Click on any release to be taken to the corresponding release on the Releases page.
Key to symbols:
Index | Matrix No. | Title | Releases | New DESOR | |
---|---|---|---|---|---|
THE TEN BLACK BERRIES | New York City, NY | 29 January 1930 | |||
Plaza recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills (as "Sunny Smith")(v) | |||||
30-01-29-001 | 9319-1 | St. James Infirmary - vIM | CBS 68275, Cl(F) 577, MoJ MJCD-123, Pe 15272 | DE3001a | |
30-01-29-002 | 9319-2 | St. James Infirmary - vIM | Ba 0594, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001b | |
30-01-29-003 | 9319-3 | St. James Infirmary - vIM | Ca 0194, MoJ MJCD-123, Nw RP2018 | DE3001c | |
An apostrophe is added to the title (“James’”) on the record labels of the 78s. | |||||
30-01-29-004 | 9320-1 | When You’re Smiling - vIM | Ba 0607, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001d | |
30-01-29-005 | 9320-3 | When You’re Smiling - vIM | CBS 68275, Cl(F) 586, MoJ MJCD-123, Pe 15272 | DE3001e | |
30-01-29-006 | 9321-1 | Rent Party Blues | Ba 0594, CBS 68275, MoJ MJCD-123, Nw RP2018 | DE3001f | |
30-01-29-007 | 9321-2 | Rent Party Blues | Ca 0194, MoJ MJCD-123, Nw RP2018 | DE3001g | |
30-01-29-008 | 9321-3 | Rent Party Blues | Ba 0594, CBS 68275, Cl(F) 586, MoJ MJCD-123 | DE3001h | |
30-01-29-009 | 9322-1 | Jungle Blues | Ba 0598, CBS 88000, MoJ MJCD-123, Nw RP2018 | DE3001i | |
30-01-29-010 | 9322-2 | Jungle Blues | CBS 88000, Cl(F) 586, MoJ MJCD-123, MoJ MJCD-1306, Or 1854 | DE3001j | |
THE JUNGLE BAND | New York City, NY | 21 February 1930 | |||
Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills (probably) (v) | |||||
30-02-21-001 | E32209- | Admiration | DE3002a | ||
30-02-21-002 | E32210-A or -B | Maori (A Samoan Dance) | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1304 | DE3002b | |
30-02-21-003 | E32211-B or -A | Maori (A Samoan Dance) | DE3002c | ||
30-02-21-004 | E32212- | When You’re Smiling - vIM | DE3002d | ||
HARLEM HOT CHOCOLATES | New York City, NY | March 1930 | |||
Durium recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-03-00-001 | 1045-C | Sing Your Sinners - vIM | Cl(F) 586, HoW 1045, MoJ MJCD-123 | DE3003a | |
30-03-00-002 | 1046-D | St. James Infirmary - vIM | Cl(F) 586, HoW 1046, MoJ MJCD-123 | DE3003b | |
Again an apostrophe is used on the 78 label. | |||||
THE JUNGLE BAND | New York City, NY | 20 March 1930 | |||
Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-03-20-001 | E32447-A | When You’re Smiling - vIM | Br 4760, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE3004a | |
30-03-20-002 | E32447-B | When You’re Smiling - vIM | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2018, UtD 2007 | DE3004b | |
30-03-20-003 | E32448-A | Maori (A Samoan Dance) | Br A-500158, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-123, Nw RP2018 | DE3004c | |
30-03-20-004 | E32448-B | Maori (A Samoan Dance) | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-123, Nw RP2018 | DE3004d | |
30-03-20-005 | E32449-A or -B | Admiration | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1304 | DE3004e | |
MILLS TEN BLACK BERRIES | New York City, NY | 03 April 1930 | |||
Diva / Velvet Tone recording session. Columbia Records studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-04-03-001 | 1050165-2 | The Mooch | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6046-G, MoJ MJCD-145, Ve 7072-V | DE3005a | |
30-04-03-002 | 105015-3 | The Mooch | CBS 88000, Di 6046-G, MoJ MJCD-145, Nw RP2018 | DE3005b | |
30-04-03-003 | 105016-1 | Ragamuffin Romeo | CBS 88000, Cl(F) 586, Co C2K-46177(D), FDC 1003, MoJ MJCD-145 | DE3005c | |
30-04-03-004 | 105017-2 | East St. Louis Toodle-O | BD T-1001, Di 6046-G, MoJ MJCD-145, Nw RP2018, Ve 7072-V | DE3005d | |
30-04-03-005 | 105017-3 | East St. Louis Toodle-O | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6046-G, MoJ MJCD-145, Ve 7072-V | DE3005e | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 11 April 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Frank Marvin(v) | |||||
30-04-11-001 | BVE59692-2 | Double Check Stomp | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1312, MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38129 | DE3006a | |
30-04-11-002 | BVE59693-2 | My Gal Is Good For Nothing But Love - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006b | |
30-04-11-003 | BVE59694-1 | I Was Made To Love You - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006c | |
THE JUNGLE BAND | New York City, NY | 22 April 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Cornell Smelser (as "Joe Cornell")(acc); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v) | |||||
30-04-22-001 | E32612-A | Double Check Stomp | Br 4783, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007a | |
30-04-22-002 | E32613-A | Accordion Joe - vDR | Br 4783, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-1305, MoJ MJCD-145 | DE3007b | |
30-04-22-003 | E32613-B | Accordion Joe - vDR | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374◊, MoJ MJCD-145, Nw RP2018, UtD 2007 | DE3007c | |
30-04-22-004 | E32614-A | Cotton Club Stomp* | Br 4887, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007d | |
30-04-22-005 | E32614-B | Cotton Club Stomp* | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145, Nw RP2018, UtD 2007 | DE3007e | |
NB:- Cotton Club Stomp on these recordings is not the same as any other recording of the same title. | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 04 June 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-06-04-001 | BVE62192-1 | Sweet Dreams Of Love | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008a | |
30-06-04-002 | BVE62192-2 | Sweet Dreams Of Love | Bb 2499-2-RB◊, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D) | DE3008b | |
30-06-04-003 | BVE62193-2 | Jungle Nights In Harlem | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23022 | DE3008c | |
30-06-04-004 | BVE62194-1 | Sweet Jazz O’ Mine | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008d | |
30-06-04-005 | BVE62194-2 | Sweet Jazz O’ Mine | (F)RCA 741039, LR X-EIO-2(S)(T), MoJ MJCD-145, Nw RP2018, RCA 09026-63386-2(D), Vi V-38143 | DE3008e | |
30-06-04-006 | BVE62195-2 | Shout ‘Em Aunt Tillie | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23041 | DE3008f | |
MILLS TEN BLACKBERRIES | New York City, NY | 12 June 1930 | |||
Diva / Velvet Tone recording session. Columbia Records studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-06-12-001 | 150584-1 | Sweet Mama | BD T-1001, MoJ MJCD-145, Nw RP2018, Ve 7088-V | DE3009a | |
30-06-12-002 | 150584-2 | Sweet Mama | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062-G, FMRS FM-4001/02†, MoJ MJCD-145, Ve 7088-V | DE3009b | |
30-06-12-003 | 150585-1 | Hot And Bothered | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6056-G, LR X-EIO-1(S)(T), MoJ MJCD-145, Ve 7082-V | DE3009c | |
30-06-12-004 | 150586-1 | Double Check Stomp | Ve 7088-V | DE3009d | |
30-06-12-005 | 150586-2 | Double Check Stomp | BD T-1001, CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062-G, MoJ MJCD-145, Ve 7088-V | DE3009e | |
30-06-12-006 | 150590-1 | Black And Tan Fantasy | CBS 88000, Cl(F) 596, Co C2K-46177(D), Di 6056-G, MoJ MJCD-145, Ve 7082-V | DE3009f | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | Early August 1930 | |||
RKO film recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
30-00-08-001 | When I’m Blue | MoJ MJCD-173, Pv PRV-102 | DE3010a | ||
30-00-08-002 | The Mystery song | MoJ MJCD-173 | DE3010b | ||
30-00-08-003 | When I’m Blue | MoJ MJCD-173 | DE3010c | ||
30-00-08-004 | East St. Louis Toodle-O (theme) | MoJ MJCD-173, Pv PRV-102 | DE3010d | ||
30-00-08-005 | Old Man Blues | MoJ MJCD-173, Pv PRV-102 | DE3010f | ||
30-00-08-006 | Three Little Words | Roan AED-2027 | DE3010g | ||
Film sound track from RKO Radio Pictures "Check And Double Check". NB. 30-00-08-006, while recorded for this film was used in the RKO Radio Pictures "The Lady Refuses" The version in "Check And Double Check" and appearing on Pv PRV-102 and MoJ MJCD 173 was recorded by The Rhythm Boys and a studio orchestra | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 August 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Emmanuel Hall Quartet, Jimmy Miller(v) | |||||
30-08-20-001 | PBVE61011-1 | Ring Dem Bells - vCW | |||
30-08-20-002 | PBVE61011-2 | Ring Dem Bells - vCW | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D) | DE3011a | |
30-08-20-003 | PBVE61011-3 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1312, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 20-1532 | DE3011b | |
30-08-20-004 | PBVE61012-1 | Old Man Blues | MoJ MJCD-173, Nw RP2033, RCA 09026-63386-2(D), UtD 2008(D) | DE3011c | |
30-08-20-005 | PBVE61012-2 | Old Man Blues | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D), UtD 2008(D) | DE3011d | |
30-08-20-006 | PBVE61012-3 | Old Man Blues | FMRS 021(D), MoJ MJCD-173, RCA 09026-63386-2(D), UtD 2008(D) | DE3011e | |
30-08-20-007 | PBVE61013-1 | Three Little Words - vEHQ | MoJ MJCD-173, RCA 09026-63386-2(D) | DE3011f | |
30-08-20-008 | PBVE61013-3 | Three Little Words - vJMi | DE3011g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 August 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
30-08-26-001 | PBVE61011-6 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012a | |
30-08-26-002 | PBVE61012-4 | Old Man Blues | JA 21, MoJ MJCD-173, RCA 09026-63386-2(D) | DE3012b | |
30-08-26-003 | PBVE61012-6 | Old Man Blues | (F)RCA 741048, Bb 82876-60091-2-1, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23022 | DE3012c | |
30-08-26-004 | PBVE61013-5 | Three Little Words - vTRB | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1305, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 02 October 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams(t) Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Dick Robertson(v) | |||||
30-10-02-001 | BVE63360-1 | Hittin’ The Bottle - vDR | (F)RCA 741048, MoJ MJCD-173, Nw RP2018, RCA 09026-63386-2(D), Vi 23016 | DE3013a | |
30-10-02-002 | BVE63360-2 | Hittin’ The Bottle - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013b | |
30-10-02-003 | BVE63361-3 | That Lindy Hop - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1304, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013c | |
30-10-02-004 | BVE63362-2 | You’re Lucky To Me - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013d | |
Sonny Greet plays vibrophone. This is the first use of the instrument in Ellington’s recorded discography. | |||||
30-10-02-005 | BVE63363-1 | Memories Of You - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013e | |
THE HARLEM FOOTWARMERS | New York City, NY | 14 October 1930 | |||
Okeh recording session | |||||
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-10-14-001 | W404481-A | Mood Indigo | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8840 | DE3014a | |
30-10-14-002 | W404482-C | Big House Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8836 | DE3014b | |
30-10-14-003 | W404483-B | Rocky Mountain Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8836 | DE3014c | |
THE JUNGLE BAND | New York City, NY | 17 October 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
30-10-17-001 | E34927-A | Runnin’ Wild - vDR | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015a | |
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
30-10-17-002 | E34928-A | Mood Indigo (Dreamy Blues) | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015b | |
NOTE: Mood Indigo was first titled Dreamy Blues when first released, and was subsequently changed to Mood Indigo on the second print run. | |||||
THE JUNGLE BAND | New York City, NY | 27 October 1930 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
30-10-27-001 | E35035-B | Home Again Blues - vDR | Br 6003, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016a | |
30-10-27-002 | E35036-A | Wang Wang Blues - vDR,BP | Br 6003, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016b | |
THE HARLEM MUSIC MASTERS | New York City, NY | 30 October 1930 | |||
Okeh recording session | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
30-10-30-001 | W404519-A | Ring Dem Bells - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Od 36166◊ | DE3017a | |
30-10-30-002 | W404520-A | Three Little Words - vIM | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Od 36166◊ | DE3017b | |
Ring Dem Bells was also contemporaneously released on Parlophone PNY 34154 (as Frank Brown and his Tooters). Three Little Words was also contemporaneously released on Parlophone PNY 34156 (as Frank Brown and his Tooters). | |||||
THE HARLEM FOOTWARMERS | Same session | ||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
30-10-30-003 | W404521-B | Old Man Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8869 | DE3017c | |
30-10-30-004 | W404522-B | Sweet Chariot - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-1302, MoJ MJCD-174, Ok 8840 | DE3017d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 21 November 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Smith Ballew (as "Billy Smith")(v) | |||||
30-11-21-001 | BVE64811-1 | Mood Indigo | DE3019a | ||
30-11-21-002 | BVE64811-2 | Mood Indigo | |||
30-11-21-003 | BVE64812-1 | Nine Little Miles From Ten-Ten-Tennessee - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3019b | |
30-11-21-004 | BVE64812-2 | Nine Little Miles From Ten-Ten-Tennessee - vSB | (F)RCA 741048, MoJ MJCD-174, Nw RP2018, RCA 09026-63386-2(D), Vi 22586 | DE3019c | |
30-11-21-005 | BVE64813-1 | I’m So In Love With You - vSB | MoJ MJCD-174, RCA 09026-63386-2(D) | DE3019d | |
