Click on any release to be taken to the corresponding release on the Releases page.
Key to symbols:
| Index | Matrix No. | Title | Releases | New DESOR | |
|---|---|---|---|---|---|
| TEN BLACK BERRIES | New York City, NY | 29 January 1930 | |||
| ARC recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills (as "Sunny Smith")(v). | |||||
| 30-01-29-001 | 9319-1 | St. James Infirmary - vIM | CBS 68275, Cl(F) 577, Cq 7486, Dom 4498, MoJ MJCD 123, Or 1849, Per 15272, Re 8941 | DE3001a | |
| 30-01-29-002 | 9319-2 | St. James Infirmary - vIM | Ba 0594, Cam 0194, CBS 68275, Je 5849, MoJ MJCD 123, Nw RP2018, Or 1849, Per 15272, Ro 1289 | DE3001b | |
| 30-01-29-003 | 9319-3 | St. James Infirmary - vIM | Ba 0594, Cam 0194, Je 5849, MoJ MJCD 123, Nw RP2018 | DE3001c | |
| An apostrophe is added to the title (“James’”) on the record labels of the 78s. | |||||
| 30-01-29-004 | 9320-1 | When You're Smiling - vIM | Ba 0607, Cam 0207, CBS 68275, Je 5862, MoJ MJCD 123, Nw RP2018, Per 15272, Ro 1218 | DE3001d | |
| 30-01-29-005 | 9320-3 | When You're Smiling - vIM | Cam 0207, CBS 68275, Cl(F) 586, Cq 7486, Dom 4498, MoJ MJCD 123, Per 15272, Re 8941, Ro 1218 | DE3001e | |
| Duke Ellington(p) out. | |||||
| 30-01-29-006 | 9321-1 | Rent Party Blues | Ba 0594, Cam 0207, CBS 68275, Je 5849, MoJ MJCD 123, Nw RP2018, Or 1849, Ro 1209 | DE3001f | |
| 30-01-29-007 | 9321-2 | Rent Party Blues | Ba 0594, Cam 0194, MoJ MJCD 123, Nw RP2018, Ro 1209 | DE3001g | |
| 30-01-29-008 | 9321-3 | Rent Party Blues | Ba 0594, Cam 0194, CBS 68275, Cl(F) 586, Je 5849, MoJ MJCD 123, Or 1849, Ro 1209 | DE3001h | |
| Add Duke Ellington(p). | |||||
| 30-01-29-009 | 9322-1 | Jungle Blues | Ba 0598, Cam 0198, CBS 88000, Je 5854, MoJ MJCD 123, Nw RP2018, Or 1854, Ro 1215 | DE3001i | |
| 30-01-29-010 | 9322-2 | Jungle Blues | Cam 0198, CBS 88000, Cl(F) 586, MoJ MJCD 123, MoJ MJCD 1306, Or 1854, Ro 1215 | DE3001j | |
| In the U.S the recordings of this session were released simultaneously on various labels controlled by ARC. | |||||
| THE JUNGLE BAND | New York City, NY | 21 February 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Unk(v). | |||||
| 30-02-21-001 | E32209-B | Admiration | DE3002a | ||
| 30-02-21-002 | E32210-A or -B | Maori (A Samoan Dance) | Br 4776, Cl(F) 586, COPS 7395-D/1, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 123, MoJ MJCD 1304 | DE3002b | |
| 30-02-21-003 | E32211-B | Maori (A Samoan Dance) | DE3002c | ||
| 30-02-21-004 | E32212-B | When You're Smiling - vUnk | DE3002d | ||
| Three selections were rejected. Recording files note that Maori E32210 is a “Fox Trot,” while E32211 is a “One-Step.” “Admiration” was copyrighted as “Admiration; Hawaiian Idyl”. Files don’t specity the name of the vocalist on “When You’re Smiling.” | |||||
| HARLEM HOT CHOCOLATES | New York City, NY | March 1930 | |||
| Durium recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v). | |||||
| 30-03-00-001 | 1045-C | Sing Your Sinners - vIM | Cl(F) 586, HoW 1045, MoJ MJCD 123 | DE3003a | |
| 30-03-00-002 | 1046-D | St. James Infirmary - vIM | Cl(F) 586, HoW 1046, MoJ MJCD 123 | DE3003b | |
| Again an apostrophe is used on the 78 label. | |||||
| THE JUNGLE BAND | New York City, NY | 20 March 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills(v). | |||||
| 30-03-20-001 | E32447-A | When You're Smiling - vIM | Br 4760, Cl(F) 586, COPS 7395-D/1, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 123 | DE3004a | |
| 30-03-20-002 | E32447-B | When You're Smiling - vIM | De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 123, Nw RP2018, UtD 2007 | DE3004b | |
| 30-03-20-003 | E32448-A | Maori (A Samoan Dance) | Br(F) 500158, COPS 7395-D/1, De GRD-3-640(D)(S)(T), Df DRCD 11196, MCA 1374, MoJ MJCD 123, Nw RP2018 | DE3004c | |
| 30-03-20-004 | E32448-B | Maori (A Samoan Dance) | De GRD-3-640(D)(S)(T), Df DRCD 11196, MCA 1374, MoJ MJCD 123, Nw RP2018 | DE3004d | |
| 30-03-20-005 | E32449-A or -B | Admiration | Br 4776, Cl(F) 586, COPS 7395-D/1, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 123, MoJ MJCD 1304 | DE3004e | |
| MILLS TEN BLACKBERRIES | New York City, NY | 03 April 1930 | |||
| Diva / Velvet Tone recording session. Columbia Records studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 30-04-03-001 | 150165-2 | The Mooch | CBS 88000, Cl(F) 586, Co C2K 46177(D), Di 6046-G, MoJ MJCD 145, VT 7072-V | DE3005a | |
| 30-04-03-002 | 150165-3 | The Mooch | CBS 88000, Di 6046-G, MoJ MJCD 145, Nw RP2018 | DE3005b | |
| 30-04-03-003 | 150166-1 | Ragamuffin Romeo | CBS 88000, Cl(F) 586, Co C2K 46177(D), FDC 1003, MoJ MJCD 145 | DE3005c | |
| 30-04-03-004 | 150167-2 | East St. Louis Toodle-O | BD T-1001, Di 6046-G, MoJ MJCD 145, Nw RP2018, VT 7072-V | DE3005d | |
| 30-04-03-005 | 150167-3 | East St. Louis Toodle-O | CBS 88000, Cl(F) 586, Co C2K 46177(D), Di 6046-G, MoJ MJCD 145, VT 7072-V | DE3005e | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 11 April 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Frank Marvin(v). | |||||
| 30-04-11-001 | BVE59692-2 | Double Check Stomp | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 1312, MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi V-38129 | DE3006a | |
| 30-04-11-002 | BVE59693-2 | My Gal Is Good For Nothing But Love - vFM | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi V-38130 | DE3006b | |
| 30-04-11-003 | BVE59694-1 | I Was Made To Love You - vFM | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi V-38130 | DE3006c | |
| “My Gal Is Good for Nothing but Love” was copyrighted and published as “My Man Is Good for Nothing but Love.” | |||||
| THE JUNGLE BAND | New York City, NY | 22 April 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Cornell Smelser (as "Joe Cornell")(ac); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v). | |||||
| 30-04-22-001 | E32612-A | Double Check Stomp | Br 4783, Cl(F) 586, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 145 | DE3007a | |
| 30-04-22-002 | E32613-A | Accordion Joe - vDR | Br 4783, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 1305, MoJ MJCD 145 | DE3007b | |
| 30-04-22-003 | E32613-B | Accordion Joe - vDR | De GRD-3-640(D)(S)(T), Df DRCD 11196, MCA 1374, MoJ MJCD 145, Nw RP2018, UtD 2007 | DE3007c | |
| Cornell Smelser out. | |||||
| 30-04-22-004 | E32614-A | Cotton Club Stomp* | Br 4887, Cl(F) 586, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 145 | DE3007d | |
| 30-04-22-005 | E32614-B | Cotton Club Stomp* | De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 145, Nw RP2018, UtD 2007 | DE3007e | |
| NB:- Cotton Club Stomp on these recordings is not the same as any other recording of the same title. | |||||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 04 June 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
| 30-06-04-001 | BVE62192-1 | Sweet Dreams Of Love | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi V-38143 | DE3008a | |
| 30-06-04-002 | BVE62192-2 | Sweet Dreams Of Love | Bb 2499-2-RB, LR X-EIO-2(S)(T)(O), MoJ MJCD 145, RCA 09026-63386-2(D) | DE3008b | |
| 30-06-04-003 | BVE62193-2 | Jungle Nights In Harlem | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 1306, MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi 23022 | DE3008c | |
| 30-06-04-004 | BVE62194-1 | Sweet Jazz O'Mine | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi V-38143 | DE3008d | |
| 30-06-04-005 | BVE62194-2 | Sweet Jazz O'Mine | LR X-EIO-2(S)(T)(O), MoJ MJCD 145, Nw RP2018, RCA 09026-63386-2(D), RCA(F) 741039 | DE3008e | |
| 30-06-04-006 | BVE62195-2 | Shout 'Em Aunt Tillie | Cl(F) 586, LR X-EIO-2(S)(T)(O), MoJ MJCD 1306, MoJ MJCD 145, RCA 09026-63386-2(D), RCA(F) 741039, Vi 23041 | DE3008f | |
| MILLS TEN BLACKBERRIES | New York City, NY | 12 June 1930 | |||
| Diva / Velvet Tone recording session. Columbia Records studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 30-06-12-001 | 150584-1 | Sweet Mama | BD T-1001, MoJ MJCD 145, Nw RP2018, VT 7088-V | DE3009a | |
| 30-06-12-002 | 150584-2 | Sweet Mama | CBS 88000, Cl(F) 586, Co C2K 46177(D), Di 6062-G, FMRS FM-4001/02†, LR X-EIO-3(S)(T)(O), MoJ MJCD 145, VT 7088-V | DE3009b | |
| 30-06-12-003 | 150585-1 | Hot And Bothered | CBS 88000, Cl(F) 586, Co C2K 46177(D), Co C3K 65841, Di 6056-G, LR X-EIO-1(S)(T)(O), LR X-EIO-3(S)(T)(O), MoJ MJCD 145, VT 7082-V | DE3009c | |
| 30-06-12-004 | 150586-1 | Double Check Stomp | VT 7088-V | DE3009d | |
| 30-06-12-005 | 150586-2 | Double Check Stomp | BD T-1001, CBS 88000, Cl(F) 586, Co C2K 46177(D), Di 6062-G, LR X-EIO-3(S)(T)(O), MoJ MJCD 145, VT 7088-V | DE3009e | |
| 30-06-12-006 | 150590-1 | Black And Tan Fantasy | CBS 88000, Cl(F) 596, Co C2K 46177(D), Di 6056-G, LR X-EIO-3(S)(T)(O), MoJ MJCD 145, VT 7082-V | DE3009f | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Los Angeles, CA | August 1930 | |||
| RKO film recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); The Rhythm Boys(v). | |||||
| 30-00-08-001 | When I'm Blue | MoJ MJCD 173, Pv PRV 102 | DE3010a | ||
| 30-00-08-002 | The Mystery song | MoJ MJCD 173 | DE3010b | ||
| 30-00-08-003 | When I'm Blue | MoJ MJCD 173 | DE3010c | ||
| 30-00-08-004 | East St. Louis Toodle-O (theme) | MoJ MJCD 173, Pv PRV 102 | DE3010d | ||
| 30-00-08-005 | Old Man Blues | MoJ MJCD 173, Pv PRV 102 | DE3010f | ||
| 30-00-08-006 | Three Little Words | Roan AED-2027 | DE3010g | ||
| Film sound track from RKO Radio Pictures “Check And Double Check”. NB. 30-00-08-006, while recorded for this film was used in the RKO Radio Pictures “The Lady Refuses” The version in “Check And Double Check” and appearing on Pv PRV-102 and MoJ MJCD 173 was recorded by The Rhythm Boys and a studio orchestra | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 August 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Emmanuel Hall Quartet, Jimmy Miller(v). | |||||
| 30-08-20-001 | PBVE61011-1 | Ring Dem Bells - vCW | |||
| 30-08-20-002 | PBVE61011-2 | Ring Dem Bells - vCW | LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D), RCA(F) 741048 | DE3011a | |
| 30-08-20-003 | PBVE61011-3 | Ring Dem Bells - vCW | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 1312, MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 20-1532 | DE3011b | |
| 30-08-20-004 | PBVE61012-1 | Old Man Blues | LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Nw RP2033, RCA 09026-63386-2(D), UtD 2008(D) | DE3011c | |
| 30-08-20-005 | PBVE61012-2 | Old Man Blues | LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Nw RP2018, Pi MPC-509, RCA 09026-63386-2(D), RCA(F) 741048, UtD 2008(D) | DE3011d | |
| 30-08-20-006 | PBVE61012-3 | Old Man Blues | FMRS 021(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), UtD 2008(D) | DE3011e | |
| 30-08-20-007 | PBVE61013-1 | Three Little Words - vEHQ | LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D) | DE3011f | |
| 30-08-20-008 | PBVE61013-3 | Three Little Words - vJMi | DE3011g | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 August 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v). | |||||
| 30-08-26-001 | PBVE61011-6 | Ring Dem Bells - vCW | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 22528 | DE3012a | |
| 30-08-26-002 | PBVE61012-4 | Old Man Blues | JA 21, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D) | DE3012b | |
| 30-08-26-003 | PBVE61012-6 | Old Man Blues | Bb 82876-60091-2-1, Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23022 | DE3012c | |
| 30-08-26-004 | PBVE61013-5 | Three Little Words - vTRB | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 1305, MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 22528 | DE3012d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 02 October 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams(t) Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Dick Robertson(v). | |||||
| 30-10-02-001 | BVE63360-1 | Hittin' The Bottle - vDR | LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Nw RP2018, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23016 | DE3013a | |
| 30-10-02-002 | BVE63360-2 | Hittin' The Bottle - vDR | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23016 | DE3013b | |
| 30-10-02-003 | BVE63361-3 | That Lindy Hop - vDR | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 1304, MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23016 | DE3013c | |
| 30-10-02-004 | BVE63362-2 | You're Lucky To Me - vDR | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23017 | DE3013d | |
| Sonny Greer plays vibraphone. This is the first use of the instrument in Ellington’s recorded discography. | |||||
| 30-10-02-005 | BVE63363-1 | Memories Of You - vDR | Cl(F) 596, LR X-EIO-3(S)(T)(O), MoJ MJCD 173, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23017 | DE3013e | |
| THE HARLEM FOOTWARMERS | New York City, NY | 14 October 1930 | |||
| Okeh recording session | |||||
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 30-10-14-001 | W404481-A | Mood Indigo | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Ok 8840 | DE3014a | |
| 30-10-14-002 | W404481-C | Mood Indigo | |||
| 30-10-14-003 | W404482-C | Big House Blues | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Ok 8836 | DE3014b | |
| 30-10-14-004 | W404483-B | Rocky Mountain Blues | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 173, Ok 8836 | DE3014c | |
| Three takes of Mood Indigo were recorded on this date; two of them, take B and C, remained unissued. Two more takes, with the same matrix number, were recorded on 8 January 1931, and also remained unreleased. | |||||
| THE JUNGLE BAND | New York City, NY | 17 October 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v). | |||||
| 30-10-17-001 | E34927-A | Runnin' Wild - vDR | Br 4952, Cl(F) 596, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 173 | DE3015a | |
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 30-10-17-002 | E34928-A | Mood Indigo (Dreamy Blues) | Br 4952, Cl(F) 596, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 173 | DE3015b | |
| This version of Mood Indigo was recorded as Dreamy Blues, and released on Brunswick 4952 under that Utle on 11 December 1930. A company memo dated 09 March 1931 directed the Utle changed to Mood Indigo, and corrected labels were ordered the next day. At the same Ume, the composer’s credit was changed from “Ellington-Mills” to “Ellington-Mills-Bigard.” | |||||
| THE JUNGLE BAND | New York City, NY | 27 October 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Dick Robertson, Bennie Payne(v). | |||||
| 30-10-27-001 | E35035-B | Home Again Blues - vDR | Br 6003, Cl(F) 596, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 173 | DE3016a | |
| 30-10-27-002 | E35036-A | Wang-Wang Blues - vDR,BP | Br 6003, Cl(F) 596, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MoJ MJCD 173 | DE3016b | |
| THE HARLEM MUSIC MASTERS | New York City, NY | 30 October 1930 | |||
| Okeh recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v). | |||||
| 30-10-30-001 | W404519-A | Ring Dem Bells - vCW | CBS 88000, Cl(F) 596, Co C2K 46177(D), Co C3K 65841, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Od ONY 36166, Par PNY 34154 | DE3017a | |
| 30-10-30-002 | W404520-A | Three Little Words - vIM | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Od ONY 36166, Par PNY 34156 | DE3017b | |
| Ring Dem Bells was released on Parlophone PNY 34154 and Three Little Words was released on Parlophone PNY 34156 as by “Frank Brown and his Tooters.” | |||||
| THE HARLEM FOOTWARMERS | Same session | ||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 30-10-30-003 | W404521-B | Old Man Blues | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Ok 8869 | DE3017c | |
| 30-10-30-004 | W404522-B | Sweet Chariot - vCW | CBS 88000, Cl(F) 596, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 1302, MoJ MJCD 174, Ok 8840 | DE3017d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 21 November 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Smith Ballew (as "Billy Smith")(v). | |||||
| 30-11-21-001 | BVE64811-2 | Mood Indigo | DE3019a | ||
| 30-11-21-002 | BVE64812-1 | Nine Little Miles From Ten-Ten-Tennessee - vSB | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741048, Vi 22586 | DE3019b | |
| 30-11-21-003 | BVE64812-2 | Nine Little Miles From Ten-Ten-Tennessee - vSB | LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Nw RP2018, RCA 09026-63386-2(D), RCA(F) 741048, Vi 22586 | DE3019c | |
| 30-11-21-004 | BVE64813-1 | I'm So In Love With You - vSB | LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D) | DE3019d | |
| 30-11-21-005 | BVE64813-2 | I'm So In Love With You - vSB | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741048, Vi 23041 | DE3019e | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 26 November 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Dick Robertson, Sid Garry, 2 Unk(v). | |||||
| 30-11-26-001 | BVE64378-1 | What Good Am I Without You? - vDR | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Tx (Sd)LP-9 | DE3020a | |
| 30-11-26-002 | BVE64379-1 | Blue Again - vSGa | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Vi 22603 | DE3020b | |
| 30-11-26-003 | BVE64380-2 | When A Black Man's Blue - vSGa,2Unk | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Tx (Sd)LP-9 | DE3020c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 December 1930 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Dick Robertson, Bennie Payne(v). | |||||
| 30-12-10-001 | BVE64811-4 | Mood Indigo | Bb 82876-60091-2-1, Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Vi 22587 | DE3021a | |
| 30-12-10-002 | BVE64378-4 | What Good Am I Without You? - vDR | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Vi 22586 | DE3021b | |
| 30-12-10-003 | BVE64380-4 | When A Black Man's Blue - vBP | Cl(F) 605, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, RCA 09026-63386-2(D), RCA(F) 741068, Vi 22587 | DE3021c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | Late December 1930 | |||
