1924 — 1930
Click on any release to be taken to the corresponding release on the Releases page.
Key to symbols:
- † after an issue number denotes the lack of an official catalogue number.
- * after release denotes that only part of the take has been used for the issued title
- ‡ indicates a release is not confirmed.
- # is added to a title to distinguish it from a different tune of the same name
- * after a New DESOR number indicates it is not from the New DESOR or a correction sheet, but has been unofficially assigned elsewhere
- External links have the following codes
- (D): Discogs.com
- (MB): MusicBrainz.org
- (A): Amazon (US)
- (AM): AllMusic
- (AR): Archive.org
- (F): Misc file
- (S): Spotify
- (T): Tidal
- (YT): YouTube
| Index | Matrix No. | Title | Releases | New DESOR | |
|---|---|---|---|---|---|
| ALBERTA PRIME | New York City, NY | November 1924 | |||
| Duke Ellington(p); Alberta Prime(v) | |||||
| 24-11-01-001 | T2001-1 | It’s Gonna Be A Cold, Cold Winter - vAPr | BD 1007, HnS FDC-5104, MoJ MJCD-8 | DE2401a | |
| add Sonny Greer(v) | |||||
| 24-11-01-002 | T2002-2 | Parlor Social De Luxe - vAPr, SG | BD 1007, HnS FDC-5104, MoJ MJCD-8 | DE2401b | |
| THE WASHINGTONIANS | New York City, NY | November 1924 | |||
| Blu Disc recording session | |||||
| Bubber Miley(t); Charlie Irvis(tb); Otto Hardwick(as); Duke Ellington(p);George Francis(bj); Sonny Greer(d) | |||||
| 24-11-02-001 | T2005-2 | Choo Choo | BD 1002, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2402a | |
| 24-11-02-002 | T2006-1 | Rainy Nights | BD 1002, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2402b | |
| JO TRENT AND THE D C'NS | New York City, NY | Same session | |||
| Otto Hardwick(cms); Duke Ellington(p);George Francis(bj); Sonny Greer(d); Jo Trent(v) | |||||
| 24-11-02-003 | T2007-1 | Deacon Jazz - vJTr | BD 1003, HnS FDC-5104, MoJ MJCD-8 | DE2402c | |
| SUNNY AND THE D C'NS | New York City, NY | Same session | |||
| Otto Hardwick(cms); Duke Ellington(p); George Francis(bj); Sonny Greer(v) | |||||
| 24-11-02-004 | T2008-1 | Oh, How I Love My Darling - vSG | BD 1003, HnS FDC-5104, MoJ MJCD-8 | DE2402d | |
| FLORENCE BRISTOL | New York City, NY | January 1925 | |||
| Blu Disc recording session | |||||
| Otto Hardwick(as); Duke Ellington(p);Florence Bristol(v) | |||||
| 25-01-13-001 | T2018-2 | How Come You Do Me Like You Do - vFB | HnS FDC-5104, MoJ MJCD-8, UtD 2019(D) | DE2403a | |
| DUKE ELLINGTON'S WASHINGTONIANS | New York City, NY | September 1925 | |||
| Pathé recording session | |||||
| Pike Davis(t); Charlie Irvis(tb); Prince Robinson(cl,ts); Otto Hardwick(as); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb); Sonny Greer(d) | |||||
| 25-09-01-001 | 106250 | I’m Gonna Hang Around My Sugar | Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 36333-CBS-67264 | DE2501a | |
| 25-09-01-002 | 106251 | Trombone Blues | Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 36333-CBS-67264 | DE2501b | |
| DUKE ELLINGTON'S WASHINGTONIANS | New York City, NY | March 1926 | |||
| Pathé recording session | |||||
| Harry Cooper, Leroy Rutledge(t); Charlie Irvis(tb); Don Redman(cl,as); Prince Robinson(cl,ts); Otto Hardwick(as,bs); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb); Sonny Greer(d) | |||||
| 26-03-01-001 | 106729 | Georgia Grind | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 7504 | DE2601a | |
| 26-03-01-002 | 106730 | Parlor Social Stomp | CBS 67264, Cl(F) 539, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Pt 7504 | DE2601b | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 30 March 1926 | |||
| Gennett recording session | |||||
| Harry Cooper, Leroy Rutledge(t); Charlie Irvis(tb); Don Redman(cl,as); Prince Robinson(cl,ts); Otto Hardwick(as,bs); Duke Ellington(p); Fred Guy(bj); Bass Edwards(bb); Sonny Greer(d,v) | |||||
| 26-03-30-001 | X57-A | “Wanna Go Back Again” Blues - vSG | Ge 3291, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2602a | |
| 26-03-30-002 | X58-A | If You Can’t Hold The Man You Love - vSG | Ge 3291, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2602b | |
| DUKE ELLINGTON AND HIS WASHINGTONIANS | New York City, NY | 21 June 1926 | |||
| Gennett recording session | |||||
| Bubber Miley, Charlie Johnson(t);Joe Nanton(tb); Harvey Boone(cl,as); Prince Robinson(cl,ts); Otto Hardwick(as,bs); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d,v) | |||||
| 26-06-21-001 | X190- | Animal Crackers | Cl(F) 539, Ge 3342, Hi 20.4140-302, HnS FDC-5104, JCt JEL-16, MoJ MJCD-8 | DE2603a | |
| 26-06-21-002 | X191- | Li’l Farina | Cl(F) 539, Ge 3342, Hi 20.4140-302, HnS FDC-5104, JCt JEL-16, MoJ MJCD-8 | DE2603b | |
| ALBERTA JONES WITH THE ELLINGTON TWINS | New York City, NY | 14 October 1926 | |||
| Gennett recording session | |||||
| Otto Hardwick(as); Duke Ellington(p); Alberta Jones(v) | |||||
| 26-10-14-001 | X323- | Lucky Number Blues - vAJ | Ge 3403, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2604a | |
| 26-10-14-002 | X324-A | I’m Gonna Put You Right In Jail - vAJ | Ge 3403, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8 | DE2604b | |
| DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 29 November 1926 | |||
| Vocalion recording session | |||||
| Bubber Miley, Louis Metcalf(t);Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(as,bs); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 26-11-29-001 | E4108/9W | A Night In Harlem | DE2605a | ||
| 26-11-29-002 | E4110W | East St. Louis Toodle-O | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Vo 1064 | DE2605b | |
| 26-11-29-003 | E4112/3W | Who Is She? | DE2605c | ||
| 26-11-29-004 | E4114W | Birmingham Breakdown | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, Hi 20.4140-302, HnS FDC-5104, MoJ MJCD-8, Vo 1064 | DE2605d | |
| GUSSY ALEXANDER | New York City, NY | 01 December 1926 | |||
| OKeh recording session | |||||
| Otto Hardwick(as,bs); Duke Ellington(p); Gussy Alexander(v) | |||||
| 26-12-01-001 | I Do It - vGAx | X Rejected | |||
| 26-12-01-002 | Drifting From You Blues - vGAx | X Rejected | |||
| 26-12-01-003 | Drifting From You Blues - vGAx | X Rejected | |||
| GUSSY ALEXANDER | New York City, NY | Same session | |||
| Duke Ellington(p); Gussy Alexander(v) | |||||
| 26-12-01-004 | Drifting From You Blues - vGAx | X Rejected | |||
| DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 29 December 1926 | |||
| Vocalion recording session | |||||
| Bubber Miley, Louis Metcalf(t);Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(as,bs); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 26-12-29-001 | E4321W | Immigration Blues | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5104, MoJ MJCD-9, Vo 1077 | DE2606a | |
| 26-12-29-002 | E4323W | The Creeper | COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196v, HnS FDC-5104, MoJ MJCD-9, Vo 1077 | DE2606b | |
| 26-12-29-003 | E4324W | The Creeper | COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5104, MoJ MJCD-9, Nw RP2009, Vo 1077 | DE2606c | |