30-11-21-006 | BVE64813-2 | I’m So In Love With You - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 23041 | DE3019e | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 26 November 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Sid Garry(v) | |||||
30-11-26-001 | BVE64378-1 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Tx (Sd)LP-9◊ | DE3020a | |
30-11-26-002 | BVE64379-1 | Blue Again - vSGa | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22603 | DE3020b | |
30-11-26-003 | BVE64380-2 | When A Black Man’s Blue - vSGa | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Tx (Sd)LP-9◊ | DE3020c | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 December 1930 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
30-12-10-001 | BVE64811-4 | Mood Indigo | (F)RCA 741068, Bb 82876-60091-2-1, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021a | |
30-12-10-002 | BVE64378-4 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3021b | |
30-12-10-003 | BVE64380-4 | When A Black Man’s Blue - vSG | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021c | |
THE NEW YORK SYNCOPATORS | New York City, NY | 08 January 1931 | |||
OKeh recording session. OKeh studio, probably 1819 Broadway. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Sid Garry(v) | |||||
31-01-08-001 | W404802-A | I Can’t Realise You Love Me - vSGa | CBS 88000, Cl(F) 596, Co C2K-46177(D), FMRS FM-4001/02†, MoJ MJCD-174, Od ONY-36190, Pa PNY-34183 | DE3018a | |
31-01-08-002 | W404803-B | I’m So In Love With You - vSGa | CBS 88000, Cl(F) 605, Co C2K-46177(D), MoJ MJCD-174, Od ONY-36189, Pa PNY-34183 | DE3018b | |
Od ONY-36189, Od ONY-36190 (as The New York Syncopators) and Pa PNY 34183 (as The Harlem Foot Warmers) were issued contemporaneously. | |||||
THE HARLEM FOOTWARMERS | Same session | ||||
Same personnel, minus Sid Garry | |||||
31-01-08-003 | W404804-A | Rockin’ In Rhythm | CBS 88000, Cl(F) 605, Co C2K-46177(D), Co CK-48654, Co CL-2046, MoJ MJCD-174, Ok 8869 | DE3018c | |
Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
31-01-08-004 | W404481-D | Mood Indigo | DE3018d | ||
31-01-08-005 | W404481-E | Mood Indigo | |||
Mood Indigo takes are rejected/lost | |||||
THE WHOOPEE MAKERS | New York City, NY | 10 January 1931 | |||
ARC recording session. ARC studio, prob. 114 East 32nd Street. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Chick Bullock(v) | |||||
31-01-10-001 | 10356-1 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Or 2191 | DE3101a | |
31-01-10-002 | 10356-2 | Them There Eyes - vCBu | Ba 32070, CBS 88000, Cl(F) 605, MoJ MJCD-174 | DE3101b | |
31-01-10-003 | 10356-3 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Pe 15418 | DE3101c | |
31-01-10-004 | 10357-1 | Rockin’ Chair - vCBu | Cl(F) 605, MoJ MJCD-174, Or 2191 | DE3101d | |
31-01-10-005 | 10357-2 | Rockin’ Chair - vCBu | CBS 88000, MoJ MJCD-174, Nw RP2018, Pe 15418 | DE3101e | |
31-01-10-006 | 10357-3 | Rockin’ Chair - vCBu | Re 10244 | DE3101f | |
31-01-10-007 | 10357-4 | Rockin’ Chair - vCBu | Ba 32070, CBS 88000, MoJ MJCD-174, Nw RP2018 | DE3101g | |
GEORGIA SYNCOPATORS | Same session | ||||
31-01-10-008 | 10359-3 | I’m So In Love With You - vCBu | CBS 88000, Cl(F) 605, Ml M-12444 | DE3101h | |
THE JUNGLE BAND | New York City, NY | 14 January 1931 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Bennie Payne(v,p) | |||||
31-01-14-001 | E35800-A | Rockin’ Chair - vBP | Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, Ml M-12093 | DE3102a | |
31-01-14-002 | E35801-A | Rockin’ In Rhythm | Br 6038, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196 | DE3102b | |
31-01-14-003 | E35802-A | Twelfth Street Rag | Br 6038, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196 | DE3102c | |
(From NDESOR) Rockin’ Chair as EARL JACKSON AND HIS MUSICAL CHAMPIONS | |||||
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 16 January 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Chick Bullock(v) | |||||
31-01-16-001 | BVE67798-2 | The River And Me - vCBu | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 22614 | DE3103a | |
31-01-16-002 | BVE67799-1 | Keep A Song In Your Soul - vCBu | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 22614 | DE3103b | |
31-01-16-003 | BVE67800-1 | Sam And Delilah - vCB | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 23036 | DE3103c | |
31-01-16-004 | BVE67401-1 | Rockin’ In Rhythm | (F)RCA 741068, Cl(F) 605, RCA 09026-63386-2(D), Vi 26310 | DE3103d | |
31-01-16-005 | BVE67401-2 | Rockin’ In Rhythm | (F)RCA 741068, Bb 82876-60091-2-1, Nw RP2018, RCA 09026-63386-2(D) | DE3103e | |
THE JUNGLE BAND | New York City, NY | 20 January 1931 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
31-01-20-001 | E35938-A | The Peanut Vendor | Cl(F) 605, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, Ml M-12080 | DE3104a | |
31-01-20-002 | E35939-A | Creole Rhapsody - Part 1 | Br 6093, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, UA NUA-7(D) | DE3104b | |
31-01-20-003 | E35940-A | Creole Rhapsody - Part 2 | Br 6093, Cl(F) 605, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, UA NUA-7(D) | DE3104c | |
31-01-20-004 | E35940-AA | Creole Rhapsody - Part 2 | Br 80047, De GRD-3-640(D)(S)(T), Df DRCD-11196, Nw RP2023 | DE3104d | |
31-01-20-005 | E35941-A | Is That Religion - vDR | Cl(F) 616, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, Ml M-12080 | DE3104e | |
The Peanut Vendor / Is That Religion as Earl Jackson & His Musical Champions. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 11 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-11-001 | CRC68231-2 | Creole Rhapsody - Part 1 | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1303, RCA 09026-63386-2(D), UA NUA-7(D), Vi 36049 | DE3105a | |
31-06-11-002 | BRC68232-1 | Creole Rhapsody - Part 1 | DE3105b | ||
31-06-11-003 | BRC68232-2 | Creole Rhapsody - Part 1 | |||
31-06-11-004 | CRC68233-2 | Creole Rhapsody - Part 2 | RCA 09026-63386-2(D) | DE3105c | |
31-06-11-005 | CRC68234-3 | Creole Rhapsody - Part 2 | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1303, RCA 09026-63386-2(D), UA NUA-7(D), Vi 36049 | DE3105d | |
DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Camden, NJ | 16 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-16-001 | BRC68237-1 | Limehouse Blues | (F)RCA 741068, Cl(F) 616, RCA 09026-63386-2(D), Vi 22743 | DE3106a | |
31-06-16-002 | BRC68238-1 | Echoes Of The Jungle | (F)RCA 741068, Cl(F) 616, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi 22743 | DE3106b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 17 June 1931 | |||
RCA-Victor recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
31-06-17-001 | BRC68239-1 | It’s Glory | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22791 | DE3107a | |
31-06-17-002 | BRC68240-1 | The Mystery Song | (F)RCA 741085, BFR BCD-16340, Nw RP2023, RCA 09026-63386-2(D), Vi 22800 | DE3107b | |
31-06-17-003 | BRC68240-2 | The Mystery Song | (F)RCA 741085, Bb 2499-2-RB, Cl(F) 616, RCA 09026-63386-2(D) | DE3107c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 August 1931 | |||
Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Wellman Braud(sb); Sonny Greer(d,ch); n/k(v) | |||||
31-08-11-001 | C7938- | Tootsie Hill (From Louisville) - vn/k | DE9047a | ||
31-08-11-002 | C7939- | It Don’t Mean A Thing - vn/k | DE9047b | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch,v); Ivie Anderson(v) | |||||
32-02-02-001 | B11200-A | Moon Over Dixie - vSG | Br 6317, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201a | |
32-02-02-002 | B11204-A | It Don’t Mean A Thing - vIA | BMG 88697298542, BMG 88697302362, Br 6265, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201b | |
32-02-02-003 | B11205-A | Lazy Rhapsody - vCW | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3201c | |
32-02-02-004 | B11205-B | Lazy Rhapsody - vCW | CBS 88000, Co 53834, Ms MD11-248, Nw RP2023 | DE3201d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 February 1932 | |||
RCA-Victor recording session. RCA Studio 1 | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-02-03-001 | / | Mood Indigo | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202a | |
32-02-03-002 | – 71812-2 | Hot And Bothered | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202b | |
32-02-03-003 | \ | Creole Love Call | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L-16006 | DE3202c | |
32-02-03-004 | / | Mood Indigo | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202d | |
32-02-03-005 | – 71812-3 | Hot And Bothered | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202e | |
32-02-03-006 | \ | Creole Love Call | (F)RCA 741085, Nw RP2023, RCA 09026-63386-2(D), Vi L-16006 | DE3202f | |
NB. The above titles are reproduced in true stereo on the RCA and Natasha Imports CDs | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib) | |||||
32-02-04-001 | B11223-A | Blue Tune | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, Ms MD11-248 | DE3203a | |
32-02-04-002 | B11223-B | Blue Tune | CBS 88000, Co CL-2046, Ms MD11-248, Nw RP2023 | DE3203b | |
32-02-04-003 | B11224-A | Baby, When You Ain’t There - vCW | BMG 88697302362, Br 6317, CBS 88035, Cl(F) 616, MoJ MJCD-1306, Ms MD11-248 | DE3203c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 February 1932 | |||
RCA-Victor recording session. RCA Studio 1 | |||||
Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch,v) | |||||
32-02-09-001 | ¬ | ¬ East St. Louis Toodle-O | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204a | |
32-02-09-002 | | 71836-2 | - | Lot O’ Fingers | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204b | |
32-02-09-003 | _| | _| Black And Tan Fantasy | (F)RCA 741085, Cl(F) 616, NI 4016, RCA 09026-63386-2(D), Vi L16007 | DE3204c | |
32-02-09-004 | 71838-1 | Dinah - vCE,SG | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22398 | DE3204d | |
32-02-09-005 | 71839-1 | Bugle Call Rag | (F)RCA 741085, Cl(F) 616, RCA 09026-63386-2(D), Vi 22398 | DE3204e | |
BING CROSBY WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 February 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Bing Crosby(v) | |||||
32-02-11-001 | BX11263-A | St. Louis Blues - vBCr | Br 20105, CBS 88035, Cl(F) 616, Co CK-66372, Ms MD11-248 | DE3205a | |
32-02-11-002 | BX11263-B | St. Louis Blues - vBCr | BMG 88697302362, Br 20105, CBS 88035, MoJ MJCD-1305, Ms MD11-248, Nw RP2023 | DE3205b | |
Bing Crosby out | |||||
32-02-11-003 | BX11264-A | Creole Love Call | Br 20105, CBS 88035, Cl(F) 616, Ms MD11-248 | DE3205c | |
32-02-11-004 | BX11264-B | Creole Love Call | BMG 88697302362, Ms MD11-248, Re 79053 | DE3205xa | |
32-02-11-005 | B11265-A | Rose Room | Br 6265, CBS 88035, Cl(F) 616, Ms MD11-248 | DE3205d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Hartford, CT | 11 April 1932 | |||
Broadcast, Publix Allyn Theatre | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch, v) | |||||
32-04-11-001 | East St. Louis Toodle-O (theme) | DE9004a | |||
32-04-11-002 | When It’s Sleepy Time Down South - vSG | DE9004b | |||
32-04-11-003 | Double Check Stomp | DE9004c | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-16-001 | B11839-A | Blue Harlem | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, MoJ MJCD-1308, Ms MD11-248 | DE3206a | |
32-05-16-002 | B11840-A | The Sheik Of Araby | BMG 88697302362, Br 6336, CBS 88035, Ms MD11-248 | DE3206b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-17-001 | B11850-A | Swampy River | Br 6355, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3207a | |
32-05-17-002 | B11851-A | Lot O’ Fingers (Fast And Furious) | Br 6355, CBS 88035, Cl(F) 626, MoJ MJCD-1309, Ms MD11-248 | DE3207b | |
32-05-17-003 | B11852-A | Best Wishes | CBS 88035, Co 35836, Ms MD11-248, Nw RP2023 | DE3207c | |
32-05-17-004 | B11852-B | Best Wishes | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3207d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 18 May 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-05-18-001 | B11865-A | Slippery Horn | BD B-T1001, CBS 88035, Cl(F) 626, Co 37299, Gp 040, Ms MD11-248 | DE3208a | |
32-05-18-002 | B11866-A | Blue Ramble | BMG 88697302362, Br 6336, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3208b | |
32-05-18-003 | B11866-B | Blue Ramble | CBS 88035, Co 35834, Gp 040, Ms MD11-248, Nw RP2023 | DE3208c | |
32-05-18-004 | B11867-A | Clouds In My Heart | Ms MD11-248 | DE3206xa | |
32-05-18-005 | B11867-B | Clouds In My Heart | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37299, Gp 040, Ms MD11-248 | DE3208d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
32-09-19-001 | B12332-A | Blue Mood | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37298, Ms MD11-248 | DE3209a | |
32-09-19-002 | B12332-B | Blue Mood | CBS 88035, Ms MD11-248, Nw RP2023, Ra RTE-23001 | DE3209b | |
32-09-19-003 | B12332-C | Blue Mood | CBS 88035, FMRS FM-4001/02†, Gp 040, Ms MD11-248, Nw RP2023 | DE3209c | |
32-09-19-004 | B12333-A | Ducky Wucky | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3209d | |
32-09-19-005 | B12333-B | Ducky Wucky | CBS 88035, Co 35683, Ms MD11-248, Nw RP2023 | DE3209e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
RCA-Victor recording session. RCA Studio 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
32-09-21-001 | BS73557-1 | Maori | (F)RCA 741114, Cl(F) 626, FDC 1022, RCA 09026-63386-2(D) | DE3210a | |
32-09-21-002 | BS73558- | Jive Stomp | DE3210b | ||
32-09-21-003 | BS73559- | Sophisticated Lady | DE3210c | ||
32-09-21-004 | BS73560- | Margie - vSG | DE3210d | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
32-09-21-005 | B12343-A | Jazz Cocktail | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3211a | |
32-09-21-006 | B12343-B | Jazz Cocktail | CBS 88035, Gp 040, Ms MD11-248, Nw RP2023 | DE3211b | |
32-09-21-007 | B12344-A | Lightnin' | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, MoJ MJCD-1312, Ms MD11-248 | DE3211c | |