| Soundtrack recording of Pathe Audio Review Vol. 3 No. 1 | |||||
| Cootie Williams, Freddie Jenkins(t); Johnny Hodges(as); Duke Ellington(p); Sonny Greer(d) are shown in the film. | |||||
| 30-12-26-001 | Pathé Audio Review Vol. 3, no. 1 | Vi (mx MRC-DR-1) | |||
| A 10min short film, without audio, is visible at [British Pathe website] (https://www.britishpathe.com/asset/90110/). The title is “Pathe Audio Review - HARLEM - A cinema excursion into the great black metropolis of New York.” The film music was transferred to a 16-inch wax record, Victor matrix MRC-DR-1, on 26 December 1930. It has never surfaced. Details at tdwaw.ca. | |||||
| THE NEW YORK SYNCOPATORS | New York City, NY | 08 January 1931 | |||
| OKeh recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Sid Garry(v). | |||||
| 31-01-08-001 | W404802-A | I Can't Realize You Love Me - vSGa | CBS 88000, Cl(F) 596, Co C2K 46177(D), FMRS FM-4001/02†, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Od ONY-36190, Par PNY 34183 | DE3018a | |
| 31-01-08-002 | W404803-B | I'm So In Love With You - vSGa | CBS 88000, Cl(F) 605, Co C2K 46177(D), LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Od ONY-36189, Par PNY 34183 | DE3018b | |
| Od ONY 36189, Od ONY 36190 (as The New York Syncopators) and Pa PNY 34183 (as The Harlem Foot Warmers) were issued contemporaneously. | |||||
| THE HARLEM FOOTWARMERS | Same session | ||||
| Same personnel, minus Sid Garry. (Percussive vocal effects on Rockin’ in Rhythm by Sonny Greer) | |||||
| 31-01-08-003 | W404804-A | Rockin' In Rhythm | CBS 88000, Cl(F) 605, Co C2K 46177(D), Co CK 48654, Co CL 2046, LR X-EIO-3(S)(T)(O), MoJ MJCD 174, Ok 8869 | DE3018c | |
| Personnel and instrumentation not noted on the surviving files. | |||||
| 31-01-08-004 | W404481-E | Mood Indigo | DE3018d | ||
| Two takes of Mood Indigo, takes D and E, were recorded and rejected/lost. Takes A, B and C had been recorded on 14 October 1930. | |||||
| THE WHOOPEE MAKERS | New York City, NY | 10 January 1931 | |||
| ARC recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d); Chick Bullock(v). | |||||
| 31-01-10-001 | 10356-1 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD 174, Nw RP2018, Or 2191, Per 15418, Re 10244 | DE3101a | |
| 31-01-10-002 | 10356-2 | Them There Eyes - vCBu | Ba 32070, CBS 88000, Cl(F) 605, Je 6191, MoJ MJCD 174, Or 2191, Per 15418, Re 10244, Ro 1556 | DE3101b | |
| 31-01-10-003 | 10356-3 | Them There Eyes - vCBu | CBS 88000, MoJ MJCD 174, Nw RP2018, Or 2191, Per 15418, Ro 1556 | DE3101c | |
| 31-01-10-004 | 10357-1 | Rockin' Chair - vCBu | Ba 32070, Cl(F) 605, MoJ MJCD 174, Or 2191, Per 15418, Re 10244, Ro 1556 | DE3101d | |
| 31-01-10-005 | 10357-2 | Rockin' Chair - vCBu | Ba 32070, CBS 88000, Je 6191, MoJ MJCD 174, Nw RP2018, Or 2191, Per 15418, Ro 1556 | DE3101e | |
| 31-01-10-006 | 10357-3 | Rockin' Chair - vCBu | Ba 32070, Or 2191, Per 15418, Re 10244 | DE3101f | |
| 31-01-10-007 | 10357-4 | Rockin' Chair - vCBu | Ba 32070, CBS 88000, MoJ MJCD 174, Nw RP2018, Per 15418, Ro 1556 | DE3101g | |
| Fred Guy plays guitar on all three takes of Them There Eyes. It is his first recording on that instrument. | |||||
| GEORGIA SYNCOPATORS | Same session | ||||
| 31-01-10-008 | 10359-3 | I'm So In Love With You - vCBu | Ba 32518, CBS 88000, Cl(F) 605, Mt M-12444, Or 2528, Per 15649, Ro 1902 | DE3101h | |
| In the U.S the recordings of this session were released simultaneously on various labels controlled by ARC. | |||||
| THE JUNGLE BAND | New York City, NY | 12 January 1931 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Harry Carney(reeds); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Bennie Payne(v). | |||||
| 31-01-12-001 | Rockin' Chair - vBP | ||||
| 31-01-12-002 | Rockin' In Rhythm | ||||
| Ten waxes were cut of Rockin’ Chair and two of Rockin’ in Rhythm, but all were scrapped and no master was made. | |||||
| THE JUNGLE BAND | New York City, NY | 14 January 1931 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Bennie Payne(p,v). | |||||
| 31-01-14-001 | E35800-A | Rockin' Chair - vBP | Cl(F) 605, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, MCA 1374, Mt M-12093 | DE3102a | |
| 31-01-14-002 | E35801-A | Rockin' In Rhythm | Br 6038, Cl(F) 605, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196 | DE3102b | |
| 31-01-14-003 | E35802-A | Twelfth Street Rag | Br 6038, Cl(F) 605, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196 | DE3102c | |
| Rockin’ Chair as Earl Jackson and his Musical Champions. Bennie Payne plays second piano on the piano duet of Twelfth Street Rag. | |||||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 16 January 1931 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Chick Bullock(v). | |||||
| 31-01-16-001 | BVE67798-2 | The River And Me - vCBu | Cl(F) 605, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741068, Vi 22614 | DE3103a | |
| 31-01-16-002 | BVE67799-1 | Keep A Song In Your Soul - vCBu | Cl(F) 605, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741068, Vi 22614 | DE3103b | |
| 31-01-16-003 | BVE67800-1 | Sam And Delilah - vCB | Cl(F) 605, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741068, Vi 23036 | DE3103c | |
| 31-01-16-004 | BVE67401-1 | Rockin' In Rhythm | Cl(F) 605, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741068, Vi 26310 | DE3103d | |
| 31-01-16-005 | BVE67401-2 | Rockin' In Rhythm | Bb 82876-60091-2-1, LR X-EIO-3(S)(T)(O), Nw RP2018, RCA 09026-63386-2(D), RCA(F) 741068 | DE3103e | |
| Victor 23610 was released on 6 July 1939 as by Duke Ellington and his Orchestra. | |||||
| THE JUNGLE BAND | New York City, NY | 20 January 1931 | |||
| ARC recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v). | |||||
| 31-01-20-001 | E35938-A | The Peanut Vendor | Cl(F) 605, De GRD-3-640(D)(S)(T), Df DRCD 11196, MCA 1374, Mt M-12080 | DE3104a | |
| 31-01-20-002 | E35939-A | Creole Rhapsody - Part 1 | Br 6093, Cl(F) 605, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, UA NUA07(D) | DE3104b | |
| 31-01-20-003 | E35940-A | Creole Rhapsody - Part 2 | Br 6093, Cl(F) 605, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, UA NUA07(D) | DE3104c | |
| 31-01-20-004 | E35940-AA | Creole Rhapsody - Part 2 | Br 80047, De GRD-3-640(D)(S)(T), Df DRCD 11196, Nw RP2023 | DE3104d | |
| 31-01-20-005 | E35941-A | Is That Religion? - vDR | Cl(F) 616, COPS 7395-D/2, De GRD-3-640(D)(S)(T), Df DRCD 11196, Mt M-12080 | DE3104e | |
| The Peanut Vendor / Is That Religion? as Earl Jackson & His Musical Champions. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 11 June 1931 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
| 31-06-11-001 | CRC68231-2 | Creole Rhapsody - Part 1 | Cl(F) 616, LR X-EIO-3(S)(T)(O), MoJ MJCD 1303, RCA 09026-63386-2(D), RCA(F) 741068, UA NUA07(D), Vi 36049 | DE3105a | |
| 31-06-11-002 | BRC68232-2 | Creole Rhapsody - Part 1 | DE3105b | ||
| 31-06-11-003 | CRC68233-2 | Creole Rhapsody - Part 2 | LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D) | DE3105c | |
| 31-06-11-004 | CRC68234-3 | Creole Rhapsody - Part 2 | Cl(F) 616, LR X-EIO-3(S)(T)(O), MoJ MJCD 1303, RCA 09026-63386-2(D), RCA(F) 741068, UA NUA07(D), Vi 36049 | DE3105d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Camden, NJ | 16 June 1931 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 31-06-16-001 | BRC68237-1 | Limehouse Blues | Cl(F) 616, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741068, Vi 22743 | DE3106a | |
| 31-06-16-002 | BRC68238-1 | Echoes Of The Jungle | Cl(F) 616, LR X-EIO-3(S)(T)(O), MoJ MJCD 1306, RCA 09026-63386-2(D), RCA(F) 741068, Vi 22743 | DE3106b | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 17 June 1931 | |||
| Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 31-06-17-001 | BRC68239-1 | It's Glory | Cl(F) 616, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741085, Vi 22791 | DE3107a | |
| 31-06-17-002 | BRC68240-1 | The Mystery Song | BFR BCD-16340, LR X-EIO-3(S)(T)(O), Nw RP2023, RCA 09026-63386-2(D), RCA(F) 741085, Vi 22800 | DE3107b | |
| 31-06-17-003 | BRC68240-2 | The Mystery Song | Bb 2499-2-RB, Cl(F) 616, LR X-EIO-3(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741085 | DE3107c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 11 August 1931 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Harry Carney(reeds); Duke Ellington(p); Wellman Braud(sb); Sonny Greer(d); Unk(v). | |||||
| 31-08-11-001 | C7938-B | Tootsie Hill (From Louisville) - vUnk | DE9047a | ||
| 31-08-11-002 | C7939-B | It Don't Mean A Thing - vUnk | DE9047b | ||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(cl,as,bar); Duke Ellington(p, cs); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib,v); Ivie Anderson(v). | |||||
| 32-02-02-001 | B11200-A | Moon Over Dixie - vSG | Br 6317, CBS 88000, Cl(F) 616, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3201a | |
| 32-02-02-002 | B11204-A | It Don't Mean A Thing - vIA | BMG 88697298542, BMG 88697302362, Br 6265, CBS 88000, Cl(F) 616, Co C3K 65841, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3201b | |
| 32-02-02-003 | B11205-A | Lazy Rhapsody - vCW | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3201c | |
| 32-02-02-004 | B11205-B | Lazy Rhapsody - vCW | CBS 88000, Co 35834, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3201d | |
| The complete title copyrighted for the second song is “It Don’t Mean a Thing (If It Ain’t Got that Swing)”. “Lazy Rhapsody” was issued with the title “Swanee Rhapsody” on most copies of Br 6288. The song was never copyrighted under either title; “Lazy Rhapsody” is the title used on most reissues. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 February 1932 | |||
| Victor recording session. RCA Studio 1 | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-02-03-001 | / | Mood Indigo | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202a | |
| 32-02-03-002 | – LBSHQ-71812-2 | Hot And Bothered | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202b | |
| 32-02-03-003 | \ | Creole Love Call | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202c | |
| 32-02-03-004 | / | Mood Indigo | LR X-EIO-4(S)(T)(O), Nw RP2023, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202d | |
| 32-02-03-005 | – LBSHQ-71812-3 | Hot And Bothered | LR X-EIO-4(S)(T)(O), Nw RP2023, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202e | |
| 32-02-03-006 | \ | Creole Love Call | LR X-EIO-4(S)(T)(O), Nw RP2023, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16006 | DE3202f | |
| The DE3202a-b-c stereo medley is reproduced in true stereo on the EV-3005 LP and on the RCA and Natasha Imports CDs. The stereo medley consists of a left channel, sourced from one disc (LBRC-71811-1), and synchronized with a right channel from another (LBSHQ-71812-2). RCA (F) 741.085, which claims to issue the latter, was transferred from a test pressing of the former. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 February 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
| 32-02-04-001 | B11223-A | Blue Tune | BMG 88697302362, Br 6288, CBS 88000, Cl(F) 616, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3203a | |
| 32-02-04-002 | B11223-B | Blue Tune | CBS 88000, Co CL 2046, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3203b | |
| 32-02-04-003 | B11224-A | Baby, When You Ain't There - vCW | BMG 88697302362, Br 6317, CBS 88035, Cl(F) 616, LR X-EIO-4(S)(T)(O), MoJ MJCD 1306, Ms MD11-248 | DE3203c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 09 February 1932 | |||
| Victor recording session. RCA Studio 1 | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v). | |||||
| 32-02-09-001 | ¬ | ¬ East St. Louis Toodle-O | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16007 | DE3204a | |
| 32-02-09-002 | | LBRC-71836-2 | - | Lot O' Fingers | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16007 | DE3204b | |
| 32-02-09-003 | _| | _| Black And Tan Fantasy | Cl(F) 616, Ev EV-3005, LR X-EIO-4(S)(T)(O), NI 4016, RCA 09026-63386-2(D), RCA(F) 741085, Vi L-16007 | DE3204c | |
| 32-02-09-004 | BRC-71838-1 | Dinah - vCW,SG | Cl(F) 616, LR X-EIO-4(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741085, Vi 22938 | DE3204d | |
| 32-02-09-005 | BRC-71839-1 | Bugle Call Rag | Cl(F) 616, LR X-EIO-4(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741085, Vi 22938 | DE3204e | |
The DE3204a-b-c stereo medley is reproduced in true stereo on the EV-3005 LP and on the RCA and Natasha Imports CDs. The stereo medley consists of a left channel, sourced from one disc (LBRC-71836-2), and synchronized with a right channel from another (LBSHQ-71837-1). On Dinah other voices, probably bandmembers, are heard behind Williams and Greer’s vocals. | |||||
| BING CROSBY WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 February 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,vib); Bing Crosby(v). | |||||
| 32-02-11-001 | BX11263-A | St. Louis Blues - vBCr | Br 20105, CBS 88035, Cl(F) 616, Co CK 66372, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3205a | |
| 32-02-11-002 | BX11263-B | St. Louis Blues - vBCr | BMG 88697302362, Br 20105, CBS 88035, LR X-EIO-4(S)(T)(O), MoJ MJCD 1305, Ms MD11-248, Nw RP2023 | DE3205b | |
| Bing Crosby out. | |||||
| 32-02-11-003 | BX11264-A | Creole Love Call | Br 20105, CBS 88035, Cl(F) 616, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3205c | |
| 32-02-11-004 | BX11264-B | Creole Love Call | BMG 88697302362, LR X-EIO-4(S)(T)(O), Ms MD11-248, RTR 79053 | DE3205xa | |
| 32-02-11-005 | B11265-A | Rose Room | Br 6265, CBS 88035, Cl(F) 616, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3205d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Hartford, CT | 11 April 1932 | |||
| Broadcast, Publix Allyn Theatre | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v). | |||||
| 32-04-11-001 | East St. Louis Toodle-O (theme) | DE9004a | |||
| 32-04-11-002 | When It's Sleepy Time Down South - vSG | DE9004b | |||
| 32-04-11-003 | Double Check Stomp | DE9004c | |||
| This is the earliest Ellington broadcast known to survive. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-05-16-001 | B11839-A | Blue Harlem | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), MoJ MJCD 1308, Ms MD11-248 | DE3206a | |
| 32-05-16-002 | B11840-A | The Sheik Of Araby | BMG 88697302362, Br 6336, CBS 88035, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3206b | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 May 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick, Harry Carney(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-05-17-001 | B11850-A | Swampy River | Br 6355, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3207a | |
| 32-05-17-002 | B11851-A | Lot O' Fingers (Fast And Furious) | Br 6355, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), MoJ MJCD 1309, Ms MD11-248 | DE3207b | |
| 32-05-17-003 | B11852-A | Best Wishes | CBS 88035, Co 35836, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3207c | |
| 32-05-17-004 | B11852-B | Best Wishes | BMG 88697302362, Br 6374, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3207d | |
| Lot o’Fingers is also titled Fast and Furious, and was noted in the logbook of this session as “Harlem Manicurist”; no copyright registration under any of these three titles is known to exist. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 18 May 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-05-18-001 | B11865-A | Slippery Horn | BD T-1001, CBS 88035, Cl(F) 626, Co 37299, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3208a | |
| 32-05-18-002 | B11866-A | Blue Ramble | BMG 88697302362, Br 6336, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3208b | |
| 32-05-18-003 | B11866-B | Blue Ramble | CBS 88035, Co 35834, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3208c | |
| 32-05-18-004 | B11867-A | Clouds In My Heart | LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3206xa | |
| 32-05-18-005 | B11867-B | Clouds In My Heart | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37299, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3208d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 September 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(as); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-09-19-001 | B12332-A | Blue Mood | BMG 88697302362, CBS 88035, Cl(F) 626, Co 37298, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3209a | |
| 32-09-19-002 | B12332-B | Blue Mood | CBS 88035, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023, Ra RTE 23001 | DE3209b | |
| 32-09-19-003 | B12332-C | Blue Mood | CBS 88035, FMRS FM-4001/02†, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3209c | |
| 32-09-19-004 | B12333-A | Ducky Wucky | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3209d | |
| 32-09-19-005 | B12333-B | Ducky Wucky | CBS 88035, Co 35683, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3209e | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
| Victor recording session. RCA Studio 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-09-21-001 | BS73557-1 | Maori | Cl(F) 626, FDC 1022, LR X-EIO-4(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741114 | DE3210a | |
| 32-09-21-002 | BS73558-2 | Jive | DE3210b | ||
| 32-09-21-003 | BS73559-2 | Sophisticated Lady | DE3210c | ||
| 32-09-21-004 | BS73560-2 | Margie - vSG | DE3210d | ||
| This first-ever recording of Sophisticated Lady was recorded under the title of My Sophisticated Daddy. We know this to be the same song because the co-composers are noted in Victor’s files as “Duke Ellington-L. Brown-Otto Hardwick.”. Takes -1 and -2 were made by RCA of all titles recorded at this session, included Maori; none of them survived, except a test of Maori take -1. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 September 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 32-09-21-005 | B12343-A | Jazz Cocktail | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), MoJ MJCD 1305, Ms MD11-248 | DE3211a | |