| EVELYN PREER | New York City, NY | 10 January 1927 | |||
| Victor recording session | |||||
| Bubber Miley(t); n/k(cl,ts); Edgar Sampson(as,vn); Otto Hardwick(as); Duke Ellington(p); Sonny Greer(d); EPr(v) | |||||
| 27-01-10-001 | BVE37527- | Make Me love You - vEPr | DE2701a | ||
| 27-01-10-002 | BVE37528-1 | If You Can't Hold The Man You Love - vEPr | (F)RCA 731043, Cl(F) 24, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Tx LP-9 | DE2701b | |
| GUSSY ALEXANDER | New York City, NY | 21 January 1927 | |||
| OKeh recording session | |||||
| Duke Ellington(p); Gussy Alexander(v) | |||||
| 27-01-21-001 | I Do It - vGAx | X Rejected | |||
| 27-01-21-002 | Drifting From You Blues - vGAx | X Rejected | |||
| DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 03 February 1927 | |||
| Vocalion recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-02-03-001 | E4510W | New Orleans Lowdown | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 1086 | DE2702a | |
| 27-02-03-002 | E4511W | Song Of The Cotton Field | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 1086 | DE2702b | |
| DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 28 February 1927 | |||
| Brunswick recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-02-28-001 | E21636/8 | East St. Louis Toodle-O | DE2703a | ||
| 27-02-28-002 | E21641 | Birmingham Breakdown | Br 3480, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2703b | |
| DUKE ELLINGTON AND HIS KENTUCKY CLUB ORCHESTRA | New York City, NY | 14 March 1927 | |||
| Brunswick recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-03-14-001 | E21872 | East St. Louis Toodle-O | Br 3480, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2704a | |
| DUKE ELLINGTON AND HIS WASHINGTONIANS | New York City, NY | 22 March 1927 | |||
| Columbia recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-03-22-001 | W143705-3 | East St. Louis Toodle-O | CBS 67264, Cl(F) 539, Co 953D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705a | |
| 27-03-22-002 | W143706-2 | Hop Head | CBS 67264, Cl(F) 539, Co 953D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705b | |
| 27-03-22-003 | W143707-2 | Down In Our Alley Blues | CBS 67264, Cl(F) 539, Co 1076D, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9 | DE2705c | |
| THE WASHINGTONIANS | New York City, NY | 07 April 1927 | |||
| Brunswick recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-04-07-001 | E22299 | Black And Tan Fantasy | Br 3526, Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9 | DE2706a | |
| THE TRAYMORE ORCHESTRA | New York City, NY | 30 April 1927 | |||
| Brunswick recording session | |||||
| June Clark, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-04-30-001 | E22809 | Soliloquy | Cl(F) 539, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5111, MoJ MJCD-9, Vo 15555 | DE2707a | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 06 October 1927 | |||
| Victor recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) | |||||
| 27-10-06-001 | BVE40155- | Black And Tan Fantasy | DE2708a | ||
| 27-10-06-002 | BVE40156-1 | Washington Wabble | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D) | DE2708b | |
| 27-10-06-003 | BVE40156-2 | Washington Wabble | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, Nw RP2009, RCA 09026-63386-2(D) | DE2708c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Camden, NJ | 26 October 1927 | |||
| Victor recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); n/k(cl,as); Edgar Sampson(as); Otto Hardwick(cl,ss,as,bar,bsax); Duke Ellington(p); Fred Guy(bj); Mack Shaw(bb); Sonny Greer(d) Adelaide Hall(v) | |||||
| 27-10-26-001 | BVE40155-4 | Black And Tan Fantasy | (F)RCA 731043, Bb 82876-60091-2-1, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21137 | DE2709a | |
| 27-10-26-002 | BVE40156-5 | Washington Wabble | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21284 | DE2709b | |
| 27-10-26-003 | BVE39370-1 | Creole Love Call - vAHa | (F)RCA 731043, BMG 88697-2985-4-2, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21137 | DE2709c | |
| 27-10-26-004 | BVE39371-1 | The Blues I Love To Sing - vAHa | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-1313, MoJ MJCD-9, RCA 09026-63386-2(D), Vi 21490 | DE2709d | |
| 27-10-26-005 | BVE39371-2 | The Blues I Love To Sing - vAHa | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-9, Nw RP2009, RCA 09026-63386-2(D) | DE2709e | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 03 November 1927 | |||
| Okeh recording session | |||||
| Jabbo Smith, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Adelaide Hall(v) | |||||
| 27-11-03-001 | W81775-A | What Can A Poor Fellow Do? | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 40955 | DE2710a | |
| 27-11-03-002 | W81776-B | Black And Tan Fantasy | CBS 67264, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, Ok 40955 | DE2710b | |
| 27-11-03-003 | W81776-C | Black And Tan Fantasy | CBS 67264, Cl(F) 542, HnS FDC-5111, MoJ MJCD-25, Ok 40955 | DE2710c | |
| 27-11-03-004 | W81777-C | Chicago Stomp Down - vAHa | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 8675 | DE2710d | |
| MARGUERITE LEE WITH THE ELLINGTON TRIO | New York City, NY | 08 November 1927 | |||
| Vocalion recording session | |||||
| n/k(vl); Duke Ellington(p); n/k(sb); Marguerite Lee(v) | |||||
| 27-11-08-001 | E6783/4W | You Will Always Live On In Our Memory - vML | DE2711a | ||
| WALTER RICHARDSON WITH THE ELLINGTON TRIO | Same session | ||||
| n/k(vl); Duke Ellington(p); n/k(sb); Walter Richardson(v) | |||||
| 27-11-08-002 | E6785/6W | Gone But Not Forgotten - vWRi | DE2711b | ||
| MARGUERITE LEE WITH THE ELLINGTON TRIO | Same session | ||||
| n/k(vl); Duke Ellington(p); n/k(sb); Marguerite Lee(v) | |||||
| 27-11-08-003 | E6787/8W | She's Gone To Join The Songbirds In Heaven - vML | DE2711c | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 December 1927 | |||
| Victor recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,as); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 27-12-19-001 | BVE41244-1 | Harlem River Quiver | (F)RCA 731043, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-1308, MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21284 | DE2712a | |
| 27-12-19-002 | BVE41244-2 | Harlem River Quiver | (F)RCA 731043, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, RCA 09026-63386-2(D) | DE2712b | |
| 27-12-19-003 | BVE41244-3 | Harlem River Quiver | (F)RCA 731043, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, RCA 09026-63386-2(D) | DE2712c | |
| 27-12-19-004 | BVE41245-1 | East St. Louis Toodle-O | (F)RCA 731043, Bb 82876-60091-2-1, Cl(F) 542, HnS FDC-5111, LR X-EIO-1(S)(T), MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21703 | DE2712d | |
| 27-12-19-005 | BVE41246-2 | Blue Bubbles | (F)RCA 731043, Cl(F) 542, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, RCA 09026-63386-2(D), Vi 21490 | DE2712e | |
