin Hood Dell | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Emmanuel Abdul-Rahim(co); Anita Moore, Toney Watkins(v) | |||||
73-07-31-001 | C-Jam Blues (theme) | DE7333a | |||
73-07-31-002 | Take The “A” Train | DE7333b | |||
73-07-31-003 | ¬ Kinda Dukish | DE7333c | |||
73-07-31-004 | _| Rockin’ In Rhythm | DE7333d | |||
73-07-31-005 | Creole Love Call | DE7333e | |||
73-07-31-006 | Soso | DE7333f | |||
73-07-31-007 | Spacemen | DE7333g | |||
73-07-31-008 | In A Sentimental Mood | DE7333h | |||
73-07-31-009 | Satin Doll | DE7333i | |||
73-07-31-010 | ¬ Caravan | DE7333j | |||
73-07-31-011 | - | Prelude To A Kiss | DE7333k | |||
73-07-31-012 | _| In Triplicate (In Duplicate) | DE7333l | |||
73-07-31-013 | New York, New York - vAMo | DE7333m | |||
73-07-31-014 | I Got It Bad - vAMo | DE7333n | |||
73-07-31-015 | I’m Beginning To See The Light - vAMo | DE7333o | |||
73-07-31-016 | Blem - vAMo | DE7333p | |||
Duke Ellington(p); Anita Moore(v) | |||||
73-07-31-017 | I’m Afraid - vAMo | DE7333q | |||
As before | |||||
73-07-31-018 | On A Clear Day - vAMo | DE7333r | |||
TOGO BRAVA SUITE | |||||
73-07-31-019 | - 1. Soul Soothing Beach (Mkis) | DE7333s | |||
73-07-31-020 | - 4. Right On Togo (Buss) | DE7333t | |||
73-07-31-021 | - 3. Amour, Amour (Too Kee) | DE7333u | |||
73-07-31-022 | Come Off The Veldt | DE7333v | |||
73-07-31-023 | La Plus Belle Africaine | DE7333w | |||
73-07-31-024 | Perdido | DE7333x | |||
73-07-31-025 | Take The “A” Train | DE7333y | |||
73-07-31-026 | Chinoiserie | DE7333z | |||
73-07-31-027 | Things Ain’t What They Used To Be | DE7333aa | |||
73-07-31-028 | Basin Street Blues - vMJ | DE7333ab | |||
73-07-31-029 | Hello, Dolly! - vMJ | DE7333ac | |||
73-07-31-030 | Sophisticated Lady | DE7333ad | |||
73-07-31-031 | Making That Scene - vTW | DE7333ae | |||
73-07-31-032 | Do Nothin’ Till You Hear From Me - vTW | DE7333af | |||
73-07-31-033 | Mood Indigo - vTW | DE7333ag | |||
73-07-31-034 | One More Time For The People - vAMo,TW | DE7333ah | |||
73-07-31-035 | One More Time For The People - vAMo,TW | DE7333ai | |||
73-07-31-036 | Satin Doll | DE7333aj | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Reading, PA | 03 August 1973 | |||
Dance date, Stokesay Castle | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Michael McGettigan(flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Emmanuel Abdul-Rahim(co); Anita Moore, Toney Watkins(v) | |||||
73-08-03-001 | C-Jam Blues | DE7334a | |||
73-08-03-002 | Don’t You Know I Care | DE7334b | |||
73-08-03-003 | Perdido | DE7334c | |||
73-08-03-004 | Stardust | DE7334d | |||
73-08-03-005 | I’ll Never Forget Him | DE7334e | |||
73-08-03-006 | Take The “A” Train (theme) | DE7334f | |||
73-08-03-007 | Satin Doll | DE7334g | |||
73-08-03-008 | The Brotherhood | DE7334h | |||
73-08-03-009 | Romantic Season | DE7334i | |||
Duke Ellington(p) | |||||
73-08-03-010 | Prelude To A Kiss | DE7334j | |||
As before | |||||
73-08-03-011 | Someone | DE7334k | |||
73-08-03-012 | Mood Indigo | DE7334l | |||
73-08-03-013 | How High The Moon | DE7334m | |||
73-08-03-014 | Ocht O’Clock Rock | DE7334n | |||
Harry Carney(bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-08-03-015 | Black Butterfly | DE7334o | |||
As before | |||||
73-08-03-016 | Things Ain’t What They Used To Be | DE7334p | |||
73-08-03-017 | I’m Beginning To See The Light - vAMo | DE7334q | |||
73-08-03-018 | I Got It Bad - vAMo | DE7334r | |||
73-08-03-019 | Blem - vAMo | DE7334s | |||
73-08-03-020 | Soul Soothing Beach | DE7334t | |||
73-08-03-021 | In Triplicate (In Duplicate) | DE7334u | |||
73-08-03-022 | In A Sentimental Mood | DE7334v | |||
73-08-03-023 | Soso | DE7334w | |||
73-08-03-024 | Spacemen | DE7334x | |||
73-08-03-025 | Happy Birthday To You | DE7334y | |||
73-08-03-026 | Somebody Cares | DE7334z | |||
73-08-03-027 | Love Is Just Around The Corner | DE7334aa | |||
73-08-03-028 | Indian Summer | DE7334ab | |||
73-08-03-029 | Basin Street Blues - vMJ | DE7334ac | |||
73-08-03-030 | Hello, Dolly! - vMJ | DE7334ad | |||
73-08-03-031 | Mood Indigo | DE7334ae | |||
73-08-03-032 | One More Time For The People - vAMo,TW | DE7334af | |||
73-08-03-033 | Satin Doll | DE7334ag | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 August 1973 | |||
NBC Telecast titled "Today Show", NBC Studios | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Michael McGettigan(flh); Vince Prudente(tb); Murray McEachern(tb,as); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Emmanuel Abdul-Rahim(co); Anita Moore(v) | |||||
73-08-06-001 | Take The “A” Train (theme) | DE7335a | |||
73-08-06-002 | Soso | DE7335b | |||
73-08-06-003 | Spacemen | DE7335c | |||
73-08-06-004 | Mood Indigo | DE7335d | |||
Duke Ellington, Frank McGhee(tk) | |||||
73-08-06-005 | Interview by McGhee | DE7335e | |||
As before | |||||
73-08-06-006 | Things Ain’t What They Used To Be | DE7335f | |||
73-08-06-007 | ¬ Satin Doll | DE7335g | |||
73-08-06-008 | - | Somebody Cares | DE7335h | |||
73-08-06-009 | - | Caravan | DE7335i | |||
73-08-06-010 | _| Sophisticated Lady | DE7335j | |||
73-08-06-011 | New York, New York - vAMo | DE7335k | |||
73-08-06-012 | New York, New York - vAMo | DE7335l | |||
DUKE ELLINGTON GROUP | New York City, NY | August 1973 | |||
Swedish Broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Michael McGettigan(flh); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney (cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Wulf Freedman(eb); Quentin "Rocky" White(d); Emmanuel Abdul-Rahim(co); Anita Moore, Toney Watkins(v) | |||||
73-08-10-001 | Caravan | DE7336a | |||
73-08-10-002 | Creole Love Call | DE7336b | |||
73-08-10-003 | In Triplicate | DE7336c | |||
73-08-10-004 | Serenade To Sweden | DE7336d | |||
73-08-10-005 | Things Ain’t What They Used To Be | DE7336e | |||
73-08-10-006 | Sophisticated Lady | DE7336f | |||
73-08-10-007 | One More Time For The People - vAMo,TW | DE7336g | |||
73-08-10-008 | Satin Doll | DE7336h | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 25 August 1973 | |||
Dance date, Sheraton Park Hotel | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Michael McGettigan(fh); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Wulf Freedman(eb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-08-25-001 | Take The “A” Train (theme) | DE7337a | |||
73-08-25-002 | The Piano Player | DE7337b | |||
73-08-25-003 | How High The Moon | DE7337c | |||
73-08-25-004 | Somebody Cares | DE7337d | |||
73-08-25-005 | All Too Soon | DE7337e | |||
73-08-25-006 | The Brotherhood | DE7337f | |||
73-08-25-007 | Mood Indigo | DE7337g | |||
73-08-25-008 | 4:30 Blues | DE7337h | |||
73-08-25-009 | Take The “A” Train | DE7337i | |||
73-08-25-010 | In A Sentimental Mood | DE7337j | |||
73-08-25-011 | ¬ Diminuendo In Blue | DE7337k | |||
73-08-25-012 | _| Wailing Interval | DE7337l | |||
73-08-25-013 | Romantic Season | DE7337m | |||
73-08-25-014 | Spacemen | DE7337n | |||
73-08-25-015 | Happy Birthday To You | DE7337o | |||
73-08-25-016 | There’s A Lull In My Life | DE7337p | |||
73-08-25-017 | Goof | DE7337q | |||
73-08-25-018 | Stardust | DE7337r | |||
73-08-25-019 | Things Ain’t What They Used To Be | DE7337s | |||
73-08-25-020 | ¬ Caravan | DE7337t | |||
73-08-25-021 | _| In Triplicate (In Duplicate) | DE7337u | |||
73-08-25-022 | New York, New York - vAMo | DE7337v | |||
73-08-25-023 | I Got It Bad - vAMo | DE7337w | |||
73-08-25-024 | Blem - vAMo | DE7337x | |||
73-08-25-025 | Sophisticated Lady | DE7337y | |||
73-08-25-026 | Basin Street Blues - vMJ | DE7337z | |||
73-08-25-027 | Hello, Dolly! - vMJ | DE7337aa | |||
73-08-25-028 | Tiger Rag | DE7337ab | |||