| 32-09-21-006 | B12343-B | Jazz Cocktail | CBS 88035, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3211b | |
| 32-09-21-007 | B12344-A | Lightnin' | BMG 88697302362, Br 6404, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), MoJ MJCD 1312, Ms MD11-248 | DE3211c | |
| 32-09-21-008 | B12344-B | Lightnin' | CBS 88035, Co 35835, Gp 040, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3211d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 September 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ray Mitchell(v). | |||||
| 32-09-22-001 | B12345-A | Stars -vRM | Br 9331, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3212a | |
| 32-09-22-002 | B12345-B | Stars -vRM | CBS 88035, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3212b | |
| 32-09-22-003 | B12346-A | Swing Low | BMG 88697302362, Br 6432, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248, Ra RTE 23001 | DE3212c | |
| 32-09-22-004 | B12346-B | Swing Low | CBS 88035, Co 35683, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3212d | |
| ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 21 December 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v). | |||||
| 32-12-21-001 | B12773-A | I Must Have That Man - vAHa | BD T-1001, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3213a | |
| 32-12-21-002 | B12773-B | I Must Have That Man - vAHa | BD T-1001, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3213b | |
| 32-12-21-003 | B12774-A | Baby - vAHa | CBS 88035, Cl(F) 626, Co OL 6770, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3213c | |
| 32-12-21-004 | B12774-B | Baby - vAHa | BD T-1001, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3213d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
| Harry Carney(bar). Adelaide Hall(v) out. Add Ivie Anderson(v). | |||||
| 32-12-21-005 | B12775-A | Any Time, Any Day, Anywhere | Br 6467, CBS 88035, Cl(F) 626, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3213e | |
| 32-12-21-006 | B12775-B | Any Time, Any Day, Anywhere | CBS 88082, Gp 040, LR X-EIO-4(S)(T)(O), Lu 5036, Ms MD11-248, Nw RP2023 | DE3213f | |
| 32-12-21-007 | B12776-A | Delta Bound - vIA | CBS 88082, Cl(F) 626, Co 37298, LR X-EIO-4(S)(T)(O), Ms MD11-248 | DE3213g | |
| 32-12-21-008 | B12776-B | Delta Bound - vIA | BD T-1001, LR X-EIO-4(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3213h | |
| MILLS BROTHERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 December 1932 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); The Mills Brothers: Herbert, Harry, Donald (v), John jr(v,g). | |||||
| 32-12-22-001 | B12781-A | Diga Diga Doo - vTMB | Br 6519, CBS 88082, Cl(F) 626, LR X-EIO-5(S)(T)(O), MoJ MJCD 1305, Ms MD11-248 | DE3214a | |
| 32-12-22-002 | B12781-B | Diga Diga Doo - vTMB | Co CK 66372, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3214b | |
| ETHEL WATERS WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Juan Tizol(vtb); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ethel Waters(v). | |||||
| 32-12-22-003 | B12783-A | I Can't Give You Anything But Love - vEW | Br 6517, CBS 88082, Cl(F) 626, LR X-EIO-5(S)(T)(O), MoJ MJCD 1305, Ms MD11-248 | DE3214c | |
| 32-12-22-004 | B12783-B | I Can't Give You Anything But Love - vEW | Co CK 66372, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3214d | |
| Fred Guy out. | |||||
| 32-12-22-005 | B12784-A | Porgy - vEW | Br 6521, CBS 88082, Cl(F) 626, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3214e | |
| 32-12-22-006 | B12784-B | Porgy - vEW | LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3214f | |
| 32-12-22-007 | B12784-C | Porgy - vEW | LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3214g | |
| ADELAIDE HALL WITH DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 07 January 1933 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v). | |||||
| 33-01-07-001 | B12773-C | I Must Have That Man - vAHa | Br 6518, CBS 88082, Cl(F) 626, Co OL 6770, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3301a | |
| 33-01-07-002 | B12773-D | I Must Have That Man - vAHa | CBS 88082, Co OL 6770, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3301b | |
| 33-01-07-003 | B12774-C | Baby - vAHa | Br 6518, CBS 88082, Cl(F) 626, LR X-EIO-5(S)(T)(O), Ms MD11-248, Ra RTE 23001 | DE3301c | |
| 33-01-07-004 | B12774-D | Baby - vAHa | BD T-1001, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2023 | DE3301d | |
| Br 6518 shows the title “Baby!”, as do most subsequent reissues; the copyright entry shows “Baby”. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | Same session | |||
| Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 33-01-07-005 | B12855-A | Eerie Moan | Br 6467, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3301e | |
| 33-01-07-006 | B12855-B | Eerie Moan | CBS 88082, Gp 040, LR X-EIO-5(S)(T)(O), Lu 5036, Ms MD11-248, Nw RP2023 | DE3301f | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 February 1933 | |||
| English Columbia recording session. Columbia studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib); Ivie Anderson(v). | |||||
| 33-02-15-001 | W265049-2 | Merry-Go-Round | CBS 88082, Co(J) J 1681, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2033, Ra RTE 23001 | DE3302a | |
| 33-02-15-002 | W265049-3 | Merry-Go-Round | CBS 88082, Cl(F) 637, Co(E) CB 591, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3302b | |
| 33-02-15-003 | W265050-1 | Sophisticated Lady | CBS 88082, Co(J) J 1681, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2033, Ra RTE 23001 | DE3302c | |
| 33-02-15-004 | W265050-2 | Sophisticated Lady | CBS 88082, Cl(F) 637, Co(E) CB 591, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3302d | |
| 33-02-15-005 | W265051-2 | I've Got The World On A String - vIA | CBS 88082, Cl(F) 637, Co(E) CB 625, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3302e | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 16 February 1933 | |||
| English Columbia recording session. Columbia studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(bsx); Harry Carney(as); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
| 33-02-16-001 | W265052-3 | Down A Carolina Lane | CBS 88082, Cl(F) 637, Co CB 625, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3303a | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 17 February 1933 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj,g); Wellman Braud(sb); Sonny Greer(d,ch). | |||||
| 33-02-17-001 | B13078-A | Slippery Horn | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, Co C3K 65841, LR X-EIO-5(S)(T)(O), MoJ MJCD 1303, Ms MD11-248 | DE3304a | |
| 33-02-17-002 | B13078-B | Slippery Horn | BD T-1003, FMRS FM-4001/02†, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2033 | DE3304b | |
| Add Otto Hardwick(as,bsx). | |||||
| B13079-A | Blackbirds Medley - Part 1 | LR X-EIO-5(S)(T)(O) | DE3304c | ||
| 33-02-17-003 | 1. I Can't Give You Anything But Love | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-004 | 2. Doin' The New Lowdown | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-005 | 3. I Must Have That Man | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-006 | 4. Baby! | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| B13079-B | Blackbirds Medley - Part 1 | LR X-EIO-5(S)(T)(O) | DE3304d | ||
| 33-02-17-007 | 1. I Can't Give You Anything But Love | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-008 | 2. Doin' The New Lowdown | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-009 | 3. I Must Have That Man | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-010 | 4. Baby! | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| B13080-A | Blackbirds Medley - Part 2 | LR X-EIO-5(S)(T)(O) | DE3304e | ||
| 33-02-17-011 | 5. Dixie | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-012 | 6. Diga Diga Doo | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-013 | 7. Porgy | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| 33-02-17-014 | 8. I Can't Give You Anything But Love | Br 6516, CBS 88082, Cl(F) 637, Ms MD11-248 | |||
| B13080-B | Blackbirds Medley - Part 2 | LR X-EIO-5(S)(T)(O) | DE3304f | ||
| 33-02-17-015 | 5. Dixie | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-016 | 6. Diga Diga Doo | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-017 | 7. Porgy | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| 33-02-17-018 | 8. I Can't Give You Anything But Love | CBS 88082, Co OL 6770, Ms MD11-248, Nw RP2033 | |||
| B13080-C | Blackbirds Medley - Part 2 | LR X-EIO-5(S)(T)(O) | DE3304g | ||
| 33-02-17-019 | 5. Dixie | Ms MD11-248, Nw RP2033, UtD 2009 | |||
| 33-02-17-020 | 6. Diga Diga Doo | Ms MD11-248, Nw RP2033, UtD 2009 | |||
| 33-02-17-021 | 7. Porgy | Ms MD11-248, Nw RP2033, UtD 2009 | |||
| 33-02-17-022 | 8. I Can't Give You Anything But Love | Ms MD11-248, Nw RP2033, UtD 2009 | |||
| 33-02-17-023 | B13081-A | Drop Me Off In Harlem | BMG 88697302362, Br 6527, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), MoJ MJCD 1308, Ms MD11-248 | DE3304h | |
| 33-02-17-024 | B13081-B | Drop Me Off In Harlem | CBS 88082, Co 35837, Gp 040, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2033 | DE3304i | |
| 78rpm records show the last song as “Drop Me Off At Harlem”. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | circa 04 March 1933 | |||
| Paramount film recording session. Paramount's Eastern Service Studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick(, Harry Carney(as); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 33-03-04-001 | ¬ Sophisticated Lady | DE3305a | |||
| 33-03-04-002 | _| Creole Rhapsody | DE3305b | |||
| Film sound track from “Paramount Pictorial P3-1.” Sophisticated Lady is played by Ellington only. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 May 1933 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Johnny Hodges(ss,as); Otto Hardwick(as); Joe Garland(ts,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 33-05-09-001 | B13306-A | Happy As The Day Is Long - vIA | BMG 88697302362, Br 6571, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3306a | |
| Add Harry Carney(as,bar). | |||||
| 33-05-09-002 | B13307-A | Raisin' The Rent - vIA | Br 6571, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3306b | |
| 33-05-09-003 | B13308-A | Get Yourself A New Broom - vIA | BMG 88697302362, Br(E) 01527, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3306c | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 16 May 1933 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
| 33-05-16-001 | B13337-A | Bundle Of Blues | BMG 88697302362, Br 6607, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), MoJ MJCD 1302, Ms MD11-248 | DE3307a | |
| 33-05-16-002 | B13337-B | Bundle Of Blues | CBS 88082, Co 35836, Gp 040, LR X-EIO-5(S)(T)(O), Ms MD11-248, Nw RP2033 | DE3307b | |
| 33-05-16-003 | B13338-A | Sophisticated Lady | BMG 88697298542, BMG 88697302362, Br 6600, CBS 88082, Cl(F) 637, Gp 040, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3307c | |
| 33-05-16-004 | B13339-A | Stormy Weather | Br 6600, CBS 88082, Cl(F) 637, Gp 040, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3307d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Astoria, NY | 23 May 1933 | |||
| Paramount film recording session. Paramount's Eastern Service Studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as,bsx); Harry Carney(as,bar); Duke Ellington(p); Benny James(g); Wellman Braud(sb); Sonny Greer(d,ch,vib); Ivie Anderson(v). | |||||
| 33-05-23-001 | Lightnin' | Mx MLP-1001, Pr PRV 102 | DE3308a | ||
| 33-05-23-002 | Rockin' In Rhythm | Mx MLP-1001, Pr PRV 102 | DE3308b | ||
| 33-05-23-003 | Stormy Weather - vIA | Mx MLP-1001, Pr PRV 102 | DE3308c | ||
| 33-05-23-004 | Bugle Call Rag | Mx MLP-1001 | DE3308d | ||
| 33-05-23-005 | Lightnin' | Mx MLP-1001 | DE3308e | ||
| Film sound track from Paramount’s “A Bundle Of Blues.” | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | London, GB | 13 July 1933 | |||
| English Decca recording session. Chenil Galleries. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as,bsx); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 33-07-13-001 | GB6038-3 | Hyde Park | Cl(F) 637, De M-439, JU JUCD 2069(D) | DE3309a | |
| 33-07-13-002 | GB6039-1 | Harlem Speaks | De 800, JU JUCD 2069(D), Nw RP2033, Ra RTE 23001 | DE3309b | |
| 33-07-13-003 | GB6039-2 | Harlem Speaks | Cl(F) 637, De M-438, JU JUCD 2069(D), MoJ MJCD 1308 | DE3309c | |
| 33-07-13-004 | GB6040-1 | Ain't Misbehavin' | Cl(F) 637, De M-439, JU JUCD 2069(D) | DE3309d | |
| 33-07-13-005 | GB6041-1 | Chicago | De 800, JU JUCD 2069(D), Nw RP2033, Ra RTE 23001 | DE3309e | |
| 33-07-13-006 | GB6041-2 | Chicago | Cl(F) 637, De M-438, JU JUCD 2069(D) | DE3309f | |
| DUKE ELLINGTON | London, GB | 14 July 1933 | |||
| English Oriole recording session. Levy's Sound Studios. | |||||
| Duke Ellington(p,tk); Percy Mathison Brooks(tk). | |||||
| 33-07-14-001 | 538 | Souvenir of Duke Ellington's First Visit to England 1933 | BD T-1003, Nw RP2033 | DE3310a | |
| 33-07-14-002 | 539 | Souvenir of Duke Ellington's First Visit To England 1933 | BJ LP-3004, Cl(F) 637, Or un-numbered† | DE3310b | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 15 August 1933 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as,bsx); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 33-08-15-001 | B13800-A | I'm Satisfied - vIA | Br 6638, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3311a | |
| 33-08-15-002 | B13801-A | Jive Stomp | BMG 88697302362, Br 6638, CBS 88082, Cl(F) 637, LR X-EIO-5(S)(T)(O), MoJ MJCD 1312, Ms MD11-248 | DE3311b | |
| 33-08-15-003 | B13801-B | Jive Stomp | LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3311xa | |
| 33-08-15-004 | B13802-A | Harlem Speaks | BMG 88697302362, Br 6646, CBS 88137, Cl(F) 646, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3311c | |
| 33-08-15-005 | B13803-A | In The Shade Of The Old Apple Tree | Br 6646, CBS 88137, Cl(F) 646, LR X-EIO-5(S)(T)(O), Ms MD11-248 | DE3311d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 September 1933 | |||
| Victor recording session. Merchandise Mart. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as,bsx); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 33-09-26-001 | BS77025-1 | Rude Interlude - vLBa | Cl(F) 646, LR X-EIO-5(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741114, Vi 24431 | DE3312a | |
| 33-09-26-002 | BS77025-2 | Rude Interlude - vLBa | LR X-EIO-5(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) 741114 | DE3312b | |
| 33-09-26-003 | BS77026-1 | Dallas Doin's | LR X-EIO-5(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) 741114 | DE3312c | |
| 33-09-26-004 | BS77026-2 | Dallas Doin's | Cl(F) 646, LR X-EIO-5(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741114, Vi 24431 | DE3312d | |
| This session happened either in the early hours of the 26th (as listed here) or the 27th (see TDWAW) | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 05 December 1933 | |||
| Victor recording session. Merchandise Mart. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Louis Bacon(t,v); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 33-12-05-001 | BS77199-1 | Dear Old Southland - vLBa | Cl(F) 646, LR X-EIO-5(S)(T)(O), MoJ MJCD 1306, RCA 09026-63386-2(D), RCA(F) 741114, Vi 24501 | DE3313a | |
| 33-12-05-002 | BS77199-2 | Dear Old Southland - vLBa | LR X-EIO-5(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) 741114 | DE3313b | |
| 33-12-05-003 | BS77200-3 | Awful Sad | DE3313c | ||
| Same, but: Duke Ellington out; Fred Guy(bj); Sonny Greer(d,ch,wwh). | |||||
| 33-12-05-004 | BS77201-1 | Daybreak Express | BMG 88697302362, Cl(F) 646, LR X-EIO-5(S)(T)(O), MoJ MJCD 1303, RCA 09026-63386-2(D), RCA(F) 741114, Vi 24501 | DE3313d | |
| 33-12-05-005 | BS77201-2 | Daybreak Express | LR X-EIO-5(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) 741114 | DE3313e | |
| The recording session took place in the early hours of the 5th (it has sometimes been reported as the 4th but actually started after midnight). | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1934 | |||
| Victor recording session. Merchandise Mart. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton(tb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,marac). | |||||
| 34-01-09-001 | BS80144-1 | Delta Serenade | LR X-EIO-6(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) 741114 | DE3401a | |
| 34-01-09-002 | BS80144-2 | Delta Serenade | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741114, Vi 24755 | DE3401b | |
| 34-01-09-003 | BS80145-1 | Stompy Jones | Bb 82876-60091-2-1, Cl(F) 646, LR X-EIO-6(S)(T)(O), MoJ MJCD 1312, RCA 09026-63386-2(D), RCA(F) 741114, Vi 24521 | DE3401c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 10 January 1934 | |||
| Victor recording session. Merchandise Mart. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,vib). | |||||
| 34-01-10-001 | BS80149-1 | Solitude | Bb 82876-60091-2-1, Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) 741114, Vi 24755 | DE3402a | |
| 34-01-10-002 | BS80150-1 | Blue Feeling | Cl(F) 646, LR X-EIO-6(S)(T)(O), MoJ MJCD 1302, RCA 09026-63386-2(D), RCA(F) 741114, Vi 24521 | DE3402b | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 February 1934 | |||
| Paramount soundtrack recording session. Paramount Sound Stage 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Barbara Van Brunt(v). | |||||
| 34-02-26-001 | PBS79093-1/94-1 | Ebony Rhapsody | BMG 88697302362 | DE3403a | |
| 34-02-26-002 | PBS79105-1/06-1 | Ebony Rhapsody | BMG 88697302362 | DE3403b | |