| 27-12-19-006 | BVE41246-1 | Blue Bubbles | (F)RCA 731043, LR X-EIO-1(S)(T), MoJ MJCD-25, Nw RP2009, RCA 09026-63386-2(D) | DE2712f | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 29 December 1927 | |||
| Vocalion recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,as); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 27-12-29-001 | E6824W | Red Hot Band | Cl(F) 542, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-25, Vo 1153 | DE2713a | |
| 27-12-29-002 | E6826W | Doin' The Frog | Cl(F) 542, COPS 7394-D/1, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-25, Vo 1153 | DE2713b | |
| THE WASHINGTONIANS | New York City, NY | 09 January 1928 | |||
| Columbia recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Rudy Jackson(cl,as);Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-01-09-001 | 145488-3 | Sweet Mama,Papa's Getting Mad | CBS 67264, Cl(F) 542, Co C2K-46177(D), FMRS FM-4001/02†, Har 577-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801a | |
| 28-01-09-002 | 145489-3 | Stack O'Lee Blues | CBS 67264, Cl(F) 542, Co C2K-46177(D), Har 601-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801b | |
| 28-01-09-003 | 145490-3 | Bugle Call Rag | CBS 67264, Cl(F) 542, Co C2K-46177(D), Har 577-H, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25 | DE2801c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 19 January 1928 | |||
| Okeh recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-01-19-001 | W400030-B | Take It Easy | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 41013 | DE2802a | |
| 28-01-19-002 | W400031-A | Jubilee Stomp | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 41013 | DE2802b | |
| 28-01-19-003 | W400032-A | East St. Louis Toodle-O (Harlem Twist) | CBS 67264, Cl(F) 542, Co C2K-46177(D), HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-25, Ok 8638 | DE2802c | |
| THE WHOOPEE MAKERS / THE WASHINGTONIANS | New York City, NY | c.07 March 1928 | |||
| Pathé and Cameo recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-03-07-001 | 2944-A | East St. Louis Toodle-O | Ca 8182, HnS FDC-5112, MoJ MJCD-25, Nw RP2009 | DE2803a | |
| 28-03-07-002 | 108079-1 | East St. Louis Toodle-O | CBS 67264, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25, Pt 36781 | DE2803b | |
| 28-03-07-003 | 108080-1 | Jubilee Stomp | CBS 67264, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25, Pt 36781 | DE2803c | |
| 28-03-07-004 | 2945-B | Jubilee Stomp | Ca 8182, CBS 67264, HnS FDC-5112, MoJ MJCD-25, Nw RP2009 | DE2803d | |
| 28-03-07-005 | 108081 | Take It Easy | CBS 67264, HnS FDC-5112, MoJ MJCD-25, Nw RP2009, Pt 36787 | DE2803e | |
| 28-03-07-006 | 2946-B | Take It Easy | Ca 8188, CBS 67264, Cl(F) 542, HnS FDC-5112, MoJ MJCD-25 | DE2803f | |
| THE WASHINGTONIANS | New York City, NY | 21 March 1928 | |||
| Brunswick recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-03-21-001 | E27090 | Take It Easy | Br 4009, Cl(F) 542, COPS 7394-D/2, Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2804a | |
| 28-03-21-002 | E27091 | Jubilee Stomp | Cl(F) 542, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30, Vo 15710 | DE2804b | |
| 28-03-21-003 | E27093 | Black Beauty | Br 4044, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30, Nw RP2009 | DE2804c | |
| 28-03-21-004 | E27094 | Black Beauty | Br 4009, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2804d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 26 March 1928 | |||
| Victor recording session | |||||
| Arthur Whetsel, Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Otto Hardwick(cl,ss,as,bar,bsax); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-03-26-001 | BVE43502-2 | Black Beauty | (F)RCA 731043, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-1310, MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21580 | DE2805a | |
| 28-03-26-002 | BVE43503-2 | Jubilee Stomp | (F)RCA 731043, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21580 | DE2805b | |
| 28-03-26-003 | BVE43504-2 | Got Everything But You | (F)RCA 741028, Cl(F) 550, HnS FDC-5112, LR X-EIO-1(S)(T), MoJ MJCD-30, RCA 09026-63386-2(D), Vi 21580 | DE2805c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 25 June 1928 | |||
| Brunswick recording session | |||||
| Bubber Miley, Louis Metcalf(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,ss,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-06-25-001 | E27770- | What A Life | DE2806a | ||
| 28-06-25-002 | E27771-A | Yellow Dog Blues | Br 3987, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-1302, MoJ MJCD-30 | DE2806b | |
| 28-06-25-003 | E27772-A | Tishomingo Blues | Br 3987, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, HnS FDC-5112, MoJ MJCD-30 | DE2806c | |
| 28-06-25-004 | E27772-B | Tishomingo Blues | Br 3987, JO BDW-8047 | DE2806d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 10 July 1928 | |||
| Okeh recording session | |||||
| Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,ss,,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills(v) | |||||
| 28-07-10-001 | W400859-B | Diga Diga Doo - vIM | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8602 | DE2807a | |
| 28-07-10-002 | W400860-C | Doin' The New Low Down - vIM | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8602 | DE2807b | |
| DUKE ELLINGTON | New York City, NY | 01 October 1928 | |||
| Okeh recording session | |||||
| Duke Ellington(p) | |||||
| 28-10-01-001 | W401172-B | Black Beauty | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-1309, MoJ MJCD-30, Ok 8636 | DE2808a | |
| 28-10-01-002 | W401173-B | Swampy River | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-1309, MoJ MJCD-30, Ok 8636 | DE2808b | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Same session | ||||
| Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Lonnie Johnson(g); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Baby Cox(v) | |||||
| 28-10-01-003 | W401175-A | The Mooche - vBCx | CBS 67264, Cl(F) 550, Co C2K-46177(D), DeM MCAD-42325, LR X-EIO-1(S)(T), MoJ MJCD-1305, MoJ MJCD-1306, MoJ MJCD-30, Ok 8636 | DE2808c | |
| 28-10-01-004 | W401176-B | Move Over | CBS 67264, Cl(F) 550, Co C2K-46177(D), LR X-EIO-1(S)(T), MoJ MJCD-30, Ok 8636 | DE2808d | |
| 28-10-01-005 | W401177-A | Hot And Bothered - vBCx | CBS 67264, Cl(F) 550, Co C2K-46177(D), MoJ MJCD-1305, MoJ MJCD-30, Ok 8636 | DE2808e | |
| Note: Move Over was released as LONNIE JOHNSON'S HARLEM FOOTWARMERS | |||||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 02 October 1928 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-10-02-001 | E28441-A | Awful Sad | Br 4110, Cl(F) 550, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-52 | DE2809a | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 17 October 1928 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Bubber Miley, n/k(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-10-17-001 | E28359-A | The Mooche | Br 4122, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-30 | DE2810a | |