32-09-21-008 | B12344-B | Lightnin' | CBS 88035, Co 35835, Gp 040, Ms MD11-248, Nw RP2023 | DE3211d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 September 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(as,ss); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ray Mitchell(v). | |||||
32-09-22-001 | B12345-A | Stars -vRM | Br 9331, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3212a | |
32-09-22-002 | B12345-B | Stars -vRM | CBS 88035, Ms MD11-248, Nw RP2023 | DE3212b | |
32-09-22-003 | B12346-A | Swing Low | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, Ms MD11-248, Ra RTE-23001 | DE3212c | |
32-09-22-004 | B12346-B | Swing Low | CBS 88035, Co 35683, Ms MD11-248, Nw RP2023 | DE3212d | |
ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 December 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v).. | |||||
32-12-21-001 | B12773-A | I Must Have That Man - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213a | |
32-12-21-002 | B12773-B | I Must Have That Man - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213b | |
32-12-21-003 | B12774-A | Baby - vAHa | CBS 88035, Cl(F) 626, Co OL-6770, Ms MD11-248 | DE3213c | |
32-12-21-004 | B12774-B | Baby - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Adelaide Hall(v) out. Add Ivie Anderson(v). | |||||
32-12-21-005 | B12775-A | Any Time, Any Day, Anywhere | Br 6467, CBS 88035, Cl(F) 626, Ms MD11-248 | DE3213e | |
32-12-21-006 | B12775-B | Any Time, Any Day, Anywhere | CBS 88082, Gp 040, Lu 5036, Ms MD11-248, Nw RP2023 | DE3213f | |
32-12-21-007 | B12776-A | Delta Bound - vIA | CBS 88082, Cl(F) 626, Co 37298, Ms MD11-248 | DE3213g | |
32-12-21-008 | B12776-B | Delta Bound - vIA | BD T-1001, Ms MD11-248, Nw RP2023 | DE3213h | |
THE MILLS BROTHERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 December 1932 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); The Mills Brothers: Herbert, Harry, Donald (v), John jr(v,g). | |||||
32-12-22-001 | B12781-A | Diga Diga Doo - vTMB | Br 6519, CBS 88082, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3214a | |
32-12-22-002 | B12781-B | Diga Diga Doo - vTMB | Co CK-66372, Ms MD11-248 | DE3214b | |
ETHEL WATERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ethel Waters(v) | |||||
32-12-22-003 | B12783-A | I Can’t Give You Anything But Love - vEW | Br 6517, CBS 88082, Cl(F) 626, MoJ MJCD-1305, Ms MD11-248 | DE3214c | |
32-12-22-004 | B12783-B | I Can’t Give You Anything But Love - vEW | Co CK-66372, Ms MD11-248 | DE3214d | |
Fred Guy out. | |||||
32-12-22-005 | B12784-A | Porgy - vEW | Br 6521, CBS 88082, Cl(F) 626, Ms MD11-248 | DE3214e | |
32-12-22-006 | B12784-B | Porgy - vEW | Ms MD11-248 | DE3214f | |
32-12-22-007 | B12784-C | Porgy - vEW | Ms MD11-248 | DE3214g | |
ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 07 January 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v). | |||||
33-01-07-001 | B12773-C | I Must Have That Man - vAHa | Br 6518, CBS 88082, Cl(F) 626, Co OL-6770, Ms MD11-248 | DE3301a | |
33-01-07-002 | B12773-D | I Must Have That Man - vAHa | CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2023 | DE3301b | |
33-01-07-003 | B12774-C | Baby! - vAHa | Br 6518, CBS 88082, Cl(F) 626, Ms MD11-248, Ra RTE-23001 | DE3301c | |
33-01-07-004 | B12774-D | Baby! - vAHa | BD T-1001, Ms MD11-248, Nw RP2023 | DE3301d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
33-01-07-005 | B12855-A | Eerie Moan | Br 6467, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3301e | |
33-01-07-006 | B12855-B | Eerie Moan | CBS 88082, Gp 040, Lu 5036, Ms MD11-248, Nw RP2023 | DE3301f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 February 1933 | |||
English Columbia recording session. Columbia studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ivie Anderson(v) | |||||
33-02-15-001 | W265049-2 | Merry Go Round | CBS 88082, Co J1681, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3302a | |
33-02-15-002 | W265049-3 | Merry Go Round | Cl(F) 637, Co CB-591, Ms MD11-248 | DE3302b | |
33-02-15-003 | W265050-1 | Sophisticated Lady | CBS 88082, Co J1681, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3302c | |
33-02-15-004 | W265050-2 | Sophisticated Lady | CBS 88082, Cl(F) 637, Co CB-591, Ms MD11-248 | DE3302d | |
33-02-15-005 | W265051-2 | I’ve Got The World On A String - vIA | CBS 88082, Cl(F) 637, Co CB-625, Ms MD11-248 | DE3302e | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 February 1933 | |||
English Columbia recording session. Columbia studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib) | |||||
33-02-16-001 | W265052-3 | Down A Carolina Lane | CBS 88082, Cl(F) 637, Co CB-625, Ms MD11-248 | DE3303a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 February 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-02-17-001 | B13078-A | Slippery Horn | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, MoJ MJCD-1303, Ms MD11-248 | DE3304a | |
33-02-17-002 | B13078-B | Slippery Horn | BD T-1003, FMRS FM-4001/02†, Ms MD11-248, Nw RP2033 | DE3304b | |
33-02-17-003 | B13079-A | Blackbirds Medley - Part 1 | DE3304c | ||
| |||||
| Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | ||||
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33-02-17-004 | B13079-B | Blackbirds Medley - Part 1 | DE3304d | ||
| |||||
| CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2033 | ||||
| |||||
| |||||
33-02-17-005 | B13080-A | Blackbirds Medley - Part 2 | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3304e | |
| |||||
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| |||||
| |||||
33-02-17-006 | B13080-B | Blackbirds Medley - Part 2 | CBS 88082, Co OL-6770, Ms MD11-248, Nw RP2033 | DE3304f | |
| |||||
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| |||||
33-02-17-007 | B13080-C | Blackbirds Medley - Part 2 | DE3304g | ||
| |||||
| Ms MD11-248, Nw RP2033, UtD 2009 | ||||
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33-02-17-008 | B13081-A | Drop Me Off In Harlem | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, MoJ MJCD-1308, Ms MD11-248 | DE3304h | |
33-02-17-009 | B13081-B | Drop Me Off In Harlem | CBS 88082, Co 35837, Gp 040, Ms MD11-248, Nw RP2033 | DE3304i | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | 04 March 1933 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-03-04-001 | Sophisticated Lady | DE3305a | |||
33-03-04-002 | Creole Rhapsody | DE3305b | |||
Film sound track from "Paramount Pictorial P3-1." | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 May 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Joe Garland(ts); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
33-05-09-001 | B13306-A | Happy As The Day Is Long - vIA | BMG 88697302362, Br 6571, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306a | |
33-05-09-002 | B13307-A | Raisin’ The Rent - vIA | Br 6571, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306b | |
33-05-09-003 | B13308-A | Get Yourself A New Broom - vIA | BMG 88697302362, Br 6607, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3306c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
33-05-16-001 | B13337-A | Bundle Of Blues | BMG 88697302362, Br 6607, CBS 88082, Cl(F) 637, MoJ MJCD-1302, Ms MD11-248 | DE3307a | |
33-05-16-002 | B13337-B | Bundle Of Blues | CBS 88082, Co 35836, Gp 040, Ms MD11-248, Nw RP2033 | DE3307b | |
33-05-16-003 | B13338-A | Sophisticated Lady | BMG 88697298542, BMG 88697302362, Br 6600, CBS 88082, Cl(F) 637, Gp 040, Ms MD11-248 | DE3307c | |
33-05-16-004 | B13339-A | Stormy Weather | Br 6600, CBS 88082, Cl(F) 637, Gp 040, Ms MD11-248 | DE3307d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | 23 May 1933 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Benny James(g); Wellman Braud(sb); Sonny Greer(d,ch), Ivie Anderson(v) | |||||
33-05-23-001 | Lightnin' | Mx MLP-1001, Pr PRV-102 | DE3308a | ||
33-05-23-002 | Rockin’ In Rhythm | Mx MLP-1001, Pr PRV-102 | DE3308b | ||
33-05-23-003 | Stormy Weather - vIA | Mx MLP-1001, Pr PRV-102 | DE3308c | ||
33-05-23-004 | Bugle Call Rag | Mx MLP-1001 | DE3308d | ||
33-05-23-005 | Lightnin' | Mx MLP-1001 | DE3308e | ||
Film sound track from Paramount's "A Bundle Of Blues" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | London, GB | 13 July 1933 | |||
English Decca recording session. Chenil Galleries. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch), Ivie Anderson(v) | |||||
33-07-13-001 | GB6038-3 | Hyde Park | Cl(F) 637, De M-439, JU JUCD-2069(D) | DE3309a | |
33-07-13-002 | GB6039-1 | Harlem Speaks | De 800, JU JUCD-2069(D), Nw RP2033, Ra RTE-23001 | DE3309b | |
33-07-13-003 | GB6039-2 | Harlem Speaks | Cl(F) 637, De M-438, JU JUCD-2069(D), MoJ MJCD-1308 | DE3309c | |
33-07-13-004 | GB6040-1 | Ain’t Misbehavin' | Cl(F) 637, De M-439, JU JUCD-2069(D) | DE3309d | |
33-07-13-005 | GB6041-1 | Chicago | De 800, JU JUCD-2069(D), Nw RP2033, Ra RTE-23001 | DE3309e | |
33-07-13-006 | GB6041-2 | Chicago | Cl(F) 637, De M-438, JU JUCD-2069(D) | DE3309f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | London, GB | 14 July 1933 | |||
English Oriole recording session. Levy's Sound Studios. | |||||
Duke Ellington(p,tk);Percy Mathison Brooks(tk) | |||||
33-07-14-001 | 538 | Souvenir of Duke Ellington’s First Visit To England 1933 | BD T-1003, Nw RP2033 | DE3310a | |
33-07-14-002 | 539 | Souvenir of Duke Ellington’s First Visit To England 1933 | BJ LP-3004, Cl(F) 637, Or un-numbered† | DE3310b | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 15 August 1933 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d), Ivie Anderson(v) | |||||
33-08-15-001 | B13800-A | I’m Satisfied - vIA | Br 6638, CBS 88082, Cl(F) 637, Ms MD11-248 | DE3311a | |
33-08-15-002 | B13801-A | Jive Stomp | BMG 88697302362, Br 6638, CBS 88082, Cl(F) 637, MoJ MJCD-1312, Ms MD11-248 | DE3311b | |
33-08-15-003 | B13801-B | Jive Stomp | Ms MD11-248 | DE3311xa | |
33-08-15-004 | B13802-A | Harlem Speaks | BMG 88697302362, Br 6646, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3311c | |
33-08-15-005 | B13803-A | In The Shade Of The Old Apple Tree | Br 6646, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3311d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 September 1933 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
33-09-26-001 | BS77025-1 | Rude Interlude - vLBa | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24431 | DE3312a | |
33-09-26-002 | BS77025-2 | Rude Interlude - vLBa | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3312b | |
33-09-26-003 | BS77026-1 | Dallas Doin’s | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3312c | |
33-09-26-004 | BS77026-2 | Dallas Doin’s | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24431 | DE3312d | |
This session happened either in the early hours of the 26th (as listed here) or the 27th (see TDWAW) | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 05 December 1933 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
33-12-05-001 | BS77199-1 | Dear Old Southland - vLBa | (F)RCA 741114, Cl(F) 646, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi 24501 | DE3313a | |
33-12-05-002 | BS77199-2 | Dear Old Southland - vLBa | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D), RCA 741114 | DE3313b | |
33-12-05-003 | BS77200- | Awful Sad | DE3313c | ||
33-12-05-004 | BS77201-1 | Daybreak Express | (F)RCA 741114, BMG 88697302362, Cl(F) 646, MoJ MJCD-1303, RCA 09026-63386-2(D), Vi 24501 | DE3313d | |
33-12-05-005 | BS77201-2 | Daybreak Express | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D), RCA 741114 | DE3313e | |
The recording session took place in the early hours of the 5th (it has sometimes been reported as the 4th but actually started after midnight). | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1934 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,mc). | |||||
34-01-09-001 | BS80144-1 | Delta Serenade | (F)RCA 741114, Nw RP2033, RCA 09026-63386-2(D) | DE3401a | |
34-01-09-002 | BS80144-2 | Delta Serenade | (F)RCA 741114, Cl(F) 646, RCA 09026-63386-2(D), Vi 24755 | DE3401b | |
34-01-09-003 | BS80145-1 | Stompy Jones | (F)RCA 741114, Bb 82876-60091-2-1, Cl(F) 646, MoJ MJCD-1312, RCA 09026-63386-2(D), Vi 24521 | DE3401c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 January 1934 | |||
RCA-Victor recording session. Merchandise Mart. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-01-10-001 | BS80149-1 | Solitude | (F)RCA 741114, Bb 82876-60091-2-1, Cl(F) 646, RCA 09026-63386-2(D), Vi 24755 | DE3402a | |
34-01-10-002 | BS80150-1 | Blue Feeling | (F)RCA 741114, Cl(F) 646, MoJ MJCD-1302, RCA 09026-63386-2(D), Vi 24521 | DE3402b | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 February 1934 | |||
Paramount soundtrack recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Barbara Van Brunt(v). | |||||
34-02-26-001 | PBS79093-1 PBS79094-1 | Ebony Rhapsody | BMG 88697302362 | DE3403a | |
34-02-26-002 | PBS79095-1 PBS79096-1 | Ebony Rhapsody | BMG 88697302362 | DE3403b | |
34-02-26-003 | PCS79194-1 | Ebony Rhapsody | DE3403c | ||
34-02-26-004 | PCS79193-1 | Ebony Rhapsody - vBVB | Uni 61106092 | DE3403d | |
Film sound track from Paramount's "Murder At The Vanities" NB. Vocal on 34-02-26-004 overdubbed on 16 Apr 1934. | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-15-001 | When A St. Louis Woman - vMW | Ar ARLP-12031 | DE3404a | ||
34-03-15-002 | When A St. Louis Woman - vMW | DE3404b | |||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 16 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-16-001 | Memphis Blues - vMW | Ar ARLP-12031, ER 1004 | DE3405a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