73-08-25-029 | Love You Madly - vTW | DE7337ac | |||
73-08-25-030 | Do Nothin’ Till You Hear From Me - vTW | DE7337ad | |||
73-08-25-031 | I Don’t Want Nobody But You - vTW | DE7337ae | |||
73-08-25-032 | Solitude - vTW | DE7337af | |||
73-08-25-033 | One More Time For The People - vAMo,TW | DE7337ag | |||
73-08-25-034 | One More Time For The People - vAMo,TW | DE7337ah | |||
73-08-25-035 | Perdido | DE7337ai | |||
73-08-25-036 | St. Louis Blues | DE7337aj | |||
73-08-25-037 | I’m Beginning To See The Light - vAMo | DE7337ak | |||
73-08-25-038 | I Didn’t Know About You - vAMo | DE7337al | |||
73-08-25-039 | Every Day I Have The Blues - vAMo | DE7337am | |||
73-08-25-040 | Mood Indigo | DE7337an | |||
73-08-25-041 | Things Ain’t What They Used To Be | DE7337ao | |||
DUKE ELLINGTON AND TERESA BREWER | New York City, NY | 04 September 1973 | |||
Flying Dutchman recording session | |||||
Harold "Money" Johnson, Ray Nance(t); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Norris turney(as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Teresa Brewer(v) | |||||
73-09-04-001 | Don’t Get Around Much Anymore - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7338a | ||
73-09-04-002 | Satin Doll - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7338b | ||
73-09-04-003 | I Got It Bad - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7338c | ||
73-09-04-004 | It’s Kind Of Lonesome Out Tonight - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7338d | ||
DUKE ELLINGTON AND TERESA BREWER | New York City, NY | 05 September 1973 | |||
Flying Dutchman recording session | |||||
Harold "Money" Johnson, Ray Nance(t); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron, Tyree Glenn(tb); Chuck Connors(btb); Russell Procope(cl,as); Procope(cl,as); Harold Minerve(cl,as,fl,pic); Norris turney(as,ts); Harold Ashby(ts,cl); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Teresa Brewer(v) | |||||
73-09-05-001 | I’m Beginning To See The Light - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7339a | ||
73-09-05-002 | I Ain’t Got Nothin’ But The Blues - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7339b | ||
Add Mercer Ellington, Joe Newman, Ernie Royal, Jimmy Owens, Jimmy Nottingham(t); Bunny Briggs(td,v) | |||||
73-09-05-003 | I’ve Got To Be A Rug Cutter - vTBr,BBr | Co CK-37340(D), F FyD-FD-10166 | DE7339c | ||
73-09-05-004 | It Don’t Mean A Thing - vTBr,BBr | Co CK-37340(D), F FyD-FD-10166 | DE7339d | ||
DUKE ELLINGTON AND TERESA BREWER | New York City, NY | 06 September 1973 | |||
Flying Dutchman recording session | |||||
Duke Ellington(p); Joe Beck(g); Herb Bushler(eb); Pretty Purdie(d); Teresa Brewer, Bunny Briggs(v) | |||||
73-09-06-001 | Tulip Or Turnip - vTBr,BBr | Co CK-37340(D), F FyD-FD-10166 | DE7340a | ||
Bunny Briggs out. Add Tyree Glenn(tb); Russell Procope(cl,as); Harry Carney(cl,bcl,as,bar) | |||||
73-09-06-002 | Mood Indigo - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7340b | ||
Add James Mtume(co) | |||||
73-09-06-003 | Poco Mucho - vTBr | Co CK-37340(D), F FyD-FD-10166 | DE7340c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 September 1973 | |||
Voice Of America broadcast | |||||
Duke Ellington, Willis Conover(tk) | |||||
73-09-06-004 | Interview by Conover | DE7342a | |||
Duke Ellington(p) | |||||
73-09-06-005 | Romantic Season | DE7342b | |||
73-09-06-006 | Voltupè | DE7342c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wayne, PA | 20 September 1973 | |||
Dance date, Covered Wagon Inn | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Ray Nance(t,vl,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); John Blair(vl,v); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-09-20-001 | Love Is Just Around The Corner | DE7341a | |||
73-09-20-002 | Stardust | DE7341b | |||
73-09-20-003 | Goof | DE7341c | |||
73-09-20-004 | The Brotherhood | DE7341d | |||
73-09-20-005 | Creole Love Call | DE7341e | |||
Duke Ellington(p) | |||||
73-09-20-006 | Is God A Three-Letter Word For Love? | DE7341f | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-09-20-007 | Happy Reunion | DE7341g | |||
As before | |||||
73-09-20-008 | Spacemen | DE7341h | |||
73-09-20-009 | Don’t You Know I Care | DE7341i | |||
73-09-20-010 | The Lady Is A Tramp | DE7341j | |||
73-09-20-011 | I Can’t Get Started | DE7341k | |||
73-09-20-012 | Satin Doll - vJBl | DE7341l | |||
73-09-20-013 | Romantic Season | DE7341m | |||
73-09-20-014 | Take The “A” Train - vRN | DE7341n | |||
73-09-20-015 | Just A-Sittin’ And A-Rockin’ - vRN | DE7341o | |||
73-09-20-016 | New York, New York - vAMo | DE7341p | |||
73-09-20-017 | I Got It Bad - vAMo | DE7341q | |||
73-09-20-018 | I’m Beginning To See The Light - vAMo | DE7341r | |||
73-09-20-019 | Blem - vAMo | DE7341s | |||
73-09-20-020 | On The Sunny Side Of The Street - vRN | DE7341t | |||
73-09-20-021 | Happy Birthday To You | DE7341u | |||
73-09-20-022 | Happy Birthday To You | DE7341v | |||
73-09-20-023 | Anniversary Song | DE7341w | |||
73-09-20-024 | Mood Indigo | DE7341x | |||
73-09-20-025 | Basin Street Blues - vMJ | DE7341y | |||
73-09-20-026 | Mack The Knife - vMJ | DE7341z | |||
73-09-20-027 | Sophisticated Lady | DE7341aa | |||
73-09-20-028 | Love You Madly - vTW | DE7341ab | |||
73-09-20-029 | Do Nothin’ Till You Hear From Me - vTW | DE7341ac | |||
73-09-20-030 | Solitude - vTW | DE7341ad | |||
73-09-20-031 | One More Time For The People - vAMo,TW | DE7341ae | |||
73-09-20-032 | One More Time For The People - vAMo,TW | DE7341af | |||
73-09-20-033 | Prelude To A Kiss | DE7341ag | |||
73-09-20-034 | Take The “A” Train - vRN | DE7341ah | |||
73-09-20-035 | ¬ Diminuendo In Blue | DE7341ai | |||
73-09-20-036 | _| Wailing Interval | DE7341aj | |||
73-09-20-037 | Blue Moon - vJBl | DE7341ak | |||
73-09-20-038 | All Too Soon | DE7341al | |||
73-09-20-039 | The Biggest | DE7341am | |||
Duke Ellington(p) | |||||
73-09-20-040 | Is God A Three Letter Word For Love? | DE7341an | |||
Ray Nance(t); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-09-20-041 | Echoes Of Harlem | DE7341ao | |||
As before | |||||
73-09-20-042 | Take The “A” Train | DE7341ap | |||
73-09-20-043 | Satin Doll | DE7341aq | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 03 October 1973 | |||
Concert, John F. Kennedy Center For The Performing Arts | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Emmanuel Abdul-Rahim(co); Anita Moore, Toney Watkins(v) | |||||
73-10-03-001 | C-Jam Blues | DE7343a | |||
73-10-03-002 | ¬ Kinda Dukish | DE7343b | |||
73-10-03-003 | _| Rockin’ In Rhythm | DE7343c | |||
73-10-03-004 | Creole Love Call | DE7343d | |||
73-10-03-005 | Spacemen | DE7343e | |||
73-10-03-006 | In A Sentimental Mood | DE7343f | |||
73-10-03-007 | ¬ Caravan | DE7343g | |||
73-10-03-008 | _| How High The Moon | DE7343h | |||
TOGO BRAVA SUITE | |||||
73-10-03-009 | - 1. Soul Soothing Beach (Mkis) | DE7343i | |||
73-10-03-010 | - 4. Right On Togo (Buss) | DE7343j | |||
73-10-03-011 | - 3. Amour, Amour (Too Kee) | DE7343k | |||
73-10-03-012 | Chinoiserie | DE7343l | |||
73-10-03-013 | La Plus Belle Africaine | DE7343m | |||
73-10-03-014 | Soso | DE7343n | |||
73-10-03-015 | Satin Doll | DE7343o | |||
73-10-03-016 | In Triplicate (In Duplicate) | DE7343p | |||
73-10-03-017 | New York, New York - vAMo | DE7343q | |||
73-10-03-018 | I Got It Bad - vAMo | DE7343r | |||
73-10-03-019 | Blem - vAMo | DE7343s | |||
73-10-03-020 | Take The “A” Train | DE7343t | |||
73-10-03-021 | Basin Street Blues - vMJ | DE7343u | |||
73-10-03-022 | Hello, Dolly! - vMJ | DE7343v | |||
Medley | DE7343w | ||||
73-10-03-023 | - 1. Don’t Get Around Much Anymore | ||||
73-10-03-024 | - 2. Mood Indigo | ||||