| 28-10-17-002 | E28360-A | Louisiana | Br 4122, Cl(F) 550, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-30 | DE2810b | |
| 28-10-17-003 | E28361- | Memphis Wail | DE2810c | ||
| THE WHOOPEE MAKERS | New York City, NY | October 1928 | |||
| Pathé recording session | |||||
| Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-10-20-001 | 108446-1 | The Mooche | CBS 67264, Cl(F) 550, MoJ MJCD-30, Pt 36899 | DE2811a | |
| 28-10-20-002 | 108446-2 | The Mooche | CBS 67264, MoJ MJCD-30, Nw RP2009, Pt 36899 | DE2811b | |
| 28-10-20-003 | 108447-2 | Hot And Bothered | CBS 67264, Cl(F) 550, MoJ MJCD-30, Pt 36899 | DE2811c | |
| 28-10-20-004 | 108448-1 | Move Over | CBS 67264, Cl(F) 550, MoJ MJCD-30, Pt 36899 | DE2811d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 30 October 1928 | |||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-10-30-001 | BVE47799-2 | The Mooche | (F)RCA 741028, Bb 82876-60091-2-1, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi V-38034 | DE2812c | |
| OZZIE WARE WITH "HOT FIVE" | New York City, NY | Same session | |||
| Victor recording session | |||||
| Freddie Jenkins(t); Barney Bigard(cl); Duke Ellington(p); Wellman Braud(bb); Sonny Greer(d); Ozzie Ware(v) | |||||
| 28-10-30-002 | BVE48100-1 | Santa Claus, Bring My Man Back To Me - vOW | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812a | |
| 28-10-30-003 | BVE48101-2 | I Done Caught You Blues - vOW | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812b | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | Same session | ||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills, Baby Cox,Ozzie Ware(v) | |||||
| 28-10-30-004 | BVE48102-1 | I Can't Give You Anything But Love - vIM,BC | LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812d | |
| 28-10-30-005 | BVE48103-1 | No Papa No | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 26310 | DE2812e | |
| 28-10-30-006 | BVE48103-2 | No Papa No - vOW | (F)RCA 741028, Cl(F) 559, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D) | DE2812f | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 November 1928 | |||
| Victor recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills, Baby Cox(v) | |||||
| 28-11-10-001 | BVE48102-4 | I Can't Give You Anything But Love - vIM,BC | (F)RCA 741028, Cl(F) 550, LR X-EIO-1(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 38008 | DE2813a | |
| 28-11-10-002 | BVE401-1 | Since You Went Away | DE2813b | ||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 15 November 1928 | |||
| Victor recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Irving Mills, Baby Cox(v) | |||||
| 28-11-15-001 | BVE48166-2 | Bandana Babies - vOW | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 38007 | DE2814a | |
| 28-11-15-002 | BVE48167-2 | Diga Diga Doo - vIM,OW | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 38007 | DE2814b | |
| 28-11-15-003 | BVE48168-1 | I Must Have That Man | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-52, RCA 09026-63386-2(D), Vi 38007 | DE2814c | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 20 November 1928 | |||
| Okeh recording session | |||||
| Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-11-20-001 | W401350- | The Blues With A Feeling | DE2815a | ||
| 28-11-20-002 | W401351- | Goin' To Town | DE2815b | ||
| 28-11-20-003 | W401352- | Misty Mornin' | DE2815c | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 22 November 1928 | |||
| Okeh recording session | |||||
| Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-11-22-001 | W401350-D | The Blues With A Feeling | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-1302, MoJ MJCD-52, Ok 8675 | DE2816a | |
| 28-11-22-002 | W401351-E | Goin' To Town | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-52, Ok 8675 | DE2816b | |
| Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Lonnie Johnson(g); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-11-22-003 | W401352-D | Misty Mornin' | CBS 68275, Cl(F) 559, Co C2K-46177(D), LR X-EIO-2(S)(T), MoJ MJCD-52, Ok 8662 | DE2816c | |
| THE WHOOPEE MAKERS | New York City, NY | November/December 1928 | |||
| Pathé recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 28-12-05-001 | 108532-3 | Hottentot (T)(YT) | CBS 68275, Cl(F) 559, MoJ MJCD-52, Pt 36923 | DE2817a | |
| 28-12-05-002 | 108533-3 | Misty Mornin' | CBS 68275, Cl(F) 559, MoJ MJCD-52, Pt 36923 | DE2817b | |
| OZIE WARE | New York City, NY | December 1928 | |||
| Cameo recording session | |||||
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d); Ozzie Ware(v) | |||||
| 28-12-12-001 | 3532-B | Hit Me In The Nose Blues - vOW (YT) | Ca 9039, CBS 68275, Cl(F) 559, MoJ MJCD-52 | DE2818a | |
| Duke Ellington(p); Ozzie Ware(v) | |||||
| 28-12-12-002 | 3533-B | It's All Coming Home To You - vOW (YT) | Ca 9039, CBS 68275, Cl(F) 559, MoJ MJCD-52 | DE2818b | |
| WARREN MILLS AND HIS BLUE SERENADERS | New York City, NY | 20 December 1928 | |||
| Brunswick recording session | |||||
| MM(vn); Arthur Whetsel, Bubber Miley(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); n/k, Hall Johnson Choir(v) | |||||
| 28-12-20-001 | BVE49007-1 | St. Louis Blues - v n/k, Hall Johnson Choir | JA 21, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D) | DE2819a | |
| 28-12-20-002 | BVE49007-2 | St. Louis Blues - v n/k, Hall Johnson Choir | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi 35962 | DE2819b | |
| 28-12-20-003 | BVE49007-3 | St. Louis Blues - v n/k, Hall Johnson Choir | LR X-EIO-2(S)(T), RCA 09026-63386-2(D) | DE2819c | |
| BVE49008- | Gems From "Blackbirds of 1928" | DE2819d | |||
| 28-12-20-004 | 1. I Can't Give You Anything But Love | ||||
| 28-12-20-005 | 2. Doin' The New Lowdown | ||||
| 28-12-20-006 | 3. I Must Have That Man | ||||
| THE JUNGLE BAND | New York City, NY | 08 January 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-01-08-001 | E28939-A | Doin' The Voom Voom | Br 4345, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2901a | |
| 29-01-08-002 | E28940-A | Tiger Rag - Part 1 | Br 01338, Cl(F) 559, De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1374, MoJ MJCD-69 | DE2901b | |
| 29-01-08-003 | E28940-B | Tiger Rag - Part 1 | Br 4238, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69, Nw RP2009 | DE2901c | |
| 29-01-08-004 | E28941-A | Tiger Rag - Part 2 | Br 4238, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2901d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 16 January 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Bubber Miley, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-01-16-001 | BVE49652-1 | Flaming Youth | LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2033, RCA 09026-63386-2(D), UtD 2006 | DE2902a | |
| 29-01-16-002 | BVE49652-2 | Flaming Youth | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38035 | DE2902b | |
| 29-01-16-003 | BVE49653-2 | Saturday Night Function | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38036 | DE2902c | |