| 34-02-26-003 | Ebony Rhapsody | DE3403c | |||
| 34-02-26-004 | Ebony Rhapsody - vBVB | Uni 61106092 | DE3403d | ||
| Film soundtrack from Paramount’s “Murder At The Vanities” DE3403d is the actual soundtrack, with vocal overdubbed on 16 Apr 1934. Only a fragment of DE3403c is known; it was included, along with other excerpts from the soundtrack, in an Electrical Transcription 12-inch promo disc, produced by RCA Victor for Paramount (mx PCS79193-1/ PCS79194-1). | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 05 March 1934 | |||
| Soundtrack of Paramount short "Hollywood on Parade Z3-10." | |||||
| prob. Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Otto Hardwick, Harry Carney(reeds); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 34-03-05-001 | Here Comes The Bride | ||||
| Ellington and his orchestra played the wedding march for Buck Clayton and his bride Gladys “Derb” Henderson who were marrying on the set. (Here Comes the Bride is actually Richard Wagner’s Bridal Chorus from Lohengrin Act III). The wedding was held outdoors on the Paramount lot, during a break in filming the episodic film “Hollywood on Parade Z3-10.” The marriage was a formality, so Derb could go with Buck Clayton’s band to China, where single women were denied admittance as an anti-prostitution measure. | |||||
| MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 15 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick, Harry Carney(cl,as); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb,sous); Sonny Greer(d); Mae West(v). | |||||
| 34-03-15-001 | When A St. Louis Woman - vMW | Ar ARLP 12031 | DE3404a | ||
| 34-03-15-002 | When A St. Louis Woman - vMW | MSd DFCDI-113 | DE3404b | ||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. The alternate take DE3404b was issued on two Electrical Transcription 33 1/3 rpm discs, Victor “Belle of the Nineties Transcription #1/#2” and World Broadcasting System “Hollywood Movie Parade Program No. 10.”: the Victor ET fades to applause after the fourth bar of the 3rd chorus; the World ET fades to applause after the first bar of the 4th chorus. The soundtrack version DE3405a is 5 choruses long. The Victor ET content has been reissued on MSd DFCDI-113 in 1991. | |||||
| MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 16 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, one other - prob. Harry Carney(cl); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Mae West(v). | |||||
| 34-03-16-001 | Memphis Blues - vMW | Ar ARLP 12031, ER 1004 | DE3405a | ||
| 34-03-16-002 | Memphis Blues - vMW | MSd DFCDI-113 | |||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. DE3405a was used in the soundtrack. A segment of the alternate take (no New DESOR id) was included on the 78 rpm Victor Electrical Transcription “Belle of the Nineties Transcription #1/#2”, that was reissued on MSd DFCDI-113 in 1991. | |||||
| GERTRUDE MICHAEL WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 18 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| prob. Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Otto Hardwick, Harry Carney(reeds); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Gertrude Michael(v). | |||||
| 34-03-18-001 | Ebony Rhapsody - vGMi | ||||
| Film soundtrack from Paramount’s “Belle Of The Nineties.” Paramount rejected. | |||||
| LARRY ADLER WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 13. | |||||
| Larry Adler(hca); probably Arthur Whetsel(t); probably Joe Nanton(tb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 34-03-21-001 | Sophisticated Lady | UtD 2009 | DE3406a | ||
| Film soundtrack from Paramount’s “Many Happy Returns”. | |||||
| MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 24 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Mae West(v). | |||||
| 34-03-24-001 | My Old Flame - vMW | Ar ARLP 12031, Cl(F) 646, Cs 7501, LR X-EIO-6(S)(T)(O), MoJ MJCD 1305, MSd DFCDI-113, RCA 9971-2-R, RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe | DE3407a | ||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. The complete pre-recording version (2 chorus sung by Mae West and a waltz-time coda) has been issued on the CD RCA 9971-2-R and on LR X-EIO-6. The commercial release on 78 rpm Cs 7501 didn’t have the waltz coda; it has been reissued on RCA FPM-1-7002, Cl 646, MoJ MJCD-1305. The version used in the film soundtrack was edited to better fit the action: Mae West vocal was shortened to 1 chorus and the original waltz-time coda was replaced with the ending recorded on May 8: it can be found in Ar ARLP-12031. MSd DFCDI-113 contains the edited version without waltz-time ending. | |||||
| MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 March 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Johnny Hodges(ss); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Mae West(v). | |||||
| 34-03-26-001 | Hesitation Blues | Ar ARLP 12031 | DE3408a | ||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 12 April 1934 | |||
| Victor recording session. Hollywood Studio. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
| 34-04-12-001 | PBS79155-2 | Ebony Rhapsody - vIA | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24622 | DE3409a | |
| 34-04-12-002 | PBS79156-1 | Cocktails For Two | LR X-EIO-6(S)(T)(O), Nw RP2033, RCA 09026-63386-2(D), RCA(F) FPM1 7002 IIe | DE3409b | |
| 34-04-12-003 | PBS79156-2 | Cocktails For Two | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24617 | DE3409c | |
| 34-04-12-004 | PBS79157-2 | Live And Love Tonight | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24617 | DE3409d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 17 April 1934 | |||
| Victor recording session. Hollywood Studio. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 34-04-17-001 | PBS79169-2 | I Met My Waterloo | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24622 | DE3410a | |
| MAE WEST WITH DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 07 or 08 May 1934 | |||
| Paramount film recording session. Paramount Sound Stage 8 (07 May) or Stage 1 (08 May). | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Harry Carney(cl); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Mae West(v). | |||||
| 34-05-07-001 | Troubled Waters - vMW | Ar ARLP 12031, MSd DFCDI-113 | DE3411a | ||
| 34-05-07-002 | Troubled Waters - vMW | DE3411b | |||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. Troubled Waters was recorded both on the 7th and on the 8th of May; the files don’t tell us on which date the take of Troubled Waters heard in “Belle of the Nineties” (DE3411a) was recorded. The alternate take DE3411b was issued on a 16-inch, 33 1/3 rpm World Broadcasting System electrical transcription, ‘Hollywood Movie Parade Program No. 10’ and never reissued. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 08 May 1934 | |||
| Paramount film recording session. Paramount Sound Stage 1. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Harry Carney(cl); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Mae West(v). | |||||
| 34-05-08-001 | When A St. Louis Woman | ||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Wellman Braud(sb); Sonny Greer(d). | |||||
| 34-05-08-002 | My Old Flame | Ar ARLP 12031* | DE3412a | ||
| As before | |||||
| 34-05-08-003 | I Met My Waterloo | ||||
| Film soundtrack from Paramount’s “Belle Of The Nineties”. In the soundtrack, DE3412a was used to replace the original waltz-time ending of My Old Flame recorded on 24 March. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 09 May 1934 | |||
| Victor recording session. Hollywood Studio. | |||||
| Arthur Whetsel, Cootie Williams(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 34-05-09-001 | PBS79211-1 | Troubled Waters - vIA | LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D) | DE3413a | |
| 34-05-09-002 | PBS79211-2 | Troubled Waters - vIA | Cl(F) 646, LR X-EIO-6(S)(T)(O), MoJ MJCD 1313, RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24651 | DE3413b | |
| 34-05-09-003 | PBS79212-2 | My Old Flame - vIA | Cl(F) 646, LR X-EIO-6(S)(T)(O), RCA 09026-63386-2(D), RCA(F) FPM1 7002 Ie, RCA(F) FPM1 7002 IIe, Vi 24651 | DE3413c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 13 September 1934 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(acl,as,bar); Duke Ellington(p,tk); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d). | |||||
| 34-09-13-001 | B15910-A | Solitude | BMG 88697302362, Br 6987, CBS 88137, Cl(F) 646, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3414a | |
| 34-09-13-002 | B15911-A | Saddest Tale -tkDE | BMG 88697302362, Br 7310, CBS 88137, Cl(F) 646, Co C3K 65841, LR X-EIO-6(S)(T)(O), MoJ MJCD 1303, Ms MD11-248 | DE3414b | |
| 34-09-13-003 | B15912-A | Moonglow | Br 6987, CBS 88137, Cl(F) 646, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3414c | |
| 34-09-13-004 | B15913-A | Sump'n 'Bout Rhythm | Br 7310, CBS 88137, Cl(F) 646, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3414d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 & 25 October 1934 | |||
| Paramount recording session for film "Symphony In Black: A Rhapsody of Negro Life" (Paramount Headliner A5-3). Biograph Studios. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Billie Holiday(v). | |||||
| SYMPHONY IN BLACK | |||||
| 34-10-24-001 | 1. The Laborers | Mx MLP-1001, Pv PRV 102, UA NUA07(D) | DE3415a | ||
| 34-10-24-002 | 2. A Triangle - vBH | MoJ MJCD 1305, Mx MLP-1001, Pv PRV 102, UA NUA07(D) | DE3415b | ||
| 34-10-24-003 | 3. A Hymn Of Sorrow | Mx MLP-1001, Pv PRV 102, UA NUA07(D) | DE3415c | ||
| 34-10-24-004 | 4. Harlem Rhythm | Mx MLP-1001, Pv PRV 102, UA NUA07(D) | DE3415d | ||
| Prerecording made probably on October 24, with filming on 24 and 25. A Triangle consists of three pieces: Dance (= Ducky Wucky), Jealousy and Big City Blues (= Saddest Tale). Also, Harlem Rhythm = Merry-Go-Round. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 January 1935 | |||
| Brunswick recording session. Brunswick studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as,bsx); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
| 35-01-09-001 | C883-2 | Admiration | CBS 88137, Cl(F) 646, FDC 1003, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3501a | |
| 35-01-09-002 | C884-2 | Farewell Blues | CBS 88137, Cl(F) 646, FDC 1003, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3501b | |
| Add Billy Taylor(bb). | |||||
| 35-01-09-003 | C885-3 | Let's Have A Jubilee - vIA | CBS 88137, Cl(F) 659, FDC 1003, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3501c | |
| Cootie Williams, Rex Stewart(t); Juan Tizol(vtb); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Wellman Braud(sb); Sonny Greer(d); Unk(marac). | |||||
| 35-01-09-004 | C886-2 | Moonlight Fiesta (Porto Rican Chaos) | LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3501d | |
| “Admiration” is not the same composition recorded on 20 March 1930. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 05 March 1935 | |||
| Brunswick recording session. ARC studios. | |||||
| Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Johnny Hodges(ss); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d). | |||||
| 35-03-05-001 | B16973-1 | Margie | Br 7526, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3502a | |
| Cootie Williams, Rex Stewart(t); Juan Tizol(vtb); Johnny Hodges(ss); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb); Sonny Greer(d); Unk(marac); Unk(clv). | |||||
| 35-03-05-002 | B16974-1 | Moonlight Fiesta (Porto Rican Chaos) | BMG 88697302362, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), MoJ MJCD 1304, Ms MD11-248, SE 5007-S | DE3502b | |
| 35-03-05-003 | B16974-2 | Moonlight Fiesta (Porto Rican Chaos) | CBS 88137, Cl(F) 659, FDC 1022, FMRS FM-4001/02†, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3502c | |
| DUKE ELLINGTON'S SEXTET | Same session | ||||
| Rex Stewart(t); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Wellman Braud, Billy Taylor(sb). | |||||
| 35-03-05-004 | B16975-1 | Tough Truckin' | CBS 88137, LR X-EIO-6(S)(T)(O), Ms MD7-235, Nw RP2033, Ra RTE 23001 | DE3502d | |
| 35-03-05-005 | B16975-2 | Tough Truckin' | CBS 88137, Cl(F) 659, Co 37297, Co C2K 46995, LR X-EIO-6(S)(T)(O), MJ MJCD 1140, Ms MD7-235 | DE3502e | |
| 35-03-05-006 | B16976-1 | Indigo Echo | BD T-1003, LR X-EIO-6(S)(T)(O), Ms MD7-235, Nw RP2033 | DE3502f | |
| 35-03-05-007 | B16976-2 | Indigo Echo | CBS 88137, Cl(F) 659, Co 37297, Co C2K 46995, LR X-EIO-6(S)(T)(O), Ms MD7-235 | DE3502g | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 April 1935 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 35-04-30-001 | B17406-1 | In A Sentimental Mood | BMG 88697298542, BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Co C3K 65841, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3503a | |
| 35-04-30-002 | B17407-1 | Showboat Shuffle | BMG 88697302362, Br 7461, CBS 88137, Cl(F) 659, Co C3K 65841, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3503b | |
| 35-04-30-003 | B17408-1 | Merry-Go-Round | BMG 88697302362, Br 7440, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3503c | |
| 35-04-30-004 | B17409-1 | Admiration | Br 7440, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3503d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 August 1935 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v) | |||||
| 35-08-19-001 | B17974-1 | Cotton - vIA | Br 7526, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3504a | |
| 35-08-19-002 | B17975-1 | Truckin' - vIA | Br 7514, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), MoJ MJCD 1304, Ms MD11-248 | DE3504b | |
| 35-08-19-003 | B17976-1 | Accent On Youth | Br 7514, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3504c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 12 September 1935 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
| 35-09-12-001 | B18072-1 | REMINISCING IN TEMPO - Part 1 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248, UA NUA07(D) | DE3505a | |
| 35-09-12-002 | B18073-1 | REMINISCING IN TEMPO - Part 2 | BMG 88697302362, Br 7546, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248, UA NUA07(D) | DE3505b | |
| 35-09-12-003 | B18074-2 | REMINISCING IN TEMPO - Part 3 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248, UA NUA07(D) | DE3505c | |
| 35-09-12-004 | B18075-1 | REMINISCING IN TEMPO - Part 4 | BMG 88697302362, Br 7547, CBS 88137, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248, UA NUA07(D) | DE3505d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 03 January 1936 | |||
| Brunswick recording session. Brunswick studios. | |||||
| prob. Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard, Johnny Hodges, Otto Hardwick, Harry Carney(reeds); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer (d). | |||||
| 36-01-03-001 | C1195-2 | Sweetest Gal Goin’ (Cootie Concerto) | DE3601a | ||
| 36-01-03-002 | C1196-2 | Jumpy | DE3601b | ||
| 36-01-03-003 | C1197-2 | King’s Lament (Barney’s Concerto) | DE3601c | ||
| 36-01-03-004 | C1198-2 | Farewell Blues | DE3601d | ||
| This entire session remains unissued and the masters no longer exist. Ledger shows 14 men, 3t; 3tb; 4s; p; g; b; d. The title “Jumpy” would be later assigned to Chatterbox. Jumpy recorded on this date may or may not be the same song as Chatterbox. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 20 January 1936 | |||
| Brunswick recording session. Brunswick studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson (v). | |||||
| 36-01-20-001 | C1199-1 | I Don't Know Why I Love You So | BMG 88697302362, CBS 88137, Cl(F) 659, Co 37296, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3602a | |
| 36-01-20-002 | C1199-2 | I Don't Know Why I Love You So | CBS 88137, LR X-EIO-6(S)(T)(O), Ms MD11-248, Nw RP2033, Ra RTE 23001 | DE3602b | |
| 36-01-20-003 | C1200-1 | Dinah Lou - vIA | CBS 88137, Cl(F) 659, FDC 1003, LR X-EIO-6(S)(T)(O), MoJ MJCD 1307, Ms MD11-248 | DE3602c | |
| 36-01-20-004 | C1200-3 | Dinah Lou - vIA | CBS 88137, LR X-EIO-6(S)(T)(O), Ms MD11-248, Nw RP2033, Ra RTE 23001 | DE3602d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 27 February 1936 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 36-02-27-001 | B18734-1 | Isn't Love The Strangest Thing - vIA | BMG 88697302362, Br 7625, CBS 88140, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3604a | |
| 36-02-27-002 | B18735-1 | (There Is) No Greater Love | Br 7625, CBS 88140, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3604b | |
| 36-02-27-003 | B18736-1 | Clarinet Lament | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3604c | |
| 36-02-27-004 | B18737-1 | Echoes Of Harlem | BMG 88697302362, Br 7650, CBS 88140, Cl(F) 659, LR X-EIO-6(S)(T)(O), MJ MJCD 1101, Ms MD11-248 | DE3604d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 February 1936 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Pete Clark(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson (v). | |||||
| 36-02-28-001 | B18738-1 | Love Is Like A Cigarette - vIA | Br 7627, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3605a | |
| 36-02-28-002 | B18739-2 | Kissin' My Baby Good-Night - vIA | Br 7627, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), MJ MJCD 1140, Ms MD11-248 | DE3605b | |
| 36-02-28-003 | B18740-1 | Oh Babe, Maybe Someday - vIA | Br 7667, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3605c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 09 May 1936 | |||
| WMAQ broadcast. Congress Hotel. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson (v). | |||||
| 36-05-09-001 | Stompy Jones | DE3606a | |||
| 36-05-09-002 | In A Sentimental Mood | DE3606b | |||
| 36-05-09-003 | My Old Flame - vIA | DE3606c | |||
| 36-05-09-004 | Cotton - vIA | DE3606d | |||
| 36-05-09-005 | Harlem Speaks | DE3606e | |||