LARRY ADLER WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 13. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Larry Adler(hca); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
34-03-21-001 | Sophisticated Lady | UtD 2009 | DE3406a | ||
Film sound track from Paramount's "Many Happy Returns" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 24 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-24-001 | My Old Flame - vMW | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Ar ARLP-12031, Cl(F) 646, Cs 7504, MoJ MJCD-1305 | DE3407a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 March 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Marshall Royal(as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-03-26-001 | Hesitation Blues | Ar ARLP-12031 | DE3408a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 12 April 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
34-04-12-001 | BS79155-2 | Ebony Rhapsody - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24622 | DE3409a | |
34-04-12-002 | BS79156-1 | Cocktails For Two | (F)RCA FPM-1-7002-IIe, Nw RP2033, RCA 09026-63386-2(D) | DE3409b | |
34-04-12-003 | BS79156-2 | Cocktails For Two | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24617 | DE3409c | |
34-04-12-004 | BS79156-17-2 | Live And Love Tonight | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24617 | DE3409d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 April 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-04-17-001 | BS79169-2 | I Met My Waterloo | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24622 | DE3410a | |
MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 07 May 1934 | |||
Paramount film recording session. Paramount Sound Stage 8. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Mae West(v) | |||||
34-05-07-001 | Troubled Waters - vMW | Ar ARLP-12031 | DE3411a | ||
34-05-07-002 | Troubled Waters | DE3411b | |||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 08 May 1934 | |||
Paramount film recording session. Paramount Sound Stage 1. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts) Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
34-05-08-001 | My Old Flame | Ar ARLP-12031* | DE3412a | ||
Film sound track from Paramount's "Belle Of The Nineties" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 May 1934 | |||
RCA-Victor recording session. Hollywood Studio. | |||||
Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
34-05-09-001 | BS79211-1 | Troubled Waters - vIA | RCA 09026-63386-2(D) | DE3413a | |
34-05-09-002 | BS79211-2 | Troubled Waters - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, MoJ MJCD-1313, RCA 09026-63386-2(D), Vi 24651 | DE3413b | |
34-05-09-003 | BS79212-2 | My Old Flame - vIA | (F)RCA FPM-1-7002-Ie, (F)RCA FPM-1-7002-IIe, Cl(F) 646, RCA 09026-63386-2(D), Vi 24651 | DE3413c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 September 1934 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(acl,bar,as); Duke Ellington(p,v); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
34-09-13-001 | B15910-A | Solitude | BMG 88697302362, Br 6987, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414a | |
34-09-13-002 | B15911-A | Saddest Tale -vDE | BMG 88697302362, Br 7310, CBS 88137, Cl(F) 646, MoJ MJCD-1303, Ms MD11-248 | DE3414b | |
34-09-13-003 | B15912-A | Moonglow | Br 6987, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414c | |
34-09-13-004 | B15913-A | Sump’n’ Bout Rhythm | Br 7310, CBS 88137, Cl(F) 646, Ms MD11-248 | DE3414d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early October 1934 | |||
Paramount film recording session. Paramount's Eastern Service Studios. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsax); Harry Carney(cl,bcl,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Billie Holiday(v) | |||||
SYMPHONY IN BLACK | |||||
34-10-00-001 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415a | ||
34-10-00-002 |
| MoJ MJCD-1305, Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415b | ||
34-10-00-003 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415c | ||
34-10-00-004 |
| Mx MLP1001, Pv PRV-102, UA NUA-7(D) | DE3415d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1935 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as,bsax); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Billy Taylor(bb); Sonny Greer(d); Ivie Anderson(v) | |||||
35-01-09-001 | C883-2 | Admiration | CBS 88137, Cl(F) 646, FDC 1003, Ms MD11-248 | DE3501a | |
35-01-09-002 | C884-2 | Farewell Blues | CBS 88137, Cl(F) 646, FDC 1003, Ms MD11-248 | DE3501b | |
35-01-09-003 | C885-3 | Let’s Have A Jubilee - vIA | CBS 88137, Cl(F) 659, FDC 1003, Ms MD11-248 | DE3501c | |
Cootie Williams, Rex Stewart(t); Juan Tizol(tb); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); n/k(mc). | |||||
35-01-09-004 | C886-2 | Moonlight Fiesta (Porto Rican Chaos) | Ms MD11-248 | DE3501d | |
“Admiration” is not the same composition recorded on 20 March 1930. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 March 1935 | |||
ARC recording session. ARC studios. | |||||
Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Johnny Hodges(ss); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d). | |||||
35-03-05-001 | B16973-1 | Margie | Br 7526, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3502a | |
Cootie Williams, Rex Stewart(t); Juan Tizol(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d); n/k(mc); n/k(clv). | |||||
35-03-05-002 | B16974-1 | Moonlight Fiesta (Porto Rican Chaos) | BMG 88697302362, CBS 88137, Cl(F) 659, MoJ MJCD-1304, Ms MD11-248, SE 5007-S | DE3502b | |
35-03-05-003 | B16974-2 | Moonlight Fiesta (Porto Rican Chaos) | CBS 88137, Cl(F) 659, FMRS FM-4001/02†, Ms MD11-248 | DE3502c | |
DUKE ELLINGTON'S SEXTET | Same session | ||||
Rex Stewart(t); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb). | |||||
35-03-05-004 | B16975-1 | Tough Truckin' | CBS 88137, Ms MD7-235, Nw RP2033, Ra RTE-23001 | DE3502d | |
35-03-05-005 | B16975-2 | Tough Truckin' | CBS 88137, Cl(F) 659, Co 37297, Co C2K-46995, MJ MJCD-1140, Ms MD7-235 | DE3502e | |
35-03-05-006 | B16976-1 | Indigo Echoes | BD T-1003, Ms MD7-235, Nw RP2033 | DE3502f | |
35-03-05-007 | B16976-2 | Indigo Echoes | CBS 88137, Cl(F) 659, Co 37297, Co C2K-46995, Ms MD7-235 | DE3502g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 April 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
35-04-30-001 | B17406-1 | In A Sentimental Mood | BMG 88697298542, BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503a | |
35-04-30-002 | B17407-1 | Showboat Shuffle | BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503b | |
35-04-30-003 | B17408-1 | Merry Go Round | BMG 88697302362, Br 7440, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503c | |
35-04-30-004 | B17409-1 | Admiration | Br 7440, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3503d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 August 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
35-08-19-001 | B17974-1 | Cotton - vIA | Br 7526, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3504a | |
35-08-19-002 | B17975-1 | Truckin’ - vIA | Br 7514, CBS 88137, Cl(F) 659, MoJ MJCD-1304, Ms MD11-248 | DE3504b | |
35-08-19-003 | B17976-1 | Accent On Youth | Br 7514, CBS 88137, Cl(F) 659, Ms MD11-248 | DE3504c | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 September 1935 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(cl,ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
35-09-12-001 | B18072-1 | REMINISCING IN TEMPO - Part 1 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505a | |
35-09-12-002 | B18073-1 | REMINISCING IN TEMPO - Part 2 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505b | |
35-09-12-003 | B18074-2 | REMINISCING IN TEMPO - Part 3 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505c | |
35-09-12-004 | B18075-1 | REMINISCING IN TEMPO - Part 4 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, Ms MD11-248, UA NUA-7(D) | DE3505d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 January 1936 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
36-01-03-001 | C1195- | Echoes Of Harlem | DE3601a | ||
36-01-03-002 | C1196- | Chatterbox | DE3601b | ||
36-01-03-003 | C1197- | Clarinet Lament | DE3601c | ||
36-01-03-004 | C1198- | Farewell Blues | DE3601d | ||
This entire session remains unissued and the masters no longer exist. | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 January 1936 | |||
ARC recording session. Brunswick studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick (as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
36-01-20-001 | C1199-1 | I Don’t Know Why I Love You So | BMG 88697302362, CBS 88137, Cl(F) 659, Co 37296, Ms MD11-248 | DE3602a | |
36-01-20-002 | C1199-2 | I Don’t Know Why I Love You So | CBS 88137, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3602b | |
36-01-20-003 | C1200-1 | Dinah Lou - vIA | CBS 88137, Cl(F) 659, FDC 1003, MoJ MJCD-1307, Ms MD11-248 | DE3602c | |
36-01-20-004 | C1200-3 | Dinah Lou - vIA | CBS 88137, Ms MD11-248, Nw RP2033, Ra RTE-23001 | DE3602d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 February 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
36-02-27-001 | B18734-1 | Isn’t Love The Strangest Thing - vIA | BMG 88697302362, Br 7625, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604a | |
36-02-27-002 | B18735-1 | No Greater Love | Br 7625, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604b | |
36-02-27-003 | B18736-1 | Clarinet Lament | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, Ms MD11-248 | DE3604c | |
36-02-27-004 | B18737-1 | Echoes Of Harlem | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, MJ MJCD-1101, Ms MD11-248 | DE3604d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 February 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Pete Clark(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
36-02-28-001 | B18738-1 | Love Is Like A Cigarette - vIA | Br 7627, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3605a | |
Add Billy Taylor(sb). | |||||
36-02-28-002 | B18739-2 | Kissin’ My Baby Goodnight - vIA | Br 7627, CBS 88140, Cl(F) 666, MJ MJCD-1140, Ms MD11-248 | DE3605b | |
Billy Taylor out. | |||||
36-02-28-003 | B18740-1 | Oh Babe, Maybe Someday - vIA | Br 7667, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3605c | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 May 1936 | |||
WMAQ broadcast. Congress Hotel. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
36-05-09-001 | Stompy Jones | DE3606a | |||
36-05-09-002 | In A Sentimental Mood | DE3606b | |||
36-05-09-003 | My Old Flame - vIA | DE3606c | |||
36-05-09-004 | Cotton - vIA | DE3606d | |||
36-05-09-005 | Harlem Speaks | DE3606e | |||
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 May 1936 | |||
WMAQ broadcast. Congress Hotel. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
36-05-26-001 | East St. Louis Toodle-O (theme) | DE3607a | |||
36-05-26-002 | Stompy Jones | DE3607b | |||
36-05-26-003 | Clarinet Lament | DE3607c | |||
36-05-26-004 | Showboat Shuffle | DE3607d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 July 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(bb,sb); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
36-07-17-001 | B19562-2 | Shoe Shine Boy - vIA | Br 7710, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608a | |
36-07-17-002 | B19563-1 | It Was A Sad Night In Harlem - vIA | Br 7710, CBS 88140, Cl(F) 666, MoJ MJCD-1308, Ms MD11-248 | DE3608b | |
36-07-17-003 | B19564-1 | Trumpet In Spades | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608c | |
36-07-17-004 | B19565-2 | Yearning For Love | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3608d | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 July 1936 | |||
ARC recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
36-07-29-001 | B19626-1 | In A Jam | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3609a | |
Add Hayes Alvis(sb). | |||||
36-07-29-002 | B19627-1 | Exposition Swing | BMG 88697302362, CBS 88140, Cl(F) 666, Ms MD11-248, Vo S-50 | DE3609b | |
36-07-29-003 | B19627-2 | Exposition Swing | CBS 88140, Ms MD11-248 | DE3609c | |
Billy Taylor out. | |||||
36-07-29-004 | B19628-1 | Uptown Downbeat | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, Ms MD11-248, Nw RP2033 | DE3609d | |
REX STEWART AND HIS FIFTY SECOND STREET STOMPERS | Los Angeles, CA | 16 December 1936 | |||
Master recording session. Recordings Incorporated, Hollywood. | |||||
Rex Stewart(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(cl,bar); Ceele Burke(g,stg); Billy Taylor(sb); Sonny Greer(d). | |||||
36-12-16-001 | B4369-A | Rexatious | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 517 | DE3610a | |
36-12-16-002 | B4369-B | Rexatious | Ms MD7-235, R/V 1001-CD(D) | DE3610b | |
36-12-16-003 | B4370-A | Lazy Man’s Shuffle | CBS 88140, Ms MD7-235, Nw RP2039 | DE3610c | |
36-12-16-004 | B4370-B | Lazy Man’s Shuffle | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 517 | DE3610d | |
BARNEY BIGARD AND HIS JAZZOPATORS | Los Angeles, CA | 19 December 1936 | |||
Master recording session. Associated Cinema studios, Hollywood. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
36-12-19-001 | L0371-1 | Clouds In My Heart | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611a | |
36-12-19-002 | L0371-2 | Clouds In My Heart | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 525 | DE3611b | |
36-12-19-003 | L0372-1 | Frolic Sam | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611c | |
36-12-19-004 | L0372-2 | Frolic Sam | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 525 | DE3611d | |
36-12-19-005 | L0373-1 | Caravan | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 515 | DE3611e | |
36-12-19-006 | L0373-2 | Caravan | CBS 88140, Ms MD7-235, Nw RP2039, Va 515 | DE3611f | |