| 29-01-16-004 | BVE49654-1 | High Life | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38036 | DE2902d | |
| 29-01-16-005 | BVE49655-1 | Doin' The Voom Voom | LR X-EIO-2(S)(T), RCA 09026-63386-2(D) | DE2902e | |
| 29-01-16-006 | BVE49655-2 | Doin' The Voom Voom | (F)RCA 741028, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1311, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38035 | DE2902f | |
| DUKE ELLINGTON'S ORCHESTRA | New York City, NY | 18 February 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-02-18-001 | BVE48373-2 | Japanese Dream | (F)RCA 741029, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38045 | DE2903a | |
| 29-02-18-002 | BVE48374-1 | Harlemania | (F)RCA 741029, Cl(F) 559, LR X-EIO-2(S)(T), MoJ MJCD-1308, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38045 | DE2903b | |
| THE JUNGLE BAND | New York City, NY | 01 March 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-03-01-001 | E29381-A | Rent Party Blues | Br 4345, Cl(F) 559, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2904a | |
| 29-03-01-002 | E29382-A | Paducah | Br 4345, Cl(F) 569, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-69 | DE2904b | |
| 29-03-01-003 | E29383-B | Harlem Flat Blues | Br 4345, Cl(F) 569, COPS 7394-D/2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-1308, MoJ MJCD-69 | DE2904c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 07 March 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-03-07-001 | BVE49767-1 | Dicty Glide | (F)RCA 741029, LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2009, RCA 09026-63386-2(D), Vi V-38053 | DE2905a | |
| 29-03-07-002 | BVE49767-2 | Dicty Glide | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-1312, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38053 | DE2905b | |
| 29-03-07-003 | BVE49768-1 | Hot Feet - vCW | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38065 | DE2905c | |
| 29-03-07-004 | BVE49769-1 | Sloppy Joe - vSG | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-1313, MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38065 | DE2905d | |
| 29-03-07-005 | BVE49769-2 | Sloppy Joe - vSG | (F)RCA 741029, LR X-EIO-2(S)(T), MoJ MJCD-69, Nw RP2009, RCA 09026-63386-2(D), Vi V-38065 | DE2905e | |
| 29-03-07-006 | BVE49770-2 | Stevedore Stomp | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-69, RCA 09026-63386-2(D), Vi V-38053 | DE2905f | |
| THE WASHINGTONIANS | New York City, NY | March 1929 | |||
| Cameo recording session | |||||
| Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb) | |||||
| 29-03-15-001 | 3713-C | Saratoga Swing | Ca 9175, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906a | |
| 29-03-15-002 | 3714-A | Who Said It's "Tight Like That" - vCW | Ca 9175, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906b | |
| OZIE WARE WITH THE WHOOPEE MAKERS | Same session | ||||
| Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb); Ozzie Ware(v) | |||||
| 29-03-15-003 | 3715-B | He Just Don't Appeal To Me | Ca 9240, CBS 68275, Cl(F) 569, MoJ MJCD-69 | DE2906c | |
| JOE TURNER AND HIS MEMPHIS MEN | New York City, NY | 04 April 1929 | |||
| Columbia recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-04-04-001 | 148170-3 | I Must Have That Man | CBS 68275, Cl(F) 569, Co 5486, Co C2K-46177(D), MoJ MJCD-88 | DE2907a | |
| 29-04-04-002 | 148171-1 | Freeze And Melt | CBS 68275, Cl(F) 569, Co 18130, Co C2K-46177(D), MoJ MJCD-88 | DE2907b | |
| 29-04-04-003 | 148172-3 | Mississippi Moan | CBS 68275, Cl(F) 569, Co 18130, Co C2K-46177(D), MoJ MJCD-1306, MoJ MJCD-88 | DE2907c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 12 April 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Harmonica Charlie(hca) | |||||
| 29-04-12-001 | BVE51158-1 | A Nite At The Cotton Club - Part 1 | (F)RCA 741029, BFR BCD-16340, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, Pi MPC-524, RCA 09026-63386-2(D) | DE2908a | |
| 1. Cotton Club Stomp | |||||
| 2. Misty Mornin' | |||||
| 29-04-12-002 | BVE51159-1 | A Nite At The Cotton Club - Part 2 | (F)RCA 741029, BFR BCD-16340, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, Pi MPC-524, RCA 09026-63386-2(D) | DE2908b | |
| 1. Goin' To Town | |||||
| 2. Harmonica Interlude | |||||
| 3. Freeze And Melt | |||||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 03 May 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-05-03-001 | BVE51971-2 | Cotton Club Stomp | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38079 | DE2909a | |
| 29-05-03-002 | BVE51972-2 | Misty Mornin' | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38058 | DE2909b | |
| 29-05-03-003 | BVE51973-2 | Arabian Lover | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38079 | DE2909c | |
| Cootie Williams(t); Barney Bigard(cl); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(bb); Sonny Greer(d) | |||||
| 29-05-03-004 | BVE51974-2 | Saratoga Swing | (F)RCA 741029, Cl(F) 569, LR X-EIO-2(S)(T), MoJ MJCD-1302, MoJ MJCD-88, RCA 09026-63386-2(D), Vi V-38058 | DE2909d | |
| DUKE ELLINGTON AND HIS MEMPHIS MEN | New York City, NY | 28 May 1929 | |||
| Columbia recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-05-28-001 | 148640-1 | That Rhythm Man | CBS 68275, Cl(F) 569, Co 36157, Co C2K-46177(D), MoJ MJCD-88 | DE2910a | |
| SONNY GREER AND HIS MEMPHIS MEN | New York City, NY | Same session | |||
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard,Harry Carney(cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-05-28-002 | 148641-3 | Beggar's Blues | Cl(F) 569, Co 18680-CBS-68275, Co C2K-46177(D), MoJ MJCD-1302, MoJ MJCD-88 | DE2910b | |
| Arthur Whetsel, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-05-28-003 | 148642-1 | Saturday Night Function | Cl(F) 569, Co 18680-CBS-68275, Co C2K-46177(D), MoJ MJCD-88 | DE2910c | |
| THE JUNGLE BAND | New York City, NY | 29 July 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-07-29-001 | E30585-B | Black And Blue | Br 4492, Cl(F) 569, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-88 | DE2911a | |
| 29-07-29-002 | E30586-A | Jungle Jamboree | Br 4492, Cl(F) 569, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-88 | DE2911b | |
| THE HARLEM FOOTWARMERS | New York City, NY | 02 August 1929 | |||
| Okeh recording session | |||||
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(cl,ts); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-08-02-001 | W402551-C | Jungle Jamboree | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-1306, MoJ MJCD-88, Ok 8720 | DE2912a | |
| 29-08-02-002 | W402552- | Six Or Seven Times | DE2912b | ||
| 29-08-02-003 | W402553-B | Snake Hip Dance | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-1304, MoJ MJCD-88, Ok 8720 | DE2912c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | c. 12 August 1929 | |||
| RKO film recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); HJC(v) | |||||
| 29-08-12-001 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913a | ||