73-10-03-025 | - 3. I’m Beginning To See The Light | ||||
73-10-03-026 | - 4. Sophisticated Lady | ||||
73-10-03-027 | Love You Madly - vTW | DE7343x | |||
73-10-03-028 | Do Nothin’ Till You Hear From Me - vTW | DE7343y | |||
73-10-03-029 | Solitude - vTW | DE7343z | |||
73-10-03-030 | One More Time For The People - vAMo,TW | DE7343aa | |||
73-10-03-031 | I’m Beginning To See The Light - vAMo | DE7343ab | |||
73-10-03-032 | In The Beginning God - vTW | DE7343ac | |||
73-10-03-033 | Things Ain’t What They Used To Be | DE7343ad | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-10-03-034 | Lotus Blossom | DE7343ae | |||
As before | |||||
73-10-03-035 | Satin Doll | DE7343af | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 24 October 1973 | |||
Concert, Westminster Abbey | |||||
THIRD SACRED CONCERT | |||||
Duke Ellington(p) | |||||
73-10-24-001 | - 02. The Lord’s Prayer # | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344a | ||
Mercer Ellington(t); Harold "Money" Johnson(t); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente(tb); Art Baron(tb,re); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Alice Babs, Anita Moore, Toney Watkins, Roscoe Gill, The John Alldis Choir(v) | |||||
73-10-24-002 | - 08. My Love - vABa | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344b | ||
73-10-24-003 | - 03. Hallelujah - vJAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344c | ||
73-10-24-004 | - 07. Is God A Three-Letter Word For Love? (Part I) - vABa,JAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344d-1 | ||
73-10-24-005 | - 07. Is God A Three-Letter Word For Love? (Part II) - vABa,JAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344d-2 | ||
73-10-24-006 | - 09. The Brotherhood - vJAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344e | ||
73-10-24-007 | - 13. Every Man Prays In His Own Language - vABa,JAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344f | ||
73-10-24-008 | - 11. Tell Me It’s The Truth - vAMo,TW | DE7344g | |||
73-10-24-009 | - 12. Somebody Cares - vABa,AMo,TW | DE7344h | |||
73-10-24-010 | - 06. The Majesty Of God - vABa,JAC | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344i | ||
73-10-24-011 | - 14. Ain’t Nobody Nowhere Nothin’ Without God - vTW | RCA 09026-63386-2(D), RCA APL1-0785 | DE7344j | ||
73-10-24-012 | - 15. Praise God And Dance - vABa,Amo,RG,TW,JAC | DE7344k | |||
Toney Watkins(v) solo | |||||
73-10-24-013 | The Preacher’s Song - vTW | DE7344l | |||
As before | |||||
73-10-24-014 | In The Beginning God - vTW | DE7344m | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Malmo, Sweden | 25 October 1973 | |||
First Concert, Stadsteatern | |||||
Rolf Ericson, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-10-25-001 | C-Jam Blues | ||||
73-10-25-002 | Take The “A” Train (theme) | ||||
73-10-25-003 | ¬ Kinda Dukish | CaR CAP-21599 | DE7345a | ||
73-10-25-004 | _| Rockin’ In Rhythm | CaR CAP-21599 | DE7345b | ||
73-10-25-005 | Creole Love Call | CaR CAP-21599 | DE7345c | ||
73-10-25-006 | ¬ Caravan | CaR CAP-21599 | DE7345d | ||
73-10-25-007 | _| In Triplicate (In Duplicate) | CaR CAP-21599 | DE7345e | ||
73-10-25-008 | New York, New York - vAMo | ||||
73-10-25-009 | I Got It Bad - vAMo | ||||
73-10-25-010 | Blem - vAMo | ||||
73-10-25-011 | Chinoiserie | ||||
73-10-25-012 | Basin Street Blues - vMJ | ||||
Medley | |||||
73-10-25-013 | - 1. Don’t Get Around Much Anymore | ||||
73-10-25-014 | - 2. Mood Indigo | ||||
73-10-25-015 | - 3. I’m Beginning To See The Light | ||||
73-10-25-016 | - 4. Sophisticated Lady | ||||
73-10-25-017 | Love You Madly - vTW | DE7345m | |||
73-10-25-018 | Do Nothin’ Til You Hear From Me - vTW | ||||
73-10-25-019 | One More Time For The People - vAMo,TW | ||||
73-10-25-020 | Satin Doll | ||||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Alice Babs(v) | |||||
73-10-25-021 | Serenade To Sweden - vABa | ||||
As before but add Alice Babs(v) | |||||
73-10-25-022 | Checkered Hat - vABa | ||||
73-10-25-023 | Spacemen - vABa | ||||
73-10-25-024 | Jeep’s Blues - vABa | ||||
Here Alice Babs sang There Is Something About Me acc. by Rolf Ericson(t); Nils Lindberg(p); Joe Benjamin(sb); Quentin White(d). | |||||
As before | |||||
73-10-25-025 | Somebody Cares - vABa,AMo,TW | ||||
73-10-25-026 | Things Ain’t What They Used To Be | ||||
73-10-25-027 | Satin Doll | ||||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Second Concert, Stadsteatern | |||||
Rolf Ericson, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-10-25-028 | C-Jam Blues | ||||
73-10-25-029 | Take The “A” Train (theme) | ||||
73-10-25-030 | ¬ Kinda Dukish | ||||
73-10-25-031 | _| Rockin’ In Rhythm | ||||
73-10-25-032 | Creole Love Call | ||||
73-10-25-033 | ¬ Caravan | ||||
73-10-25-034 | _| In Triplicate (In Duplicate) | ||||
73-10-25-035 | New York, New York - vAMo | DE7345g | |||
73-10-25-036 | I Got It Bad - vAMo | DE7345h | |||
73-10-25-037 | Blem - vAMo | DE7345i | |||
73-10-25-038 | Take The “A” Train | CaR CAP-21599 | DE7345f | ||
73-10-25-039 | Chinoiserie | DE7345j | |||
73-10-25-040 | Basin Street Blues - vMJ | DE7345k | |||
73-10-25-041 | Hello, Dolly - vMJ | ||||
Medley | DE7345l | ||||
73-10-25-042 | - 1. Don’t Get Around Much Anymore | ||||
73-10-25-043 | - 2. Mood Indigo | ||||
73-10-25-044 | - 3. I’m Beginning To See The Light | ||||
73-10-25-045 | - 4. Sophisticated Lady | ||||
73-10-25-046 | Soso | ||||
73-10-25-047 | Satin Doll | DE7345n | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Alice Babs(v) | |||||
73-10-25-048 | Serenade To Sweden - vABa | CaR CAP-21599 | DE7345o | ||
As before but add Alice Babs(v) | |||||
73-10-25-049 | Checkered Hat - vABa | CaR CAP-21599 | DE7345xa | ||
73-10-25-050 | Spacemen - vABa | CaR CAP-21599 | DE7345xb | ||
73-10-25-051 | Jeep’s Blues - vABa | CaR CAP-21599 | D7345p | ||
Here Alice Babs sang There Is Something About Me acc. by Rolf Ericson(t); Nils Lindberg(p); Joe Benjamin(sb); Quentin White(d). | |||||
As before | |||||
73-10-25-052 | Somebody Cares - vABa,AMo,TW | CaR CAP-21599 | DE7345xc | ||
73-10-25-053 | I’m Beginning To See The Light | CaR CAP-21599 | DE7345xd | ||
Here Alice Babs sang Take The “A” Train acc. by George Wein, Nils Lindberg(p); Joe Benjamin(sb); Quentin “Rocky” White(d) | |||||
As before | |||||
73-10-25-054 | One More Time For The People - vABa,AMo,TW | ||||
Art Baron, Aake Persson(tb); Duke Ellington(p) | |||||
73-10-25-055 | St. Louis Blues | CaR CAP-21599 | DE7345xe | ||
Harold "Money" Johnson(v); Duke Ellington(p) | |||||
73-10-25-056 | Mack The Knife - vMJ | ||||
Harold "Money" Johnson(t,v); Duke Ellington(p); Quentin "Rocky" White(d) | |||||
73-10-25-057 | Hello, Dolly - vMJ | ||||
Rolf Ericson, Harold "Money" Johnson(t); Vince Prudente, Aake Persson(tb); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-10-25-058 | Tiger Rag | CaR CAP-21599 | DE7345xf | ||
DUKE ELLINGTON | Umea, S | 27 October 1973 | |||
YLE telecast | |||||
Duke Ellington, n/k(tk) | |||||
73-10-27-001 | Interview | DE9073a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, S | 28 October 1973 | |||
Concert, Konserthuset | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron, Aake Persson(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-10-28-001 | C-Jam Blues | DE7346a | |||
73-10-28-002 | Take The “A” Train (theme) | DE7346b | |||
73-10-28-003 | ¬ Kinda Dukish | DE7346c | |||
73-10-28-004 | _| Rockin’ In Rhythm | DE7346d | |||
73-10-28-005 | Creole Love Call | DE7346e | |||
73-10-28-006 | Satin Doll | DE7346f | |||
73-10-28-007 | Spacemen | DE7346g | |||
73-10-28-008 | Tea For Two | DE7346h | |||
73-10-28-009 | ¬ Caravan | DE7346i | |||