36-12-19-007 | L0374-1 | Stompy Jones | CBS 88140, Cl(F) 666, Co C2K-46995, Ms MD7-235, Va 515 | DE3611g | |
36-12-19-008 | L0374-2 | Stompy Jones | CBS 88140, Ms MD7-235, Nw RP2039, Va 515 | DE3611h | |
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 December 1936 | |||
Master recording session. Associated Cinema studios, Hollywood. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
36-12-21-001 | L0375-1 | Scattin’ At The Kit Kat (Scattin’ At The Cotton Club) | BMG 88697302362, CBS 88140, Cl(F) 666, FDC 1022, FMRS FM-4001/02†, Ms MD11-248 | DE3612a | |
36-12-21-002 | L0376-1 | Black Butterfly | BMG 88697302362, Br 8044, CBS 88140, Cl(F) 666, Ms MD11-248 | DE3612b | |
36-12-21-003 | L0376-2 | Black Butterfly | Ms MD11-248 | DE3612xa | |
DUKE ELLINGTON | Los Angeles, CA | Same session | |||
Duke Ellington(p) | |||||
36-12-21-004 | ¯| | ¯| Mood Indigo | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612c | |
36-12-21-005 | | L0377-1 | - | Solitude | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612d | |
36-12-21-006 | _| | _| Mood Indigo | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612e | |
36-12-21-007 | ¯| L0378-1 | ¯| In A Sentimental Mood | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612f | |
36-12-21-008 | _| | _| Sophisticated Lady | CBS 88140, Cl(F) 666, Ma 102, MoJ MJCD-1309, Ms MD7-235, Ra RTE-23001 | DE3612g | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Early 1937 | |||
MGM film recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson, The Chrinoline Choir(v). | |||||
37-01-10-001 | All God’s Chillun Got Rhythm - vIA,TCC | BJ LP-3004, TCM R2-79805 | DE9012a | ||
Film sound track from MGM Pictures' "A Day At The Races" | |||||
DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 22-25 February 1937 | |||
Republic film recording session. Republic studios. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb,v); Sonny Greer(d,ch); Sammy White(v). | |||||
37-02-22-001 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | TOM 10 | DE3701a | ||
37-02-22-002 | It Don’t Mean A Thing - vIA | DE3701b | |||
37-02-22-003 | Along Came Pete - vSWh | DE3701c | |||
37-02-22-004 | Sophisticated Lady | DE3701d | |||
37-02-22-005 | Love Is Good For Anything That Ails You | DE3701e | |||
Film sound track from Republic Pictures' "The Hit Parade" | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 05 March 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(as,bsax); Harry Carney(cl,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch). | |||||
37-03-05-001 | M177-1 | Birmingham Breakdown | BMG 88697302362, CBS 88140, Cl(F) 666, Ma 123, Ms MD11-248 | DE3702a | |
37-03-05-002 | M177-2 | Birmingham Breakdown | CBS 88140, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702b | |
37-03-05-003 | M178-1 | Scattin’ At The Kit Kat | CBS 88140, Cl(F) 666, Ma 123, MoJ MJCD-1308, Ms MD11-248 | DE3702c | |
37-03-05-004 | M178-2 | Scattin’ At The Kit Kat | CBS 88140, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702d | |
37-03-05-005 | M179-1 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, Cl(F) 666, Ma 101, MoJ MJCD-1313, Ms MD11-248 | DE3702e | |
37-03-05-006 | M179-2 | I’ve Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702f | |
37-03-05-007 | M180-1 | East St. Louis Toodle-O | BMG 88697302362, CBS 88185, Cl(F) 666, Ma 101, MoJ MJCD-1306, Ms MD11-248 | DE3702g | |
37-03-05-008 | M180-2 | East St. Louis Toodle-O | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23001 | DE3702h | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 08 March 1937 | |||
Master recording session. Master Records studio. | |||||
Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Hayes Alvis(sb); Sonny Greer(d) | |||||
37-03-08-001 | M185-1 | I Can’t Believe That You’re In Love With Me | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3703a | |
37-03-08-002 | M185-2 | I Can’t Believe That You’re In Love With Me | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703b | |
37-03-08-003 | M186-1 | Downtown Uproar | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Tx M-8011, Va 527 | DE3703c | |
37-03-08-004 | M186-2 | Downtown Uproar | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703d | |
37-03-08-005 | M187-1 | Diga Diga Doo | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3703e | |
37-03-08-006 | M187-2 | Diga Diga Doo | CBS 88185, Ms MD7-235, Nw RP2039 | DE3703f | |
37-03-08-007 | M188-1 | Blue Reverie | CBS 88185, Ms MD7-235, Nw RP2039 | DE3703g | |
37-03-08-008 | M188-2 | Blue Reverie | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 527 | DE3703h | |
37-03-08-009 | M189-1 | Tiger Rag | CBS 88185, Co C2K-46995, Ms MD7-235, Nw RP2039, Tx M-8011 | DE3703i | |
37-03-08-010 | M189-2 | Tiger Rag | CBS 88185, Cl(F) 675, Ms MD7-235 | DE3703j | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 March 1937 | |||
MBS broadcast from the Cotton Club. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-03-18-001 | East St. Louis Toodle-O (theme) | DE3704a | |||
37-03-18-002 | Harlem Speaks | CC 16(D) | DE3704b | ||
37-03-18-003 | Caravan | CC 16(D) | DE3704c | ||
37-03-18-004 | One, Two Button Your Shoe - vIA | CC 16(D) | DE3704d | ||
37-03-18-005 | Pennies From Heaven - vIA | BJ LP-3004 | DE3704e | ||
37-03-18-006 | Mexicali Rose - vIA | BJ LP-3004 | DE3704f | ||
37-03-18-007 | Sophisticated Lady | CC 16(D) | DE3704g | ||
37-03-18-008 | Rockin’ In Rhythm | CC 16(D) | DE3704h | ||
37-03-18-009 | East St. Louis Toodle-O (theme) | CC 16(D) | DE3704i | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Spring 1937 | |||
MBS broadcast from the Cotton Club. | |||||
Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-03-31-001 | Swing Low | ||||
37-03-31-002 | I’ve Got To Be A Rug Cutter -vIA,RS,HC,HA | ||||
37-03-31-003 | Azure | ||||
37-03-31-004 | Ducky Wucky | ||||
These four selections are preserved in a collector’s item, an aluminium aircheck disc, containing only a part of the first and fourth titles. | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 April 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
37-04-09-001 | M379-1 | There’s A Lull In My Life - vIA | CBS 88185, Cl(F) 675, Ma 117, Ms MD11-248, Ra RTE-23002 | DE3705a | |
37-04-09-002 | M379-2 | There’s A Lull In My Life - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705b | |
37-04-09-003 | M380-1 | It’s Swell Of You - vIA | CBS 88185, Cl(F) 675, Ma 117, Ms MD11-248, Ra RTE-23002 | DE3705c | |
37-04-09-004 | M380-2 | It’s Swell Of You - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705d | |
37-04-09-005 | M381-1 | You Can’t Run Away From Love Tonight | CBS 88185, Cl(F) 675, Ma 124, Ms MD11-248, Ra RTE-23002 | DE3705e | |
37-04-09-006 | M381-2 | You Can’t Run Away From Love Tonight | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3705f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 April 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
37-04-22-001 | M416-1 | Azure | CBS 88185, Cl(F) 675, Ms MD11-248, TOM 10 | DE3706a | |
37-04-22-002 | M416-2 | Azure | CBS 88185, Ms MD11-248, Nw RP2039 | DE3706b | |
37-04-22-003 | M417-1 | The Lady Who Couldn’t Be Kissed | CBS 88185, Cl(F) 675, Ma 124, Ms MD11-248, Ra RTE-23002 | DE3706c | |
37-04-22-004 | M418-1 | Old Plantation - vIA | CBS 88185, Cl(F) 675, Ms MD11-248, Ra RTE-23002, Va 519 | DE3706d | |
37-04-22-005 | M418-2 | Old Plantation - vIA | CBS 88185, Ms MD11-248, Nw RP2039, Ra RTE-23002 | DE3706e | |
“Old Plantation” issued as Ivie Anderson and her Boys From Dixie. | |||||
BARNEY BIGARD AND HIS JAZZOPATORS | New York City, NY | 29 April 1937 | |||
Master recording session. Master Records studio. | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
37-04-29-001 | M433-1 | Lament For Lost Love (Solace) | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707a | |
37-04-29-002 | M433-2 | Lament For Lost Love (Solace) | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 564 | DE3707b | |
37-04-29-003 | M434-1 | Four And A Half Street | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 564 | DE3707c | |
37-04-29-004 | M434-2 | Four And A Half Street | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707d | |
37-04-29-005 | M435-1 | Demi-Tasse | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3707e | |
37-04-29-006 | M435-2 | Demi-Tasse | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707f | |
37-04-29-007 | M436-1 | Jazz A La Carte | BD T-1003, Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707g | |
37-04-29-008 | M436-2 | Jazz A La Carte | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 555 | DE3707h | |
DUKE ELLINGTON | New York City, NY | 08 May 1937 | |||
CBS broadcast "Saturday Night Swing Club" from Club Playhouse. | |||||
Duke Ellington(p). | |||||
37-05-08-001 | Soda Fountain Rag | Ff LP-17117, JA 40, Sv 103-8415 | DE3708a | ||
37-05-08-002 | ¬ Solitude | Ff LP-17117, Sv 103-8415 | DE3708b | ||
37-05-08-003 | _| In A Sentimental Mood | Ff LP-17117, Sv 103-8415 | DE3708c | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 14 May 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
37-05-14-001 | M470-2 | Caravan | BMG 88697298542, BMG 88697302362, CBS 88185, Cl(F) 675, Ma 131, Ms MD11-248 | DE3709a | |
37-05-14-002 | M471-1 | Azure | BMG 88697302362, CBS 88185, Cl(F) 675, Ma 131, Ms MD11-248 | DE3709b | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 May 1937 | |||
Recording session for ARC's dime store labels (later transferred to Variety). ARC studios. | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Buddy Clark(v) | |||||
37-05-20-001 | 21186-1 | Foolin’ Myself - vBCk | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 576 | DE3710a | |
37-05-20-002 | 21186-2 | Foolin’ Myself - vBCk | CBS 88185, Ms MD7-235, Nw RP2039, Ra RTE-23005 | DE3710b | |
37-05-20-003 | 21187-1 | A Sailboat In The Moonlight - vBCk | CBS 88185, Cl(F) 675, Co C2K-46995, Ms MD7-235, Va 586 | DE3710c | |
37-05-20-004 | 21187-2 | A Sailboat In The Moonlight - vBCk | Ms MD7-235, Nw RP2039, R/V 1001-CD(D), Ra RTE-23005 | DE3710d | |
37-05-20-005 | 21188-1 | You’ll Never Go To Heaven - vBCk | Ms MD7-235 | DE3710xa | |
37-05-20-006 | 21188-2 | You’ll Never Go To Heaven - vBCk | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 576 | DE3710e | |
37-05-20-007 | 21189-1 | Peckin’ - vCW | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, TOM 10 | DE3710f | |
37-05-20-008 | 21189-2 | Peckin’ - vCW | CBS 88210, Ms MD7-235, Nw RP2042, Ra RTE-23005 | DE3710g | |
37-05-20-009 | 21189-3 | Peckin’ - vCW | CBS 88210, Ms MD7-235, Nw RP2042, Ra RTE-23005 | DE3710h | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 08 June 1937 | |||
Master recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d); Ivie Anderson(v). | |||||
37-06-08-001 | M519-1 | All God’s Chillun Got Rhythm | CBS 88210, Ma 137, Ms MD11-248 | DE3711a | |
37-06-08-002 | M519-2 | All God’s Chillun Got Rhythm | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3711b | |
37-06-08-003 | M520-1 | All God’s Chillun Got Rhythm - vIA,RS,HC,HA | CBS 88210, Cl(F) 687, Ms MD11-248, Ra RTE-23002, Va 591 | DE3711c | |
37-06-08-004 | M520-2 | All God’s Chillun Got Rhythm - vIA,RS,HC,HA | CBS 88210, Ms MD11-248 | DE3711d | |
37-06-08-005 | M521-1 | Alabamy Home - vIA | CBS 88210, Cl(F) 687, Ma 137, Ms MD11-248 | DE3711e | |
37-06-08-006 | M521-2 | Alabamy Home - vIA | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3711f | |
DUKE ELLINGTON'S JAM ENSEMBLE | New York City, NY | 12 June 1937 | |||
CBS broadcast "Saturday Night Swing Club" from Club Playhouse. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Hayes Alvis(sb); John Williams(d). | |||||
37-06-12-001 | Frolic Sam | JU JUCD-2056/57, So LP-1013 | DE3712a | ||
BARNEY BIGARD AND HIS JAZZOPATORS | New York City, NY | 16 June 1937 | |||
Master recording session. Master Records studio. | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Sue Mitchell(v) | |||||
37-06-16-001 | M525-1 | Get It Southern Style - vSMi | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 596 | DE3713a | |
37-06-16-002 | M525-2 | Get It Southern Style - vSMi | BD T-1003, Nw RP2042, R/V 1001-CD(D) | DE3713b | |
Add Charlie Barnet(mc). | |||||
37-06-16-003 | M526-1 | Moonlight Fiesta | CBS 88137, CBS 88210, Ms MD7-235, Nw RP2033, Nw RP2042 | DE3713c | |
37-06-16-004 | M526-2 | Moonlight Fiesta | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 626 | DE3713d | |
Charlie Barnet out. | |||||
37-06-16-005 | M527-1 | Sponge Cake And Spinach | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 626 | DE3713e | |
37-06-16-006 | M527-2 | Sponge Cake And Spinach | BD T-1003, Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713f | |
37-06-16-007 | M528-1 | If You’re Ever In My Arms Again - vSMi | CBS 88210, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 596 | DE3713g | |
37-06-16-008 | M528-2 | If You’re Ever In My Arms Again - vSMi | BD T-1003, Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713h | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Late June 1937 | |||
Paramount film recording session. Master Records studio. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
37-06-30-001 | Oh Babe Maybe Someday | DE3714a | |||
37-06-30-002 | Daybreak Express | DE3714b | |||
37-06-30-003 | Daybreak Express | DE3714c | |||
37-06-30-004 | Daybreak Express | DE3714d | |||
37-06-30-005 | Oh Babe Maybe Someday | DE3714e | |||
37-06-30-006 | Oh Babe Maybe Someday - vIA | DE3714f | |||
Film sound track from Paramount’s “Paramount Pictorial P7-2.” The whole film was issued on Bluebird DVD 82876-60091-2-2. | |||||
REX STEWART AND HIS FIFTY SECOND STREET STOMPERS | New York City, NY | 07 July 1937 | |||
Variety recording session at Master Records studios. | |||||