| 29-08-12-002 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913b | ||
| 29-08-12-003 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913c | ||
| 29-08-12-004 | Black And Tan Fantasy | MoJ MJCD-88, Sv SLP-702 | DE2913d | ||
| 29-08-12-005 | The Duke Steps Out | MoJ MJCD-88, Sv SLP-702 | DE2913e | ||
| 29-08-12-006 | Black Beauty | MoJ MJCD-88, Sv SLP-702 | DE2913f | ||
| 29-08-12-007 | The Duke Steps Out | MoJ MJCD-88, Sv SLP-702 | DE2913g | ||
| 29-08-12-008 | Black Beauty | MoJ MJCD-88, Sv SLP-702 | DE2913h | ||
| 29-08-12-009 | Cotton Club Stomp | MoJ MJCD-88, Sv SLP-702 | DE2913i | ||
| 29-08-12-010 | Flaming Youth | MoJ MJCD-88, Sv SLP-702 | DE2913j | ||
| 29-08-12-011 | Same Train - vHJC | MoJ MJCD-88, Sv SLP-702 | |||
| 29-08-12-012 | Black And Tan Fantasy - vHJC | MoJ MJCD-88, Sv SLP-702 | DE2913k | ||
| Same Train is by HJC only | |||||
| THE WASHINGTONIANS | New York City, NY | 10 September 1929 | |||
| Cameo recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-09-10-001 | 4062-A | Doin' The Voom Voom | Ca 9306, CBS 68275-MoJ-MJCD-101, Cl(F) 577 | DE2914a | |
| 29-09-10-002 | 4063-B | Flaming Youth | CBS 68275-MoJ-MJCD-101, Cl(F) 577, Pt 37059 | DE2914b | |
| 29-09-10-003 | 4064-B | Saturday Night Function | Ca 9306, CBS 68275-MoJ-MJCD-101, Cl(F) 577 | DE2914c | |
| BILL ROBINSON ACCOMPANIED BY IRVING MILLS AND HIS HOTSY TOTSY GANG | New York City, NY | 13 September 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Bill "Bojangles" Robinson(v,td) | |||||
| 29-09-13-001 | E30526-A | Ain't Misbehavin' - vBRo | Br 7706, MoJ MJCD-88 | ||
| 29-09-13-002 | E30527-A | Doin' The New Low Down - vBRo | Br 7706, MoJ MJCD-88 | ||
| Some doubt remains that this is a Duke Ellington session but the bulk of evidence suggests that it is | |||||
| THE JUNGLE BAND | New York City, NY | 13 September 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-09-13-003 | E30937-A | Jolly Wog | Br 4705, Cl(F) 577, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | DE2915a | |
| 29-09-13-004 | E30938-A | Jazz Convulsions | Br 4705, Cl(F) 577, COPS 7395D-1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101 | DE2915b | |
| 29-09-13-005 | E30939- | Slow Motion | DE2915c | ||
| DUKE ELLINGTON'S ORCHESTRA | New York City, NY | 16 September 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Teddy Bunn(g); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-09-16-001 | BVE55845-2 | Mississippi Dry | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38089 | DE2916a | |
| 29-09-16-002 | BVE55846-2 | The Duke Steps Out | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38092 | DE2916b | |
| 29-09-16-003 | BVE55847-2 | Haunted Nights | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, MoJ MJCD-1306, RCA 09026-63386-2(D), Vi V-38092 | DE2916c | |
| 29-09-16-004 | BVE55848-2 | Swanee Shuffles | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38089 | DE2916d | |
| THE SIX JOLLY JESTERS | New York City, NY | 25 October 1929 | |||
| Brunswick recording session | |||||
| Cootie Williams(t,v); Joe Nanton(tb); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,v) | |||||
| 29-10-25-001 | E31301-A | Six Or Seven Times - vSG,CW | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 15843 | DE2917a | |
| 29-10-25-002 | E31301-B | Six Or Seven Times - vSG,CW | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Nw RP2009, Vo 15843 | DE2917b | |
| THE SIX JOLLY JESTERS | New York City, NY | 29 October 1929 | |||
| Brunswick recording session | |||||
| Cootie Williams(t); Freddie Jenkins(t,v); Joe Nanton(tb); Johnny Hodges(as); Duke Ellington(p); Fred Guy(bj); Teddy Bunn(g); Wellman Braud(sb); Sonny Greer(d,v); Howard "Blinky" Randolph(kaz) | |||||
| 29-10-29-001 | E31371-A | Goin' Nuts - v Freddie Jenkins | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 15843 | DE2918a | |
| 29-10-29-002 | E31372-A | Oklahoma Stomp | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-101, Vo 1449 | DE2918b | |
| 29-10-29-003 | E31372-B | Oklahoma Stomp | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 1347, MoJ MJCD-101, Nw RP2009 | DE2918c | |
| 29-10-29-004 | E31372- | Oklahoma Stomp | DE2918d | ||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 14 November 1929 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 29-11-14-001 | BVE57542-1 | The Breakfast Dance | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, MoJ MJCD-1304, RCA 09026-63386-2(D), Vi V-38115 | DE2919a | |
| 29-11-14-002 | BVE57543-2 | Jazz Lips | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38129 | DE2919b | |
| 29-11-14-003 | BVE57544-1 | March Of The Hoodlums | (F)RCA 741039, Cl(F) 577, LR X-EIO-2(S)(T), MoJ MJCD-101, RCA 09026-63386-2(D), Vi V-38115 | DE2919c | |
| THE HARLEM FOOTWARMERS | New York City, NY | 20 November 1929 | |||
| Okeh recording session | |||||
| Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard,Harry Carney(cl); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d) | |||||
| 29-11-20-001 | W403286-B | The Lazy Duke | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8760 | DE2920a | |
| Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl); Johnny Hodges(as); Harry Carney(bar); Duke Ellington(p); Fred Guy(bj); Sonny Greer(d) | |||||
| 29-11-20-002 | W403287-B | Blues Of The Vagabond | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8746 | DE2920b | |
| 29-11-20-003 | W403288-B | Syncopated Shuffle | CBS 68275, Cl(F) 577, Co C2K-46177(D), MoJ MJCD-101, Ok 8746 | DE2920c | |
| THE JUNGLE BAND | New York City, NY | 10 December 1929 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 29-12-10-001 | E31508-A | Sweet Mama | Br 4760, Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE2921a | |
| 29-12-10-002 | E31509-A | Wall Street Wail | Br 4887, Cl(F) 24, Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1308 | DE2921b | |
| 29-12-10-003 | E31509-B | Wall Street Wail | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2009 | DE2921c | |
| 29-12-10-004 | E31510-A | Cincinnati Daddy | Cl(F) 577, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, FDC 1003, MoJ MJCD-123 | DE2921d | |
| THE TEN BLACK BERRIES | New York City, NY | 29 January 1930 | |||
| Plaza recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
| 30-01-29-001 | 9319-1 | St. James Infirmary - vIM | CBS 68275, Cl(F) 577, MoJ MJCD-123, Pe 15272 | DE3001a | |
| 30-01-29-002 | 9319-2 | St. James Infirmary - vIM | Ba 0594, CBS 68275, MoJ MJCD-123, Nw RP2009 | DE3001b | |
| 30-01-29-003 | 9319-3 | St. James Infirmary - vIM | Ca 0194, CBS 68275, MoJ MJCD-123, Nw RP2009 | DE3001c | |
| 30-01-29-004 | 9320-1 | When You're Smiling - vIM | Ba 0607, CBS 68275, MoJ MJCD-123, Nw RP2009 | DE3001d | |
| 30-01-29-005 | 9320-3 | When You're Smiling - vIM | CBS 68275, Cl(F) 586, MoJ MJCD-123, Pe 15272 | DE3001e | |
| 30-01-29-006 | 9321-1 | Rent Party Blues | Ba 0607, CBS 68275, MoJ MJCD-123, Nw RP2009 | DE3001f | |