73-10-28-010 | _| How High The Moon | DE7346j | |||
73-10-28-011 | In Triplicate (In Duplicate) | DE7346k | |||
73-10-28-012 | La Plus Belle Africaine | DE7346l | |||
73-10-28-013 | Come Off The Veldt | DE7346m | |||
73-10-28-014 | Take The “A” Train | DE7346n | |||
73-10-28-015 | New York, New York - vAMo | DE7346o | |||
73-10-28-016 | I Got It Bad - vAMo | DE7346p | |||
73-10-28-017 | Blem - vAMo | DE7346q | |||
73-10-28-018 | Chinoiserie | DE7346r | |||
73-10-28-019 | Basin Street Blues - vMJ | DE7346s | |||
73-10-28-020 | Hello, Dolly! - vMJ | DE7346t | |||
Medley | DE7346u | ||||
73-10-28-021 | - 1. Don’t Get Around Much Anymore | ||||
73-10-28-022 | - 2. Mood Indigo | ||||
73-10-28-023 | - 3. I’m Beginning To See The Light | ||||
73-10-28-024 | - 4. Sophisticated Lady | ||||
73-10-28-025 | Love You Madly - vTW | DE7346v | |||
73-10-28-026 | Do Nothin’ Till You Hear From Me - vTW | DE7346w | |||
73-10-28-027 | My Mother, My Father And Love - vTW | DE7346x | |||
73-10-28-028 | One More Time For The People - vAMo,TW | DE7346y | |||
73-10-28-029 | Things Ain’t What They Used To Be | DE7346z | |||
73-10-28-030 | Soso | DE7346aa | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-10-28-031 | Lotus Blossom | DE7346ab | |||
DUKE ELLINGTON | Unknown Location, D | October/November 1973 | |||
Pre-recording for the U.S. Armed Forces News | |||||
Duke Ellington, Chaplain Bill Percy(tk) | |||||
73-11-00-001 | Interview by Percy | DE7347a | |||
DUKE ELLINGTON GROUP | Berlin, D | 02 November 1973 | |||
Concert, Philharmonie | |||||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-11-02-001 | Meditation | DE7348a | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-02-002 | Metcuria The Lion | TLR 204041 | DE7348b | ||
Harold "Money" Johnson(t,v); Russell Procope(cl,as); Paul Gonsalves, Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-02-003 | Take The “A” Train | TLR 204041 | DE7348c | ||
73-11-02-004 | Mood Indigo | JD 11023(D) | DE7348d | ||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-02-005 | Band Call | DE7348e | |||
Harold "Money" Johnson(t,v); Russell Procope(cl,as); Paul Gonsalves Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-02-006 | Wailing Interval | DE7348f | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-02-007 | Pitter Panther Patter | JD 11023(D), TLR 204041 | DE7348g | ||
Harold "Money" Johnson(t,v); Russell Procope(cl,as); Paul Gonsalves Harold Ashby(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Toney Watkins(v) | |||||
73-11-02-008 | Sophisticated Lady | TLR 204041 | DE7348h | ||
73-11-02-009 | Basin Street Blues - vMJ | DE7348i | |||
73-11-02-010 | Mack The Knife - vMJ | JD 11023(D) | DE7348j | ||
73-11-02-011 | Things Ain’t What They Used To Be | DE7348k | |||
73-11-02-012 | Do Nothin’ Till You Hear From Me - vTW | DE7348l | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Toney Watkins(v) | |||||
73-11-02-013 | Come Sunday - vTW | DE7348m | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Baby Laurence(td) | |||||
73-11-02-014 | Tap Dance | TLR 204041 | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Wien, A | 03 November 1973 | |||
Concert,Stadthalle | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-03-001 | Take The “A” Train (theme) | DE7349a | |||
73-11-03-002 | ¬ Kinda Dukish | DE7349b | |||
73-11-03-003 | _| Rockin’ In Rhythm | DE7349c | |||
73-11-03-004 | Creole Love Call | DE7349d | |||
73-11-03-005 | Satin Doll | DE7349e | |||
73-11-03-006 | Spacemen | DE7349f | |||
73-11-03-007 | In A Sentimental Mood | DE7349g | |||
73-11-03-008 | ¬ Caravan | DE7349h | |||
73-11-03-009 | _| How High The Moon | DE7349i | |||
73-11-03-010 | New York, New York - vAMo | DE7349j | |||
73-11-03-011 | I Got It Bad - vAMo | DE7349k | |||
73-11-03-012 | Blem - vAMo | DE7349l | |||
73-11-03-013 | I’m Beginning To See The Light - vAMo | DE7349m | |||
73-11-03-014 | Chinoiserie | DE7349n | |||
73-11-03-015 | Basin Street Blues - vMJ | DE7349o | |||
73-11-03-016 | In Triplicate (In Duplicate) | DE7349p | |||
Medley | DE7349q | ||||
73-11-03-017 | - 1. Don’t Get Around Much Anymore | ||||
73-11-03-018 | - 2. Mood Indigo | ||||
73-11-03-019 | - 3. It Don’t Mean A Thing | ||||
73-11-03-020 | - 4. Sophisticated Lady | ||||
73-11-03-021 | Love You Madly - vTW | DE7349r | |||
73-11-03-022 | One More Time For The People - vAMo,TW | DE7349s | |||
73-11-03-023 | Take The “A” Train (theme) | DE7349t | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Munchen, D | 05 November 1973 | |||
Concert,Deutsches Museum | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-05-001 | C-Jam Blues | DE7350a | |||
73-11-05-002 | ¬ Kinda Dukish | DE7350b | |||
73-11-05-003 | _| Rockin’ In Rhythm | DE7350c | |||
73-11-05-004 | Creole Love Call | DE7350d | |||
73-11-05-005 | Satin Doll | DE7350e | |||
73-11-05-006 | Spacemen | DE7350f | |||
73-11-05-007 | In A Sentimental Mood | DE7350g | |||
73-11-05-008 | ¬ Caravan | DE7350h | |||
73-11-05-009 | _| How High The Moon | DE7350i | |||
TOGO BRAVA SUITE | |||||
73-11-05-010 | - 1. Soul Soothing Beach (Mkis) | DE7350j | |||
73-11-05-011 | - 4. Right On Togo (Buss) | DE7350k | |||
73-11-05-012 | - 3. Amour, Amour (Too Kee) | DE7350l | |||
73-11-05-013 | Chinoiserie | DE7350m | |||
73-11-05-014 | I Can’t Get Started | DE7350n | |||
73-11-05-015 | Take The “A” Train | DE7350o | |||
73-11-05-016 | La Plus Belle Africaine | DE7350p | |||
73-11-05-017 | Metcuria The Lion | DE7350q | |||
73-11-05-018 | Tea For Two | DE7350r | |||
73-11-05-019 | In Triplicate (In Duplicate) | DE7350s | |||
73-11-05-020 | New York, New York - vAMo | DE7350t | |||
73-11-05-021 | I Got It Bad - vAMo | DE7350u | |||
73-11-05-022 | Blem - vAMo | DE7350v | |||
73-11-05-023 | Basin Street Blues - vMJ | DE7350w | |||
73-11-05-024 | Hello, Dolly! - vMJ | DE7350x | |||
Medley | DE7350y | ||||
73-11-05-025 | - 1. Don’t Get Around Much Anymore | ||||
73-11-05-026 | - 2. Mood Indigo | ||||
73-11-05-027 | - 3. I’m Beginning To See The Light | ||||
73-11-05-028 | - 4. Sophisticated Lady | ||||
73-11-05-029 | Love You Madly - vTW | DE7350z | |||
73-11-05-030 | Do Nothin’ Till You Hear From Me - vTW | DE7350aa | |||
73-11-05-031 | One More Time For The People - vAMo,TW | DE7350ab | |||
73-11-05-032 | Things Ain’t What They Used To Be | DE7350ac | |||
73-11-05-033 | Soso | DE7350ad | |||
73-11-05-034 | Somebody Cares - vAMo,TW | DE7350ae | |||
73-11-05-035 | Tiger Rag | DE7350af | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-11-05-036 | Lotus Blossom | DE7350ag | |||
As before | |||||
73-11-05-037 | The Brotherhood | DE7350ah | |||
73-11-05-038 | Mood Indigo | DE7350ai | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Ljubljana, YU | 07 November 1973 | |||
Concert | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-07-001 | New York, New York - vAMo | DE7351a | |||
73-11-07-002 | I Got It Bad - vAMo | DE7351b | |||
73-11-07-003 | Blem - vAMo | DE7351c | |||
73-11-07-004 | Misty - vAMo | DE7351d | |||
73-11-07-005 | I’m Beginning To See The Light - vAMo | DE7351e | |||
73-11-07-006 | Basin Street Blues - vMJ | DE7351f | |||
73-11-07-007 | Hello, Dolly! - vMJ | DE7351g | |||
73-11-07-008 | Soso | DE7351h | |||
Medley | DE7351i | ||||
73-11-07-009 | - 1. Don’t Get Around Much Anymore | ||||
73-11-07-010 | - 2. Mood Indigo | ||||
73-11-07-011 | - 3. Do Nothin’ Till You Hear From Me | ||||
73-11-07-012 | - 4. Sophisticated Lady | ||||
73-11-07-013 | Love You Madly - vTW | DE7351j | |||
73-11-07-014 | Do Nothin’ Till You Hear From Me - vTW | DE7351k | |||
73-11-07-015 | One More Time For The People - vAMo,TW | DE7351l | |||
73-11-07-016 | Somebody Cares - vAMo,TW | DE7351m | |||