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 26 May 1936 | |||
| WMAQ broadcast. Congress Hotel. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer (d,ch). | |||||
| 36-05-26-001 | East St. Louis Toodle-O (theme) | DE3607a | |||
| 36-05-26-002 | Stompy Jones | DE3607b | |||
| 36-05-26-003 | Clarinet Lament | DE3607c | |||
| 36-05-26-004 | Showboat Shuffle | DE3607d | |||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 July 1936 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(bb,sb); Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson (v). | |||||
| 36-07-17-001 | B19562-2 | Shoe Shine Boy - vIA | Br 7710, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3608a | |
| 36-07-17-002 | B19563-1 | It Was A Sad Night In Harlem - vIA | Br 7710, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), MoJ MJCD 1308, Ms MD11-248 | DE3608b | |
| 36-07-17-003 | B19564-1 | Trumpet In Spades | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3608c | |
| 36-07-17-004 | B19565-2 | Yearning For Love | BMG 88697302362, Br 7752, CBS 88140, Cl(F) 666, LR X-EIO-6(S)(T)(O), Ms MD11-248 | DE3608d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 July 1936 | |||
| Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Ben Webster(ts); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer (d). | |||||
| 36-07-29-001 | B19626-1 | In A Jam | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, Co C3K 65841, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248 | DE3609a | |
| 36-07-29-002 | B19627-1 | Exposition Swing | BMG 88697302362, CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Vo(E) S.50 | DE3609b | |
| 36-07-29-003 | B19627-2 | Exposition Swing | CBS 88140, Co CL 2364, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248 | DE3609c | |
| 36-07-29-004 | B19628-1 | Uptown Downbeat | BMG 88697302362, Br 7734, CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2033 | DE3609d | |
| REX STEWART AND HIS 52nd STREET STOMPERS | Los Angeles, CA | 16 December 1936 | |||
| Master recording session. Recordings Incorporated, Hollywood. | |||||
| Rex Stewart(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(cl,bar); Ceelle Burke(g,stg); Billy Taylor(sb); Sonny Greer(d). | |||||
| 36-12-16-001 | B4369-A | Rexatious | CBS 88140, Cl(F) 666, Co C2K 46995, Ms MD7-235, Va 517 | DE3610a | |
| 36-12-16-002 | B4369-B | Rexatious | Ms MD7-235, R/V 1001-CD(D) | DE3610b | |
| 36-12-16-003 | B4370-A | Lazy Man's Shuffle | CBS 88140, CBS(E) Realm M 52628, Ms MD7-235, Nw RP2039 | DE3610c | |
| 36-12-16-004 | B4370-B | Lazy Man's Shuffle | CBS 88140, Cl(F) 666, Co C2K 46995, Ms MD7-235, Va 517 | DE3610d | |
| BARNEY BIGARD AND HIS JAZZOPATERS | Los Angeles, CA | 19 December 1936 | |||
| Master recording session. Associated Cinema studios, Hollywood. | |||||
| Cootie Williams(t); Juan Tizol(vtb); Barney Bigard(cl); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 36-12-19-001 | L0371-1 | Clouds In My Heart | LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611a | |
| 36-12-19-002 | L0371-2 | Clouds In My Heart | CBS 88140, Cl(F) 666, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 525 | DE3611b | |
| Add Harry Carney(bar). | |||||
| 36-12-19-003 | L0372-1 | Frolic Sam | LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2004(D) | DE3611c | |
| 36-12-19-004 | L0372-2 | Frolic Sam | CBS 88140, Cl(F) 666, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 525 | DE3611d | |
| 36-12-19-005 | L0373-1 | Caravan | CBS 88140, Cl(F) 666, Co C2K 46995, Co C3K 65841, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 515 | DE3611e | |
| 36-12-19-006 | L0373-2 | Caravan | CBS 88140, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, Va 515 | DE3611f | |
| Juan Tizol out. | |||||
| 36-12-19-007 | L0374-1 | Stompy Jones | CBS 88140, Cl(F) 666, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 515 | DE3611g | |
| 36-12-19-008 | L0374-2 | Stompy Jones | CBS 88140, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, Va 515 | DE3611h | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 21 December 1936 | |||
| Master recording session. Associated Cinema studios, Hollywood. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
| 36-12-21-001 | L0375-1 | Scattin' At The Kit Kat (Scattin' At The Cotton Club) | BMG 88697302362, CBS 88140, Cl(F) 666, FDC 1022, FMRS FM-4001/02†, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248 | DE3612a | |
| 36-12-21-002 | L0376-1 | Black Butterfly | BMG 88697302362, Br m8044, CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248 | DE3612b | |
| 36-12-21-003 | L0376-2 | Black Butterfly | LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248 | DE3612xa | |
| DUKE ELLINGTON | Los Angeles, CA | Same session | |||
| Duke Ellington(p). | |||||
| 36-12-21-004 | ¯| | ¯| Mood Indigo | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 102, MoJ MJCD 1309, Ms MD7-235, Ra RTE 23001 | DE3612c | |
| 36-12-21-005 | | L0377-1 | - | Solitude | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 102, MoJ MJCD 1309, Ms MD7-235, Ra RTE 23001 | DE3612d | |
| 36-12-21-006 | _| | _| Mood Indigo | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 102, MoJ MJCD 1309, Ms MD7-235, Ra RTE 23001 | DE3612e | |
| 36-12-21-007 | ¯| L0378-1 | ¯| In A Sentimental Mood | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 102, MoJ MJCD 1309, Ms MD7-235, Ra RTE 23001 | DE3612f | |
| 36-12-21-008 | _| | _| Sophisticated Lady | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 102, MoJ MJCD 1309, Ms MD7-235, Ra RTE 23001 | DE3612g | |
| DUKE ELLINGTON AND HIS BAND WITH IVIE ANDERSON | Los Angeles, CA | 18-25 February 1937 | |||
| Republic film recording session. Republic studios, North Hollywood. | |||||
| Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(as); Harry Carney(cl,as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb,v); Sonny Greer(d); Sammy White, Ivie Anderson(v). | |||||
| 37-02-22-001 | I've Got To Be A Rug Cutter - vIA,RS,HC,HA | TOM 10 | DE3701a | ||
| 37-02-22-002 | It Don't Mean A Thing - vIA | DE3701b | |||
| 37-02-22-003 | Along Came Pete - vSWh | DE3701c | |||
| 37-02-22-004 | Sophisticated Lady | DE3701d | |||
| 37-02-22-005 | Love Is Good For Anything That Ails You | DE3701e | |||
| Film sound track from Republic Pictures’ “The Hit Parade”. On “I’ve Got To Be a Rug Cutter,” whistle is by unknown; foot stomping is by multiple members of the band. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 05 March 1937 | |||
| Master recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(as,bsx); Harry Carney(cl,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d). | |||||
| 37-03-05-001 | M177-1 | Birmingham Breakdown | BMG 88697302362, CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 123, Ms MD11-248 | DE3702a | |
| 37-03-05-002 | M177-2 | Birmingham Breakdown | CBS 88140, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23001 | DE3702b | |
| 37-03-05-003 | M178-1 | Scattin' At The Kit Kat | CBS 88140, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 123, MoJ MJCD 1308, Ms MD11-248 | DE3702c | |
| 37-03-05-004 | M178-2 | Scattin' At The Kit Kat | CBS 88140, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23001 | DE3702d | |
| 37-03-05-005 | M179-1 | I've Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 101, MoJ MJCD 1313, Ms MD11-248 | DE3702e | |
| 37-03-05-006 | M179-2 | I've Got To Be A Rug Cutter - vIA,RS,HC,HA | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23001 | DE3702f | |
| 37-03-05-007 | M180-1 | East St. Louis Toodle-O | BMG 88697302362, CBS 88185, Cl(F) 666, LR X-EIO-7(S)(T)(YT)(O), Ma 101, MoJ MJCD 1306, Ms MD11-248 | DE3702g | |
| 37-03-05-008 | M180-2 | East St. Louis Toodle-O | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23001 | DE3702h | |
| Label of Master 101 as “The New East. St. Louis Toodle-O”; label of Master 123 as “The New Birmingham Breakdown.” Foot stomping on “I’ve Got To Be a Rug Cutter,” is by multiple members of the band. | |||||
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 08 March 1937 | |||
| Master recording session. Master Records studio. | |||||
| Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Hayes Alvis(sb); Sonny Greer(d). | |||||
| 37-03-08-001 | M185-1 | I Can't Believe That You're In Love With Me | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 555 | DE3703a | |
| 37-03-08-002 | M185-2 | I Can't Believe That You're In Love With Me | LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703b | |
| 37-03-08-003 | M186-1 | Downtown Uproar | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Tx m-8011, Va 527 | DE3703c | |
| 37-03-08-004 | M186-2 | Downtown Uproar | LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D), UtD 2002 | DE3703d | |
| 37-03-08-005 | M187-1 | Diga Diga Doo | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 555 | DE3703e | |
| 37-03-08-006 | M187-2 | Diga Diga Doo | CBS 88185, Ms MD7-235, Nw RP2039 | DE3703f | |
| 37-03-08-007 | M188-1 | Blue Reverie | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039 | DE3703g | |
| 37-03-08-008 | M188-2 | Blue Reverie | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 527 | DE3703h | |
| 37-03-08-009 | M189-1 | Tiger Rag | CBS 88185, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, Tx m-8011 | DE3703i | |
| 37-03-08-010 | M189-2 | Tiger Rag | CBS 88185, Cl(F) 675, FDC 1022, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235 | DE3703j | |
| On both takes of Downtown Uproar, Jerry Rhea shouted ‘Yeah, play.’ | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 18 March 1937 | |||
| MBS broadcast from the Cotton Club. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 37-03-18-001 | East St. Louis Toodle-O (theme) | DE3704a | |||
| 37-03-18-002 | Harlem Speaks | CC 16(D) | DE3704b | ||
| 37-03-18-003 | Caravan | CC 16(D) | DE3704c | ||
| 37-03-18-004 | One, Two Button Your Shoe - vIA | CC 16(D) | DE3704d | ||
| 37-03-18-005 | Pennies From Heaven - vIA | BJ LP-3004 | DE3704e | ||
| 37-03-18-006 | Mexicali Rose - vIA | BJ LP-3004, LR X-EIO-7(S)(T)(YT)(O) | DE3704f | ||
| 37-03-18-007 | Sophisticated Lady | CC 16(D) | DE3704g | ||
| 37-03-18-008 | Rockin' In Rhythm | CC 16(D) | DE3704h | ||
| 37-03-18-009 | East St. Louis Toodle-O (theme) | CC 16(D) | DE3704i | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Spring 1937 | |||
| MBS broadcast from the Cotton Club. | |||||
| Arthur Whetsel, Cootie Williams(t); Rex Stewart(t,v); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d); Ivie Anderson(v). | |||||
| 37-03-31-001 | Swing Low | ||||
| 37-03-31-002 | I've Got To Be A Rug Cutter -vIA,RS,HC,HA | ||||
| 37-03-31-003 | Azure | ||||
| 37-03-31-004 | Ducky Wucky | ||||
| These four selections are preserved in a collector’s item, an aluminium aircheck disc, containing only a part of the first and fourth titles. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 April 1937 | |||
| Master recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 37-04-09-001 | M379-1 | There's A Lull In My Life - vIA | CBS 88185, Cl(F) 675, LR X-EIO-7(S)(T)(YT)(O), Ma 117, Ms MD11-248, Ra RTE 23002 | DE3705a | |
| 37-04-09-002 | M379-2 | There's A Lull In My Life - vIA | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23002 | DE3705b | |
| 37-04-09-003 | M380-1 | It's Swell Of You - vIA | CBS 88185, Cl(F) 675, LR X-EIO-7(S)(T)(YT)(O), Ma 117, Ms MD11-248, Ra RTE 23002 | DE3705c | |
| 37-04-09-004 | M380-2 | It's Swell Of You - vIA | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23002 | DE3705d | |
| 37-04-09-005 | M381-1 | You Can't Run Away From Love Tonight | CBS 88185, Cl(F) 675, LR X-EIO-7(S)(T)(YT)(O), Ma 124, Ms MD11-248, Ra RTE 23002 | DE3705e | |
| 37-04-09-006 | M381-2 | You Can't Run Away From Love Tonight | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23002 | DE3705f | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 April 1937 | |||
| Master recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 37-04-22-001 | M416-1 | Azure | CBS 88185, Cl(F) 675, FDC 1022, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, TOM 10 | DE3706a | |
| 37-04-22-002 | M416-2 | Azure | CBS 88185, FDC 1022, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039 | DE3706b | |
| 37-04-22-003 | M417-1 | The Lady Who Couldn't Be Kissed | CBS 88185, Cl(F) 675, LR X-EIO-7(S)(T)(YT)(O), Ma 124, Ms MD11-248, Ra RTE 23002 | DE3706c | |
| 37-04-22-004 | M418-1 | Old Plantation - vIA | CBS 88185, Cl(F) 675, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Ra RTE 23002, Va 591 | DE3706d | |
| 37-04-22-005 | M418-2 | Old Plantation - vIA | CBS 88185, LR X-EIO-7(S)(T)(YT)(O), Ms MD11-248, Nw RP2039, Ra RTE 23002 | DE3706e | |
| “Old Plantation” issued as Ivie Anderson and her Boys from Dixie on Va 591. | |||||
| BARNEY BIGARD AND HIS JAZZOPATERS | New York City, NY | 29 April 1937 | |||
| Master recording session. Master Records studio. | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 37-04-29-001 | M433-1 | Lament For A Lost Love [Solace] | BD T-1003, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707a | |
| 37-04-29-002 | M433-2 | Lament For A Lost Love [Solace] | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 564 | DE3707b | |
| 37-04-29-003 | M434-1 | Four And One-Half Street | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 564 | DE3707c | |
| 37-04-29-004 | M434-2 | Four And One-Half Street | BD T-1003, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707d | |
| 37-04-29-005 | M435-1 | Demi-Tasse | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 555 | DE3707e | |
| 37-04-29-006 | M435-2 | Demi-Tasse | BD T-1003, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707f | |
| 37-04-29-007 | M436-1 | Jazz A La Carte | BD T-1003, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Nw RP2039, R/V 1001-CD(D) | DE3707g | |
| 37-04-29-008 | M436-2 | Jazz A La Carte | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-7(S)(T)(YT)(O), Ms MD7-235, Va 555 | DE3707h | |
| DUKE ELLINGTON | New York City, NY | 08 May 1937 | |||
| CBS broadcast "Saturday Night Swing Club" from Club Playhouse. | |||||
| Duke Ellington(p). | |||||
| 37-05-08-001 | Swing Session | Ff LP-17-117, JA 40, Sv 103 8415 | DE3708a | ||
| 37-05-08-002 | ¬ Solitude | Ff LP-17-117, Sv 103 8415 | DE3708b | ||
| 37-05-08-003 | _| In A Sentimental Mood | Ff LP-17-117, Sv 103 8415 | DE3708c | ||
| “Swing Session” is a medley of “Soda Fountain Rag” and “Sponge Cake and Spinach”. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 14 May 1937 | |||
| Master recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor or Hayes Alvis(sb); Sonny Greer(d). | |||||
| 37-05-14-001 | M470-2 | Caravan | BMG 88697298542, BMG 88697302362, CBS 88185, Cl(F) 675, LR X-EIO-8(S)(T)(YT), Ma 131, Ms MD11-248 | DE3709a | |
| 37-05-14-002 | M471-1 | Azure | BMG 88697302362, CBS 88185, Cl(F) 675, LR X-EIO-8(S)(T)(YT), Ma 131, Ms MD11-248 | DE3709b | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 May 1937 | |||
| Recording session for ARC's dime store labels (later transferred to Variety). ARC studios. | |||||
| Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Hayes Alvis(sb); Sonny Greer(d); Buddy Clark, band(v). | |||||
| 37-05-20-001 | 21186-1 | Foolin' Myself - vBCk | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 576 | DE3710a | |
| 37-05-20-002 | 21186-2 | Foolin' Myself - vBCk | CBS 88185, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2039, Ra RTE 23005 | DE3710b | |
| 37-05-20-003 | 21187-1 | A Sailboat In The Moonlight - vBCk | CBS 88185, Cl(F) 675, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 586 | DE3710c | |
| 37-05-20-004 | 21187-2 | A Sailboat In The Moonlight - vBCk | LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2039, R/V 1001-CD(D), Ra RTE 23005 | DE3710d | |
| Otto Hardwick out. | |||||
| 37-05-20-005 | 21188-1 | You'll Never Go To Heaven - vBCk | LR X-EIO-8(S)(T)(YT), Ms MD7-235 | DE3710xa | |
| Duke Ellington(p) out. | |||||
| 37-05-20-006 | 21188-2 | You'll Never Go To Heaven - vBCk | CBS 88210, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 576 | DE3710e | |
| Add Duke Ellington(p). | |||||
| 37-05-20-007 | 21189-1 | Peckin' - vCW,band | CBS 88210, Cl(F) 687, Co C2K 46995, FDC 1022, LR X-EIO-8(S)(T)(YT), Ms MD7-235, TOM 10 | DE3710f | |
| 37-05-20-008 | 21189-2 | Peckin' - vCW,band | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042, Ra RTE 23005 | DE3710g | |
| 37-05-20-009 | 21189-3 | Peckin' - vCW,band | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042, Ra RTE 23005 | DE3710h | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 08 June 1937 | |||
| Master recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson, band(v). | |||||
| 37-06-08-001 | M519-1 | All God's Chillun Got Rhythm | CBS 88210, LR X-EIO-8(S)(T)(YT), Ma 137, Ms MD11-248 | DE3711a | |
| 37-06-08-002 | M519-2 | All God's Chillun Got Rhythm | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Nw RP2042, Ra RTE 23002 | DE3711b | |
| 37-06-08-003 | M520-1 | All God's Chillun Got Rhythm - vIA,band | CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Ra RTE 23002, Va 591 | DE3711c | |
| 37-06-08-004 | M520-2 | All God's Chillun Got Rhythm - vIA,band | CBS 88210, Co CL 2365, LR X-EIO-8(S)(T)(YT), Ms MD11-248 | DE3711d | |
| 37-06-08-005 | M521-1 | Alabamy Home - vIA | CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ma 137, Ms MD11-248 | DE3711e | |
| 37-06-08-006 | M521-2 | Alabamy Home - vIA | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Nw RP2042, Ra RTE 23002 | DE3711f | |
| “All God’s Chillun Got Rhythm” issued as Ivie Anderson and her Boys from Dixie on Va 591. | |||||
| DUKE ELLINGTON'S JAM ENSEMBLE | New York City, NY | 12 June 1937 | |||
| CBS broadcast "Saturday Night Swing Club" from CBS Playhouse #1. | |||||
| Cootie Williams(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Lou Shoobe(sb); Johnny Williams(d). | |||||