Rex Stewart, Freddie Jenkins(t); Johnny Hodges(cl,as); Harry Carney(bar); Duke Ellington(p); Brick Fleagle(g); Hayes Alvis(sb); Jack Maisel(d) | |||||
37-07-07-001 | M549-1 | Back Room Romp | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 618◊ | DE3715a | |
37-07-07-002 | M549-2 | Back Room Romp | CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715b | |
37-07-07-003 | M550-1 | Swing, Baby, Swing (Love In My Heart) | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, MoJ MJCD-1309, Ms MD7-235, Va 664◊ | DE3715c | |
37-07-07-004 | M550-2 | Swing, Baby, Swing (Love In My Heart) | CBS 88210◊, Ms MD7-235, Nw RP2042 | DE3715d | |
37-07-07-005 | M551-1 | Sugar Hill Shim-Sham | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, MoJ MJCD-1308, Ms MD7-235, Va 664◊ | DE3715e | |
37-07-07-006 | M551-2 | Sugar Hill Shim-Sham | CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715f | |
37-07-07-007 | M552-1 | Tea And Trumpets | CBS 88210, CBS M-52628, Cl(F) 687, Co C2K-46995, Ms MD7-235, Va 618◊ | DE3715g | |
37-07-07-008 | M552-2 | Tea And Trumpets | Ms MD7-235, R/V 1001-CD◊(D) | DE3715h | |
37-07-07-009 | M552-3 | Tea And Trumpets | BD T-1003, CBS 88210, CBS M-52628◊, Ms MD7-235, Nw RP2042 | DE3715i | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 20 September 1937 | |||
ARC-Brunswick recording session. ARC studios. | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
37-09-20-001 | M646-1 | Chatterbox | BMG 88697302362, Br 8029, CBS 88210, Cl(F) 687, MoJ MJCD-1312, Ms MD11-248 | DE3716a | |
37-09-20-002 | M647-2 | Jubilesta | CBS 88210, Cl(F) 687, Ms MD11-248, Ra RTE-23002 | DE3716b | |
37-09-20-003 | M648-1 | Diminuendo In Blue | BMG 88697298542, BMG 88697302362, Br 8004, CBS 88210, Cl(F) 687, Ms MD11-248, UA NUA-7(D) | DE3716c | |
37-09-20-004 | M648-2 | Diminuendo In Blue | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716d | |
37-09-20-005 | M649-1 | Crescendo In Blue | BMG 88697298542, BMG 88697302362, Br 8004, CBS 88210, Cl(F) 687, Ms MD11-248, UA NUA-7(D) | DE3716e | |
37-09-20-006 | M649-2 | Crescendo In Blue | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716f | |
37-09-20-007 | M650- | Harmony In Harlem | CBS 88210, Ms MD11-248, Nw RP2042, Ra RTE-23002 | DE3716g | |
37-09-20-008 | M650-1 | Harmony In Harlem | Ms MD11-248 | DE3716xa | |
37-09-20-009 | M650-2 | Harmony In Harlem | BMG 88697302362, Br 8044, CBS 88210, Cl(F) 687, MoJ MJCD-1308, Ms MD11-248 | DE3716h | |
37-09-20-010 | M651-1 | Dusk On The Desert | Ms MD11-248 | DE3716xb | |
37-09-20-011 | M651-2 | Dusk On The Desert | BMG 88697302362, Br 8029, CBS 88210, Cl(F) 687, Ms MD11-248 | DE3716i | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 26 October 1937 | |||
ARC-Brunswick recording session. | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cl,ts); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jerry Kruger(v). | |||||
37-10-26-001 | M699-2 | Jubilesta | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Tx M-8011, Vo 3922 | DE3717a | |
37-10-26-002 | M670-1 | Watchin’ - vJK | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Vo 3990 | DE3717b | |
37-10-26-003 | M671-1 | Pigeons And Peppers | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Vo 3922 | DE3717c | |
37-10-26-004 | M672-1 | I Can’t Give You Anything But Love | CBS 88220, Cl(F) 687, Co C2K-46995, Ms MD7-235, Tx M-8011, Vo 3990 | DE3717d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 13 January 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
38-01-13-001 | M713-1 | Steppin’ Into Swing Society | BMG 88697302362, Br 8063, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801a | |
38-01-13-002 | M714-1 | Black And Tan Fantasy - Part 1 | BMG 88697302362, Br 8256, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801b | |
38-01-13-003 | M715-1 | Black And Tan Fantasy - Part 2 | BMG 88697302362, Br 8063, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801c | |
Black And Tan Fantasy was originally issued as Prologue To Black And Tan Fantasy (Part 1) and The New Black And Tan Fantasy (Part 2) | |||||
BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 19 January 1938 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-001 | M724-1 | Drummer’s Delight | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3985 | DE3802a | |
38-01-19-002 | M725-1 | If I Thought You Cared | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3985 | DE3802b | |
38-01-19-003 | M725-2 | If I Thought You Cared | BD T-1003, Ms MD7-235, R/V 1001-CD(D) | DE3802c | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-004 | M726-1 | Lost In Meditation (Have A Heart) | CBS 88220, Cl(F) 700, Ms MD7-235 | DE3802d | |
38-01-19-005 | M726-2 | Lost In Meditation (Have A Heart) | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3960 | DE3802e | |
JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v) | |||||
38-01-19-006 | M727-2 | My Day - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3948 | DE3802f | |
38-01-19-007 | M728-1 | Silvery Moon And Golden Sands - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3948 | DE3802g | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-01-19-008 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xa | |
38-01-19-009 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xb | |
38-01-19-010 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xc | |
38-01-19-011 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xd | |
38-01-19-012 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xe | |
38-01-19-013 | M729-1 | Echoes Of Harlem | CBS 88220, Ms MD7-235 | DE3802h | |
38-01-19-014 | M729-2 | Echoes Of Harlem | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 3960 | DE3802i | |
NB. 38011908 is a partial rehearsal complete with studio chatter | |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch) | |||||
38-02-02-001 | M751-1 | Ridin’ On A Blue Note | BMG 88697302362, Br 8083, CBS 88220, Cl(F) 700, MoJ MJCD-1101, Ms MD11-248 | DE3803a | |
38-02-02-002 | M751-2 | Ridin’ On A Blue Note | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3803b | |
38-02-02-003 | M752-1 | Lost In Meditation | BMG 88697302362, Br 8083, CBS 88220, Cl(F) 700, JP LP-14, Ms MD11-248, Ra RTE-23003 | DE3803c | |
38-02-02-004 | M753-1 | Gal From Joe’s | BMG 88697302362, Br 8108, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3803d | |
38-02-02-005 | M753-2 | Gal From Joe’s | CBS 88220, Ms MD11-248, Nw RP2042 | DE3803e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 February 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-02-24-001 | M770-1 | If You Were In My Place - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3804a | |
38-02-24-002 | M770-2 | If You Were In My Place - vIA | Br 80093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804b | |
38-02-24-003 | M771-1 | Skrontch - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE-23003 | DE3804c | |
38-02-24-004 | M771-2 | Skrontch - vIA | BMG 88697302362, Br 80093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804d | |
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p,v) | |||||
38-02-24-005 | I’ve Got To Be A Rug Cutter - vDE | JP LP-14 | DE3804e | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
Wallace Jones, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol, Cootie Williams(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-02-24-006 | Blues In B Flat | DE3804f | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 03 March 1938 | |||
ARC-Brunswick recording session | |||||
Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-03-03-001 | M772-1 | I Let A Song Go Out Of My Heart | BMG 88697298542, CBS 88220, Co DO-2137, Ms MD11-248, Nw RP2042 | DE3805a | |
38-03-03-002 | M772-2 | I Let A Song Go Out Of My Heart | BMG 88697302362, Br 8108, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805b | |
38-03-03-003 | M773-1 | Braggin’ In Brass | BMG 88697302362, Br 8099, CBS 88220, Cl(F) 700, MJ MJCD-1140, Ms MD11-248 | DE3805c | |
38-03-03-004 | M773-2 | Braggin’ In Brass | CBS 88220, Ms MD11-248, Nw RP2042, Pa 266, Ra RTE-23003 | DE3805d | |
38-03-03-005 | M774-1 | Carnival In Caroline | BMG 88697302362, Br 8099, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805e | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 March 1938 | |||
CBS broadcast, Cotton Club | |||||
Arthur Whetsel, Rex Stewart, Freddie Jenkins(t); Cootie Williams(t,v); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-03-24-001 | Harmony In Harlem | BFR BCD-16340, JA 13, Sv 103-8415 | DE3806a | ||
38-03-24-002 | If You Were In My Place | BFR BCD-16340, JA 12, Sv 103-8415 | DE3806b | ||
38-03-24-003 | Mood Indigo | BFR BCD-16340, Sv 103-8415 | DE3806c | ||
38-03-24-004 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103-8415 | DE3806d | ||
38-03-24-005 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103-8415 | DE3806e | ||
38-03-24-006 | Oh Babe, Maybe Someday - vIA | BFR BCD-16340, JA 12, Sv 103-8415 | DE3806f | ||
38-03-24-007 | ¬ Dinah’s In A Jam - vCW,HC, HA | JA 12, Sv 103-8415 | DE3806g | ||
38-03-24-008 | _| If Dreams Come True - vIA | JA 13, Sv 103-8415 | DE3806h | ||
38-03-24-009 | Skrontch - vIA | Sv 103-8415 | DE3806i | ||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 28 March 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Mary McHugh(v) | |||||
38-03-28-001 | M793-1 | Jeep’s Blues | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4115 | DE3807a | |
38-03-28-002 | M794-1 | If You Were in My Place - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4046 | DE3807b | |
38-03-28-003 | M795-1 | I Let A Song Go Out Of My Heart - vMMH | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4046 | DE3807c | |
38-03-28-004 | M796-2 | Rendezvous with Rhythm | CBS 88220, Cl(F) 700, Ms MD7-235, Vo 4115 | DE3807d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 04 April 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges,Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d);Jerry Kruger(v) | |||||
38-04-04-001 | M801-1 | A Lesson In C - vJK | CBS 88242, Cl(F) 700, Ms MD7-235, Tx M-8011, Vo 4086 | DE3808a | |
38-04-04-002 | M802-1 | Swingtime In Honolulu- vJK | CBS 88242, Cl(F) 700, Ms MD7-235, Vo 4061 | DE3808b | |
38-04-04-003 | M803-1 | Carnival In Caroline - vJK | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4061 | DE3808c | |
38-04-04-004 | M804-1 | Ol’ Man River - vJK | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4086 | DE3808d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 April 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-11-001 | M809-1 | Swingtime In Honolulu - vIA | Br 8131, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809a | |
38-04-11-002 | M810-1 | I’m Slappin’ Seventh Avenue | BMG 88697302362, Br 8131, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809b | |
38-04-11-003 | M811-1 | Dinah’s In A Jam | BMG 88697302362, Br 8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 April 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-17-001 | You Went To My Head - vIA | JA 12, Sv 103-8415 | DE3810a | ||
38-04-17-002 | Three Blind Mice | BFR BCD-16340, JA 13, Sv 103-8415 | DE3810b | ||
38-04-17-003 | Solitude - vIA | Sv 103-8415 | DE3810c | ||
Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-04-17-004 | Downtown Uproar | JA 12, Sv 103-8415 | DE3810d | ||
DUKE ELLINGTON GROUP | New York City, NY | 24 April 1938 | |||
CBS broadcast, Cotton Club | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-04-24-001 | Demi-Tasse | JP LP-14, Sv 103-8415 | DE3811a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-04-24-002 | Dinah’s In A Jam | BFR BCD-16340, JA 13, JP LP-14, Sv 103-8415 | DE3811d | ||
38-04-24-003 | On The Sunny Side Of The Street | BFR BCD-16340, JA 13, Sv 103-8415 | DE3811e | ||
38-04-24-004 | Azure | JP LP-14, Sv 103-8415 | DE3811b | ||
38-04-24-005 | Carnival In Caroline - vIA | JP LP-14, Sv 103-8415 | DE3811c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 April 1938 | |||
CBS broadcast for BBC, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-04-29-001 | Chatterbox | JU JUCD-2069(D) | DE3812a | ||
38-04-29-002 | Diminuendo In Blue | DE3812b | |||
38-04-29-003 | Caravan | DE3812c | |||
38-04-29-004 | Black And Tan Fantasy | DE3812d | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-01-001 | Harmony In Harlem | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813a | ||
38-05-01-002 | At Your Beck And Call - vIA | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813b | ||
38-05-01-003 | Solitude | BFR BCD-16340, Sv 103-8415 | DE3813c | ||
38-05-01-004 | ¬ Gal From Joe’s | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813d | ||
38-05-01-005 | _| Ridin’ On A Blue Note | BFR BCD-16340, JA 12, Sv 103-8415 | DE3813e | ||
38-05-01-006 | If Dreams Come True | BFR BCD-16340, JA 13, Sv 103-8415 | DE3813f | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-08-001 | Oh Babe, Maybe Someday - vIA | JP LP-14, Mx MLP-1002, Sv 103-8415 | DE3815a | ||
38-05-08-002 | I Let A Song Go Out Of My Heart | Mx MLP-1002, Sv 103-8415 | DE3815b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-15-001 | Birmingham Breakdown | JA 12, Sv 103-8415 | DE3816b | ||
38-05-15-002 | Rose Room | JA 12, Sv 103-8415 | DE3816c | ||
38-05-15-003 | Echoes Of Harlem | JA 13, Sv 103-8415 | DE3816a | ||
38-05-15-004 | It’s The Dreamer In Me - vIA | BFR BCD-16340, JA 13, Sv 103-8415 | DE3816e | ||
38-05-15-005 | Lost In Meditation - vIA | JA 13 | DE3816f | ||
DUKE ELLINGTON GROUP | Same session | ||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-05-15-006 | Demi-Tasse | JA 13, Sv 103-8415 | DE3816g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
As before | |||||