73-11-07-017 | Things Ain’t What They Used To Be | DE7351n | |||
73-11-07-018 | Tiger Rag | DE7351o | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-11-07-019 | Lotus Blossom | DE7351p | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Bologna, I | 08 November 1973 | |||
Concert, Palasport | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-08-001 | ¬ Kinda Dukish | DE7352a | |||
73-11-08-002 | _| Rockin’ In Rhythm | DE7352b | |||
73-11-08-003 | Creole Love Call | X-YT 8(YT) | DE7352c | ||
73-11-08-004 | Satin Doll | X-YT 8(YT) | DE7352d | ||
73-11-08-005 | Spacemen | X-YT 8(YT) | DE7352e | ||
73-11-08-006 | In A Sentimental Mood | X-YT 8(YT) | DE7352f | ||
73-11-08-007 | ¬ Caravan | DE7352g | |||
73-11-08-008 | _| In Triplicate (In Duplicate) | DE7352h | |||
73-11-08-009 | New York, New York - vAMo | X-YT 8(YT) | DE7352i | ||
73-11-08-010 | I Got It Bad - vAMo | X-YT 8(YT) | DE7352j | ||
73-11-08-011 | Blem - vAMo | X-YT 8(YT) | DE7352k | ||
73-11-08-012 | Chinoiserie | X-YT 8(YT) | DE7352l | ||
73-11-08-013 | Basin Street Blues - vMJ | X-YT 8(YT) | DE7352m | ||
73-11-08-014 | Hello, Dolly! - vMJ | X-YT 8(YT) | DE7352n | ||
Medley | DE7352o | ||||
73-11-08-015 | - 1. Don’t Get Around Much Anymore | X-YT 8(YT) | |||
73-11-08-016 | - 2. Mood Indigo | X-YT 8(YT) | |||
73-11-08-017 | - 3. I’m Beginning To See The Light | X-YT 8(YT) | |||
73-11-08-018 | - 4. Sophisticated Lady | X-YT 8(YT) | |||
73-11-08-019 | Love You Madly - vTW | DE7352p | |||
73-11-08-020 | Do Nothin’ Till You Hear From Me - vTW | DE7352q | |||
73-11-08-021 | One More Time For The People - vAMo,TW | DE7352r | |||
73-11-08-022 | Things Ain’t What They Used To Be | DE7352s | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Barcelona, E | 10 November 1973 | |||
Concert, Basilica Santa Maria Del Mar | |||||
Mercer Ellington(t); Harold "Money" Johnson(t); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Alice Babs, Anita Moore, Roscoe Gill, Toney Watkins(v) | |||||
73-11-10-001 | Somebody Cares | X-YT 9(YT) | DE7353a | ||
THIRD SACRED CONCERT | |||||
73-11-10-002 | - 01. Praise God And Dance (Opening Theme) | X-YT 9(YT) | DE7353b | ||
73-11-10-003 | - 03. Hallelujah | X-YT 9(YT) | DE7353c | ||
73-11-10-004 | - 04. Heaven - vTW | X-YT 9(YT) | DE7353d | ||
73-11-10-005 | - 05 Supreme Being - vRG | X-YT 9(YT) | DE7353e | ||
73-11-10-006 | - 06. The Majesty Of God - vABa | X-YT 9(YT) | DE7353f | ||
73-11-10-007 | - 07. Is God A Three-Letter Word For Love? - vABa | X-YT 9(YT) | DE7353g | ||
73-11-10-008 | - 08. My Love - vABa | X-YT 9(YT) | DE7353h | ||
73-11-10-009 | - 10. The Shepherd | X-YT 9(YT) | DE7353i | ||
73-11-10-010 | - 11. Tell Me It’s The Truth - vAMo,TW | X-YT 9(YT) | DE7353j | ||
73-11-10-011 | - 12. Somebody Cares - vABa,AMo,TW | X-YT 9(YT) | DE7353k | ||
73-11-10-012 | - 13. Every Man Prays In His Own Language - vABa | X-YT 9(YT) | DE7353l | ||
73-11-10-013 | - 14. Ain’t Nobody Nowhere Nothin’ Without God - vTW | X-YT 9(YT) | DE7353m | ||
73-11-10-014 | - 15. Praise God And Dance - vABa,Amo,RG,TW | X-YT 9(YT) | DE7353n | ||
Toney Watkins(v) solo | |||||
73-11-10-015 | The Preacher’s Song - vTW | X-YT 9(YT) | DE7353o | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Paris, F | 14 November 1973 | |||
Concert, Palais Des Sports | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-14-001 | Perdido | DE7354a | |||
73-11-14-002 | ¬ Kinda Dukish | Sq SR-0197 | DE7354b | ||
73-11-14-003 | _| Rockin’ In Rhythm | Sq SR-0197 | DE7354c | ||
73-11-14-004 | Creole Love Call | Sq SR-0197 | DE7354d | ||
73-11-14-005 | Spacemen | Sq SR-0197 | DE7354e | ||
73-11-14-006 | In A Sentimental Mood | DE7354f | |||
73-11-14-007 | ¬ Caravan | Sq SR-0197 | DE7354g | ||
73-11-14-008 | _| How High The Moon | Sq SR-0197 | DE7354h | ||
73-11-14-009 | New York, New York - vAMo | Sq SR-0197 | DE7354i | ||
73-11-14-010 | I Got It Bad - vAMo | Sq SR-0197 | DE7354j | ||
73-11-14-011 | Blem - vAMo | Sq SR-0197 | DE7354k | ||
73-11-14-012 | Chinoiserie | Sq SR-0197 | DE7354l | ||
73-11-14-013 | Basin Street Blues - vMJ | Sq SR-0197 | DE7354m | ||
73-11-14-014 | Hello, Dolly! - vMJ | Sq SR-0197 | DE7354n | ||
Medley | DE7354o | ||||
73-11-14-015 | - 1. Don’t Get Around Much Anymore | Sq SR-0197 | |||
73-11-14-016 | - 2. Mood Indigo | Sq SR-0197 | |||
73-11-14-017 | - 3. I’m Beginning To See The Light | Sq SR-0197 | |||
73-11-14-018 | - 4. Sophisticated Lady | Sq SR-0197 | |||
73-11-14-019 | In Triplicate | Sq SR-0197 | |||
73-11-14-020 | Love You Madly | Sq SR-0197 | |||
73-11-14-021 | One More Time For The People - vAMo,TW | Sq SR-0197 | |||
73-11-14-022 | Things Ain’t What They Used To Be | DE7354p | |||
73-11-14-023 | Soso | Sq SR-0197 | DE7354q | ||
73-11-14-024 | Somebody Cares - vAMo,TW | Sq SR-0197 | DE7354r | ||
Add Raymond Fol(p) | |||||
73-11-14-025 | Take The “A” Train | Sq SR-0197 | DE7354s | ||
Duke Ellington, Raymond Fol out. Add Caude Bolling(p) | |||||
73-11-14-026 | Take The “A” Train | Sq SR-0197 | DE7354t | ||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-11-14-027 | Lotus Blossom | Sq SR-0197 | DE7354u | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Bruxelles, B | 16 November 1973 | |||
Concert, Théâtre Marni, Place Eugène Flagey | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-16-001 | C-Jam Blues | EA 2064938 | DE7355a | ||
73-11-16-002 | Take The “A” Train | EA 2064938 | DE7355b | ||
73-11-16-003 | Creole Love Call | EA 2064938 | DE7355c | ||
73-11-16-004 | ¬ Caravan | EA 2064938 | DE7355d | ||
73-11-16-005 | _| In Triplicate (In Duplicate) | EA 2064938 | DE7355e | ||
73-11-16-006 | New York, New York - vAMo | EA 2064938 | DE7355f | ||
73-11-16-007 | Blem - vAMo | EA 2064938 | DE7355g | ||
73-11-16-008 | Chinoiserie | EA 2064938 | DE7355h | ||
73-11-16-009 | Metcuria The Lion | EA 2064938 | DE7355i | ||
Medley | DE7355j | ||||
73-11-16-010 | - 1. Don’t Get Around Much Anymore | EA 2064938 | |||
73-11-16-011 | - 2. Mood Indigo | EA 2064938 | |||
73-11-16-012 | - 3. I’m Beginning To See The Light | EA 2064938 | |||
73-11-16-013 | - 4. Sophisticated Lady | EA 2064938 | |||
73-11-16-014 | Somebody Cares - vAMo,TW | EA 2064938 | DE7355k | ||
Add Raymond Fol(p) | |||||
73-11-16-015 | Take The “A” Train | EA 2064938 | DE7355l | ||
Raymond Fol out. Add Caude Bolling(p) | |||||
73-11-16-016 | Take The “A” Train | EA 2064938 | DE7355m | ||
Caude Bolling out | |||||
73-11-16-017 | Take The “A” Train | EA 2064938 | DE7355n | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Rotterdam, NL | 18 November 1973 | |||
Concert,De Doelen | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-18-001 | C-Jam Blues | DE9005a | |||
73-11-18-002 | Perdido | DE9005b | |||
73-11-18-003 | Take The “A” Train | DE9005c | |||
73-11-18-004 | Creole Love Call | DE9005d | |||
73-11-18-005 | Spacemen | DE9005e | |||
73-11-18-006 | In A Sentimental Mood | DE9005f | |||
73-11-18-007 | ¬ Caravan | DE9005g | |||
73-11-18-008 | _| How High The Moon | DE9005h | |||
73-11-18-009 | In Triplicate (In Duplicate) | DE9005i | |||
73-11-18-010 | New York, New York - vAMo | DE9005j | |||
73-11-18-011 | I Got It Bad - vAMo | DE9005k | |||
73-11-18-012 | Blem - vAMo | DE9005l | |||
73-11-18-013 | Chinoiserie | DE9005m | |||
73-11-18-014 | Metcuria The Lion | DE9005n | |||
Add Raymond Fol(p) | |||||
73-11-18-015 | Satin Doll | DE9005o | |||
Raymond Fol out | |||||
73-11-18-016 | Basin Street Blues - vMJ | DE9005p | |||
73-11-18-017 | Hello, Dolly! - vMJ | DE9005q | |||
Medley | DE9005r | ||||
73-11-18-018 | - 1. Don’t Get Around Much Anymore | ||||
73-11-18-019 | - 2. Mood Indigo | ||||
73-11-18-020 | - 3. I’m Beginning To See The Light | ||||