| 37-06-12-001 | Frolic Sam | JU JUCD 2056/57, So LP-1013 | DE3712a | ||
| BARNEY BIGARD AND HIS JAZZOPATERS | New York City, NY | 16 June 1937 | |||
| Master recording session. Master Records studio. | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Sue Mitchell(v). | |||||
| 37-06-16-001 | M525-1 | Get It Southern Style - vSMi | CBS 88210, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 596 | DE3713a | |
| 37-06-16-002 | M525-2 | Get It Southern Style - vSMi | BD T-1003, LR X-EIO-8(S)(T)(YT), Nw RP2042, R/V 1001-CD(D) | DE3713b | |
| Add Charlie Barnet(mc). | |||||
| 37-06-16-003 | M526-1 | Moonlight Fiesta [Porto Rican Chaos] | CBS 88137, CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2033, Nw RP2042 | DE3713c | |
| 37-06-16-004 | M526-2 | Moonlight Fiesta [Porto Rican Chaos] | CBS 88210, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 626 | DE3713d | |
| Charlie Barnet out. | |||||
| 37-06-16-005 | M527-1 | Sponge Cake And Spinach | CBS 88210, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 626 | DE3713e | |
| 37-06-16-006 | M527-2 | Sponge Cake And Spinach | BD T-1003, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713f | |
| 37-06-16-007 | M528-1 | If You're Ever In My Arms Again - vSMi | CBS 88210, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 596 | DE3713g | |
| 37-06-16-008 | M528-2 | If You're Ever In My Arms Again - vSMi | BD T-1003, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042, R/V 1001-CD(D) | DE3713h | |
| M526-1 is misidentified as B16974-2 on CBS 88137. | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | Late June 1937 | |||
| Paramount film recording session. Master Records studio. | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 37-06-30-001 | Oh Babe Maybe Someday | Bb 82876-60091-2-2 | DE3714a | ||
| Duke Ellington(p) out. | |||||
| 37-06-30-002 | Daybreak Express | Bb 82876-60091-2-2 | DE3714b | ||
| 37-06-30-003 | Daybreak Express | Bb 82876-60091-2-2 | DE3714c | ||
| 37-06-30-004 | Daybreak Express | Bb 82876-60091-2-2 | DE3714d | ||
| Add Duke Ellington(p). | |||||
| 37-06-30-005 | Oh Babe Maybe Someday | Bb 82876-60091-2-2 | DE3714e | ||
| 37-06-30-006 | Oh Babe Maybe Someday - vIA | Bb 82876-60091-2-2 | DE3714f | ||
| Film sound track from Paramount’s “Paramount Pictorial P7-2.” The whole film was issued on Bluebird DVD 82876-60091-2-2. | |||||
| REX STEWART AND HIS 52ND STREET STOMPERS | New York City, NY | 07 July 1937 | |||
| Variety recording session at Master Records studios. | |||||
| Rex Stewart, Freddie Jenkins(t); Johnny Hodges(cl,as); Harry Carney(bar); Duke Ellington(p); Brick Fleagle(g); Hayes Alvis(sb); Jack Maisel(d). | |||||
| 37-07-07-001 | M549-1 | The Back Room Romp (A Contrapuntal Stomp) | CBS 88210, CBS(E) Realm M 52628, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 618 | DE3715a | |
| 37-07-07-002 | M549-2 | The Back Room Romp (A Contrapuntal Stomp) | CBS 88210, CBS(E) Realm M 52628, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042 | DE3715b | |
| Freddie Jenkins out. | |||||
| 37-07-07-003 | M550-1 | Swing Baby Swing [Love In My Heart] | CBS 88210, CBS(E) Realm M 52628, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), MoJ MJCD 1309, Ms MD7-235, Va 664, Vo v3844 | DE3715c | |
| 37-07-07-004 | M550-2 | Swing Baby Swing [Love In My Heart] | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042 | DE3715d | |
| 37-07-07-005 | M551-1 | Sugar Hill Shim Sham | CBS 88210, CBS(E) Realm M 52628, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), MoJ MJCD 1308, Ms MD7-235, Va 664 | DE3715e | |
| 37-07-07-006 | M551-2 | Sugar Hill Shim Sham | CBS 88210, CBS(E) Realm M 52628, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042 | DE3715f | |
| 37-07-07-007 | M552-1 | Tea And Trumpets | CBS 88210, CBS(E) Realm M 52628, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Va 618 | DE3715g | |
| 37-07-07-008 | M552-2 | Tea And Trumpets | LR X-EIO-8(S)(T)(YT), Ms MD7-235, R/V 1001-CD(D) | DE3715h | |
| 37-07-07-009 | M552-3 | Tea And Trumpets | BD T-1003, CBS 88210, CBS(E) Realm M 52628, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Nw RP2042 | DE3715i | |
| M550-1 was released on Variety VA 664 and early pressings of Vocalion v3844 as SWING BABY SWING. On 01 January 1938, a title change to LOVE IN MY HEART was ordered for subsequent pressings of Vocalion v3844. The song wasn’t copyrighted under either title. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 20 September 1937 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 37-09-20-001 | M646-1 | Chatter-Box | BMG 88697302362, Br m8029, CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), MoJ MJCD 1312, Ms MD11-248 | DE3716a | |
| 37-09-20-002 | M647-2 | Jubilesta [Emperor Jones] | CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Ra RTE 23002, SE 5007-S | DE3716b | |
| 37-09-20-003 | M648-1 | Diminuendo In Blue | BMG 88697298542, BMG 88697302362, Br m8004, CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ms MD11-248, UA NUA07(D) | DE3716c | |
| 37-09-20-004 | M648-2 | Diminuendo In Blue | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Nw RP2042, Ra RTE 23002 | DE3716d | |
| 37-09-20-005 | M649-1 | Crescendo In Blue | BMG 88697298542, BMG 88697302362, Br m8004, CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ms MD11-248, UA NUA07(D) | DE3716e | |
| 37-09-20-006 | M649-2 | Crescendo In Blue | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Nw RP2042, Ra RTE 23002 | DE3716f | |
| 37-09-20-007 | M650- | Harmony In Harlem | CBS 88210, LR X-EIO-8(S)(T)(YT), Ms MD11-248, Nw RP2042, Ra RTE 23002 | DE3716g | |
| 37-09-20-008 | M650-1 | Harmony In Harlem | LR X-EIO-8(S)(T)(YT), Ms MD11-248 | DE3716xa | |
| 37-09-20-009 | M650-2 | Harmony In Harlem | BMG 88697302362, Br m8044, CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), MoJ MJCD 1308, Ms MD11-248 | DE3716h | |
| 37-09-20-010 | M651-1 | Dusk On The Desert | LR X-EIO-8(S)(T)(YT), Ms MD11-248 | DE3716xb | |
| 37-09-20-011 | M651-2 | Dusk On The Desert | BMG 88697302362, Br m8029, CBS 88210, Cl(F) 687, LR X-EIO-8(S)(T)(YT), Ms MD11-248 | DE3716i | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 26 October 1937 | |||
| ARC-Brunswick recording session. | |||||
| Cootie Williams(t); Juan Tizol(vtb); Barney Bigard(cl,ts); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jerry Kruger(v). | |||||
| 37-10-26-001 | M699-2 | Jubilesta | CBS 88220, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Tx m-8011, Vo v3922 | DE3717a | |
| 37-10-26-002 | M670-1 | Watchin' - vJK | CBS 88220, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Vo v3890 | DE3717b | |
| Duke Ellington(p) out. | |||||
| 37-10-26-003 | M671-1 | Pigeons And Peppers | CBS 88220, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Vo v3922 | DE3717c | |
| Add Duke Ellington(p). | |||||
| 37-10-26-004 | M672-1 | I Can't Give You Anything But Love | CBS 88220, Cl(F) 687, Co C2K 46995, LR X-EIO-8(S)(T)(YT), Ms MD7-235, Tx m-8011, Vo v3890 | DE3717d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 13 January 1938 | |||
| ARC-Brunswick recording session. ARC studios | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
| 38-01-13-001 | M713-1 | Steppin' Into Swing Society | BMG 88697302362, Br m8063, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3801a | |
| 38-01-13-002 | M714-1 | Prologue To Black And Tan Fantasy | BMG 88697302362, Br m8256, CBS 88220, Cl(F) 700, MoJ MJCD 1306, Ms MD11-248 | DE3801b | |
| 38-01-13-003 | M715-1 | The New Black And Tan Fantasy | BMG 88697302362, Br m8063, CBS 88220, Cl(F) 700, MoJ MJCD 1306, Ms MD11-248 | DE3801c | |
| Prologue To Black And Tan Fantasy and Black And Tan Fantasy are shown as Black And Tan Fantasy Part 1 and Part 2 on New DESOR. | |||||
| BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 19 January 1938 | |||
| ARC-Brunswick recording session. | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl);Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-01-19-001 | M724-1 | Drummer's Delight | CBS 88220, Cl(F) 700, Co C2K 46995, Ms MD7-235, Vo v3985 | DE3802a | |
| 38-01-19-002 | M725-1 | If I Thought You Cared | CBS 88220, Cl(F) 700, Co C2K 46995, Ms MD7-235, Vo v3985 | DE3802b | |
| 38-01-19-003 | M725-2 | If I Thought You Cared | BD T-1003, Ms MD7-235, R/V 1001-CD(D) | DE3802c | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
| Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-01-19-004 | M726-1 | Lost In Meditation (Have A Heart) | CBS 88220, Ms MD7-235, Nw RP2042 | DE3802d | |
| 38-01-19-005 | M726-2 | Lost In Meditation (Have A Heart) | CBS 88220, Cl(F) 700, Co C2K 46995, Ep LN 3237, Ms MD7-235, Vo v3960 | DE3802e | |
| JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v). | |||||
| 38-01-19-006 | M727-2 | My Day - vMMH | CBS 88220, Cl(F) 700, Co C2K 46995, Ms MD7-235, Vo v3948 | DE3802f | |
| 38-01-19-007 | M728-1 | Silvery Moon And Golden Sands - vMMH | CBS 88220, Cl(F) 700, Co C2K 46995, Ms MD7-235, Vo v3948 | DE3802g | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | Same session | ||||
| Cootie Williams(t); Joe Nanton(tb); Barney Bigard(ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(ty); Unk(vib). | |||||
| 38-01-19-008 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xa | |
| 38-01-19-009 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xb | |
| 38-01-19-010 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xc | |
| 38-01-19-011 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xd | |
| 38-01-19-012 | M729- | Echoes Of Harlem | Ms MD7-235 | DE3802xe | |
| Joe Nanton(tb) and Unk(vib) out. Add Fred Guy(g). | |||||
| 38-01-19-013 | M729-1 | Echoes Of Harlem | CBS 88220, Ms MD7-235, Nw RP2042 | DE3802h | |
| 38-01-19-014 | M729-2 | Echoes Of Harlem | CBS 88220, Cl(F) 700, Co C2K 46995, Ms MD7-235, Vo v3960 | DE3802i | |
| NB. 38-01-19-008 through -012 are rehearsals complete with studio chatter | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 February 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d). | |||||
| 38-02-02-001 | M751-1 | Riding On A Blue Note | BMG 88697302362, Br m8083, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3803a | |
| 38-02-02-002 | M751-2 | Riding On A Blue Note | CBS 88220, MJ MJCD 1101, Ms MD11-248, Nw RP2042, Ra RTE 23003 | DE3803b | |
| 38-02-02-003 | M752-1 | Lost In Meditation | BMG 88697302362, Br m8083, CBS 88220, Cl(F) 700, JP LP 14, MoJ MJCD 1301, Ms MD11-248, Ra RTE 23003 | DE3803c | |
| 38-02-02-004 | M753-1 | The Gal From Joe's | BMG 88697302362, Br m8108, CBS 88220, Cl(F) 700, Co C3K 65841, MoJ MJCD 1307, Ms MD11-248 | DE3803d | |
| 38-02-02-005 | M753-2 | The Gal From Joe's | CBS 88220, Co CL 2048, Ms MD11-248, Nw RP2042 | DE3803e | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 February 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Freddie Jenkins(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-02-24-001 | M770-1 | If You Were In My Place - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE 23003 | DE3804a | |
| 38-02-24-002 | M770-2 | If You Were In My Place - vIA | Br m8093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804b | |
| 38-02-24-003 | M771-1 | Skrontch - vIA | CBS 88220, Ms MD11-248, Nw RP2042, Ra RTE 23003 | DE3804c | |
| 38-02-24-004 | M771-2 | Skrontch - vIA | BMG 88697302362, Br m8093, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3804d | |
| The first title was copyrighted and published as “If You Were In My Place (What Would You Do?).” | |||||
| DUKE ELLINGTON | Same session | ||||
| Duke Ellington(p,v). | |||||
| 38-02-24-005 | I've Got To Be A Rug Cutter - vDE | JP LP 14, MoJ MJCD 1313 | DE3804e | ||
| Cootie Williams(tb); Duke Ellington(p). | |||||
| 38-02-24-006 | Blues In B Flat | DE3804f | |||
| The date of this recording is uncertain; for details, see TDWAW. Leonard Feather’s acetate might have been cut during another of his trips to the U.S. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 03 March 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart, Freddie Jenkins(t); Lawrence Brown, Joe Nanton, Herb Flemming(tb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor, Hayes Alvis(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-03-03-001 | M772-1 | I Let A Song Go Out Of My Heart | BMG 88697298542, CBS 88220, Co C3K 65841, Co(Au) DO-2137, MoJ MJCD 1303, Ms MD11-248, Nw RP2042 | DE3805a | |
| 38-03-03-002 | M772-2 | I Let A Song Go Out Of My Heart | BMG 88697302362, Br m8108, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805b | |
| Duke Ellington(p) out. | |||||
| 38-03-03-003 | M773-1 | Braggin' In Brass | BMG 88697302362, Br m8099, CBS 88220, Cl(F) 700, MJ MJCD 1140, Ms MD11-248 | DE3805c | |
| 38-03-03-004 | M773-2 | Braggin' In Brass | CBS 88220, Co C3K 65841, MoJ MJCD 1303, Ms MD11-248, Nw RP2042, Par(E) D.P. 266, Ra RTE 23003 | DE3805d | |
| Add Duke Ellington(p). | |||||
| 38-03-03-005 | M774-1 | Carnival In Caroline - vIA | BMG 88697302362, Br m8099, CBS 88220, Cl(F) 700, Ms MD11-248 | DE3805e | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 24 March 1938 | |||
| CBS broadcast, Cotton Club. | |||||
| Wallace Jones, Rex Stewart, Freddie Jenkins(t); Cootie Williams(t,v); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar,v); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Hayes Alvis(sb,v); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-03-24-001 | Harmony In Harlem | BFR BCD-16340, JA 13, Sv 103 8415 | DE3806a | ||
| 38-03-24-002 | If You Were In My Place | BFR BCD-16340, JA 12, Sv 103 8415 | DE3806b | ||
| 38-03-24-003 | Mood Indigo | BFR BCD-16340, Sv 103 8415 | DE3806c | ||
| 38-03-24-004 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103 8415 | DE3806d | ||
| 38-03-24-005 | East St. Louis Toodle-O (theme) | BFR BCD-16340, Sv 103 8415 | DE3806e | ||
| 38-03-24-006 | Oh Babe, Maybe Someday - vIA | BFR BCD-16340, JA 12, Sv 103 8415 | DE3806f | ||
| 38-03-24-007 | ¬ Dinah's In A Jam - vCW,HC, HA | JA 12, Sv 103 8415 | DE3806g | ||
| 38-03-24-008 | _| If Dreams Come True - vIA | JA 13, Sv 103 8415 | DE3806h | ||
| 38-03-24-009 | Skrontch - vIA | Sv 103 8415 | DE3806i | ||
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 28 March 1938 | |||
| ARC-Brunswick recording session. | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v). | |||||
| 38-03-28-001 | M793-1 | Jeep's Blues | CBS 88220, Cl(F) 700, Co C2K 48835, Ms MD7-235, Vo v4115B | DE3807a | |
| 38-03-28-002 | M794-1 | If You Were in My Place - vMMH | CBS 88220, Cl(F) 700, Co C2K 48835, Ms MD7-235, Vo v4046 | DE3807b | |
| 38-03-28-003 | M795-1 | I Let A Song Go Out Of My Heart - vMMH | CBS 88220, Cl(F) 700, Co C2K 48835, Ms MD7-235, Vo v4046 | DE3807c | |
| 38-03-28-004 | M796-2 | Rendezvous with Rhythm | CBS 88220, Cl(F) 700, Co C2K 48835, Ms MD7-235, Vo v4115A | DE3807d | |
| The 78 rpm Vocalion 4115 is peculiar for its bearing side designations. | |||||
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 04 April 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Jerry Kruger(v). | |||||
| 38-04-04-001 | M801-1 | A Lesson In C - vJK | CBS 88242, Cl(F) 700, Co C2K 48835, Ms MD7-235, Tx m-8011, Vo v4086 | DE3808a | |
| 38-04-04-002 | M802-1 | Swingtime In Honolulu - vJK | CBS 88242, Cl(F) 700, Co C2K 48835, Ms MD7-235, Vo v4061 | DE3808b | |
| 38-04-04-003 | M803-1 | Carnival In Caroline - vJK | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4061 | DE3808c | |
| 38-04-04-004 | M804-1 | Ol' Man River - vJK | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Tx m-8011, Vo v4086 | DE3808d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 11 April 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart, Freddie Jenkins (t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-04-11-001 | M809-1 | Swingtime In Honolulu - vIA | Br m8131, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809a | |
| Cootie Williams out. Add Ray Nance(t). | |||||
| 38-04-11-002 | M810-1 | I'm Slappin' Seventh Avenue | BMG 88697302362, Br m8131, CBS 88242, Cl(F) 717, Ms MD11-248, TSC P 14274 | DE3809b | |
| 38-04-11-003 | M811-1 | Dinah's In A Jam | BMG 88697302362, Br m8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3809c | |
| The second title was copyrighted and published as “I’m Slappin’ Seventh Avenue (With The Sole Of My Shoe).” | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 17 April 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-04-17-001 | You Went To My Head - vIA | JA 12, Sv 103 8415 | DE3810a | ||
| 38-04-17-002 | Three Blind Mice | BFR BCD-16340, JA 13, Sv 103 8415 | DE3810b | ||
| 38-04-17-003 | Solitude - vIA | Sv 103 8415 | DE3810c | ||
| DUKE ELLINGTON GROUP | Same session | ||||
| Cootie Williams(t); Joe Nanton(tb); Johnny Hodges(ss); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-04-17-004 | Downtown Uproar | JA 12, Sv 103 8415 | DE3810d | ||
| The small group is announced on-air as “Cootie Williams and his Little Jam Band within the Duke’s organization.” | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 24 April 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-04-24-001 | Dinah's In A Jam | BFR BCD-16340, JA 13, JP LP 14, Sv 103 8415 | DE3811d | ||
| 38-04-24-002 | On The Sunny Side Of The Street | BFR BCD-16340, JA 13, Sv 103 8415 | DE3811e | ||
| DUKE ELLINGTON GROUP | Same session | ||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-04-24-003 | Demi-Tasse [Ev'ah Day] | JP LP 14, Sv 103 8415 | DE3811a | ||
| The small group is announced on-air as “A Group of Duke’s Men.” | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
| As before. | |||||
| 38-04-24-004 | Azure | JP LP 14, Sv 103 8415 | DE3811b | ||
| 38-04-24-005 | Carnival In Caroline - vIA | JP LP 14, Sv 103 8415 | DE3811c | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 April 1938 | |||