| 30-01-29-007 | 9321-2 | Rent Party Blues | Ca 0194, CBS 68275, MoJ MJCD-123, Nw RP2009 | DE3001g | |
| 30-01-29-008 | 9321-3 | Rent Party Blues | Ba 0594, CBS 68275, Cl(F) 586, MoJ MJCD-123 | DE3001h | |
| 30-01-29-009 | 9322-1 | Jungle Blues | Ba 0598, CBS 88000, MoJ MJCD-123, MoJ MJCD-1306, Nw RP2009 | DE3001i | |
| 30-01-29-010 | 9322-2 | Jungle Blues | CBS 88000, Cl(F) 586, MoJ MJCD-123, Or 1854 | DE3001j | |
| THE JUNGLE BAND | New York City, NY | 21 February 1930 | |||
| Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills (probably) (v) | |||||
| 30-02-21-001 | E32209- | Admiration | DE3002a | ||
| 30-02-21-002 | E32210-A | Maori (A Samoan Dance) | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, MoJ MJCD-1304 | DE3002b | |
| 30-02-21-003 | E32211-A or -B | Maori (A Samoan Dance) | DE3002c | ||
| 30-02-21-004 | E32212- | When You're Smiling - vIM | DE3002d | ||
| HARLEM HOT CHOCOLATES | New York City, NY | March 1930 | |||
| Durium recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
| 30-03-00-001 | 1045-C | Sing Your Sinners - vIM | Cl(F) 586, HoW 1045, MoJ MJCD-123 | DE3003a | |
| 30-03-00-002 | 1046-D | St. James Infirmary - vIM | Cl(F) 586, HoW 1045, MoJ MJCD-123 | DE3003b | |
| THE JUNGLE BAND | New York City, NY | 20 March 1930 | |||
| Brunswick recording session, Brunswick Studio, 799 Seventh Avenue | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
| 30-03-20-001 | E32447-A | When You're Smiling - vIM | Br 4760, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE3004a | |
| 30-03-20-002 | E32447-B | When You're Smiling - vIM | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2009, UtD 2007 | DE3004b | |
| 30-03-20-003 | E32448-A | Maori (A Samoan Dance) | Br A-500158, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123, Nw RP2009 | DE3004c | |
| 30-03-20-004 | E32448-B | Maori (A Samoan Dance) | De GRD-3-640(D)(S)(T), Df DRCD-11196, MCA 11374, MoJ MJCD-123, Nw RP2009 | DE3004d | |
| 30-03-20-005 | E32449-A or -B | Admiration | Br 4776, Cl(F) 586, COPS 7395-D1, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-123 | DE3004e | |
| MILLS TEN BLACK BERRIES | New York City, NY | 03 April 1930 | |||
| Columbia recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 30-04-03-001 | 1050165-2 | The Mooche | CBS 88000, Cl(F) 586, Co C2K-46177(D), MoJ MJCD-145, Ve 7072 | DE3005a | |
| 30-04-03-002 | 105015-3 | The Mooche | CBS 88000, Di 6046, MoJ MJCD-145, Nw RP2009 | DE3005b | |
| 30-04-03-003 | 105016-1 | Ragamuffin Romeo | CBS 88000, Cl(F) 586, Co C2K-46177(D), FDC 1003, MoJ MJCD-145 | DE3005c | |
| 30-04-03-004 | 105017-2 | East St. Louis Toodle-O | CBS 88000, MoJ MJCD-145, Nw RP2009, Ve 7072 | DE3005d | |
| 30-04-03-005 | 105017-3 | East St. Louis Toodle-O | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6046, MoJ MJCD-145 | DE3005e | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 11 April 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d); Frank Marvin(v) | |||||
| 30-04-11-001 | BVE59695-2 | Double Check Stomp | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1312, MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38129 | DE3006a | |
| 30-04-11-002 | BVE59693-2 | My Gal Is Good For Nothing But Love - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006b | |
| 30-04-11-003 | BVE59694-1 | I Was Made To Love You - vFM | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38130 | DE3006c | |
| THE JUNGLE BAND | New York City, NY | 22 April 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Cornell Smelser(acc); Wellman Braud(sb); Sonny Greer(d); Dick Robertson(v) | |||||
| 30-04-22-001 | E32612-A | Double Check Stomp | Br 4783, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007a | |
| 30-04-22-002 | E32613-A | Accordion Joe - vDR | Br 4783, COPS 7395-D2, Df DRCD-11196, MoJ MJCD-1305, MoJ MJCD-145 | DE3007b | |
| 30-04-22-003 | E32613-B | Accordion Joe - vDR | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145, Nw RP2009, UtD 2007 | DE3007c | |
| 30-04-22-004 | E32614-A | Cotton Club Stomp* | Br 4887, Cl(F) 586, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145 | DE3007d | |
| 30-04-22-005 | E32614-B | Cotton Club Stomp* | De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-145, Nw RP2009, UtD 2007 | DE3007e | |
| NB:- Cotton Club Stomp on these recordings is not the same as any other recording of the same title. | |||||
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 04 June 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 30-06-04-001 | BVE62192-1 | Sweet Dreams Of Love | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008a | |
| 30-06-04-002 | BVE62192-2 | Sweet Dreams Of Love | LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D) | DE3008b | |
| 30-06-04-003 | BVE62193-2 | Jungle Nights In Harlem | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23022 | DE3008c | |
| 30-06-04-004 | BVE62194-1 | Sweet Jazz O' Mine | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-145, RCA 09026-63386-2(D), Vi V-38143 | DE3008d | |
| 30-06-04-005 | BVE62194-2 | Sweet Jazz O' Mine | (F)RCA 741039, LR X-EIO-2(S)(T), MoJ MJCD-145, Nw RP2009, RCA 09026-63386-2(D), Vi V-38143 | DE3008e | |
| 30-06-04-006 | BVE62195-2 | Shout 'Em Aunt Tillie | (F)RCA 741039, Cl(F) 586, LR X-EIO-2(S)(T), MoJ MJCD-1306, MoJ MJCD-145, RCA 09026-63386-2(D), Vi 23041 | DE3008f | |
| MILLS TEN BLACK BERRIES | New York City, NY | 12 June 1930 | |||
| Columbia recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 30-06-12-001 | 150584-1 | Sweet Mama | BD T-1001, MoJ MJCD-145, Nw RP2009, Ve 7088 | DE3009a | |
| 30-06-12-002 | 150584-2 | Sweet Mama | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062, FMRS FM-4001/02†, MoJ MJCD-145 | DE3009b | |
| 30-06-12-003 | 150585-1 | Hot And Bothered | CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6056, LR X-EIO-1(S)(T), MoJ MJCD-145 | DE3009c | |
| 30-06-12-004 | 150586-1 | Double Check Stomp | Ve 7088 | DE3009d | |
| 30-06-12-005 | 150586-2 | Double Check Stomp | BD T-1001, CBS 88000, Cl(F) 586, Co C2K-46177(D), Di 6062, MoJ MJCD-145 | DE3009e | |
| 30-06-12-006 | 150590-1 | Black And Tan Fantasy | CBS 88000, Cl(F) 596, Co C2K-46177(D), Di 6056, MoJ MJCD-145 | DE3009f | |
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | Early August 1930 | |||
| RKO film recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
| 30-00-08-001 | When I'm Blue | MoJ MJCD-173, Pv PRV-102 | DE3010a | ||
| 30-00-08-002 | The Mystery song | MoJ MJCD-173 | DE3010b | ||
| 30-00-08-003 | When I'm Blue | MoJ MJCD-173 | DE3010c | ||
| 30-00-08-004 | East St. Louis Toodle-O (theme) | MoJ MJCD-173, Pv PRV-102 | DE3010d | ||
| 30-00-08-005 | Old Man Blues | MoJ MJCD-173, Pv PRV-102 | DE3010f | ||
| 30-00-08-006 | Three Little Words | Roan AED-2027 | DE3010g | ||