73-11-18-021 | - 4. Sophisticated Lady | ||||
73-11-18-022 | Love You Madly - vTW | DE9005s | |||
73-11-18-023 | Do Nothin’ Till You Hear From Me - vTW | DE9005t | |||
73-11-18-024 | One More Time For The People - vAMo,TW | DE9005u | |||
73-11-18-025 | Things Ain’t What They Used To Be | DE9005v | |||
73-11-18-026 | Soso | DE9005w | |||
73-11-18-027 | Somebody Cares - vAMo,TW | DE9005x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 26 November 1973 | |||
Charitable Concert, Palladium: "Royal Command Variety Performance" | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-26-001 | Take The “A” Train | DE7356a | |||
73-11-26-002 | Satin Doll | DE7356b | |||
73-11-26-003 | Basin Street Blues - vMJ | DE7356c | |||
Medley | DE7356d | ||||
73-11-26-004 | - 1. Don’t Get Around Much Anymore | ||||
73-11-26-005 | - 2. Mood Indigo | ||||
73-11-26-006 | - 3. I’m Beginning To See The Light | ||||
73-11-26-007 | - 4. I Got It Bad - vAMo | ||||
73-11-26-008 | - 5. One More Time For The People - vAMo,TW | ||||
73-11-26-009 | Things Ain’t What They Used To Be | DE7356e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Preston, GB | 30 November 1973 | |||
Concert,Guildhall | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-11-30-001 | C-Jam Blues | DE9001a | |||
73-11-30-002 | Perdido | DE9001b | |||
73-11-30-003 | ¬ Kinda Dukish | DE9001c | |||
73-11-30-004 | _| Rockin’ In Rhythm | DE9001d | |||
73-11-30-005 | Creole Love Call | DE9001e | |||
73-11-30-006 | Satin Doll | DE9001f | |||
73-11-30-007 | Spacemen | DE9001g | |||
73-11-30-008 | ¬ Caravan | DE9001h | |||
73-11-30-009 | _| How High The Moon | DE9001i | |||
73-11-30-010 | Soul Soothing Beach | DE9001j | |||
73-11-30-011 | Chinoiserie | DE9001k | |||
73-11-30-012 | I Can’t Get Started | DE9001l | |||
73-11-30-013 | New York, New York - vAMo | DE9001m | |||
73-11-30-014 | I Got It Bad - vAMo | DE9001n | |||
73-11-30-015 | Blem - vAMo | DE9001o | |||
73-11-30-016 | Basin Street Blues - vMJ | DE9001p | |||
73-11-30-017 | Hello, Dolly! - vMJ | DE9001q | |||
Medley | DE9001r | ||||
73-11-30-018 | - 1. Don’t Get Around Much Anymore | ||||
73-11-30-019 | - 2. Mood Indigo | ||||
73-11-30-020 | - 3. I’m Beginning To See The Light | ||||
73-11-30-021 | - 4. It Don’t Mean A Thing | ||||
73-11-30-022 | - 5. Sophisticated Lady | ||||
73-11-30-023 | Things Ain’t What They Used To Be | DE9001s | |||
73-11-30-024 | Somebody Cares - vAMo,TW | DE9001t | |||
73-11-30-025 | Soso | DE9001u | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-11-30-026 | Pitter Panther Patter | DE9001v | |||
As before | |||||
73-11-30-027 | In Triplicate (In Duplicate) | DE9001w | |||
73-11-30-028 | Take The “A” Train | DE9001x | |||
73-11-30-029 | Metcuria The Lion | DE9001y | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-11-30-030 | Lotus Blossom | DE9001z | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Eastbourne, GB | 01 December 1973 | |||
1st concert, Congress Theatre | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-12-01-001 | C-Jam Blues | DE7357a | |||
73-12-01-002 | Perdido | DE7357b | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-12-01-003 | The Piano Player | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357c | ||
As before | |||||
73-12-01-004 | ¬ Kinda Dukish | DE7357d | |||
73-12-01-005 | _| Rockin’ In Rhythm | DE7357e | |||
73-12-01-006 | Creole Love Call | DE7357f | |||
73-12-01-007 | Satin Doll | DE7357g | |||
73-12-01-008 | Spacemen | DE7357h | |||
73-12-01-009 | Don’t You Know I Care | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357i | ||
73-12-01-010 | How High The Moon | DE7357j | |||
73-12-01-011 | I’m Beginning To See The Light - vAMo | DE7357k | |||
73-12-01-012 | I Didn’t Know About You - vAMo | DE7357l | |||
73-12-01-013 | Blem - vAMo | DE7357m | |||
73-12-01-014 | Chinoiserie | DE7357n | |||
73-12-01-015 | I Can’t Get Started | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357o | ||
73-12-01-016 | Basin Street Blues - vMJ | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357p | ||
73-12-01-017 | Hello, Dolly! - vMJ | DE7357q | |||
Medley | DE7357r | ||||
73-12-01-018 | - 1. Don’t Get Around Much Anymore | ||||
73-12-01-019 | - 2. Mood Indigo | ||||
73-12-01-020 | - 3. Don Juan | ||||
73-12-01-021 | - 4. Sophisticated Lady | ||||
73-12-01-022 | Love You Madly - vTW | DE7357s | |||
73-12-01-023 | Solitude - vTW | DE7357t | |||
73-12-01-024 | One More Time For The People - vAMo,TW | DE7357u | |||
73-12-01-025 | Things Ain’t What They Used To Be | DE7357v | |||
73-12-01-026 | Soso | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357w | ||
73-12-01-027 | I Got It Bad - vAMo | DE7357x | |||
73-12-01-028 | It Don’t Mean A Thing - vTW | DE7357y | |||
73-12-01-029 | In Triplicate (In Duplicate) | DE7357z | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-12-01-030 | Meditation | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7357aa | ||
As before | |||||
73-12-01-031 | Tiger Rag | DE7357ab | |||
73-12-01-032 | Metcuria The Lion | Bb 09026-63953-2, RCA 09026-63386-2(D) | DE7357ac | ||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-12-01-033 | Pitter Panther Patter | DE7357ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Eastbourne, GB | 01 December 1973 | |||
2nd concert, Congress Theatre | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-12-01-034 | C-Jam Blues | DE7358a | |||
73-12-01-035 | The Piano Player | DE7358b | |||
73-12-01-036 | ¬ Kinda Dukish | DE7358c | |||
73-12-01-037 | _| Rockin’ In Rhythm | DE7358d | |||
73-12-01-038 | Creole Love Call | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7358e | ||
73-12-01-039 | Satin Doll | DE7358f | |||
73-12-01-040 | Spacemen | DE7358g | |||
73-12-01-041 | Don’t You Know I Care | DE7358h | |||
73-12-01-042 | ¬ Caravan | DE7358i | |||
73-12-01-043 | _| How High The Moon | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7358j | ||
73-12-01-044 | New York, New York - vAMo | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7358k | ||
73-12-01-045 | I Didn’t Know About You - vAMo | DE7358l | |||
73-12-01-046 | I’m Beginning To See The Light - vAMo | DE7358m | |||
73-12-01-047 | Blem - vAMo | DE7358n | |||
73-12-01-048 | Chinoiserie | DE7358o | |||
73-12-01-049 | I Can’t Get Started | DE7358p | |||
73-12-01-050 | Basin Street Blues - vMJ | DE7358q | |||
73-12-01-051 | Hello, Dolly! - vMJ | DE7358r | |||
Medley | DE7358s | ||||
73-12-01-052 | - 1. Don’t Get Around Much Anymore | ||||
73-12-01-053 | - 2. Mood Indigo | ||||
73-12-01-054 | - 3. Where In The World | ||||
73-12-01-055 | - 4. Sophisticated Lady | ||||
73-12-01-056 | Love You Madly - vTW | DE7358t | |||
73-12-01-057 | Solitude - vTW | DE7358u | |||
73-12-01-058 | One More Time For The People - vAMo,TW | DE7358v | |||
73-12-01-059 | Things Ain’t What They Used To Be | DE7358w | |||
73-12-01-060 | Soso | DE7358x | |||
73-12-01-061 | My Mother, My Father And Love - vTW | DE7358y | |||
73-12-01-062 | It Don’t Mean A Thing - vTW | DE7358z | |||
73-12-01-063 | I Got It Bad - vAMo | DE7358aa | |||
73-12-01-064 | Every Day I Have The Blues - vAMo | DE7358ab | |||
73-12-01-065 | Take The “A” Train | DE7358ac | |||
73-12-01-066 | In Triplicate (In Duplicate) | DE7358ad | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-12-01-067 | Pitter Panther Patter | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7358ae | ||
As before | |||||
73-12-01-068 | Tiger Rag | Bb 09026-63953-2, RCA 09026-63386-2(D), RCA APL1-1023 | DE7358af | ||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 02 December 1973 | |||
Concert. Rainbow Theatre, Finsbury Park. | |||||
Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore(v) | |||||