38-05-15-007 | Echoes Of Harlem | JA 13, Sv 103-8415 | DE3816d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-05-22-001 | East St. Louis Toodle-O (theme0 | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817a | ||
38-05-22-002 | Jig Walk | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817b | ||
38-05-22-003 | In A Sentimental Mood | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817c | ||
38-05-22-004 | I’m Slappin’ Seventh Avenue | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817d | ||
38-05-22-005 | Lost In Meditation - vIA | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817e | ||
38-05-22-006 | Alabamy Home - vIA | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817f | ||
38-05-22-007 | If You Were In My Place | JP LP14, Mx MLP-1002, Sv 103-8415 | DE3817g | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 May 1938 | |||
CBS broadcast, Cotton Club | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-05-29-001 | Prelude In C Sharp Minor | BFR BCD-16340, JA 13, Sv 103-8415 | DE3818a | ||
38-05-29-002 | Rockin’ In Rhythm | BFR BCD-16340, JA 13, Sv 103-8415 | DE3818b | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 07 June 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-06-07-001 | M832-1 | You Gave Me The Gate - vIA | Br 8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819a | |
38-06-07-002 | M833-1 | Rose Of The Rio Grande - vIA | BMG 88697302362, Br 8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819b | |
38-06-07-003 | M833-2 | Rose Of The Rio Grande - vIA | CBS 88242, Ms MD11-248, Nw RP2042, Sw 327 | DE3819c | |
Duke Ellington plays (tt) | |||||
38-06-07-004 | M834-1 | Pyramid | BMG 88697302362, Br 8168, CBS 88242, Cl(F) 717, Co CL-2365, Co CL-663, Ms MD11-248 | DE3819d | |
38-06-07-005 | M834-2 | Pyramid | CBS 88242, Co 36105, Ms MD11-248, Nw RP2048 | DE3819e | |
Duke Ellington goes back to (p) | |||||
38-06-07-006 | M835-1 | When My Sugar Walks Down The Street - vIA | Br 8168, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 June 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
38-06-20-001 | M844-1 | Watermelon Man - vIA | Br 8200, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820a | |
38-06-20-002 | M845-1 | Gypsy Without A Song | BMG 88697302362, Br 8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820b | |
38-06-20-003 | M846-1 | Stevedore’s Serenade | BMG 88697302362, Br 8174, CBS 88242, Cl(F) 717, Ms MD11-248, TOM 10 | DE3820c | |
38-06-20-004 | M847-2 | La De Doody Do - vIA | Br 8174, CBS 88242, Cl(F) 717, Ms MD11-248, Ra RTE-23003, TOM 10 | DE3820d | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 22 June 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as,ss); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v) | |||||
38-06-22-001 | M852-1 | You Walked Out Of The Picture - vMMH | BD T-1003, Ms MD7-235, R/V 1001-CD(D) | DE3821a | |
38-06-22-002 | M852-2 | You Walked Out Of The Picture - vMMH | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4213 | DE3821b | |
38-06-22-003 | M853-1 | Pyramid | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4242 | DE3821c | |
38-06-22-004 | M854-1 | Empty Ballroom Blues | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4213 | DE3821d | |
38-06-22-005 | M855-1 | Lost In Meditation - vMMH | CBS 88242, Ms MD7-235, R/V 1001-CD(D), Ra RTE-23005 | DE3821e | |
38-06-22-006 | M855-2 | Lost In Meditation - vMMH | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4242 | DE3821f | |
DUKE ELLINGTON ENSEMBLE | Los Angeles, CA | 25 June 1938 | |||
CBS Broadcast | |||||
Cootie Williams(t); Juan Tizol(tb); Barney Bigard(cs); Harry Carney(bar); David Bowman(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-06-25-001 | Frolic Sam | JP LP-14 | DE3822a | ||
Ellington was in hospital for a minor operation and David Bowman took his place for this broadcast | |||||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Leon La Fell(v) | |||||
38-08-01-001 | M872-2 | A Blues Serenade - vLLF | CBS 88242, Cl(F) 717, Ms MD7-235, Ra RTE-23005, Vo 4309 | DE3823a | |
38-08-01-002 | M873-1 | Love In Swingtime - vLLF | CBS 88242, Cl(F) 717, Ms MD7-235, Ra RTE-23005, Vo 4335 | DE3823b | |
38-08-01-003 | M874-1 | Swinging In The Dell | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4335 | DE3823c | |
38-08-01-004 | M875-1 | Jitterbug’s Lullaby | CBS 88242, Cl(F) 717, Ms MD7-235, Vo 4309 | DE3823d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 02 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Scat Powell(v) | |||||
38-08-02-001 | M876-1 | Chasin’ Chippies | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4425 | DE3824a | |
38-08-02-002 | M877-1 | Blue Is The Evening - vSP | CBS 88242, Cl(F) 717, Ms MD7-235, Tx M-8011, Vo 4324 | DE3824b | |
38-08-02-003 | M978-2 | Sharpie - vSP | CBS 88242, Cl(F) 726, Ms MD7-235, Vo 4324 | DE3824c | |
38-08-02-004 | M879-1 | Swing Pan Alley | CBS 88242, Cl(F) 726, Ms MD7-235, Vo 4425 | DE3824d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 August 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Scat Powell(v) | |||||
38-08-04-001 | M880-1 | A Blues Serenade | Br 8221, CBS 88242, Cl(F) 726, Ms MD11-248 | DE3825a | |
38-08-04-002 | M881-1 | Love In Swingtime - vSP | Br 8200, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3825b | |
38-08-04-003 | M882-2 | Please Forgive Me | Br 8256, CBS 88451, Cl(F) 726, Ms MD11-248, TOM 10 | DE3825c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 August 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-08-09-001 | M883-1 | Lambeth Walk | Br 8204, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3826a | |
38-08-09-002 | M884-1 | Prelude to A Kiss | BMG 88697302362, Br 8204, CBS 88451, Cl(F) 726, Ms MD11-248, Ra RTE-23003 | DE3826b | |
38-08-09-003 | M884-2 | Prelude to A Kiss | CBS 88451, Co 36279, Ms MD11-248, Nw RP2048 | DE3826c | |
38-08-09-004 | M885-1 | Hip Chic | BMG 88697302362, Br 8221, CBS 88451, Cl(F) 726, Ms MD11-248, Ra RTE-23003 | DE3826d | |
38-08-09-005 | M886-1 | The Buffet Flat | BMG 88697302362, Br 8221, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3826e | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 24 August 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch); Mary McHugh(v) | |||||
38-08-24-001 | M887-1 | Prelude To A Kiss - vMMH | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4386 | DE3827a | |
38-08-24-002 | M888-1 | There’s Something About An Old Love - vMMH | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4351 | DE3827b | |
38-08-24-003 | M889-1 | Jeep Is Jumpin' | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4386 | DE3827c | |
38-08-24-004 | M890-1 | Krum Elbow Blues | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4351 | DE3827d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 September 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-09-02-001 | M898-1 | Boy Meets Horn (Stew Burp) | Ms MD11-248, R/V 1001-CD(D) | DE3828a | |
38-09-02-002 | M898-2 | Boy Meets Horn (Stew Burp) | CBS 88451, Cl(F) 726, FDC 1003, Ms MD11-248 | DE3828b | |
38-09-02-003 | M899-1 | Mighty Like The Blues | CBS 88451, Ms MD11-248, Nw RP2048, Ra RTE-23003 | DE3828c | |
38-09-02-004 | M899-2 | Mighty Like The Blues | Br 8231, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3828d | |
DUKE ELLINGTON GROUP | New York City, NY | 06 October 1938 | |||
CBS broadcast for BBC from Apollo Theatre | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-10-06-001 | Demi-Tasse | JU JUCD-2069(D) | DE3829a | ||
DUKE ELLINGTON AND HIS ORCHESTRA Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-10-06-002 | I Let A Song Go Out Of My Heart | JU JUCD-2069(D) | DE3829b | ||
38-10-06-003 | Prelude In C Sharp Minor | DE3829c | |||
38-10-06-004 | Prelude To A Kiss | DE3829d | |||
38-10-06-005 | Lambeth Walk | DE3829e | |||
38-10-06-006 | You Gave Me The Gate - vIA | DE3829f | |||
38-10-06-007 | Merry Go Round | DE3829g | |||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 December 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-19-001 | M947-1 | Jazz Potpourri | BMG 88697302362, Br 8293, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3830a | |
38-12-19-002 | M948-1 | T.T. On Toast | BMG 88697302362, CBS 88451, Cl(F) 726, Co 37296, Ms MD11-248 | DE3830b | |
38-12-19-003 | M048-2 | T.T. On Toast | CBS 88451, Co 37296, Ms MD11-248, Nw RP2048 | DE3830c | |
38-12-19-004 | M949-1 | Battle Of Swing | CBS 88451, Cl(F) 726, Ms MD11-248, Nw RP2048 | DE3830d | |
38-12-19-005 | M949-2 | Battle Of Swing | BMG 88697302362, Br 8293, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3830e | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 December 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
38-12-20-001 | M950-2 | I’m In Another World | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4622 | DE3831a | |
38-12-20-002 | M951-1 | Hodge Podge | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4573 | DE3831b | |
38-12-20-003 | M952-1 | Dancing On The Stars | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4622 | DE3831c | |
38-12-20-004 | M953-1 | Wanderlust | CBS 88451, Cl(F) 726, Ms MD7-235, Vo 4573 | DE3831d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 December 1938 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(cl,as); Otto Hardwick(cl,bsax); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
38-12-21-001 | M594-1 | Delta Mood | CBS 88451, Cl(F) 747, FDC 1003, Ms MD7-235, Vo 4574 | DE3832a | |
38-12-21-002 | M595-1 | Boys From Harlem | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4574 | DE3832b | |
38-12-21-003 | M596-1 | Mobile Blues | CBS 88451, MoJ MJCD-1101, Ms MD7-235 | DE3832c | |
38-12-21-004 | M596-2 | Mobile Blues | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4636 | DE3832d | |
38-12-21-005 | M597-1 | Gal-Avantin' | CBS 88451, Cl(F) 747, Ms MD7-235, Vo 4636 | DE3832e | |
DUKE ELLINGTON GROUP | New York City, NY | 21 December 1938 | |||
WNEW broadcast | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-21-006 | Tiger Rag | DE3833a | |||
38-12-21-007 | On The Sunny Side Of The Street | DE3833b | |||
38-12-21-008 | Jeep Is Jumpin' | DE3833c | |||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 December 1938 | |||
ARC-Brunswick recording session | |||||
Wallace Jones(t); Lawrence Brown(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-22-001 | M958-1 | Blue Light | CBS 88451, Co 1265, FDC 1003, Ms MD7-235, Nw RP2048 | DE3834a | |
38-12-22-002 | M958-2 | Blue Light | BMG 88697302362, Br 8297, CBS 88451, Cl(F) 747, Ms MD7-235, Ra RTE-23003 | DE3834b | |
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
38-12-22-003 | M959-1 | Old King Dooji | BMG 88697302362, Br 8306, CBS 88451, Cl(F) 747, Ms MD11-248 | DE3834c | |
38-12-22-004 | M960-1 | Boy Meets Horn | BMG 88697302362, Br 8306, CBS 88451, Cl(F) 747, Ms MD11-248 | DE3834d | |
38-12-22-005 | M961-1 | Slap Happy | BMG 88697302362, Br 8297, CBS 88518, Cl(F) 747, Ms MD11-248, Ra RTE-23003 | DE3834e | |
38-12-22-006 | M961-2 | Slap Happy | CBS 88518, Ms MD11-248, Nw RP2048, Pa 11304 | DE3834f | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | February 1939 | |||
Concert at New York City, NY College | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ruth Fredricson(v) | |||||
38-02-10-001 | Beer Barrel Polka - vRF | DE3901a | |||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 27 February 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jean Eldridge(v) | |||||
39-02-27-001 | M974-1 | Like A Ship In The Night - vJE | CBS 88518, Cl(F) 747, Ms MD7-235, Ra RTE-23005, Vo 4710 | DE3902a | |
39-02-27-002 | M975-1 | Mississippi Dreamboat - vJE | CBS 88518, Cl(F) 747, Ms MD7-235, Ra RTE-23005, Vo 4849 | DE3902b | |
39-02-27-003 | M976-1 | Swingin’ On The Campus | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 4710 | DE3902c | |
39-02-27-004 | M977-1 | Dooji Wooji | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 4849 | DE3902d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 28 February 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-02-28-001 | M982-1 | Beautiful Romance | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5411 | DE3903a | |
39-02-28-002 | M983-1 | Boudoir Benny | CBS 88518, Cl(F) 747, Ms MD7-235, Tx M-8011, Vo 4726 | DE3903b | |
39-02-28-003 | M984-1 | Ain’t The Gravy Good? - vCW | CBS 88518, Cl(F) 747, Ms MD7-235, Tx M-8011, Vo 4726 | DE3903c | |
39-02-28-004 | M984-2 | Ain’t The Gravy Good? - vCW | BD T-1003, CBS 88518, Ms MD7-235 | DE3903d | |
39-02-28-005 | M985-1 | She’s Gone - vCW | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5411 | DE3903e | |
DUKE ELLINGTON | New York City, NY | 08 March 1939 | |||
ARC-Brunswick recording session | |||||
Duke Ellington(p) | |||||
39-03-08-001 | M990-1 | Just Good Fun | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235 | DE3904a | |
39-03-08-002 | M991-1 | Informal Blues | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235 | DE3904b | |
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 March 1939 | |||
CBS broadcast for BBC | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-15-001 | Jazz Potpourri | JU JUCD-2069(D) | DE3905a | ||
39-03-15-002 | T.T.On Toast | JU JUCD-2069(D) | DE3905b | ||
DUKE ELLINGTON GROUP | Same session | ||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-03-15-003 | Demi-Tasse | JU JUCD-2069(D) | DE3905c | ||
39-03-15-004 | Jeep’s Blues | JU JUCD-2069(D) | DE3905d | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-15-005 | Old King Dooji | JU JUCD-2069(D) | DE3905e | ||
39-03-15-006 | Boy Meets horn | DE3905f | |||
39-03-15-007 | Hold Tight - vIA | DE3905xa | |||
39-03-15-008 | Azure | JU JUCD-2069(D) | DE3905g | ||
39-03-15-009 | Harmony In Harlem | JU JUCD-2069(D) | DE3905h | ||