| Film sound track from RKO Radio Pictures "Check And Double Check". NB. 30000806, while recorded for this film was used in the RKO Radio Pictures "The Lady Refuses" The version in "Check And Double Check" and appearing on Pv PRV-102 and MoJ MJCD 173 was recorded by The Rhythm Boys and a studio orchestra | |||||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 20 August 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Emmanuel Hall Quartet, Jimmy Miller(v) | |||||
| 30-08-20-001 | BVE61011-2 | Ring Dem Bells - vCW | (F)RCA 741048, MoJ MJCD-173, Nw RP2009, Pi MPC-509, RCA 09026-63386-2(D) | DE3011a | |
| 30-08-20-002 | BVE61011-3 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1312, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 200-1532 | DE3011b | |
| 30-08-20-003 | BVE61012-1 | Old Man Blues | MoJ MJCD-173, Nw RP2033, RCA 09026-63386-2(D), UtD 2008(D) | DE3011c | |
| 30-08-20-004 | BVE61012-2 | Old Man Blues | (F)RCA 741048, MoJ MJCD-173, Nw RP2009, Pi MPC-509, RCA 09026-63386-2(D) | DE3011d | |
| 30-08-20-005 | BVE61012-3 | Old Man Blues | MoJ MJCD-173, RCA 09026-63386-2(D), UtD 2008(D) | DE3011e | |
| 30-08-20-006 | BVE61013-1 | Three Little Words - vEHQ | MoJ MJCD-173, RCA 09026-63386-2(D) | DE3011f | |
| 30-08-20-007 | BVE61013-2 | Three Little Words - vJMi | DE3011g | ||
| DUKE ELLINGTON AND HIS ORCHESTRA | Los Angeles, CA | 26 August 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); The Rhythm Boys(v) | |||||
| 30-08-26-001 | BVE61011-6 | Ring Dem Bells - vCW | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012a | |
| 30-08-26-002 | BVE61012-4 | Old Man Blues | JA 21, MoJ MJCD-173, RCA 09026-63386-2(D) | DE3012b | |
| 30-08-26-003 | BVE61012-6 | Old Man Blues | (F)RCA 741048, Bb 82876-60091-2-1, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23022 | DE3012c | |
| 30-08-26-004 | BVE61013-5 | Three Little Words - vTRB | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1305, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 22528 | DE3012d | |
| DUKE ELLINGTON AND HIS ORCHESTRA | New York City, NY | 02 October 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams(t) Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
| 30-10-02-001 | BVE63360-1 | Hittin' The Bottle - vDR | (F)RCA 741048, MoJ MJCD-173, Nw RP2009, RCA 09026-63386-2(D), Vi 23016 | DE3013a | |
| 30-10-02-002 | BVE63360-2 | Hittin' The Bottle - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013b | |
| 30-10-02-003 | BVE63361-3 | That Lindy Hop - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-1304, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23016 | DE3013c | |
| 30-10-02-004 | BVE63362-2 | You're Lucky To Me - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013d | |
| 30-10-02-005 | BVE63363-1 | Memories Of You - vDR | (F)RCA 741048, Cl(F) 596, MoJ MJCD-173, RCA 09026-63386-2(D), Vi 23017 | DE3013e | |
| THE HARLEM FOOTWARMERS | New York City, NY | 14 October 1930 | |||
| Okeh recording session | |||||
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(Cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 30-10-14-001 | W404481-A | Mood Indigo | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8840 | DE3014a | |
| 30-10-14-002 | W404482-C | Big House Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8840 | DE3014b | |
| 30-10-14-003 | W404483-B | Rocky Mountain Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-173, Ok 8840 | DE3014c | |
| THE JUNGLE BAND | New York City, NY | 17 October 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson(v) | |||||
| 30-10-17-001 | E34927-A | Runnin' Wild - vDR | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015a | |
| Arthur Whetsel(t); Joe Nanton(tb); Barney Bigard(Cl); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d) | |||||
| 30-10-17-002 | E34928-A | Mood Indigo | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3015b | |
| THE JUNGLE BAND | New York City, NY | 27 October 1930 | |||
| Brunswick recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
| 30-10-27-001 | E35035-B | Home Again Blues - vDR | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016a | |
| 30-10-27-002 | E35036-A | Wang Wang Blues - vDR,BP | Br 4952, Cl(F) 596, COPS 7395-D2, De GRD-3-640(D)(S)(T), Df DRCD-11196, MoJ MJCD-173 | DE3016b | |
| THE HARLEM MUSIC MASTERS | New York City, NY | 30 October 1930 | |||
| Okeh recording session | |||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Irving Mills(v) | |||||
| 30-10-30-001 | W404519-A | Ring Dem Bells - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174 | DE3017a | |
| 30-10-30-002 | W404520-A | Three Little Words - vIM | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174 | DE3017b | |
| THE HARLEM FOOTWARMERS | Same session | ||||
| Arthur Whetsel, Freddie Jenkins(t); Cootie Williams(t,v); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch) | |||||
| 30-10-30-003 | W404521-B | Old Man Blues | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-174, Ok 8869 | DE3017c | |
| 30-10-30-004 | W404522-B | Sweet Chariot - vCW | CBS 88000, Cl(F) 596, Co C2K-46177(D), MoJ MJCD-1302, MoJ MJCD-174, Ok 8840 | DE3017d | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 08 November 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Sonny Greer(v) | |||||
| 30-11-08-001 | BVE64811- | Mood Indigo | DE3019a | ||
| 30-11-08-002 | BVE64812-1 | Nine Little Miles - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3019b | |
| 30-11-08-003 | BVE64812-2 | Nine Little Miles - vSB | (F)RCA 741048, MoJ MJCD-174, Nw RP2009, RCA 09026-63386-2(D), Vi 22586 | DE3019c | |
| 30-11-08-004 | BVE64813-1 | I'm So In Love With You - vSB | MoJ MJCD-174, RCA 09026-63386-2(D) | DE3019d | |
| 30-11-08-005 | BVE64813-2 | I'm So In Love With You - vSB | (F)RCA 741048, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 23041 | DE3019e | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 21 November 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Sonny Greer(v) | |||||
| 30-11-21-001 | BVE64378-1 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D) | DE3020a | |
| 30-11-21-002 | BVE64379-1 | Blue Again - vSGa | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Va 22603 | DE3020b | |
| 30-11-21-003 | BVE64380-2 | When A Black Man's Blue - vSG | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D) | DE3020c | |
| DUKE ELLINGTON AND HIS COTTON CLUB ORCHESTRA | New York City, NY | 10 December 1930 | |||
| RCA-Victor recording session | |||||
| Arthur Whetsel, Cootie Williams, Freddie Jenkins(t); Joe Nanton, Juan Tizol(tb); Barney Bigard(cl,ts); Johnny Hodges(cl,ss,as); Harry Carney(cl,as,bar); Duke Ellington(p); Fred Guy(bj); Wellman Braud(sb); Sonny Greer(d,ch); Dick Robertson, Bennie Payne(v) | |||||
| 30-12-10-001 | BVE64811-4 | Mood Indigo | (F)RCA 741068, Bb 82876-60091-2-1, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021a | |
| 30-12-10-002 | BVE64378-4 | What Good Am I Without You? - vDR | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22586 | DE3021b | |
| 30-12-10-003 | BVE64380-4 | When A Black Man's Blue - vSG | (F)RCA 741068, Cl(F) 605, MoJ MJCD-174, RCA 09026-63386-2(D), Vi 22587 | DE3021c | |