73-12-02-001 | C-Jam Blues | DE7359a | |||
73-12-02-002 | Take The “A” Train | DE7359b | |||
73-12-02-003 | ¬ Kinda Dukish | DE7359c | |||
73-12-02-004 | _| Rockin’ In Rhythm | DE7359d | |||
73-12-02-005 | Creole Love Call | DE7359e | |||
73-12-02-006 | Satin Doll | DE7359f | |||
73-12-02-007 | Spacemen | DE7359g | |||
73-12-02-008 | ¬ Caravan | DE7359h | |||
73-12-02-009 | _| How High The Moon | DE7359i | |||
73-12-02-010 | Soul Soothing Beach | DE7359j | |||
73-12-02-011 | Chinoiserie | DE7359k | |||
73-12-02-012 | I Can’t Get Started | DE7359l | |||
73-12-02-013 | Things Ain’t What They Used To Be | DE7359m | |||
73-12-02-014 | New York, New York - vAMo | DE7359n | |||
73-12-02-015 | I Got It Bad - vAMo | DE7359o | |||
73-12-02-016 | Blem - vAMo | DE7359p | |||
73-12-02-017 | Basin Street Blues - vMJ | DE7359q | |||
73-12-02-018 | Hello, Dolly! - vMJ | DE7359r | |||
Medley | DE7359s | ||||
73-12-02-019 | - 1. Don’t Get Around Much Anymore | ||||
73-12-02-020 | - 2. Mood Indigo | ||||
73-12-02-021 | - 3. I’m Beginning To See The Light | ||||
73-12-02-022 | - 4. Sophisticated Lady | ||||
Duke Ellington out. Add Raymond Fol(p) | |||||
73-12-02-023 | Take The “A” Train | DE7359t | |||
Raymond Fol out. Add Duke Ellington(p) | |||||
73-12-02-024 | Somebody Cares -vAMo,MJ | DE7359u | |||
Paul Gonsalves(ts); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-12-02-025 | Happy Reunion | DE7359v | |||
As before | |||||
73-12-02-026 | Tiger Rag | DE7359w | |||
Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d) | |||||
73-12-02-027 | Pitter Panther Patter | DE7359x | |||
As before | |||||
73-12-02-028 | In Triplicate (In Duplicate) | DE7359y | |||
73-12-02-029 | Metcuria The Lion | DE7359z | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-12-02-030 | Lotus Blossom | DE7359aa | |||
DUKE ELLINGTON AND HIS ORCHESTRA | London, GB | 03 December 1973 | |||
Pre-recording for BBC telecast, Lime Grove Studios | |||||
Harold "Money" Johnson, Mercer Ellington(t); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore(v) | |||||
73-12-03-001 | Take The “A” Train | DE7360a | |||
73-12-03-002 | ¬ Kinda Dukish | DE7360b | |||
73-12-03-003 | _| Rockin’ In Rhythm | DE7360c | |||
73-12-03-004 | Creole Love Call | DE7360d | |||
73-12-03-005 | Satin Doll | DE7360e | |||
73-12-03-006 | I Can’t Get Started | DE7360f | |||
73-12-03-007 | New York, New York - vAMo | DE7360g | |||
73-12-03-008 | I Got It Bad - vAMo | DE7360h | |||
Medley | DE7360i | ||||
73-12-03-009 | - 1. Don’t Get Around Much Anymore | ||||
73-12-03-010 | - 2. Mood Indigo | ||||
73-12-03-011 | - 3. I’m Beginning To See The Light | ||||
73-12-03-012 | - 4. It Don’t Mean A Thing | ||||
73-12-03-013 | - 5. Sophisticated Lady | ||||
73-12-03-014 | Soul Soothing Beach | DE7360j | |||
73-12-03-015 | Chinoiserie | DE7360k | |||
Duke Ellington(p); Joe Benjamin(sb) | |||||
73-12-03-016 | Lotus Blossom | DE7360l | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Philadelphia, PA | 07 December 1973 | |||
Concert, Acadamy Of Music: Hohnemann Medical College 125th Anniversary | |||||
Mercer Ellington, Ray Nance(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Joe Benjamin(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-12-07-001 | C-Jam Blues | DE7361a | |||
73-12-07-002 | Take The “A” Train | DE7361b | |||
73-12-07-003 | Creole Love Call | DE7361c | |||
73-12-07-004 | Satin Doll | DE7361d | |||
73-12-07-005 | Spacemen | DE7361e | |||
73-12-07-006 | In A Sentimental Mood | DE7361f | |||
73-12-07-007 | ¬ Caravan | DE7361g | |||
73-12-07-008 | _| In Triplicate (In Duplicate) | DE7361h | |||
73-12-07-009 | New York, New York - vAMo | DE7361i | |||
73-12-07-010 | I Got It Bad - vAMo | DE7361j | |||
73-12-07-011 | Blem - vAMo | DE7361k | |||
73-12-07-012 | Chinoiserie | DE7361l | |||
73-12-07-013 | Basin Street Blues - vMJ | DE7361m | |||
73-12-07-014 | Sophisticated Lady | DE7361n | |||
73-12-07-015 | Love You Madly - vTW | DE7361o | |||
73-12-07-016 | One More Time For The People - vAMo,TW | DE7361p | |||
73-12-07-017 | Things Ain’t What They Used To Be | DE7361q | |||
73-12-07-018 | Perdido | DE7361r | |||
DUKE ELLINGTON GROUP | New York City, NY | 31 December 1973 | |||
NBC broadcast, Rainbow Grill | |||||
Harold "Money" Johnson(t); Russell Procope(cl,as); Harold Minerve(as); Harold Ashby, Paul Gonsalves, Percy Marion(ts); Harry Carney(bar,bcl); Duke Ellington(p); n/k(sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
73-12-31-001 | Take The “A” Train (theme) | DE7362a | |||
73-12-31-002 | ¬ I’m Beginning to See The Light | DE7362b | |||
73-12-31-003 | _| Satin Doll | DE7362c | |||
Medley | DE7362d | ||||
73-12-31-004 | - 1. Solitude | ||||
73-12-31-005 | - 2. Mood Indigo | ||||
73-12-31-006 | - 3. I Got It Bad - vAMo | ||||
73-12-31-007 | - 4. I Let A Song Go Out Of My Heart | ||||
73-12-31-008 | - 5. Don’t Get Around Much Anymore | ||||
73-12-31-009 | ¬ Sophisticated Lady | DE7362e | |||
73-12-31-010 | - | Caravan | DE7362f | |||
73-12-31-011 | _| Things Ain’t What They Used To Be | DE7362g | |||
73-12-31-012 | I’m Just A Lucky So And So - vTW | DE7362h | |||
73-12-31-013 | One More Time For The People - vAMo,TW | DE7362i | |||
73-12-31-014 | New York, New York - vAMo | DE7362j | |||
DUKE ELLINGTON | Ann Arbor, MI | 16 January 1974 | |||
Press conference, University Of Michigan | |||||
Duke Ellington(tk) | |||||
74-01-16-001 | Interview | DE7401a | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 10 February 1974 | |||
1st Concert, Georgetown University | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jaki Byard(ep); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-02-10-001 | C-Jam Blues | DE7402a | |||
74-02-10-002 | Take The “A” Train | DE7402b | |||
74-02-10-003 | ¬ Kinda Dukish | DE7402c | |||
74-02-10-004 | _| Rockin’ In Rhythm | DE7402d | |||
74-02-10-005 | Creole Love Call | DE7402e | |||
74-02-10-006 | Spacemen | DE7402f | |||
74-02-10-007 | ¬ Caravan | DE7402g | |||
74-02-10-008 | _| How High The Moon | DE7402h | |||
74-02-10-009 | Soul Soothing Beach | DE7402i | |||
74-02-10-010 | Chinoiserie | DE7402j | |||
74-02-10-011 | Take The “A” Train | DE7402k | |||
74-02-10-012 | New York, New York - vAMo | DE7402l | |||
74-02-10-013 | I Got It Bad - vAMo | DE7402m | |||
74-02-10-014 | Blem - vAMo | DE7402n | |||
74-02-10-015 | Basin Street Blues - vMJ | DE7402o | |||
74-02-10-016 | Sophisticated Lady | DE7402p | |||
74-02-10-017 | Do Nothin’ Till You Hear From Me - vTW | DE7402q | |||
74-02-10-018 | Solitude - vTW | DE7402r | |||
74-02-10-019 | One More Time For The People - vAMo,TW | DE7402s | |||
74-02-10-020 | Things Ain’t What They Used To Be | DE7402t | |||
74-02-10-021 | Satin Doll | DE7402u | |||
74-02-10-022 | Satin Doll | DE7402v | |||
74-02-10-023 | Metcuria The Lion | DE7402w | |||
Duke Ellington(p); Wulf Freedman(sb) | |||||
74-02-10-024 | Lotus Blossom | DE7402x | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Washington, DC | 10 February 1974 | |||
2nd Concert, Georgetown University | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jaki Byard(ep); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-02-10-025 | C-Jam Blues | DE7403a | |||
74-02-10-026 | Take The “A” Train | DE7403b | |||
74-02-10-027 | In A Sentimental Mood | DE7403c | |||
74-02-10-028 | Spacemen | DE7403d | |||
74-02-10-029 | ¬ Caravan | DE7403e | |||
74-02-10-030 | _| How High The Moon | DE7403f | |||
74-02-10-031 | Soul Soothing Beach | DE7403g | |||
74-02-10-032 | Chinoiserie | DE7403h | |||
74-02-10-033 | New York, New York - vAMo | DE7403i | |||
74-02-10-034 | I Got It Bad - vAMo | DE7403j | |||