| CBS broadcast for BBC, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-04-29-001 | Chatter-Box | El '97, JU JUCD 2069(D) | DE3812a | ||
| 38-04-29-002 | Diminuendo In Blue | DE3812b | |||
| 38-04-29-003 | Caravan | DE3812c | |||
| 38-04-29-004 | Black And Tan Fantasy | DE3812d | |||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 01 May 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-05-01-001 | Harmony In Harlem | BFR BCD-16340, JA 12, Sv 103 8415 | DE3813a | ||
| 38-05-01-002 | At Your Beck And Call - vIA | BFR BCD-16340, JA 12, Sv 103 8415 | DE3813b | ||
| 38-05-01-003 | Solitude - vIA | BFR BCD-16340, Sv 103 8415 | DE3813c | ||
| 38-05-01-004 | ¬ The Gal From Joe's | BFR BCD-16340, JA 12, Sv 103 8415 | DE3813d | ||
| 38-05-01-005 | _| Riding On A Blue Note | BFR BCD-16340, JA 12, Sv 103 8415 | DE3813e | ||
| 38-05-01-006 | If Dreams Come True | BFR BCD-16340, JA 13, Sv 103 8415 | DE3813f | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 08 May 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-05-08-001 | Oh Babe, Maybe Someday - vIA | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3815a | ||
| 38-05-08-002 | I Let A Song Go Out Of My Heart | Mx MLP-1002, Sv 103 8415 | DE3815b | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 May 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Otto Hardwick(cl,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-05-15-001 | Birmingham Breakdown | BFR BCD-16340, JA 12, Sv 103 8415 | DE3816b | ||
| Johnny Hodges, Otto Hardwick out. | |||||
| 38-05-15-002 | Rose Room | BFR BCD-16340, JA 12, Sv 103 8415 | DE3816c | ||
| Add Johnny Hodges(cl,ss,as), Otto Hardwick(cl,as). | |||||
| 38-05-15-003 | If Dreams Come True | BFR BCD-16340, JA 12, Sv 103 8415 | DE3816a | ||
| 38-05-15-004 | It's The Dreamer In Me - vIA | BFR BCD-16340, JA 13, Sv 103 8415 | DE3816e | ||
| 38-05-15-005 | Lost In Meditation - vIA | BFR BCD-16340, JA 13, Sv 103 8415 | DE3816f | ||
| DUKE ELLINGTON JAM BAND | Same session | ||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-05-15-006 | Demi-Tasse [Ev'ah Day] | BFR BCD-16340, JA 13, Sv 103 8415 | DE3816g | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
| As before, but Barney Bigard(ts); Otto Hardwick, Johnny Hodges(as); Harry Carney(bar). | |||||
| 38-05-15-007 | Echoes Of Harlem | BFR BCD-16340, JA 13, Sv 103 8415 | DE3816d | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 May 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d,ch); Ivie Anderson(v). | |||||
| 38-05-22-001 | East St. Louis Toodle-O (theme) | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817a | ||
| 38-05-22-002 | Jig Walk | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817b | ||
| 38-05-22-003 | In A Sentimental Mood | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817c | ||
| 38-05-22-004 | I'm Slappin' Seventh Avenue | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817d | ||
| 38-05-22-005 | Lost In Meditation - vIA | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817e | ||
| 38-05-22-006 | Alabamy Home - vIA | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817f | ||
| 38-05-22-007 | If You Were In My Place | JP LP 14, Mx MLP-1002, Sv 103 8415 | DE3817g | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 29 May 1938 | |||
| CBS broadcast, Cotton Club | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-05-29-001 | Prelude In C Sharp Minor | BFR BCD-16340, JA 13, Sv 103 8415 | DE3818a | ||
| 38-05-29-002 | Rockin' In Rhythm | BFR BCD-16340, JA 13, Sv 103 8415 | DE3818b | ||
| Prelude in C Sharp Minor - Sergej Rachmaninov, Op. 3, No. 2. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 07 June 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-06-07-001 | M835-1 | When My Sugar Walks Down The Street - vIA | Br m8168, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819f | |
| 38-06-07-002 | M835-2 | When My Sugar Walks Down The Street - vIA | |||
| 38-06-07-003 | M832-1 | You Gave Me The Gate - vIA | Br m8169, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819a | |
| 38-06-07-004 | M833-1 | Rose Of The Rio Grande - vIA | BMG 88697302362, Br m8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3819b | |
| 38-06-07-005 | M833-2 | Rose Of The Rio Grande - vIA | CBS 88242, Ms MD11-248, Nw RP2042, Sw 327 | DE3819c | |
| Barney Bigard, Otto Hardwick, Johnny Hodges out. Duke Ellington(hand drum instead of p). | |||||
| 38-06-07-006 | M834-1 | Pyramid | BMG 88697302362, Br m8168, CBS 88242, Cl(F) 717, Co CL 2365, Co CL 663, Ms MD11-248 | DE3819d | |
| 38-06-07-007 | M834-2 | Pyramid | CBS 88242, Co 36105, Ms MD11-248, Nw RP2048 | DE3819e | |
The first and second titles were copyrighted and published as “When My Sugar Walks Down The Street (All The Little Birdies Go Tweet-Tweet-Tweet).” and “You Gave Me The Gate (And I’m Swingin’)” respectively. On most of Pyramid, Greer plays a tom-tom and Ellington an improvised hand drum, made out of a tambourine, without the tinkles, and a cardboard cylinder. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 20 June 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-06-20-001 | M846-1 | The Stevedore's Serenade | BMG 88697302362, Br m8174, CBS 88242, Cl(F) 717, Ms MD11-248, TOM 10 | DE3820c | |
| 38-06-20-002 | M847-2 | La De Doody Doo - vIA | Br m8174, CBS 88242, Cl(F) 717, Ms MD11-248, Ra RTE 23003, TOM 10 | DE3820d | |
| 38-06-20-003 | M844-1 | Watermelon Man - vIA | Br m8200, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820a | |
| 38-06-20-004 | M845-1 | Gypsy Without A Song | BMG 88697302362, Br m8186, CBS 88242, Cl(F) 717, Ms MD11-248 | DE3820b | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 22 June 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v). | |||||
| 38-06-22-001 | M852-1 | You Walked Out Of The Picture - vMMH | BD T-1003, Ms MD7-235, Nw RP2048, R/V 1001-CD(D) | DE3821a | |
| 38-06-22-002 | M852-2 | You Walked Out Of The Picture - vMMH | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4213 | DE3821b | |
| 38-06-22-003 | M853-1 | Pyramid | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4242 | DE3821c | |
| 38-06-22-004 | M854-1 | Empty Ballroom Blues | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4213 | DE3821d | |
| 38-06-22-005 | M855-1 | Lost In Meditation - vMMH | CBS 88242, Ms MD7-235, Nw RP2048, R/V 1001-CD(D), Ra RTE 23005 | DE3821e | |
| 38-06-22-006 | M855-2 | Lost In Meditation - vMMH | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4242 | DE3821f | |
| DUKE ELLINGTON ENSEMBLE | New York City, NY | 25 June 1938 | |||
| CBS Broadcast "Saturday Night Swing Club" from CBS Playhouse #1. | |||||
| Cootie Williams(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); David Bowman(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-06-25-001 | Frolic Sam | JP LP 14 | DE3822a | ||
| Ellington was in hospital for a minor operation and David Bowman took his place for this broadcast. | |||||
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 August 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Leon La Fell(v). | |||||
| 38-08-01-001 | M872-2 | A Blues Serenade - vLLF | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Ra RTE 23005, Vo v4309 | DE3823a | |
| 38-08-01-002 | M873-1 | Love In Swingtime - vLLF | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Ra RTE 23005, Vo v4335 | DE3823b | |
| 38-08-01-003 | M874-1 | Swinging In The Dell | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4335 | DE3823c | |
| 38-08-01-004 | M875-1 | Jitterbug's Lullaby | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Vo v4309 | DE3823d | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 02 August 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Scat Powell(v). | |||||
| 38-08-02-001 | M876-1 | Chasin' Chippies | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Tx m-8011, Vo v4425 | DE3824a | |
| 38-08-02-002 | M877-1 | Blue Is The Evening - vSP | CBS 88242, Cl(F) 717, Co C2K 48835, Ms MD7-235, Tx m-8011, Vo v4324 | DE3824b | |
| 38-08-02-003 | M978-2 | Sharpie - vSP | CBS 88242, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4324 | DE3824c | |
| 38-08-02-004 | M879-1 | Swing Pan Alley | CBS 88242, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4425 | DE3824d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 04 August 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Scat Powell(v). | |||||
| 38-08-04-001 | M880-1 | A Blues Serenade | Br m8221, CBS 88242, Cl(F) 726, Ms MD11-248 | DE3825a | |
| 38-08-04-002 | M881-1 | Love In Swingtime - vSP | Br m8200, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3825b | |
| 38-08-04-003 | M882-2 | Please Forgive Me | Br m8256, CBS 88451, Cl(F) 726, Ms MD11-248, TOM 10 | DE3825c | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 09 August 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-08-09-001 | M883-1 | Lambeth Walk | Br m8204, CBS 88451, Cl(F) 726, MoJ MJCD 1304, Ms MD11-248 | DE3826a | |
| 38-08-09-002 | M884-1 | Prelude to A Kiss | BMG 88697302362, Br m8204, CBS 88451, Cl(F) 726, Ms MD11-248, Ra RTE 23003 | DE3826b | |
| 38-08-09-003 | M884-2 | Prelude to A Kiss | CBS 88451, Co 36279, Co C3K 65841, Ms MD11-248, Nw RP2048 | DE3826c | |
| 38-08-09-004 | M885-1 | Hip Chic | BMG 88697302362, Br m8221, CBS 88451, Cl(F) 726, MoJ MJCD 1304, Ms MD11-248, Ra RTE 23003 | DE3826d | |
| 38-08-09-005 | M886-1 | Buffet Flat | BMG 88697302362, Br m8231, CBS 88451, Cl(F) 726, MoJ MJCD 1312, Ms MD11-248 | DE3826e | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 24 August 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Mary McHugh(v). | |||||
| 38-08-24-001 | M887-1 | Prelude To A Kiss - vMMH | CBS 88451, Cl(F) 726, Co C2K 48835, Ep LN 3237, Ms MD7-235, Vo v4386 | DE3827a | |
| 38-08-24-002 | M888-1 | There's Something About An Old Love - vMMH | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4351 | DE3827b | |
| 38-08-24-003 | M889-1 | The Jeep Is Jumpin' | CBS 88451, Cl(F) 726, Co C2K 48835, Ep LN 3237, Ms MD7-235, Vo v4386 | DE3827c | |
| 38-08-24-004 | M890-1 | Krum Elbow Blues | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4351 | DE3827d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 02 September 1938 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(as,bar); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-09-02-001 | M898-1 | Twits And Twerps [Stew Burp] | Ms MD11-248, R/V 1001-CD(D) | DE3828a | |
| 38-09-02-002 | M898-2 | Twits And Twerps [Stew Burp] | CBS 88451, Cl(F) 726, FDC 1003, Ms MD11-248 | DE3828b | |
| Add Duke Ellington(p). | |||||
| 38-09-02-003 | M899-1 | Mighty Like The Blues | CBS 88451, Ms MD11-248, Nw RP2048, Ra RTE 23003 | DE3828c | |
| 38-09-02-004 | M899-2 | Mighty Like The Blues | Br m8231, CBS 88451, Cl(F) 726, MoJ MJCD 1301, Ms MD11-248, Ra RTE 23003 | DE3828d | |
| The first song was originally titled “Stew Burp”, but the title was soon changed to “Twits And Twerps.” The remake, from 22 December 1938, was issued as “Boy Meets Horn”. | |||||
| DUKE ELLINGTON GROUP | New York City, NY | 06 October 1938 | |||
| CBS broadcast "America Dances" for BBC from Apollo Theatre | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-10-06-001 | Demi-Tasse [Ev'ah Day] | El '97, JU JUCD 2069(D) | DE3829a | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 38-10-06-002 | I Let A Song Go Out Of My Heart | El '97, JU JUCD 2069(D) | DE3829b | ||
| 38-10-06-003 | Prelude In C Sharp Minor | DE3829c | |||
| 38-10-06-004 | Prelude To A Kiss | DE3829d | |||
| 38-10-06-005 | Lambeth Walk | DE3829e | |||
| 38-10-06-006 | You Gave Me The Gate - vIA | DE3829f | |||
| 38-10-06-007 | Merry Go Round | DE3829g | |||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 19 December 1938 | |||
| ARC-Brunswick recording session | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-19-001 | M947-1 | Jazz Potpourri | BMG 88697302362, Br m8293, CBS 88451, Cl(F) 726, Ms MD11-248 | DE3830a | |
| 38-12-19-002 | M948-1 | T.T. On Toast [Lady In Doubt] | BMG 88697302362, CBS 88451, Cl(F) 726, Co 37296, Ms MD11-248 | DE3830b | |
| 38-12-19-003 | M048-2 | T.T. On Toast [Lady In Doubt] | CBS 88451, Co 37296, Ms MD11-248, Nw RP2048 | DE3830c | |
| 38-12-19-004 | M949-1 | Battle Of Swing | CBS 88451, Cl(F) 726, Ms MD11-248, Nw RP2048, Ra RTE 23003 | DE3830d | |
| 38-12-19-005 | M949-2 | Battle Of Swing | BMG 88697302362, Br m8293, CBS 88451, Cl(F) 726, Co C3K 65841, Ms MD11-248 | DE3830e | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 20 December 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-20-001 | M950-2 | I'm In Another World | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4622 | DE3831a | |
| 38-12-20-002 | M951-1 | Hodge Podge | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4573 | DE3831b | |
| 38-12-20-003 | M952-1 | Dancing On The Stars | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4622 | DE3831c | |
| 38-12-20-004 | M953-1 | Wanderlust | CBS 88451, Cl(F) 726, Co C2K 48835, Ms MD7-235, Vo v4573 | DE3831d | |
| The third selection was copyrighted and published as “I’m Riding On The Moon And Dancing On The Stars.” | |||||
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 December 1938 | |||
| ARC-Brunswick recording session | |||||
| Cootie Williams(t); Barney Bigard(cl,ts); Johnny Hodges(cl,as); Otto Hardwick(cl,as,bsx); Harry Carney(cl,bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-21-001 | M594-1 | Delta Mood | CBS 88451, Cl(F) 747, Co C2K 48835, Ep LN 3237, FDC 1003, MoJ MJCD 1306, Ms MD7-235, Vo v4574 | DE3832a | |
| 38-12-21-002 | M595-1 | Boys From Harlem | CBS 88451, Cl(F) 747, Co C2K 48835, MoJ MJCD 1308, Ms MD7-235, Vo v4574 | DE3832b | |
| 38-12-21-003 | M596-1 | Mobile Blues | CBS 88451, Ep LN 3237, MJ MJCD 1101, Ms MD7-235 | DE3832c | |
| 38-12-21-004 | M596-2 | Mobile Blues | CBS 88451, Cl(F) 747, Co C2K 48835, MoJ MJCD 1302, Ms MD7-235, Vo v4636 | DE3832d | |
| 38-12-21-005 | M597-1 | Gal-Avantin' | CBS 88451, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo v4636 | DE3832e | |
| DUKE ELLINGTON GROUP | New York City, NY | 21 December 1938 | |||
| WNEW broadcast "Make Believe Ballroom Wednesday Night Jam Session." | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-21-006 | Rendezvous With Rhythm | ||||
| 38-12-21-007 | I’m In Another World | ||||
| 38-12-21-008 | Hodge Podge | ||||
| 38-12-21-009 | Jeep’s Blues | ||||
| 38-12-21-010 | Tiger Rag | DE3833a | |||
| 38-12-21-011 | On The Sunny Side Of The Street | DE3833b | |||
| 38-12-21-012 | The Jeep Is Jumpin' | DE3833c | |||
| The session is included in the “Savory Collection”, available for public listening at the National Jazz Museum in Harlem (NJMH). | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 22 December 1938 | |||
| ARC-Brunswick recording session | |||||
| Wallace Jones(t); Lawrence Brown(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-22-001 | M958-1 | Blue Light | CBS 88451, Co(Au) DO-2165, FDC 1003, Ms MD7-235, Nw RP2048 | DE3834a | |
| 38-12-22-002 | M958-2 | Blue Light | BMG 88697302362, Br m8297, CBS 88451, Cl(F) 747, MoJ MJCD 1301, Ms MD7-235, Ra RTE 23003 | DE3834b | |
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 38-12-22-003 | M959-1 | Old King Dooji | BMG 88697302362, Br m8306, CBS 88451, Cl(F) 747, Co C3K 65841, MoJ MJCD 1310, Ms MD11-248, TSC P 14274 | DE3834c | |
| Duke Ellington(p) out. | |||||
| 38-12-22-004 | M960-1 | Boy Meets Horn [Twits And Therps] | BMG 88697302362, Br m8306, CBS 88451, Cl(F) 747, Ms MD11-248 | DE3834d | |
| Add Duke Ellington(p), Unk(claps). | |||||
| 38-12-22-005 | M961-1 | Slap Happy | BMG 88697302362, Br m8297, CBS 88518, Cl(F) 747, MoJ MJCD 1312, Ms MD11-248, Ra RTE 23003 | DE3834e | |
| Unk(claps) out. | |||||
| 38-12-22-006 | M961-2 | Slap Happy | CBS 88518, Co C3K 65841, Ms MD11-248, Nw RP2048, Par(Sw) PZ 11304 | DE3834f | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 27 February 1939 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d); Jean Eldridge(v). | |||||
| 39-02-27-001 | M974-1 | Like A Ship In The Night - vJE | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Ra RTE 23005, Vo 4710 | DE3902a | |
| 39-02-27-002 | M975-1 | Mississippi Dreamboat - vJE | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Ra RTE 23005, Vo 4849 | DE3902b | |
| 39-02-27-003 | M976-1 | Swingin' On The Campus | CBS 88518, Cl(F) 747, Co C2K 48835, FDC 1003, MoJ MJCD 1306, Ms MD7-235, Vo 4710 | DE3902c | |
| 39-02-27-004 | M977-1 | Dooji Wooji | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo 4849 | DE3902d | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 28 February 1939 | |||
| ARC-Brunswick recording session. ARC studios. | |||||
| Cootie Williams(t,v); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-02-28-001 | M982-1 | Beautiful Romance | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo 5411 | DE3903a | |
| 39-02-28-002 | M983-1 | Boudoir Benny | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo 4726 | DE3903b | |
| 39-02-28-003 | M984-1 | Ain't The Gravy Good? - vCW | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Tx m-8011, Vo 4726 | DE3903c | |
| 39-02-28-004 | M984-2 | Ain't The Gravy Good? - vCW | BD T-1003, CBS 88518, Ms MD7-235, Nw RP2056 | DE3903d | |
| 39-02-28-005 | M985-1 | She's Gone - vCW | CBS 88518, Cl(F) 747, Co C2K 48835, MoJ MJCD 1313, Ms MD7-235, Nw RP2048, Vo 5411 | DE3903e | |
| DUKE ELLINGTON | New York City, NY | 08 March 1939 | |||
| ARC-Brunswick recording session. World Broadcasting System studios. | |||||
| Duke Ellington(p). | |||||
| 39-03-08-001 | MW990-1 | Just Good Fun | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235 | DE3904a | |
| 39-03-08-002 | MW991-1 | Informal Blues | CBS 88518, Cl(F) 747, FDC 1003, Ms MD7-235, TSC P 14274 | DE3904b | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 15 March 1939 | |||