REX STEWART AND HIS ORCHESTRA | New York City, NY | 20 March 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Louis Bacon(t,v); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-03-20-001 | WM994-1 | San Juan Hill | CBS 88518, Cl(F) 747, FDC 1003, MJ MJCD-1140, Ms MD7-235, Vo 5510 | DE3906a | |
39-03-20-002 | WM995-1 | I’ll Come Back For More - vLBa | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5448 | DE3906b | |
39-03-20-003 | WM996-1 | “Fat Stuff” Serenade | CBS 88518, Cl(F) 747, Ms MD7-235, Vo 5448 | DE3906c | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-20-004 | WM997-1 | Pussy Willow | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, Ms MD11-248 | DE3906d | |
39-03-20-005 | WM998-1 | Subtle Lament | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, Ms MD11-248 | DE3906e | |
39-03-20-006 | WM998-2 | Subtle Lament | Ms MD11-248, R/V 1001-CD(D), TSC P-14274 | DE3906f | |
39-03-20-007 | WM999-1 | Lady In Blue | CBS 88518, Cl(F) 765, Co 35291, Ms MD11-248, Ra RTE-23003 | DE3906g | |
39-03-20-008 | WM999-2 | Lady In Blue | Ms MD11-248, Nw RP2048, R/V 1001-CD(D), UtD 2002 | DE3906h | |
39-03-20-009 | WM1000-1 | Smorgasbord And Schnapps | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3906i | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 21 March 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-03-21-001 | WM1001-1 | Savoy Strut | CBS 88518, Ms MD7-235, Vo 5170 | DE3907a | |
39-03-21-002 | WM1001-2 | Savoy Strut | CBS 88518, Ms MD7-235 | DE3907b | |
39-03-21-003 | WM1002-1 | Rent Party Blues | CBS 88518, Ms MD7-235, Vo 5100 | DE3907c | |
39-03-21-004 | WM1003-1 | Dance Of The Goon | CBS 88518, Ms MD7-235, Ra RTE-23005, Vo 4979 | DE3907d | |
39-03-21-005 | WM1004-1 | Good Gal Blues | CBS 88518, Ms MD7-235, Vo 5170 | DE3907e | |
DUKE ELLINGTON Trio | Same session | ||||
Johnny Hodges(as); Duke Ellington(p); Billy Taylor(sb) | |||||
39-03-21-006 | WM1005-1 | Finesse | CBS 88518, Cl(F) 765, Co CL-663, Ms MD7-235, TSC P-14274 | DE3907f | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-03-21-007 | WM1006-1 | Portrait Of The Lion | Br 8365, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3907g | |
39-03-21-008 | WM1006-2 | Portrait Of The Lion | BMG 88697302362, CBS 88518, Ms MD11-248, Nw RP2048, Sw 307 | DE3907h | |
Duke Ellington out. Add Billy Strayhorn(p); Jean Eldridge(v) | |||||
39-03-21-009 | WM1007-1 | Something To Live For - vJE | BMG 88697302362, Br 8365, CBS 88518, Cl(F) 765, Ms MD11-248 | DE3907i | |
Billy Strayhorn, Jean Eldridge out. Add Duke Ellington(p) | |||||
39-03-21-010 | WM1008-1 | Solid Old Man | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3907j | |
DUKE ELLINGTON | Stockholm, Sweden | 29 April 1939 | |||
Swedish Radio Broadcast | |||||
Duke Ellington, Manne Berggren(tk) | |||||
39-04-29-001 | Interview by Berggren | CaR CAP-21452, Mx MLP-1001 | DE3908a | ||
DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, Sweden | 29 April 1939 | |||
Concert at Stockholms Konserthus | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-04-29-002 | Serenade To Sweden | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909a | ||
39-04-29-003 | Rockin’ In Rhythm | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909b | ||
39-04-29-004 | In A Red Little Cottage - vIA | CaR CAP-21452, Mx MLP-1001, Sv 103-8415 | DE3909c | ||
DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 May 1939 | |||
NBC broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-05-28-001 | Pussy Willow | BR BS-7128 | DE3910a | ||
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 02 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-06-02-001 | WM1026-A | Kitchen Mechanic’s Day | CBS 88158, Ms MD7-235, Vo 4917 | DE3911a | |
39-06-02-002 | WM1027-A | My Heart Jumped Over The Moon | CBS 88518, Ms MD7-235, Ra RTE-23005, Vo 5330 | DE3911b | |
39-06-02-003 | WM1028-A | You Can Count On Me | CBS 88521, Ms MD7-235, Vo 4917 | DE3911c | |
39-06-02-004 | WM1029-A | Home Town Blues | CBS 88521, Ms MD7-235, Vo 4941 | DE3911d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 06 June 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-06-06-001 | WM1030-A | Cotton Club Stomp | Br 8405, CBS 88521, Cl(F) 765, Ms MD11-248, TSC P-14274 | DE3912a | |
39-06-06-002 | WM1031-A | Doin’ The Voom Voom | CBS 88521, Cl(F) 765, Co 35208, Ms MD11-248, Ra RTE-23004, TSC P-14274 | DE3912b | |
39-06-06-003 | WM1032-A | Way Low | BMG 88697302362, Br 8411, CBS 88521, Cl(F) 765, Ms MD11-248, TOM 10, TSC P-14274 | DE3912c | |
39-06-06-004 | WM1033-A | Serenade to Sweden | BMG 88697302362, CBS 88521, Cl(F) 765, Co 35214, Ms MD11-248, TSC P-14274 | DE3912d | |
THE QUINTONES WITH BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 08 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); The Quintones(v) | |||||
39-06-08-001 | WM1034-A | Utt-Day-Zay - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Vo 4928 | DE3913a | |
39-06-08-002 | WM1035-A | Chew Chew Chew - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Ra RTE-23004, Vo 4928 | DE3913b | |
BARNEY BIGARD AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-08-003 | WM1036-A | I’m Checking Out - Goom Bye (Barney Goin’ Easy) | CBS 88521,TSC-P-14274, Cl(F) 765, Ms MD7-235, Vo 5378 | DE3913c | |
39-06-08-004 | WM1037-A | Just Another Dream | CBS 88521, Cl(F) 765, Ms MD7-235, Ok 5663 | DE3913d | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 12 June 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-06-12-001 | WM1038-A | In A Mizz - vIA | Br 8405, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE-23004 | DE3914a | |
39-06-12-002 | WM1039-A | I’m Checking Out - Goom Bye - vIA | CBS 88521, Cl(F) 780, Co 35208, Ms MD11-248, Ra RTE-23004 | DE3914b | |
39-06-12-003 | WM1040-A | Lonely Co-Ed - vIA | CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE-23004 | DE3914c | |
39-06-12-004 | WM1041-A | You Can Count On Me - vIA | Br 8411, CBS 88521, Cl(F) 780, Ms MD11-248 | DE3914d | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-21-001 | WM1042-A | Night Song | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915a | |
COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 22 June 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-06-22-001 | WM1043-A | Blues A Poppin' | Cl(F) 780, Ms MD7-235, Tx M-8011CBS-88521, Vo 5618 | DE3915b | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-06-22-002 | WM1044-A | Top And Bottom | CBS 88521, Cl(F) 780, Ms MD7-235, Ok 6336, Tx M-1011 | DE3915c | |
39-06-22-003 | WM1044-A | Black Beauty | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915d | |
DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 26 July 1939 | |||
NBC broadcast from Ritz Carlton Hotel | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-07-26-001 | East St. Louis Toodle-O (theme) | JU JUCD-2022(D), Mx MLP-1002 | DE3916a | ||
39-07-26-002 | Jazz Potpourri | JU JUCD-2022(D), Mx MLP-1002 | DE3916b | ||
39-07-26-003 | Something To Live For | JU JUCD-2022(D), Mx MLP-1002 | DE3916c | ||
39-07-26-004 | Old King Dooji | JU JUCD-2022(D), Mx MLP-1002 | DE3916d | ||
39-07-26-005 | In A Mizz - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916e | ||
39-07-26-006 | Rose Of The Rio Grande - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916f | ||
39-07-26-007 | Pussy Willow | JU JUCD-2022(D), Mx MLP-1002 | DE3916g | ||
39-07-26-008 | You Can Count On Me - vIA | JU JUCD-2022(D), Mx MLP-1002 | DE3916h | ||
39-07-26-009 | Way Low | JU JUCD-2022(D), Mx MLP-1002 | DE3916i | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Boston, MA | 28 August 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-08-28-001 | WM1062-A | Bouncing Bouyancy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE-23004 | DE3917a | |
39-08-28-002 | WM1063-A | The Sergeant Was Shy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35214, Ms MD11-248, Ra RTE-23004 | DE3917b | |
39-08-28-003 | WM1064-A | Grievin' | BMG 88697302362, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE-23004 | DE3917c | |
JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 September 1939 | |||
ARC-Brunswick recording session | |||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Otto Hardwick(cl,as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-09-01-001 | WM1072-A | The Rabbit’s Jump | CBS 88521, Ms MD7-235, Vo 5100 | DE3918a | |
39-09-01-002 | WM1073-A | Moon Romance | CBS 88521, Ms MD7-235, Ok 5940, Ra RTE-23005 | DE3918b | |
39-09-01-003 | WM1074-A | Truly Wonderful | CBS 88521, Ms MD7-235, Ra RTE-23005 | DE3918c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-09-01-004 | WM1075-A | Dream Blues | CBS 88521, Ms MD7-235, Vo 5353 | DE3918d | |
DUKE ELLINGTON WITH ORCHESTRA | New York City, NY | 20 September 1939 | |||
NBC broadcast | |||||
Duke Ellington(p) plus studio orchestra | |||||
39-09-20-001 | Medley:- | DE3919a | |||
| |||||
| |||||
| |||||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 14 October 1939 | |||
ARC-Brunswick recording session | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch) | |||||
39-10-14-001 | WM1091-A | Little Posey | CBS 88521, Cl(F) 780, Co 35291, Ms MD11-248 | DE3920a | |
39-10-14-002 | WM1092-A | I Never Felt This Way Before | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35353, Ms MD11-248, Ra RTE-23004 | DE3920b | |
39-10-14-003 | WM1092-B | I Never Felt This Way Before | CBS 88521, Ms MD11-248, Nw RP2048, Ra RTE-23004 | DE3920c | |
39-10-14-004 | WM1093-A | Grievin' | CBS 88521, Cl(F) 780, Co 35310, Ms MD11-248 | DE3920d | |
39-10-14-005 | WM1094-A | Tootin’ Through The Roof | BMG 88697302362, CBS 88521, Co 35310, MJ MJCD-1140, Ms MD11-248 | DE3920e | |
39-10-14-006 | WM1094-B | Tootin’ Through The Roof | CBS 88521, Cl(F) 780, Ms MD11-248, Nw RP2048, Ra RTE-23004 | DE3920f | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
39-10-14-007 | WM1095-A | Weely | CBS 88522, Co 35353, Ms MD11-248, Ra RTE-23004 | DE3920g | |
JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-10-14-008 | WM1096-A | Skunk Hollow Blues | CBS 88522, Ms MD7-235, Vo 5533 | DE3920h | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-10-14-009 | WM1097-A | I Know What You Do | CBS 88522, Ms MD7-235, Ra RTE-23005, Vo 5353 | DE3920i | |
39-10-14-010 | WM1098-A | Your Love Has Faded | CBS 88522, Ms MD7-235, Ok 5940, Ra RTE-23005 | DE3920j | |
Duke Ellington out. Add Billy Strayhorn(p) | |||||
39-10-14-011 | WM1099-A | Tired Socks | CBS 88522, Ms MD7-235, Ra RTE-23005, Vo 5533 | DE3920k | |
DUKE ELLINGTON | Same session | ||||
Duke Ellington(p) | |||||
39-10-14-012 | WM1100-A | Blues | CBS 55822, Cl(F) 790, Ms MD7-235, Ra RTE-23004 | DE3920l | |
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 16 October 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d) | |||||
39-10-16-001 | WM1105-A | Early Mornin' | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3921a | |
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Billy Strayhorn(p,v); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-10-16-002 | WM1106-A | Killin’ Myself - vIA,BS | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921b | |
39-10-16-003 | WM1107-A | Your Love Has Faded - vIA | CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921c | |
Billy Strayhorn out. Add Duke Ellington(p) | |||||
39-10-16-004 | WM1108-A | Country Gal | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35776, Ms MD11-248, Ms MD7-235, Ra RTE-23004 | DE3921d | |
DUKE ELLINGTON AND HIS ORCHESTRA | St. Louis, MO | 02 November 1939 | |||
CBS broadcast from Coronado Hotel | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Billy Strayhorn(p,V); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-11-02-001 | Pyramid | JM DE-003† | DE3922a | ||
39-11-02-002 | Pussy Willow | JM DE-003† | DE3922b | ||
39-11-02-003 | I’m Checking Out - Goom Bye - vIA | JM DE-003† | DE3922c | ||
BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 22 November 1939 | |||
ARC-Brunswick recording session | |||||
Rex Stewart(t); Juan Tizol(tb); Barney Bigard(cl); Harry Carney(bar); Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d) | |||||
39-11-22-001 | WM1117-A | Minuet In Blues | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5378 | DE3923a | |
39-11-22-002 | WM1118-A | Lost In Two Flats | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3923b | |
39-11-22-003 | WM1119-A | Honey Hush | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 5663 | DE3923c | |
DUKE ELLINGTON AND Jimmie Blanton | Same session | ||||
Duke Ellington(p); Jimmie Blanton(sb) | |||||
39-11-22-004 | WM1120-A | The Blues # | CBS 88522, Cl(F) 790, Co 35322, Ms MD7-235, Ra RTE-23004 | DE3923d | |
39-11-22-005 | WM1121-A | Plucked Again | CBS 88522, Cl(F) 790, Co 35322, Ms MD7-235, Ra RTE-23004 | DE3923e | |
DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 November 1939 | |||
CBS broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch); Ivie Anderson(v) | |||||
39-11-24-001 | Cavalcade of Hits :- | DE3924a | |||
- 1. Mood Indigo | |||||
- 2. Liza | |||||
- 3. Black And Tan Fantasy | |||||
- 4. Ring Dem Bells | |||||
- 5. It Don’t Mean A Thing - vIA | |||||
- 6. Sophisticated Lady | |||||
- 7. Solitude | |||||
- 8. In A Sentimental Mood | |||||
- 9. Caravan | |||||
| |||||
39-11-24-002 | I’m Checking Out - Goom Bye - vIA | Cl(F) 867, FDC 1023, Ra RTE-23004, VD 723 | DE3924b | ||
39-11-24-003 | Tootin’ Through The Roof | Cl(F) 867, FDC 1023, VD 723 | DE3924c | ||
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | Probably late 1939 | |||
Broadcast | |||||
Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor,Jimmie Blanton(sb); Sonny Greer(d,ch) | |||||
39-11-30-001 | Boy Meets Horn | DE3925a | |||
39-11-30-002 | Solid Old Man | DE3925b | |||
39-11-30-003 | The Sergeant Was Shy | Ra RTE-23004 | DE3925c | ||
NB. These titles are from various unknown sessions in 1939 |