74-02-10-035 | Blem - vAMo | DE7403k | |||
74-02-10-036 | Misty - vAMo | DE7403l | |||
74-02-10-037 | Basin Street Blues - vMJ | DE7403m | |||
74-02-10-038 | Sophisticated Lady | DE7403n | |||
74-02-10-039 | Do Nothin’ Till You Hear From Me - vTW | DE7403o | |||
74-02-10-040 | Solitude - vTW | DE7403p | |||
74-02-10-041 | One More Time For The People - vAMo,TW | DE7403q | |||
74-02-10-042 | Things Ain’t What They Used To Be | DE7403r | |||
74-02-10-043 | Somebody Cares - vAMo,TW | DE7403s | |||
74-02-10-044 | Tell Me It’s The Truth - vAMo,TW | DE7403t | |||
74-02-10-045 | Tiger Rag | DE7403u | |||
74-02-10-046 | Satin Doll | DE7403v | |||
Duke Ellington(ep) instead of (p) | |||||
74-02-10-047 | Mood Indigo | DE7403w | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Unknown Location, U.S.A. | Probably February 1974 | |||
Concert | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-02-30-001 | C-Jam Blues | DE9070a | |||
74-02-30-002 | Perdido | DE9070b | |||
74-02-30-003 | Don’t You Know I Care | DE9070c | |||
74-02-30-004 | Take The “A” Train (theme) | DE9070d | |||
74-02-30-005 | ¬ Kinda Dukish | DE9070e | |||
74-02-30-006 | _| Rockin’ In Rhythm | DE9070f | |||
74-02-30-007 | Creole Love Call | DE9070g | |||
74-02-30-008 | Spacemen | DE9070h | |||
74-02-30-009 | In A Sentimental Mood | DE9070i | |||
74-02-30-010 | Caravan | DE9070j | |||
74-02-30-011 | How High The Moon | DE9070k | |||
TOGO BRAVA SUITE | |||||
74-02-30-012 | - 1. Soul Soothing Beach (Mkis) | DE9070l | |||
74-02-30-013 | - 4. Right On Togo (Buss) | DE9070m | |||
74-02-30-014 | - 3. Amour, Amour (Too Kee) | DE9070n | |||
74-02-30-015 | Chinoiserie | DE9070o | |||
74-02-30-016 | I Can’t Get Started | DE9070p | |||
74-02-30-017 | Take The “A” Train | DE9070q | |||
74-02-30-018 | La Plus Belle Africaine | DE9070r | |||
74-02-30-019 | Metcuria The Lion | DE9070s | |||
74-02-30-020 | Satin Doll | DE9070t | |||
74-02-30-021 | Cotton Tail | DE9070u | |||
74-02-30-022 | New York, New York - vAMo | DE9070v | |||
74-02-30-023 | I Got It Bad - vAMo | DE9070w | |||
74-02-30-024 | Blem - vAMo | DE9070x | |||
74-02-30-025 | Basin Street Blues - vMJ | DE9070y | |||
74-02-30-026 | Hello, Dolly! - vMJ | DE9070z | |||
Medley | DE9070aa | ||||
74-02-30-027 | - 1. Don’t Get Around Much Anymore | ||||
74-02-30-028 | - 2. Mood Indigo | ||||
74-02-30-029 | - 3. I’m Beginning To See The Light | ||||
74-02-30-030 | - 4. Sophisticated Lad | ||||
74-02-30-031 | Do Nothin’ Till You Hear From Me - vTW | DE9070ab | |||
74-02-30-032 | I Don’t Want Nobody But You - vTW | DE9070ac | |||
74-02-30-033 | One More Time For The People - vAMo,TW | DE9070ad | |||
74-02-30-034 | Things Ain’t What They Used To Be | DE9070ae | |||
74-02-30-035 | Somebody Cares - vAMo,TW | DE9070af | |||
74-02-30-036 | Tiger Rag | DE9070ag | |||
Duke Ellington(p); Wulf Freedman(sb) | |||||
74-02-30-037 | Lotus Blossom | DE9070ah | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Miami, FL | 05 March 1974 | |||
Concert, Dade County Auditorium | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Gerry Mulligan(bar); Duke Ellington(p); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-03-05-001 | C-Jam Blues | DE7404a | |||
74-03-05-002 | Take The “A” Train | DE7404b | |||
74-03-05-003 | ¬ Kinda Dukish | DE7404c | |||
74-03-05-004 | _| Rockin’ In Rhythm | DE7404d | |||
74-03-05-005 | Creole Love Call | DE7404e | |||
74-03-05-006 | Spacemen | DE7404f | |||
74-03-05-007 | In A Sentimental Mood | DE7404g | |||
74-03-05-008 | ¬ Caravan | DE7404h | |||
74-03-05-009 | _| How High The Moon | DE7404i | |||
TOGO BRAVA SUITE | |||||
74-03-05-010 | - 1. Soul Soothing Beach (Mkis) | DE7404j | |||
74-03-05-011 | - 4. Right On Togo (Buss) | DE7404k | |||
74-03-05-012 | - 3. Amour, Amour (Too Kee) | DE7404l | |||
74-03-05-013 | Chinoiserie | DE7404m | |||
74-03-05-014 | I Can’t Get Started | DE7404n | |||
74-03-05-015 | Take The “A” Train | DE7404o | |||
74-03-05-016 | La Plus Belle Africaine | DE7404p | |||
74-03-05-017 | Perdido | DE7404q | |||
74-03-05-018 | Satin Doll | DE7404r | |||
74-03-05-019 | In Triplicate (In Duplicate) | DE7404s | |||
74-03-05-020 | New York, New York - vAMo | DE7404t | |||
74-03-05-021 | I Didn’t Know About You - vAMo | DE7404u | |||
74-03-05-022 | Blem - vAMo | DE7404v | |||
74-03-05-023 | Basin Street Blues - vMJ | DE7404w | |||
Medley | DE7404x | ||||
74-03-05-024 | - 1. Don’t Get Around Much Anymore | ||||
74-03-05-025 | - 2. Mood Indigo | ||||
74-03-05-026 | - 3. I’m Beginning To See The Light | ||||
74-03-05-027 | - 4. Sophisticated Lad | ||||
74-03-05-028 | Mood Indigo - vTW | DE7404y | |||
74-03-05-029 | Do Nothin’ Till You Hear From Me - vTW | DE7404z | |||
74-03-05-030 | Solitude - vTW | DE7404aa | |||
74-03-05-031 | One More Time For The People - vAMo,TW | DE7404ab | |||
74-03-05-032 | Things Ain’t What They Used To Be | DE7404ac | |||
74-03-05-033 | Soso | DE7404ad | |||
74-03-05-034 | Metcuria The Lion | DE7404ae | |||
Duke Ellington(p); Wulf Freedman(sb) | |||||
74-03-05-035 | Lotus Blossom | DE7404af | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Sarasota, FL | 08 March 1974 | |||
Concert, Van Wetzel Performing Arts Center | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Duke Ellington(p); John Lamb(sb); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-03-08-001 | C-Jam Blues | DE7405a | |||
74-03-08-002 | ¬ Kinda Dukish | DE7405b | |||
74-03-08-003 | _| Rockin’ In Rhythm | DE7405c | |||
74-03-08-004 | Creole Love Call | DE7405d | |||
74-03-08-005 | Spacemen | DE7405e | |||
74-03-08-006 | In A Sentimental Mood | DE7405f | |||
74-03-08-007 | Caravan | DE7405g | |||
74-03-08-008 | How High The Moon | DE7405h | |||
74-03-08-009 | TOGO BRAVA SUITE | DE7405i | |||
- 1. Soul Soothing Beach (Mkis) | |||||
74-03-08-010 | - 4. Right On Togo (Buss) | DE7405j | |||
74-03-08-011 | - 3. Amour, Amour (Too Kee) | DE7405k | |||
74-03-08-012 | Chinoiserie | DE7405l | |||
74-03-08-013 | La Plus Belle Africaine | DE7405m | |||
74-03-08-014 | ¬ Piano Interlude | DE7405n | |||
74-03-08-015 | _| Take The “A” Train | DE7405o | |||
74-03-08-016 | Satin Doll | DE7405p | |||
74-03-08-017 | In Triplicate (In Duplicate) | DE7405q | |||
74-03-08-018 | New York, New York - vAMo | DE7405r | |||
74-03-08-019 | I’m Beginning To See The Light - vAMo | DE7405s | |||
74-03-08-020 | I Got It Bad - vAMo | DE7405t | |||
74-03-08-021 | Blem - vAMo | DE7405u | |||
74-03-08-022 | Basin Street Blues - vMJ | DE7405v | |||
74-03-08-023 | Hello, Dolly! - vMJ | DE7405w | |||
Medley | DE7405x | ||||
74-03-08-024 | - 1. Don’t Get Around Much Anymore | ||||
74-03-08-025 | - 2. Mood Indigo | ||||
74-03-08-026 | - 3. It Don’t Mean A Thing | ||||
74-03-08-027 | - 4. Sophisticated Lady | ||||
74-03-08-028 | Mood Indigo - vTW | DE7405y | |||
74-03-08-029 | Do Nothin’ Till You Hear From Me - vTW | DE7405z | |||
74-03-08-030 | Solitude - vTW | DE7405aa | |||
74-03-08-031 | One More Time For The People - vAMo,TW | DE7405ab | |||
74-03-08-032 | Things Ain’t What They Used To Be | DE7405ac | |||
74-03-08-033 | Metcuria The Lion | DE7405ad | |||
DUKE ELLINGTON AND HIS ORCHESTRA | De Kalb, IL | 20 March 1974 | |||
Concert, Northern Illinois University Center | |||||
Cootie Williams, Mercer Ellington(t); Harold "Money" Johnson(t,v); Barry Lee Hall, Johnny Coles(t,flh); Vince Prudente, Art Baron(tb); Chuck Connors(btb); Russell Procope(cl,as); Harold Minerve(cl,as,fl,pic); Harold Ashby(ts,cl); Paul Gonsalves, Percy Marion(ts); Harry Carney(cl,bcl,as,bar); Duke Ellington(p); Jaki Byard(ep); Wulf Freedman(eb,sb); Quentin "Rocky" White(d); Anita Moore, Toney Watkins(v) | |||||
74-03-20-001 | Take The “A” Train | DE7406a |