| CBS broadcast "America Dances" for BBC. CBS studio. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-15-001 | Jazz Potpourri | JU JUCD 2069(D) | DE3905a | ||
| 39-03-15-002 | T.T.On Toast | JU JUCD 2069(D) | DE3905b | ||
| DUKE ELLINGTON GROUP | Same session | ||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-15-003 | Demi-Tasse | JU JUCD 2069(D) | DE3905c | ||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as,ss); Otto Hardwick(cl,as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-15-004 | Jeep's Blues | JU JUCD 2069(D) | DE3905d | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-03-15-005 | Old King Dooji | JU JUCD 2069(D) | DE3905e | ||
| 39-03-15-006 | Boy Meets horn | DE3905f | |||
| 39-03-15-007 | Hold Tight - vIA | DE3905xa | |||
| 39-03-15-008 | Azure | JU JUCD 2069(D) | DE3905g | ||
| 39-03-15-009 | Harmony In Harlem | JU JUCD 2069(D) | DE3905h | ||
| REX STEWART AND HIS ORCHESTRA | New York City, NY | 20 March 1939 | |||
| ARC-Brunswick recording session. World Broadcasting System studios. | |||||
| Rex Stewart(t); Louis Bacon(t,v); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-20-001 | WM994-1 | San Juan Hill | CBS 88518, Cl(F) 747, Co C2K 48835, FDC 1003, MJ MJCD 1140, Ms MD7-235, Vo 5510 | DE3906a | |
| 39-03-20-002 | WM995-1 | I'll Come Back For More - vLBa | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo 5448 | DE3906b | |
| 39-03-20-003 | WM996-1 | "Fat Stuff" Serenade | CBS 88518, Cl(F) 747, Co C2K 48835, Ms MD7-235, Vo 5448 | DE3906c | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as,cl); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-20-004 | WM997-1 | Pussy Willow | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, Ms MD11-248, TSC P 14274 | DE3906d | |
| 39-03-20-005 | WM998-1 | Subtle Lament | BMG 88697302362, Br 8344, CBS 88518, Cl(F) 747, MoJ MJCD 1302, Ms MD11-248, TSC P 14274 | DE3906e | |
| 39-03-20-006 | WM998- | Subtle Lament | Ms MD11-248, R/V 1001-CD(D), TSC P 14274 | DE3906f | |
| 39-03-20-007 | WM999-1 | Lady In Blue | CBS 88518, Cl(F) 765, Co 35291, MoJ MJCD 1307, Ms MD11-248, Ra RTE 23003, TSC P 14274 | DE3906g | |
| 39-03-20-008 | WM999- | Lady In Blue | Ms MD11-248, Nw RP2048, R/V 1001-CD(D), UtD 2002 | DE3906h | |
| 39-03-20-009 | WM1000-1 | Smorgasbord And Schnapps | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P 14274 | DE3906i | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 21 March 1939 | |||
| ARC-Brunswick recording session. World Broadcasting System studios. | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar,cl); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-21-001 | WM1001-1 | Savoy Strut | CBS 88518, Cl(F) 765, Ms MD7-235, Vo 5170 | DE3907a | |
| 39-03-21-002 | WM1001-2 | Savoy Strut | CBS 88518, Ms MD7-235, Nw RP2048 | DE3907b | |
| 39-03-21-003 | WM1002-1 | Rent Party Blues | CBS 88518, Cl(F) 765, Ms MD7-235, Vo 5100 | DE3907c | |
| 39-03-21-004 | WM1003-1 | Dance Of The Goon | CBS 88518, Cl(F) 765, Ms MD7-235, Ra RTE 23005, Vo 4941 | DE3907d | |
| 39-03-21-005 | WM1004-1 | Good Gal Blues | CBS 88518, Cl(F) 765, Ms MD7-235, Vo 5170 | DE3907e | |
| DUKE ELLINGTON Trio | Same session | ||||
| Johnny Hodges(as); Duke Ellington(p); Billy Taylor(sb). | |||||
| 39-03-21-006 | WM1005-1 | Finesse | CBS 88518, Cl(F) 765, Co CL 663, MoJ MJCD 1301, Ms MD7-235, TSC P 14274 | DE3907f | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(ts); Johnny Hodges(as); Otto Hardwick(ss,as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-03-21-007 | WM1006-1 | Portrait Of The Lion | Br 8365, CBS 88518, Cl(F) 765, Co C3K 65841, Ms MD11-248, TSC P 14274 | DE3907g | |
| 39-03-21-008 | WM1006-2 | Portrait Of The Lion | BMG 88697302362, CBS 88518, MoJ MJCD 1310, Ms MD11-248, Nw RP2048, Par(E) D.P. 288 | DE3907h | |
| Duke Ellington out. Add Billy Strayhorn(p); Jean Eldridge(v). | |||||
| 39-03-21-009 | WM1007-1 | Something To Live For - vJE | BMG 88697302362, Br 8365, CBS 88518, Cl(F) 765, MoJ MJCD 1313, Ms MD11-248 | DE3907i | |
| Billy Strayhorn, Jean Eldridge out. Add Duke Ellington(p). | |||||
| 39-03-21-010 | WM1008-1 | Solid Old Man | BMG 88697302362, Br 8380, CBS 88518, Cl(F) 765, Ms MD11-248, TSC P 14274 | DE3907j | |
| DUKE ELLINGTON | Stockholm, Sweden | 29 April 1939 | |||
| Swedish Radio Broadcast | |||||
| Duke Ellington, Manne Berggren(tk). | |||||
| 39-04-29-001 | Interview by Berggren | CaR CAP 21452, Mx MLP-1001 | DE3908a | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Stockholm, Sweden | 29 April 1939 | |||
| Concert at Stockholms Konserthus | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-04-29-002 | Serenade To Sweden | CaR CAP 21452, Mx MLP-1001, Sv 103 8415 | DE3909a | ||
| 39-04-29-003 | Rockin' In Rhythm | CaR CAP 21452, Mx MLP-1001, Sv 103 8415 | DE3909b | ||
| 39-04-29-004 | In A Red Little Cottage - vIA | CaR CAP 21452, Mx MLP-1001, Sv 103 8415 | DE3909c | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 28 May 1939 | |||
| NBC broadcast | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-05-28-001 | Pussy Willow | BR BS-7128 | DE3910a | ||
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 02 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-06-02-001 | WM1026-A | Kitchen Mechanic's Day | CBS 88518, Cl(F) 765, Ms MD7-235, Vo 4917 | DE3911a | |
| 39-06-02-002 | WM1027-A | My Heart Jumped Over The Moon | CBS 88518, Cl(F) 765, Ms MD7-235, Ra RTE 23005, Vo 5330 | DE3911b | |
| 39-06-02-003 | WM1028-A | You Can Count On Me | CBS 88521, Cl(F) 765, Ms MD7-235, Vo 4917 | DE3911c | |
| 39-06-02-004 | WM1029-A | Home Town Blues | CBS 88521, Cl(F) 765, Ms MD7-235, Vo 4941 | DE3911d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 06 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(ss,as); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-06-06-001 | WM1030-A | Cotton Club Stomp | Br 8405, CBS 88521, Cl(F) 765, MoJ MJCD 1308, Ms MD11-248, TSC P 14274 | DE3912a | |
| 39-06-06-002 | WM1031-A | Doin' The Voom Voom | CBS 88521, Cl(F) 765, Co 35208, Ms MD11-248, Ra RTE 23004, TSC P 14274 | DE3912b | |
| 39-06-06-003 | WM1032-A | Way Low | BMG 88697302362, Br 8411, CBS 88521, Cl(F) 765, Ms MD11-248, TOM 10, TSC P 14274 | DE3912c | |
| 39-06-06-004 | WM1033-A | Serenade to Sweden | BMG 88697302362, CBS 88521, Cl(F) 765, Co 35214, MoJ MJCD 1301, Ms MD11-248, TSC P 14274 | DE3912d | |
| THE QUINTONES WITH BARNEY BIGARD AND HIS ORCHESTRA | New York City, NY | 08 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); The Quintones: Irving Deutsch, Murray Deutsch, Lloyd Hundling, Al Lane, Patti Davis(v). | |||||
| 39-06-08-001 | WM1034-A | Utt-Day-Zay - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Ra RTE 23006, Vo 4928 | DE3913a | |
| 39-06-08-002 | WM1035-A | Chew Chew Chew - vTQ | CBS 88521, Cl(F) 765, Ms MD7-235, Ra RTE 23006, Vo 4928 | DE3913b | |
| BARNEY BIGARD AND HIS ORCHESTRA | Same session | ||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-06-08-003 | WM1036-A | I'm Checking Out - Goom Bye (Barney Goin' Easy) | CBS 88521, Cl(F) 765, Ms MD7-235, Ra RTE 23006, TSC P 14274, Vo 5378 | DE3913c | |
| 39-06-08-004 | WM1037-A | Just Another Dream | CBS 88521, Cl(F) 765, Ms MD7-235, Ok 5663, Ra RTE 23006 | DE3913d | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 12 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-06-12-001 | WM1038-A | In A Mizz - vIA | Br 8405, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE 23004 | DE3914a | |
| 39-06-12-002 | WM1039-A | I'm Checking Out - Goom Bye - vIA | CBS 88521, Cl(F) 780, Co 35208, MoJ MJCD 1313, Ms MD11-248 | DE3914b | |
| 39-06-12-003 | WM1040-A | Lonely Co-Ed - vIA | CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE 23004 | DE3914c | |
| 39-06-12-004 | WM1041-A | You Can Count On Me - vIA | Br 8411, CBS 88521, Cl(F) 780, Ms MD11-248 | DE3914d | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 21 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Cootie Williams(t); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-06-21-001 | WM1042-A | Night Song | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915a | |
| COOTIE WILLIAMS AND HIS RUG CUTTERS | New York City, NY | 22 June 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Cootie Williams(t); Barney Bigard(cl,ts); Johnny Hodges(as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-06-22-001 | WM1043-A | Blues A Poppin' | CBS 88521, Cl(F) 780, Ms MD7-235, Tx m-8011, Vo 5618 | DE3915b | |
| Billy Strayhorn out. Add Duke Ellington(p). | |||||
| 39-06-22-002 | WM1044-A | Top And Bottom | CBS 88521, Cl(F) 780, Ms MD7-235, Ok 6336, Tx m-8011 | DE3915c | |
| 39-06-22-003 | WM1045-A | Black Beauty | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 4958 | DE3915d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Boston, MA | 26 July 1939 | |||
| NBC broadcast from Ritz Carlton Hotel | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-07-26-001 | East St. Louis Toodle-O (theme) | JU JUCD 2022(D), Mx MLP-1002 | DE3916a | ||
| 39-07-26-002 | Jazz Potpourri | JU JUCD 2022(D), Mx MLP-1002 | DE3916b | ||
| 39-07-26-003 | Something To Live For | JU JUCD 2022(D), Mx MLP-1002 | DE3916c | ||
| 39-07-26-004 | Old King Dooji | JU JUCD 2022(D), Mx MLP-1002 | DE3916d | ||
| 39-07-26-005 | In A Mizz - vIA | JU JUCD 2022(D), Mx MLP-1002 | DE3916e | ||
| 39-07-26-006 | Rose Of The Rio Grande - vIA | JU JUCD 2022(D), Mx MLP-1002 | DE3916f | ||
| 39-07-26-007 | Pussy Willow | JU JUCD 2022(D), Mx MLP-1002 | DE3916g | ||
| 39-07-26-008 | You Can Count On Me - vIA | JU JUCD 2022(D), Mx MLP-1002 | DE3916h | ||
| 39-07-26-009 | Way Low | JU JUCD 2022(D), Mx MLP-1002 | DE3916i | ||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | New York City, NY | 28 August 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-08-28-001 | WM1062-A | Bouncing Bouyancy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35240, Ms MD11-248, Ra RTE 23004 | DE3917a | |
| 39-08-28-002 | WM1063-A | The Sergeant Was Shy | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35214, Ms MD11-248 | DE3917b | |
| 39-08-28-003 | WM1064-A | Grievin' | BMG 88697302362, CBS 88521, Cl(F) 780, Ms MD11-248, Ra RTE 23004 | DE3917c | |
| JOHNNY HODGES AND HIS ORCHESTRA | New York City, NY | 01 September 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-09-01-001 | WM1072-A | The Rabbit's Jump | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 5100 | DE3918a | |
| 39-09-01-002 | WM1073-A | Moon Romance | CBS 88521, Cl(F) 780, Ms MD7-235, Ok 5940, Ra RTE 23005 | DE3918b | |
| Billy Strayhorn out. Add Duke Ellington(p). | |||||
| 39-09-01-003 | WM1074-A | Truly Wonderful | CBS 88521, Cl(F) 780, Ms MD7-235, Ra RTE 23005, Vo 5330 | DE3918c | |
| 39-09-01-004 | WM1075-A | Dream Blues | CBS 88521, Cl(F) 780, Ms MD7-235, Vo 5353 | DE3918d | |
| DUKE ELLINGTON WITH ORCHESTRA | New York City, NY | 20 September 1939 | |||
| NBC broadcast "George Jessel's Celebrities." | |||||
| Duke Ellington(p) plus studio orchestra. | |||||
| Medley:- | DE3919a | ||||
| 39-09-20-001 | - 1. Sophisticated Lady | ||||
| 39-09-20-002 | - 2. Solitude | ||||
| 39-09-20-003 | - 3. I Let A Song Go Out Of My Heart | ||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | 14 October 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(as); Harry Carney(as,bar); Duke Ellington(p); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-10-14-001 | WM1091-A | Little Posey | CBS 88521, Cl(F) 780, Co 35291, Co C3K 65841, MoJ MJCD 1310, Ms MD11-248 | DE3920a | |
| 39-10-14-002 | WM1092-A | I Never Felt This Way Before | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35353, MoJ MJCD 1301, Ms MD11-248, Ra RTE 23004 | DE3920b | |
| 39-10-14-003 | WM1092-B | I Never Felt This Way Before | CBS 88521, Ms MD11-248, Nw RP2048, Ra RTE 23004 | DE3920c | |
| 39-10-14-004 | WM1093-A | Grievin' | CBS 88521, Cl(F) 780, Co 35310, Ms MD11-248 | DE3920d | |
| 39-10-14-005 | WM1094-A | Tootin' Through The Roof | BMG 88697302362, CBS 88521, Cl(F) 780, Co 35310, Co C3K 65841, MJ MJCD 1140, MoJ MJCD 1303, Ms MD11-248 | DE3920e | |
| 39-10-14-006 | WM1094-B | Tootin' Through The Roof | CBS 88521, Ms MD11-248, Nw RP2048, Ra RTE 23004 | DE3920f | |
| Duke Ellington out. Add Billy Strayhorn(p). | |||||
| 39-10-14-007 | WM1095-A | Weely | CBS 88522, Cl(F) 780, Co 35353, MoJ MJCD 1310, Ms MD11-248 | DE3920g | |
| JOHNNY HODGES AND HIS ORCHESTRA | Same session | ||||
| Cootie Williams(t); Lawrence Brown(tb); Johnny Hodges(ss,as); Harry Carney(bar); Billy Strayhorn(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-10-14-008 | WM1096-A | Skunk Hollow Blues | CBS 88522, Cl(F) 780, Ms MD7-235, Vo 5533 | DE3920h | |
| Billy Strayhorn out. Add Duke Ellington(p). | |||||
| 39-10-14-009 | WM1097-A | I Know What You Do | CBS 88522, Cl(F) 780, Ms MD7-235, Ra RTE 23005, Vo 5353 | DE3920i | |
| 39-10-14-010 | WM1098-A | Your Love Has Faded | CBS 88522, Cl(F) 780, Ms MD7-235, Ok 5940, Ra RTE 23005 | DE3920j | |
| Duke Ellington out. Add Billy Strayhorn(p). | |||||
| 39-10-14-011 | WM1099-A | Tired Socks | CBS 88522, Cl(F) 780, Ms MD7-235, Ra RTE 23005, Vo 5533 | DE3920k | |
| DUKE ELLINGTON | Same session | ||||
| Duke Ellington(p). | |||||
| 39-10-14-012 | WM1100-A | Blues | CBS 55822, Cl(F) 790, MoJ MJCD 1302, Ms MD7-235, Ra RTE 23004 | DE3920l | |
| BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 16 October 1939 | |||
| Columbia Recording Corporation recording session. World Broadcasting System studios. | |||||
| Rex Stewart(t); Barney Bigard(cl); Harry Carney(bar); Duke Ellington(p); Billy Taylor(sb); Sonny Greer(d). | |||||
| 39-10-16-001 | WM1105-A | Early Mornin' | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3921a | |
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Same session | ||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges, Otto Hardwick(as); Harry Carney(bar); Billy Strayhorn(p,v); Fred Guy(g); Billy Taylor(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-10-16-002 | WM1107-A | Your Love Has Faded - vIA | CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ra RTE 23004 | DE3921c | |
| 39-10-16-003 | WM1106-A | Killin' Myself - vIA,BS | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35640, Ms MD11-248, Ra RTE 23004 | DE3921b | |
| Billy Strayhorn out. Add Duke Ellington(p). | |||||
| 39-10-16-004 | WM1108-A | Country Gal | BMG 88697302362, CBS 88522, Cl(F) 790, Co 35776, Co C3K 65841, MoJ MJCD 1307, Ms MD11-248, Ra RTE 23004 | DE3921d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | St. Louis, MO | 02 November 1939 | |||
| CBS broadcast from Coronado Hotel | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Billy Strayhorn(p,V); Fred Guy(g); Billy Taylor, Jimmie Blanton(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| 39-11-02-001 | Pyramid | JM DE-003† | DE3922a | ||
| 39-11-02-002 | Pussy Willow | JM DE-003† | DE3922b | ||
| 39-11-02-003 | I'm Checking Out - Goom Bye - vIA | JM DE-003† | DE3922c | ||
| BARNEY BIGARD AND HIS ORCHESTRA | Chicago, IL | 22 November 1939 | |||
| Columbia Recording Corporation recording session. | |||||
| Rex Stewart(t); Juan Tizol(vtb); Barney Bigard(cl); Harry Carney(bar); Billy Strayhorn(p); Jimmie Blanton(sb); Sonny Greer(d). | |||||
| 39-11-22-001 | WM1117-A | Minuet In Blues | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5378 | DE3923a | |
| 39-11-22-002 | WM1118-A | Lost In Two Flats | CBS 88522, Cl(F) 790, Ms MD7-235, Vo 5422 | DE3923b | |
| 39-11-22-003 | WM1119-A | Honey Hush | CBS 88522, Cl(F) 790, Ms MD7-235, Ok 5663 | DE3923c | |
| DUKE ELLINGTON AND JIMMIE BLANTON | Same session | ||||
| Duke Ellington(p); Jimmie Blanton(sb). | |||||
| 39-11-22-004 | WM1120-A | Blues # | CBS 88522, Cl(F) 790, Co 35322, MoJ MJCD 1302, Ms MD7-235, Ra RTE 23004 | DE3923d | |
| 39-11-22-005 | WM1121-A | Plucked Again | CBS 88522, Cl(F) 790, Co 35322, Ms MD7-235, Ra RTE 23004 | DE3923e | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Chicago, IL | 24 November 1939 | |||
| CBS broadcast "Young Man With A Band." | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor, Jimmie Blanton(sb); Sonny Greer(d); Ivie Anderson(v). | |||||
| Medley: | |||||
| 39-11-24-001 | - 1. Mood Indigo | ||||
| 39-11-24-002 | - 2. Liza | ||||
| 39-11-24-003 | - 3. Black And Tan Fantasy | ||||
| 39-11-24-004 | - 4. Ring Dem Bells | ||||
| 39-11-24-005 | Ja, Må Han Leva! | ||||
| Cavalcade of Hits :- | DE3924a | ||||
| 39-11-24-006 | - 1. It Don't Mean A Thing - vIA | ||||
| 39-11-24-007 | - 2. Sophisticated Lady | ||||
| 39-11-24-008 | - 3. Solitude | ||||
| 39-11-24-009 | - 4. In A Sentimental Mood | ||||
| 39-11-24-010 | - 5. Caravan | ||||
| 39-11-24-011 | - 6. I Let A Song Go Out Of My Heart | ||||
| 39-11-24-012 | I'm Checking Out - Goom Bye - vIA | Cl(F) 867, FDC 1023, Ra RTE 23004, VD 723 | DE3924b | ||
| 39-11-24-013 | Boy Meets Horn | ||||
| Add Ruth Fredrickson(v). | |||||
| 39-11-24-014 | Beer Barrel Polka - vRF | DE3901a | |||
| Ruth Fredrickson out. | |||||
| 39-11-24-015 | Tootin' Through The Roof | Cl(F) 867, FDC 1023, VD 723 | DE3924c | ||
| 39-11-24-016 | I'd Rather Lead A Band | ||||
| Ja, Må Han Leva! is a Swedish birthday song. Beer Barrel Polka was previously dated February 1939; Ruth Fredrickson was an audience member drafted to sing one song. | |||||
| DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA | Chicago, IL | Probably late 1939 | |||
| Broadcast | |||||
| Wallace Jones, Cootie Williams, Rex Stewart(t); Lawrence Brown, Joe Nanton(tb); Juan Tizol(vtb); Barney Bigard(cl,ts); Johnny Hodges(ss,as); Otto Hardwick(cl,as); Harry Carney(bar,cl,as); Duke Ellington(p); Fred Guy(g); Billy Taylor, Jimmie Blanton(sb); Sonny Greer(d). | |||||
| 39-11-30-001 | Boy Meets Horn | DE3925a | |||
| 39-11-30-002 | Solid Old Man | DE3925b | |||
| 39-11-30-003 | The Sergeant Was Shy | Ra RTE 23004 | DE3925c | ||
| NB. These titles are from various unknown sessions in 1939. | |||||